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#just made me pissed.
thatrandombystander · 5 months
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*Sees the Australian Ballet are doing performances of Alice in Wonderland and The Nutcracker next year* Ooooooooo
*Sees prices* ooooffffff
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museaway · 8 months
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"why is all the fic in my fandom so short"
maybe the fic writers are tired. maybe they prefer short fiction. maybe they have pets and kids and school or full-time jobs and can't devote 24/7 to writing fanfiction. maybe they write on their phones while commuting and shorter is easier to manage. maybe they write for zines, which by nature have limited word counts. maybe they write slowly. maybe their motivation comes in bursts and they churn out oneshots when that happens. maybe they can't find someone to brainstorm with so they never wrote the fic at all. maybe the last time they posted a longfic they didn't get any comments, or a reader only said "write more" and they gave up. maybe the fandom is toxic. maybe they saw a passive aggressive tumblr post at 5:26am.
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kinos-fortress-2 · 5 months
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this is what the mind of someone insane looks like
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saturniolos · 3 months
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pookies lookin’ extra ᡣ𐭩 •。ꪆৎ ˚⋅coquette ᡣ𐭩 •。ꪆৎ ˚⋅ in the new sam n colby video !!!
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pseudophan · 5 months
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jealous little bitch
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nosfagratu · 1 year
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if kim only cares about people's worth if they're in the RCM then why in the fuck was he about to give his jacket to some random ass kid
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yeah sure the guy who only cares about other RCM officers if they're good was about to part with the only item of clothing keeping him somewhat warm in a place where there's ice thick enough to support two grown men and a bunch of other shit absolutely
(edit: i'd appreciate it if you take a look at this version instead x it contains way more nuance and some amazing additions)
(edit 2: here's a version with IDs as well x )
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kingofmyborrowedheart · 7 months
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Thinking about how much Taylor probably wanted her partner to experience the show that she spent so much time creating and rehearsing, that included music they made together and he saw her write about their life and she was probably so excited for him to see it and then he just never went…And now she sings “and if you wanted me you really should’ve showed” every night and is now talking to someone that went to that show, has been gushing about it and her and it’s making me feel a lot of things.
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thisismisogynoir · 1 month
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I love it when women hate men. I love it when women are allowed to vent to each other about how horrible and creepy men are. I love it when women form friendships with and prioritize each other over relationships with men(whether they're attracted to them or not). I love it when women put men dni in their bios and on their nude photos and on posts on their blogs. I love it when women refuse to mollycoddle and accommodate entitled male feelings with "but this doesn't mean I hate all men, I know a few men who are great, I love my father/sons/brothers/uncles/male cousins/guy friends" I love it when women complain about men WITHOUT "not all men" being a disclaimer. I love it when women avoid socializing with/refuse to be around/befriend/get close to men because they know men can't be trusted. I love it when women make "kill all men" jokes. I love it when women offer absolutely no concern or care for men's feelings and if their misandry offends men whatsoever because why should we, men are the oppressor class who have raped and killed and abused us and kept us as subjugated as second-class citizens for millennia, they regularly mistreat us and the women in their own marginalized communities still every single day and make this world so much harder and more awful for us to be in, and if we choose to hate them and not spare them any sympathy then so be it, and I don't just mean "men as a class" either, you can be a woman who doesn't want to have anything to do with any man on an individual basis and completely cuts off men from her personal life too and ykw I will love and fucking support you in that because men deserve absolutely NOTHING from us. If they're so tough and strong then they can handle it just like they can handle being lonely. If you are a woman who hates men, ESPECIALLY IF YOU ARE A LESBIAN AND/OR A TRANS WOMAN, then just know that I love you. I love you, I support you, and you are safe here.
