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emberfrostlovesloki · 6 months
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Aaron Fanfiction Analysis [an essay]
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Photo credits: Left (Google) Center (@themoontaxi) Right (@citronplume)
A/N: I don’t know how many of you followed my page to read some academic work, but here we are, and I’d love it if you stick around to give this a read if you are so inclined. I recently read Rome’s @criminalskies story about a BAU reader who is feeling dysphoric due to being on their period during a long case. Aaron provides them comfort, and they come out to him. The link to that story can be found here (link). While I was reading it, I was so enamored that I started taking notes. If I like something, I take notes. After finishing it, I simply had to think about the literary devices being used, and this essay was born. I asked Rome if they were okay with this, and they agreed (thank you!). Then I finished the essay, and I asked if I could share it here too. Again, Rome agreed. Obviously, after Roland Barthes and The Death of the Author and all that. We understand that reading is subjective. This is just my little take on their story. Everyone reads and understands things differently. I thought I’d just share my thoughts with you. If nothing else, please check out Rome’s page and this story. They are a joy to know and be friends with. I'm currently working on an Emily fic and and an Aaron fic, so those will be out soon too. I hope you all have a lovely end of your weekend, and I’ll see you soon  - Levi. 
You can read the essay below the cut
Word Count: 3.1K 
Content Warnings: Dysphoria and body image issues
List with all stories
P.S. I did the ungodly thing, and I printed this fanfiction on paper for the sake of annotations and in-text citations. 
Fanfiction is a Gift 
When someone who is not very familiar with the concept of fanfiction hears the term fanfiction brought up in conversation,  there is a knee-jerk reaction to assume that this type of writing is not very good writing and that those writing it are teenagers. Both of those things may be true of some fanfiction writers. However, to address the quality of writing, if something is being written, no matter what skill level it is at, that is practice. Practice makes us better writers of all of us. So there will be no complaint about quality from me on that count. But there are other types of fanfiction writers as well. There are adults who consume content and adore it so much that they want to add their voice to the narrative. They bring themselves open and willingly to the space. They share their stories with others to read and enjoy. Often, these writers are more inclusive than the content of the original material. After all, books, T.V. shows, movies, and all other entertainment media are made by the studios for one purpose -- money. The top executives of networks and streaming services are happy to discontinue a beloved show if it is not making a profit. Now some shows are disappearing entirely for tax write-off purposes. The mainstream shows that stay ongoing for years must appeal to the everyman. This often means inclusivity is not a top goal of the creators. This leaves many marginalized groups out. These often include LGBTQIA+, minorities, those who are disabled, and those with non-thin body types. It might come as a surprise to David Saslav or Sam Levinson, but not everybody looks like the characters on their platforms and shows. There has been a push for media to be more inclusive, and we see this in shows like Good Omens, Our Flag Means Death, and What We Do In The Shadows, but the number of these shows pales in comparison to the mainstream media. Serial shows like Criminal Minds is one of those shows. The F.B.I. drama hosts a cast that is not very diverse, and topics of sexuality, racism, police brutality, and other pressing issues are addressed only briefly during the show’s sixteen-season run. This is where fanfiction writers bridge the gap. Writers allow themselves and others to be included in that world, with those characters. This writing is cathartic to many. It is healing what the mainstream refused to address. This is why fanfiction is a gift. To highlight how strong some fanfiction writers are, and the power they have over language, a literary analysis will be done on a recent story published on Tumblr. The author, Rome, was completing a request for a story involving the BAU team leader, Aaron Hotchner, and a non-binary member of the team who is feeling dysphoric during their period. Rome responded to that request with a masterpiece. The untitled story uses diction and tone to demonstrate how the reader feels embarrassed and frustrated by the situation they are placed in, pacing and juxtaposition are employed to highlight how time in the show and on a personal level seem to warp and change given the circumstances, lastly, characterization is used for the reader and Aaron to display how their dynamic changes by the end of the story. 
