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#or people who do crafts etc
herssian · 2 years
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it’s so hard for me to imagine that people who don’t draw at all or regularly enough to consider themselves artists don’t get this itch to do it when they haven’t in a while. this phantom need to hold your pen, to feel your tablet or paper below your hand? it happens even during artblocks, or especially then, because the drive is there but you don’t usually manage to scratch it
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elexuscal · 3 months
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you know existing in the modern media landscape is funny cuz like
i genuinely love adaptations. like as a concept. they're transformative works, right? ideally, it's the same soul that drives all fandom write large
you go 'how do translate this story?' how do you take words and make them into images? how do you take images and turn them into film? how can a film use a score the way a book used narration? do you cut this character, prune that plotline, like a bonsai? or conversely, do you need to lay a new bed for under explored story-beats to grow?
a well told adaptation is amazing. it deepens the story, it expands your understanding of both texts.
but as more and more of the stories i love get adapted the more i realise the vast majority of the studios and/or the people they hire for these jobs don't give a shit of any of that, and are just looking for a new IP to toss into the Content Regurgitation Machine
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dallonwrites · 5 months
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random sunday afternoon thoughts but i think the thing with writing advice isn't only that it's just that -- advice -- but also that most of the time it's really just an intro to some kind of craft theory. like you can see a post about how to write better prose for example and it can give beneficial ideas -- show don't tell, specific language, utilise the senses -- all of these are good as theories on craft but with any theory there are exemptions, there are ways to bend it. you also have to ask why this is a theory in the first place, what idea of good prose does this theory come from? but ultimately the thing is no writing advice can tell you how to work that advice into your writing voice/specific story. so seeing these posts as examples of craft theory rather than advice helped me out a lot because instead of wondering which advice to take on for a story, if i "knew" enough about this writing thing to make that call, i was seeing these posts as an intro to a theory on craft, and then i'm asking myself what i can do with this theory, what can this theory do for my story? where does this theory come from? what kind of story/writer does it consider, what kind does it not?
atm i'm writing a flash in 1st person present which is not a POV i use a lot and before i would read as many resources on 1st person present as possible -- which in itself isn't bad, resources exist for a reason! -- but i'd always get stuck because in my attempt to learn as much about "how to write" something as possible, i would forget the only person who can teach me how to write something in my story is me. those resources do help, but the answer is in my story. and that answer will look different in the next 1st person present story i write. there's a garth greenwell quote i love about drafting that says "if anything i try to forget all considerations of craft or technique, to work from a place as near to ignorance as I can manage". i think part of taking in writing "advice"/craft theory is also understanding the gaps in it that are filled in by your story, what will strengthen and what will weaken it. and understanding writing advice as just craft theory helped me because it's just that -- theory, possibilities with craft -- and isn't meant to answer specific questions about how to write a specific story, and you will also learn a lot more if you let yourself lean into the unknowing that is a natural part of writing. because you don't need to know craft to write, you just need to know what your story needs, and a lot of advice and "rules" are really just intros to craft theory that can help you start to know where to look for your story's answers, rather than giving the answer itself. tldr most writing "advice" and "rules" is just craft theory, and instead of trying to shape your writing to fit "advice/rules" you should be thinking about the ways you can shape theory to fit your writing
#i don't think you need to unpack every piece of advice you read in this theoretical way but i do think its important#when a lot of popular advice does get passed around at what is ultimately an introductory level#for example i see a lot of advice posts on story structure here that are very obviously surface level takes on#western ideas of story structure -- which is why i think its so important to see these things for what they are#which is craft theory. and then thinking okay where does this theory come from who does it benefit who does it not take into consideration#i'm obnoxiously literal about language sometimes but i think advice as a word holds a lot of weight because it kind of suggests that the#person giving it knows something you don't? not that i think people giving out writing advice see themselves that way#but seeing these things as someone sharing writing theory rather than advice/rules makes things feel more balanced to me#and someone may know more about a specific craft thing than you of course. that's why sharing craft and learning from other writers is#such a beautiful thing. but do they really know more about writing than you?#do you know more about writing than them? that's not something you can measure#the person that knows more about a piece of craft theory than you doesn't know how to write your story better than you#i don't know a lot about writing fantasy and someone with more experience will know more about#things like worldbuilding craft etc. building magic systems and lore.#but that doesn't mean they know how to write my fantasy story better than i do. because it's my story.#i can learn from them but what i'm learning is craft theory. not how to write my story. does that make sense#+ i will learn how to write my story by embracing the fact that i do not know how to write fantasy i just know fantasy craft theory#but also im someone who doesnt believe craft rules should exist in the first place lol but that's another post
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... how am I meant to get any sort of restful sleep when it's like 85F indoors in my bedroom at NIGHT .. hhhhhhhhhhhhhh
#why the next poll adventure and everything else has taken so long lol.. I straight up have just not done anything#the past few days... staring down my todo list and sweating hopelessly#AT LEAST it;s relatively low humidity. the highest it's been up to is maybe 65%. but is usually around 50 or 40ish#There is one small window air conditioner in a roomate's room that can KIND OF be shared by nailing a sheet up to block off the hallway#with the rooms in it so the cool air goes into the other bedrooms but doesnt flow out into the kitchen or etc but#wjhen it's the time of day that the sun is directly hitting the window & it's like 102F outside even that doesnt help much. to cool 3 rooms#and I always feel like we're going to explode the air conditioner or something running it too much with direct heat on it. sometimes it#smells like hot plastic or whatever ghj.. so it's mostly just.. block off all windows with 5 layers of blankets and cardboard#starting at 10am (meaning.. no indoor light for days basically.. no natural lighting.. time passes weird. hard to determine time of day).#throw water on the bed every night so you sleep in wet sheets and keep your clothes and hair wet at all times. ice. cold drinks. keep a#little fan running pointed directly at you nearly 24/7 even when sleeping with a fan blowing air on you makes your eyes and throat painfull#dry. etc. etc.. and i KNOW people have it worse in plenty of places blah blah. i am just complaining on my little blog that is about me lol#I think the biggest thing about lack of adequate/central air conditioning for me is just the LACK of productivity!!! I am working on games!#and novels!! and so many other crafts. costumes! sculptures!!! things I want to do!!! we all have a limited amount of time on this planet a#nd I have so many goals!! To lose basically 4-5 days straight or producivity - when if I had been able to temperature#control my environment better I could have easily gotten more done because I wouldn't be laying around nuseous and too hot#and sick to do anything all day etc. -- is like.... GRRRRRR... it just feels so senseless.. i could have USEd that time...#Every CEO who has contributed to global warming owes me 1million doallrs to fund my art projects and make up for all the time#I've lost on them due to their stupid bullshit.. also they should be stoned to death in a public square. but redistribute the money FIRST#to everyone on the planet. but especially people who have been affected by floods. fires. etc. etc.#poor people who have limited choice in housing and access to air conditioning. homeless people in cooling centers. people with disabillitie#and health issues that are worse in the heat so the entire future just seems increasingly terrifying for them. etc. etc.#ANYWAY.... eughhhgh.... It can cool down SLIGHTLY at night but the past few nights I have been sleeping in an 81 degree room and I wake up#and first thing in the morning its like 82 by then and I'm so nauseous and nasty feeling... just so so tired of it.. I NEED SNOW#literally not even joking.. snow would heal me. .. oughffff...#AND i got the new nasty stinky poo poo pee pee tumblr dashboard update lol.. e v i l
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tanoraqui · 2 years
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optimal Fëanor reembodiment shenanigans, pt. ? of ?:
Fëanor: [generally trying to be Good(TM), but nonetheless throwing a minor hissy fit over how the jewelsmiths and related crafters of the Noldor have rallied around Celebrimbor as their leader and have no interest whatsoever in changing]
someone: I’m sorry, but did anything YOU ever made singlehandedly—okay, three-handedly—preserve the power and safety of Elves in Middle Earth for an Age and a half of the world, and play a major role in the salvation of the world from evil in general?
Fëanor: [points angrily and exemplifyingly up at the Star of Eärendil sailing by] YES!
someone else, swiftly: Oh, so you agree that Eärendil’s continued holding and keeping of the Silmaril is essential for the good of all Arda and should not be disrupted for any reason?
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likecastle · 1 year
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Is it a hidden clue in the text, or are the writers just not that deep?
