#i don't have anything interesting to say here!

[imfinereallyy]

I wonder if you look both ways (When you cross my mind) pt. 2

pt. 1

🐝･ﾟ ･ﾟ·:｡･ﾟﾟ･✦ʚɞ

June 1996, Chicago

Steve doesn’t exactly know when Eddie Munson became one of his best friends, let alone when he fell in love with him.

He supposes both things occurred between the end of the world, and Eddie’s back walking out the door for the last time, unbeknownst to anyone. Though, that is five years of time, who’s to say when it really happened.

Dustin will argue the friend part. He likes to think it was he who brought them together (it certainly wasn’t; in fact, it put a real bump in the road for them). Dustin also thinks, which Steve is more inclined to think is true, that the two of them had become friends during Eddie’s slow recovery and Steve’s guilt complex, which made him feel responsible for him.

Which—ouch, Dustin—but years of therapy would prove him right.

Little shit.

Dustin doesn't know about the love part, though, and Steve doesn’t think much of the party knows except for one or two of the perceptive ones.

Looking at you, Lucas.

Robin likes to argue that Steve doesn’t know when he fell in love with Eddie because Eddie was different from everyone else.

Steve puts everything into love, moves fast, falls hard, and ultimately gets crushed by his own passion. Steve doesn’t know how to take things slow or wait around for the right person.

Until he did, with Eddie.

Steve managed to have a slow decent into the madness of loving a man like Eddie Munson. And he never did anything about it, although he didn't mind. Steve was okay with just being friends and loving from afar.

Until they weren't even that, and Eddie was gone.

Steve can't think about that now, instead he should probably worry about the man himself breaking into his apartment at 3 a.m.

"Get. Out." Robin hisses, breaking Steve from his thoughts.

Suddenly, Eddie stands. His hands thrust forward in a placating nature, and nervous energy radiates off of him. "Robin, please—"

"No, Munson. You don't get to disappear from our lives for five years, and then break into our apartment!" Robin whisper shouts, the metal bat waving around in her grip.

Steve still hasn't said anything, still unsure of any of it is really happening. But he can't help but warm at Robin's fierceness.

She will go down swinging for Steve, even against someone she cares about.

Fuck, he loved her.

"Give me one good reason not to bash your skull in with this thing, Munson. I dare you!" Robin took the metal bat and pushed it into Eddie's chest.

Steve gets a good look at him as he stumbles backward. He doesn't look much different—well that's a lie. He does look different; more tattoos, more piercings and Steve is pretty surprised to catch him wearing anything other than a band tee. It is just so all quintessentially Eddie. The jewelry is all silver, any tattoo he got after 1986 appears to be in black and red ink only. Even his tee is still black despite the lack of a band on the front.

"Birdie, I don't think you should have Steve's bat in your hands, you're a bit dangerous." Eddie tries to grab the bat from her hands but Robin yanks it back.

"Oh, fuck you, Munson! You don't get to call me Birdie, and this is my bat. Steve's is wooden and full of nails and underneath his bed. You should know that, or has the last five years really rotted your brain?" Robin is now waving the bat around with gusto, nearly missing Steve's head at one point.

Trying to shake himself from his frozen state, Steve decides it is probably in everyone's best interest if he steps in.

"Robs." Steve speaks gently, hand on the bat as he slowly lowers it down. Her shoulders drop, the fight draining out of her in seconds. "It's okay."

It's not okay. Steve doesn't understand what's happening right now. But Steve is okay as long as he has Robin, and Robin has him. Steve hopes she understands that's what he meant.

Robin nods her head, and shuffles closer to him.

Steve takes a shaky breath, "What are you doing here, Munson?"

Eddie cringes at the use of his last name but doesn't comment. "Listen, I know it's weird me just stopping by suddenly—"

Robin snorts, "I wouldn't exactly call breaking in 'stopping by'."

Eddie shakes his head, ignoring her. Stray curls start to fall loose from their bun. "I just want to talk, for you guys to hear me out."

Steve rubs a hand down his face, he is getting too old for this stuff. Being blindsided, being surprised—being thrown sideways and upside down. Sure, twenty-nine isn't exactly old, but Steve has lived practically six different lifetimes by now. There is so much damage to him—physically and emotionally. He is supposed to be past nonsense like this.

Robin takes his silence as permission to snip at Eddie, "No. Go away, Eddie. You don't get to do that. Get out."

Eddie moves a step forward, he is now illuminated completely by the side table's light. He looks tired—good but tired. It's not the kind of tired you see of someone in distress, not the ache that comes along in the tunnel that has no light in the end. No, Eddie looks tired in the way that comes with healing. Like working hard exhaustion. As if coming home from a long but good day at work, and the night grows weary.

Eddie opens his mouth to argue, but Steve cuts him off. "It's fine, Robbie. It's late; let him crash on the couch."

Eddie's shoulders sag in relief, "Thanks, Stevie, we can talk—"

"No." Steve chokes out, moving his hand towards his throat so he can remember to breathe. "You don't get to call me that. And we're not talking about anything. You'll sleep here, but that's it. I might not want you here, but it doesn't mean I'm going to let you wander the streets at night."

"Steve, please—" Eddie reaches out his hands to touch Steve. It is most likely going to be a gentle touch, but Steve can't help the way he violently flinches.

Eddie looks taken aback, eyes wide and full of sadness. He pulls his hands back.

"No, Eddie." Steve grabs Robin's hand and starts to pull her to bed. She doesn't protest and instead leans into his touch. Steve turns over his shoulder to look at Eddie again. "You'll stay the night. It's not an option. But my morning? I want you gone. I don't want you to be the first thing I see after sunrise."

Steve turns quickly back around, ignoring the pained grunt from behind him.

Bypassing Robin's bedroom, Steve pulls them both into his. Robin doesn't question it and instead makes herself comfortable in his forest green blankets.

Steve quickly follows after, snuggling into the bed beside her. People have thought them weird over the years—always in each other's spaces and knowing every little thing about each other. Partners, friends, family—all of them had something to say about it, never even bothering to understand.

Well, except Eddie. Eddie appreciated it, accepted it. Adored it at times.

"Are you really okay with this, Dingus?" Robin whispers softly between them.

"No." Steve never lies to Robin; she'll know. "Not at all, but I'm not going to let him wander the streets, no matter what I loved him at some point. I don't let the people I loved, get hurt."

Robin squints in pity, "Loved?"

"Not now, Bobbie," Steve whispers.

Robin nods, "Besides, I'm pretty sure 'Ed Sloane' can afford a fucking hotel room."

Steve lets out a loud snort, it echoes throughout the room. "God, don't remind me. What a stupid fucking name."

The two of them dissolve into giggles, bumping their heads together. Under the covers, they clasp their hands together tight. "I just don't want you to derail your life, for someone who walked so easily out of it. I know you have that important lunch with Drew tomorrow."

Steve takes a breathe through his nose, "Yea, I do. But it'll be fine. He'll be gone before I'm even up. You know Eds, he's a runner. Wouldn't stop trying to prove it, in fact."

Robin's face is scrunched in pain, and her eyes pool with pity. It's as if she knows something Steve doesn't or sees something he chooses to ignore. She doesn't comment on it, though. Instead, she raises an eyebrow, "Eds?"

It isn't snippy or accusing. Her voice is soft against his cheek. Steve doesn't have the mental capacity to argue though. "G'night, Birdie."

"Goodnight, Stevie." She whispers.

Steve closes his eyes, knowing it will all feel like a dream tomorrow.

Steve is familiar with having dreams with Eddie in them.

🐝･ﾟ ･ﾟ·:｡･ﾟﾟ･✦ʚɞ

more to come i promise, especially after your (loving demands). especially my mutuals who yelled at me in the tags and my dm's (it made my day).Part 3 is currently being typed up. Also might fuck around and make this a full-blown ao3 one shot; who knows.

tag list!:

@stevesbipanic @withacapitalp @emryyyyy09 @brainfugk @blueberrylemontea-fanfic

@slv-333 @thetinymm @connected-dots-st-reblogger @helpimstuckposting @dreamercec

@goodolefashionedloverboi @stripey82 @little2nerdy @anne-bennett-cosplayer @resident-gay-bitch

@ghostquer @sourw0lfs @devondespresso

(please let me know if you don't want a tag, I had to guess by the comments, and sorry if you’re getting a random tag after posting, I had to fix the tag list cause tumblr is weird)

#okay so now it is a thing #no more idk i promise #also this has a happy ending i promise #steddie #stranger things #steve harrington #eddie munson #robin buckley #my writing #platonic stobin #platonic soulmates stobin #stobin #platonic with a capital p #steve and robin #I wonder if you look both ways (When you cross my mind) #ao3 #ficlet #angst #hurt/comfort

[brf-rumortrackinganon]

My central thesis has always been that the Harkles wanted everything the Wales have and more. I know I remember reading that she cried after hearing William was made Prince of Wales. Right from the get go, her PR was all "Meghan is way better suited to be royal". Then there were all the Commonwealth flowers on her bridal veil and their insistence that they move into Windsor Castle. Now I don't believe everthing Neil Sean says, but his latest video mentions that Megxit was an ultimatum to get Windsor. As that is the traditional home of the Monarch, I feel as though they were attempting a coup.

