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morrieandlicky · 6 months

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Sweet Moments Between Maurice and Alec That You Have Not Seen Before (From E.M. Forster's 1st Draft for Maurice)

Context: Forster's first version of Maurice, finished in 1914, has a rather different ending than the final published version (no hotel scene, and no boathouse reunion). See here.

Forster's first draft for Maurice is, in my opinion, the rawest in terms of boldly displaying the love shared between Maurice and Alec. This version shows much more of Alec's emotion and tenderness, as well as of Maurice's sentiments and affection towards Alec. It is definitely not as subtle as the final version, with quite a few straightforward declarations of love.

Hence, I'm disappointed that Forster did not manage to integrate at least some of these 1914 texts into the final version: it would've made the love between Maurice and Alec much more pronounced and convincing, as well as made Alec a character with more depth and feelings.

Having read Forster's first draft for Maurice, I share below some of these moments between Maurice and Alec that are not in the final version (ordered on how lovely I think each moment is. Bolded texts are the highlights).

1. After running into Mr. Ducie in the museum and Maurice bursting out to Alec.

M: "I'd possibly have blown out my own brains."

A: "Why?" he asked, stopping dead.

M: "I should have known by that time that I loved you."

A: "You can't, sir, you couldn't."

M: "I love you, sir be damned."

A: "Maurice"—never before had the word been spoken—"you're an angel."

M: "I don't want to hear that."

A: "Maurice, Maurice" his voice failed also; he had once said the rest to a woman. "Maurice - what you've said I feel. Understand?"

M: "I think so, but I want to be sure. Remember those rose bushes in the other rain? - Look at me hard - That's right. That'll do. It's settled." (Maurice is referring to the moment when Alec ran in the rain across the rose bushes at Penge just to see Maurice's face.)

2. The conversation after Maurice refuses to stay the night with Alec—a scenario that only happens in the first draft in 1914. Be prepared for tears.

A: "Come just for a little to me."

M: "If I came it would be for ever."

A: "Ever's the best."

M: "Why, man, you sail Thursday."

Alec found no answer.

...: here's when Maurice explains in a long paragraph why they can't be together because of their class difference and the fact that they're both men. But in this long paragraph Maurice pretty much brings up wanting to marry Alec—"We can't have the particular thing we want (which is roughly speaking marriage) unless we sacrifice something else"

M: I thought from that letter of yours you might want me to come. But, Alec, come where to?"

A: "I'd know if you weren't a gentleman," Alec said. "We'd a' found work together as mates."

M: "Yes, and if you were a gentleman, I'd take you this minute to my home.

A: "I'd a' been what young Clive was to you, then."

M: "He's a saint and we aren't. Leave out him."

A: "I'd a' been yours till death, then." ("I would've been yours till death, then")

M: "Out there if you get a chance to marry, take it. That's what I wish.

A: "Maurice, what'll you do without me, dear? Have you no other friends?"

Maurice dared not look forward to his own future. He rushed on the parting.

M: "And if there's ever a child, I shan't ever have that, so remember me."

A: "I'll remember you, child or none. God bless you. O God bless you, and be with you if I can't."

3. Right after Maurice puts his hand on Alec's back in the museum

"Yes, awfully serious," remarked Maurice, and rested his hand on Alec's shoulder, so that the fingers touched the back of the neck, doing this merely because he knew that he loved Alec, that he loved him not as a second Dickie Barry, but deeply, tenderly, for his own sake, beneath weakness and vulgarity.

4. In the museum, Alec in pain and acting cute

[Alec] had bitten his lip, his eyes were red too; face and body were cramped with pain.

M: "Alec -"

A: "Alec am I?"

M: "I'm sorry I used that other name of yours."

A: "Don't speak to me," he growled, "let me go, you calling me Alec when I"

M: "Did you give me away then on purpose?"

A: "You're correct.

M: "Was it to get money - or only to do me harm?"

A: "I couldn't say."