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neil-gaiman · 9 months
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I'm sorry Neil, although I love your writing and agree with your opinions on most subjects I have to disagree with you on the writers' strike. No-one should have a more privileged life as a result of being clever and creative. I worked from the age of 15 to the age of 65 in low-paid jobs, taking 1 year off to go to drama school and 3 years off to get a fine art degree. I worked in terrible but necessary jobs, labouring, stacking boxes, unloading trucks, running errands, filing, going to work on a bicycle at all hours of the day and night on shift work in all kinds of weather. Even when I was a student I was still working in part-time cleani8ng jobs and even during periods of unemployment I worked in volunteer jobs for charities and social services.
According to Mensa I have an IQ of 160 and according to Plymouth University I have a BA hons in Fine Art but I cannot accept the idea that writers and other creative people should avoid normal jobs like driving an "Uber" or working in an office/shop/factory/construction site. To accept that idea would be to create a new aristocratic class when we should abolishing the old princes and aristocrats.
What we need, I feel sure, is a redistribution of labour so that everybody who can do so would spend some time each year in blue collar work and everybody who can would get higher education and a chance to make art of one sort or another.
The idea of doing other jobs to supplement writing or drawing shouldn't be seen as a terrible thing, a punishment or a suffering. Sharing the jobs around should be seen as normal.
I mean, I've done my half century of sweat labour and it didn't hurt me too much. I'm retired now and still making art of various kinds and I've never asked anyone to pay me for any art piece I've made. making art, writing, drawing etc. is the fun stuff which we get to do in exchange for the blue collar stuff which puts food on the table.
The worst pop song ever written was Sting/Dire Straits song "Money for Nothing" which ridicules the working class from a position of educational privilege.
So what's my question? My question is: What's wrong with a writer doing other jobs to make ends meet? Sounds perfectly fine to me.
Nothing's wrong with a writer doing other jobs to make ends meet. Writers and artists have been doing that since the dawn of time. Actors too.
But by the same token, there's nothing right about assuming that writing isn't a blue-collar job, or that writers and other people who make art can only make it for love and that thus they need other jobs to subsidise their craft.
I like living in a world in which the people who make the things that make the world worth living in get paid for their work. For me, that includes the people who make films and TV, books, art and music and comics.
Having spent a lot of time on film and TV sets, it's a blue-collar world on set, and everyone is working long and hard to make the shows you love. I'm never going to suggest that the riggers or the gaffers or the make-up team or the focus-pullers should drive ubers in order to have the privilege of being on the set and working there.
Or to put it another way, from the most blue-collar writer I ever knew...
youtube
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kleefkruid · 1 year
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Every fun post on here that encourages people to have hobbies/be creative always gets an avalanche of "Some people are poor Karen" type reactions and respectfully, you're all super annoying. I've never lived above the poverty line and this is a list of hobbies I have that were cheap or entirely free:
Read books: Go to the library, lend a book from a friend
knitting, crochet, embroidery: Get some needles from the bargan store and ask around, people have leftovers from projects they'll happily give you. Thrift stores also often carry leftover fabric and other supplies. And talk about your hobby loud enough and an old lady will show up and gift you their whole collection, because there are way more old ladies with a closet full of wool than there are grandchildren who want to take up the hobby.
Origami/paper crafts: get some scrap paper and scissors, watch a youtube tutorial
walking: put on shoes open door
pilates/yoga/etc: get a mat or just use your carpet, watch a youtube tutorial
Houseplants: look online for people that swap plant cuttings. There are always people giving out stuff for free to get you started. If you're nice enough you'll probably get extra
gardening: You're gonna need some space for this one of course but you can just play around with seeds and cuttings from your grocery vegetables.
aquarium keeping is a bit of an obscure one but I got most of my stuff second hand for cheap or free and now I have a few thousand euro worth of material and plants.
drawing/art: You get very far just playing with bargan store materials. I did my entire art degree with mostly those.
writing: Rotate a cow in your head for free
cooking: again one you can make very expensive, but there are many budget recipes online for free. Look for African or Asian shops to get good rice and cheap spices.
Join a non-profit: Cities will have creative organisations who let you use woodworking machines or screen presses or laser cutters or 3D printers etc etc etc for a small fee. Some libraries also lend out materials.
candle making: You need some molds (cheap), wick, two old cooking pots for au bain marie melting and a ton of scrap candles, ask people to keep them aside for you.
a herbarium, flower pressing: Leaves are free, wildflowers too, ask if you can take from peoples gardens.
puzzles: thrift stores, your grandma probably
Citizen science: look for projects in your area or get the iNaturalist app
And lastly and most importantly: Share! Share your supllies, share your knowledge. Surround yourself with other creative people and before you know it someone will give you a pot of homemade jam and when you want to paint your kabinet someone will have leftover paint in just the right color and you can give them a homemade candle in return and everyone is having fun and building skills and friendships and not a cent is exchanged. We have always lived like this, it's what humans are build to do.
And all of it sure beats sitting behind a computer going "No stranger, I refuse to let myself have a good time."
Anyway I'm logging off bc I'm making some badges for a friend who cooked for me and then I'm going to fix some holes in everyones clothes.
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the-joy-of-knowledge · 4 months
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Becoming an Intelligent Woman
My Dears,
There is no greater goal than being a fine woman who is intelligent, kind, and elegant. As much as we all want to be described with these adjectives, it takes a great amount of discipline to get there. It is very doable only if you are ready to put in the work.
Here are steps you can add to your routine in the next 4 weeks that will make you 1% more intelligent than you were before. This is a process that should become a habit not a goal. It is long term, however, I want you to devote just 4 weeks into doing these steps first and recognize the changes that follow.
Watch documentaries: This is the easiest step, we all have access to Youtube. Youtube has a great number of content on art, history, technology, food, science etc that will increase your knowledge and pique your curiosity. I really did not know much about world history especially from the perspective of World war 1 & 2, the roaring 20s, Age of Enlightenment, Jazz era, monarchies etc but with several channels dedicated to breaking down history into easily digestible forms. I have in the last 4 weeks immersed myself into these documentaries. Here are a few I watched:
The fall of monarchies
The Entire History of United Kingdom
The Eight Ages of Greece
World War 1
World War 2
The Roaring '20s
The Cuisine of the Enlightenment
2. Read Classics: I recommend starting with short classics so that you do not get easily discouraged. Try to make reading easy and interesting especially if you struggle with finishing a book. Why classics? You see, if you never went to an exclusive private school in Europe or America with well crafted syllabus that emphasized philosophy, history, art, and literary classics, you might want to know what is felt like and for me this was a strong reason. Asides that, there is so much wisdom and knowledge available in these books. In these books, you gain insights to the authors mind, the historical context of the era, the ingenuity of the author, the hidden messages, and the cultural impact of these books. Most importantly, you develop your personal philosophy from the stories and lessons you have accumulated from the lives of the characters in the books you read. Here are classics to get you started:
Animal Farm by George Orwell
Pride and Prejudice by Jane Austen
Jane Eyre by Charlotte Brontë
The Great Gatsby by F Scott Fitzgerald
Candide by Voltaire
Paradise lost by John Milton
3. Study the lives of people who inspire you: I dedicate one month to each person that fascinates me. I read their biography (date of birth, background, death, influences, work, style, education, personal life) For this month, I decided to study Frank Lloyd Wright because I was fascinated by the Guggenheim Museum in New York. I began to read about his influence in American Architecture (Organic architecture, Prairie School, Usonian style), his tumultuous personal life, his difficult relationship with his mentor (Louis Sullivan), his most iconic works etc. By the end of the year I would have learned the ins and outs of people I am inspired by through books and documentaries. Here are other people I plan to learn more about:
Winston Churchill
Jacqueline Kennedy Onassis
Ada Lovelace
Benjamin Franklin
Helen Keller
John Nash
Isabella Stewart Gardner
Caroline Herrera
Ernest Hemingway
Catherine the Great
Ann Lowe
My dears, I hope you enjoyed this read. I cannot wait to write more on my journey to becoming a fine woman. I urge you to do this for four weeks and see what changes you notice. Make sure to write as well, it is important to document your progress.
Cheers to a very prosperous 2024!
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ghosts-post · 8 months
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Yandere farmer x sheep hybrid reader
Yan farmer that's absolutely obsessed with your wool. Takes excellent care of it. Even the slightest spec of dirt means you're getting a bath.