Then there is the thought that Harry believes that the Dutchy of Cornwall should be split and he should eventually be made co-King or King of the Commonwealth. Let the Wales have that tiny island while they are jetted and feted around the world.

Here's my question for you. Did Meghan and Sparry REALLY believe they could leapfrog over the Wales??? I know her jealousy and envy of Catherine is bunny boiler level and he absolutely eviscerated his brother in Waagh. Has this been their plan all along?? Death by a thousand cuts for the Wales to force them to resign their place in the LOS or that they could somehow convince Charles to make Harry the heir??

I'd like to know where you think the delusions stem from. It wouldn't be the first time in history that younger brother has attempted to remove old brother from the throne.

Sincerely appreciate your blog and all the work you put into it. I'm always learning something new.

I'm pretty sure that was exactly their plan: they wanted to use their popularity to force The Queen to name them as her successors. I don't remember where I read this or when, but allegedly Harry sent "documentation" to someone - to whom specifically I can't recall, but options are The Queen, Charles, William, and/or grey suits - providing evidence for claims that he and Meghan were more popular than any of the others and deserved more than what they were getting.

And if they couldn't get the actual crown, they were going to do their damnedest to try and get a co-kingship with William. That's where Meghan's obsession with the Commonwealth came from; she had been told (again, I don't know by whom - all signs point to Harry exaggerating to keep her interested or maybe Charles spitballing ideas during his 'Magnificent Six' planning circa 2012) that William would rule Britannia and Harry would rule the Commonwealth.

I think that's why Meghan went all in on 'racist Kate.' Not only did she want to knock Kate out of the spotlight, she wanted to do enough damage that Commonwealth/realm nations would threaten to quit and The Queen would capitulate by offering to install Harry and Meghan as new leaders. This actually had a chance of working; it's been said quite often during her last years and since her passing that The Queen saw the Commonwealth as her greatest legacy and there was speculation that she would have done anything she could have to keep it in tact. And had Meghan played her cards right, she and Harry probably could have ended up becoming the main ambassadors of and for the Commonwealth, like a Commonwealth version of the UN Secretary-General.

But where the plan failed, obviously, was that it required blaming Kate for problems and issues that don't exist. Because remember, in 2021 when Meghan was making these claims, we'd just gone through the huge global reckoning that was Black Lives Matter and the agreement during/after BLM was "call racist people out on their BS. Put them on blast. Don't let them get away with it anymore." So not only would Meghan have been perfectly justified to name names, cite events, bring receipits, air the real dirty laundry and everyone would've been so much more supportive of it. But she didn't. Instead she played coy and said something like "I'm protecting them even though they don't deserve it."

Girl, please. That was Meghan's one chance to go justifiably scorched earth and air out all the dirty laundry and she fumbled hard.

Anyway. Let's get this train back on track. Where do the delusions come from? Traumatic childhoods courtesy of Mommies Dearest.

We all know Harry's story with Diana. She was a young, fun, free spirited loving mom larger than life with a neediness that she depended on her children to fill, rather than her own husband or other adults her age, so Harry grew to find satisfaction in supporting and providing her what she needed. He probably saw, and understood, the way Diana received what she wanted by exaggerating what she needed and following it up with excluding or isolating herself until whoever came chasing after her to give her what she wanted. And ultimately this led her (and Harry) down a path that ended up killing her; she exaggerated the relationship with Dodi to get attention from Hasnat or the BRF, then isolated herself in France to force whoever (Hasnat? Charles Wales? Charles Spencer?) to come chase after her. We know how that ends.

That's where Harry's delusions, IMO, come from. He saw how it well it worked (mostly) for Diana - exaggerate her needs/wants, then run and hide until she gets it - so he does it too. He probably started doing it right after she died, when no one knew what to do or how to handle him so they kept indulging in everything he wanted, so those wants kept manifesting bigger and bigger. And I think the way we see the BRF treating Harry is what would have happened to Diana had she lived; eventually the public would sour on her (this was already happening, by the way), which would then enable the BRF to grey rock her, devenomizing her in effect, and move on without Diana having too much of an influence on their day-to-day.

It's sort of similar for Meghan. We don't know specifically what happened (the way we do with Harry and Diana), but we know that Doria was a young, fun, free-spirited mother herself married to an older husband who had other priorities (eg kids from his first marriage). Unlike Diana, Doria probably didn't want the responsibilities of motherhood (which is the vibe Meghan and Thomas have given about Doria during Meghan's childhood) and left. And like the BRF, Thomas may have also overcompensated Doria's absence in Meghan's life by giving her everything she asked for, which made her asks get bigger and bigger and when Thomas couldn't deliver, she threatened to leave him...like Doria did and Thomas, erstwhile girldad he was, just kept throwing more and more at Meghan to keep her happy. Her delusions come from preying on other individuals' trauma to ensure she gets what she wants. The bigger her wants (ie the more grandiose her delusions), the harder she manipulates other people's trauma to make sure she gets what she wants. Which is kinda the opposite of Harry and Diana; they create the trauma to get people to do what they want, whereas Meghan exploits it to get people to do what she wants. Both are skills they learned after being abandoned (metaphorically and literally) by their mothers.

And all of Meghan's PR about "young mother," I think it's more insidious than that. Yes, it's a very overt evocation of Diana's narrative. Yes, it's a judgement against Kate. But it is also digs at Doria. "See? Motherhood is hard but I'm prioritizing my kid. How dare you to have left me" kind of spiteful digs meant to shame her for whatever happened that caused her to disappear. Meghan is the kind of person who must always have the last word, so I wouldn't be surprised if she's been targeting or belitting Doria about not knowing certain things about Archie/Lili because she wasn't around when Meghan was that age.

So...yeah.

I've realized now that this is the third or fourth Wednesday in a row that I write these super long analytical/in this essay I will posts. I guess Wednesdays are my thinking days...

#ask #sussexes #theories #brf

[raphael-angele]

Nico is a Baby, Bianca is Alive (The Separation)

Before the cabins decided they'll take turns watching over Nico while Bianca is away, Percy and Annabeth were the only ones Bianca trusted to look after him.

Bianca: And make sure he eats his vegetables.

Percy: We know, Bianca.

Bianca: If he eats sweets, make sure that he drinks water after.

Percy: *repeats what she's saying* Yeah, yeah. We know. You already told us like 15 times

Bianca: *sigh* Sorry. I never left him for so long.

Percy: He'll be fine with us. We promise. Annabeth will give him a one-on-one teaching, I'll make sure he wont get hurt during training.

Bianca: *narrows her eyes*

Percy: And we'll both see to it that he eats healthy and gets enough sleep.

Bianca: ...Uh huh

Nico, running to them: PERCY! PERCY! C'MON! You promised to play Mythomagic wirh me *drags him off*

Percy: *dragged off* Ok, ok

Annabeth, walking up to Bianca:

Bianca: Hope he wont be too much work.

Annabeth: Eh, he's been a delight so far. He's kinda like a mini Percy

Bianca: Now that kinda worries me

Annabeth: *chuckles*

Bianca: Maybe I shouldn't go. I'll just tell Lady Artemis that I'll go next solstice.

Annabeth: Are you kidding me? Bianca, you get to travel the whole entire world. You shouldn't miss out on that, especially after spending 70 years in that hotel

Bianca: I know. It's just...I'm starting to think that maybe I rushed into the decision.

Annabeth: Hey, you have every right to be join out of interest. And Nico's happy for you. Sure it took some time but he is. Sone time apart will do you two some good.

Bianca: You really think I'm doing the right thing here?

Annabeth: I think you deserve to find out who you really are. And that's not gonna happen if you're always gonna be concerned with the well being of other people over your own.

Thalia, entering: Bianca. Ready to go?

Bianca: *looks at Annabeth*

Annabeth: *smiles*

Bianca: ...Nico!

Nico: *goes over to her then sees Thalia* You have to go now?

Bianca: Yeah.

Nico: *hugs her tightly*

Bianca: *hugs back*

Nico: Is there anything I can do to make you stay?

Bianca: ... *slowly pulls away* Nico. You know that I can't always be by your side, right? I can't always look after you.

Nico: Yeah, but-

Bianca: You need to be a big boy, now. You need to learn how to do things without me.

Nico: B-but, I don't know how to be a big boy.

Bianca: That's why people here will help you. People like Annabeth and Percy will help you.

Nico: But why can't you teach me?

Bianca: ...because I need to grow up, too.

Nico: *hugs her again* You'll come and visit me right?

Bianca: Of course I will. Every chance I get.

Nico: And you'll send me post cards?

