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#however little time I had
icantdothistodaybruh · 6 months
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Day 2, Brighton Hotel
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volatilemask · 2 months
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i love your v1mdk stuff so much i think it’s so cute but i cannot stop myself from thinking of owl just third wheeling constantly lol
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technically i just avoid this by not drawing owl whenever i doodle them being very gay but. even when all 3 hang out i think 70% of the time is taken up by mdk and owl chatting with eachother so it balances out naturally. probably
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poorly-drawn-mdzs · 10 months
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Jingles a little bell in front of you to convince you to do tasks.
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thunderboltfire · 2 months
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I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.
It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.
The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.
What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.
But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.
There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.
On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.
But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.
My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.
The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.
I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.
And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.
It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.
And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?
There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.
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rotisseries · 2 months
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planet of love
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wouldntbehim · 6 months
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@rwrbmovie & @rwrbsource’s rwrbweek: Day 2 | Song
fanmix for day 2. link [here]
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ganondoodle · 5 months
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i kept trying to draw anything, literally anything but i feel like the little package of skill i have build myself just fell and scattered across the floor, anytime i try to grab ahold of a piece of it it slips through my fingers like wet soap
on days like these i wish i had been smart enough to be anything else but a mediocre artist, but im not, im not even smart enough to be decent at the only thing i call myself to be able to do, im never going to be able to draw like i want to and i struggle to make peace with it
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mothssoup · 2 years
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— maybe you’re both a little scared of having the other’s lives in your hands again
SORRY SORRY I HAD TO DRAW THIS SCENE THEY MAKE ME ILL
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fidgetspringer-art · 10 days
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✧ The Ardal stars ✧
#artists on tumblr#art#illustration#digital art#digital drawing#dnd#dungeons and dragons#homebrew#original art#my art#my ocs#Setting: Heim#I drew these a couple of years ago now i think#but since i'm drawing stuff for this setting again i'm reuploading with updated information cause the last one is outdated#I will say right off the bat however#If you compare my designs to already existing IPs i will block you on sight#the last time i posted these they got compared to a piece of media i really dislike#and that comment alone made me fall out of love with this setting for almost two years#so please. do not. it's rude and unnecessary#These are the artefacts my setting and its story is largely centered around#Tethry is credited with creating them (Even though he didn't)#They were gifted by Tethry to each of the largest cities in the world to serve as power generators supplying arcane power to the whole city#immediately pushing the four sister cities into prosperity and progress. leaving literally everyone else in the dust#which caused some understandable tension between countries that already had a bit of a strained relationship to begin with#There is SO MUCH to these little trinkets and their link to Tethry and how finding them essentially fucked up his whole entire life#You'd think becoming the world's most renowned arcanist would be the best thing that ever happened to an aspiring caster#but to some poor dude just trying to study arcane language. stumbling across the magical equivalent of the demon core#was very much not on his wishlist#especially not dealing with the consequences of trying to make sure no one actually realises how nasty they have the potential to be#which. someone inevitably does
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puppyeared · 1 month
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Atla live action 😐