Both weeps with joy and sadness when its summer time and the weather gets warmer knowing he has to sheer your wool. On one hand he gets to collect your wool and do as he pleases with it. On the other hand you will no longer need to spend as much time with him because your wool will no longer need help being managed.
Does have other hybrids on his farm but you are the only one that's allowed into his home. And by allowed he means necessary to come in at least once a day but will always drag you into his house at night. Why would he let you sleep with the other sheep hybrids when you could be sleeping with him?
One time he accidentally mixed up the bag that had your wool with everyone else's and ended up donating it for people to use in crafts, clothes, etc. Cried about it for over a week.
He's actually extremely strong seeing as he does manual labor around the farm everyday. Can and will pick you up when you aren't being compliant with him.
If you are a type of sheep that grows horns he makes sure those are perfect as well. Will wax them and make sure nothing happens to them. He freaked out the one time your horns got stuck in the fence and ended up destroying the fence so he didn't have to cut them. Yes he knows they'll grow back but you'd just look so wrong without them being completely there!
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Yan farmer: your wool is so perfect. Every curl sits just right on you. How is that possible?
Sheep hybrid reader, who just sat through hours of yan farmer brushing their wool: *blank stare*
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Yan farmer, holding a bucket: its time for milking!
Sheep hybrid reader: you mean the cows right?
[Yan farmer's smile slowly widens]
Sheep hybrid reader, sweating: y-you mean the cows right???
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bigfatbimbo · 3 months
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silly low effort dating Lucifer headcanons —
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I LOVE HIM SO MUCH HE’S THE SILLIEST EVER. Anyways, now that we have that out of the way. He is very touchy with you, especially after you guys start dating. He constantly has his hand on your shoulder, arm, in your hair, or on your leg. He’s been so touch starved ever since Lilith left him. So he’s always chasing that kinda of comforting physical touch. Also, probably just always clinging to your arm, no matter what you’re doing too. He’s just there, hanging around. I said in another post he likes to play with your fingers, rings, hands, bracelets, etc when he rambles on about whatever is interesting him. ”I had another Idea for a rubber duck that blows bubbles but I never really got around to it, plus there’s always—“ and he’d be fiddling with your hands the entire time. He also has a thing for being called really lovey-dovey pet names. Princess, sweetheart, babycakes, pretty boy, things like that. I swear they have him on the floor blushing every time, especially if you play it up well enough. ”You look so good today,” and then you strut over to him and tilt his head up to look at you, “my pretty boy.” Hes in shambles oh my god. Probably giggling and putting his hand over his mouth to conceal his dorky grin. Up the stakes by taking his hand and kissing it gently, never breaking eye contact. “Oh— oh my—“ he would stutter out. “Darling how… charming.” But he’d be tomato red and giggling the whole time. Not a lot of people acknowledge this, but he can be very snobby too. Of course, he’s the king of hell. Why shouldn’t he be? He also hold himself to a standard above sinners because, in his words, ‘they’re just the worst.’ So he’d be lowkey snooty and proud in public sometimes. And he’s a little rich boy too so don’t be surprised if he complains about how: “This restaurant serves their lamb too cold. You know, we don’t have to eat here. I have pancake batter at home sooo…” If you end up calling him out on it he’d feel bad about being so bratty and tip the waitress an outrageous amount. Also, i’m sorry this man is a little spoon through and through. Let’s be real right now. He’s so tiny he absolutely dissolved in your arms. Which is very comforting for him on bad days when he just wants to be held by you. He also, even though he acts all high and mighty when it happens, loves being manhandled by you. Maybe he’s overworking himself and so you just sneak up behind him and throw him over your shoulder. He'd bang his fists on your back and demand to be treated with dignity, as if he couldn’t overpower you in seconds. Also, you catch him talking to his rubber ducks A LOT. For a while they were probably all that he talked to it’s kind of sad to watch. But in a cute way? He has names for them all and specific personalities. He’ll be showing you his collection and be like “Oh, george likes you!” after forcing you to hold a rubber duck for him. Also a good cook, I don’t know why I just feel like he is. But like very oddly specific dishes too. He makes a mean gourmet mac and cheese with parmesan on the top. He likes to dance with you too, whether it’s slow dancing or you two are just being silly, he likes to feel your body warmth on him while you two move together. Also, i’m pretty sure we all ready know… autism. I’m not even projecting this time either, it just might as well be canon. So he comes you to about any new hyperfixations he has at the time because he trusts that you, above all people, will listen to him. Once again he’ll play with your bracelets, or fiddle with his hands while he talks to you. And of course, you listen, and even do your research later to make him feel like you really care. He also loves making arts and crafts with you. Sometimes even with some friendly competition (incredibly competitive high-energy contests on who’s contraption works better.) I also imagine you have to say things to him multiple times for him to hear you. It’s not that he can’t hear you, he’s just in his own little world, not paying attention at all to his surroundings.
”What, honey? Sorry, didn’t catch that last part—“ 
Then he’ll focus so hard on paying attention, that he’ll forget to actually pay attention and make you explain it another time.
I imagine he likes doing little tasks for you, so he can feel useful. Like running your laundry for you, doing the dishes, anything to keep him busy.
Also, it’d it earns words of affirmations from you, then it’s worth it. 
Say you catch him scrubbing pots and pans to save you the effort. Come up behind him, put your hands on his hips and kiss his head before telling him how amazing he is. And how great full you are for him.
He’s beaming and smiling so hard his cheeks hurt.
I also think he’s a morning person, so more often than not, he wakes you up with breakfast in bed.
He falls asleep so early at night it’s literally crazy. 
Like you could be hugging him, even standing up, at nighttime and he would immediately get so drowsy.
You’d have to pick him up bridal style and carry him to bed, all the while he’s whining about how he’s “Not tired, yet! I still have so much to do.” I think he also is a huge giggler like he just gets a kick out of everything you say and thinks you’re the funniest person alive. Also, he’s a terrible ugly crier. Like his face scrunches all the way up, snot comes out of his noise, he makes god awful chocking noises. It be kinda funny if it wasn’t so sad to watch to be honest. Cries at super stupid things too, those dog commercials for example. But it’s so bad he could be being his goofy self and like making the milk and the carton of eggs talk to each other. And he would get so invested in their ‘lives’ that he would start crying. ”No, Mr. Milk i’m sorry we can’t—“ sniff sniff “—be together. I DON’T LOVE YOU!” and now he’s crying. He buries his face in your shirt when he cries and just, I have a specific noise in mind, violently squeaks and sniffs.
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a/n — My tumblr was tweaking out when I wrote this. I don’t know what happened but if you saw this posted last night, no you didn’t.
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alyssa-the-witch · 17 days
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Offerings and their Removal
Disclosure, this may not apply to everyone! Cherry pick it if that works for you, or take none at all. Just no hate or arguments in the comments!
Definition- Offering - Something given to an entity or deity to show appreciation. This can also be something done or said to show appreciation.
~~~~~Types of Offerings~~~~~
Food- In ancient tradition, specifically Greek, the first bites of food were thrown into the fire to be sent through the gods by smoke. However, this isn't an option for many people these days. Alternative methods are favored.
Fire - The old methods are still applicable if available. If one has a bon fire or fire-place/hearth, the first bite of food can still be "smoked" , per-say.
Prayer - A small prayer can be said over food before the first bite is taken. Just a simple "Entity/spirit, please accept this offering, Blessed Be" or something similar can suffice. This, for some deities like Hestia can be done at the end too. This is more convenient for a hidden practice and for those who can't afford to waste food.
Altar- If you have an altar, or ever a small bowl, they can place the first bite of food there for the deity entity too.
Objects and Trinkets- Just like us, deities/entities love little trinkets. Whether it be a few coins you find nice to a statue or an engraved candle. Whatever it my be, it can be given to an entity with a prayer and/or on an altar in their honor.
Removables - There are some things that can be placed on altar and taken off. I like to call them removables. When placed on an altar, one could say "Entity/Deity, bless this object, with your energy and blessings." let it sit for a moment or cleanse with incense. If a clothing item, accessory, or perfume, you can take it off and use/wear it. Just remember to put it back to refresh the energy and discuss before taking it off for the first time.
Actions - There are also things that one can do in offer of a deity or entity. They can be small things, like prayers, to full-on rituals.
Prayer- This is probably the easiest in my opinion. It can be a small "Hey entity/deity, I appreciate you." on the go, or reciting a hymn or a prayer by the altar. It's incredibly diverse and can meld to any practice.
