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#expression overall ;__;
factual-fantasy · 1 year
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So I suddenly felt inspired to draw some more Ingo and Emmet stuff. But not the typical somewhat story driven angst comics I did previously. More like.. a “day-in-the-life-of” type deal. Like my Mario and Luigi content. I also wanted to draw some more expressions with the boys that weren’t twisted faces of tears and agony-
I also wanted to try to stay away from the hard angst this time. And just draw something that is overall pleasant. As I was sketching some ideas I realized that I never drew Elesa! Her fanon friendship with the twins seemed really fun to draw so I threw her in there too XD
I know nothing of Elesa’s canon personality so I just made it up entirely-- <XD I pictured her being the mom friend who very dearly loves her two very tall sons.
As for the last bit. Uhg, well I tried XD I can never seem to fully separate myself from angsty stuff. But at least it was light and it had a funny twist at the end! :DD
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flyingseacow · 4 months
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Ok ok ok.
Finished Cult of the Lamb (right in time for the next update)
And now I got all these thoughts.
Like the bishops?
People are already doing so much interesting stuff with Narinder, so I got nothing new there. But the others?
Leshy is interestingly enough the most elaborate and thoughtful of them, the snippet about his crown was almost poetic.
Kallarmar however, he really surprised me. Based on his previous behavior, and what the others said (including ???) I had expected a frightened sniveling crybaby, not this calm sassy thing. Not only does he seems to be the most accepting of their new life, he is super calm and friendly with the lamb.
Then I realized.... Oh. Kallarmar has already gone through his worst nightmare. He has already died, multiple times. And since the lamb has done no new harm to him, he has no real reason to fear as long as he is a good little follower. (helps that he got the absolute cutest voice) Oh yeah, and the fact that not only does he claim he was pressured into helping with binding Narinder, but also that his relic summons a skeleton - one that seems very clearly to be based on Narinder?? I have thoughts.
And Heket? Heket seems angry, but reluctingly accepting of her new life. And I realized, after what happened with Shamura, Heket was the one keeping the bishops together. For a thousand years, she was the only real thing holding up the old faith. Shamura too wounded to handle it. Leshy too young and well, chaotic. Kallarmar just wanting to hide away in his temple. She must have been under so much pressure. And she is the next youngest in the group!
Shamura is just such a tragic character. I had expected them to be more damaged without their crown, but seeing how disoriented and stuck in memories and half addled thought they are? Damn.
When I gave them the spider silk their reaction was a gut punch. I had this clear mental image of them running the silk though their fingers, mumbling to themselves, barely aware of the lamb.
Ugh, I really hope Sins of the flesh gives more lore. I got all these feels.
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euqinim0dart · 13 days
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Now that I have my artwork organized into my blog, I can see that I wasted 2022-2023 creating some pieces of work that were not "me", in favor of posting art that could possibly get me hired.
When in actuality, the art I create from the heart WILL get my hired and has done so. That weird dip period in my art is honestly the remnants of discouraging past voices finally leaving. With the irl naysayers gone it is now easier to create.
sooo if any of you noticed art styles changing suddenly one day and gone the next, that's why! but im getting back to consistency.
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paintpanic · 2 months
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Malevolent gods
Are better than none
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shadowduel · 3 months
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We talked about making it I'm sorry that you never made it And it pains me just to hear you have to say it You knew the game and played it It kills to know that you have been defeated I see the wires pulling while you're breathing . . .