Bianca: I'll try to send you one every week to tell you where I am and what I did.

Thalia, putting her hand on her shoulder: It's time to go.

Bianca:

Nico: *lets her go*

Bianca: Tell you what? How 'bout I let the trainers teach you how to shoot an arrow?

Nico, sparkle in his eyes: REALLY?!

Bianca: Yeah, it'll be good on you to know how to fight monsters. And if you guys beat us in Capture the Flag next time, I'll let them teach you how to use a sword.

Nico, sparkles in his eyes: *gaaasssp* Percy! Annie! You heard that? I get to use a sword!

Bianca: *soft smile then looks at Thalia*

Thalia: Let's go.

Bianca:

Nico:

Bianca: *kisses his forehead* Arrivederci, soldatino.

Nico: Arrivederci, amata sorella

#pjo #percy jackson and the olympians #percy jackson #nico di angelo #annabeth chase #bianca di angelo #thalia grace #hunters of artemis #artemis #percy jackson incorrect quotes #pjo incorrect quotes #incorrect percy jackson quotes #angst #angst with a happy ending #incorrect quotes #baby nico #nico protection squad #nico headcanon

[aetherdoesthings]

I cannot tell you how loud I cackled when the card was revealed. One moment I was cooing at how cute this was and then I start straight up laughing at 2AM. The atrocious spelling of a child 🤣, i loved all of it! I'm wondering if the other kids notice Father's favoritism towards the reader, and how they would react? What if they bully Reader and Father steps up for Reader? 🤭 I love your characterization of Father in here. Much softer than canon which is what I needed.

~EL anon

would you like a new home? (pt 3.1)

forethoughts: thanks for the compliments about part two! i didn't expect my silly love letter to arlecchino to blow up haha. i originally was going to write this as just one big part but i changed plans. part two is called would you like some cake! i also planned for part two to be the last one but i had to sneak one in to give reader and father a happy ending of sorts :)

notes: gn!child!reader, NOT AN X READER READER IS A CHILD IN THIS!!!

You never cared about what the other children thought of you.

Father made sure you would never get hurt.

Father ensured that the very day she gave you your new toys.

Father said not to use the toys, only if I was being attacked then I could use them. 

Father said not to show the other children your toys.

And you always listened to Father to the best of your abilities.

Well, you tried.

You were walking down the hall, admiring the small trinket Father had found you during one of her expeditions. It was a compass, Father said. You followed the red needle, a huge smile at your face as you watched it shift and move.

You held the compass dear to your chest, using two hands to hold each side. Your eyes were glued to the needle you didn’t even notice the leg that swept your shins, causing your grip on the compass to disappear as your body went sideways, landing on your arms. 

Footsteps.

You got up before you could hear another thud, turning around. “Hey!” You exclaimed as one of the other orphans picked up Father’s gift, admiring it themselves.

“What? We were just interested in what you were holding, Y/N.” One of the other orphans snickered. 

“Give it back.” You said, balling your fists. That was Father’s gift to you. Yours. Not theirs.

“Why? You have more gifts than us given by Father. Not having one more isn’t going to kill you, loser.”

Don’t attack. Don’t be quick to anger. Always seek out a compromise before arming yourself. Father’s words rang in your head.

You took a deep breath, blood boiling at the sight of the other orphan haphazardly tossing the compass around. 

“What do you want?” You questioned, feet still spread apart.

“Don’t you get it, you stupid idiot? We want what you have.” 

“You’ve never wanted anything from me.”

“Because you didn’t have anything we wanted.”

“What do you want now?”

“We want Father.”’

Your knuckles started to turn red as your hands fell to your sides. “What?”

“Don’t act like we don’t see how Father treats you. Always first to get food. Extra dessert. No curfew. Bigger room? Who do you think you are? You’re a nobody! You don’t even have friends! Why does Father treat you better than everyone else?!” The orphan shoved you back on the ground, pressing his foot against your head. You stared at the orphan. You couldn’t deny that his words did not hold truth to them. Father did ensure all of that. You never questioned why Father would show you more generosity and kindness compared to the other children. Yes, Father treated everyone equally. That was obvious before you went inside the armory that day. Father still treated everyone equally even after that. You just had… perks.

“I didn’t ask to have a bigger room and no curfew.” You retorted, trying to resist.

“But you have it. And we want that too. So go to Father and tell her you want a smaller room, last in line, no dessert, and an earlier curfew.”

“That’s not fair. I’m not going to do that.” “If you don’t do that, we’ll break the compass. And don't think about lying and saying you did it. We'll know.” The orphan dangled the compass with two fingers, close to the rim. 

“Hey!” You gritted your teeth, hand slowly creeping towards the knife strapped onto your belt. 

“Three…” The orphan sneered, digging his boot deeper into your hair, pressing your head into the ground.

“Two…” Your hand curled around the helm. 

“One…”

Forgive me, Father.

#genshin impact #arlecchino #arlecchino genshin #arlecchino x reader #child #aetherwrites

[austinramsaygames]

Thinking about Actual Play series and how there are 4 parts that IMO determine if people will want to listen to it.

1. High Concept: this is what the show is about narratively. Setting, plot, characters, themes, all the stuff you'd find in written fiction.

2. Performance: how compelling are the actors involved in the show? Are there suitably funny voices? Do they all have good chemistry? Is there buy in to the High Concept? And so on.

3. Production Quality: Bad mics and poor volume balancing between players can easily take some listeners out of the story. Some of this can be fixed in post, but it's always better to start with the best raw audio you can. That's the baseline stuff but some shows also add music (whether as theme songs or for ambience) and sound effects.

4. The Rules: the most unique part of Actual Play as a format. What rule system are the performers using to inform their performances? The rules place limits on how well the High Concept functions. If you try to tell a story where all the characters are super heroes but you're using Delta Green, there's going to be some friction (which of course could be the basis of the High Concept but absolutely needs to be accounted for).

Different listeners will have different priorities for each of these, and even within them. Really liking one of these aspects within a show may allow a less enjoyable one to get a pass.

For example The Adventure Zone's Balance season is something I listened to every week. I do not give a single shit about D&D actual play and am pretty ambivalent on the High Concept but the audio quality is great and the performances are stellar.

Another example: Friends At The Table's Autumn In Hieron has frequently bad audio quality but the great High Concept of the two diverging parties and the setting, combined with the good performances makes it stand out. Also doesn't hurt that I was interested in Dungeon World.

I don't think I'm saying anything groundbreaking here, but it may be useful for those interested in actual play, fans AND creators, to consider when starting a new show.

More thoughts like this from me on my Patreon! Patrons get early access to my game design work and thoughts. Just $1 a month!

#actual play #actual play podcast #the adventure zone #taz balance #friends at the table #f@tt #autumn in hieron #ttrpg #ttrpg community #my writing

[queen-of-hawkins-why-ler]

Am I the only one who thinks that the thematic and narrative climax of s5 (and low key the whole show) will be almost a direct parallel to the "You said yes" scene from s2?? Like same exact narrative and cinematic setup of Will being controlled by Vecna to the point where he's nearly gone or on the brink of death, and Mike being able to bring him back to reality with words of love???

Like I low key feel like that scene in s2 was supposed to serve as a precursor and foreshadowing to the climax of Byler rather than just standing on its own as an isolated event. We always talk on here about how Mike's monologue to El in s4 was supposed to directly contrast that scene and demonstrate how false and unnatural Milkvan's supposed "love" is, but we never really talk about just how awkward of a placement it is for the true and "authentic" love confession (Byler s2) to precede the clunky and false one (Milkvan s4). Like, imo it kind of leaves things on an awkward note and kind of hanging.

The only way it wouldn't be awkward or unfinished is if there ends up being a followup scene/parallel to the "you said yes" scene, and I think this is what's going to happen. I think Mike's monologue to El comes after the more romantic, authentic confession not only because it's supposed to contrast it but because the show is serving us two different "choices," two different options for Mike, two different scenarios. Not just for the sake of his character arc but in a meta sense as well, kind of like asking the audience, "which choice makes the most sense for Mike given the events up until now and the themes of the show? Can he be his most authentic and happiest self with Will or El?" And the natural followup to posing this dichotomy would be to answer this question for us by showing us in no uncertain terms why Will makes more sense for Mike as a long-term love interest.