Chores - This can apply more to some deities than others, but just Keeping your room and house tidy can be done in honor of a deity. Altars specifically can be cleaned or re-arranged as an offering
Art-In ancient times, arts of every kind were offered to deities ant spirits. And it can fit most anyone's style.
Music- written specifically or just a song you think reminds you of them. Drawings/Paintings- try thing that reminds you of the deity or how you see them can be drawn or painted. Others- Pottery, Dance, Crocheting or handy crafts, or even more. All can be done in offering to a deity. Specifics - If you have done research into who you're offering to, you can offer specific things. Sleep for Hypnos, Baking bread for Hestia, Rehearsing if in the arts for Dionysus, etc. Self Care- This not a lot of people think applies, however the gas most want you to be kind to your self. whether it be a bath with oils, flower petals, and all the works to just brushing your teeth at night. All would make the gods/entities very proud of you!!
~~~~~Disposal~~~~~
This is something a bit more difficult; You did the thing, you think it's time, now what do you do? A decent chunk of this section was taken from @khaire-traveler. Obviously, actions cannot be "removed" Once the action is complete, the offering is sent.
Food- khaire narrowed it into 4 options that I really like. Just remember, when on an alter, don't let it sit too long for health concerns (rotting, bugs, etc.)
Consume - After praying aver the food like I had mentioned before.
Bum - Also mentioned before, but can be done after sitting at an altar for awhile.
Bury- Food offerings. if safe for local wildlife, can be buried. "My logic in burying them (only if environmentally safe) is returning the offering to the earth in a sense." (khair-3) (Yes its MLA cited, AP capstone has rotted my brain) If that fits Your practice, it is a good option.
Dispose, - This, like everything else here, must be done with respect. Clarify with the entity/deity that you aren't doing so out of disrespect, rather because this is your preferred disposal style or your only option
Objects/Art Pieces- If you have this ability, talk to your entity/deity about it, clarify there is no disrespect in the removal, and give the deity some time to de-attach to it. Slowly, the energy will fade from the object when kept away from the altar. This doesn't need to a ritual, but can be if that's what you prefer
Thank you for reading! This is my first fore into the pagan-sphere, so if this is something a lot of people like, I'll continue! Blessed Be, Alyssa the Witch!
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coffeebeanwriting · 1 year
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Reasons your Novel Might get Rejected
Thinking of publishing traditionally? Here are some reasons why a publishing agency might reject your book. Don’t let any of these reasons keep you from writing, but rather help you strengthen your craft!
1) Your target audience is unclear. Are you writing for middle-grade boys or adult females? Suburban single mothers or war-enthusiast who love everything weaponry and explosive? Of course, your story can end up appealing to multiple categories of people (take Harry Potter for example). But if you know who your prime reader is, you’ll be able to use the correct language, voice, and reading level for them.
2) Your query letter or synopsis is lacking and doesn’t hook the agency. A query letter and synopsis are two different things presented to an agent or publishing company. You must be able to properly sum up your  book in an interesting way for an agency to want to peruse your novel. You have to pique their interest.
A query letter is a brief summary used to capture the attention of an agent/publishing company. A sales pitch one might say. It typically contains your story's main hook, some details about the book (genre, similar books, etc.), and some facts about yourself. If the query letter is successful, the agency will go on to read your synopsis/pages.
A synopsis is a summary of your entire book from start to finish and what happens in it (including character arcs and plot). This is all done in less than two pages.
3) Predictability. It may be predictable characters, or the plot itself. Either way, predictability isn't good. What's the point of reading a book if you can already predict the events? Conflict is the heart of all stories and if your book lacks conflict/stakes, it can become predictable. Give your characters inner conflict just as much as you do physical. Make it difficult for readers to know what your character will do.
4) Your story starts way too early. From what I’ve researched, a huge reason why books get declined is that they start wayyy before anything happens. You’re revealing tons of background information or your character is doing pointless things when they should be approaching the inciting incident. The inciting incident is the scene that launches your character on their journey and should happen sooner than later! 
5) You aren’t balancing showing vs. telling. Contrary to popular belief, a novel should have a bit of both (but... probably more showing). If you spend every scene in extreme detail, you risk slowing your story down. If you tell everything, you aren’t immersing your reader.
6) You’re spending too much time in Act 1. A story consists of three Acts. The beginning, middle, and end. The rising action/set-up, the middle/climax, and the resolution. Don’t spend too much time in Act 1 setting things up. You’ll want to properly pace your story so that it doesn't drag on too long before hitting the heart of the story.
7) Simply... bad writing/grammar. Also, consistent POV is important. This one is self-explanatory, but if you care about what happens in your story, you should also care about the grammar and prose! Typically, hiring editors is a step you must do before taking your novel to a publishing agency.
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wheneclipsefalls · 1 month
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Little Gift- Tremble
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Pairing: Soft Dark Neteyam x Fem Human Reader
Little Gift Masterlist
Beautiful adult Neteyam pic by @cinetrix2
Summary: This is your last chance to run.
Warnings: aged up Neteyam, NSFW minors do not interact, dark Neteyam, NONCON/DUBCON, spanking, dirty talk, punishment, size difference, etc.
A/N: This one took a little longer than intended with all the life stuff going on, but yay it's here. Also, migt have gotten a little carried away with this part.
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The outpost feels like a relic of a different time. One that you have only heard of in stories, but now seeing those worn down bunk beds and the corner of a room that Spider calls his own, it doesn’t feel as glorious. The worst part, however, is how naked you feel around other humans. It’s only a slight comfort that Spider is wearing Na’vi apparel too. 
“Oh and yeah and this is a spear I made in Awalatuu.” Spider says. “But maybe let’s move it out of the way.” He gives an awkward chuckle but it’s obvious that his only concern is you suddenly deciding to use it against him. 
Your arrival at the outpost had been anything but graceful. In hindsight you would have preferred to meet these people face to face instead of over Neteyam’s shoulder. 
“If you want we can uh….watch a movie. Oh yeah I bet I could swipe Norm’s Star Wars collection.” 
You don’t return the smile he gives you, too busy awkwardly sitting on his bed while pouting. You never thought it would feel strange to be back in a place like this but after being around the Na’vi for the past week, the outpost feels like walking into a rundown dollhouse. Everything is your size and nothing is as beautifully crafted as Neteyam’s kelku. 
The awkward silence is slightly painful but you can’t find it within yourself to feel bad for Spider. Not when he hasn’t shown even a morsel of sympathy for your situation. Your own kind and not even they find it important to get you out of here. Not that they could anyways. No doubt Neteyam would view such actions as a betrayal. 
“He wouldn’t let you come along, huh?” You finally ask. 
Spider stops digging through the worn down hard drives. 
“Who?” 
“Neteyam. Didn’t want you coming to see the RDA off either?” 
Spider scoffs at the, leaving the tech behind to cross the small room. 
“I wouldn’t say that. I’m not the one he’s worried about getting into trouble.” 
Spider may not have heightened senses like the Na’vi but you worry that he sees the way your hands ball around the thin blankets.
“So Lo’ak handed the role of babysitter off to you somehow.” You lean back against the cold wall, trying to appear bored by the conversation. 
“Just for today. He was clear that I would only be a substitute.” 
Your brows furrow at that. Maybe Lo’ak doesn’t mind watching over you as much as he lets on. Then again Lo’ak never fails to find your company amusing, and for all the wrong reasons. Some days you wonder if Neteyam would really be cross with you for slapping his brother across the face. Maybe if you batted your lashes and played it off as self defense….
“Well I’m sorry you can’t be there.” 
It’s Spider’s turn to look confused. 
“Why?” 
“Colonel Quaritch is your dad, isn’t he?” 
“That asshole is nothing close to a father.” Spider’s jaw clenches, posturing already shifting to loom over you. He may be human but his six foot frame of striped muscle greatly outweighs your own. 
“Oh trust me, I know. Quaritch has been nothing but a tyrant my entire life. I honestly don’t know how he managed to get back into General Ardmore’s good graces after half the stunts he has pulled. That’s why I was excited for today. Finally see that bastard put in his place.” Spider watches you closely. In some ways it feels like all he is missing he ears and tail of a Na’vi.
“Thought maybe you would want to see that too.” 
You know a good deal about Spider Soccoro. He is a story that is often shared among the recombinants but never in Quaritch’s presence. Many tales have been told of the feral stripped boy that was more trouble than worth. You wonder if the stories would have been different if he hadn’t chosen the Sullys in the end. Still, even with their biased filters you know that they put Spider through hell. 