#was going to make a post about how much i hate that women aren't allowed to hate their oppressors but i decided to spin it into something#positive instead#this is supposed to be the feminist site that makes reddit mgtow piss their baby diapers so let's go back to despising men and not coddling#their feelings and let's dye our hair blue while we're at it#i am so tired of this new wave of guilt-tripping and gaslighting women who hate men and don't trust or want to be around them#i hate how we're made into villainesses or the problematic ones for not valuing them in our lives or for wanting to guard ourselves or be#safe from our oppressors#and i'm tired of people who don't know the first thing about feminism being like 'BUT THAT'S TERF RHETORIC WHAT ABOUT X MINORITY MEN'#guess what women can also be x minority that you're trying to protect the men of and we get to hate men too#trans women are included when i say women btw and trans men are included when i say men#if anyone has the right to hate men more than anybody else it's trans women esp trans lesbians because they put up with so much shit#from men that even cis women do not and they especially know how vile men are behind closed doors#so#terfs fuck off#radfems fuck off#and if anybody tries to make this post more appeasing to men or 'not all men's this post you are getting blocked and hit with a hammer#feminism#misogyny#sexism#patriarchy#tw men#tw rape#tw abuse#misandry#terfs dni#radfems dni#feminists need to go back to being scary and unpalatable for men none of this 'but some of them are good!' bullshit#men are entitled to nothing from us#and if you try to prove me wrong then you are just proving my point if you have nothing good to say then simply keep scrolling#ok? ok.
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nextstopparis · 8 months
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dreamingofspring · 2 months
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Oh Sklonda's righteous fury hits so hard, as a kid who WAS taken advantage of in many ways by her friends when she was in school, and whose mom tried to tell her they were being unkind and who didn't believe her until she got kinder friends
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toxooz · 11 months
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realized i can finally draw Ghosts Blackcell skin ever since my gold and black aesthetic lovin ass saw it 💛😞
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winkle-pickers · 1 year
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listen i extremely need these two to be bitchy jogging buddies this is my ideal friendship dynamic for them!!!!!!!!!
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david tennant's interview on this morning transcript (plus the new clip!!!) david: so i'm hell's representative on earth, michael sheen is heaven's representative on earth, put there to do the bidding of our respective head offices, but we found out that if we became mates and sort of helped each other out, it kinda cut out the workload, cancelled each other out... so we're best mates, but in series 1 we end up having to avert the apocalypse, which we managed to do but as a result of that we get cut off... so we're now living on earth as... as independent individuals
[so do you still need each other then?]
david: we still need each other - we've only got each other now! cause we don't have heaven and hell anymore
[cause you both love earth so much?]
david: oh we much prefer living on earth, because heaven's a bit stuffy and hell's awful
[so you conspire to thwart armageddon?]
david: exactly, we thwart armageddon and that's fine, but series 2 begins when the angel gabriel, jon hamm, who you just saw there, shows up at aziraphale (michael sheen's) bookshop, naked, with no memory holding a cardboard box... so suddenly we're locked into the politics of heaven and hell again, we don't know what's going on, we've got a mystery to solve... why is the angel gabriel here? the angel gabriel tried to kill us both at the end of the last series
[so now he's got amnesia and]
david: yes, he becomes like a weird child in this weird sort of eternal marriage that michael and i are locked in
NEW CLIP:
crowley: angel, this is the supreme archangel of all heaven.. your former boss, who tried very hard to cast you into hellfire and destroy you! he is not our friend!
aziraphale: i don't think he really has any friends! crowley: exactly!
aziraphale: yes, exactly... crowley: ...what does your exactly mean... exactly.... i feel like your exactly and my exactly are different exactlys... aziraphale: he doesn't have any friends, so he needs us! crowley: what i need is for HIM to be nowhere near me, and the precious, peaceful FRAGILE existence that i have carved out for myself here aziraphale: i thought we carved it out for OURSELVES? crowley: SO DID I!!