The story starts in medias res, with the team attempting to solve a slew of murders in Louisiana. The team is stumped and tired. An argument breaks out between the reader and Dr. Reid. Here a variety of loaded words are brought up, including, “irritable,” “overdrive,” “annoyingly,” “hope,” and “exhausted” (Rome, 1). The use of these emotions sets the tone early on for the piece. This is not a fun or happy situation. The argument that takes place in the precinct highlights this, as the reader says, “‘Reid. Correct me based off something you read in the textbook I wrote one more goddamn time and I will see how far that giant brain of yours really is from your skull.’” (Rome, 2). The violent nature of the statement and the use of an expletive evince the tension in the room. Derek Morgan’s attempt to comfort adds no help, as he calls the reader “Mama” twice (Rome, 2). Morgan’s use of gendered terms only makes the reader more angry as they identify as non-binary but has not told the team yet. It is only Aaron who helps them calm down and moves them out of the room. The tone shifts from one of anger from the reader to concern from Aaron. As it turns out, not only is the reader exhausted, but has also started their period; thus the excess of emotions. Embarrassed, they move to the restroom and begin sobbing in pain from the cramps and identity crisis. Aaron moves into the space and immediately he becomes concerned as he hears his, seasoned, agent crying out in pain. He enters the bathroom stall and attempts to understand what’s happened. As he asks questions, the reader notes that his tone is “delicate” and “so laced with concern” (Rome, 7). Aaron embraces the reader to offer physical comfort in a situation that is clearly distressing to both of them. After a few moments, Aaron notices that the reader is holding the crumpled plastic of a pad. The realization hits him and “the penny finally drops, and he can understand why you were so volatile earlier” (Rome, 8). He still does not understand why the reader is so upset but true to his character on the show, he does not try and guess at an answer. He is compassionate at this moment. There is another tonal shift from care and concern to humor as the story lightens its tone. 
The reader has asked Aaron to go back to the hotel, and he readily agrees. The reader asks Aaron, who is driving,  to stop at a convenience store to get some needed supplies for their menstruation. They arrive at a store and the reader attempts to go in themself, but Aaron has none of it. He is told what the reader needs and moves into the store himself. While Aaron is very good at meeting the needs of the team, when he is faced with the choice of period products, he is suddenly at a loss. His experiences with his ex-wife does not help him much, and seeing him flustered like this brings a lightness to the story. As he faces down the tampons, he speaks aloud, “‘Light, ultra light, regular, overnight, sport, active, everyday, heavy, ultra max… shit’” (Rome, 12). Without wanting to disturb the reader, he gets one of every kind along with some comfort snacks. When the manly cashier makes a comment about women and “‘shark week’” Aaron responds, “Funny, sharks rather like eating invertebrates,” as he walks out the door (Rome, 14). There is one last major shift from humor to an understanding of passion and joy. The start of this shift is when, at the hotel, Aaron attempts a joke, saying, “‘I feel like it might be a human rights violation to deny a menstruating woman her sleep’” (Rome, 16). The use of gendered language, especially from Aaron, makes the reader uncomfortable in their body again. Aaron notices the shift and checks in to see if the reader is okay. He ends up joining them in their room. After the reader is changed, he perceptively states, “‘I can tell one moment you’re completely fine and the next it’s like you’re forty feet from your own body” (Rome, 19). By saying this, the reader reveals how they have been feeling over the past few months. That they feel their body and gender are not aligned. They note that they had hesitated to say anything for fear of being viewed differently and making work for Aaron. Aaron could care less. He is overjoyed that the reader is revealing their true self to him. Aaron states, “I am so, so happy, that I’m someone you’re comfortable to talk about this with’” (Rome, 21). The conversation continues for a while longer and there is an understanding between Aaron and the reader and real delight from Aaron in being pulled into the loop. The story finishes with a moment of intimacy and self-reflection from Aaron as he holds the reader tight to his body. 
