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#its just my opinion so it's going to be wrong in some parts
mammonswhore · 2 years
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Hello! Can I ask you a question? I haven’t played obey me in like 2 years & I started playing again, I noticed there new characters like someone called 13 for example & I have no clue what’s goin on lol. Do you by any chance know who or what they are? If not that’s on I just thought to ask a around :P thank you! I hope you have a lovely day
i haven't been playing too much lately but 13 seems nice but she is annoying for MC and as much as you try to be nice to her she is going to be sort of an ass, Raphael is stoic and kinda like Barbatos in season 1. Mephistopheles is the most interesting character atm at least for me since I got to interact with him more than the other two, he has sort of a solid motive to annoy Lucifer and he can have some characters development and get close to MC by pairing up with Satan,Belphi and MC to play some pranks on Lucifer.
Overall I like their characters bc they don't like and worship MC as we are used to see. They have reasons to dislike MC. I believe Thirteen dislikes MC bc of their soul and how hard is going to be for her to collect it (but i dunno yet); with Mephisto i highly believe he dislikes MC bc they have power over the Royal Demon Court making them look like whiny teenage boys. AND Raphael I am 100% sure that MC's existence represents problems to the Celestial Realm (as we can see in lesson 37-38) so he wants to collect as much info as he can so he can take their """case""" to his bosses.
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silverislander · 1 year
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i got my hair cut today which was so needed but i am going to be honest. i have been trying to make the most of it all day but frankly its not good i will be at least slightly embarrassed to be in public w my head lookin the way it does rn
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drchucktingle · 3 months
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Chuck, how do you deal with people who are rude about you and your work? I write queer romance and I want to put my writing out there for people to read, but I'm a very sensitive person and I know it will be hard not to take insults personally and let them affect me. I don't want to let that stop me from expressing myself and sharing my art, but I'm scared!
very good question buckaroo. i am a good example of this as pretty much EVERYONE was rude about my work for many years calling it 'so bad its good' (it is just good) and 'terrible photoshop' (i think it has a great and instantly recognizable style) and 'intentionally stupid premises' (i dont think there is anything stupid about sex being fun and whimsical and playful). even these days the reaction of the VAST majority of buckaroos who discover chuck have this reaction AT FIRST, and then learn to appreciate the tingleverse in a more sincere way over time.
all that is to say BEING DOUBTED HAS WORKED OUT VERY WELL FOR ME. art that changes meaning over time can be very powerful, so if someones initial reaction to my trot is one thing and then it evolves into another thing, well that is just good art. while it can feel bad to get a bad review, i would say a bad review just means you have entered a realm of tension and change and discord and WE ARE TALKIN ABOUT ART BUD so that, in itself, is very exciting.
i think of what i do as 'punk writing', and a big part of that means pushing against preconceived sensibilities. not many other authors will proudly say 'there SHOULD be some spelling errors in my erotic shorts because i wrote it in a day and edited it once. that is the FEELING i want to create', but that is my way. by creating what is in my soul i KNOW i am going to bother some buckaroos and that is okay.
now i am NOT assuming you are also doing punk writing (that is okay of course we all have our own styles. what i am doing with tinglers is pretty rare), but it still stands to remember that there are 7.8 billion people on the planet of this dang timeline and some of them are bound to be bothered by your creations. that is not a problem, that is just part of baring your authentic self.
the other thing to remember is theres no REAL right or wrong in art. it can be analyzed in different ways and i tend to look at it in a way of comparing intention to result, but even THAT is not strictly correct. therefore any bad review of something you make is not actually BAD it is just someones information and feedback for you to take or leave. a one star review is just another opinion, it is no more right or wrong than your own opinion, and that is wonderful. it is freeing.
if i see a bad review of my own book, lets just say CAMP DAMASCUS for instance, i do not get upset because i know this: that reviewer is not wrong. camp damascus is five stars for me, but it is one star for someone else AND THAT IS OK. THAT IS THE WAY IT SHOULD BE. THAT IS GREAT ART. also MAYBE THEY KNOW BETTER THAN I DO. just because i wrote the book does not mean i am the authority on it, and the conversation and tension between those that enjoy something and those that despise it is a creative act. the audience engaging with your work is just your art emerging from its cocoon and saying 'here i am. lets see where i flutter off to now'
do not fear the river of this timeline sweeping away your creations and carrying them where it will. this is inevitable, but it is also beautiful and freeing. you cannot swim against it and that is okay bud, because YOU HAVE ALREADY WON. you have already created something and given a piece of yourself back to this timeline and that is a great honor and privilege. it is literally all there is
by creating ANYTHING you are proving love is real, and that is something to be proud of
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thankskenpenders · 7 months
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Amy's fortune cards
The Sonic fandom has long been the kind of fandom that takes minor details very seriously, for better or worse. On the one hand, this means fans will really dig for the diamonds in the rough, latching onto fun character interactions, animations, bits of background worldbuilding, and more in pieces of Sonic media that many would write off as "the bad ones." But it also feels like every week another needlessly hostile debate over Sonic minutia erupts on Twitter, whether it's over individual lines of dialogue, fanart that makes Tails' shoes blue, or the ideal length and volume for Sonic's quills.
So it was probably inevitable that a fandom-wide debate would erupt upon seeing Amy's new gameplay style in the DLC for Sonic Frontiers, which takes the once-obscure fact that she enjoys reading tarot and shines a spotlight on it like never before.
I mean:
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The thing is, while I basically always try to tune out Sonic fandom bickering... for once, I kind of sympathize with the detractors? Don't get me wrong, I like Amy's tarot stuff, and people on all sides of the discussion are being overly nasty about their opinions, as usual. (Sonic Twitter remains my personal hell.) But when I set aside the hyperbole and zoom out, I do think I understand why some fans are put off by the sudden shift in focus for the character, even if I think it's cool.
It's complicated. Let me attempt to present the cases for and against Amy's fortune cards
For years, I was always one of those fans who thought it could be fun if they played with Amy's tarot reading, or even leaned into some kind of magic with her. Part of that is my own biases showing, but there's just something that makes sense there, especially when you look at Sonic, Tails, and Amy as a trio. (I would argue that's the real "Team Sonic" these days, especially in the comics where Knuckles is more likely to be stuck on Angel Island or otherwise doing his own thing.)
You could argue that Tails is all about logic, relying on science and technology and deductive reasoning to solve problems. But Amy is all about emotion. She wears her heart on her sleeve, is extremely empathetic, and is very prone to magical thinking - both figuratively and sometimes literally. Her origin story has always been that her tarot cards told her it was her destiny to meet Sonic on Little Planet. She's claimed to be able to "sense" peoples' presences - particularly Sonic's. She's the type to believe that The Power of Love is a literal magical force. So, on some level, it makes sense to mirror Tails's science by having Sonic's other best friend believe in magic. And then Sonic is somewhere in the middle, primarily following his own gut instincts but taking advice from both of them as needed. This isn't totally accurate to how their dynamics actually function in canon stories, but I think it's a mode that could work for them.
Going off of that, it's fun to lean all the way into Amy being a magical girl, or even a witch, using her fortune telling as a foundation. Take, for example, this version of Amy from Diana Skelly's old Sonic cast redesigns from before she freelanced for Archie and IDW. This is one of MANY such redesigns for Amy.
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Fast forward to the 2020s, and Amy's tarot cards are, in fact, finally getting brought up again in canon. Which is fun! I like seeing that. I like all of the individual stories involving Amy's fortune cards. This is a fun character trait for Amy, a fun nod to old lore, AND a fun storytelling device, all in one. It's really cool that the Sonic universe has its own thematically appropriate arcana, and that the cards are getting made as physical merch. And sure enough, the official card backs and borders were designed by none other than Diana Skelly, in yet another cool example of an ascendant fan leaving their mark on the series.
BUT... when you step back and look at the big picture, I get why some fans find this shift in focus jarring. At the moment, it's starting to feel like every new story about Amy involves her fortune cards to some degree.
The most recent mainline comic arc to feature Amy as the lead character, 2021's Trial by Fire arc, prominently features a sequence where she reads fortunes while camping with the girls. The Origins version of Sonic CD now bookends the game with scenes of Amy and her tarot cards. Sonic randomly mentioned it in a scene in Frontiers. And now, just this week, we got the (very cute, gorgeously illustrated) Amy's 30th Anniversary comic with a story revolving around Amy's tarot cards, followed the very next day by the Frontiers DLC in which she gets a brand new tarot-based moveset. Even her base melee attack now has her throwing tarot cards instead of swinging her hammer. Again, I like all of these individual things, but after years of it almost never coming up at all, it's VERY noticeable that Amy's tarot cards are suddenly everywhere.
To be fair, I'm looking at this from the perspective of a superfan who's actively following ALL Sonic media. Casual fans - especially kids - aren't necessarily going to be reading the comics every month, buying the thousandth rerelease of the Genesis games, or playing the ultra-hard new alternate ending DLC for a game that came out last year. Each of these stories is going to be someone's introduction to the idea that Amy can read tarot, and that's probably part of the idea behind this unified push.
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But to play devil's advocate, for my fellow superfans, I understand why it feels like a very minor footnote of Amy's character is suddenly becoming the entire focus of her personality. While Amy has always been said to enjoy fortune telling, that wasn't really a character trait in and of itself, but rather an example of her being a typical girl who hopes she'll be able to find true love one day. It's less that Amy can literally predict the future and more like her using a cootie catcher or going "he loves me, he loves me not" while picking the petals off of a flower. So I get not vibing with this stuff, or feeling like it's being pushed very hard out of nowhere.
What I don't agree with are comparisons like "it's like if they made Knuckles' moveset revolve around him liking grapes." Like, I get it. Ian Flynn loves shoehorning in his little winking references for us nerds, and mentions of Amy's tarot cards were previously on the same level as other random bullet points from old Japanese manuals. But a multifaceted hobby like fortune telling that opens up so many narrative and aesthetic possibilities is obviously very different from having a favorite food. It's ALWAYS been a part of her story, not just a random fact, and there's no reason why the fortune telling can't be elevated to something more.
And, hell, even if it wasn't an established character trait, there's nothing inherently wrong with injecting new ideas into a character. One of the best Amy stories in recent years, the Free Comic Book Day special "Amy's New Hobby" written by Gale Galligan, came up with the idea that Amy's secretly been drawing little comics about her and her friends. Is this based on Lore? No. But it's cute, and helps tell the story of a younger Amy who's still coming out of her shell as both a hero and a friend.
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Certain fans are also looking at Amy's Frontiers moveset and using it as evidence that once again the Vile American Contributors like Ian are CORRUPTING Sonic Team's perfect vision of Sonic with their misinterpretations. And like. Come on. Ian does not control the gameplay. He's a freelance writer. The tarot stuff is clearly something that Sonic Team likes if they made it the basis of Amy's new moveset - and, you know, if they keep approving comics and animations about Amy's fortune telling. None of this gets made without their blessing, and lord knows how much they can micromanage shit and shoot down ideas over the most minor of details.
Like, yeah, Amy's fortune telling was probably conceived less as a sign that she Knows Magic and more as a pretty mundane hobby for a lovesick young Japanese girl to have. But you're gonna sit there and tell me that using Amy's tarot cards for more than that could only be the result of a cultural misunderstanding? That nobody in Japan uses tarot card theming and aesthetics (or the general idea of magical cards) for the cool factor? Stardust Crusaders? Persona? The Astrologian class in FFXIV? Cardcaptor Sakura?? Hello??? Do you think Capcom put Gambit in Marvel vs. Capcom ironically because they thought using magic to throw cards at people was stupid? There's tons of precedent for this! It's nothing like Knuckles throwing grapes at people, be for real.
Giving Amy a very magical girl-esque moveset also just makes a lot of sense. For decades her hammer attacks have literally made sparkly heart shapes appear around her. Leaning into both that and her tarot cards in her new moveset makes a lot of sense to me.
But, admittedly... I do think it's very odd that her hammer is treated as a secondary element here, rather than having her primarily use her hammer and adding the cards for extra flair. If hitting the attack button made her swing her hammer instead of throwing cards, I'm not sure we'd even be having this discussion right now.
But the tarot-cycle and Amy riding her hammer like a witch's broom are fucking SICK and I will not concede on this point
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The thing is, this whole fortune card discourse is but a small piece of a bigger problem. Amy's been a character who needed some work for ages, but there's basically nothing you can do with her without pissing SOMEONE off.
Years of stories where Amy's crush was her primary motivator and Sonic went "Ew, cooties!" have lead many casual fans to believe that being Sonic's obsessive fangirl is Amy's entire personality. At best people might call her Sonic's Minnie Mouse. This isn't just a matter of Amy having haters within the fandom - venture outside of that bubble and you'll realize that this is how MOST video game playing people seem to see her to this day. I don't feel like this is a fair assessment of the character, but this idea didn't come from nowhere. No matter how much good deeply entrenched Sonic fans may see in their old dynamic where Amy perpetually chases Sonic, this is a very real problem that Sonic Team has to contend with for their leading girl. Of course all those games where the way-past-cool protagonist thought Amy was annoyingly clingy and tried to get away from her made people think less of her.
If new stories were to go back to emphasizing Amy's crush on Sonic a little more, they'd probably be taken as confirmation that Amy's just the girl with a crush on Sonic and that this is her entire personality. Conversely, when the crush is played down, you piss off the hardcore SonAmy fans who don't seem to understand that they're Charlie Brown and Sega is Lucy holding the football. You can't win.