#thats my honest reaction 😐#to be fair ive only seen 20 minutes of the s1 finale bc my parents are watching it but. mmmmm kinda mid#like. the casting is definitely an improvement since the last time they tried a live action but it feels like the writing falls flat#or maybe im being harsh bc ive only heard negative criticism on it beforehand. but fr anytime u bring up the original its already#good and not just because its the original. so much fucking detail went into it to the point of someone noticing azula wielding mai's knive#to how well thought out irohs character is used as a way of uniting the cast especially as zukos foil#i heard that sokkas sexism was toned down and i have to agree that feels like a cheap move. like i get WHY they think it would be better#but its not about how that reflects on real world its about how it affects the story. sokka starts out as a misogynistic asshole because#it makes it that much more impactful when he changes. toning that down makes it flatter and makes his character development weak#and someone pointed out they didnt even make him wear the kyoshi warrior uniform and i know it feels like such a small detail but#come on man. they did that in the original because not only does it help him really walk in their shoes - wearing 'feminine' clothing and#makeup and having suki explain its significance but it also ties in with the shows theme of harmony and intersectionality#i was also disappointed when they had the fire sages explain how the water tribe draws power from the moon because in the original it was#IROH who explained it to aang and everyone else BECAUSE we as the audience is under the impression hes with the 'bad guys'#and it builds up to how he learned from the other nations which reconciles his past as a war general and his character overall#AND its an excellent starting point for the cast and audience to understand how the nations arent as closed off as you would think#plus you would think its only fire nation doing propaganda but they expanded on that with earth kingdom censorship and it WORKS#a lot of things in the live action also feel arbitrary like. they gave momo a near death experience for 5 minutes for no reason#im firmly on the stance of bringing back filler moments instead of putting major events right after each other so that u give your#audience a sense of time passing and to really absorb the story. but i think thats more like shock value than filler and yeah its a small#thing to gripe about but those things build up and its really annoying. the thing abt avatar filler moments is that however small#its at least meaningful. hell even the beach episode emphasizes how isolated zuko and his friends are as child soldiers#i also swore to never watch the first live action since it was that bad but i really liked the stylized tattoos they used for aang#anyway. those arejust my thoughts. im not gonna watch the rest because im a ride or die for the original aftr growing up and#rewatching it at least 20 times as a kid. but theres definitely room for improvement and i wish ppl wouldnt take it as 'better' just cuz#netflix is adapting it. i wouldve killed for them to just reanimate the entire avatar series and touch NOTHING ELSE no redub#no changes to the story. just reanimate the thing and leave the rest alone and youd make easy money just the same#ALSO its very jarring not hearing jack desena and dante basco voicing sokka and zuko cause their voices were the most recognizable to me#i get that its because its live action but im allowed to feel a little sad abt that. and uncle irohs accent was really soothing#yapping
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Doodles for you all
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since i’d already played the original trilogy approximately seven million times in french, i finally got round to playing french apollo justice instead. just finished it and hoooo boy was this localisation just as interesting
just like in the og trilogy, the entire thing now takes place in france (presumably paris, though they didn’t specify in this one). at least there aren’t earthquakes this time so it doesn’t feel quite as surreal.
apollo’s “i’m fine!” catchphrase is now “tout va bien !” which means “everything’s fine!”
some of the names have been translated again. for example, trucy is now called “Vérité” which not only is the french form of the english name “Verity”, but it also is the literal french word for “truth”, which gives some dialogues a double meaning whenever they’re discussing the truth. “Vous dites... la vérité... Apollo Justice... ?”
they did not change lamiroir’s name. they did however change machi tobaye to “Tomas Kashkash”, make of that what you will
in the first case, phoenix and kristoph use formal pronouns when addressing each other in court, and informal pronouns outside of court, which is fun. by the final case they’re exclusively using formal pronouns since their friendship has pretty much ended. (it’s a similar case with klavier and daryan, who switch to formal pronouns when they’re trying to be serious/professional and when their friendship starts to splinter.) (apollo and trucy use informal pronouns on each other pretty much the whole way through.)
trucy says “Mééééééé !” a lot
she also calls apollo “Pollo”
wocky kitaki (”Willy” in french) is my fricking favourite oh my god. he speaks in such verlan-ified slang i had to painstakingly decipher every single thing he said. i love him. when he said “sakom” i felt that 😔✊ he’s nigh-incomprehensible just like he was in the english version. absolute king.
in order to make wocky so iconic they apparently had to sacrifice klavier though, because in this version he is english. ENGLISH. AS IN, FROM ENGLAND. usually the french localisation takes its cues from the english version so i thought they’d keep him german, and then when he started calling people “miss” instead of “Fräulein” i thought maybe they’d made him american, like he was in the original japanese version, but NO IT TURNS OUT HE’S JUST ENGLISH??? LIKE FROM ENGLAND????? U WOT M8 JOLLY GOOD OLD CHAP CHEWSDAY INNIT????? I’M FROM ENGLAND, THIS IS THROWING ME OFF TOO MUCH
and they didn’t even commit to the englishification!! he barely says any english stuff at all! he sometimes says “miss” or “mister” and that’s... about it? he doesn’t even have any “Achtung, baby!” equivalent!! he calls apollo “M. Grand Front” which yeah means basically the same thing as herr forehead but it’s entirely in french so what’s the point?? god if you were gonna curse him by making him from freaking england then at least go all the way?? at least his “Objection !” sounds cool i guess...