M: "Come, let's get away where we can finish our talk."

A: "What? What do you say?"

M: "Come along, Alec."

A: "Do you call me that still?"

M: "Come away, man, don't break down for God's sake...." He took hold of [Alec's] arm. The touch was not reminiscent; it hinted at a relation to come.

A: "Oh but you must, I want it." Alec yielded.

5. Maurice at night thinking about Alec's letter

He tried to forget the treacherous letter, but it stole back to his mind, and he suffered most during moments in bed, when it masqueraded as a real love letter, and offered him the completeness that Clive enjoyed with Anne.

(This is brilliant writing because we, as readers, know that Alec's letter is a love letter, yet Maurice's "muddles" prevent him from seeing it as a love letter, and it is only at night, when he's craving Alec's presence, that he's able to allow himself to see the truth and succumb to his feelings for Alec.

Here, again, is also a suggestion of Maurice wanting to marry Alec, like how Clive married Anne)

6. One version of Maurice's and Alec's first night together

A: "Good evening - sir, said the low voice. Was you wanting something? Couldn't you sleep?" It was the gamekeeper.

On your rounds? gasped Maurice, trying to sound natural, and felt corduroys. Their touch disconcerted him. Whither was he tending from Clive into what companionship?

A: "Just wait till I've set down my gun - eh aren't you trembling?"

M: "So are you - ah don't."

A: "Don't you like that?"

M: "I don't know."

A: "Christ you're fussy. Don't you like me to touch you."

M: "That's you lad."

A: "Yes."

Side notes: hopefully these will shut all the detractors (of the relationship between Maurice and Alec) up—namely Clive apologists, Clive+Maurice shippers, and all of those dark academia classist out there.

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burningvelvet · 24 days

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just found out that there's an audiobook of charlotte brontë's the professor narrated by james wilby aka the actor who played maurice in maurice 1987... yeah, i'm putting shirley on pause for now. 70% thru but still has over 6 hrs left which is nearly as long as all of the professor at 9 hrs. i've gone thru over 17 hrs and it's had a few gem passages here and there but has dragged much more than the other brontë novels. maybe one day i'll revisit it with a fresh perspective

#nearly finished with the bronte novels #no offense to shirley but its been the most boring so far #it has some gems here and there buttttt #still working on finishing shakespeare too & have decided to do mary shelley before jane austen #i mean to finish #charlotte brontë #james wilby #maurice 1987 #maurice hall #the professor #shirley #book thoughts #book reviews #book opinions #the brontës #the brontë sisters

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thirdity · 4 months

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The notion of characters, as the traditional form of the novel, is only one of the compromises by which the writer, drawn out of himself by literature in search of its essence, tries to salvage his relations with the world and himself.

Maurice Blanchot, The Space of Literature

#novels #books #writing #literature #meaning #self #world #quotes #Blanchot #Maurice Blanchot #The Space of Literature

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moonymoonbeams · 2 years

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i love reading incredibly tender sweet moments between two characters and then feeling depressed

#fictional characters #books and novels #ao3 #fanfic #remus lupin #sirius black #wolfstar #reading #francis abernathy #the secret history #richard papen #Henry winter #camilla macaulay #will solace #nico di angelo #maurice hall #maurice #clive durham #alec scudder

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dcober · 27 days

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It's crazy to me that the most popular fictional character of the turn of the century England was a rational to a fault detective. While at the same time, the most popular fictional character in France happened to be a gentlemen thief. That's just too on the nose. It's the kind of detail you would come up with to differentiate the culture of two fictional kingdoms in some fantasy novel, not an actual historical fact.

If there's any justice in the world, we'll someday see a full on adaptation of Arsene Lupin vs. Sherlock Holmes, er, I mean Herlock Sholmes.