Criminal Minds normally follows a villain, or Unknown Subject [heretofore unsub] of the week. This provides a steady narrative arc for each of the episodes: a case is announced, the team debriefs, arrives at the location of the crimes, the team creates a profile, the team investigates, another murder or crime happens, the profile changes, the climax, and then the resolution, and closing monolog, as the team returns home on the jet. This structure is endemic in most police procedural shows and it provides a consistency to the narrative. Rome’s use of pacing is more dynamic and more personal. There is clearly a timeline for the team. They need to solve these cases as quickly as possible so less people die. There is an urgency in that. It pushes the team to the height of their emotions. This is mentioned early in the story as the case “stretched on for five days” with no leads (Rome, 1). In fact, time is often mentioned either in minutes or hours. As the fight breaks out between the reader and Derek the time is “1:15 in the morning.” This is one possible justification for the reader's outburst, but not the real one. Pace is brought up again as Aaron tries to understand what has happened. The reader realizes that their period coming has made them more emotional and they attempt to soothe Aaron. They realize, “[they’ve] gone from screaming to crying to comforting him in all under four minutes” (Rome, 3). The juxtaposition of emotions in such a short time frame has the audience focus on time. On the awkward encounter that has just happened. Pacing is also used to demonstrate Aaron’s care and devotion (even if he isn’t willing to admit to it) to the reader. As he kneels in a puddle on the bathroom floor, holding the reader, we are told, “He’s desperate to know what’s happened with you, but he will kneel here until his knees lock if it means you’ll tell him when you’re comfortable’” (Rome, 8). Aaron is such a stoic character and to see him acting so tenderly, going as far as getting his expensive suit dirty, and his willingness to be in pain shows the audience how much he cares about the reader. The fact that he is willing to be in pain, while the reader is in agony demonstrates his commitment to them. Aaron is one of the oldest members of the team, thus, his kneeling on, cold, hard, tile is not great for his joints. The lowered body position does end up affecting him when he does get up, we are told he  “[lets] out a tiny groan as he stands up” (Rome, 9). The fact that they are both in pain ties the two together in an unspoken way. Aaron both in voice and action going forward, reassures the reader that he is thinking of them. Trying to get them to the hotel and comfort as quickly as possible. He makes statements like, “I won’t be a moment” to let the reader know he is cognizant of time and their discomfort. He drives efficiently, walks with determination, and does his best to be quick at finding the right tampon for the reader. The pacing takes a final turn as they enter the hotel. The times of events have slowly been shortening. These time frames move from days at the beginning of the narrative, to the possibility of hours on bent knees at the middle, and close with small moments. The reader tells Aaron, “Just one second,” as they prepare to change (Rome, 19). When the reader's real identity is revealed to Aaron, in an instant, moves, “[a] large pair of hands flys across the space between you on the bed” (Rome, 20). At the end, in their moment of intimacy, Aaron reflects on his admiration, and love, as the reader takes “short breaths” on his upper arm (Rome,  22). The juxtaposition of these time frames and pacing paired with the emotions of anger, then humor, and finally love leaves the audience feeling comfort and peace with Aaron. 
The main crux of this story is the fact that the reader is feeling heightened dysphoria due to their period and hiding this fact about them from the team and more importantly, from Aaron. Thus the characterization of both the reader and Aaron changes and develops a good deal over the twenty-two pages of text. The reader starts out unsure of why they are so angry. Why has this case been so trying on them that night? The reader is at this point unaware of the unwanted, excruciating bleeding that will start soon. The reader is observed with “eyes welling up seemingly out of nowhere as you note that you are definitely not okay, You just don’t know why” (Rome, 3). Once they are aware of their period coming, the reader is not comforted by the fact. The bodily bloodshed only emphasizes that they do not belong in the body they inhabit. The reader notes, 
The anticipation, your monthly [a] reminder of who you are forced to be, looming right in front of you. When you can feel your grasp on emotions slip just a little bit and those little voices in your head gain a little too much power. The thoughts of how your body doesn’t look anything close to who you feel you are. Rome 5
These painful external reminds pushes the reader to do things they don’t enjoy. To try and conform to some gender norm that does not align with them. The reader has gone as far as wearing makeup to appear more feminine, but all that accomplished was to make them feel like they were “playing a part… wearing a mask,” and “keeping up a facade with the team” (Rome 6). This discomfort continues but is slightly alleviated when Aaron comes to understand that they are on their period, and he reacts with care and compassion instead of a reprimand. At the hotel, the reader is upset again by Aaron's unintentional gendered words. In the bathroom of their hotel room. The shape and feel of their body bothers them, as they look in the mirror and think, “how miserable the stranger in the mirror looks” (Rome, 17). Not even putting on more comfortable clothes is helping, as their thighs appear more womanly in the stretchy fabric. It is not until the revelation is made that the reader’s gender identity lies between the male-female binary, that they fully relax. When they notice the “genuine joy radiating from Aaron,” they know they can fully be themself around him (Rome, 18). And still, the pain persists, but in Aaron’s gentle embrace, they can finally rest. Aaron goes through a similar character transformation. Even at the beginning of the story, it is never stated that he is mad at the reader. He is just very concerned. He is as baffled as the reader as to why they are acting as they are. His thoughts mimic the readers as he thinks, “You're clearly very volatile and on edge. He just can’t figure out why?” (Rome, 3). The parallel in emotions is a foreshadowing of the feelings that Aaron will have at the end of the text. The sound of the reader crying intensifies those latent emotions. As Aaron holds the reader close to him for the first time that night, he thinks that “he couldn’t care less about the surroundings, his hand finding the back of your head to hold you close to his aching heart” (Rome, 4). He continues to be concerned and his emotions are pulled, as he only wants to bring the reader some relief. He is eager to help monetarily by buying an array of period products and painkillers. This is a help, but Aaron wants to physically comfort his agent. His distress over the reader even finds voice in anger, as he insults a burly man unwilling to interact with his partner during her time of the month. At the hotel, there is more comfort for the reader, but he can still see pain in them. This pain is less associated with their period. When he asks for clarity for his own sake, he grows nervous: “He silently prays you aren’t about to begin an interrogation” (Rome, 18).