The other reason why I believe this to be the case is because of the blocking of the s2 scene and the way it's set up: with Will being unable to move, unable to say anything or regain any control, and with Mike opening up and being vulnerable about his true feelings for Will [here comes the most important part lol] IN FRONT OF the other characters like Jonathan and Joyce (I can't remember if it was the entire rest of the cast in this scene or just those two?? I think it might've been everybody bc weren't they trying to get Will to communicate with them using morse code? I don't remember lmao) but anyways, I don't think it was a coincidence that Mike gave his grand "Do you remember the first day that we met?" speech not only to Will himself but in front of the other characters. Remember as well that Mike also confessed his "love" for El in front of an audience, and I don't think that's a coincidence either. I think it's leading to a final confession from Mike that will also take place in front of an audience and will serve as the "choice" that Mike makes between El and Will as well as the "choice" the Duffers present as being the correct narrative and thematic choice for the show. It's important that Mike's initial two confessions took place in front of an audience and also that his final one will, because this will also serve as Mike's "coming out" moment to the rest of the characters and to the audience. I think that Mike is going to have a second speech to Will that isn't just "I love you I love you I love you" over and over again like it was to El. It will be sweet and unique to Will and Byler's relationship except this time it will be explicitly, undeniably romantic so that no one will be able to even think that what he feels for Will is anything short of genuine, passionate, romantic love.

I wouldn't even be surprised if what Mike says closely parallels what he said to El except basically the opposite, alluding to the fact that it wasn't "love at first sight" for him but a slow, gradually building and gradually cultivating love that blossomed over the course of his entire life. Instead of "I knew then and there that I loved you" like he did to El, he could say something like, "I didn't realize it yet when I met you, and I'm not even sure I know when it happened, but I think I've spent my entire life slowly falling in love with you." And he says it with tears in his eyes and in front of all of the rest of the characters, who will also be crying (especially Joyce lol). And of course Will will just be sobbing even through Vecna's control over him, but it will be Mike's love that ultimately frees him from Vecna's hold over him. This would make sense, because unlike El, Will's story has never been about independence and breaking himself free, but about him and Mike breaking themselves free through teamwork a la "I think that we should work together. I think it'll be easier if we're a team."

#or maybe this is just wishful thinking #lmao #i just want a teary-eyed love confession #from mike in front of everybody #i deserve it we deserve it #byler #byler is endgame #byler is canon #byler brainrot #byler analysis #mike wheeler #will byers #mike wheeler analysis #st5 #st5 speculation #st5 predictions #mike wheeler is not straight #mike wheeler is a boykisser #mike wheeler is in love with will byers #mike wheeler is gay #gay mike wheeler #byler tumblr #byler nation

[drbased]

Does it ever make you ever feel depressed that men have more variation in IQ? That means even though there will always be more male idiots, there will also be more male geniuses. So women can excel in any field, but a man will almost always be the "best" in it. It just makes me feel inferior every time I think about it, way more than strength difference does. Not only that, but they also have higher variation in all types of brain structure. That would mean men are naturally more diverse, personality-wise.

Sometimes I get into these negative thought processes about stupid shit and it totally consumes me. This is my latest one... Please help

Hmm.

Well firstly, IQ is a completely fake concept designed specifically for eugenicist purposes. You can train for an IQ test, your score can change depending on the day, and your score doesn’t mean anything apart from how good you are at IQ tests. It’s not a measure of intelligence, and ‘intelligence’ isn’t real anyway - as in, there is no such quality of uniform intelligence. I think it stands to reason that the highest IQ scores will be from men, because the tests are constructed around a fundamentally male world-view and value system as well as a white one. And that is what depresses me more - that ‘intelligence’ is viewed as some innate quality that only oppressors can possess so they can prove that they deserve their place in a meritocracy. It’s like that controversy about men winning more at Jeopardy than women - the world is structured around male interests and values, so men achieve in mainstream contests and use that to retroactively justify the legitimacy of those values and interests in the culture.

I’m less interested in the concept of a man beating a woman at certain activities because of him being smarter than her, than I am about him beating her because he's socialised from a young age into enjoying and valuing those activities - but also often regardless of his actual performance, he's also by default assumed to be better and more competent than her purely because he's a man. Take for example that study where when they did blind auditions for orchestras, men still got in more than women, but when they put carpeting down so women's heels couldn't be heard, there was finally a more equal ratio of women getting in. Or those studies where identical CVs given out and names that are typical of women, black people etc. get seen as less competent than those with male and white names.

We don't live in a world where we can objectively measure men's 'natural' abilities at anything psychological. But we do live in a world where we know that women's skills are massively undervalued - women have all sorts of intelligences that make the world run round; we're excellent negotiators, we're less violent, we're great at remembering, we have greater compassion, we make good leaders, we are more responsible, we have greater tact, we are safer in the workplace, we're more conscious of social issues and the environment, etc. etc. And none of what we have is seen as 'intelligence'; in fact, quite the opposite - many of our intelligences are dismissed outright as sentimentality and pearl-clutching.

Once again, though, I don't believe these traits are uniform across all women, or that they're 'natural' to us, just as men's traits aren't 'natural' to them. In the nature-nurture debate, there are too many factors in nurture that can't be realistically measured - and I have a suspicion that for many, feminists included, simply saying that men and women naturally possess certain traits is an easier narrative to swallow, because for many women the fear exists that if men can be socialised to be better, then dismissing them as evil would be morally wrong. But I don't think people need to be intrinsically, ontologically evil for us to dismiss them as oppressors - I simply judge by behaviour, which is more measurable.

Going back to intelligence, I think it's also worth saying here that women are socialised into not recognised or appreciating our skills, and to partake in behaviours that psychologically hobble us. Take for example in that orchestra study - under a feminist lens, wearing heels is a form of hobbling that's both literal and psychological. The woman is performing a feminine ritual, wearing a physically debilitating item that submissively marks her as a woman. Not to say that she would be respected more if she was gnc, but I find it interesting how women accidentally lost their spot on the orchestra in the study because their performative clothing made them noisier and easier to recognise as women. And on top of that, we have stereotype threat - there was a study done where men and women were performing some sort of test, and in one half they were in normal clothes, and the second they were in swimwear. In the second one, women performed more poorly than they did in the first, and men saw no change. Once again, we have two inexorably interlinked factors at play, here - women's swimwear is not built for utility but rather to be sexy, and women's bodies are considered inherently sexual; that's not to say that if women were wearing men's swimwear they'd do better at the test, but rather women are socialised to be self-conscious of themselves but also expected to show more skin - we're expected to dumb ourselves down in the name of being sexy.

The upside in all of this is that the moment you recognise that these things aren't set in stone, and rather that these are all skills you can develop if you gain confidence in yourself, you develop a robust sense of self that you can be comfortable and happy with regardless of external measure of male-approved success. I, for example, found confidence in myself and my writing, and now I'm finding success and getting praise online by women on tumblr. It seems you're best finding yourself environments surrounded by other women, especially feminist-minded women who are consciously choosing to fight against established biases by valuing the skills of women that are undervalued by society. Devaluing male interests and achievements in your own head is something you can also do, and I once again recommend feminist spaces as an excellent opportunity to de-program (obligatory plug for my side blog @learningwomanhood where I do exactly that).

For me, the biggest wisdom to be gained from feminism is the psychological distancing yourself from male thought - the more things you reject that you once unthinkingly believed to be normal, the more you feel that you can truly be human, vibrant, unconstrained; and the more silly the whole enterprise of patriarchy looks. It's not nice that rejecting patriarchy means rejecting mainstream society, but the older you get the more you realise that you simply can't dwell on these things and instead have to do what benefits you within it; nobody is owed a perfect existence, and once you realise that you have to choose a life for yourself and choose to be happy with that, your life will be much more comfortable. In the end, life is all about the gestures of love you make to yourself and others. When you realise that it's your job to be your own best friend, you can carry that energy with you your whole life; you will be inpenetrable because all that matters to you, no matter what situation you're going through or what hell you're in, is that you made decisions that showed love to yourself. That could be considered a form of intelligence - perhaps wisdom itself is a form of intelligence that is devalued specifically because it's female-coded. But wisdom sounds like nothing until you internalise it - all the language in the world can't seem to really get to its essence until something inside you clicks and you understand it.

One thing I would like to say is that those negative thought processes you have are not stupid: they are a valuable part of your processing of the world and are worth attention. We have this cultural idea that with regards to mental health, the parts of us that are 'real' and 'valid' and 'truly us' are all the good parts, and the negative thought processes and patterns of behaviour are like cancerous tumours that need to be artifically removed. One of the best things I ever did for myself is to take myself seriously - because that's my prerogative, as myself and my own best friend. The only thing 'bad' thing about those thought processes is that they cause you distress; that's it. So, then, it's up to you to decide how much you want to indulge in them. I find the best way to really tackle unpleasant behavioural patterns is to simply do them shamelessly, because clearly a part of you wants to do them anyway; one of the first ways I got out of my depressive spirals was to decide that I was going to do all the depressive actions (stay in bed, eat junk food etc.) but simply embrace that those are things I want to do and not feel guilty or sad about it. That way, the depression hasn't consumed me and instead I have made a choice - I have reformed my relationship with myself as an active agent and a made a choice to show love for myself through the gesture of taking my desires seriously, not dismissing them as 'mentally ill'. I could go on but the point is that all of your head is necessarily you - as in, it doesn't come from anywhere else but you, and therefore all of it should be respected and valued. Mainstream society won't tell you that - there's always supposed to be a limit, there's always something that's 'unhealthy' in some sort of metaphysical sense, there's always a part of you that's supposed to be beholden to some external standard, that keeps you feeling insecure and needing validation. But there is no true objective measure of a healthy mind; the only thing that matters is if you're comfortable with yourself, and you can always make gestures of love to yourself regardless of your situation.