#lupin #maurice leblanc #pulp heroes #france #England #united kingdom #great britain #Sherlock Holmes #arthur conan doyle #detective #gentlemen thief #Arsene Lupin vs Herlock Sholmes #novels #book cover

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coffeeandcalligraphy · 19 days

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I don’t think y’all understand how clearly I have a potential novel mapped out in my head based off things I’ve already written like. It’s the overarching plot of lost gods (depressed guy forms a relationship with an older artist after two failed relationships) meets the dying love story of moth work (two guys are doomed for a lifetime of each other) simultaneously threaded with a dreamlike whirlwind romance (body back & changing states) ultimately leading us to a narrator who feels more like an art exhibit than a man

#IS THIS ANYTHING ??????????????#I have scrapped my short story collection bc idc to make it sellable it is not that important to me in my stage of life LOL #so random novel ideas have been rolling around in my head #burn memory is the moth work rework which is like idk saltburn & maurice & obviously moth work smashed together #this idea in this post is smth else bc the plot of lost gods is sooo coolllll as a novel idea #ANYWAYYY idk how this will ever happen but in my mind the pieces are all there #probably bc I wrote them all LMAO #to be clear this idea would be: FICTIVE PRESENT - lost gods harrison and Augustus etc #SECOND TIMELINE: moth work #THIRD TIMELINE: changing states #absolutely no skill to do this rn but I’ll be thinking about her

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angleshades · 5 months

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How to feel more at home at college...

Maurice should definitely be added to this list. Useful take-homes include:

Lock your door before going in for a steamy kiss with your best friend

You'll likely need to climb in windows so work on upper body strength

Don't be cheeky to the Dean and get sent down the day after you snag a hot new lover

When staying with a college chum's family, it's very impolite to have sex with their employees on the premises

Image: Giammarco Boscaro

#top tips #em forster #dark academia #maurice #maurice 1987 #dark academic aesthetic #dark academia novels #dark academia writing

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transsexualcoriolanus · 7 months

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talking to english teachers about my favourite books is mortifying sometimes because the moment i mention that i like maurice by e.m forster they immediately respond with "oh you should read *insert novel here*, it has..... homoerotic undertones". why do all my english teachers know i'm gay

#also one of the recommended novels in question was the picture of dorian gray and uhh #i think those undertones might in fact be overtones sir #WAIT another one was a month in the country by j.l carr which has an explicitly queer character #how do my english teachers not know what the word 'undertones' means #maurice #maurice 1914

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queer-frenchmermaid · 1 year

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I just got the best example of mansplaining ever and it's on here so I even got to take a screenshot.

I posted the dedication of Maurice by E.M. Forster which was written between 1913 and 1914. And that's what someone chose to put in the notes.

Like... sir, we know. That was pretty much a given, for literally everyone; in the entire world.

Why do they have this need of saying the most obvious things? I just don't get it.

#mansplaining #maurice novel #maurice 1987 #maurice hall #clive durham #alec scudder #e.m. forster #WWI #feminism

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ariel-seagull-wings · 1 year

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FICTIONAL CHARACTER ASK: EGON SPENGLER

Asked by @fleurviolettes

@janeb984

@spengnitzed @stantzed @bixiebeet @angelixgutz @thealmightyemprex @goodanswerfoxmonster @amalthea9 @themousefromfantasyland @professorlehnsherr-almashy @budcortfancam

Favorite Thing About Them: There was an excentric, always serious, socially awkward nerd character, played by a comedy actor who wasn't a big movie star like his screen colleagues Bill Murray, Dan Aykroyd, Sigourney Weaver and Rick Moranis were, originally only meant to provide technological exposition, and he became the breakout character that audiences most strongly cared about. Egon Spengler showed viewers that just because we wored glasses, weren't muscular or trained in complicated martial arts, it didn't mean we couldn't be seen as heroes, even tough he initially decided to capture ghosts just hoping to earn a living like his friends. Also, while ocasionally awkward and a bit shy around women, he is never shown to be self hating. He talks with certainty about his scientificial knowledge, isn't much bothered by the teasing of friends like the more street smart Peter Venkman and Winston Zeddemore, and is shown that is because of his inteligence and seriousness that Janine Melnitz finds him atractive, without Egon ever needing to try becoming more "tough", "atletic", "cool", etc.