When all is finally made known, he is ecstatic. As the reader states that they fear their new identity might be a burden to him and the team, he is quick to say, “I want to make you feel as comfortable as I am able to accommodate” (Rome, 18). And in the end, Aaron is able to provide that physical comfort again as he acts as a living heating pad. He envelopes the reader in his body, his warmth. And as he begins to drift off to sleep, he questions his emotions once more, asking the rhetorical question, “Right?” as he sleeps (Rome, 22). Aaron’s character arc is centered around his care of the reader and his feelings for them. There is no dramatic “I love you” but the outpouring of small gestures and care given by Aaron to the reader clearly displays his love of them in all their complexity. 
There are so many other literary devices that are used here such as simile, personification, descriptive language, and imagery. However, the elements examined here felt the most weighty. Held the attention longer. When reading and rereading this work, many times I thought, “God, I wish I was the reader!” And here is the great delight in fanfiction -- you are the reader! Inclusive fanfiction belongs to everyone who wants to be involved. Not all fanfiction attempts this. Not all fanfiction is a reader insert or “x reader” as it is often seen on Tumblr, but to live in a time where such care is given to those often standing on the outside is amazing. It is kindness and care just like Aaron comforting and accepting the reader is kindness and care. I do not mean to say that all media, be it books, movies, or TV shows is not inclusive. Some of it is, and I’m glad for that, but much of the time diversity is added as a bonus, so the creators can pat themselves on the back and say, “We’ve got that group covered at least.” I will continue to give praise to those who give so much of themselves for everyone else. Fanfiction really is a beautiful thing.
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itsoneinthemorning · 2 months
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et tu?
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re-imagine · 5 months
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I pass by the Baths of Diocletian every day.
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paramour-of-misery · 10 months
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i was sent by roman to burn some sage
HEY HEY MOTHERFUCKERS
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marfian · 2 months
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Entering Tumblr today
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tomwambsgays · 5 months
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watching scott pilgrim takes off just made me miss hearing kieran culkin's voice so here's a drunk roman roy in That One wallace comic panel
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thunderc1an · 7 months
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Hold me one more time, so that I never forget how it felt to hug the sun
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sisalrian · 3 months
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roma and his baby grandsons, circa 1931 (pt.1)
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lucky-fy · 16 days
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For the Laicion nation (aka, me and three other people)
I had this illustration commissioned (a big thank you to @lunehowls) for my werewolf AU Laicion fic (still a WIP).
The general pitch is as follows :
AU in which Laios never got to meet his sister again, putting his life on a whole other path, a more desperate one. A military deserter with barely a coin to his name, Laios hitches a ride on a boat to one of the elven continents, where he learns about magical tattoos that binds one’s soul to a wolf’s, effectively making them artificial werewolves. Illegal magic be damned, this feels like the answer to… everything.
In the process, he learns about the existence of an illegal fighting ring in one of the elven cities, where beastmen gladiators gather. Freshly tattooed and without anywhere else to go to, Laios decides to head there, where he meets Lycion, an elf and artificial werewolf gladiator. If they first bond over a simple shared meal, by spending time together (sharing the same room in the barracks, maybe the same bed? gasp) they find that they have a lot in common, notably a shared distaste for the body they were born in, a dysphoria partially remedied by becoming a werewolf.
They bond :)
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stewyhosseini-bf · 11 months
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they are literally brothers that's his little brother man!!!!!! you don't get it!!!!!!
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rosa-maltz · 6 months
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Sparkle on
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brother-emperors · 4 months
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BROTHERS
The river Weser ran between the Roman and Cheruscan forces. Arminius came to the bank and halted with his fellow chieftains:— "Had the Caesar come?" he inquired.​ On receiving the reply that he was in presence, he asked to be allowed to speak with his brother. That brother, Flavus by name, was serving in the army, a conspicuous figure both from his loyalty and from the loss of an eye through a wound received some few years before during Tiberius' term of command. Leave was granted, and Stertinius took him down to the river. Walking forward, he was greeted by Arminius; who, dismissing his own escort, demanded that the archers posted along our side of the stream should be also withdrawn. When these had retired, he asked his brother, whence the disfigurement of his face? On being told the place and battle, he inquired what reward he had received. Flavus mentioned his increased pay, the chain, the crown, and other military decorations; Arminius scoffed at the cheap rewards of servitude.