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kenobion · 4 months
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Andrew Garfield at RSIFF 2023
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lunarin64art · 6 months
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V3 Chapter 4: Halloween Edition
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prince-liest · 23 days
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I’m a sex-repulsed ace, and reading the latest chapter of 666 (as well as your analysis here on Tumblr) made me realize that I have been subconsciously thinking about MY OWN sexuality from an allo perspective? And that it has kinda been messing me up?? Like, ever since I learned that sexual attraction was actually a Thing and that it’s Important To People, I had been carrying around a fear of being deficient in some way and not being able to love to the same extent as allos. (1)
Even though I know logically that’s complete garbage and totally untrue, I felt left out of the loop because people seemed to care strongly about this thing I couldn’t even imagine. Whenever it looked like a relationship might happen I panicked for a reason that I couldn’t understand. But now I’m starting to realize that it’s because I was subconsciously terrified of an ‘ulterior motive’ behind the other person’s reasons for wanting to be with me. (2) That part of the reason they even cared was because of something I don’t experience. So thank you, because this realization just clicked into place while reading your work. The thing is, this way of thinking was just internalized in such a way that I didn’t even realize it was there until literally this week. And I think you’re right; one of the main reasons behind that is because I’ve always consumed media written from an allo perspective. (3) If ace/aros are shown at all, they’re depicted as “lacking” and their character development usually revolves around being “fixed” by the story. When I was ~10 years old my mom sometimes let me watch the Big Bang Theory with her (looking back, maybe not the best decision). Anyways, there was one episode deep into the series where Sheldon (who for the past nineish seasons was probably the closest thing to mainstream ace rep) has sex with his girlfriend for the first time. (4) Afterwards, he says something along the lines of “that was better than I thought it would be”, and it’s presented as a Very Good Thing and a big step in their relationship. I think a lifetime of stuff like that makes it very easy to internalize aphobia and feel like the lesser part of the relationship. Or to feel like the other partner is making a huge sacrifice to be with you. That got wayy too long, sorry. All that was just a lot of words to say that I appreciate you. Take care of yourself!(5)
The portrayal of asexuality that you see in media being almost exclusively as you described is very tedious to me because it presumes that something is inherently lacking in aro/aceness rather than that feeling of "lacking" being something that is induced by societal norms. Actually, one of the things that I find additionally alienating is that fandom spaces specifically have been getting better and better about ace characters - but got damn does fandom not jive with aromanticism. Like, a character doesn't want to fuck? That's becoming a liiiittle more fine, it's 2024, we stan consent. But not shipping someone romantically?? Not so easy, now.
I'm glad that my work has been something that resonated with you in this respect! Alastor cares a lot about his reputation as a demon but is pretty blatantly a person who could not possibly give less of a shit about being "wrong" for not being experiencing romantic or sexual attraction. The explanation Viv gave at one point for his own understanding of himself (that he thinks he's just "waiting for the right woman") actually stuck out to me a lot because it's a very "well, nothing is wrong with me for not feeling anything, it's the world that's failed to produce a suitable person" perspective.
But having that kind of confident perspective of your own rightness in the world is really not often portrayed in media, or even in fandom, which even ten years ago was still in the throes of standardizing "Oh, no! Me, gay? These feelings are so wrong!" style m/m content and is honestly not that far off from essentially that for aro/ace characters.
Anyway, all of that is to say that there's not yet much out there that doesn't frame allo/amatonormative values as the default that "even aro/ace people can (and should want to) achieve," and that it's really fun to write a fic that is unequivocally from the perspective of a character who is aroace and doesn't see it as even remotely a fault in himself. Does he have moments where he's a little confused and trying to process how things fit for him? Absolutely. But he just doesn't strike me as the kind of guy who thinks he owes romance to Vox of all people, hahaha. I've written him trying to conform to allo/amatonormativity more with Mimzy, because I think the social standards of their time could push him into it, but Vox? Absolutely not, he does not respect Vox enough for it to even enter his mind.
And then, on the other hand, writing it from an aroace perspective centers the way that romantic and sexual interest can feel like a betrayal of a good thing. With a character like Alastor, it frames romantic and sexual attraction the same alien way that we usually see aromanticism and asexuality framed as.
In the end, this is just one of a plethora of different experiences that aro/ace people can have, but it's one that I really wanted to see represented more, so I'm very happy to write it. I'm glad that you're enjoying it!
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the-names-kam · 8 months
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in honor of me finally watching season 2 of the bad batch (and once again losing my mind over these two) i decided to redraw this old comic of mine!
(originally based off of this post by @simplysummers!)
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0xeyedaisy · 1 month
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Daziel and his creations
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snaildraws · 7 months
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Born to be legs, forced to interact with Clementine Kesh
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danwhobrowses · 6 months
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It shouldn't need to be said but I'm seeing a lot of vitriol towards Ashton about their actions and I have to say I don't agree with them.
At the clock tower Fearne brought up the shard, stated that in her opinion Ashton should take the shard because she didn't want it. Ashton decided then as a result they'd take it, but because it was an extreme risk made very aware to them all they knew the other Hells wouldn't allow them to go through with it. Ashton asked Fearne if she was okay with both of them going together alone with the plan, reiterating that they didn't want to put this on Fearne, that if they died Fearne would not be to blame, and that they have no intention of dying, and Fearne said yes.