His lines about humans being like small bacteria are even complimented as romantic! There were moments where he would show an explosive temper, but its clear that its only in extreme circunstances where a dangerous treat is on the horizon and everyone's emotions are heated, and not before trying to present argumentations to better solve the problem first.

Least Favorite Thing About Them: Returning to a criticism I made on this post here, when the writers of Afterlife, a sequel made 37 years after the original film, decided to incorporate Harold Ramis death as a major plot influence, they also mixed the complicated personal life fact that Ramis was an absent parent to his second daughter for most of her life, wich was something he deeply regreted, into the character of Egon Spengler, using the cliche plot of a father who abandons his daughter without explanation (not even letting his friends know of her existence because she is suposed to be a "big reveal" even in universe) to fight the great scope villain, and get redeemed in the eyes of sayed abandoned daughter just because he is dead. That is not character growth, that is not a tribute to his creator, thaf is just cynical, unecessary melodrama (ignoring that the first was a comedy!) exploiting a complicated, painfull story of an actual, real family.

Three Things I Have In Common With Them:

* I wear large glasses;

* Like his portrayal in the live action movies and IDW licensed comics, my natural hair is dark brown and grows in agitated curls;

* I love chocolate treats;

Three Things I Don’t Have In Common With Them:

* I don't collect spores, molds and fungus;

* I alternate between physical and online books, so I would never say the phrase "Print is dead";

* I'm not born in the United States;

Favorite Line:

From the July 1983 Script Draft:

"I don't understand. What have I got?"

"And not a very precise one."

"I have trace PKE valences everywhere in the building and extremely high readings in the interior stacks."

"Good in what sense?"

"I'm patched into the Bell Labs computer in Boston. We should have an answer in a moment."

"I think we can catch one."

"I own an automobile."

"It's a 1957 Saab."

"Those are proton packs and that's a Nutrona wand. They're prototypes of new devices for putting proto-mater in stasis."

"It's 9.642.55 square feet."

"Not all of this is for the office telephones. I'm constructing a fiberoptic network to monitor microwave activity outside the commercial frequencies assigned to telephone and television transmission."

"This is amusing."

"What?"

"I think it's too early to tell."

"We're all animals, Venkman."

"Okay - It's ready."

"This is the proton pack."

"14.55 kilos."

"Thirty-two pounds."

"This is the Neutrona wand."

"I'm working on a self-contained version but for now we'll run off building current."

"Switch... ON."

"It's ready."

"I've heat shielded the entire pack and it's fully portable now. We'll each be capable of shooting an ion stream up to 12 feet. The stream will repel ectoplasm but have no effect in the physical enviroment. Ready?"

"Power!"

"Then we'll be virtually defenseless."

"Ecto-visors."

"GIVE ME TWO PURGES NOW!!"

"Don't worry. He isn't going anywhere. Now DON'T LET THE STREAMS CROSS BEHIND THE POINT OF INTERSECTION OR YOU'LL Q US ALL INTO THE TENTH DIMENSION."

"Easy... easy... open the trap now!!"

"DON'T LET THE PHOTON STREAMS GET NEAR THE NUTRONA BARS ON THAT TRAP!!"

"Watch it... watch it... now."

"It's getting crowded in there. We have to arrange some kind of spill-release system."

"I tought we'd be busy but I never expected this many. That's what bothers me. All my recent data points to something big on the horizon."

"I am Egon Spengler, human being of Earth, Master of Physics, Doctor of Philosophy. Greetings Vinz Clortho."

"Free him, Officer. I will speak with the Minion of Gozer."

"I like these dehydrated meals because they save time. And they have a long shelf-life."

"Could I ask you a feel questions, Vinz?"

"Vinz, how will Gozer come?"