They now began to argue from their opposite points of view. Flavus insisted on "Roman greatness, the power of the Caesar; the heavy penalties for the vanquished; the mercy always waiting for him who submitted himself. Even Arminius' wife and child were not treated as enemies." His brother urged "the sacred call of their country; their ancestral liberty; the gods of their German hearths; and their mother, who prayed, with himself, that he would not choose the title of renegade and traitor to his kindred, to the kindred of his wife, to the whole of his race in fact, before that of their liberator." From this point they drifted, little by little, into recriminations; and not even the intervening river would have prevented a duel, had not Stertinius run up and laid a restraining hand on Flavus, who in the fullness of his anger was calling for his weapons and his horse. On the other side Arminius was visible, shouting threats and challenging to battle: for he kept interjecting much in Latin, as he had seen service in the Roman camp as a captain of native auxiliaries.
Tacitus Annals 2.10-11
there's a lot going on in there! Arminius switching to Latin is a detail that always makes me feel a deep kind of sadness, especially with how it's preceded by mention of their mother. I wonder what she thought of what became of her sons, on opposite sides of everything but still, inescapably, brothers. even when they want to kill each other. there sure are a lot of fucked up and unhappy brothers around. and Arminius asking about Flavus' injury............I also had a whole thing typed out about the horror of imperialism and colonization and the trauma of assimilation but I think this sets the tone better
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Rome's Greatest Defeat: Massacre in the Teutoburg Forest, Adrian Murdoch
and also this, just for fun
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(ibid)
this post is already a mile long, so lets add another mile to it: a little scene at the start of their conversation! tfw you go in for a hug and your younger brother who also ended up being taller starts roasting your hair style
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bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost ⭐ cara.app⭐ko-fi
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manichewitz · 6 months
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why is it that 90% of criticism of the song of achilles just boils down to not accepting the conventions of romance as a genre and wanting it to simply be a different book than what it is? because seriously if you can’t get with the fact that the song of achilles is a queer romance story first and a retelling of the iliad second you’re never gonna make a criticism of it that’s interesting to me. if i wanted to read a book that was accurate to the source material then i would just read the iliad. if i wanted to read a queer romance unfolding on the backdrop of a mythical war i would read the song of achilles. if you dont understand the difference between those two things then your beef with that book is just a waste of time to me
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thekingofspin · 7 months
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How often do you think of the roman empire?
EVERY SINGLE DAY.
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minyicho · 8 months
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ignore how weird this looks
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reblog for larger sample size <3 im trying to win an argument :) thanks!
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cerise-on-top · 3 months
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What kind of dates would Gaz, Laswell, Valeria, and Alejandro take you on? (Assuming they had the time lmao)
I'm sick as hell but your blog gives me lots of lovely things to think about while I recover- have a wonderful day ❤️🙏
Hello! I hope you'll get better soon, being sick is just about the worst thing you can be, I was sick not too long ago as well! I'm glad to hear my blog can give you something nice to think about, that was my intention!
Dates with Gaz, Alejandro, Valeria and Laswell
Gaz: He’s a simple man, so he’d likely take you on rather simple dates. Something along the lines of going to the cinema, or maybe taking a walk in the park with him. It doesn’t need to be anything fancy for him, sometimes he just likes being able to spend time with you alone as well, so it’ll be an indoor date where you watch a movie  and cuddle with each other on the couch. Gaz can be a rather touchy guy if you allow him to be, so he’ll likely nuzzle into you a bit as he holds you close. If it was up to him you’d be blankie burritoed until you couldn’t move and would be reliant on him to carry you to bed. However, he also loves watching movies. While he may not be the biggest fan of anime he’ll watch it with you if you absolutely insist on it. Loves, and I mean loves, discussing the movies you’ve watched together afterwards. From the soundtrack to the visuals, the story to its message, he loves spending time with you and telling you all his thoughts about the movie. Saying something sophisticated makes him feel smart, and you actually agreeing with him makes him feel good too. Even if you’re not as movie-literate as he might be, he can still appreciate you listening to everything he has to say about it. If you do listen to him then he’ll invite you to another bucket of popcorn, it’s all on him, even if you insist on paying for him instead. Gaz just loves winding down with the one he loves, so he doesn’t always need to have the most exciting dates. As long as he gets to spend time with you, even in complete silence as you both do what you want, he’s a happy man.