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ssaturnsapphic · 3 months
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when i see yt americans tell black and brown americans to vote for biden bc “trump will be worse” or “trump is extreme right”, i roll my eyes bc where on the political spectrum does joe biden, who is financing and supporting multiple genocides as well as restricting the human rights of MILLIONS of people, fall? yt ppl think that bc he tweets abt roe v wade (which he could’ve codified but didn’t btw) that that makes him left wing
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katkit-drops-alt · 3 months
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Recently reread The Song Of Achilles, and got the motivation to make Agamemnon slander memes:
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Plus one for Odysseus when he falls asleep in ‘Keep Your Friends Close’
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thelaurenshippen · 6 months
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finally taking the time to read through the SAG agreement summary and oof, I hope they have an AI town hall soon because...well, there are things to discuss!
so, in case folks are curious, here are my immediate takeaways from the deal as a SAG actor, a SAG producer, and person who is not any kind of expert but spends a lot of time being skeptical of contracts I sign. this is a summation/commentary, not a holistic breakdown of every point, nor even an in-depth discussion of the points I do talk about. and it is, of course, in no way legal advice or voting advice.
this post is already maybe the longest post I've ever written on tumblr (lol) and I feel like I've barely scratched the surface. to be clear, nothing I'm saying here represents how I'm going to vote, how I think other actors should vote, or my be-all-end-all stance on a particular issue. this is me reading through, flagging what concerns me, and asking myself questions. and I'm here to take your questions too! though of course my expertise is limited.
(what?? something I wrote got annoying long?? in my tumblr? it's more likely, etc. huge write-up after the cut)
the good
self-tape stuff: this is one of the more niche/the thing that the general public will find least interesting, but they've put in a lot of provisions to make sure self-tape auditions have limits (# of pages, no stunts, no nudity, doesn't have to be professionally shot, etc.) which is amazing because these types of auditions have gotten out of control since the pandemic. this feels like a great gain
data transparency: in no world did I think the streamers were ever going to agree to any data sharing with either the wga or sag so even though the data is limited, this still feels huge to me.
folks who sing and dance will be paid for both of those things now, which is great
they've added MLK day and Juneteenth as holidays (about time)
a performer cannot be required to translate their own lines
principal performers are required to be given hair and makeup consultation or reimbursed for obtaining their own services - this seems like a small thing, but it's being put in here pretty much entirely because HMU services have generally been appalling when it comes to textured hair/a variety of skin tones. there's also stuff in here about working to hire more diverse HMU artists
it looks like it's going to be easier/provide a path for folks getting IMDb credits even if they're not credited on screen
miscellany: there's a bunch of gains in wage increases, P&H increases, relocation fees, franchise language etc. that all seem good to me, though my limited knowledge on those subjects prevents me from going in depth on them.
this is not important, but it tickled me, there's a term to replace all instances of "telegraph" in the contract with "email & text" which like...why has it taken us thirty years to do that lol.
the "...hm..."
intimacy coordinators: oof. when I watched the press conference SAG gave, I was fucking thrilled when they said that the new agreement required folks to hire intimacy coordinators for nudity and simulated sex scenes. that was almost reason enough for me to vote for it tbh - not requiring it is the exact reason I voted no on our last contract. however, reading the contract summary now, the exact language is: "Producer must use best efforts to engage an Intimacy Coordinator for scenes involving nudity or simulated sex and will consider in good faith any request by a performer to engage an Intimacy Coordinator for other scenes. Producer shall not retaliate against a performer for requesting an Intimacy Coordinator." this....sucks. "best efforts" and "good faith" are not the same as "required". IMO, an intimacy coordinator is the same thing as having a stunt coordinator or, like, any number of health and safety requirements. OSHA doesn't say you must "in good faith" put your "best effort" to providing fire exits. it's great that performers can request coordinators for any kind of scene, and this is still the strongest language we've ever had in a contract but....c'mon guys.
residuals: look, I can't speak to these new terms in any concrete way. there are increases, there are bonuses for streaming success, there's a whole thing about a fund regarding those successes that I need explained to me more in depth, but overall, it looks like we made some in-roads here. as someone who employs actors under digital distribution contracts that has no residuals (podcasts), I know how genuinely cumbersome the unholy trifecta of "views-success-profit" can be (as in views do not equal success, success does not equal profit, etc.). I also have no sympathy when the majority of companies dealing with that cumbersome trifecta are massive media conglomerates. anyway, long story short, idk if this is good enough, I'm hoping to attend the next info meeting sag has.