And so here we are. In the absence of what was once her defining trait, now reduced to an occasional blush or wink in Sonic's direction, new stories are trying to mine Amy's past for additional material to work with. Having been a thing fans wanted to see for years, right now we're getting a lot of tarot, but we're also getting reminders of her compassionate nature and her desire to go out of her way to help the little guy. This is an ongoing process. I continue to hope that her bubbly, exuberant demeanor can shine more in future stories. Now, I also hope that the tarot stuff gets balanced out a little better with other traits of hers. But I don't want it to go away. I think it's fun.
This course correcting is far from exclusive to Amy. Knuckles is getting stories that remind us that he's a competent fighter, an experienced treasure hunter, and even a self-taught archaeologist after years of him being perceived as either the dumb one or just the guy who stands in front of the Master Emerald all day. And Tails has been getting some stories reminding folks that he's a capable hero in his own right and not just Sonic's timid kid sidekick.
But no supporting character will ever compete with the sheer number of new ideas Sega has tried with Sonic himself. Like Amy, his Frontiers moveset has also given him half a dozen new superpowers that he never had before, from the Cyloop to air-slicing projectile attacks to his own take on Shadow Clone Jutsu and beyond. He's also been a hoverboarder, a swordsman, a time traveler, an Olympic athlete, a racecar driver, cursed with a Flame of Judgment, imbued with alien power, a fucking Werehog with stretchy powers, and on and on and on.
If Sonic can do all that, Amy can try out using a tarot-cycle.
Anyway TL;DR the REAL problem with Amy's current characterization... is where the FUCK is Amy's bestie, Honey the Cat???????
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fishfission-dc · 1 year
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Batfamily Powerpoint Night! (Part 4: Jason)
<<Part 3: Tim    |    Part 5: Cass >>
[Masterlist]
Jason: Alright everyone get your hopes way down
Tim: I’m truly terrified of whatever you made for this
Dick: Let’s just be happy he participated!
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Dick: Okay yeah nevermind
Bruce: Jason. This is-
Jason: Let’s just be happy I participated
Steph: If I’m not your favorite I’m rioting
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Tim: Yeah this is the only right answer
Duke: He really does put up with way too much
Dick: Like childhood Bruce
Bruce: Hn. (in reluctant agreement)
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Cass: (signs) I love you too :)
Damian: Cassandra is undoubtedly a very skilled combatant.
Steph: A rare good opinion from Jason
Jason: This is why you’re higher on the hate list
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Duke: I am literally so honored, I would like to thank the Academy- 
Barbara: He called you “Nightlight”
Tim: And said your suit is ugly
Duke: I don’t even care. I’m too low on the hate list to care.
Dick: He said you’re going to snap?
Duke: I mean I don’t disagree
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Tim: I’M THE FOURTH BEST?
Jason: After some new information learned in the previous presentation, Timmy should probably be a lot higher on the list. 
Steph: Oh calm down Timbo you barely got “tolerable”
Tim: HE TRIED TO KILL ME AND HE STILL LIKES ME BETTER THAN THE REST OF YOU
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Barbara: Fair.
Dick: For the record, Jason, we are dating and I am not a cop anymore
Barbara: I still did date a cop though Dick he’s not wrong
Jason: See this is why she’s lower on the hate list than you
Barbara: You’re just scared to cross me
Jason: ...that too.
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Tim: AHAAHAH
Damian: THIS IS UNFAIR
Steph: HAHHHAHHA
Damian: I AM NOT DONE GROWING YET TODD
Jason: You’re still short
Dick: It’s okay Damian, Jason was even shorter when he was your age!
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Dick: ...crap.
Jason: Thank you for proving my point.
Tim: At least you’re not a cop anymore
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Bruce: You broke his nose, Jason
Jason: He deserved it 
Steph: ...wait a minute
Tim: (laughing, in realization) You mean... no
Steph: guys wait no-
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Steph: NO WAY AM I YOUR LEAST FAVORITE
Jason: THE F*@#%&$ YOGURT HAD MY NAME ON IT 
Steph: YOU CANT CALL DIBS ITS FIRST COME FIRST SERVE
[squabbling continues]
Dick: I’m surprised Bruce didn’t score the number one spot
Bruce: Hn. (in understanding)
Tim: I thought it’d be me honestly
Barbara: Oh come on, he loves all of us. He wouldn’t have come if he didn’t.
Cass: (signing) Agreed. I can go next?
<<Part 3: Tim    |    Part 5: Cass >>
[Masterlist]
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roosterforme · 15 days
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The Younger Kind Part 59 | Rooster x Reader
Summary: With your wedding on the horizon, it wasn't the best time for you to question your place with Bradley. But he's always patient, and Noah is perfect, and it doesn't take you long to realize that your husband-to-be is always going to see you in a different way than you see yourself. 
Warnings: pregnancy topics, swearing, blowjob smut, angst, fluff, and age gap (18+)
Length: 4700 words
Pairing: Single dad!Bradley "Rooster" Bradshaw x babysitter!female reader
Check out my masterlist for more! The Younger Kind masterlist.
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Now that you were looking at your wedding dress all spread out on the bed, you were afraid to try it on. It looked too perfect. Pristine and white. It was exactly how you imagined it would be when Natasha convinced you to order it, and it looked like it would fit like a glove over your belly which was starting to grow. But right now, you were feeling so overwhelmed. 
With your reduced work hours, you were home alone until Bradley and Noah got back in another hour or so. You had the whole place to yourself to do as you pleased. Plenty of time to try this thing on and send some photos to Natasha for her opinion. Then you could unwind with a glass of juice and a nice shower. But today was starting to feel like one of those days where Bradley's perfect bungalow on the perfect street in Coronado wasn't really where you belonged.
When you felt like you were in control of things, this was your castle. You were Bradley's Princess. You were Noah's Mommy. But today you felt like a fraud. Part of you was missing your little rental house where you could feel small and insignificant. Where you only had to take care of yourself. Were you really going to marry a man over a decade older than you? Were you really capable of raising not just Noah but a baby as well?
Mortification and embarrassment flooded your body as the dress mocked you from its place on the bed. You would never be deserving of anything as perfect as this soft fabric. Or this perfect life. Why did Bradley even want you?
"Princess?"
You didn't hear him come in, but now you heard his heavy footfalls as his boots met the hallway floor. He was headed for the bedroom, and you were in tears, staring at the dress. You managed to throw the bedding and pillows on top of it as Bradley entered the room. 
"There you are. I was calling your name," he murmured, wrapping his arms around you from behind and letting his hands rest on your belly.
His touch was everything you always wanted, and he hadn't seen your tears yet. You tried to pull it together as you whispered, "Actually, you were calling my nickname."
"Same thing," he whispered, his nose pressed to your neck.
"You're home early," you said, wiping your eyes. "Did you pick Noah up?"
"Not yet," he said, trying to spin you around to face him. "I thought I'd pick you up first and see if you wanted to go out to dinner after we get him. And maybe we can hit the mall so you can help me choose something to wear for that minor, little occasion that's just around the corner also known as our wedding."
You tried to fight against his grasp on your shoulders, but he spun you easily in place. You'd been too slow to remove all traces of your tears and worry, and his face fell when he looked at you. "Sorry," you whispered. "I'm just having a weird day."
"What's wrong?" he demanded softly, his grip on your hips tightening as his eyes dipped down to your belly.
"We're fine," you whispered, wishing you could convince him that was true.
"Something's bothering you," he said, his brown eyes meeting yours. "Did I do something wrong?"
"No." Then you started crying as he collected you against his rough flight suit. "You didn't do anything wrong. I don't even know what's wrong! I just don't belong here."
You felt his body go rigid as he held you impossibly tighter. This time he did use your actual first name, and you had to force yourself to meet his eyes. He looked concerned as he asked, "You don't think you belong here? With me? I love you."
But you just shook as tears streamed down your face. You didn't know how to say what you were feeling, so you just started talking through your sobs. "It's perfect though. You know that, right?" you asked, gasping for air as he looked at you in silence. "Your house and your son, and all of it. Everything here is perfect, Bradley. And the wedding dress arrived," you sobbed, gesturing to where there was some white fabric peeking out from the bedding. "And even it's perfect, and I just feel like a fraud. Like I'm inserting myself where I don't even belong. And I don't know how to be a mom."
You had your face buried against his chest, and he let you cry. He didn't say a word, and you weren't sure if that was better or worse right now. He just rubbed his hands in slow circles along your back until you were able to swallow and take some deep breaths. Then he guided you back so you were sitting on the edge of the bed next to the messy bedding, and he knelt down in front of you. His big hand came up to your cheek, and he swiped away some of your tears as he spoke.
"If anything here seems perfect, I can assure you it's because you're here now. It feels perfect to me, too, but it didn't always."
You swallowed hard, letting him trace your bottom lip with his thumb as you whispered, "It didn't?"
Bradley shook his head, his brown eyes wide and sincere. "No. It never felt like this before I met you. You showed up and made everything better until it was perfect. It happened slowly, but I could feel something shift right from the start. Each day got better after Noah fell in love with having you here. And after I'd known you for just a few weeks, I never wanted you to leave."
"After just a few weeks?" you asked as his hands and voice soothed you.
"Yeah," he replied softly. "I knew it. I'm sorry you had to put up with so much shit before we got to the point where it felt perfect, but I knew I wanted you with us. And then I needed you with us. And now I need you to understand that you belong here as much as Noah and I do."
"And Skittles."
The pup popped out of her bed and ran over as soon as you said her name, but Bradley kept his eyes on your face. "Always Skittles. And I hate to break it to you, Princess, but you already are a mom. So stop lying and saying you don't know how to be one. You are Noah's mom, and he's happier than I've ever seen him."
You closed your eyes and let all of his words fade into you. "But the baby will be different," you whispered even as you understood that you did know what to do. You handled kids and babies all day long at work, and you did it with care even though they weren't your own. And you did love Noah like he was yours. "But I think I can do it."
When you slipped off the bed and into Bradley's arms, he cupped your face in those hands and examined you closely. "You're not gonna be doing anything alone, Princess. I'm right here."
You nodded and breathed him in, and you already felt better knowing that this house and Bradley and Noah weren't as perfect unless you were here with them. "Can we go pick Noah up and just come back here for the night? I think I feel better, but I just want to relax."
"Anything you want," Bradley promised, and you let your arms go around his neck so he could help you to your feet. "We can come right back here, where everything feels perfect thanks to you."
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Bradley wasn't sure exactly what upset you so much earlier, but after you took a shower and ate dinner, he sent you and Noah to the couch to watch Mickey Mouse cartoons. When you paused in the doorway, you reached for him, and he went right to you with a soft kiss. You were wearing his sweatpants and an old tee shirt, and you belonged here. He didn't know how else to make you see that. But you seemed to understand it deep down where it mattered.
"I feel better," you whispered as he kissed your cheek. "My hormones are all over the place, and I'm always tired, but I do feel better. Thank you for being patient."
He was about to tell you that you didn't have to thank him for that when Noah called out. "Mommy? Are you coming?" 
A beautiful smile found your lips as Bradley said, "You belong here."
You nodded and turned toward the living room, leaving him in the kitchen to clean up. But he didn't want to have it any other way. He promised you he'd take care of everything around here, and that included wedding planning and decorating for Christmas. One problem was the fact that he barely had any decorations, because he barely had time to do anything before you. The other problem was that you were clearly worn out this week after Disneyland, but he needed your input for the rest of the planning.
After loading the dishwasher, Bradley paused and decided to make you some decaffeinated coffee in his Aviators Look Down on Others mug with an extra dollop of French vanilla creamer. He let it cool on the counter for a few minutes while he wiped down the table, and then he took a sip for himself before heading into the living room. Noah was curled up on your lap, and your fingers were gliding gently in his hair as the two of you watched your show together. 
"This is where you belong," he whispered, and you turned to look at him. 
"I know," you said with a soft smile.
Bradley snuggled in carefully next to you and handed you the mug, and soon Noah started to fall asleep. When your head came to rest on his shoulder, Bradley said, "How do you feel about me asking Amelia if she can babysit Noah on Saturday so I can take you on a date?"
"A date?" you asked softly. 
"Mmmm," he hummed. "Maybe go old school and do dinner and a movie. Something other than pizza and an animated classic. Actually leave the house and stay out past eight o'clock."
You laughed softly as Bradley pushed Noah's soft curls back from his forehead. "You do like to go old school, Daddy."
He rolled his eyes but smiled. "So is that a yes?"
"That's a hell yes," you replied. "A date with my hot baby dad sounds nice. And thanks for letting me have a freak out earlier." You looked up at him with his mug in your hands and his son sprawled halfway across your lap. "I love you, too. And I'm totally ready to get married." 
He let your words settle in his mind. There was so much to do. The extra bedroom still needed some work if it was to become the nursery. There were still a few things to finalize for the wedding. But he wanted to do all of it, and that included enjoying every moment with you. 
"Well that's good, because I'm totally ready to get married to you, Baby." He kissed your forehead and said, "I'll carry Noah to bed, and then I'll text Amelia and Penny."
When he stood with Noah curled up against his chest, you got to your feet as well, and Bradley's heart leapt as you told him, "I think I feel like trying on my wedding dress now."
"Yeah? You need any help with that?"
You shook your head and stretched, and the soft swell of all your curves was accentuated by your bump. You kissed him softly like he wasn't completely entranced by you. Like he wasn't aching to tuck Noah in and follow you to the bedroom.
"I think I'll keep it a surprise. You can see it on me in a few weeks," you said with a little smirk as he started following you toward the bedrooms.