Fearne having second thoughts at the Ziggurat was just worry, because she cares deeply for Ashton, Ashton kissing her was not manipulation either; it was letting go of fear, having no regret with the person they also care deeply for and taking the risk. And yeah, it was frightening, 10 rounds of perpetual fiery near-death situations and one actual death situation; Laura is fuming, Ashley cannot look, Liam is playing Mad World on loop in his mind, even Matt is completely on edge, but they survived. Accusations that Ashton manipulated Fearne to selfishly take the shard seem to misinterpret the shard saga as well as Fearne and Ashton's characters, they will get a very intense amount of chastising for sure, but it will be out of love, out of the fear that they were going to lose them, not because they thought Ash was manipulative.
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idkaguyorsomething · 5 months
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susan foreman initially being baffled by 1960s english gender roles but slowly warming up to them over time as a means of self-expression that was never available to her on gallifrey while her grandfather stubbornly ignores all that nonsense as soon as he figures out which set of pronouns people expect him to use.
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idolomantises · 1 year
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talking abt that one thing in velma thats on my mind a lot for the past few days (that turned into a big incoherent rambling about gay rep in media)
i'm seeing jokes about how the queer representation in mystery inc being so much better than the queer representation in velma and honestly it makes me want to go on a whole tangent about my thoughts on queer representation nowadays vs the more subtle examples decades prior.
There's this weird debate that goes on online about what is "good" queer representation, and one of the most notable and honestly annoying examples is that queer representation has to be so subtle that you could easily miss it/ignore it. i've always hated that take because its a claim mostly said by straight people who are uncomfortable with seeing characters who are openly queer and/or state their identity, but they present it as some sort of push for subtle and nuanced writing. personally i do prefer it when a character just, identifies as how they are without explaining their identity, but that doesn't mean flat out explaining your orientation is inherently bad representation. its why i will always defend the very clunky and awkward high guardian spice scene. it is absolutely poorly directed and written, but that doesn't make it "bad representation". however, I do consider the character who explains that he's trans bad representation because he is flat, uninteresting and very clearly a creator self insert. he doesn't feel like a well rounded character who's also a trans man, but just an incredibly sanitized example of trans representation.
i have many, many issues with helluva boss/hazbin hotel and i do genuinely find some depictions of queer characters just flat out offensive (you can argue with me about how angel dust being written like your average 90s gay stereotype is woke actually because he has trauma, i dont care), but i do admire and appreciate that the series doesn't want to sanitize its queer characters, even if its done poorly. though i could go into a whole rant about how i find it very telling that female characters that are queer are far less sexualized or allowed to be problematic compared to their queer male counterparts.
anyways back to velma. that show does something that i've always found pretty irritating in queer representation which is just this weird lack of faith in its audience. characters can't have a slow burn anymore. internalized thoughts, anger, frustration, longing. you have to immediately know that two characters are gay for each other, even if they're lifelong enemies. its like when modern horror movies open with the gore because they're scared people are going to be bored or leave early. there's no subtlety or chemistry between daphne and velma, they're just lovers because idk, its two girls who hate each other and who doesn't love that.
then i think about how mystery inc handled velma and her sexuality, how she was allowed to be well rounded and nuanced before you slowly realize that "oh, she doesn't like boys". i know her whole thing with shaggy is controversial among fans but i always loved how she does do something pretty unlikable but not immoral. yeah, it is shitty to force shaggy to choose between her and his dog, but i can understand her line of thinking and empathize with her. and i do like how they become friends in the end despite their awkward break up. It's always fun rewatching it and realizing that their incredibly awkward and cringe relationship was meant to be awkward and cringe. it was supposed to be weird and difficult to watch, because those two weren't meant to date each other. you could see how hard velma was trying to make the relationship work despite the fact that you never get the vibe that either character was full invested in it, unlike daphne and fred's relationship.
then you had velma and her relationship with marcie, which started off as sort of a catty rivalry (not full on attempted murder, i mean holy shit hbo velma) that slowly grows to where you're completely convinced that these two did gradually like each other. and i do really enjoy stuff like that, more subtle writing like that. which doesn't just apply to queer rep btw, my favorite ships are relationships that feel understated, something you have to really dig for and pay attention to. its why i consider bubbline the best f/f representation in cartoon. because its subtle, but not too subtle where it feels out of no where when they kiss, and nuanced in ways that enhances the relationship AND characters.