the bad
the new hair/makeup provisions are explicitly for principal actors. while I hope it leads to better, more inclusive HMU services all around I haaaate that this implies supporting or background actors (who oftentimes also have to sit in HMU) don't deserve the consideration. (then again, background actors are usually required to do their own HMU/bring their own costumes, but for productions where that's not the case, the same HMU provisions should apply IMO)
as with every contract, there's language that could be stronger, clarity that needs to exist, and important things missing - but this isn't the final contract and I'm not a lawyer, so I'm gonna leave that stuff to the experts.
but, "lauren", you say, "what about all the AI stuff? where does that go?" well, reader, I was planning on including that in the above but it's the hot-button issue right now and I think it's wickedly complicated, so I wanted to break it down separately, after I had a chance to point out all the good-bad-in-between stuff that's not getting talked about.
a note: in my career, I've learned there's two big things to keep in mind when reading a contract you might sign:
what is the worst case interpretation of this language (thank you to my lawyer, prince among men, for teaching me how to do this in practice (that said, anything I say here is not legal advice, he'd also want me to say that lol))
what are you willing to lose/compromise on/what are the limits of your pragmatism? contracts are not about a company giving you everything you want out of the goodness of their heart - it is always a compromise. pragmatism has to be a part of the equation.
so, with that said, I'm going to play a little devil's advocate here, and a) try to find the good/the pragmatic and b) catastrophize the worst case scenario. but first, it might be handy to look at this SAG infographic for some basic definitions. let's go.
the AI good
a ton of stuff here requires consent. that is not a small thing, and the consent continues even after your death (whether it was a yes or no; though this can be complicated by your estate/your union)
the language does establish that the consent must be a separate signing from the employment contract, even if its in the contract, which is great (but more on that below - timing matters)
actors often do get paid for use of their digital replicas, though it's different based on the use/type of replica.
the actor must be provided with a "reasonably specific description of the intended use". this language is vaguer than I would like, because it allows producers to decide what "reasonably specific" and "intended" means - there's always going to be some vagueness when it comes to this specific thing, but a good start would be for producers to require not blanket consent, but conditional consent for each significant use of digital replicas.
if the replicas are being used in other mediums, that must also be consented to, thank god.
replicas cannot be used in place of background actor counts on a given day - if I'm understanding this correctly, this means a production can't just have a bunch of fake background actors by themselves, they have to engage real people up to a certain number first (which in this new contract is 25 for TV and 85 for movies). we're already filling in background with digital people or copy-pasting of the same crowd over and over and have been doing so since at least the late 90s, so it's good we're continuing to put up boundaries around that.
the AI "...hm..."
it's unclear (to me) when an actor can be asked to consent. IMO, everything is meaningless if the consent is happening as part of regular contract negotiations. these things have to happen when - and only when - the actor has already been engaged in a role and feels empowered to say no
the use of independently created replicas (replicas pulled from existing footage, not created by the actor) being allowed without consent under first amendment reasoning - this is obviously concerning a lot of people bc first amendment arguments are so broad. that said, there's a pragmatism part of me that understands this is already happening/has been happening for a while and used in ways I think are perfectly fine - I was just watching the new episode of For All Mankind (one of the best TV shows right now!) and it's an alternate history, which meant that in the opening scenes of this season they had some bonkers good deep fakes of Al Gore saying stuff he never said. I think that's okay to do in a fiction show that imagines a different US history! "but Lauren", you might be saying, "Al Gore isn't a member of SAG!" are you sure? are you positive? because I'm pretty certain he is - he was in several episodes of 30 Rock, way more people are in SAG than you think (every NPR reporter for instance), and the two worst presidents we've had in the last 50 years (yes, those ones), are both definitely members of SAG (even if one is dead). now, the other side of this is that public figures like politicians are under a different social contract than actors, and if they wanted to sue, they could, unlike the average SAG actor who might have their image abused. this is why this is in the "hm" column - deep fakes and parody/satire/commentary use of replicas is already here and there's always going to be a 1st amendment argument to make, so we need to figure out how best to limit those and protect the most vulnerable.