Every mention of the wedding left him throbbing for you. When you started to close the bedroom door behind you, Bradley said, "As soon as you're undressed again and in bed, you let me know, and I'll be right in."
"Yes, Daddy."
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As Bradley pulled the Bronco out of the driveway, you waved to Noah and Amelia on the porch. Bradley let you pick the spot for dinner, but he said he was in charge of the movie. Then he mentioned something special that he wanted to get on the way there.
"What's the special surprise?" you asked several times as he drove. "You're just teasing me at this point."
He gave you side eye and reached for your hand. "Thought you liked that sort of thing."
You had to bite your lip to keep from laughing and encouraging him. "I like it when you do it in bed a lot more."
He hummed like he was mulling over your words. "Then consider this some quality foreplay: you'll learn what the special surprise is when we get there, and not a moment before."
You moaned like you were in pleasure, and you felt the Bronco jerk a little to the right as Bradley's hand tightened around your fingers. You burst out laughing and looked over at him. "I love it when you talk Daddy to me. Oops, I mean talk dirty."
"You keep moaning like that, and I'll drive off the damn road," he muttered, checking the mirrors and changing lanes.
When he turned right and drove a block, you saw Sweet Dreams Bakery. "Oh, wait," you said, pointing out the window. "That's where you got the princess crown donuts!"
Bradley pulled past and found a spot where he could parallel park. "Yeah, and we can stop later after we buy the special items."
"Oh, we're shopping now?" you asked, happy you brought your credit card along to keep teasing him.
"We are," he confirmed, and when he helped you down from the Bronco, you realized he parked right outside a jewelry store. He led you inside and said, "Shopping for our wedding bands."
You wrapped your arms around his waist, and bounced up and down a bit. You had been making yourself giddy over the idea of Bradley wearing a ring. He was literally letting you stake your claim with something visible, and if your moan in the Bronco was intended to wind him up, the one that just escaped you was one hundred percent authentic.
"Daddy."
His dark eyes were locked onto your lips as he whispered, "Behave." 
A sales clerk with a bright smile was headed your way, and Bradley squeezed your hip in warning when she said, "Hi, Mr. Bradshaw."
You looked at Bradley with raised brows. How many times had he been here that they remembered him. "Are you here to pickup your special order?"
"Special order?" you asked as Bradley's cheeks grew pink.
"Uh, we're here to pick out weddings bands," he said, avoiding your eyes.
"Perfect," said the sales clerk, and she was immediately leading the way over to a display case. You were ready to dig your feet in and demand more information about Bradley's special order and why they knew him by name here, but he took you by the hand and tugged you gently along.
You pressed your lips together to keep quiet as you remembered that Casey lived in this neighborhood; you were really starting to dislike the idea of Bradley hanging around here when your eyes settled on a tray of men's wedding rings. "Oh," you said softly.
Bradley kissed your temple and whispered, "Tell me which ones you want me to try on for you, Princess." 
You pointed to the plain band right in the middle, and you knew before he even put it on that it was going to be perfect. He picked it up with his right hand and slid it onto his left ring finger. It was a little thicker than a traditional band, and once he had it on, he held his hand up for your inspection. 
"It's perfect," you told him, your voice a little breathless. 
"You want me to try on any others?" he asked, a smile playing on his lips. 
You kissed the edge of his mustache, letting your body clench at the rough feel of it. "No."
"You sure?" he whispered.
"Yes."
He removed the ring and handed it to the woman who worked there. "This one," he told her while he kept his eyes on you. "It's perfect."
When it was your turn to try some on, Bradley stood behind you with his chin resting on your shoulder. You started to reach for the plain bands that would match with your enormous diamond ring, but Bradley said, "What about one like that? With the little diamonds that go all the way around?"
It was gorgeous. You should have known he'd point out something spectacular looking when you considered how pretty your engagement ring was. "Bradley, it probably costs ten times more than the plain one. Besides, the plain one kind of looks like yours."
When you glanced at him over your shoulder, you were met with those Bradshaw brown eyes that you couldn't seem to say no to. "Humor me?"
So you slid it on with a soft sigh, because it was incredible. "I do like it," you told him, trying to take it off again, but he stopped you with both of his hands. 
"Then we should get it."
You tore your gaze away from him and asked the woman, "What's the price difference?"
"Please don't tell her that." You turned back to Bradley to glare at him, but of course you didn't get an answer about the price. He had the upper hand in this store. "If the price didn't matter, would you want this one?" he asked you, tapping the ring where it was still sitting on your finger.
"Maybe," you whispered. "But the plain one is just as-"
"You're not plain. You're a Princess."
The kiss you gave him was a little indecent, but you didn't really care. He slid the ring from your finger as you tasted his mouth, and you assumed he gave it to the saleswoman so he could buy it for you. You just didn't want to let go of him as his big hands moved down your sides to your belly, and then he broke the kids.
"I would get you anything you want," he whispered, his lips ghosting along yours. "Same goes for both of my kids. Now let's get dinner before we miss the movie."
You tried to pay with your credit card, but this time he shook his head and told you to put it away. The woman was discreet when she ran his card, and then she handed Bradley a bag way bigger than was necessary for two, small rings.
"Is there something for me in the bag besides the wedding band?" you asked, trying to grab it when he led you back outside.
"Maybe," he muttered. "How about you stop asking about it, and I'll buy you some donuts."
Your stomach growled pleasantly at the thought. "Great idea. We can have dessert before dinner and the movie."
Bradley smirked. "And then after the movie, we can have another round of dessert."
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Bradley couldn't get enough of watching you eat your dinner with your hand occasionally pressed to your belly as you chatted away. He wasn't too concerned about the way you'd been overwhelmed to the point of tears a few days ago. You were tired and pregnant and working and busy being a Mom to Noah. Your hormones were changing again after the progesterone shots ended, and he knew it was a lot. Honestly, it was a lot for him to process, too.
But tonight you looked like you always did. Young and perfect and vibrant as you told him a story about something that happened at work. You ate and ate, picking up another piece of garlic bread after you told him you were getting full.
"If you're still hungry, we can always skip the movie," he mused, and you paused as you ran the last bit of bread through the sauce on your plate.
"Oh my goodness," you said, eyes wide. "I didn't know I was basically inhaling my food."
He just shrugged as he said, "Well, you are gaining weight."
A smile found your lips, and then they were twitching before you started laughing. "Wow, Bradley. You got all the smooth lines. It's a wonder none of your app dates were successful."
He hooked your feet with his under the table as you tried to stop laughing. "That was entirely your fault. It had nothing to do with my lines, because I wasn't trying very hard. And you're supposed to be gaining weight."
You were still grinning as you said, "Once again, coming in hot with the seduction."
You were still teasing him when he signed the credit card receipt and stood. He helped you to your feet and said, "Maybe I was just saving all my worst lines to use on you. Make sure you really love me. You ever think of that, Princess?" 
"It worked," you told him. "I actually do love you. And I especially can't wait for you to start wearing your wedding band." You gasped as he held the restaurant door open for you. "What are we going to do for music for the wedding? We don't have a wedding band."
"Oh," he said with a laugh. "I made a playlist." 
 "You made a playlist?"
"Yeah, you wanna hear it while I drive to the movie theater?"
He handed you his phone and let you start up the playlist. The first song was okay. So was the second one. You skipped along a few more songs, and then you looked at him while he drove and said, "It's all your old people music."
"Damn. Who's being rude now?" he laughed. 
"It's just that it's all from the '80s!"
"So am I."
"Bradley! Be so serious!"
"What? You know how old I am."
"I'm adding some things to the playlist, and if I find the Electric Slide in here, I'm deleting it."
Bradley ran his palm across his mouth and said, "There's my little brat."
You sat up straighter in your seat, clearly proud of yourself as you tapped away on his phone screen. It was so hard to surprise you; the way you reasoned through things was exquisite. He should have known you'd call him out on the extra item from the jewelry store, and now you were glancing out the window as he pulled past the movie theater.
"Throwback '80s night?" you said, reading the marquee out loud. "Bradley Bradshaw!"
"Okay, fine," he said, parking and killing the engine. "I'm old, and I like old shit. But really, the movie selection was just for you, Princess."
You turned and looked at the marquee again as it changed to show the retro film of the night. "Adventures in Babysitting!"
-----------------------------
Bradley pulled some of the cash from the spot behind the TV and gave it to Amelia as she collected her belongings. She and Noah made some art projects together which she said were drying on the kitchen table, and once again, she offered to watch him anytime.
"He's the sweetest little guy," she promised as her eyes dipped down to your belly. "But you'll have to pay me more to watch two."
"We can negotiate your rate when the time comes," Bradley said with a laugh while he opened the front door.
"Deal." 
She walked along the path to her parked car, and Bradley made sure it started up before he shut the door. He was turning the lock as he asked, "Did you like the movie?" But then his hand froze when he realized where your fingers were.
"I did," you promised, pulling his jeans zipper down over his considerable bulge. He wasn't even hard yet, but you were already so turned on. "Wanna go on your own adventure? With your former babysitter?"
You weren't subtle as you looked up at him and licked your lips, tugging him gently toward the couch. "If I ever say no to you, then there's something seriously wrong with me," he groaned, letting you pull his jeans and underwear down so his soft length hung out from beneath his shirt. 
When he dropped down onto the cushion, you dragged his jeans down to his calves so he could spread his legs open a little wider. You kissed his tip and he made a soft sound at the back of his throat as he started to get hard. You dragged your hands up and back down his full length, keeping your eyes locked on his. "Hi, Daddy," you whispered before dragging your tongue along the pretty bead of his precum, enjoying the way he throbbed.
"Hi, Princess," he managed as you smiled up at him. His voice sounded strained as you moved slowly and meticulously, stroking him until he was rock hard.
Right before you took him between your lips, you said, "We're getting married." You smiled around his length as he whined your name, and you let him thrust until he tapped the back of your throat. Then you sucked along his length, inch by inch, until he popped free from your lips, and you whispered, "And we're having a baby."
His fingers found your cheek, his skin a little rough against your face as you rested your head on his thigh. Bradley's eyes were glued to yours, watching you with wide pupils as you lazily kitten licked his cock and stroked his balls with your thumb. "You look so pretty like this," he rasped, and you kissed him before continuing with your little licks. "You're gorgeous when you're driving me out of my mind."
You giggled softly, and his cock throbbed against your lips. "I like teasing you."
Bradley grunted, his fingers tipping your chin up as he said, "I can fucking tell. And you can tease me all you want as long as you suck me off in the living room for the rest of my life."
You licked his length and whispered, "I'll put it in my wedding vows." Then he guided your parted lips around his cock again, and he moaned in satisfaction as you took him deep. 
His stamina was commendable like always. You gagged yourself on him over and over until your saliva was dripping down your chin and his balls. You gripped at his thighs as he thrust up to meet you with his fingers gentle on your face. And all the while, he words were sweet in comparison to the rough hairs rubbing your lip and the tears burning your eyes. 
"You're perfect, Baby. Can't get enough. Gonna marry you... my beautiful Princess."
When he finally came, you were sputtering and practically in tears before scrambling up onto his lap as he told you he loved you. Bradley's hands found your belly as you kissed him. 
"I love you too, Daddy," you whispered before he dipped his tongue between your lips to taste himself. Soon you and he would be married. You were pregnant and exhausted and letting him do most of the planning, but it would be great. No matter what happened on your wedding day, it would be perfect. You'd have Bradley and Noah as your family. The baby was healthy. You didn't want to overthink how you belonged here and fit with them. You knew that you did, even when it was hard to see yourself the way Bradley always seemed to. You snuggled against him and said, "I think you're perfect, too."
-------------------------
I love this family. The next chapter was originally going to be their wedding, but I got some asks about Bradley's bachelor party, and well now I'm intrigued. So there may be one more chapter than I anticipated! If you have DILF Bradley bachelor party thoughts, please let me know. Thanks @mak-32 and @beyondthesefourwalls
PART 60
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gatorbites-imagines · 10 months
Note
Hobie x deadpool reader or spider reader
Hobie Brown x Deadpool male reader
Headcanons
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I love Deadpool, who doesn’t love Deadpool? I tried to think of what Deadpool would be like in Hobies’ earth, and I just feel like he would kinda just be the same as always, except maybe with a metal aesthetic. And any chance to work my favorite music into stuff? I’m taking it.
You were Deadpool, and had been Deadpool for a long time. In the beginning it had just been your musician and artist name. Much of your music was different types of metal, with lyrics focused on judging the system and pointing fingers at its corruption.
Of course, a lot of people hated your music, but there was also those who loved it. One of them being Hobie Brown. Even before he became spiderman, hed always been a very righteous person with strong opinions about corruption and capitalism, so finding an artist who shared his views was great.
That was until you got a little too popular and stepped on the wrong people’s toes with your music and art. When you started pointing fingers at Osborn and his wild corruption, those against you grew more and more violent.
And at one of your biggest concerts to date, one that offered all the proceeds to those in need, you were assassinated right on stage. Theories would go around saying it was Osborn wanting to get rid of you, and telling everyone what would happen if they crossed him.
Panic consumed the arena after you were shot right on stage, and in the panic your body was whisked away. Deadpool became an icon in the anarchist circle, as one of the first to stand up against suppression and never back down no matter what.
Time would pass, Hobie would become Spiderman, and he would fight people like Osborn, even killing the guy with his guitar in the end.
But even after killing Osborn, the world was still in disarray, meaning a lot of work had to be done. So, when someone who went by Deadpool started popping up in stories and rumors, it caught people’s attention.
It was assumed you were just a fan, who wanted to use the legendary name of Deadpool to spread your message, or maybe the honor the original Deadpool. That was until people met you though.