"I want you to look at these pictures, Vinz, and tell me if you see Gozer or anything that looks like Gozer."

"If I were to deactivate the grid generator, the facility could no longer contain the high-concentration of valences inside. You can see what's inside trough the monitor if you wish."

"I've plotted the location of our 99 confirmed manifestations. Look at the pattern and where it fits. Over the tri-state region we have many heavy industries responsible for the destruction of ozonic and other atmospheric layers. The random mesh of microwaves from telephone and telecomunication senders acts as a lens increasing the focus of all the sun's dangerous gamma and U.V. rays which otherwise would be filtered out if the protective atmospheric layers had not been destroyed. These rays are being focused raw on a region under which there lies buried many thousands of tons of chemical and radioactive waste releasing stripped electrons into the atmosphere.

Finally, even a casual glance at the map reveals this region lies within an almost equilateral triangle having at its intersecting points the Indian River Plant in New York here, the Three Mile Island Facility in Pensylvania here, and the Sands Creek Reactor here... two of which we know are leaking hundreds of roentgens per hour."

From the September 1983 Script Draft:

"Oh! This is big, Peter. This is very big. There's definitely something here."

"Two reasons. First of all, I found trace PKE valances everywhere in the building and extremely high readings in the interior stacks."

"That was both of them."

"Incredible. She was stripping ions all over the place."

"We were right about the proton count, Stantz."

"Raymond and I are convinced that we can trap a ghost and hold it indefinitely."

"Just for your information, Ray, the interest payments alone for the first five years come to over $75,000."

"Print is dead."

"Is that a game?"

"I collect spores, molds and fungus."

"I think it's the food of the future."

"This is the Proton Pack, Peter. The only problem with it at the moment is that it could cause sterility."

"Yes, well, I'm working on that."

"Peter, trust me. We are about to make scientific history."

"Raymond, the plug."

"She's telling the truth - or at least she thinks she is."

"Or even a race memory, stored in the collective unconscious. And I wouldn't rule out clairvoyance or telepathic contact either."

"You're a Scorpio with your moon in Leo and Aquarius rising."

"I blame myself."

"We'd better adjust our streams."

"Something was definitely here."

"Were you recently in the bathroom?"

"The wet towels, residual moisture on your lower limbs and hair, the redness in your cheeks indicating..."

"When you were in the bathroom, did you notice anything that was yellow and unusually smelly?"

"Wait! Wait! There's something I forgot to tell you."

"Don't cross the beams."

"Trust me. It will be bad."

"It's hard to explain, but try to imagine all life as you know it stopping instantaneously and finding yourself confined forever in another dimension."

"They're not guns. They're particle throwers."

"I couldn't do that. You might hurt someone."

"On Earth - no. But on Krypton we could slice him up like Oscar Mayer Bologna."

"Well, let's say this Twinkie represents the normal amount of psychokinetic energy in the New York area. According to this morning's PKE sample, the current level in the city would be a Twinkie 35 feet long weighing approximately six hundred pounds."

"I just met the Keymaster. He's here with me now."

"Die in what sense?"

"I don't care. I see us as tiny parts of a vast organism, like two bacteria living on a rotting speck of dust floating in an infinite void."

"You have nice clavicles."

"Oh, shit!"

"If you don't shut up I'm going to rip out your septum."

"Of course! Ivo Shandor. I saw his name in Tobin's Spirit Guide. He started a secret society in 1920."

"After the First World War, Shandor decided that society was too sick to survive. And he wasn't alone. He had close to a thousand followers when he died. They conducted rituals, bizarre rituals, intended to bring about the end of the world."

"Sumerian -- not Babylonian."

"I don't believe in luck."

"Thank you."

"It's Shandor - the architect!"

"I think he's saying that since we're about to be sacrificed anyway, we get to choose the form we want him to take."

"Full-stream with strogon pulse."

"No! Them! Shoot them! Cross the beams. Cross the beams."

From the 1984 movie final cut:

"That would have worked if you hadn't stopped me."