alteration: with this language, a project can digitally alter without consent if the script and performance stays "substantially" the same. again, this language is too mealy-mouthed. I don't know that I have a huge problem with a line of dialogue getting replaced with a digital version of that actors voice if, for instance, a word was mispronounced, or wind garbled the sound or whatever - yes, it would eliminate the need for ADR, but if we put some limit on it like..."if there are more than 5 lines in a given episode/movie that require digital alteration in the service of clarity, the actor must be engaged for an ADR session or paid for the digital replacement" then I could see this being workable. I'm also personally okay with things like costumes being digitally altered but, again, we need limitations on that. digital altering cannot replace the art of costuming but, for instance, if a costume needs to be altered to include a hate symbol or something, I think that's fine (example: I have friends who worked at the VFX house for an alternate history TV show that involved a lot of Nazi costuming and set design - a huge part of that VFX house's job was to put swastikas in places, rather than props making nazi flags. I'm okay with that!) but again, these fringe cases do not a compelling arugment make, and this contract language can be interpreted too broadly for my comfort! like everything else in this "hm" category, I need to see the final contract language to decide.
the AI bad
there's a bunch of circumstances in which actors don't get paid for creating their replica/use of it and those circumstances are too broad for my taste.
synthetic performers - this is just awful. no. no, we should not be allowing AI to generate entire actors. just............no. there's some language about the producers having to talk to the union if the synthetic performer is "used in place of a performer who would have been engaged under this Agreement in a human role" but this doesn't apply to non-human characters so....wouldn't that be all roles?? leaving the producers room to be like "this role has to be synthetic, we never would've cast a human!" is bullshit. also, even if we're having AI create a magical talking unicorn whole cloth (which, like, also no, we have artists for this), that unicorn still needs to be voiced by a human person. this whole section is a disaster.
the exceptions to consent for digital alteration are bad-bad. I talked about the potential ADR replacement above and that has a whole host of issues with it that I didn't even get into, but I can see the argument. the rest are very troubling:
there is an exception under "any circumstance when dubbing or use of a double is permitted under the Codified Basic Agreement or Television Agreement" - okay, so does this mean we can replace dubbing artists and stunt performers entirely? this section is about digital alteration, but who's to say alteration couldn't turn an actor broadly miming a fight into an entirely digital, expertly performed fight that usually a stunt double would have done? with AI translation technology, does this mean we're replacing VO artists for dubs entirely? bad!
similarly, "Adjusting lip and/or other facial or body movement and/or the voice of the performer to a foreign language, or for purposes of changes to dialogue or photography necessary for license or sale to a particular market" - Justine Bateman has a great twitter thread on the terrible puppetry potential of this but I want to draw attention to the particular market bit - we all know that selling to china is such a huge part of studios' strategies that they'll remove entire scenes or lines around queer stuff. to me, this clause makes all of that so much easier. I know the argument here is going to be "we can replace swear words and license it for kids!" which.......sure? fine? but, uh, we already have ways to deal with that? and the potential for abuse here is terrifying to me. with all the digital alteration stuff too, there's just so much icky implication for the beauty/body standard to get so much worse.
if a background actor’s digital replica is used in the role of a principal performer, they'll be paid as if they actually performed the days for that role, which, sure, but uhhhh why are we saying it's okay for a digital replica of a background actor to suddenly be a leading role!?!?! I can't think of anything more demoralizing than going to set to act in background (a job I've done! an important job! a fun job a lot of the time! but creatively limited) and then getting a much bigger role (the dream!) and.....not being able to, you know, act that role or be in scenes with other principal actors or do the thing that you've dedicated your life to doing. nightmare stuff.
woof. there's so much more to say but I'm going to leave it there. these are the concerns I'm going to go into SAG's meetings with, and the concerns I'll be considering as I decide how to vote. I know there are things I didn't address and very possibly things I misinterpreted or misrepresented - if you're an actor, I highly recommend a) reading that Justine Bateman thread and b) attending SAG's meetings to ask questions and express your concerns. and I'd love to hear what y'all think! my ask box is open.
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