#my writing #anon #theory posting #wisdom posting

[ladyvialana]

Very much enjoyed the first season of The Dead Boy Detectives.

It was fun, with great characters, interesting storylines, good pacing, and a fantastic ability to balance light-hearted storytelling with some pretty fucked up content at times.

Episode 1 was a little clunky and exposition heavy, but it's only really in that first episode (unlike fucking Wednesday!) and it's pretty easy to look past once they get into the main story. The rest of the episodes are much smoother.

Character interactions are great and all of the characters feel rounded with an actual backstory that influences their interactions and distinct personalities and traits that affect their actions. They're not just plot devices or vehicles for narrative.

Before going into any more detail, I'll just say I really enjoyed it. It's probably not as sophisticated or polished writing or style-wise as The Sandman, but it's still a really good spin off. I'd almost put it in the same vein, tone-wise, as The Umbrella Academy, though perhaps not as irreverent. Much better than similar Netflix teen supernatural dramas like Wednesday or Sabrina (and probably more mature and sophisticated, storytelling-wise than those shows).

I really enjoyed it, am looking forward to/hoping for a second season, and will definitely be watching again.

*

More detailed spoilers under the cut for those interested in my opinions about a few specific storylines/characters/episodes:

*

SPOILERS:

I am honestly surprised we don't have more people hitting on Charles. He is genuinely charming and charismatic as well as kind of open and sincere. Like, Edwin's a standoffish Edwardian public school boy with weird interests and zero people skills. I adore him. But he has negative charisma, especially compared to Charles' eyeliner and grin. Like, why is everyone chasing after Edwin? It's a role reversal I can definitely get behind, but no one is trying to get up into Charles' personal space aside from Crystal? Really??? And even she probably wouldn't have gone for it if he hadn't made it obvious he was interested in her first. Like, I really do get what the writers were trying to go with here, but it's one of those choices that kind of stretch narrative believability a little.

In saying all of that, I'm kind of a sucker for queer pining arcs that could go either way. So the not-so-subtle reveal of Edwin's feelings was both beautiful and painful in the best ways.

Episode 7 was a highlight for me. I'd been waiting for the pay-off from Edwin's backstory and the hellfire sword hanging over his head. But the flashback to Charles' death was probably my favourite scene in the series. Everything about that episode was fantastic, from the tension to the individual mini character arcs in the episodes (Nico coming in clutch with her reading comprehension skills! Crystal finally kicking David's ass!), to the beautiful release of the confession in Hell. I loved all of the insight we got into all of the main characters, knowing the truth of the kind of people they are. Knowing that, yeah, these are all good people who would do anything to help, and who love fiercely. But also, that doing what you can for the people you love sometimes involves meat cleavers and Molotov cocktails.

#dead boy detectives #dead boy detectives spoilers #text #vialana's rambling

[essentialthyme]

Having thoughts about Toshiro I don't know how to articulate, so here's a messy rant, I guess!

Yes, a bunch of people dislike him because of Farcille. No, I don't think there's anything wrong with that. Straight people have committed real-life violence against gay people for being gay for ages, and they still do, so I think we can handle shippers of a fictional wlw ship disliking a fictional male character for having feelings for one of them. It's not that deep.

Laios and Toshiro's conflict is more complex. We have been following Laios for a while now, and we've only been hearing about Toshiro up until two episodes ago. It's natural that people will tend to take Laios' side. I also think it's a bit malicious of people to talk about racism here when the setup for the disagreement is shown to be between Laios and Toshiro as individuals, and the clash between Laios being austist and having a lack of social skills, and Toshiro keeping his feelings and thoughts to himself. Is it because of his culture? We have Maizuru freely opening up, and Inutade is very extroverted, so that's not the impression I got.

To say Laios' was committing racist microagressions by talking to Toshiro and being interested in the land he came from and the monsters they have there and seeing him as a friend, and for calling him Shuro after he misunderstood his name and Toshiro did not correct him, I mean? It seems a little disingenuous to me.

Not to mention, Toshiro was intended to be a polarizing character. His negative reaction to the party's use of black magic, while can be understandable as it is born out of concern, is extremely antagonistic to the main characters. You know, the people we have been following since episode one and came to care about? Them. We, as an audience, don't want Laios and Marcille handed over for using forbidden magic. We don't want Falin to rest in peace. His stance goes completely against everything that we care about as viewers, and we haven't had the time to know him, to grow to like him.

To act like it's unfair for people to dislike him? Idk. It's really not that unexpected.

#dungeon meshi #delicious in dungeon #i've been calling him shuro in my previous posts because i've made them as i was watching the episode #and it had not yet registered that my previous assumption toshiro himself was going by a fake name was wrong #head too full of chimera falin tbh

[mysadblacksoul]

Backslide - 3/13 of the Clancy album

Grab a coffee and let's start this madness

MV

Tyler is wearing the same clothes that he wore in Overcompensate MV to I would assume that this MV takes place right after

Let's break down the signs first

We see the return of Ned Bayou as well as FPA, now standing for Food Petrol Etc.

You can buy 9 buns for $21, love the symbolism

There is a Jim sign omg. Baby is having his own bubblegum business

Of course the Bishops sign with 9 lines marked on it

I could've sworn that the black sign says "Dema Vapes", but looking closely I believe it's "Velma Vapes" lol

What is more, the cones (?) are yellow and I'm pretty sure that the fact that there are 5 of them is not an accident

They sold him bread that went bad lol. Nah for sure it's not the case since he gives the same bread to a child

But I believe that the scene and the lyrics are closely tied with Stressed Out

Now the next scene is interesting

I think that the bad weather is a simple metaphor for feelings of anxiety or fear

We can see that Tyler was contemplating then he was suddenly pulled from his thoughts

This is when the scene changes to normal, right? Exactly on the line It's over my head

Then we move to the scene with the kid

And I really believe that this little lad is personification of Ned

Like he has the same boba eyes lol

No but for real, this is parallel to Chlorine - kid is giving Tyler a cup just like Tyler gave to Ned. Yet he accepts it and drinks whatever is inside and Ned just shudders

Another interesting thing, that could make my point more valid is that the kid literally asks Is that a stain? You should change / Are you doin' good? / Did you solve all of your problems? like he knows Tyler very well and is in a way looking out for him

It's like he's keeping Ned by him - okat I'll stop

It might be a stretch, but the N kinda looks like a mirrored band symbol, do you also see it?

If 0.75c is equivalent to the cost of one bun than Tyler is being ripped off since he paid $21 for the pack instead of $6.75 lmao

Something is really wrong with those buns lmao

Then the mood changes again, but this time is even worse. Like his mental health is declining even more and even faster

The bread is wet, the day is ruined, thanks Mr. Joseph

You killed it Josh, love your creative mind

*funny music stops*

Now let's talk about the way how the MV is looping itself

I would say that it is a demonstration of the twisted circle that is life

Maybe it's a very basic analysis but I think of all the complicated lore-oriented MVs this one is uncomplicated

What is shown here is how our psyche can play tricks on us and how we can complicate a rather simple situation ourselves

If Tyler hadn't had dark thoughts then nothing would have happened to the bread, so he would have just gone and given it to Josh

This shows how our psyche itself can abolish the situation in which we find ourselves

Looping, on the other hand, shows that as long as we don't do anything about it ourselves, we will be stuck in this fishbowl (see what I did there?)

Maybe it's one big AD to check your mental health and a sign to try to get better

Lyrics!

Rat race, place to place, adding weight / Tendencies on repeat, innit? - rat race for sure happened in Dema, and repeat is literaly the loop, innit meand that Clancy is canonicaly British

Benefit from a shoe with no lace - shoe with no lace would make you fall back on the behaviour that you are running from

Take the seat with the crease in it - seat of someone who already tried to change their life, or even who had the same dreams and hopes for better future like Clancy

This could be parallel to When I leave, don’t save my seat/ I’ll be back when it’s all complete from Chlorine

I don't care, you control me / Leading me anywhere - well, all I should say is Dema don't control me and we all know the rest of the story

I don't wanna backslide to where I've started from - he doesn't wanna go back to his back habits as well as doesn't wanna go back to his life before he tried to escape

There's no chance I will shake this again - if he falls back one more time that will be the end of him. His psyche won't take it anymore and his plans will be buried

'Cause I feel the pull, water's over my head - this is parallel to Fall Away And I, I can feel the pull begin. But it also gives me the parallel to Holding On To You MV, the scene with the rope

Strength enough for one more time - like I said, this would be the last attempt to change everything

Reach my hand above the tide - it could indicate that his physical strength is also wearing out

I'll take anything you have / If you could throw me a line - again with the line. But it also can mean that he can endure anything now, he just needs a little helping hand

I should've loved you better - this line can be directed both to himself but also to the person who extends his hand to help. He might not have appreciated both parts before and now regrets it

Do you think that now's the time / You should let go? - This line is like both a request and an apology. As if he wants to say “I'm sorry I treated you badly before but please don't leave me when I need help”

Bad place, on a hundred-dollar bass - this line is also giving me Stressed Out. You can imagine the cheap bass being transported on the bicycle right?