You had the same clothes, only now wearing a mask. Your boots, your jacket, your spikes, and patches, even your guitar, you had it all. And on closer inspection, true fans could see it was the real thing.
You were almost like a ghost of the past, stories would go around that you were the angered spirit of the musician Deadpool, having crawled out of hell to wreak havoc on the upper class and tear out the roots of capitalism.
Hobie would want to meet you of course, you were like his hero and biggest inspiration. The first time you two would meet would be during a fight of some sort, and you’d chuck your guitar across the battlefield to nail a corrupt cop in the head before they could get a lucky shot at Hobie.
After that you two became close like two peas in a pod. Hobie would never treat you like you were someone above him, even though he had admired you for years, because he doesn’t believe in treating celebrities like gods.
Soon Deadpool and Spiderman being spotted together was a common sight, and so was seeing spiderman swing around with Deadpool in his arms or hanging on his back like a koala.
You never really take off your mask in the beginning, but when you do Hobie learns why you keep it on. You have a large scar taking up part of your head where the bullet had blown your head apart all that time ago.
You had apparently always been a mutant with a light healing factor, which had kept you alive, but you had been whisked away from Osborn researchers who wanted to use your healing factor. But in the end, they’d simply boosted your powers and you became pretty much unkillable.
This leads to you taking most of the hits during battle, since you can easily take it, anything you lose will just grow back. That doesn’t stop Hobie from worrying though, because seeing someone get their arm sliced off is pretty extreme.
Your first kiss is something you’d only have with a version of Deadpool. Hobie would be carrying your head after it’s been sliced off, and you would be asking him for a kiss and blowing him kisses from where hes carrying your head.
Now, anyone normal wouldn’t do what Hobie does, but Hobie doesn’t like to fit the mold. So, he would lift your severed but still living head and kiss you on the lips. Cue a make out until your body stumbles over and you can get your head back on.
You two never actually put a label to what you are, because that’s not the type of person you two are. But you two are pretty much dating now. You move into an apartment together, and sleep in the same bed at night, and kiss whenever you want.
Spiderman and Deadpool pretty much become icons in your community, for standing up towards oppression, and also being two hot guys who hold concerts after fights.
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ahsxual · 4 months
Text
Dark Sins
Pairing: William Afton x Fem!Reader (and a little of Stu Macher x Fem!Reader)
Summary: You and Stu have been together for a while now. You didn't like his friend Billy, because in your opinion he meant trouble. But Stu didn't care about it. In fact, it only made him want to hide you from Billy. So when the two of you were at Stu's house and Billy showed up, Stu made you hide yourself in the bathroom... little did you both know that his dad was taking a shower.
Genre: Smut
Warnings: minors don't interact +18, cheating (I don't support this, only wrote it for the fic!!), Stu not being the best boyfriend, implied age gap (reader is on her 20s, William is 50), fingering, oral sex (f&m receiving), squirting, dirty talk, mentions of daddy, chocking, cursing, degrading and humiliation kink, cnc, almost getting caught, perv!William, Dom!William x Sub!Reader
Word Count: 2,8k
Part II & Part III
A/N: In this fic, William is Stu Macher's father. I just love this idea, so I decided to write this crossover. I haven't written for so long, so I'm sorry for any mistakes or the low quality fic. I missed writing for you guys, so here I am! I'm trying my best <33
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You and Stu Macher had been together for a few weeks now. He was your crush since you met him last year, and things developed over time, specially after one of his parties. You guys had sex in his bedroom at one of his parties, and let's just say it was the best fuck you guys ever had. The adrenaline running through your veins from the alcohol, the passion between you two and the risk of getting caught by one of your friends was too much. You were extremely happy when, after a couple of months, he wanted to make it official. It was like a dream coming true... I mean, who wouldn't want to be Stu Macher's girlfriend? But like in all relationships, nothing is completely perfect... and when you met his best friend Billy, you couldn't help but hate the guy. He had this creepy look whenever he looked at you both and you talked about it with Stu. Apparently the guy hated you too, so Stu decided to hide you from him. Like, literally.
It pissed you off even more. How can your boyfriend prefer his best friend over you?? The PDA between the two of you didn't exist anymore whenever Billy was around, and that hurted you. So today, you decided to go talk about this with Stu.
"Hey... can we talk?" you asked Stu when he opened his house's door for you. He already knew what you wanted to talk about, so he rolled his eyes and let you enter his house.
"Sure babe, come in." he said in fake excitement, which annoyed you to no end. How can he still think it's your fault and there's nothing wrong with what he's doing... or better, allowing others to do. It's like he cares way too much about what Billy thinks or not. What a weird relationship they have...
You both went to his room for some privacy, since his dad was at home. Talking about the man, there was something strange, maybe even creepy about him too. He barely talks to you or says anything at all, always busy with work on the few times he's at home. However, his intense eyes always seemed to analyze your body like a predator analyzes its prey. At least, that's how you felt. And it sent shivers down your spine every single time, for whatever reason unknown to you.
"So... I assume you already know what I want to talk about with you..." you were the first one to break the ice, since you and Stu have had been silent for a few minutes now. You shouldn't be feeling so nervous and you didn't want to bother Stu, but things had to be talked about when something bothers you. Communication is the key for a good relationship and that's what you decided to do.
"Yeah, I think I do." Stu seemed way too relaxed for your liking, his arms supporting his body onto his bed like he didn't care how this conversation would end.
"Can you just pretend that you care about how I'm feeling instead of like, running away? Because that's what it looks like you're doing and it annoys me, Stu. Deeply." you shouted at Stu, your patience disappearing by each second. But when he looked at you with those hungry eyes, you immediately knew what he wanted to do. Again. Every single time.
"Come on babe, we can do so many interesting things instead of arguing, don't you think? You look so fucking hot when you're mad at me." a large smirk was planted on his face, before he pushed you down onto his bed, his tall and lean body over yours while he grabbed both of your wrists with one hand and pinned them on the bed. He started sucking and kissing your neck, while his free hand grabbed your tits hard, making you moan.
"Stop it Stu, we have to talk about..." you tried to sound serious, but the truth was that you forgot what you wanted to talk about in the first place. You couldn't resist Stu: he had that power over you, and even tho you hated it sometimes, it was simultaneously the thing you loved about him the most. The way he made you weak to your knees by a simple touch. You felt like you were in heaven for a few minutes, before Stu's phone started ringing. You both looked at it annoyed, and when you thought you couldn't be more bothered, you saw Billy's name on it. Stu immediately got up, before sending you an apologetic look.
"Hey man, what's up?" Stu's face went from excitement to fear in a second, and you looked at him asking mentally what happened. "Yeah sure, just give me a sec." and then Stu hung up the call.
"What happened? What did he want?" your tone was a little bit harsh towards Stu, but you couldn't control it. What did Billy possibly want this time??
"I'm sorry baby, but... Billy is actually on my doorstep. He's outside and needs to talk to me... like right now." you could tell your boyfriend was feeling bad for interrupting your intimate moment, but he still didn't say no to Billy.
"You're kidding me, right? Does he know that I'm with you? Can't you tell him that??"
"Come on y/n, just cooperate with me! It will be fast I promise, just..." he paused for a second, before grabbing your arm and taking you to the bathroom. "Just stay here for a minute, okay? Don't come out until I tell you so! Love ya!" he then kissed you and put you inside of his bathroom way too quickly to realized that it might be occupied...
"Wtf!" you shouted quietly, visibly pissed off by the ridiculous situation you were put in. How could Stu do this to me?? Hiding his own girlfriend, because his friend didn't like me? You thought. When you were walking backwards, you didn't even realized that the bathroom was in fact, occupied. By your boyfriend's father.
"Shit!!" you screamed when you collided with a strong, bare and wet chest. When you turned around, you couldn't believe your eyes. It was your boyfriend's father, William Afton, completely naked with just a towel around his hips. You stared a little too long to his tall, nice built body for his age, before you closed your curious eyes. "Omg, I'm so so sorry Mr. Afton, I didn't- this is all that asshole's fault!" you whispered to yourself the last part, referring to Billy. Well, in reality it was Stu's fault, but you didn't want to think about it that way.
"May I know why you haven't left yet? Seems like you're enjoying being here... in my presence." William's tone was serious and his eyes roamed all over your body, since you were wearing a short dress. If you weren't feeling so embarrassed, you could tell that he was in fact teasing you.
"I-I can't Mr. Afton... Stu doesn't want me to get out of here... I don't know what to do... well, on second thought, I should probably go." you never felt so embarrassed in our entire life. You didn't know if you should leave and go against your boyfriend's stupid request, or if you should just stay there being confronted by Mr. Afton lustful eyes and semi-naked body. This was his opportunity, he thought. Just the two of you... alone.
He wanted to show you how much his son didn't deserve you. He wanted to show you who could be a real man to you. Someone who didn't refuse to pleasure you like his son did to you just now, even tho you could be caught. What you didn't know, was how long William have been desiring you. Waiting for the perfect opportunity to be with you and make you forget about his son only with his dick. To prove to you that you didn't know real pleasure until he fucked you until you're begging for his mercy.
"Who said you're getting out of here, huh?" how dumb and innocent you are, he thought. Thinking that now that everything was according to his plan, you could escape him. It made him laugh, actually.
"I-I don't understand, sir..." your back was against the bathroom door, not allowing you to escape his slow approach towards your small body compared to his. The moment you called him sir made his cock harder, and when you noticed it through the thin towel, you gasped loudly not just by the unknown effect you had on him, but at the size of it. It was huge and you could tell that it was thicker than Stu's dick.
He noticed you staring at his cock and smirked at your reaction. He knew deep down you wanted him too. You naughty, dumb slutty girl. He suddenly approached you faster, not even caring about the fact that his towel fell on the ground, leaving him completely naked in front of you and showing you his dick fully erected because of you. Before you tried to say something, he covered your mouth with his big hand.
"Shhh. Don't say a single fucking word, you understand me? You don't want my son to find out that you're about to get fucked by his father, now would you?" his voice was deep and low, and you could hear the lust in it. You felt scared. Terrified actually, for what was about to happen. But then, you felt something that betrayed your mind. Your panties were dripping and your clit was throbbing, wanting desperately to be touched. All of a sudden, you heard the door being locked by William.
"Please Mr. Afton, I-I don't want to cheat on Stu, please..." you were so desperate not to sin, since you're completely against cheating. But it seemed like you had no choice... and the worst of it, was that you couldn't deny how much attracted you felt to the older man. By this point, you didn't know if you were talking to William or to yourself. Suddenly, you felt William's cock against you, hard and desperate for your attention.
"Too late for that, bunny. I'm gonna teach you how a real man can pleasure a sweet thing like you... don't lie to yourself. You want this as much as I do." he suddenly grabbed your hand and put it on his hard cock, pre-cum leaking from the tip. You started to jerk him off, not being able to stop since he was controlling your movements. "That's it, you dirty slut. Now be a good girl and suck daddy's cock." William forcedly grabbed your hair and pushed you to your knees, making you gasp in pain. He then opened your mouth and shoved his dick in, making you gag around him.
You started to suck him off since you had no option but to obey, before he pushed you back by your hair and took your dress and bra off, leaving you only in your panties.
"Don't worry, I'll rip them out soon." the older man promised before he pushed you against his cock again. After a few minutes, he felt himself almost reaching his limit, so he pushed you back once again, this time for good. He then grabbed you and put you onto the long bathroom vanity, before tearing your white panties in one move.
"Mr. Afton! Those were my favorite panties!" you were shocked by his rough action, realizing that when he said something, he would do it. William laughed at your face, realizing that you and Stu apparently never had real fun.
"If you behave and cum for me, maybe I'll give you new ones for Christmas." he promised before circling your extremely sensitive clit. You moaned loudly, so he quickly covered your mouth once again. "What a dirty fucking whore you are. Can't keep your mouth shut while being fingered by a man old enough to be your father... leaving aside the fact that it's actually your boyfriend's father too." he degraded you, before shoving 2 long and thick fingers inside you, not giving you any time to adjust to him. His movements were cruel and faster than any man you had ever been with before, making you cum in a few minutes.
"Fuck Mr. Afton, I'm gonna cum!! Please s-stop!" you didn't know why you were pleading him to stop if you didn't want to. Maybe you thought that if you didn't cum, maybe it wasn't real cheating... How stupid you were to think that. Obviously there was no going back now.
"You're fucking dripping, bunny. Look at my fingers, fucking you so easily and being all drenched in your cum. You should be ashamed of yourself, you fucking slut. I bet my son never made you cum so fast and hard." and those degrading words, which were the truth even tho you didn't want to admit it, were enough to make you orgasm. Hard. The way Mr. Afton humiliated and deprived you to breath properly with his hand covering your mouth and nose, was all you needed to squirt onto his big hand. Your moan was muffled by William's hand, otherwised Stu and Billy would hear you without any doubt.
"Oh fuck..." you said once you looked at the mess you made. William's fingers and cock were drenched in your cum, and he hadn't even fucked you with his cock yet. "I'm so sorry Mr. Afton-" your apology was completely ignored and immediately replaced by a loud gasp from you when William opened your legs and licked your cunt like he was a starved man. His tongue expertly sucked your wet clit before he fucked your hole with his long tongue. He continued to suck on your clit and fuck your hole just the way you loved, when suddenly you heard Stu's voice. You wanted to scream from fear of being caught in such a vulnerable, embarassing position and act, but William knew you too well already, so he put his hand over your mouth before you could make any sound and continued his attack on your dripping pussy.