Kidnapping is traumatic enough without having to watch islands burn and friends cry for justice. 
“I don’t care what happens to that bastard.” Spider huffs before promptly turning around and fishing through the hard drives once more. You’ve killed the already strained mood. 
“Well then you’re a better person than me. Good for you.” Spider doesn’t answer but you can tell he is listening. 
A bitter laugh escapes you. “Hell, I’ve only had to put up with him from a distance and I would ring his neck myself if given the chance.” 
Spider’s fingers fiddle with a blue hard drive, eyes staring down thoughtfully. 
“But I guess I should trust Neteyam to give him what he deserves. Watch that monster tuck his tail and accept his failure for what it is.”  It’s the one cause you consider Neteyam and yourself on the same side of. 
Leaning back, you prop your feet up onto the creaky mattress. 
“Yeah.” He says shortly. 
“Ugh don’t get me started on Lyle though-”
“What are you trying to do?” Spider springs to his feet, glaring daggers down at you. 
“What do-”
“Do you think I’m really that stupid? Neteyam told me you would do this. Trying to spin a story that would allow you to escape.” 
You swallow the lump in your throat. You’re startled by the outburst to say the least but at this point there is nothing to lose. This man you only met fifteen minutes ago is the difference between spending the rest of your days here and returning back to Earth. Neteyam’s punishments are far from being enough to deter you from taking this chance. 
“I’m sorry I wasn’t trying to-”
“Would it kill you to just stay out of trouble for this one day? For my sake?” The look he gives you is anything but tender in comparison to his words. 
The bitter taste of impending failure is already settling in. You can already feel the immense weight of this dread and it springs you into action. This can’t be the end. 
It won’t be. 
“Can you really blame me though? For wanting to say goodbye to everything and everyone I have ever known?” 
Spider goes quiet, hazel eyes suddenly avoiding your own gaze. 
“Believe whatever you want but the fact is this day will never repeat. This is literal history and…” You voice quivers, blunt teeth sinking into your bottom lip in restraint. The last barrier to holding the words back. “The last glimpse at my old life.” 
You don’t allow the gravity of those whispered words to plant themselves. This is all a ruse after all. Just enough sadness to get Spider to cooperate and yet saying it out loud feels like tying an anchor to your ankle. Truly realizing how stuck you may be from here on out. 
Spider doesn’t say anything for a long while. Neither of you look at each other, letting the silence sizzle between you. 
And then finally….
“We have to be quick.”
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“And no touching anything. I mean it, shit out here can be extremely poisonous.” Spider rattles on, listing yet another rule to follow as the two of you venture through the thick terrain. You roll your eyes. You may not be a match for the creatures of Pandora physically but you’ve studied enough to understand what to stay away from.
“We’re there for five minutes tops, got it?” Spider says as he pushes a hanging branch out of your path. 
“Yes sir.” You salute him playfully. Now that you are less than a mile away from Bridgehead a certain giddiness begins to take over. It swirls together with your nerves and apprehension but it doesn’t deter you. This is the closest you have been to freedom in a week. 
Eywa’s mightiest creatures could not keep you from your goal. 
Years down the road when you wake up from kyro this will all be some awful dream that embeds itself into your revenge arch. Starting with Miles Quaritch of course. 
“I’m being serious. Neteyam will kill me if he sees you out here. I’m sticking my neck out for you.” 
“It will be worth it.” You say simply, a skip in your step when you recognize the familiar path that leads back to Bridgehead. This the same one you had carved deeper with every trip you had taken to your oasis. Looking back there is nothing more you regret but the sight of it still makes you smile. 
Spider never stops his stern rambling. Despite the fact that he is built like a Greek God, his speeches do little to intimidate you. Not when you’re used to nine feet of solid muscle and sharp canines. 
There is a bank that overhangs Bridgehead. A spot that Spider deems the perfect lookout for the two of you. You consider trying to convince him to get the two of you closer. After all, what good is a farewell that can’t be heard? Truth is, there really aren’t many people you would bother trying to say goodbye to. Jeremy moved on from you months ago, you have very little friends outside of that and what little you did have can be nothing but traitors by letting you get offered up without complaint. 
It feels like a risky move, however. Spider is sure to catch wind of your deception at the first hints of you disobeying.
“Here,” Spider mutters, suddenly pulling your arm so you stand directly in front of him. This leaves you sandwiched between the cliff’s edge and Spider’s tall frame. 
“Hey!” You snip at him, ripping your arm from his hold. 
“This way I can keep a close eye on you.” He smirks, hands resting confidently on his hips because he knows as well as you that his physical prowess greatly outweighs your own. It’s clear his trust is far from being earned. 
“Well do you have to breathe down my neck? Christ! I could use some space.” 
“No chance.” Spider responds shortly but his eyes are already scanning the crowd of RDA members below. 
“Neteyam doesn’t really take kindly to others sniffing around me.” 
You hate to play that card but it seems to be the only one you have in your deck and if you have any chance of getting out of here, Spider can’t be pressed up against you. A harsh glare is thrown down at you but with knitted brows and a fierce frown, the male takes a few steps back. It isn’t much, surely his presence will still be your first obstacle, but it’s a start. 
Every minute that passes by feels like torture. You watch as palettes of heavy equipment and artillery are rolled along the concrete with Na’vi supervising. Each one packed away is a signal of passing time, another stream of sand that falls through your hourglass of opportunity. The real nerves, however, kick in when the line of RDA members are escorted onto the ship. 
How long is it going to take them to load everyone?
How long until your hopes are dashed?
You spot Neteyam taking his place at the head. He is dressed up in his traditional Olo’eyktan gear completely with a feathered mantle and oval forehead jewelry, but this time he holds a gun. He holds it with confidence, finger strategically placed over the barrel and ready to strike at a moment’s notice. His golden eyes spark today like fire. Even from your lookout spot from above, you can feel that darting heat. 
You pray that they never fall on you again. 
Spider shifts over your shoulder suddenly, blonde dreads ticking your neck. You scramble out of his space but instead of jerking you into place as you expect, he takes your spot at the front. Brows knitting together, you watch him carefully as he crawls forward. 
Finally you spot what has captured his undivided attention. 
Colonel Miles Quaritch sternly leads his band of mutants through the crowd. They tower so high over the rest of the Sky People the sight is almost comedic. However, Spider is doing anything but laughing. His mask fogs up as he watches the scene with intensity. 
It’s like he is dead to the world, eyes trained on the man that has been anything but a father to him. 
You expect him to cheer, snarl, anything that shouts of victory. It was promises of seeing karma after all that had bought you this outing but Spider is silent and still. And then there is something else that flashes over his demeanor, a pang of emotion that is hard for you to place. 
Pain?
Hatred? 
Guilt? 
This swirl of tangled feelings is confusing.
Perhaps there is still so much more to learn about Spider Socorro. 
Regardless, this is your chance and you plan to take it. Tension bleeding into the moment you watch Spider diligently while beginning to back away. It feels as if the world’s ambience has been muffled into background noise and the only sound breaking through is the obnoxious puff of each breath through your mask. Neteyam hadn’t given you the serum shot this morning, assuming you would be spending the whole day in the outpost. Now, however, you wish he had. 
Spider is so enveloped in the moment, however, that he gives no recognition of the sound or even branch you clumsily snap when backing down from the cliff’s edge. 
There is no telling how long this trance will last or at what point you will be out of ear shot so you risk it all. 
Bare feet tingling in protest, you race across the forest floor. There’s no sign of an easy and stealthy way down into Bridgehead. Going back down your normal path would risk Spider spotting you race by. That’s not an option but neither is falling to your death. On the east side the cliff shallows out into a grassy hill. If you’re lucky enough you might just be able to creep down it and remain hidden beneath the heavy greenery. 
Upon reaching it, however, you step on loose dirt and the world rapidly spins around you. With neither a hint of grace or stealth you clumsily roll down the hill. Your muscles ache by the time you clunk to the bottom and you’re sure there are other injuries to be found. Adrenaline dulling the pain and panic, you dart to hide in the nearest bush instantly. 
The scene is so much louder now that you are up close. Heavy trucks make blaring beeping sounds while reversing and Na’vi freely let out loose cries of victory and foreign threats. The commotion is just enough to have your presence remain undetected. 
You don’t bank on that lasting for long though.