there's a good amount of relationships i see in cartoons where the creator, who is usually queer themselves, often wants to depict queer relationships, but is weirdly adverse to depicting the uglier aspects of that character, and refuses to add subtlety to it. steven universe is a show i've always felt conflicted on its handling of queer representation because on the one hand i appreciate writing lesbians that are messy, traumatized and make constant mistakes. but on the other hand, the show goes out of its way to ignore these issues and/or make excuses for it, making the decision to make these characters messy and complicated genuinely baffling (this is also one of the big issues i have with catradora and stolitz).
it makes me think back to my own work too. i really enjoy making fluffy, easily digestible gay content for my followers and myself because it puts me in a good headspace. But even now and then i like exploring those little nuances too, because i don't really enjoy stories with little conflict. Because of that acknowledgement of how satisfying it is to write fluffy, queer rep, you end up putting yourself in other creator's shoes. you're so used to media that either dehumanizes gay people or tells people that they don't exist that you push yourself to make the most in your face queer rep you can but its at the cost of an interesting and subtle characters. characters that don't really have arcs or places to learn and grow.
With bugtopia i made a joke about how i want some of my queer rep to feel like you're being queerbaited. It's not literal, obviously, but mixed in with characters who are already married and in same gender relationships, i really want to write dynamics that feel subtle enough for a bit of a slow burn. even if you know they're going to end up together, to at least value the characters on their own before centering them on their relationships. queerbaiting is something that deserves all the criticism it can get, but it is embarrassing when queerbaiting feels genuinely more interesting than actual queer rep because queerbaiting has that factor of "maybe they won't get together" that adds that bit of intrigue, vs so many shows that repeatedly hammer in your head "don't worry guys, they're gonna be lesbian lovers".
mystery inc (and many other shows) being forced to keep a relationship obvious while subtle to get through censorship really forced creators to be creative with their storytelling and not center characters around their relationship and identity. but nowadays i think shows like to take the easy way out. for me, i always thought the most impactful example of queer representation in steven universe is "Rose's Scabbard". I genuinely don't enjoy that episode because it's a good example of the show thinking that trauma is an excuse for shitty behavior, but i cant deny that an entire episode of pearl breaking down and finally accepting that she wasn't the center of rose's world. it's the crew being forced to be creative and push through censors to telling a compelling story about a traumatized lesbian slowly realizing that she basically deluded herself into thinking she was someone's savior.
I think it's silly to try to place good queer representation in one box. like subtle queer rep is good, but also queer rep where a character flat out states that their gay. where I think it falls apart is when it either reinforces stereotypes without properly deconstructing or expanding on them, makes the characters so overly kind and non-controversial that the relationship is just boring, or try to make your messy and complicated characters but the narrative refuses to hold them accountable or at least acknowledge that they're doing something wrong. and to clarify on that last part, i'm not asking for some hays code nonsense where every bad person goes to prison and/or promises to stop being a bad person again. i mean the narrative doesnt just fucking sugarcoat their behavior. i don't want to see helluva boss ignore the fact that stolas made blitzo call him out for only using him for sex and then pathetically rush to justify their relationship by giving them a bizarrely sanitized and sweet backstory. and i don't want to see catra literally end the fucking universe and only do something good because she's straight up out of options and the show just decides that that was her redemption and she doesn't need to do anything to atone for what she did (including repeatedly abusing and verbally berating adora).
anyways velma has none of those interesting qualities and i'm pretty sure daphne and velma kissed because the creator is a weird pervert who thinks two girls kissing is hot.
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leclercskiesahead · 6 months
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Designer Charles and Carlos
from Scuderia Ferrari
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Recall the tale of Icarus.
Choose to be Icarus.
Linda K. Hughes, Text and Subtext in "Merlin and the Gleam", p.166 /// Alfred Tennyson, Merlin and the Gleam /// BBC Merlin, The Last Dragonlord (2x13) /// Natalie Wee, Patroclus Dreaming /// Hozier, I, Carrion (Icarian) /// BBC Merlin, The Wicked Day (4x03) /// @pencap, Please, Let Him Be Happy /// BBC Merlin, The Disir (5x05) /// Hozier, I, Carrion (Icarian) /// BBC Merlin, The Diamond of the Day: Part 2 (5x13) /// Natalie Wee, Patroclus Dreaming /// Alfred Tennyson, The Passing of Arthur /// BBC Merlin, The Diamond of the Day: Part 2 (5x13) /// Hozier, I, Carrion (Icarian) /// Alfred Tennyson, Merlin and the Gleam /// Natalie Wee, Patroclus Dreaming
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