"Wait man!" you heard Stu saying to Billy. Apparently, Billy wanted to go to the bathroom, but Stu stopped him just in time. "You should go to the bathroom downstairs. I took a shit on that one before you arrived." if you weren't in this situation, where your boyfriend's dad was eating you out like a madman, you would have laughed at the poor excuse that your boyfriend came up with. However, you were too focused on cumming again, this time on William's mouth since he didn't stop fucking your cunt with his tongue the whole time. Oh, that mouth... you definitely wouldn't forget it. It even looked like somehow, William did want to get caught to prove his son that he could make you cum harder and faster. That even if he was older, he was better nonetheless.
You started to feel your second orgasm approaching. "Fuck Mr. Afton, I'm gonna fucking cum again." you didn't know why would you tell him that or why you were saying it out loud, if you felt ashamed about all of this.
"Come on, babygirl. Cum for daddy one more time, squirt all over my face." and that was it. Somehow you managed to squirt once again, this time on William's face. Even tho it wasn't as much as before, you still covered his face and mouth with your cum. "Good girl. I know you could do it. You're being so nice for me, just one more time." when he said that last part, you looked at him with wide eyes.
"I-I can't anymore sir, please..." you were breathless and covered in sweat from his actions. He suddenly grabbed your neck and chocked you enough to make it difficult to breath.
"Yes you can, and you'll do it for me." for the first time, you were scared of him. Scared about what he could possibly do to you and the fact that you could be caught anytime now. He lined his big cock against your overstimulated pussy, ready to fuck and destroy you, before you both heard Stu's voice again.
"Alright man, see ya later! Don't forget to bring my things tomorrow!" Stu said before closing the front door downstairs, saying goodbye to Billy. You looked desperately at William, and even if he wanted to destroy you right there and then and couldn't care less if Stu caught you both fucking, he didn't want you to be in big trouble. You and William started to hear Stu's footsteps, so William took your damaged panties with him, grabbed his towel from the ground to cover himself up and got ready to go to his bedroom before Stu came in and saw you two together.
"Get yourself presentable. You don't wanna look like you just had been fucked, right? Next time bunny, I'll make sure there's no one to interrupt us. Prepare that tight and sweet pussy of yours." he said in a serious and cold tone, like he didn't just say the most sinful thing to you. Before he left, he smelled deeply your ripped and drenched panties and stuffed them inside his mouth.
And there you were. Left alone naked, covered in sweat and cum and thinking about how William's cock would feel deep inside of you, ripping you apart.
And that's when reality hit you and slapped you hard in the face. You just cheated on your boyfriend with his own fucking father.
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showtoonzfan · 3 months
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Ganna rant about Episode 4 of Hazbin again. For starters it has the same issue that Seeing Stars did for Helluva boss, that being Loona giving Octavia advice in comparison to Husk giving Angel advice. While the characters situations are different, both Loona and Husk were the wrong characters to pick to give advice, or simply just comfort the other character. I’ve already seen some people say that Charlie or Vaggie should have been the one to cheer Angel up, and that would have made more sense. They’ve known him longer and it’s in character for them to do that. For it to be Husk, not only does it feel forced as an excuse to just hook Angel up with a boyfriend and get the shipping fuel going, but it doesn’t make sense narratively.
In Loona’s case, her situation was flawed because she just MET Octavia, didn’t know a thing about her struggles and spouts to her about how she should be thankful just because her dad is “trying”, and the show tries comparing both girl’s situations when they’re not the same. This is practically the same situation with Angel and Husk. While Husk is aware of Angel, he barley knows him. He hasn’t been at the hotel that long considering the pilot took place only a week ago. On screen, all that Husk knew about Angel was that he was a porn star who constantly flirts with everyone, him especially, and we as the audience only see that and only that when the two interact. However episode 4 claims that Husk can see right through him and know that this is all part of his persona that he displays. If we had more time with these two characters outside of flirty banter scenes, this would make more sense, but instead it’s all tell and no show, being rushed with the little time we’re given. Husk even says that the hotel residents go to him to rant their sorrows while they’re drunk and even THAT happens off screen and that’s the problem, the audience has no reason to believe that Husk knows Angel deep down or even cares enough to want to help him, in our eyes, all Angel’s been doing is sexually harassing him.
There’s no reason why these two need to have an emotional scene together, it’s unearned and unwarranted because we haven’t had enough time with these characters, just like Loona and Octavia, there’s just no purpose or buildup. I also resort back to what I’ve said before: Husk selling his soul to Alastor is not the same as Angel selling his soul to Valentino. The show tries to compare Angel and Husk’s situations and it’s just not comparable because Alastor isn’t a rapist who’s trapping Husk to sell his body and be used like a rag doll constantly. Had it been something like “you’re a drug abuser and I’m an alcoholic”- THEN that would have worked, but that’s not what we get, and this leads me to talking about why “Loser Baby” isn’t good.
Some people have already misinterpreted my opinion, so here’s a few things. Is the song in character for Husk? Yes. Is the song about Husk telling Angel not to act and just embrace himself? Yes. On its own, the song is fine outside of some distasteful lines. The CONTEXT, execution, and placement of the song is the issue. Episode 4’s whole purpose is to see just how much Angel suffers. He’s forced to work like a dog at the studio day in and day out, and he gets abused and SA’d by his boss and other demons constantly. He doesn’t have a say in anything and can never say no because he’s under contract. He can’t Fizz his way out of this one and just go “I quit”, he’s literally forced to work in the porn industry wether he likes it or not, and we see all of that on screen. We also explore just how much this affects him. They reveal some pretty dark stuff here, how Angel doesn’t even want his position as a famous porn star and is so desperate to be numb from the pain and suffering he endorses that he’ll get high constantly and let people drug him for nefarious reasons, it’s his escape. They dump ALL of that info onto us, only for this bullshit to come up:
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So the writers slut shame him, call him a freak and an addict to laugh at because “haha he’s addicted to drugs and a slut”, even though we JUST got done with a scene that confirms HE DOES ALL OF THIS AS A TRUAMA RESPONSE. He said himself he does the drugs and is addicted to numb the pain, and his own flirting (while problematic) is shown to be an act of him hyper sexualizing himself due to what he goes through. It’s not excusable but it’s still a fact, and we’re supposed to LAUGH at him??? That’s what’s wrong with his character and what continues to be wrong, because Viv sees him as the butt of the joke. Every line of dialogue he has is always about sex and how we should laugh because he’s a slut, an it comes off as so distasteful and insensitive to not only people who have been abused/SA’d, but porn actors in general. We’re supposed to laugh when he talks about cock and sex, but the reason he’s doing it is so dark that we shouldn’t be laughing about it at all cause he’s a VICTIM, yet Viv thinks it’s funny. It’s so disgusting and makes my stomach twist. Angel is trapped being in a position he doesn’t even want to be in, yet his entire character revolves around comedic sex jokes, and once you figure out the reason behind said sex jokes, it feels so wrong.
And this is why Loser Baby doesn’t work. Aside from everything else I’ve already said, It doesn’t line up with what Angel is going through, it doesn’t line up with the rest of the episode. If you wanted Angel to have this arc about realizing he doesn’t need to stick to his persona, fine, but you should have done it in a different episode. This is why Husk comes off as telling him to just suck it up and stop whining rather than what he’s actually trying to say. It looks bad with how they executed it, it just looks like he’s telling an SA victim to get over it and stop whining and what’s worse is they compare their situations when it’s not the same. You literally have a scene of Angel telling Husk he lets people drug him, and not even a minute later Husk is calling him a loser. That’s the issue. The show doesn’t know how to read the room, build character relationships slower, is just so incredibly tone deaf and is hypocritical. We’re supposed to feel bad for Angel cause he’s sexualized to the maxes and is having trauma responses of that, but then we’re also supposed to laugh at him and his sex jokes while also finding him hot. Pick a fucking side Vivienne, the show wants to have its cake and eat it too and look where that’s gotten us. The writing is a fucking atrocious mess and yet it had so much potential if Viv actually cared enough to take Angel seriously, instead of just desperately wanting to give him a boyfriend, and a rushed arc where he magically feels better in the end.
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mobblespsycho100 · 4 days
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which one’s toshiro and whys he autistic?
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[ID: full body colored illustration of toshiro from the dungeon meshi manga. /End ID]
THIS FREAKIN GUY!!!! anyway
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[ID: anonymous tumblr ask: "would def love to hear ur autistic shuro thoughts". /End ID]
awesome. rant under the cut because it will be long
So before we understand why Toshiro is the way he is we must first understand two things abt him:
1. his household situation is a very traditional clan of warriors type situation. his father is very strict and he left his homeland to go to the Island and explore the dungeon to train and become a warrior to be someone suited as the family head
2. Eastern and Western cultures of respect/propriety are different, and Ryoko Kui highlights it well even in her fantasy world.
With that in mind, heres some bullet point rapid fire thoughts that consume my current state of dunmeshi brain:
Toshiro has an avoidant personality. He fears upsetting others due to his upbringing, and rarely tells others how he feels not because he thinks they would simply understand him but because he doesn't want to seem rude and imposing / cause offense to others especially since he's not in his own homeland / hes a foreigner that should respect the land's customs, not his own wishes.
Setting boundaries is hard for everyone, but especially autistic (and some other ND, like those with Avoidant Personality Disorder) people. Those with ASD, at least in my experience, don't want to be isolated from others. So they mask.
They mask what? their desires. their true selves. their opinions. their discomfort. all for the sake of pleasing others (who are often neurotypical)
With that in mind, suddenly, what Maizuru said abt him as a child makes sense. Due to his strict upbringing, Toshiro had to more or less hide his preferences and force himself to adapt to the rigid constraints of his culture and the pressure to be the next family head, this responsibility is his burden to bear and he cannot be someone who expresses his selfish desires instead of focusing on being a strong warrior and leader
"Why did he say he hate Laios and that it should've been obvious that he disliked/found Laios' treatment of him uncomfortable??" BECAUSE IT SHOULD BE OBVIOUS. I'm not going to write off Laios' autism/autistic coding, but its baffling (note: definitely racism and bias for white autistic ppl) to me that a lot of ppl don't see Toshiro's perspective and straight up ignores it. This is a lack of wanting to be rude by speaking up that is based on culture difference on Toshiro's part, and straight up ignorant of his microagressions/racism and lack of self awareness on Laios' end. They were both right, they were both wrong too. This is a complicated conflict that cannot be boiled down to simple ableist/the NT vs ND divide. There's something called . intersectionality. Which brings me to the next point
Toshiro never actually hated Laios. He found him uncomfortable, yes. But he didn't /hate/ him, he was speaking out because he's had enough!!! he's done tolerating Laios' racist bullshit, and he's done following the arbitrary Eastern rules of respecting others and not being rude!!! He. Wants. Laios. To Understand. What. He. Was. Feeling. Because he just had enough!!!!! alright!!! he's at his limit hes at his breaking point, the one he loves is now probably beyond saving, and this is a good time as any to break the news to Laios that he thinks that Laios is impulsive and doesn't fully understand how his actions have consequences!!! Hes right abt this. His feelings on this is valid, just as valid as Laios'
General autistic traits I find from Toshiro: his admiration of Falin's indifference towards insects ("woah shes so brave and gentle!! just like me, fr!!!"), His lack of regard for his own needs and wants (needing to sleep and eat and drink) because he was super focused on saving Falin, His lack of like drastic expression changes, his discomfort with physical touch when it's initiated without consent (see: Laios hugging ppl extra bonus art by Ryoko Kui), his manner of like speaking short and concise, people pleasing tendencies, his like quick way of combat, rule upholder/routine following enjoyer, he seems distant from others even those he consider family not cuz of like any terrible reason but hes just. someone who enjoys his own time alone like. yeah
aannnnndd. thats abt it? i think.
Big part of this is definitely me relating to Shiro as an Asian (specifically chinese indonesian) person who is probably Autistic lmao. I hope this brings more insight on why Toshiro is actually one of the silliest and epiccest dunmeshi characters ever I love him
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heejayy · 2 months
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Soft Life!
Warning: none
Pairing: Gojo x black reader
A/n: this was highly influenced by the influx of soft black girl aesthetic. There’s a little rant at the end, don’t mind me.
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Some may label you a gold digger, claiming you're with him for his money, and others may claim you've played life smartly, but one thing is certain: being Gojo's wife was the easiest thing you've ever done; this man asks for and gives you anything you want.
You met Gojo as a college student working a part-time job. Going to school and juggling job was challenging, but you made do with what you had. He liked your dedication and hard work, and he found your independence attractive. But if you were to stay with him, no woman would spend her life working when he could easily provide and care for her.
Gojo is a man that doesn’t ask you for a thing he’s just a giver. He makes you feel secure in every aspect of life, but if you decide you want to do something on your own, he’s ten toes behind you.
In your free time you love staying home and looking online for new treats to make your husband when he’s away at work. You’ve had so much free time you started making videos for your social media accounts and they blew up overnight.
People love watching your get ready with me’s, you go shopping, cooking, working out, couple's trips, makeup routines, anything you post they love.
Besides your social media activities not having to work every day really opened your schedule, instead of being too tired to do anything after coming home you have time for all your favorite hobbies plus more. Reading, yoga, gardening, painting, knitting, hell sometimes all you do is lounge around and take bubble baths. (Gojo loves coming home to a happy and well rested wife.)
But with the positive comes the negative, the ones who don’t like you or is very jealous of your lifestyle love to call you a pretty dumb housewife who has nothing better to do. Someone who’s thrown her life and career away to cater to a man but in reality, that same man caters to you. Do people think you’d take care of a man who does nothing for you?