Your scanty traditional Na’vi attire is sure to draw attention. You need different clothes and you need it fast. Scaling around the outskirts of the chaos, you miraculously manage to make it to that familiar run down door. Sector two-your building. 
Paranoia constantly scraping at your attention, you barely let the room equalize before ripping your mask off. These hallways feel so different than you remember them. Perhaps it is the feel of the metal floors beneath bare feet or the lacking furniture and crowd. It sends a chill up your spine as you sprint towards your room. 
How much time do you have?
They can’t have loaded more than half of the crew by now.
And yet, the sight of deserted halls makes your feet slap against the floor faster. 
Get dressed. Immerse yourself in the crowd. Hide until take off is through and then find a kyro capsule.
You mentally check through this list. 
Piece of cake. 
Maybe saying it out loud would make it sound less like a fool’s hope. 
Fuck it. The odds don’t matter and neither do your nerves. This is a necessity, pure survival and that will be enough to keep you going. It will because it has to. 
Your feet slip across the laminated floor when you frantically scramble to go back the way you came. Two tall and ominous shadows wrap from around the opposite corner and you are afforded just enough time to dart behind a wall before Lyle and Z Dawg appear. 
“You’re an idiot.” She says. 
“Yeah yeah say whatever you want but don’t pretend like you wouldn’t rip someone in half for a Big Mac right now.” Lyle defends himself, their shadows now paint the dimly lit corridor, stretching closer and closer to your tucked away spot.
You could run, but these are recombinants. They would pick up the sound of your footsteps in an instant. The wind from your sprint would carry your scent. 
“Sure, but I asked what your first meal back on Earth would be, not what your guilty pleasure fast food order is.” 
“These savages can keep their overgrown weeded garden of a planet. I want some fucking chicken nuggets!” 
As their voices become louder it appears that running will be your only choice after all. 
“I don’t even know why I ask at this point.” She sighs and a short hiss echoes down the hallway. 
You swallow the lump in your throat, feet repositioning as you prepare yourself to run. If you were smart you would have already been halfway down the hallway at this point but some part of you refuses to move. It clings to hope foolishly. 
“Well I’m sure-”
“Shut up asshole. The comm.” Z Dawg hisses and they both turn silent, no doubt listening to the orders on the other end. 
Your hands are shaking now, that tremor traveling up your shoulders as you await their response. 
“Copy that.” Lyle says and then the sound of heavy boots recedes into the distance. 
You can hardly believe your luck. 
That dark cloud of dread ripples away and hope takes its place once more. Maybe you can pull this off after all. 
Your room is exactly as you left it. No one has bothered to pack up any of your things or even dispose of your half folded laundry. This tiny corner of a shared living space has been your own for your whole life, everything you have known. It feels so small now. 
Rifling through the laundry basket you find a loose green tee and a pair of  tan shorts. You originally had a whole outfit planned for this day, something comfortable but nice. Those garments are, however, still crumpled up on the ground. This will have to do. 
As you hastily slip them over the beaded jewelry and tewng you pray to whatever god will listen that this will be enough to keep you incognito. You are barely finished buttoning up the shorts when heavy footsteps ring down the hallway. 
Their echo is soft, no doubt still several halls away but they are progressively getting louder. Now is not the time to take any more risks. This room is tiny and already cramped with scattered junk. Hiding under your bed would not only be idiotic but near impossible with the way your creaky bed  swoopes so low to the ground. There is, however, an old built-in cabinet above that you’ve used to hold your clothes. 
It’s just barely big enough for you to squeeze into so with those footsteps getting louder and your own terror sky rocketing, you push everything out of it and shove your body into the metal space. The door has metal slots with just enough slant to allow your visual through it. 
Your clammy right hand presses over your mouth when the door to the room creaks open.
Neteyam strolls in leisurely, eyes sweeping over the cramped space with interest. With wide eyes and strangled lungs, you watch him prowl through the area slowly. He bends down to run his fingers over the rumbled sheets, the back of his hand lingers over your pillow case. 
He takes his time looking through the various knick knacks and cords littering your night stand. He doesn’t hesitate to ball the old picture of Jeremy into his fists. Its remains are tossed to the side without care. 
Did he toss the real Jeremy like that?
You make a vow to find him as soon as you make it on board. 
Assuming Neteyam hasn’t already hunted him down. 
You could look for whatever is left of Jeremy.
You can’t think about that now, though. Not as your heart is pounding against your ribs like a bird trying to escape a cage. Not when Neteyam lifts his mask for a sip of air as he plays with your tiny music box. 
He is gentle with all of your belongings, roaming through the area like a man that doesn’t have hundreds of Sky People to threaten off of his planet. Surely, he will have to leave soon. He’s just here out of curiosity, more of his stalker tendencies pushing him to invade your space. 
The music box looks like a Christmas ornament in his palm and you worry that he will accidently crush it. It was a pain in the ass to get and a possession you have always treasured because of that. Neteyam’s ears push forward when he finally figures out how to start the music and that delicate ballerina begins to twirl. 
“Maybe it’s all of your silly trinkets.” He breaks the silence, you startle slightly. He can’t be talking to you, you remind yourself. Neteyam thinks he is alone, just nosing through your old room as he thinks out loud. “Is that what you miss so much? What has you running off and acting naughty, little gift?” 
He’s bluffing. There is no way he could know you are here. Your scent has to be strong in the room but that’s to be expected since this was your living space. Ironically this should be the perfect place to hide away. 
“You know,” He starts, carefully placing the music box back down. “I was planning on letting you bring some of these funny things back to our kelku once you start behaving. A little incentive to be my good girl.” 
The knot in your throat is near impossible to gulp down and when you do, his ears twitch. You don’t want to believe it. How did he find you? You tug your legs closer to your chest as if you can contort yourself into a small enough ball that will magically disappear. 
“But it’s obvious now that you respond better to retribution than reward.” 
It’s a miracle that your lip doesn’t split from how hard your teeth press into it. Neteyam may not be able to track your scent here but the smell of blood would be a dead giveaway. All signs point to being caught but you aren’t ready to hand over the last shreds of hope yet. Neteyam doesn’t know about the cabinet. He’s bluffing about knowing you are here. No one has seen you. 
“We can revisit the idea of a reward system later, pet.” 
The muscles in your legs are cramping beyond relief, begging you to stretch out. You don’t heed these discomforts, too paralyzed by the proximity of your captor. Neteyam on the other hand appears deceivingly content and relaxed, rummaging through your things as if he has all the time in the world. 
He carefully opens your nightstand drawer and those hairless eyebrows raise immediately. The bras are tossed to the side with the same care as the picture but then tiny little lace fabric hangs from his fingers. It’s far from your greatest problem but your cheeks heat anyways when he carefully observes your light purple panties. 
Out of all the drawers to open it seems that Neteyam knows just the one to torment you with. 
“Then again,” The Olo’eyktan smirks. “These are quite cute.” And this time instead of inhaling from the respirator he soaks in the scent from the small fabric instead. Your thighs clench together. 
“Wouldn’t mind having my little tawtute model these for me.” He hums, while pulling out several more pairs. He tucks them away safely in a small pouch attached to his loincloth. “That is, once I finally get rid of this rebellious streak of yours.” 
You allow yourself a small sigh when Neteyam goes around to the other side of the bed, just enough distance for you to breathe properly. 
“Time to come out, little gift.” He squats down onto his haunches, prowling across the floor like a predator on track. He must be searching for you and if that is true then you may still have a chance yet. Neteyam may think you are in here but he doesn’t know where exactly. 
Thoughts race through your mind at a thousand miles per minute. They twist and twirl to find some way that you could get out of this situation unscathed. The doorway is visible through the slanted slits of the cupboard. With the proper footing you may be able to close that distance with a courageous leap. And maybe, just maybe that would be enough to catch Neteyam off guard and give you a head start. 
You make one fatal mistake, however. 
If there is one thing a good prey knows to do, it is to keep sight of their predator at all times. 
Your feet don’t even get the chance to hit the ground, instead dangling and thrashing once you are caught with a strong hold around your waist. Hoping is waning but disappointment sprouts into increased vigor as your nails digging into his arms and legs struggle to kick back at him. 
“YOU MOTHERFUCK-” Your cursing slings into a shriek when Neteyam grabs a fistful of your hair and uses it to strongly crane your head backwards. His golden eyes are dilated until only a thin rim of molten gold is visible. The weight of his angry gaze takes your breath away. 
