I need Aziraphale learning very quickly that being kind and considerate gets him nowhere in Heaven, so he tucks away his goofy, big-hearted nature and just turns into a maliciously compliant Bitch™.
This is a man who canonically has "discouraged" multiple mobster groups threatening to burn his bookshop, who has successfully scared hundreds of customers away by being just unpleasant enough and who dropped down three octaves to correct Furfur when he messed up his name.
He swallows his pride, puts on a power suit and starts executing a Corporate Nightmare upon upper management in Heaven.
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Oh, actually, this is really exciting.
There are some interesting parallels between Yuji and the white dog (Shiro)
_ They both died on the same day
_ They are friendly
_ Both are trustworthy
_ Megumi was very attached to Shiro
In most mythologies, the white wolf symbolizes protection, intelligence, sociability and compassion, being the antagonistic part of the black wolf.
Yuji is also associated with the white tiger of Byakko, the protector of the western cardinal point (I talked about it in this post), which ended up becoming his nickname at his old school.
The curious point is that one of Megumi's Shikigami is also a tiger that has not yet been shown, which makes him doubly linked to Yuji. It's interesting for me to see how Megumi and Yuji complement each other, whether it's Megumi being the duo's strategist and Yuji the muscles, Yuji being a melee fighter while Megumi is better at long distances. Black and white, like yin yan.
I wonder if the wolf thing was intentional or just an aesthetic choice, although I doubt Gege would approve of something like that if it wasn't to create parallels. This man likes to pair manga with anime.
Overall, I'm just rambling on about these.
After the last chapter, I'm getting impatient with the manga and Gege Akutami.
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Something I love about Heartbreak High is how when we first see Amerie's perspective of what happened at the festival everything is good and Harper is happy and jokes around with her but then when we see Harpers perspective you suddenly notice how unsure and uncomfortable she actually is. Like she doesn't smile as much and it's a little more fake and she's being much more serious, for example with the "I think my house is haunted" moment and also when her dad texts her. But Amerie didn't notice. Which is why she didn't realize something was going on with Harper and why she couldn't imagine that anything had happened that day. In her memory everything was great and perfect when it in fact wasn't. And I think that's a really cool way of showing both their perspectives because while overall they both remember the same things, their perception of How it happened is different
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skyward sword was such a crazy insane game to make like ok what if there was a story about a great evil and a goddess. and that goddess locked away that great evil, but she knew it would come back, and it would need to be defeated again. and what if that goddess knew that for this impossible task, she would need a loyal soldier. so she reincarnates. she reincarnates into a human girl, because the best way, the most reliable way, to get a loyal soldier, is love. and a goddess is respected, and idolized, and revered, but a goddess isn't loved. not like a human girl is. so she reincarnates. and she is loved genuinely and wholeheartedly, by her family, by her peers, and most importantly, by her best friend.
and what if there was a story about a boy and a girl. this one boy loves her so much, that when she falls from the sky, crashing to the earth, and into her immortal destiny, he follows her. and she runs, because she has a destiny, because she's finding out she is part of a divine plot, she and the boy are pawns in a goddess' war plans. did she ever love him did he ever love her or were they just being manipulated by the goddess. SHE'S the goddess. was SHE just manipulating him this whole time? "I'm still your zelda" but is she really? does she know it for sure? she doubts it and doubts it and runs and runs and he keeps chasing her. and she locks herself in time to defeat this great evil and he watches her do it. and he fights because he loves her and he defeats the evil and he gets her back and they're happy.
but what if there was a story about a goddess and a great evil. the evil cursed them for the rest of time. their descendants will never be safe there will always be evil to fight and she'll always be running and sacrificing and he'll always be chasing and fighting.
what if there was a story about a goddess and a great evil. what if there was a story about a girl and a boy. what if it was about the innate mortality and humanity of love and the act of loving. ok. at the walls of nintendo hq
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[ cw: death mention / family death mention / ]
Mhmm I sure love thinking of the reality where we did get more time to really know Karai and her dynamics with the bros. Losing her hit hard in the finale, but it would’ve hit much, much harder had we known Karai longer and really saw her relationships develop with everyone.
I especially would have been interested in her dynamic with Leo, as past iterations often have the two of them clash in ideals and the like while still sharing many characteristics. Two sides of the same coin, and all that. Her specifically being the bros’ Gram-Gram also adds a whole new dynamic as well.
Imagine how interesting it would be, to have Karai start off on Leo’s side for once, showing wholly just how alike the two are at their cores and bonding as family without the worry of betrayal or animosity that other iterations suffer through, only to have Karai die anyway. Their parting hug and the desperate look of horror Leo wears later on would have hit that much harder, I feel.
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i think i just want to say it's not your fault if you don't see the signs of abuse. it's never your fault. you deserve to be heard and to be helped, no matter how long and for what reason you stayed. no matter how long it takes to tell people. it's not your fault.
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it frankly pisses me off that what is essentially “rapists and abusers should be depicted as monstrous caricatures because humanizing them is inappropriate” is considered a very moral and enlightened position to have on art by so many people. a rapist can feel pain, have moments of vulnerability, be amiable and charming, express remorse and compassion at times, be a victim themselves, and so on in real life. they are even capable of doing good things. they can have different sides to them and have individuals in their lives that they are kind to or have a decent relationship with. they will be a human being, and that fact encompasses a lot. conflating that with the claim that they deserve forgiveness or absolution is an issue. nurturing a mindset that believes they need to be one note and uncomplicated to be a correct and tasteful depiction of a rapist inadvertently falls in line with the logic of “how could they have possibly raped you? they are so normal and kind to me. they did all these good things here and there.” ok that doesn’t change that they are a rapist.
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