"Ray, it's moving. Come on."

"This is hot, Ray."

"Raymond, look at this."

"Venkman, get a sample of this."

"I'd like to analyze it."

"I'm getting stronger readings here. This way."

"I wouldn't say the experience wasn't completely wasted. According to these new readings, I think we have an excellent chance of actually catching a ghost and holding it indefinitely."

"I'm always serious."

"I think this building should be condemned. There's serious metal fatigue in all the load-bearing members. The wiring is substandard. It's completely inadequate for our power needs. And the neighborhood is like a demilitarized zone."

"I could look for the name Zuul in the usual literature."

"Tobin's Spirit Guide."

"Venkman, shorten your stream. I don't want my face burned off."

"I looked at the trap, Ray."

"I don't think he's human."

"Vinz, you said before you were waiting for a sign. What sign are you waiting for?"

"I think that would be extraordinarily dangerous."

"I'm warning you. Turning off these machines would be extremely hazardous."

"Try to understand. This is a high voltage laser containment system. Simply turning it off would be like dropping a bomb on the city."

"Clear the building!"

"Oh, come on!"

"Your mother!"

"The structure of this roof cap is exactly like the kind of telemetry tracker that NASA uses to identify dead pulsars in deep space."

"It's not the girl, Peter, it's the building. Something terrible is about the enter our world and this building is obviously the door."

"Forty years of darkness! Earthquakes! Volcanoes!"

"Art Deco. Very nice."

"It's Gozer."

"It's whatever it wants to be."

"Ray? This looks extraordinarily bad."

"Look out!"

"Sorry, Venkman. I'm terrified beyond the capacity for rational thought."

"I have a radical idea. The door swings both ways. We could reverse the particle flow through the gate."

"We'll cross the streams."

"Not necessarily. There's definitely a very slim chance we'll survive."

"I feel like the floor of a taxi cab."

"We'd like to get a sample of your brain tissue."

"Janine."

brOTP: His brother (Lionel in the novelization, Elon in the Earth Day TV Special), Eugene Visitor, Ray Stantz, Peter Venkman, Winston Zeddemore, Dana Barrett, Tiyah Clark, Slimer, Buster, Louis Tully, Sherman Tully, Dytyllio, Walter Peck, Louise, Irena Cortez, Bryan Welsh, Kylie Griffin, Eduardo Rivera, Garrett Miller, Roland Jackson, Ilyssa Selwin, Jenny Moran, Dani Shpak, Lou Kamaka, Marie Laveau.

OTP: Janine Melnitz.

nOTP: Pink Mood Slime, Gozer.

Random Headcanon: Since Egon still consults literature about the supernatural (more famously Tobin's Spirit Guide) and the STEM fields, is believable that when he says the phrase "Print is dead", is not in the sense that he doesn't read anything and only uses TV and radio as sources of information (otherwise he would have failed academically) but in the sense that his only reading is preexisting titles for work research and he doesn't read new releases and/or literary fiction and poetry, compared to Janine.

Unpopular Opinion: As I commented on this post here, I don't imagine that his parents (specially his father) were complete cold monsters that despised the concept of love when prioritizing Egon and his brother's academic education. Maybe some fans mix his father's personality with Uncle Cyrus, an old, demanding and arrogang relative that appeared in the Real Ghostbusters animated series, but its more interesting to imagine that, while flawed, Egon's parents were still feeling human beings who genuinelly loved him and his brother and just tought that working hard to provide them with a good school education while sacrificing spending time with the children was their, understandable tough misguided, way of showing how much they cared.

Songs I Associate With Them:

Medic

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The Gods Are Not Crazy

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She Blinded Me With Science

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Weird Science

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I Believe in You and Me

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Just The Way You Are

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Time in a Bottle

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Favorite Picture of Them:

Harold Ramis in the 1984 film

In the Real Ghostbusters animated series

In the Extreme Ghostbusters animated series

In the IDW licensed comics

#fictional character ask #character ask meme #fleurviolettes #fandom musings #pop culture #ghostbusters 1984 #the real ghostbusters #extreme ghostbusters #ghostbusters novelization #idw ghostbusters #harold ramis #maurice lamarche #egon spengler #Youtube

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musicstandcubed · 2 years

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Maurice analysis time as I'm currently watching the film.