“Enough.” He enunciates the word, like a drawn sword ready to slash. “Listen closely, pet.” The lump in your throat goes down with a strained gulp. “There is not an inch of this Sky Demon hell hole or corner of this planet that you can run to without being drawn back to me. You are mine and I’ve done well to mark my property.” The fingers intertwined in your hair tickle over the back of your neck, no doubt leaving the trail of his scent behind. “You reek of me.” 
Tears gather at the corner of your eyes and you flutter them closed to avoid his burning attention. 
“As you should.” His voice rumbles as nothing more than a growl against the nape of your neck. 
“I never asked for this!” Your fighting dimms down to nothing more than squirming as gritting the choked words out sucks your energy away. Before you can do anything to stop it, tears blaze trails down your cheeks. “Just let me go! Please!” 
“Quiet, pet.” 
Another yank to your hair and the words die on your lips. It’s clear now that the time for fun and games is over. Neteyam wastes no time in throwing you onto the creaky mattress and covering your body with his own until he becomes a shadow blocking out the fluorescent light above. His thighs straddle your waist, putting just enough weight down to keep you in place. 
“No more tears.” He sighs, with down turned lips, but doesn’t pause his bunching of your tee shirt. “It’s clear I’ve been spoiling you too much.” 
A broken grasp is pulled from your throat when he easily tears the shirt straight down the middle. You’re not sure what you are trying to accomplish as you swat at his working hands. The shirt was neither your favorite nor of great importance but you still try to stop the onslaught of ripping. 
Confused and overwhelmed you squirm as he rips it into wide ribbons of fabric and then without warning you are flipped onto your stomach. You scramble to crawl away but Neteyam’s plants a foot on your ass and that is unfortunately all it takes to pin you down. Your hands are snatched next, forced together behind your back as the ripped stripes of your own shirt are used as makeshift rope to tie your wrists together. 
Something about him using your own personal clothing to keep you bound for him has your legs kicking out fiercely. It won’t do much damage even if you manage to hit him, but there needs to be an outlet for your anger. You need to feel like there is still some wreckage for you to inflict. The last tiny shred of power that you cling to for dear life. 
Neteyam isn’t in the mood to put up with your outbursts. Much like a fresh kill from his hunting trips he keeps you pinned and makes quick work of binding you imobile. The action is so well rehearsed and instinctual in fact that he already moves on to his next task of destroying your shorts. 
Shrieks and small clawing fingers are simply background ambience for the Olo’eyktan as he works. Surprisingly the small tawtute sized Na’vi clothing is not exempt from the male’s destructive hands. They too become nothing more than rolling beads and scraps of fabric falling to the floor. 
Your string of bloody curses are only temporarily interrupted by your own gasp when Neteyam takes a seat on the bed and throws you over his knee in one swift move. Kicking is no longer an option for your rage when he swings one leg over both of yours. Blood rushes to your head but even dizziness can’t stop your violent outrage. 
However, it appears a cracking smack to your upturned ass can. 
The pain doesn’t ripple forward until a few moments after your shock has subsided. Neteyam has always had creative ways of punishing you but this is different. You’d figured that he would never lay a hand on you after all that he has droned on and on about how important it is to protect a fragile thing like you. 
But another hit accompanies the first and this time you can’t hold back your small squeak. 
“Just as I thought.” He spanks you again, his hand mercilessly hitting both cheeks with every strike. “You’ve been practically begging for a firmer hand.” The cry that the next rapid three slaps pull from you is one that you don’t recognize. 
“Pretty little things like you still struggle to remember their place.” 
“Stop! Stop!” You shriek, trapped legs still fruitlessly sprawling for escape. 
“Don’t worry, little gift.” He squeezes one of your pink cheeks after this last spank. “That’s what I am here for. I won’t let your silly little tawtute tendencies keep you away from me.” 
It doesn’t take long for the color of your backside to match your face as the blood drains to your head. Neteyam is persistent, hardly batting an eye at your cries and shrieks. From cursing to death threats, none of your spewed venom makes him flinch. If anything you manage to catch his small smirk when you twist to glare up at him. You don’t make that mistake again when you find this behavior only rewards you with condescending coos from the Na’vi. 
“That’s a good girl. Let all those nasty words go.” He purrs, heavy hand never letting up on your poor bottom. 
It’s this praise that has your mouth clamping shut. You hold back any and every sound you can as your ass takes a beating. Which is not a lot when the Na’vi male has unfathomable strength and your backside already feels like flames could erupt from it at any moment. 
“Oh pet, I’ve hardly even touched you and you’re already blushing so pretty for me.” Neteyam hums in delight, hand roaming over your burning ass like an art piece just waiting to be admired properly. 
Hardly even touched you?
Is this just his way of being an ass or are you truly that far from the finish line?
You jolt when one finger slips between the crack of your cheeks, teasing over your hole gently. A sound caught between a scream and whimper erupts from you without thought. Bound hands flatten and flail to cover the untouched area but Neteyam simply chuckles and lets his own hand retreat. 
“Mawey, tiyawn.” Neteyam pats your backside softly, almost in a casual reassuring manner. “Another day.” 
It’s hard to say what is more humiliating. Being bound and turned over the Olo’eyktan’s knee like a naughty child or the wetness trickling from your pussy at the feel of his teasing fingers in a place you’ve never dared let anyone else explore before. 
Pain is a great distraction from your humiliation. So much so that it eventually motivates you to dash pride to the side and begin your pleading. 
“A-ah Neteyam! I’m sorry! I’m sorry…eh-ah I-I’ll be good!” It’s not even clear what you are trying to say anymore. Your mouth runs on autopilot, throwing out any line of remorse in hopes of one doing the job. “I ngh-ah didn’t mean to! I won’t run! Can’t take anymo- ah! Neteyam!” 
He reigns his hits to warm the underside of your thighs too, moving between that vulnerable area and your ass in such an erratic way that it is impossible to anticipate where the next will land. 
Plea after plea is thrown out but resembles nothing more than garbled desperation, nothing that can pass as a full sentence.
However, one call catches his attention.
“Olo’eyktan please!” 
The sound of slapping skin stops. 
Tears continue to plunge down your cheeks even without the constant spanking, your ass burns and tingles in shock. The tuft of his tail poruses over your naked thighs, sending a sensation both painful and ticklish. 
“Repeat, pet.” 
“Wha-what?” You stammer, voice thick with tears. 
“What did you say?” That large hand comes down once more like a crack of lightning. 
“AH! Olo’eyktan O-Olo’eyktan please please please. No more no more!” 
He smooths over your knotted hair, pushing it away from your sweaty temple and tear stained face. It’s tempting to look away from his soft gaze but intuition tells you to let him see the trembling state he has left you in. Let him witness how pitiful and distraught a simple spanking has made you be. 
“I….I’m sorry, Olo’eyktan.” 
Neteyam smiles like one would at a lover, a tender pride lacing his lips. 
“You’re learning, pet.”
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Putting batteries in that small remote was a mistake. A ridiculous useless mistake that now leaves you standing on shaky legs. The pink vibrator that has resided in your nightstand drawer dutifully on hand for years is now the source of your torment. 
Well, maybe not the source per say. 
No, the true origin of this humiliation stares back at you with knowing eyes and swatting tail, his large hand making that tiny remote look like a children’s toy. The vibrator buzzes inside of you on the lowest setting, but that relief can only last for so long with the way Neteyam enjoys jumping between the different levels. 
Every last shredded piece of your Na’vi and human clothing lays back on the floor of your old bedroom. The only savior of your decency is Neteyam’s cloak that he had thrown around your shoulders. With the size difference this cloak acts more like a dress and therefore gives you more coverage than you’ve had in a week yet somehow leaves you feeling more vulnerable than ever before. Trembling fingers never stray from the seams of the cloak, keeping it wrapped around you tightly as the crowds of humans and Na’vi continue to pass you. 
Neteyam has left you with one of the other Na’vi warriors but never out of his sight. It’s a miracle that your hands were cut loose in the first place but perhaps that is another sick joke the Olo’eyktan plays on you. He knows that you won’t run. He knows you can’t run. His attention and promised consequences for misbehavior are more than enough to keep you tucked in his pocket. 
That and of course his control over the rippling vibrations that torture your pussy. 
