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artist-issues · 2 months
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What do you think about the Spider-Verse movies, if you've seen them? I love the first one a lot but I've only seen the second one once and, while I think I really liked it too, something about it felt off and I can't quite place it.
I'm glad you phrased this question this way because me too. I totally couldn't place what felt off about Across the Spider-Verse and have been trying to answer the "why" question ever since.
Just to get it out of the way real quick, I thought the first movie was amazing, of course, no surprises. You can tell they really know who the characters are (and I mean, they know what they want their own interpretations of those characters to look like) and that shows in all the emotion and the dialogue. The pacing is perfect. Don't need to say anything about the art style because we all know it's very very good.
I like that Miles has to learn his own version of "with great power comes great responsibility," but in a different way from Peter. Like, with Peter, you get the sense that that lesson is being applied like "if you have the power to do something good, do it."
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But it's applied differently with Miles. Not "you have the power to help others, so take responsibility for that." Instead, it's, "you have the power to be something more than you are, so take responsibility for your potential."
Think about it. Uncle Ben dies because Peter didn't stop a bad guy. Something good he could’ve done, but didn’t do.
But Uncle Aaron (in this version, very intentionally) dies because of his own choice to save Miles after using his talents to be a force for evil (kind of showing Miles what “living up to our potential too late” looks like)—and then Miles, unlike Peter, gets to hear his Uncle's last words—which just so happen to be a specific encouragement for Miles to fulfill his potential.
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And of course, every other character in the movie is asking Miles if he can be what they expect him to be.
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It's not till he hears it from his dad, though, that he believes it. I think all that is great (though not nearly as impactful as Peter Parker, because Peter Parker's application of "responsibility" is more selfless. But both Spider-Men have to think less about their own comfort zones and personal success, and more about others.)
Also, real quick, Peter B. Parker learns the same facet of responsibility as Miles in this movie, too. I mean, they drop him into this story as a Peter Parker who’s already learned his own version of “take responsibility for the good you can do.” Now he needs to learn, as a guy who’s afraid to be a dad, how to take responsibility for his own potential.
I mean, there’s really no such thing as “ready,” in these big life decisions. You just do it, as best you can, and you get ready along the way. Heroics, fatherhood, you name it. Leaps of faith. Applicable to all.
Anyway. I said that was going to be real quick, it wasn't, but whatevs.
On to Across the Spider Verse:
I’ve seen this movie twice. And I think I’d need to see it again to really…get what it’s trying to say. There’s some parts about what I think the Main Point is that I like, and some parts I really don’t. There’s also some parts about the actual “art of storytelling” in it that I like, and some that…I think miss the mark, if I can be that bold.
The movie seems to be saying “be true to who you are.” I hate that message. Because human beings are flawed and every-changing, even though the connotations of the phrase “true to” imply something constant. You can’t be “true” to who you are if who you are is always changing. Even if you want to say “yeah, I’m always changing, so I’ll just be true to whoever I am in the moment,” well, what’s the point of that? Ultimately, your “self” is a terrible thing to point the compass of your life at.
But Miles and Gwen both have to decide that they don’t care what everybody around them tells them to be—AND they have to trust others with their identity. Choosing who they are, and then forcing everyone around them to accept it, (Miles telling his alt.universe mother his identity, declaring himself Spider-Man whether the spider was meant to bite him or not, Gwen remaining Spider-Woman regardless of what it forces her father to do, etc.) is treated like a good thing.
That’s not always great, when it’s contrasted with this idea of “the greater good” or “accepting the grand plan for the sake of the world.” The movie makes the “greater good” look like a bad thing.
…But the movie also equates the negative “greater good” with “let one person die because we can’t save everybody.” So it’s like…yeah. You have a point, Miles. If the “greater good” means you know someone is about to die and you just let it happen—instead of letting that person choose to be the sacrifice knowingly—that seems messed up, morally.
And I like parts of that, because I like the valuing of life, and I like the idea that being a control freak is a bad thing, because it’s prideful, etc. But who’s the control-freak? The kid who thinks he can do it all? Or the outer-dimensional watchdog who’s literally “holding all the strings together?”
And then there’s the cop-out of “Well, maybe none of these questions have answers because it’s only PART ONE!”
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Basically, I’ll stop here, and just admit; I haven’t got a handle on why I don’t wholeheartedly like the second movie, either. It’s just not as tight and well-crafted as the first one. Still incredible, don’t get me wrong. Just…something is off.
I’ll talk about other stuff, instead of the Main Point.
I think the pacing is weird. Too much time is given to characters like Pavitr Parker and Hobie (yes, Hobie, I don’t care, he gets too much screen time.) and even The Spot. As much as I love seeing Andrew Garfield, all the cameos take up too much time. The chase scene? Waaay. WAY. Too much time. But that’s the gimmick they leaned in to, so that’s that.