In your opinion you love who you’ve become as a woman and a wife, you’ve never been happier even Gojo sees it.
©heejayy 2024 — any reposts or translations of my works are strictly prohibited unless granted permission.
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Side note this is a little bit on the serious side: Although this is for my black girlies, all the girlies can read 🤷🏾‍♀️
I'm not sure if it's just me, but I've grown tired of the 'Strong Black Woman' trend. Now, don't get me wrong, I like strong independent women because that's how I was taught, but being perceived as overly independent makes black women appear as if we don't need anyone and can do everything on our own, which is how people treat us. Like babes…we are human with emotions. They will go help and praise a non-woman of color before helping us. It's quite harmful; they already treat and compare us to men. And when a black girl tries to break out from that image, she is dragged back down, which is disgusting.
You don’t have to be rich to be in your soft era! Put yourself first, be kind to yourself, don’t let anyone tear you down, you are worthy of love, the things you can’t control don’t let it stress you out, pray and read the Bible more (if you’re religious), let go of negative people, ITS OKAY TO ACCEPT HELP, it’s okay to be quiet or confident which ever one fits you, prioritize peace, just be you don’t change or try to fit in.
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drconstellation · 6 months
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The Ineffable Ducks
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What's with all the ducks in Good Omens that Crowley seems to be inordinately fond of? Turns out, they do have a narrative purpose, they're not just in there as a running joke about Crowley's fondness for the animals of Earth.
They appear in both S1 and S2, and get mentioned in several seemingly random places. Like, really random. There are quite a few in St James Park, where the ducks live, where the international spies also clandestinely meet, where Aziraphale and Crowley meet on several occasions, and where Crowley and Shax have a meeting, exchanging information in S2E1.
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Ducks also get referred to here, when Aziraphale suggests they use humans to search and spy out the missing Antichrist, but Crowley insists it will be near impossible because suspicion slides off the boy like water off, what ever water slides off, because he has an automatic defense system.
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The he remembers the ducks(!) later in the Bentley when they discuss using their respective networks of highly trained human operatives (Shadwell and the Witchfinder army), and Aziraphale asks if Crowley has a better idea than his. "Ducks!" Crowley suddenly utters.
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The ducks that are always there, that you see but don't see, gathering bread crumbs, when any kind of surveillance or secret spy work is being discussed.
Nah, I thought, it couldn't be a sly ref to this famous cartoon by Larson, could it?
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Aziraphale and Crowley are always afraid that someone is watching, or listening to everything they do, from both sides. I mean isn't that partly why we got the ending we did in S2, because they have had to be so covert with their communication to each over the centuries they've forgotten how to speak plainly to each other?
Heaven has definitely been watching...
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And Hell certainly noticed Crowley's act of kindness in the Edinburgh cemetery, swiftly summoning him to Hell for punishment after his kind deed on behalf of Elspeth.
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Then when the duo meet in again 1867 Crowley wonders if "ducks have ears" before declaring they must do - that's how they hear other ducks. So its no surprise that when Crowley asks Aziraphale for holy water that he writes the request on a piece of paper to hide it from those invisible ever-present watchers they know are never far away.
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When we come to the start of S2, where Crowley is slouched in St James Park once more, reading the Tadfield Advertiser, and yelling at the Azerbaijani secret agents for feeding the ducks bread. Crumbs, it was alright to do this in the book, and S1, why is wrong now? Has Crowley suddenly become woke and caring for the ducks? Nah.
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There's a lot more to it than that. I realized this is the missing Grain offering from my post about altar offerings (see The Altar of Eccles Cakes) in S2. A Grain offering represents a voluntary expression of devotion to God - or the other side you're supposed to be aligned with, in this case.
Shax is part of this scene, discussing the latest news from below, and she mentions some special intel that Hell has received, from their own secret squirrel network. Of course they would meet in St James Park to discuss this, along with all the other spies. While Shax tries to get some intel out of Crowley about what might be going on in Heaven, because she knows he has contact with a certain angel who owns a book shop, Crowley responds by refusing to show any devotion to his former side at this point, and isn't going to give any information away that could be useful. He also doesn't have any intel at this point, anyway, but he's not going to give that away either! Heaven and Hell are toxic, and no one should be going anywhere near them, in his opinion. So stop feeding them that devotional bread!
After Shax asks what they should be feeding the ducks, he eventually says "Frozen Peas. It's good for them, they like it."
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The short period of "peas" since they stopped the impending Apocalypse has been enjoyable, and good for Crowley and Aziraphale, but the forced meeting with Beelzebub later that day soon jolts Crowley out of any complacency when they indicate that the "generalized understanding" Crowley thought they had with Heaven and Hell after the body swap to leave them alone, the one Aziraphale-as-Crowley negotiated, while asking for a rubber duck, no less, was looking very shaky and fragile indeed.
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And one more random duck ref to discuss.
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I was inspired to write this section by lalalunamoth's post calling Muriel a duckling imprinted on Crowley, and of course I did not save it, did I, and a search does not bring it back up again (found it!), so if you're reading this, or know that post, please let me know! I read it, and thought, cute, but nah, then realized that Muriel was sent on a surveillance mission to Whickber St to ascertain the truth of Aziraphale's 25 lazurii miracle. And she did act as the eyes of Heaven, writing up some reports, called Crowley "grice," then followed him around during his escapade in Heaven just like a duckling following a grumpy gander drake while he did his own surveillance measures in a Tactical Turtle neck, channeling his best imitation Sean Connery voice (have you noticed that as well, people?)
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No, no, the op wasn't wrong - those big cross ducks, er grice geese, they make good guard dogs, no?
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With special mention to Crowley acting as a surveillance duck just prior to this, and Mr Brown doing his own "spying out" of Aziraphale.
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To finish this meta, there is one other figure who notably offered the ducks bread, in the book. This passage, which is surely relevant to S3, but didn't appear in S1, shows another character still devoted to God in a way. Lets give Death the final word:
Crowley: "Maybe it's it's all part of a great ineffable plan. All of it. You, me, him, everything. Some great big test to see if what you've built all works properly, eh? You start thinking: it can't be a great cosmic game of chess, it has to be just very complicated Solitaire. And don't bother to answer. if we could understand, we wouldn't be us. Because it's all - all - "
INEFFABLE, said the figure feeding the ducks.
"Yeah. Right. Thanks."
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I don't understand how Vivziepop still has a fanbase anymore that unironically still supports her after all the scenarios of controversy where she brushes it off as petty internet drama from "petty envious antis" atleast before she runs off into her crowd of chronically online and discourse obsessed problematic adults on any social media platform(Mostly Twitter to be specific but still)who are just a group of yes-men for her to use to attack not even only children on the interwebs who just happen to be uncomfortable with the fandom she's cultivated over her career of a wannabe artist and animator, but other adults too who by the way are somewhat consisting of survivors of abuse, rape, are LGBTQIA+, BIPOC, neurodivergent/disabled and possibly more. It honestly makes me sad as it does angry because the concept of the show isn't that crazily impossible in my opinion atleast and it could of had so much potential to do way better if not only the obvious subject matters were treated with much more care in an attempt to rework the scripts but also if Viv didn't do half of the stuff she did just a bad person in general. Like...is that really the best you can do for your fanbase???You cannot be not-joking atleast a little bit when you're telling me that apparently not only are children not being stopped from engaging with an 18+ rated show(even though the amount of vulgar language is done so poorly that it could pass of as your average failed Newgrounds animation), but that they're literally being encouraged to interact with the fandom???Are you out of your mind???Don't even get me started on the other stuff that you all probably already know about such as the blatant mockery of S.A., abusive relationship dynamics, hypersexuality in victims of said scenarios that happen irl, having other such "jokes" including some sort of rapey scene at all and having someone who actively and openly supports "non-con" fiction???!!!! What is wrong with you people??And apparently I have to share the home of the beautiful planet Earth with these idiots choosing to have the cognitive dissonance and brain function of an almost-empty and dusty old peanut...Along with the fact that the woman herself treats her animators at Spindlehorse Productions(her studio I suppose)like utter dog-dung, she has proven to drag anyone who defies her problematic and dare I say dangerous behavior through the mud and gets away with it all because of her stans/fans making her the "face of independent animation/indie animators". I honestly feel so awful for those who may have genuinely looked up to her at one point, atleast not knowing how much of a horrible person she was behind the scenes of the computer screen but its whatever anyways I guess. If any aspiring makers of cartoons or comics(LGBTQIA+/BIPOC/Disabled preferred) would like to promote the stuff they male down below in my comments section than feel free☆. It's the least anyone can do under the storm that's being made and has happened for such a long time ughh. The project should have been attempted a little more to be prevented from the confines of those echo-chambery and gross parts of fandom-centric social media communities and It's so discouraging how long this has been going on too, but hey. She's the lady that unironically made a literal pedo character that she attempted to present as a villain while just having the original character end up as a sort of "cool af bad-girl aesthetic uwu" character. Oh my fucking God please stop at once I swear to the highest Heavens and the deepest, most darkest depths of Hell(Ironic).
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ossidae-passeridae · 4 months
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4. What’s the worst part of fanon? 😈
Question from here
That'd be the implicit racism thanks for asking!
A non snappy response, aka to explain what I mean by that:
A lot of fanon tropes implicitly reinforce a very white, America-centric POV, and in a universe like the GFFA which lies somewhere between heavily Asian-inspired and gloriously multicultural, that really rubs me the wrong way. (To clarify upfront: it is not racist or whatever to enjoy these tropes or to write them, but it worries me when people don't even seem to realise it)
An obvious, innocuous-seeming example is the tendency to use 'Ben' instead of Obi-Wan's actual name in AUs — especially when others' names (Anakin, Mace, Cody, etc) aren't changed as well. The biggest difference between those names and Obi-Wan's is that Obi-Wan's is obviously Asian inspired, and theirs aren't. It's not something I expect most people even think about! But it always leaves a sinking feeling in my chest.
(Obviously if, like in canon, Obi-Wan is using Ben as a pseudonym while in hiding that's a very different kettle of fish.)
A larger example is how incredibly common it is to cast the Jedi as space-Christians — some common examples being focus on tenets (the Jedi Code, which is a meditation mantra, not a rulebook), the pervasive Catholic Guilt which is very explicitly Christian in nature, the emphasis on worship as ritual rather than a state to work towards, the generalised "all organised religion must be Bad" sentiments that feel very specifically ex-Christian in nature.
Thinking about one's own religion and expressing thoughts through fiction/art isn't an issue in and of itself.
The thing is, the Jedi are explicitly based on Asian Buddhists. Not just in set dressing, but from the ground up, from their beliefs and the way they act, to their clothing to the structure of their temple — to strip that away is to remove what makes the Jedi the Jedi. It's to remove the Asian-ness and replace it with something predominantly white. It implies that Asian influence shouldn't or can't exist in the GFFA, or that there's something inferior or wrong about Buddhism that needs to be "fixed".
Again this isn't something where I think that fan authors are sitting there going "muhahaha I'm going to be RACIST today", I know that's not what's happening. But when so much Jedi-centric content being produced minimises the Asian influence and pushes a western one, it starts to say "there's something wrong with this group, we're trying to erase it because there shouldn't be representation at all" — an issue of scale, at its core.
(Then ofc there's all the "the Jedi steal babies" and "the Jedi ban emotions" and "the Jedi need to be destroyed" which, entirely separate from the above, if you replace 'Jedi' with 'Buddhists' I'm kind of starting to wonder why you hate Asian people/Asian religions, you know?)
I won't even get into the fanon surrounding the clones, because that'd require me to talk about KT far more than I'd like to on any day, but especially today 🤣
(All opinions expressed above are solely those of pass e. ridae and do not express the views or opinions of any affiliates or associates, passerine or otherwise)
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actual-changeling · 5 months
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It was actually rather hard to decide how to begin this meta post because there are essentially going to be two main parts: why Crowley does not actually avoid/run from his problems and why "going off" is not a bad thing regardless.
Then I wrote the first part and realised this is now 2.5k words long, so uhhhh I will grant part 2 its own post.
With that, welcome back to Alex's today-not-unhinged meta corner!
I am going to approach this topic from a psychological angle, which a lot of people have already done, but without explicitly mentioning it or going into depth. All my information comes from personal experience, research, my therapist, and my psychiatrist, just so you know I am not making shit up. I actually dug up some resources my therapist gave me a while ago.
Generally, there are four different fear/survival responses: fight, flight, freeze, and fawn. Most people have probably heard about fight and flight, since those two are usually the only ones that are mentioned/taught, so I will stick to explaining the other two.
"Fawning" refers to actively being submissive and subdued, both physically and emotionally. The goal is to appear non-threatening and to calm whoever is causing the fear response in the first place. It shows up as being overly agreeable, not having thoughts/opinions of your own and ignoring them if you do, your body language changing (e.g., making yourself smaller, taking up less space), and generally attempting to 'keep the peace' or reinstate it.
"Freezing" is pretty much exactly what it says on the tin—you freeze. It means slipping into a dissociative state, which disconnects you from your body, your emotions/mind, and/or the outside world. Usually, people stop being able to talk well or at all, they do not move, and if they do, it is on autopilot; you do not fight or flee, you simply exist until what is causing the fear response is over.
While dissociating, your brain is unable to form full memories—and depending on how heavily you are dissociating, it does not form any memories at all. 
Freezing as a response happens when fight, flight, and fawn aren't possible anymore, e.g., a child who has no internal mechanisms to deal with large amounts of fear because it's a child, so the only way to escape the pain and aggressor is by fleeing into your mind and shutting down.