Alejandro: I can see his dates being a bit more exciting than Gaz’. Alejandro is a rather active man and loves some action, so he’d likely love something along the lines of going to an amusement park. His stomach can handle quite a lot, so even the rougher rides won’t be too much of an issue for him. He just hopes that you can take just as much as he can. However, if you like going to amusement parks then you’ve scored with him. It doesn’t only have to be the rollercoasters you’ll be riding, though, sometimes he just loves going to a haunted house with you as well. He’d love it if you’re a scaredy cat about this sort of stuff who clings onto him for safety and reassurance. He’ll laugh a bit about you being so absolutely adorable, and call you out on being a bit scared, but he won’t shoo you away for holding onto him. In fact, he’ll encourage it. Alejandro doesn’t scare easily, he thinks haunted houses to be quite funny, especially with you. Please do hold onto him, though, he loves feeling like the stronger, trusted person who’s with you until the end of it all. He wants nothing more than to be someone you can rely on, even if it’s just something stupid. He certainly also wouldn’t mind going to a tunnel of love with you. Since he doesn’t need to always be so serious with you, he likes goofing around and giving you a big old kiss when he can. His favorites are the rollercoasters, though. He’s loved those ever since he was a child and wants to share that joy with you. Just hearing you scream and laugh with joy makes his heart flutter. He enjoys looking at you as the rollercoasters get to the scary part, all the while you’re either pale or laughing. It warms his heart to spend such a wonderful day with you and no one else.
Valeria: Unlike Gaz and Alejandro, even on date nights she needs to show off just how powerful of a woman she is. Ergo she’ll take you on dates where you’ll be eating some fancy food. Don’t even think about paying yourself. Besides, chances are if you’re a normal worker, then you likely won’t be able to afford the food anyway. However, going to a restaurant every once in a while would be kind of boring in and of itself, so Valeria would like to couple something like that with something else. The Christmas market is in town? There’s a musical you’d like to see? You just wanna go stargaze? Valeria is down for it all. Although she’d need some convincing to go stargazing with you since being outside is a huge risk for her, being seen even more so with you. Other than that she’d amuse herself greatly upon watching a play. She never got to see any when she was a child, even if she had always wanted to see something along the lines of a good musical. And now that she can she won’t let anything at all take that away from her. You better be ready to hear about some new musical or opera in town that you’ll be visiting. An opera she’s always wanted to see would be Carmen, so if that one’s ever in town she’ll be taking some days off to watch it with you, doesn’t matter what she has to do. As long as she gets to be fancy with you and show off to you just how great of a partner she really is, she’s happy. Besides, would you really pass up the opportunity to see her in either a beautiful gown or a fancy suit? Whichever she wears entirely depends on how she’s feeling that evening and how dominant of a person you are.
Laswell: Like Valeria, she’d prefer something fancy. Laswell can afford it these days, so she, too, would take you to a fancy restaurant before going somewhere else. I guess it would entirely depend on what you’re into. If you’re really into astronomy then you’ll go to a planetarium, if you’re really into marine biology then she’ll be taking you to the biggest aquarium nearby. Laswell is flexible like that, but she does prefer something where she can learn a thing or two as well, so she’d love it if you were into going to museums. Doesn’t matter what kind, it’s hard to gross her out with anything, or even bore her with whatever it is you’re into. As long as there’s a museum or an exhibition nearby you can be certain you’ll be going there at some point. However, if she has a few days off, then Laswell isn’t above flying somewhere with you either. A vacation with her is also her ideal version of a date. Just you and her spending time with each other, in the city, in the mountains, at the beach. Doesn’t matter where, Laswell has seen enough in this world, but she never gets to see any of it with you, which is a real shame in her eyes. Besides, she knows a lot of languages as well, so it’s not like you’ll ever have to actively worry about not being understood wherever it is you’re going, she’s got you covered. Laswell loves getting to see all sights with you, so you can be certain she’ll take a few pictures with you as well. Whether you’re doing a goofy pose in front of the tower of Pisa, looking tiny in front of the Sphinx, or absolutely beaming as you regard a temple in Kyoto, Laswell will treasure all of these moments in her entirety for as long as she can. The pictures are just an added bonus.
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