The first movie knew when to make shots that were super artsy few and far between so that they added to a climactic moment. In this movie, just about every shot is doing something new and flashy with the effects, the backgrounds, the stylized icons, all of the above. Only scenes like the ones where Miles and his mom are talking on the fire escape have that “Gorgeous But Normal” vibe. So you feel like you’re just being firehosed with cool artwork, instead of the artwork melting seamlessly into the story and then popping out to enhance impactful moments.
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Also, the facial expressions, particularly in the mouth-areas, are all not as impactful as they were in the first movie. The mouth movements aren’t dramatic enough to fit what the voice actors are doing in a lot of important scenes.
Finally, if I had to pick one big beef with the movie, it would be what they did with Peter B. Parker. I mean, just…relegating him to comic relief, entirely. No arc. No emotional depth. And his baby is just like…there. There’s nothing about him that acts like Spider-Man would.
Anyway, I’ll watch it again, I promise, and come back with more organized thoughts. (But that’s sort of the problem. A well-crafted, finely-tuned story usually doesn’t need this much analyzation to make it’s point—usually it’s clear. But there’s always the chance that it’s a me problem—an audience problem—so I’ll watch it again.)
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astralpenguin · 1 year
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self care is writing a fic that you’re literally the sole target audience for
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the-meme-monarch · 4 months
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been rewatching hlvrai and drawing along :]
edit i fixed the last one (drew his gun on the wrong arm and it Ate At Me (yes i just flipped the drawing what are you a cop))
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nibbelraz · 3 months
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sqh has two god powers. accidentally changing the world by saying something, and any time he's more stressed than he can physically take anymore he pulls a bocchi scream. glitch effect and all. "Shang-shixiong, why don't you meet with other sect leaders? What do you think, sect leader?" "Oh yes, our trade and intersect reputation could benefit greatly from- SHANG SHIDI?????" nightmare fuel situation. he acts 100% fine when they say he doesnt have to, like it never happened.
IM ACTUALLY SO OBSESSED WITH THE IDEA HE'S DOING A BOCCHI SCREAM WHEN HE'S TOO OVERWHELMED OR DOESNT WANT TO DO STUFF ANON THIS IS EVERYTHING TO ME
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He's just a little tired, nothing like an all-powerful god screeching to inhuman levels that beings can't comprehend
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sinlizards · 1 year
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i love love love the way you paint back lighting!! do you have any tips/ a step by step for the way you do it?
ended up making a whole painting just to break it down and explain my general process for subjects lit from behind so heres that + a timelapse!
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main thing for drawing anything with a strong light source behind is to make the main subject Darker and more desaturated to convey that the light is behind them rather than to their sides (face cant be properly lit if the light is behind). Also making the Main highlight the brightest hue in the image helps to intensify it. I tend to use teeth/eyes as a good comparison point
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some people have a tendency to make the sclera white out of habit but darkening that+ the rest of the whites helps the image read as Darker compared to the brighter highlight
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elya-doodles · 19 days
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🫴
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minty364 · 5 months
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DPXDC Prompt #97
The Justice League fought hard against the anti ecto acts but unfortunately it wasn’t enough and the laws were passed anyways but not before a clause was added to them that states the JL had the right to pull a ghost out of a facility of they had potential to work for them. When they see the potential hero Phantom is caught by the GIW they of course do their best to acquire him. Unfortunately the government sees Phantom as JL property now instead of his own person. Phantom seemed content being trapped on the watchtower and explained it was better than whatever the GIW was planning. Superman thinks something weird is going on with the ghost as when he supposedly went to bed in the room he was assigned he’d temporarily gain a heartbeat again. Constantine is just glad the young prince hasn’t decided to kill anyone in the US congress yet for passing such a ridiculous law. Batman’s adoption senses are tickling.
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tangledinink · 9 months
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Before he became swannie, donnie recorded everything, so if they get his goggles they could see what happened to him
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swanatello
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from-the-clouds · 1 year
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pedro pascal has/has had an incredibly fascinating career and I’d love to hear him talk more about what draws him to certain roles or what his process looks like but all interviewers seem to be able to do is to beg him to call himself daddy and ask him if he watches edits of himself
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Transcript:
In the stripped club.
Straight up.
Jorking it.
and by "it", hah.
Well. let's justr say. My peanits.
Audio Source
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royalarchivist · 4 months
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Ironmouse: I love it when you punch me.
Baghera: Yeah, you do? Oh, I'll keep going then. [Punches Mouse off the walkway]
Ironmouse: What a treat. What a treat to be punched by Baghera!
Baghera: You can crush me too, if you want.
