(DCxDP) The obligations of a rogue versus those of a parent (pt. 2)
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Tw: N/A
Will be crossposted to AO3 eventually
(Pt. 1 here) - (Pt. 3 here)
(Masterlist/subscription post)
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It was a beautiful morning. Somehow, against all odds, the sun was shining through the thick smog perpetually covering Gotham.
And Danny hated it.
He was in pain, he was exhausted, he was grieving, and all he wanted to do was sleep for at least a week.
In an act of celestial mockery, the sun shone regardless.
After around twenty minutes of tossing and turning in bed, trying to get back to sleep, Danny gave up and pried himself out of bed.
He stumbled through the hallway and into the living room, staring openly at every splash of color he saw in the small apartment. He hadn’t forgotten what color looked like in the time he was in the lab, but it was comforting to see.
Someone cleared their throat. Danny whipped his head around, eyes falling on a scrawny, gangly man sitting down in a worn armchair, hunched over a laptop. He was looking at him with a dull, bored expression.
Right. Scarecrow.
His escape.
The chase.
His mom.
“You look a lot less terrifying without the mask,” Danny blurted out, slapping his hand over his mouth. “I didn’t mean that.”
“Well, I certainly wouldn’t call my normal appearance frightening,” Scarecrow hummed, focusing his attention back onto the laptop, “that’s what the costume is for, after all.”
“Oh.”
After a brief moment of excruciating silence, Scarecrow spoke.
“You any good with computers, Danny? Hacking, and all that?”
Danny jolted. Scarecrow needed his help with something! This was great! Now, he’d have more of a reason not to get rid of him!
“Oh, uh, yeah! Not as good as my friend Tucker, but I think I’m pretty good.”
“And you’re familiar with the GiW’s systems specifically,” Scarecrow continued, beckoning him over. Danny complied, shuffling over awkwardly. “Right?”
“Well, I guess? My friends and I got into their stuff a couple of times before they…”
“Wonderful,” Scarecrow said, standing up with a stretch. He shoved the laptop into Danny’s hands and gestured for him to sit down on the couch. “Then you can hack into their system and extract whatever files you can find.”
Danny stared at the man like he’d lost his mind. He looked back at him expectantly.
Danny sat down.
“Yeah, I-I can do that. Tuck and I built a back door into their system ages ago,” he said, checking the screen. It was clear that for all the skills that Scarecrow had, hacking was definitely not one of them. “But, uh, don’t you have someone else that usually does this sort of thing for you? Not that I’m complaining!”
Scarecrow scowled, and Danny felt his heart fall into his ass.
“Usually, I do,” Scarecrow huffed, “but I chose to leave my most recent job with the Penguin early, so now there’s no way that he or Eddie will help me with anything until I make it up to them somehow.”
“Oh,” Danny said.
He had no clue whatsoever who Eddie was.
Danny got to work quickly, hoping that if he ignored the gangly man, he would leave him be. Luckily, he did just that, leaving to go work on something in another room.
Danny checked the laptop’s security before continuing Scarecrow’s progress, making sure that the GiW wouldn’t be able to grab their location.
It was…threateningly good. Whoever Eddie was, he had somehow crammed the functionality of a top-of-the-line PC into a tiny, beat-up old laptop. It almost reminded Danny of Tucker and his terrifying competence with his PDA.
Tucker.
Amity park.
Home.
Danny snapped himself out of his thoughts, tabbing back into the application Scarecrow had up and began to work his magic.
He had near full access to the entire GiW database within half an hour.
Mumbling out a quick thank-you to Tucker, he called Scarecrow over to appraise his work.
“Fixed up some food for you while you worked,” the rogue said, handing him a bowl of oatmeal, taking the laptop into his lap as he did so, “didn’t know how well you could eat, considering you’re recovering from… surgery, so I decided to stay on the safe side.”
Danny had no clue what this guy’s deal was.