Why am I telling you all this? Because most people tend to have one or two survival responses that dominate/they usually fall back on, and the same goes for Aziraphale and Crowley.
When faced with an outside problem and a lot of stress, Aziraphale's first instinct is to fawn, to placate the person, to diffuse the situation, to make sure everyone is agreeing, or, at the very least, submitting to authority figures or aggressors. It is what heaven teaches them—stick to the rules, don't ask questions, do what you are told. If fawning involves lying, he will do so, here the need for safety is stronger than his desire to be truthful and stick to his morals.
Unfortunately, the fact that this is his primary fear response is also the reason behind his extreme cognitive dissonance. How can you stick to the rules when you do not know what the rules ARE? So he is stuck trying to figure out what is "good" and what is "bad" so he can be a good angel and avoid doing anything that might be seen as bad or disobedient.
His secondary response to stress or fear is to fight—once it's clear that fawning won't work, he can and will switch over to being more direct and aggressive/less submissive. We see that happening when he gets discorporated in season 1 and needs to get back to earth, at the airbase, or when the bookshop gets attacked.
If I were to ask you what you think Crowley's primary fear response is, how would you respond?
Well, if you said "flight"—you're wrong, and I will explain why.
Flight is his secondary fear response, it is what he falls back on in absolute emergencies when everything is doomed and there's nothing he can do anymore.
Before that, though, he fights.
Even as an angel, he was already questioning the system, he was ready to go and tell God she was doing a terrible job, that her ideas were bad, that he wants to keep his stars and the universe— six thousand years are nothing! If you actively oppose existing rules and defy people's authority over you, fighting is the only option you have unless you plan on giving up or the response becomes too much to deal with.
Fear itself happens when you or someone/something you love is being threatened (whether that threat is real or simply perceived as such doesn't matter), plus there are a large number of more irrational fears.
Crowley's creations were threatened -> He goes against the rules, he wants to fight for them.
On the walls of Eden, he questions God and talks to an angel, his hereditary enemy, once again defying the rules, questioning them.
Job and his children were threatened -> He goes against orders to try and save them.
There is good reason to believe he went against God by saving some of the children from the flood.
He showed Jesus the kingdoms of the world—do we really think that was based on orders? No, it was once again Crowley not playing by the rules.
Wessex? He proposes the Arrangement, which is one gigantic "fuck you" in his fight against celestial rules. Everything after that goes back to Crowley knowing that their jobs suck and that they can cheat, fight the system by working together. In 1827, it gets him pulled to hell and punished, and yet he does not stop; he keeps fighting.
Crowley is the one who immediately tries to stop the apocalypse. Aziraphale needs to be talked into it, needs to be convinced with selfish reasons and personal pleasure.
The reason why both heaven and hell absolutely loathe him is not because he is a runner; it's because he constantly and consistently defies them. He fights.
In season two, he immediately tries to deal with the Gabriel problem while Aziraphale is standing behind him and saying "I don't know" to all of his questions. Taking him somewhere so they can figure shit out in peace is not 'running'—it's smart. Sure, it's far from ideal, but we see what keeping him in the bookshop brought them, don't we? The hiding miracle is what tipped heaven and hell off in the first place.
Aziraphale goes to Edinburgh based on a hunch, but once again—did that help? Did his journalist roleplay trip actually provide vital information that solved a single puzzle piece of that mess? No. Finding out that Gabriel was at that pub with some mystery person was a nice fact to know, but that's it.
During the ball, Crowley is scared, vigilant, prowling around the shop, checking windows, telling Aziraphale to "stop this charade" so they can figure out what to do. Aziraphale, in that moment, was already convinced that sticking to the rules would save them—a heavenly embassy on a technicality, surely the group of fallen angels who got booted due to not following heaven's rules will respect that.
Crowley goes to heaven, which is once again him actively looking for a solution, while Aziraphale also falls back on fighting because fawning is not going to do shit.
There are three times during which Crowley suggests fleeing—which is his secondary fear response—but those are exceptions. Let's have a look at them.
The first one is at the bandstand, the evening before the Apocalypse, and since Aziraphale is lying to him, the situation seems hopeless to him. Yet he is still having his 'agents' look for him, is still fighting.
Do you know why he even suggests running? He is about to leave when Aziraphale calls him back with "there isn't anywhere to go," and now allow me to insert the following passage from the scriptbook.
Crowley looks back. He looks at Aziraphale. Above them, a beautiful starry sky. And Crowley softens.
"Big universe. Even if this all ends up in a puddle of burning goo, we could go off together."
The sentence in the show is slightly different, but they have one thing in common: If.
IF the world ends, we can still leave and be together. IF.
Crowley is NOT saying "let's leave", he is presenting Aziraphale with a contingency plan in case stopping the Apocalypse does not work. He is NOT running, he isn't even SUGGESTING to run.
It's a "if the world ends, we can be together. We don't need to be with hell or heaven; we can be in the stars," because remember what the end of the world would mean? Eternal torture for Crowley while Aziraphale bores himself to death in heaven.
The next time he suggests it again—when he stops Aziraphale on the street—several things have happened.
First, he did not leave. If he truly wanted to flee, he would have by now, but he didn't. He sits in a cinema waiting for the end: "Out of time. Out of hope," as Neil puts it. Then Hastur and Ligur show up on screen and tell him, 'You're dead meat, Crowley. You're bloody history. […] We're coming to collect you'.
We all know that means "eternal torture in hell," but if you're not convinced for some reason, have another snippet from the script book that did not make it into the show.
Dagon is speaking from the Bentley's radio while he drives towards the bookshop, saying that something has gone wrong and they're sure he has a 'perfectly reasonable explanation' for it. Once he gets out of the car, however, Dagon still keeps going and says the following:.
"Your explanation, and the circumstances that will accompany it, will provide a source of entertainment for all the damned of hell, Crowley. Because no matter what agonies the damned are suffering, Crowley, you will have it worse."
Crowley already knows that. He has been punished by them before, heard, seen, lived torture, there is no doubt as to what will happen should they catch him. So he does what any person with a single fucking brain cell would do—he tries to get his loved one and FLEE.
Flight is the best response in this situation, and if you need me to explain why, then honestly, I cannot help you anymore. I won't go into detail about Aziraphale's response, but, tl;dr, it was shitty and incredibly hurtful, go figure.
Now, let's get to situation number 3, which is his speech during the final fifteen. We do not have an official script for that, but someone did make transcriptions for all episodes; you can find them here. Additionally, I will copy some of what I already said in a different meta post.
Crowley, stuck in his trauma-induced hypervigilance and paranoia, suggests putting as much distance between them and the problem as possible. I think it is interesting that in ep1 he wants to get Gabriel away from them, while at the end of the season, he is ready to get them away from the problem.
So far, I have never seen anyone mention that change! And it’s important! The entire season, it is hammered into our heads how much they love being on earth. It is THEIR bookshop and THEIR car and THEIR life.
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Crowley wants to protect that home, and Gabriel is a threat to it, a threat to both of them, their life, the bookshop—everything. He does not want to leave, he wants his peace and angel in one place.
Yet by allowing Gabriel to stay, Aziraphale destroyed the sense of comfort and safety Crowley had slowly developed over the last few decades. Heaven nipping down every now and then to check in with Aziraphale is very different from him sheltering the Supreme Archangel who is running from ‘something terrible’ without even asking if he’s alright with that.
Aziraphale calls it their bookshop, but he fundamentally still sees it as his space to govern and Crowley as a guest; he even calls it a 'heavenly embassy'.
After another horrible week and having his previously safe space violated by several different times and beings, Crowley is back to where he was before—without a home. That fragile existence broke apart, so he is standing in the heap of shards and telling Aziraphale 'I don’t feel safe here anymore, let’s leave’.
He lost his safe space, but he still has his safe person, his best and only friend, the person he loves. I doubt he cares where exactly they go as long as they’re together and it’s safe.
Returning to heaven—it is the one place Crowley cannot follow him to. It’s literally the worst option, he can’t go back, he won’t go back. So he invokes the bookshop again, if you don’t want to stay for me, stay for the bookshop, your books, your corner of existence that I thought we had carved out for ourselves.
There is a common error that people make regarding the timeline, which is assuming that during this conversation they are already aware of the impending apocalypse—but they aren't. Aziraphale himself has no clue, and while Crowley saw the conversation and trial, he does NOT know when it will happen. For all he knows, it could be tomorrow, could be in a thousand years, and, even if he had been given a date, I doubt they laid out all the details and how to stop it.
Considering that his original plan was "get drunk at the Ritz and then have us time," I don't think he knew literally anything about how or when to stop it. So no, Crowley does NOT suggest running away from earth and leaving it to die.
All he wants is some bloody peace and quiet where no demons, angels, or power-hungry floating heads can interrupt them. A space that is safe and theirs. There are also zero mentions of where he wants them to go; he is not talking about the stars or the universe. He wants to get away from where they currently are because heaven and hell show up uninvited whenever they please.
If your boss and ex-boss constantly kicked down your front door and stated their wish to torture you, would you stay there or would you move? Yeah.
This post got very long, but it was long overdue.
I am tired of seeing people call Crowley a callous coward who always runs away from his problems when he is the literal opposite. You take three sentences said under exceptional circumstances and apply them to Crowley as a whole, when it is nothing but his last ditch effort to keep himself and Aziraphale safe.
One last thing: If you come onto my post and start aggressively arguing about this, I will block you. Genuine discussions and questions are always welcome, being a dick is not, and I also simply cannot handle some of the rhetoric people in this fandom perpetuate because it's very triggering.
Make your own post, don't do it on mine.
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frostbytemyrik · 4 months
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Danny Phantom Required* Watching
*It isn't actually required. I know there are a ton of phans who have never even seen a single episode of the show, but it's a fun watch and I would recommend at least catching some.
Sorting the episodes into colors (with the first letter in parenthesis by the title for those who might be too colorblind to tell). Note that this is all just my objective opinion, and everyone is free to leave their own thoughts on this!
Green (G) - Introduction of an important character or major plot development, such as a new power for Danny or another major shift in the status quo. If you can only watch a few of the episodes, watch these.
Pink (P) - Introduction of a side character or minor plot development.
Red (R) - Introduction of a new character worth mentioning or other general status quo change, but the episode is generally considered to be...not great by most people. (But hey, nothing wrong with liking these episodes!) They'll be summarized at the bottom of each episode description for those who can't be bothered to watch them.
Blue (B) - Nothing important happens to the overall plot, but it's a fun episode that fleshes out the characters.
Season 1
Episode 1: Mystery Meat (R) - Establishes the show and its main characters: Danny, Sam, and Tucker, as well as a lot of other important characters such as the Fenton parents and Jazz, and minor recurring characters like Dash and the Lunch Lady. The writers are still getting their footing so the main trio is unfortunately among the flattest they get here.
Episode 2: Parental Bonding (P) - Introduction of Paulina and Dora, first look at Valerie, and most importantly, Danny's power to overshadow people. Fun episode in general, Tucker makes a weird comment at the start but this is one of Sam's absolute best episodes as a character. (Tucker and Sam actually getting to be fun characters instead of just "butt-monkey comic relief" and "selfish asshole" is rarer than I'd like, so I always like pointing out the episodes where they get some love.)
Episode 3: One of a Kind (G) - Introduction of Skulker, a recurring major antagonist, and his motivations.
Episode 4: Attack of the Killer Garage Sale (P) - Introduction of Technus, Ghost Master of Technology and Destroyer of Worlds, Manipulator of Machines, Lord of all Gadgetry, Wizard of Integrated Circuitry, Master of All Things Electronic and Beeping.
Episode 6: What You Want (P) - First appearance of Danny's Ghost Ray and introduction to Desiree and the Ghost Catcher (a Fenton device with an unfortunately rather...culturally insensitive name and design), explores Tucker and his relationship to Danny. I went back and forth between making this green and pink because I'm biased in my love for this episode, but it isn't necessary to comprehend later episodes. (If you can watch it, though, it's a lot of fun as we get to see how close Danny and Tucker are and how Tucker feels about Danny's powers.)
Episode 7: Bitter Reunions (G) - Formal introduction to main series antagonist, Vlad Masters, and his relationship with the Fentons and the ghosts of the Ghost Zone. (Antisemitism tw: Vlad has hired ghost hitmen that are vultures with Yiddish accents, hooked beaks, and fezzes. They thankfully don't show up anywhere else, as far as I can remember.)
Episode 8: Prisoners of Love (P) - Introduction to the Ghost Zone itself and Walker, a side antagonist. Shows Alicia, Danny and Jazz's maternal aunt who never appears again after this episode.
Episode 9: My Brother's Keeper (G) - Gives Jazz a focus and formally makes her a major player in the plot through a certain discovery she makes. Also introduces side antagonist Dr. Penelope Spectra.
Episode 10: Shades of Gray (G) - Valerie Gray, a background character from Episode 2, gets new motivations and becomes an important part of the series going forward.
Episode 11: Fanning the Flames (P) - Ember is introduced, and she hypnotizes the entire town to fall for her with her music. To keep Danny out of her hair, she makes him fall for Sam. Whether this episode is a Pink or a Red depends on whether or not that bothers you. (Racism tw: there's a sequence towards the end of the episode that shows people around the world watching Ember, and they're all very stereotyped appearances of Japanese, Eastern European, Arabian, and Indigenous Australian people. Thanks, Hartman.)
Episode 12: Teacher of the Year (B) - A fun episode with Technus. It does have some of that early 2000s "don't underestimate me because I'm a girl" stuff, but it's still a good episode with a lot of heart.