and his name is “Konrad” in this version. that’s fine because “clavier” means “keyboard” in french (like the thing you type on) so i get that it would have sounded silly. but imo they should have gone in the opposite direction and picked a random english word to name him then. they should have named him Stapler or something. why’d they give him a normal name. he is Stapler Gavin in my heart
ema calls him “minet pailleté” btw which yeah pretty much just means glimmerous fop. (she studied in england too in this version WHY THE FRICK IS EVERYONE ENGLISH)
there were some fun french puns, such as calling phoenix apollo’s “mentor” (french for “mentor”, if you couldn’t guess) and then calling him “menteur” which means liar and sounds very similar
“I killed a man named “Smith” with a bottle because I am an evil human being.”
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soukeyed · 1 year
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not quite redraw from mgs2 graphic novel.. emma mightve only been alive for like 15 seconds but she slayed <3
original panel(s) under the cut
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icewindandboringhorror · 10 months
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I got these shoes from someone recently but thought they were way too plain looking, so I set out on a quest to customize them with some sharpies and charms and miscellaneous ribbon I had in my craft drawers. Mostly sky themed (clouds, rainbows, rain, stars, etc.) because that's my favorite aesthetic, but I had to include some cat imagery as well, of course lol.
#also honestly had NO IDEA that real converse have that star logo on the INSIDE not the outer part??? why the hell would you want it on the#inner portion where nobody can see it?? my entire life I always would have sworn it was on the outer facing portion..#I think these would be perfect IF they were just slightly taller (top part higher above ankles instead of just weird hard material digging#right into your ankle whenever you walk) and if they were actual good platforms. they're so short. It's good that 'chunky' shoes are gettin#more popular as they've always been my favorite Look ever since I had these shoes with roller skates that pop out of thebottom (not heelys.#but like. before those. it was two whole entire roller skate wheels like a normal pair of roller skates) and the bottoms were so tall and#clunky and it made my feet look giant (because it had.. entire wheels in the bottom pockets lol). so#I've alwatys been into the aesthetic but . still I find a lot of the 'brands jumping on trend' are too short of platforms#OR they're plafrorms with a raised back/heel/wedge which to me is not aesthetically good and also makes them exceptionally uncomfortable to#wear compared to just plain completely flat chunky platform bottoms. ANYWAY.. if these shoes had a 3 or 4 inch platform I think they'd be#cooler. however for what they are it's still fine! and I like them more now that they actually have some sort of anything to them and#aren't just plain white. The weird thing is that the material it's made out of (maybe some sort of leather or something) absorbs sharpie?#the color changes over time. You draw a mark and then leave it for a few days and it either fades into being barely there or has changed#colors. so I had to go back in and redo parts. ALSO the shoe chains are so funny because I did NOT have the right tools for them#I don't have the stuff to make bracelets or open and close the little rings. they're held onto the shoe with just safety pins and the actua#little rung things that hold the charms on half of them are like broken or the metal is just jam smushed together bent and warped hhbjhjhb#I actually like the back a lot where there's the irridecent star thing hot glued on there. it's cool and shiny. and the clouds#are sparkly on the main parts of the shoe though I'm not sure how well it shows up in pictures#ANYWAY... shoegs..... If I were rich this is one of the things I would definitely custom order from craftsman#why would I spend like thousands of dollars on plain ass shoes that are just expensive because they're a Luxury Brand when I could literall#like pay people to create me custom shoes to my exact specifications?? I could have like 5 inch flat platform boots with fur andclouds#and cat shaped holes in the bottom with LEDs in them with pom pom and charms and etc. etc. etc. Like as gaudy and excessively over#decorated as I want lol.. AND they could have skates in the bottom somehow!! ghjgbhjb#this on top of all the custom wizard costumes and period clothing I would order.. Like i LOVE customizing things. I love everything in my l#life being as particualr as possible and cultivating every experience I have to meticulously meet my own specific criteria as much#as is possible. If I had the money to I would never buy something from a store again. EVERYTHING I owned from furniture to clothing#would be either made by me - or mostly - comissioned from craftsmen. custom tiles for my floors. custom bed. custom table.#even like. custom toilet. custom sinks. etc. etc. ouGGH... but yeah.. anyway... shoes..