Ironmouse: I WANNA CRUSH YOU! YEAH!!! ...If only I had the guts to crush such a beautiful person.
Baghera: One day you will. Oh yeah, please!
Phil: ...What am I hearing right now? 🤨🏳️‍🌈
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[ Full Transcript ↓ ]
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Ironmouse: Baghera! :D
Baghera: Hiya! How are you?
Ironmouse: I love it when you punch me.
Baghera: Yeah, you do? Oh, I'll keep going then. [Punches Mouse off the walkway]
Phil: [Laughing in the background]
Ironmouse: Oh, thank you.
Baghera: Yeah, don't worry.
Ironmouse: What a treat. What a treat to be punched by Baghera!
Baghera: You can crush me too, if you want!
Phil: [Dying in the background] Wtf!
Ironmouse: I WANNA CRUSH YOU!
Baghera: YEAH! Do it!
Phil: Oh my god...
Ironmouse: YEAH!!! ...If only I had the guts to crush such a beautiful person!
Baghera: One day you will. Oh yeah, please!
Phil: ...What am I hearing right now?
Baghera: Oh, yeah, sorry. Yeah.
Phil: [Cracks up]
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turtleblogatlast · 2 months
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Leo being put into a situation where there is absolutely no fighting, just verbal manipulation and perception games, would be amazing to witness. We see a lot in the series how good he is at subterfuge and how he uses his perception to manipulate to great effect, so it’d be so cool to really see it put to the test even more.
Manipulation is one of the most effective tactical strategies of all time, so just imagine Leo putting this skillset of his to the full test. Imagine the boys slowly get up to busting bigger and more powerful criminals, including those with networks of crime under their belt, and a simple fight isn’t enough to take them down. For criminals like this, Leo’s skills in subterfuge would be deadly.
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buggachat · 4 months
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Ok I know this is kinda specific but does anyone have some recs for established relationship lovesquare fics that have a conflict that goes beyond just an identity misunderstanding? Like it’s already post-reveal or a reveal alone can’t fix it? Like they have an argument or some drama happens or something and they have to solve it together as a couple? I don’t know what I’m saying but I go wild for that stuff but it’s hard to search for
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thecoolsquirrel · 10 months
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nhyhu · 1 year
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a kiss
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unbidden-yidden · 7 months
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You know when this all started coming to light, I fully expected that leftists would try to downplay the horrific violence by acknowledging that it was "bad and our hearts go out to the victims and their families, but......" or by making a sharp distinction between civilians and soldiers (or even like, minors and adults), but the thing that's fucked me up is that nope! We sailed right past any attempt to even pretend at human decency and cut straight to "they deserved it."
Even the kids?? Yep, even the kids.
Like Jesus H. Christ y'all.
I'm used to people feeling like they need to at least gesture vaguely in the direction of giving a shit about Jewish lives and not justifying actual terror tactics and war crimes on civilians (you'd think for consistency's sake they might care about looking like they care for the credibility but..) even if we both know they really don't actually care about antisemitism in a meaningful way. We both know that they won't be there when it actually counts, and they sure as fuck aren't going to interrogate their own personal or group's antisemitism. But usually there's a fig leaf. There's at least a baseline assumption that they should care about antisemitism and Jewish people staying alive, even if they don't actually, so they'll say the minimum amount of correct sounding words and then quickly skedaddle onto whatever it is they actually care about.
And like, is that good? No, it's not. It's not good enough. I'm sick and fucking tired of people doing juuuuuust enough to pretend to care without ever addressing the real underlying issues.
But this? This totally floored me. This drops that baseline assumption that antisemitism and murdered Jews is a bad thing entirely and blatantly sides with literal actual terrorists committing unspeakable horrors while holding it up as "liberation."
And what's worse? Most of those were the further out fringe types (although there were a horrifying amount more than I expected) right? Most everyone else wasn't spouting off about how happy they were that vive la révolucion, right? You know what was really deafening?
The silence from everyone else.
Literally everyone except for maybe one or two gentiles I remember seeing kept their mouths shut. Everyone else? Not a goddamn word about how fucked up it was that people were crowing over our people's fresh corpses. The bodies hadn't even cooled yet and we had jackasses on here publicly celebrating with memes and gore videos, and not a word from 99.9% of you.
The people who did speak up? You have no idea how much it means, and I'm grateful. Truly.
Everyone else who was too gutless, spineless, or oblivious to realize how critical a moment this was for support and/or was more interested in protecting your image or whatever?
Let's just say: duly noted.
I may continue to work alongside you (what choice do I have?) but the trust is gone.
We're clearly on our own, with rare exception.
(This is a vent post I will not be adding any caveats to it and I will be blocking anyone who tries to be an asshole. I will lock reblogs if there's any discourse. Our lives are not up for debate you sick fucks.)
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