He definitely did not tear up at the first genuine thoughtfulness he encountered in weeks, and he did not look away as he ate so that Scarecrow couldn’t see his face.
At least Scarecrow was too focused on the laptop to notice or care.
Or, maybe, he was just mercifully ignoring him.
Either way, Danny ate slowly, not wanting to make himself sick. He allowed himself to absentmindedly look around the room for the first time, taking everything in.
It was strangely homey. The space was filled with warm browns and yellows, a few splashes of color on the wall in the form of (obviously gifted) paintings. There was a beat-up bookshelf against the wall, clearly second-hand, filled to the brim with psychology books. On every available surface there was a different colored candle, all at different stages of use, clearly collected over the course of years.
Danny knew that the man next to him was a crazed, murderous criminal, but his home was oddly reminiscent of Jazz.
He was not about to cry.
“Danny,” Scarecrow hummed, snapping him out of his spiraling, “can you explain this to me?”
He looked over. The rogue was pointing to a new report, seemingly posted only a few hours ago.
Nodding, he took the computer into his lap, pouring over the contents.
He read the report again.
And again.
And again.
Danny swore loudly, crumpling like a wet paper bag, head in his hands.
“What?”
“It’s…” he swore again, glancing back at the laptop, “they…since you became liminal from synthetic ectoplasm, when we’re within about 500 meters of one another, our ectoplasm signatures resonate, and they can’t track us with any of their technology.”
“How is that a bad thing?”
“If we’re not that close to each other, they can track us down from anywhere in the world.”
Scarecrow went dead quiet. After what felt like the single longest minute of Danny’s life, he let out a truly exasperated sigh, slumping over in his seat.
“Yeah, me too,” Danny mumbled, utterly miserable.
“…I’ll have to move my plans back a little,” Scarecrow sighed, “I can’t drag an injured child with me when I attack the Gotham GiW base, you’ll just get in the way.”
“Oh come on,” Danny whined, “I can take care of myself just fine. Besides, Batman brings kids with him to do dangerous stuff all the time, and he’s fine!”
“Might I remind you that the second Robin died violently,” Scarecrow snapped, “and that Batman most likely has more traumatic brain injuries than all of the Gotham rogues combined. That really isn’t the winning argument you think it is.”
Danny paused, trying to think up some way to win the argument. Then, he realized what he had ignored before.
“Wait, Scarecrow, you’re gonna attack the GiW?”
“That’s the plan,” he nodded, “and call me Dr. Crane. I’m only Scarecrow when I’m in the mask.”
But,” Danny sputtered, “Sca—uh, Dr. Crane—that’s insane! The weapons they’ve got- they’ll rip you apart!”
“Not my first time,” Crane said, making Danny wince. “Besides, I have plenty of experience avoiding gunfire. I’ll live.”
“You…” Danny was silent for a while, trying to think of something to say, “fine, but you have to take me with you wherever you go. As soon as they see either of us on their radars, they’ll hunt us down.”
Dr. Crane sighed.
“…Fine. I need some time to plan anyways. Now, you’re going to help me download these files, properly format them, and send them out.”
“…Why?”
“Well, some of the other rogues might appreciate the heads up, and I’d quite like them to be indebted to me. Besides, I still need to pay back the Penguin for ditching him, and he loves knowing things that other people don’t.”
Danny paused.
“That’s an awful idea, no offense. If any of the rogues know our weaknesses, they—”
“Danny, we’re censoring everything. The only things they need to know about are the GiW specifically, and any sort of laws surrounding them.”
Danny snorted.
“You care about laws now?”
“Yes, because if we get taken to Arkham, they’ll hand us off to the GiW the moment they ask, and it’ll be completely legal.”
Oh. Danny had honestly forgotten that Arkham was an option.
“…Ok. I’ll help you. Who are we telling?”