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obsob · 2 years
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im like tamftgebka (thinking about maia from ‘the goblin emperor’ by katherine addison)
#mine#original#the goblin emperor#maia i would die for u i would kill for u#u would not BELIEVE this problems this drawing gave me. outstanding#i actually did a whole other drawing. maia and th little people are taken from that drawing i had to frankenstein them#the like. idea is the same kinda but the other comp was bad. like if i draw and i dont have a colour palette in mind i just draw for that#comp to work in black and white. and then if i try to put colour on top it like always looks awful. why do i do that.#anyway. here he is. im pretty happy w it th colours arent exactly what i wanted but thats fine svbkdbgvd#my mum is away this week im playing house and having a good time#i got!!!! more isopods!!! ik i said i would post pics n of my magic potions and didnt but thats bc theyre very small and shy rn skjlf  bless#i got more armadillium vulgare but a gem mix theyre so pretty!!! n one of them is like absolutely huge. enormous.#however th seller was very stupid th packaging for their postage was rlly bad n th ventilation holes were too big n they didnt pack th#tupperware tight enough so loads of babies fell out n died :(((((((((( i sent her a message like. maybe dont do this n she was like oh sorry#n was like this has never happened before but im like. ur stupid. why did u use such a big box all u had 2 do was put more moss in.#they were rlly dry as well theyve spent all day hanging out in th damp moss. poor babies. theyre absolutely destroying some cuttlefish rn#so i think theyre fine <3
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yourqueenb · 4 months
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You are so right in your distaste for Blades book 2. No matter how great things get near the end, a majority of the book was horrible. They led us along like mouse to cheese. It’s inexcusable to play with their audience this way.
I only wish more people were less willing to excuse PB’s mediocrity. The signs were on the wall for me when DLS was flat out better than Blades 2, and it’s narratively quite simple. The story told was well paced, thought out, and above all kept us waiting for more each week. I cannot say the same for B2. That is sad.
I mean I do understand why people still enjoyed it and were willing to overlook the negative aspects or didn’t have much of a problem with them to begin with. Blades 1 was a fan favorite, we all missed these characters a lot, and many people (myself included at one point) didn’t believe we would actually get book 2 because of all the bait and switches PB had done in the past. But the first two things are why I personally couldn’t overlook the glaring issues.
I can’t remember who the OP was now, but I remember seeing a post from when book 2 only had a few chapters out where someone said something about it seeming like the writers learned all the wrong things about what made the book so good, and I couldn’t agree with that person more! Yeah, book 1 was good because it was different from anything we had ever gotten before. But I think the main reason it was so good was because of the characters as individuals and the relationships we got to form with those individuals to ultimately become a family. Yet they didn’t really acknowledge those individuals or relationships in ways that did them justice for the majority of book 2. And on top of that, MC’s own characterization was inconsistent at times because the writers picked and chose when they wanted us to be a competent leader and when they wanted us to be virtually clueless for plot convenience.
Book 1 was also relatively straightforward whereas it seemed like the writers wanted to turn the sequel into their own personal commentary on religion, which is an incredibly complex topic in itself. They had some social commentary in book 1, but it was done a lot better in my opinion because it didn’t take so much of a front seat. They managed to make it clear that that commentary was important and relevant to the writers, the characters, and the readers living in the real world while never robbing book 1 of that fun adventure game used for escapism feel. Meanwhile, book 2 almost felt like ‘Rising Tides but make it religion’ at times. And that’s on top of all of the other issues I’ve already mentioned in my previous posts.
I will say that I can see how there’s usually a lot of pressure to blow things out of the water for a sequel to something so beloved, and that most likely contributed to how things played out. So maybe I’m being a bit too harsh in my judgement of everything. But I still find it very disappointing to wait so long for something just for it to be so messy and miss the mark by a mile
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