Episode 13: Fright Night (P) - Introduces Fright Knight. A Halloween special that has its ups and downs (eating underwear?) It's just really funny that an actual ghost, who has been to the maddeningly twisted and alien world of the afterlife, still can't scare anyone to save his life.
Episode 14: 13 (P) - It's a shame this isn't actually the 13th episode. Anyway, it introduces Johnny 13 and Kitty, while Tucker and Sam get to hang out without Danny while trying to solve Tucker's new run of bad luck and the fallout for his reputation.
Episode 15: Public Enemies (G) - Walker's back and he's making a major shift in the status quo: ghosts are confirmed to exist as he stages a major invasion of the town. Things don't go well for Danny, and the repercussions will be felt for well into the series. Also introduces Wulf, a ghost who looks like a werewolf, exclusively speaks Esperanto, and has the ability to tear the fabric of reality to create portals between Earth and the Ghost Zone. He's putting this power to use for Walker, but it's clearly not by choice...
Episode 17: Maternal Instinct (B) - Maddie notices her son is growing distant from her and tries to take him to a science symposium to bond with him, but disaster strikes and leaves them in the woods, with the only shelter available being...a cabin owned and occupied by none other than Vlad. Meanwhile, Jack tries to understand Jazz, who doesn't seem to want anything to do with him or ghost hunting. Lots of great character moments for the Fentons.
Episode 18: Life Lessons (B) - Danny and Valerie, arriving late to class because they both were out ghost hunting, get paired up in home economics class to raise a flour sack baby together. We get more insight into what Valerie's life is like after Shades of Gray, and she learns to get along with both Fenton and, temporarily, Phantom, after an excursion through Skulker's part of the Ghost Zone. As a B-plot, Tucker makes money babysitting other students' flour sacks while ignoring the one he has with Sam, and Sam tries not to get attached to the sack. It's not important to the plot AT ALL but I'd put this as a must-watch if I could. Alas, I made the rules and must follow them.
Episode 19: The Million Dollar Ghost (B) - A million dollars is placed on the head of the ghost boy, Public Ghost Enemy #1: Inviso-Bill, known to us in the audience as Danny Phantom.
Episode 20: Control Freaks (G) - The circus is in town! New villain Freakshow gets introduced, and he becomes important later. Kinda. Depending on how much you like a certain blue episode that comes on down the line. The trio go to this cool new goth circus, but there's a string of ghostly robberies in town and Danny has been acting strangely lately...
Season 2
Episode 1/21: Memory Blank (R) - Danny and Sam have a fight, Sam wishes she'd never met him, Desiree makes the wish come true and now Danny has no powers and neither he nor Tucker remember her at all. Sam gets him fried by the portal again to get his powers back, but this time with a new logo she designed slapped onto his chest. Really all that happens is Danny gets his logo. This can be skipped...if you wish. ;)
Episode 2/22: Doctor's Disorders (B) - There's a bug going around - literally - getting the kids at Casper High sick. Symptoms include sneezing, chills, coughing, congestion, and various ghost powers depending on the student. The only ones immune seem to be Danny (thanks to his ghost powers) and Tucker (wearing his new homemade cologne that smells awful in a different way to everyone). A new hospital opens up to treat them, but something fishy is definitely going on. ...But Tucker is afraid of hospitals. Great Tucker episode.
Episode 3/23: Pirate Radio (P) - Introduction to Youngblood, an occasional antagonist. A new radio program pops up, and every adult in town (and Jazz, who's 16 but sees herself as an adult) is enraptured by it and the one song that it plays on loop. Then one day, every single adult in town leaves behind a note that they're going on a cruise, and it's up to Danny to rally the teens of Amity Park to discover what's so fishy about the cruise and get their parents back.
Episode 4/24-5/25: Reign Storm (G) - The creepy castle in the Ghost Zone Danny accidentally freed Fright Knight from in Fright Night holds yet another secret: the coffin of the Ghost King, known as Pariah Dark, whose goal is to rule over the Ghost Zone and the human world with an iron fist. Vlad frees him hoping to snatch the powerful artifacts on him, but it backfires and now the King is free and follows the fleeing ghosts to Amity Park, which he promptly invades. Danny, Valerie, and various enemies including Vlad need to team up to seal King Pariah back within his sarcophagus and save both Amity Park and the Ghost Zone as a whole. Major status quo shifts happen here.
Episode 6/26: Identity Crisis (B) - Not my favorite episode, but I'm including it here because it was popular with the Phandom a decade ago. Danny gets tired of trying to balance his human and ghost lives, so splits himself in two using the Ghost Catcher that was introduced in Season 1 episode 6: What You Want. That also, unfortunately, divides his personality to two extremes; the human half ("Fun Danny") is lazy while the ghost half ("Super Danny") is an absolute ham of a superhero stereotype, and Tucker and Sam struggle to put their friend back together so he can stop Technus in a way only he can (and also because both halves are honestly really annoying them).
Episode 8/28-9/29: The Ultimate Enemy (G) - This is THE episode of all time. Maybe not the best episode, but it's great in its own right and, more importantly for this list, introduces another major status quo shift. It's also basically required viewing for the comic that came out last year (at time of writing), as that comic is a direct follow-up to this episode. Clockwork, a ghost that is essentially a deity of time, has a mission to eliminate the greatest threat to Earth and the Ghost Zone that has ever been before he comes into that role: a ghost named Danny Phantom. Danny comes face-to-face with a version of himself that caused a doomed future, and needs to fight to ensure that future never comes to pass.
Episode 10/30: The Fright Before Christmas (B) - The boy Danny Fenton, a Grinch to his core, finds the holiday season to be quite a chore. Into the Ghost Zone to blow off some steam, he accidentally causes a scene: the Ghost Writer's finished manuscript in ashes, and with Danny's indifference he clashes. He traps him in a book that warps space and time, and forces all events in his life to rhyme. You're in for a treat if you like all these rhymes, but if they annoy you, then don't waste your time. (This factoid may not matter to you, but this is where we learn of the Christmas Truce!)
Episode 11/31: Secret Weapons (R) - Jazz is overbearing, Danny doesn't like it, so Jazz decides to go to Vlad. The episode's latter half isn't bad, but it's R because Jazz's constant invasions of Danny's privacy and the repetitive thermos jokes grate on me. If you plan to skip, the thing that makes it a red episode is this: Vlad learns that Jazz is in-the-know.
Episode 12/32: Flirting With Disaster (G) - A lot of the more plot-relevant episodes in season 2 (and one in season 1) have been building romantic tension between Danny and Valerie, and here's where it comes to a head: they actually start dating! However, after some jealous stalking thorough investigating, Sam finds that there's someone pulling the strings, and manipulating their real feelings for each other to pull them together and get them out of the way... Valerie especially undergoes a lot of major character moments, and we learn a lot more about her as a person. One of my personal favorite episodes (and I don't just say that because I'm a Danny/Valerie truther) (the "engraved" ring and Sam being a stalker about it aren't great, but honestly I just try to ignore those parts. Yes, I know I'm biased).
Episode 17/37: Kindred Spirits (G) - While Danny's busy being an asshole to his friends leaving Sam and Tucker to take the blame for property damages during his fights, he finds a strange girl named Danielle (or "Dani") who claims to be his cousin and shares an eerie resemblance with him. The similarities go more than skin deep, as she quickly reveals that she's ALSO half ghost. Tucker and Sam warn Danny that there's something suspicious about the whole ordeal (in between being left behind to be blamed for collateral damage more times than I'm bothered to count right now), but when Danny winds up in trouble anyway, they still skip detention (that he got them in) to save him before it's too late. Danny's a dick, but despite that, it's still a good episode and we get introduced to Dani before her next appearance.
Episode 19/39-20/40: Reality Trip (B) - Freakshow gets the Reality Gauntlet: an off-brand Infinity Gauntlet that can warp reality to anything he desires. He gets Danny's secret revealed to the world, causing the government agency the Guys In White (from Million Dollar Ghost in season 1) to relentlessly pursue him. Luckily, thanks to knowledge Sam gained from a book on the gauntlet, the main trio manages to warp the gems to different parts of the United States, severely limiting Freakshow's power. Unluckily, Freakshow retaliates by kidnapping their parents and Jazz, forcing the three to go on a cross-country road trip to get the gems back to Freakshow and save their families while evading the law. No permanent shifts of the status quo, but one of my personal favorite episodes. It's a fun ride!
Season 3
Episode 1/41: Eye for an Eye (R) - A prank war between Danny and Vlad ends in Vlad becoming mayor and passing a lot of horrible laws specifically to spite Danny. The laws are undone by the end of the episode, but Vlad stays mayor.
Episode 2/42: Infinite Realms (R) - In trying to map out the Ghost Zone, the main trio end up meeting Frostbite: leader of a realm in the Zone known as the Far Frozen, filled with spirits that take the form of peaceful, yeti-like monster folk who revere Danny as the chosen one who defeated Pariah Dark. Frostbite is also keeper of the Infi-Map: a map that can take the user anywhere in the Ghost Zone. Now for the bad news: Vlad is here, he wants world domination now for some reason, and he wants the map to help him do it. Vlad steals the map, the trio needs to get it back. It's not the worst episode, but Vlad's villain decay is...tragic. Tl;dr: Frostbite is the leader of a tribe of friendly yeti spirits and keeps the Infi-Map, which can take the user to any point in the ghost zone.
Episode 5/45: Forever Phantom (B) - One of the only actually fun filler episodes in season 3. Introduces us to Amorpho: a ghost with the power to shapeshift into anything and anyone, who uses their power to cause mayhem for attention. They bite off more than they can chew when they impersonate Danny Phantom, however, and a Fenton device gone awry locks both Amorpho and Danny into the form of Danny Phantom. Wacky hijinks abound.
Episode 6/46: Urban Jungle (G) - Haha green. Like plants. Anyway, Danny has been cold lately. No matter what he does or where he is, he's consistently freezing. It gets worse: while Danny's in this weakened state, a giant plant ghost named Undergrowth takes over Amity Park and possesses Sam. Unable to fight the constantly-regenerating Undergrowth or to keep himself from freezing, he flees into the Ghost Zone to seek Frostbite's aid.
Episode 9/49: Frightmare (B) - Danny wakes up one night to learn, to his horror, that Nocturne, the ghost of dreams, has put all of Amity Park into a deep sleep to feed on their energy. He enters the dreams of his friends to wake them and get their help taking Nocturne down. A good episode for people who ship Danny/Sam, and a GREAT episode for people like me who like to pretend that all the episodes I left off the season 3 list were just bad dreams.
Episode 10/50: Claw of the Wild (B) - The students of Casper High are ending summer with a camping trip in a foggy forest. All seems normal until, one by one, campers go missing. Danny, Tucker, and Sam go investigating and find their ally Wulf, who seems to know something about the disappearances...
Episode 11/51: D-Stabilized (G) - Regarded by most as the final good episode of Danny Phantom. Dani had been on her own in the world since we last left her, but over time, her form has been getting unstable, causing her to be slowly melting into a puddle of ectoplasm. She tries returning to Amity Park to get help, but is now being hunted down by Valerie, who Vlad commissioned so he could melt Dani down and study her remains to make a superior clone. (Valerie thinks he's just going to keep her contained for the safety of Amity Park; she isn't informed of the cloning.) Valerie turns Dani in to Vlad, but Danny manages to form a shaky alliance with Valerie to get Dani back, since Valerie knows that Dani is half human.
Episode 12/52-13:53: Phantom Planet (R) - The only reason this is here is because the comic continues from where this episode left off. If it didn't, I'd suggest ignoring it entirely. Rapid-fire summary: an asteroid is about to hit Earth, Vlad reveals himself to the world and demands unquestioning rule over Earth (and one trillion dollars or something) in exchange for turning the asteroid intangible. Vlad can't turn it intangible since it's made of Ectoranium, an anti-ghost substance we never hear of until now. Jack leaves Vlad in outer space. Danny gets every ghost he knows to help him turn Earth intangible, it works somehow, and Danny reveals his secret identity to the world. Statues of Danny are built all over the world, Sam and Danny start dating, and Tucker becomes mayor of Amity Park. A bunch of other stuff happens too but it's all stupid. Valerie gets thrown into a dumpster on live TV and that's her only appearance besides clapping for Danny at the end. I'm still mad. Don't watch Phantom Planet.
The Comics
Book 1: A Glitch in Time (G) - Danny's life is perfect: his secret identity is out, and the world accepts him not just as a part of it, but as its savior. His parents and former bullies fight on his side now, he's in a committed relationship with Sam, and Amity Park seems to be at peace. There's just one problem: his powers are getting weaker by the day. Unbeknownst to him, there's another problem in progress: Dan Phantom, the evil future Danny from The Ultimate Enemy, is released and fuses with Clockwork, causing present Danny and those near him to experience unstable glitches in time. Vlad returns to warn Danny of the threat of Dan, and they all team up to venture into the depths of the Ghost Zone to find a way to stop Dan and get Danny back to full strength. Meanwhile, Jazz and Valerie hold down the fort at Amity Park, holding Dan off for as long as they can while the trio and Vlad search for answers.
Book 2: To be continued in 2025!
Danny Phantom can be watched on Paramount Plus, but if you don't have a subscription, there may be DVDs at your local library! Other people may also have resources on how to watch the show, so feel free to ask around!
Danny Phantom: A Glitch in Time can be found anywhere books are sold! Abrams Books Amazon Barnes and Noble Google Play Waterstones
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