“I don’t think you really need to know,” Dr. Crane said, the faintest shadow of an amused look on his face, “but I’ll humor you for now. We’re sending the files out to the Penguin, Riddler, Poison Ivy via Harley Quinn, Two-Face, and Red Hood.”
Danny nodded. He could live with that.
“Alright, then let’s get to work.”
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I've seen a couple of takes about Disco Elysium being copaganda going around recently, and beyond the fact that DE is relentlessly critical of the police force in general and makes explicit reference to the failures of the system that allow the officers in game to abuse their power, I also think it's important to note that there very literally is an in-world version of copaganda that the writers of the game use to parody that romanticised view of the brutality of policing. The RCM at their inception were structurally inspired by in-world copaganda- their culture, their "fashions, even weapon preferences, borrow heavily from classic Vespertine cop shows." Every investigation is it's own little drama, every officer imagining themselves to be the bad-ass hero of their own crime serial. Detectives name their cases like they're naming episodes of a TV series in a "robust but literary system"; a title that "draws inspiration from snoop fiction and Vespertine cop show staples". They give themselves nicknames to sound like cool, suave fictional officers- Ace, Dick Mullen, etc.- from the cool, suave world of copaganda.
The legend of the RCM's inception, the "point of contention" over its uncertain origins, is even an extention of that; the whole organisation is shrouded in this self-fictionalising mythos that allows for distance that in turn obfuscates much of its violence to the officers that participate in it. They get to convince themselves that they're not abusing their power; they're the hero of the story! The dichotomy of "good guy" taking out the "baddies," a manifestation of the libertarian fantasy of the "good guy with a gun" who does what it takes, just like in Annette's detective novels, and at the same time who rails against oversight bodies like Internal Affairs/'the rat squad' because due process slows down the immediate satisfaction of Swift Justice, despite Internal Affairs existing to protect the citizens from overreach on behalf of the police. "Wanton brutality" from police in their real world is a cold bitter reality but Dick Mullen was "made to crack skulls," "bend the rules and solve cases no one else can," and which version of that story is more comforting to the overworked, underfunded officers of the RCM?
The level of fantasy and detachment required for the cops to still see themselves as the good guys after everything that they do in the line of duty mimics The Pigs and her breakdown too; she parallels Harry so clearly. Both "did right by the kids" in the past, hoping for a better future- Marianne (The Pigs) by looking out for Titus and the Hardy boys when they were young, Harry in his role as a gym teacher. Both abandoned and left behind by the system that the RCM uphold- a brutal capitalist landscape with no safety nets. Both turning the source of their trauma into a costume, a performance, a shield, shaped by "radio waves and cop shows." The Pigs uses RCM items scavenged from the Esperance where they'd been thrown away, while Harry uses the Dick Mullen hat that Annette gives him but both are essentially in costume.
Harry identifies himself with the fictional detective as a kind of wish fulfilment; Dick Mullen is "wicked smart." He doesn't fuck up his cases and when he's sad it's not pathetic; it's effortlessly cool brooding and everyone sympathises. Everyone loves him. His violence- "skull crack[ing]"- is justified because he's a "good guy" enacting that violence against the victims of police brutality sorry "bad guys". He doesn't ever face repercussions; "Dick Mullen won't be sent to the clink for the sake of some legal niceties!" So if Harry is Dick Mullen then his failures, his breakdown, they're all just a part of being a "bad-ass, on-the-edge disco cop." He's not wrong, he's a hero! This idealised fictionalised idea of the police force, this "new, sadly better, reality" that both Harry and The Pigs cling to is "escapist stuff," "receed[ing] into a ludicrous fantasy world," so far removed from the brutal material reality that they're in.
My point is, idk. Disco Elysium is so far from being copaganda. It is a multi-million word long dissection of it, of the purpose of policing, of state sanctioned violence and its interaction with capital and the fallout experienced within the wider community as well as the trauma cycle created for individual officers. A dissection of how copaganda interacts with RCM culture and perception, and by extension how we interact with irl perceptions of police through that lens.
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