Kinda wishin' that I never did "Saturday" - I think that he doesn't mean the MV irl lol, but the regret of taking part in Bishops' manipulation altogether

Is that a stain? You should change - a play with mentioning Saturday and the lirycs She said that I should change my clothes

Are you doin' good? / Did you solve all of your problems? - like I said before I believe that this is Ned looking out for Clancy, wishing him well

Thanks for asking, in a way, but / Accidentally uncovered a new one yesterday - safe to say that he is not doing better lol

What happened to what I brushed under the rug? - what happened to how well he used to be able to hide his problems and true feelings

I used to be the champion of a world you can't see / Now I'm drowning in logistics - if viewed as a fact that he created this world it now looks like he wants to regain all control over it. Logistics is to take care of the management of planning. And once again we see the mention of drowning

The bridge is acting as an externalization of his myhs and fears that even if he is outside the Dema, the Bishops will still have control over him

The entire song is about both regaining conrol over the world of Dema but also regaining control over himself, his psyche.

The main theme is about not going back to old habits.

The most important thing here is progress and pushing forward.

Because one wrong move can make all the work in vain and we will sink to the very bottom.

Safe to say that I liked it haha

#band #emo bands #emo #emo quartet #twenty øne piløts #twenty one pilots #tyler joseph #josh dun #skeleton clique #tøp clique #twenty one pilots theories #twenty one pilots clancy #clique as frick #clancy #clikkies #backslide

[lovezbrownies]

(MYandere! Superhero x GN!Reader)

Masterlist

(Decided to make an oc strictly non-sexual, so he is asexual, I noticed I've been making a lot of sexual fics lately and wanted to change it up :) have fun! Also made my posts prettier )

Synopsis: You don't check the news often enough, so when civilians were warned against walking near or through a certain area you were none the wiser... Giving your stalker a chance to save you from doom.

Luminary x Reader.

Warnings: Mentioned stalking, kidnapping, not edited at all :(.

You had a routine. Get up bright and early for your 7 AM office job, get to work, come home at 2 PM, relax for 2 or so hours, then go out for a short walk at the park near your apartment. You never really deviate from your usual walking pattern, yet today you felt adventurous– Ironic, of all days to be adventurous and wander off to a new path that same exact path ends up being infested with blood-lusted slime creatures from the dark abyss of this world.

Obviously you thought something was off but you just could not put your finger on it! Sure it was creepy how as you kept walking the area got quieter, lonelier, darker, but you just thought that there was some superhero nearby and everyone wanted a picture with them, that has happened before. Or maybe today just wasn’t your day, your natural ‘hey this feels dangerous let’s turn back’ system may be experiencing some difficulties… And now you find yourself running faster than you have ever run in your life. Leaping away from the hungry monsters attempting to catch you and devour you.

These slimy demons had popped up a few decades ago, a few years after the sudden appearance of super humans. No one knows where either came from, how they sprung, or the exact science behind their sudden appearance. But now they’re here, not a lot of people get blessed with super powers, and those who do immediately get enlisted, either by their own will or their parents force them to when they’re young. Some people don’t enlist even with superpowers, some people have such rare superpowers that they’re forced into the work field, those people mostly being healers and supernaturally intelligent people.

You were none of those, a normal average human, with a normal average job, and a normal average routine. And here you were, endangering your life, for your stupid physical health. Not like you’d have any of your physical health after this, you’re going to be in a monster’s stomach in about 5 minutes. You already were slowing down, the constant zig zagging decreasing your stamina fast. Looking back at the monsters chasing you.

What you didn’t expect was to stumble over an exposed cable, falling flat on your face, your ears start ringing, blocking out the noises of your own panting and whimpering as well as the monster's evil noises. You immediately huddled into the fetal position, as if it would minimize any of the tormenting pain you’ll be feeling soon but… nothing, no ripping of the skin, no crushing of the bones, no hearts being slowly devoured by evil monsters. None of it. 

Yet you kept your eyes clenched shut, maybe the monsters are confused with your stupidity that they just stood there processing before they finally have at it. Slowly the ringing in your ears subsided, and you heard nothing, no growling monsters or anything, nothing other than your own panting, as well as… footsteps? The sound of a sly chuckle startles you, causing you to crack open your eyes and you were greeted by the shining bright smile of the world famous superhero, Luminary.

Luminary– A man of unnaturally strong power, he was invincible, untouchable. You liked him enough for saving the city many times before but didn’t really idolize him, superhero or not he still was a human with human emotions, whatever people say about him online can still affect him. So you kept to yourself when it came to superhero affairs. But from the short snippets you’d see online you had a lot in common with him, shows, interests, hobbies. You always thought that it was all a carefully crafted lie to make him seem more relatable to the average plebeians, or whatever who knows.

You were star struck, ironically enough you wanted to act normal around him but you couldn’t even form words. Luminary’s shining smile still pointed towards you. He held out his hand, intending for you to grasp at it and use it to steady yourself up. “Hello there! I take it you haven’t seen the news this morning, huh? Haha! No worries, your trusty hero is always there to save you.” You just sat there gaping up at him, the personal embodiment of a star. 

Maybe it was the exhaustion, the shock, or the superhero in front of you, but you fainted, completely collapsed, thankfully you didn’t hit your head since you were already lying down.

Luminary had watched you run for your life from the creatures earlier. But he couldn’t care less of them, his eyes were on you, the person he’s had a crush on since the 11th grade, you never knew of his existence but he didn’t care, he’ll eventually weasel his way into your life but right now he’s content on stalking you. Or so he thought, until you endangered your life and almost got yourself killed when you tripped.

Seeing the once in a lifetime opportunity to weasel his way into your life. Luminary picked you right off the dirty ground, his heartbeat accelerating, every little part of you he touches feels like electricity. Years of one sided obsession and just now is he making contact with you, practically committing himself to abstinence just for you. Luminary felt like a schoolgirl as he giggled at the sight of you resting your head on his shoulder.   Luminary’s flight home was delightful, you smelt amazing, and you even snuggled into him in your sleep! He could just explode! Once he entered his humble abode, Luminary placed you on his bed, his eyes practically turning heart shaped at the thought of late night cuddles with you…

#x reader #yandere x reader #oc x reader #yandere x darling #gn reader #yandere oc #yandere oc x reader #yandere hero #yandere hero x reader

[discountsoysauce]

I don't understand the idea that Victor has no backstory. Like- yeah, his backstory isn't as horrifically tragic and detailed as Eli's is, but we do know a good bit about him from what he's said so far.

His parents are pretty successful, so we can assume he grew up rich. Victor states that they write all of these books about family but have never taken time out of their day for him, even saying something along the lines of the last time they put aside time for him was his birth (not exact quotes, I don't have the energy to look back through the books rn), so we can assume that they were incredibly neglectful, most likely leaving him at home for days, weeks, maybe months at a time and probably not paying much attention to him even in times when they were home. Whether they paid someone to take care of him in that time or he had to learn to be self-sufficient is debatable.

I personally don't think they were physically abusive, and there doesn't seem to be any evidence at present that supports that idea. Verbal abuse is more likely, but I still don't think it was the case. It doesn't seem like they were around him long enough to do either. I don't think those things really need to be a part of his backstory to make it interesting or compelling. His parents were neglectful, and it shaped pretty much everything about who he is.

The biggest and most obvious one is Victor's obsession with attention. There are multiple references throughout the books of Victor craving attention from those around him, namely Angie and Eli. More than anything, Victor wants to be seen. He wants to be a part of something. He wants to be remembered and acknowledged and thought about. He craves the attention his parents never gave him. He doesn't want to be left behind or forgotten.

Being left behind is another big fear for him (I'm mostly speaking about Lockland here, as he becomes a bit less dependent after he becomes an EO, though there can still be an argument made about him latching onto Mitch and Sydney and Dol and Dominic in a kind of makeshift family he never had). He hates seeing Eli succeed because it feels like he's being left behind. He wants to be so intertwined with another person that they can't possibly forget him. He wants to form a connection so deep that it's impossible to sever. To Victor, there's a connection between 'success' and being left behind. He doesn't want to just be an expendable sidekick or an accessory. He wants to be an integral part of someone. Victor's life revolving around Eli is a symptom of his upbringing.