Anne Durham is a lot more intelligent than people give her credit for. She calls out Maurice and in turn Clive for their narrow-mindedness when it comes to their views of the poor. Outright calling them both horrible. She refers to Nietzsche when she talks to Maurice about his views in the book. We also see that she is someone who is incredibly empathetic catching on to the feelings of various characters. Whether it be obvious like Maurice's state of anxiety after the cricket match in the book or more subtle like Clive's feelings of confusion and loss in the film towards the end, laying her head on his shoulder as a sign of comfort.

#maurice 1987 #clive durham #maurice hall #Anne Durham #em forster #Maurice #brief analysis #merchantivoryproductions #merchantivory #maurice novel

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morrieandlicky · 1 year

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All Different Endings of Maurice and Alec from E.M. Forster's Maurice

Having been to the King's College archive myself, as well as read the Abinger edition of Maurice (which examines the differences between various versions of the manuscripts stored at the archive), I can conclude that there are 3 main different versions of the novel: from 1914, 1932, and 1952-1959, each differing from one another in Forster's treatment of the relationship between Maurice and Alec after the British Museum.

1914 version:

Order: British Museum - Southhampton - Penge with Clive - Epilogue

NO HOTEL SCENE, NO BOATHOUSE

In this version, Maurice and Alec do not spend the night together after the British Museum; Alec asks Maurice to but Maurice refuses with a long speech about how they shouldn't be together because of their class differences. So they part ways instead.

Maurice, however, does go to the Southhampton to see Alec off. After not seeing Alec there, Maurice leaves with Reverend Borenius at end of the chapter directly to Penge to say goodbye to Clive.

The reunion between them is implied first during Maurice's farewell to Clive—"I've wired to him (that I understand why he missed the boat)"—and then specifically illustrated in the written epilogue.

1932 version:

Order: British Museum - Southhampton - Penge with Clive

NO HOTEL SCENE, NO BOATHOUSE, NO EPILOGUE

The British Museum chapter is pretty much the same as the published version.

Maurice and Alec stay the night but there is NO hotel chapter written out. Their night together is only described in 4 lines at the beginning of the Southampton chapter as an "unwise escapade".

The scene thus goes from Maurice saying "To hell with with it" directly to him at the Southampton.

The end of the Southampton chapter as well as the farewell chapter with Clive conform to the 1914 version: i.e. no boathouse reunion.

Epilogue by 1932 had already been disregarded by Forster, so the only clue we have to the reunion between Maurice and Alec is Maurice's line "I've wired to him (that I understand)".

Therefore the 1932 version is the least hopeful in regards to the happy ending between Maurice and Alec.

1950's version:

Order: British Museum - Hotel - Southhampton - Boathouse - Penge with Clive

This is basically the final and published version that we all have read.

The hotel chapter was drafted out in 1952 and added to the 1932 manuscript.

But it wasn't until 1958 that Forster was able to finally and fully pen out how Maurice and Alec reunite at the boathouse.

It must be noted that Forster had troubles finding a way to bring Maurice and Alec together, and in fact refused to reunite them for decades. The boathouse reunion, Alec sending a wire to Maurice, and Maurice not receiving that wire but instinctively knowing where Alec is nonetheless—all were only conceived by Forster in 1958.

Therefore—and this is really the most touching and important part—according to scholars and editors of the Abinger edition...

"now we shan't be parted no more, and that's finished" were by logic the very last words Forster had written for the novel. Alec's promise marks the end of Maurice's search for a friend, as well as the end of Forster's writing progess for Maurice. It is both a fictional and a real-life farewell.

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