His social skills and general demeanor are also something that can be analyzed. From the beginning, he's set up as the antithesis to Eli, from social class to backstory to appearance to demeanor. They're the same at their core, but opposites in nearly everything else. Compared to Eli, Victor is a total recluse. He hates being around people, he avoids parties, and we barely see him interact with or pay attention to anyone except the people he genuinely cares about unless he absolutely needs to. His demeanor is off-putting, and he doesn't really make an effort to hide that, although he does just enough to make sure he isn't a complete social outcast. Victor grew up in one home with no siblings and parents who were hardly around. Compared to Eli, who was carted from home to home, meeting new people and learning how to blend in all the time, Victor likely doesn't have much in the way of social experience. He didn't have to hide who he was nearly as much as Eli did because there was no one there to see it anyway.

This being said, he is described as being a good liar and able to fool those around him, although notably worse at it than Eli. This one is more of a longshot, but I don't think it's improbable. Victor's parents were successful published authors who garnered their success based on the books they wrote about family. It's possible that Victor had to make press appearances at some point when he was younger, and learned how to lie for the cameras, or he just spent so long out of the company of others that he started seeing other people as more objects to use and less real living people, making it easier to learn the motions of manipulating them. Either way, Victor learns how to do or say the right thing to get someone to believe him, but he states that Eli is much better at actually faking emotions than he is. This is because while Eli spent his life following his father's death surrounded by people and thus learned how to change his entire self to appear more presentable to the general public, Victor only learned how to manipulate people through speech or actions. He can tell you exactly what you want to hear, but he can't put on a fake persona the way Eli can because he never needed to.

In conclusion, Victor does have a backstory, and it informs every aspect of his character, including his relationship to Eli.

#this isnt me defending victor this post got away from me a bit lmao #a not entirely serious mention of the idea that his skewed morality could also be a result of his upbringing #i mean #the man had no role models #and was pretty much raised on crime dramas #cmon #hopping off my soapbox now #i got tired near the end can you tell #Victor's backstory isnt explicitly outlines the way Eli's is but its There #i came up with most of this as i was typing #vicious ve schwab #vengeful ve schwab #victor vale #villains series #eli ever #eli cardale #vicious #vengeful

[moonriver080]

【Funny Story Time】

I wrote an article for my 6 pictures

I tried to machine translate a paragraph and modify it.

But it's too long. I give up.

During Links meal breaks, the chains sometimes share anecdotes from the past to improve their understanding of each other ......

Well, sometimes it's not so much the anecdotes that are shared as it is the puzzles or the creepy pasts that are shared on reflection. (And some people seem to enjoy it.

It was a spring-flowery afternoon, and the sun was just right, and mixed with the sweet aroma of the chef's well-cooked courser milk soup, it had to be said that it was a very good soothing respite for Links, who had just finished a hard-fought battle, both physically and mentally.

Everything was just right, so Warriors let his guard down and picked a conversation that had left him a bit exhausted for the next week (Oh! Don't get me wrong, it was actually quite an interesting process and development /grin/)

Huh, how could he be blamed, after all the Warriors, who was more social than the other Links, was relatively adept at grasping the melodrama of the atmosphere, knowing when to be quiet and when it was better to have a chat.

They all understood that the team was, with the exception of certain ones, clamshells that had come to life one by one. (Or maybe some of the outgoing ones are actually clamshells.) (Aha! A new way of flirting with oneself is born.)

Anyway, this is why Warriors wave his spoon smugly (like a tiny flag): "...... When we triumphed, the streets were filled with petals and ribbons, and people clustered in the streets and upstairs and on the rooftops, and though, trampled by the war, both the roads and the .. were somewhat depressed ...... Well! That part doesn't matter now!"Warriors stirs the soup and takes a small sip (any more and we won't be able to start a conversation today, Wild, the

boy's food is gaggingly good), "...brave soldiers walk the streets of Castle Town, their footsteps without the thunder of applause that rises up at the first moment, and my beloved Epona kicks and stomps (and here it's being torn apart by sunlight) down the stone streets, edged in gold, and the streets are filled with the most beautiful and beautiful things in the world.My beloved Epona was kicking and stomping along the stone streets edged in gold by the sunlight (glared at by a certain few here), flowers were thrown from all over the place to send blessings to the soldiers, and the fallen flowers covered the whole road, Aaannnnnd!Of course~ I received the most bouquets of flowers~ No matter which way I looked, the screams were like the rising of the tides that rose up and down, and went on and on and on~"

Warriors grunts and laughs as he speaks, lifting his bangs and skimming the ends of his hair.

Gee, he's always showing off his hormones that have nowhere to go.Legend smacked his lips on his spoon, the delicious food immediately soothing his prickly nerves caused by the teasing, but ......

Putting aside some of his "preconceptions", Warriors was indeed a strong general with leadership qualities, and under the circumstances, it was only natural that he would be welcomed to protect the people, lead the soldiers, gather the divided world, defeat Ganon, and bring safety to the people.With this in mind, Legend picked out the fruit in the soup and took a bite.Looks like he's popular, that's really good. Well, yummy.

(Wild has fine-tuned for everyone's tastes, the golden apple chunks added late in his bowl are soft, crunchy and sweet after micro-cooking, rich in flavor, he had asked for some seeds long ago, but Wild said that this golden apples are produced by probability,. Hummm, Legend who is the hottest apple supplier in Hylia and Loria' smiles but does not say anything.)

But ......Legend chewed another bite of apple chunks, looking at him like this is really unpleasant ah.Legend was disgusted by the image that appeared in his mind of Warriors riding horses and throwing flying kisses to stir up a cheering crowd of cold shivers, ah, can not think about it, a little stomach.[I'm not sure if this paragraph is translated correctly (because I read it myself as if something was wrong, but I don't know what went wrong).]

The Chef of Peace, who had been listening to the story since a moment ago and had somehow become a bit dazed, came back to his senses and looked at Legend, who was blushing a bit darkly, in puzzlement.

【If you want to know the full text, let me know, and maybe I'll translate it intermittently.】

Eggs①: (Three photos taken by Wind) (Price:?)

Confused by the first delivery of the bouquet

Link)

(Link, who was surrounded by civilians, gave flowers and scattered petals to celebrate shyness and cover his face)

(Link who was frightened by the enthusiasm of the people and hid in the Zelda King)

Eggs②:

A week later, another tea break.

Wars looked at Time, who was being chased and intercepted, and drank a cup of sweet and sour fruit tea contentedly.

Offensive and defensive potential is also different, sapling, soldiers are not tired of cheating, plan and then move, is also for the trick. (Completely strung together.)

Wind? Wind curled his lips as he held a small part of the empty cookie bag. Wars really held a grudge.

#legend of zelda #linked universe #loz link #lu legend #lu wild #lu warriors #lu chain #lu time #link #lu wind #lu fic #lu #loz #the legend of zelda

[mblue-art]

i’m curious about your take on strawberry nightmare! to you, what’s he like? how does he act? what’s he all bout?

He is annoying (/aff hehe), and even more so to regular Nightmare. I tried to figure out (still am, I guess) how to put the flavor theming and '2P!' thing together, but here's what I have in my head for him ^^ (ramble warning!)

Finding out that the concept of '2P!' variants existed in UTMV too, made me happy! Usually 2P!s are inverted or flipped versions of the original character— think Fell'd or Swap'd versions in UTMV terms— so I thought:

Huh. If he's supposed to be a flipped version of Nightmare, would he have similarities with Swap!Dream? 🤔 But softer, nicer? 'cause he's also strawberry milk-themed! 🍓 flavors and aesthetics can be associated with soft, nice, sweet, cheery, and pretty...

(And sometimes, behind that pretty pink, lies red danger. While regular Nightmare clearly shows that he is a threat, S!NM hides it behind a layer of sweetness; (like a yandere— I explored yandere S!NM here), like a 'nice' character hiding their bad side—

But don't worry! Only those who are deserving of his wrath will face it. He's mean when he needs to. The simps are safe, as well as the people he cherishes! He can be a patient man. Just don't be on his bad side and you'll be a-ok! 👍(⁠◠⁠‿⁠・⁠)⁠—⁠☆

He's like... If regular NM decided to go uwu for the bit, but forever.........(/hj)

He is friendly, a flirt, flips between being all cutesy and rizzing up the simps,

nicely offers you (suspicious— he loves making people doubt LOL) pink sweets in exchange for company or simply as thanks for spending time with him

(A king can feel so lonely sometimes 😩😔 esp w/o his dear brother around... so maybe he has a massive pink house instead of a castle :] Oooh, imagine how pink and aesthetic the interior would be...),

likes messing with the original Nightmare (Ah!! NM hosting parties! Him getting invited! Yes, he'd def talk to the king of the castle but tries to be civil! This is a nice fancy party with lots of people around; he's not gonna ruin this for anyone 😤 he just wants to socialize!!)

(Yes he owns a few creative 🍓-themed suits, why wouldn't he lean towards his aesthetic 😤)

Like any Guardian of Feelings, he can manipulate/control emotions. He can pull out one's negative emotions to calm them down, and he can also make one feel nervous or any other mix of feelings in his presence, just like how his original counterpart does.

As for his role in the multiverse, I'd say he honestly just tries to have fun. Yk, jus a lil chaos. Teehee. No multiverse domination or anything, he just likes being a menace to people hehehe

An idea I thought of a few times is him hinting that he has visited Nightmare's castle (whether he actually talked to NM or not) by leaving strawberry milk (carton/bottle) in the fridge for the others to see and be confused by.

'hey guys where's my choccy milk? did any of you drink it?? it was my last box!' - 'why is there strawberry milk again... none of you drink this...' - 'who keeps getting this pink stuff'

NM eventually informs them about this visitor, and to be cautious, just... Don't drink whatever pink thing he leaves in the fridge.

I've never really thought of what S!NM's backstory would be, what him and his Dream's 'Dreamtale AU' would be, so right now, he's just... There one day (lol) with a brother that keeps? running away from him?? (His Dream is 🟦 instead of 🟨! (I saw an artist drew him as such) And while 🍓 is happy and excited, 🔵 is kinda gloomy... Interesting to see a happy Negativity Guardian and a grumpy Positivity Guardian...)

You can scroll through the #snm asks tag to read past (mostly simp) shenanigans with him, and you can also click these links for my other rambleposts about him ^^

#ask #mblue talks #m rambles #snm asks #took me a while bc i had to yoink the thoughts that were floating in the clouds orz #i'm still! interested about hearing people's takes on him too!! :D

[goodluckclove]

An Open Letter to a Professional Author

I came across a writer here who I imagine will probably never see this, but their presence was enough to make me pretty mad for two days now. I've decided to pen a little statement to this Long-Term, Professional, Full-Time, Published Author who makes a habit out of being deeply unpleasant in a way that apparently has only attracted an audience of other deeply unpleasant people.

People here seem to like it when I get mad. So, uh, enjoy?

Dear Professional Author,

I came across a post of yours on some feed here the other day and enjoyed your commentary. It was one of those writing memes that sort of called attention to actually writing as opposed to just thinking about your project - the kind that people usually respond to with some sort of joke expressing their repulsion at the concept.

You responded with distaste and I generally agreed. The tone was a little aggressive for me, but that kind of humor also leaves me generally confused. I personally ended up concluding that the self-deprecating humor was a coping mechanism for a larger issue that keeps these people from writing - intimidation, lack of confidence, physical or mental pain, things like that. You seemed to think it was a matter of will, which I found to be an approach that at the very least was well-intentioned.

Turns out it wasn't.

First off, I should say that this isn't about your political beliefs. Your political beliefs that are really more like general human beliefs. I don't want to get into that. Instead, I just want to talk about your writing. You are a full-time, published author, as you say in nearly post where you talk about writing. A major point of pride to you seems to be the fact that you are traditionally published. Any other method doesn't seem to be as legitimate to you. That's interesting to me.

You also don't seem to have much of an audience outside of people who mainly come to agree with your politics. I didn't really see a single positive interaction between you and another writer on here for as much as I was willing to scroll through your blog. That's also interesting to me.

I didn't spent too much time on your blog once I realized that you were definitely not the kind of person I would ever want any interaction with. What I did want to do is use your presence indirectly to prove a point that I've been wanting to get into for some time now.

To put it simply, I'll say this: a career in professional writing is not actually as cool or important as you might think it is.

Now I'll be direct and say that I've never been traditionally published for anything longer than a short story or long-term, unpaid column. You don't give any details on any of your writing, as far as I've seen (Once again - interesting!), so there's a chance you've made more in contracts and royalties than I have. But I'm a working writer. I've had a career in ghostwriting and technical writing. I've written and produced plays that have been featured in festivals in multiple states. I'm not speaking from a place of no experience, is what I mean to say.

What I also mean to say is that - while I view writing in many ways as a spiritual and healing act that I couldn't live without - it's also a job. It's not always exciting, and even when it is exciting it's only exciting to me. I consider the best date night to be when my wife works on video game development while I write my draft. I leave the house on a regular basis, but it's mainly to go to different places to write.

In short - I love to write, but I don't think it makes me cool. Or interesting. Or valuable. Or intelligent. Or just generally fun to be around and talk to. These are things I strive to cultivate in other aspects of the way I live and grow as a human being on this planet.

Being a Professional Author in one particular genre doesn't give you authority over the craft as a whole. You can't just throw yourself into conversations and start with I'm a published writer and assume that means you have the final say on any discussion. Believe it or not, in many cases it does not matter.

Lots of people are published traditionally, and it does prove some level of validity in their line of work. But there are a huge variety of people in the world of trad pub. There are people who write books in genres that don't apply to writers here. There are people who write books that aren't very good. There are even people who write trad pub books that are very good, but their careers are sullied by the fact that the authors themselves are not good people.

Being a successful writer does not mean you're a good person. Being a writer at all does not mean you are a good person. I believe in Death of the Author to an extent, but when that author insists on making a presence on a public website and doling out advice and opinions to other writers the lines start to blur considerably.

Writing is a job. You work it over a period of time and learn skills and strategies that work for you. The same applies to virtually every other job, including ones that society views as less romantic as something in the arts. Can you imagine me breaking into your home while you're making lunch and telling you how to arrange your cheese slices based on what I know as a full-time, professional sandwich artist at Subway? You might be interested based on leaning something you didn't know about a place you might've eaten at before. But that does not entitle me to your respect on its own.

I am not entitled to your respect based on how well I learned how to make a sandwich based on my hypothetical career at Subway. Just as I don't deserve it solely because I know two card tricks, can get out a variety of stains, read most of the works of the major beatniks, can make a really good carbonara, or any other specific about my life that ultimately does not play a huge part in who I am as a person.

When I am on my death bed, I hope to god the core of my character was not the fact that I typed stories from my brain until I got carpal tunnel. If my obituary begins and ends at "writer", no matter how positive the qualifier is before that, it will be the greatest failure of my life.

Because I am a writer. But that does not matter. It does not matter if you're a writer. It can be fun and enjoyable if you are, even better if you make a living at it, but it doesn't mean you'll be happy. It doesn't mean people will like you or perceive you to be the leader and teacher you might think you are. It certainly doesn't give you a free pass to throw cruelty at strangers for truly no real reason.

Professional Author, you had a chance to raise up the next generation of an industry I assume you must value. You're choosing not to, and that's fine. You don't have the obligation to. You do have the choice to not get involved and pretend to give advice that ranges from vague to untrue. You seem to be taking that responsibility very seriously.

It's like some twist on crab mentality, where instead of dragging crabs trying to escape the bucket you're swiping at anyone who tries to crawl in with you. Then, as they struggle, you're looking down at them and making comments on how easy it is to get in the bucket, if you only just do it and maybe read some books.

To all of us, I say this: question authority, even in the arts. Especially in the arts. Nobody knows as much as they say. That includes me, but I do know this - any branch of publishing feels really good. It's scary but it's fun. If you're traditional published or indie published or self published, it says nothing about how good your book is or how good you are as a writer or how valuable you are as a human being.

Don't be this lonely bucket crab. They seem mean and I'm tired of talking about them.

Best Regards,

Clove

#writeblr #writing community #writers on tumblr #on writing #writing #authors of tumblr #writer community #writing inspiration #writing inspo #writing rants #personal #clove is angry

[thealogie]

Chris Bennion in The Telegraph says comedy Bafta is a "three-way race between Salmon, Animashaun and Gilgun". And lol at British critics continued dismissal of DT deserving anything on his own merits, Chris outright says "Well, he did such a nice job of hosting the Film Baftas that it would be rude not to nominate Tennant for something. Always nice to have him on the red carpet too".

Hey, Doctor Who, come here and charm our big US cousins with your incomprehensible inside jokes and give the UK plebs something to 'awww' about on the telly. Here is your long-awaited Bafta nom that you don't really deserve and won't actually win, oh, and thanks for being pretty on the red carpet!

I also liked the projected win of Steve Coogan "whose bravura performance as Jimmy Savile outstripped an uneven and disappointing drama". Because Des was too brutal to even nominate for (even though no critics said it was "an uneven and disappointing drama"), and everyone said how voters are tired of true crime Bafta bait etc. That's fair, but here's Coogan (whom I love, even though I don't plan on watching the Savile thing), and he is nominated all right and projected to win, even if the whole thing has mixed reviews.... Do I sound bitter about the award troubles of a celeb from another country? You bet! It'll pass in an hour, but if we as a society go on like this we will NEVER cure David Tennant of his religious trauma.

He did mention that no Michael Sheen for Best Interests was "harsh" though. So one half of this old man yaoi at least got some respect.

*looking at the British* these people’s hate mail game is insane. I genuinely have never been more historically, sociopolitically and personally victimized by a nation more than the UK.

Why are they constantly going between “he’s one of your finest actors” and “aw he’s kind of cute to keep around.”