The nearest warrior is sure to be noticing your frazzled state by now. At least he has the decency to hide his interest, unlike another Na’vi that watched from the sidelines. Lo’ak, leaned against one of the hoverships like it’s a random Tuesday afternoon, watches with a small smirk and perked ears. If Neteyam notices, he doesn’t seem to have a problem with it because Lo’ak is left unbothered in his ogling. 
The tempo increases, the vibrator now picking a pattern of random pulses that bash against your sweet spot. Bottom lip bleeding now from your biting, it’s a struggle to keep your moans at bay. With the heavy machinery moving and hundreds of Na’vi and humans passing surely there must be enough noise to block out any degrading sounds you make. But you can’t take that risk. You’ve made the mistake of underestimating the Na’vi’s enhanced hearing before and that is what has landed you here. 
Neteyam twirls the tiny remote between his fingers like a fidget toy as another Na’vi warrior comes to report. 
You start to commiserate the loss of that ridiculous human sized loincloth Neteyam made you because at least then there was some fabric barrier to hide your wetness. Now, the thick Pandoran air runs up the cloak and over your soaked thighs and cunt. It reminds you constantly how pathetic you have become as orgasm after orgasm has escaped your grip. Even worse it reminds you how easy it is to carry that aroused scent through the breeze for all Na’vi to detect. At that rate, worrying about your noises is the least of your concerns. 
Lo’ak reloads the machine gun with practiced hands, moving with muscle memory so he can continue to stare and send silent messages your way. No doubt he is theorizing on what exactly his brother has done to diminish you to such a state. His eyes dance with those ideas, the little quirk of his lips telling you just how creative and vial his thoughts have turned. 
Another level up and this time it is Neteyam’s eyes that have you squirming. Your impending orgasm coils tighter and tighter with every passing second and you're so desperate to find some way to release this energy that your bare feet begin fidgeting against the concrete. It’s almost like a little dance, one that has Lo’ak laughing under his breath. 
It stops.
You breathe. 
There is some sort of commotion off in the distance. Not one that you can truly pin down the source of but you do notice the way Neteyam nods as a Na’vi female says something to him. With a wave she is dismissed and then the Olo’eyktan saunters off. Although slightly worried over the trouble, you are grateful for the respite. 
And then a nightmare unfurls before your eyes.
Instead of marching to the issue, Neteyam takes a pit stop to converse with his younger brother. Lo’ak’s tail whips in the wind at whatever is whispered in his ear but the real horror comes when that traitor of a remote is handed over to the younger Sully male. 
You are seconds away from stomping over there and crushing that pink little weapon before the other male can wield it. However, your dutiful guard places a hand on your shoulder after just one step. His eyes remain locked forward but the warning is enough as his hand retreats. You are still being watched. 
With one last glance your way, Neteyam has the audacity to give you, his little pet, a warm smile before leaving you in the hands of his brother. 
Lo’ak swings the gun around to his back in favor of playing with his new toy. Every dark and viscous fiber left within you is channeled into the glare you give him. It should say everything that your lips can not.
Don’t you dare.
Don’t you fucking dare. 
Now would be a good time to look into Na’vi curses, anything you could betrix upon him for what he is about to do, because of course Lo’ak won’t back down. If anything that fire in your eyes lights his own delight and has him sitting down and bracing forward. Forearms resting on his thighs he clocks your every movement.
This is sure to be the best entertainment the bastard has had in a long time. 
He savors the passing moments of anticipation. Never backing down from the ultimate seething looks you give him. Finally a crash sounds and that distraction is right when Lo’ak sets the vibrator to high. From zero to one hundred, pleasure rackets through you like a shock wave. The force is so much that it temporarily makes you stumble on your feet. The other guard wordlessly steadies you back into place. 
Lo’ak’s grin is feral. 
This silent battle slips between your fingers so quickly it is hard to comprehend, because all that can register in your brain is how fast you are hurtling towards an orgasm. After Neteyam’s denial your body is high strung and ready to take any sensation as fuel to push you over the edge. Nails digging into the soft fabric of Neteyam’s cloak, pleasure rockets higher and higher until only the whites of your eyes are visible. 
Knees bowing inward, ecstasy is finally yours. 
There isn’t enough energy left to question why Lo’ak let you reach your high. Instead you focus on riding that wave while simultaneously keeping upright. 
That persistent buzzing against your sweet spot continues until your nerves are short circuiting. The pleasure turns to overstimulation and you give Lo’ak a look that alerts him of this change. 
His amusement tells you that he already knows your predicament but his thumb remains far from the off button. 
Pathetic noises now bubble up your throat without restraint as pleasure ebbs into pain. It switches back and forth until another release is on the verge of consuming your being. The guard next to you doesn’t say anything when he helps to sit on the cold ground. 
The second orgasm has a bitter taste to it but your greedy pussy clenches around the toy all the same. It’s almost too bad that Neteyam decided not to gag you because at least that would muffle your cries as you rock down onto the toy. Lo’ak gulps at the sight, pupils blown wide when the first glimmer of tears scrape down your cheeks.
Regardless, he shows no mercy as he takes in the show with undivided interest. 
Vaguely you register the bustle and commotion around you as different Na’vi and humans rush to and fro, giant machinery finally backing into place but they are only background noise to your third orgasm. 
Your body is caught between delight and despair with every passing second. When you are close to reaching your peak for the fourth time your body is resistant to get you there all the way. The intense buzzing in your pussy is driving you wild but still not enough to drag out another orgasm after being too overstimulated. Despite the soreness that emanates from your wrecked hole, your clit throbs in agony. Begging to be touched. To be licked. Pinched. Flicked. God, anything at this point.
Memories of Neteyam doing just that surface, pushing you closer and closer to another dumbing climax and yet only serve as a reminder of how you are not getting the treatment you so desperately need. Pride is dashed to the side, you’ll worry about the consequences of grinding onto the toy in public later. 
Lo’ak’s hands roughly brush over his inner thighs and it draws your attention. The taunt muscle and smooth skin of those thighs would surely brush over your intimate flesh so perfectly. He would probably help you too, hands clawing at your hips as they urge you back and forth over the area. Even more so, the younger brother would not be able to pass up the opportunity to show his power over the situation, muscles flexing to tease your clit oh so beautifully. 
You’re not sure when Lo’ak became telepathic but he grips his knees and gives you a look that says he knows every dark desire that plagues your brain. His nails press into that soft flesh and drag until there are pretty red marks left behind. If you crawled over there sweetly, would he let you ride? Maybe if you healed those red marks with open mouthed kisses and kitten licks. 
Unaroused you would be ashamed of this train of thought but she is so far gone now. 
The only thing your poor abused cunt is begging for was attention. Anything to get this awful mix of heaven and hell to bleed into euphoric release and rest. 
The only thing stopping you from reaching down and finishing the job yourself is the assurance that Lo’ak would snip all pleasure in a bud at the sight of any touching. 
The area has been cleared of invaders. Na’vi begin to make their way off to the hills before take off but you are none the wiser. Caught in your own little bubble you don’t even notice when a sudden shadow blocks out the sun. That is until, large warm hands slip under the cloak and skate over your spread legs. 
Such a simple touch has never made you whimper more. 
Neteyam’s accent is thicker now, words heavy enough to hardly understand the meaning as he coos at you. “There’s my sweet pet. Little slut just wants to come again, don’t you?”
His fingers force your legs to spread even wider. Lo’ak’s stares as if his glare could heat up enough to burn through that cloak. 
With such delicacy it makes you want to scream, Neteyam uses two fingers to part your pussy lips and expose your pulsing clit. The other hand slithers down to rest on your thigh as you try to buck against the air. 
“Come for your Olo’eyktan, pet,” He growls and with the other hand he begins delivering rapid little taps to your clit. It’s humiliating how tiny the gesture that puts you over the edge is but you paint the toy white regardless. 
When the vibrator finally takes a rest you are too far lost in your own little world. Neteyam swaddles you in the cloak and carries you in his arm as you bury into his chest. And conveniently, when you are tucked back in the forest there is no awareness left in you to recognize the sound of launching ships. 
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As always interaction and feedback not only means the world to me but also as a great motivator for writing and updating<3
Taglist: @pandoraslxna@neteyamssyulang@tallulah477@criticallybella@sullybrothersmate@lilghostiequinni@chershire23@lala-1516@teyamshuman@yawnetu@puddle-nerd@ratchetprime211@avatargirly @chocolatechocobo91 @kariz-stark@bunnscoffe @avatarwifey @universal-s1ut@witchsprit@heart-an0n @riri-is-a-girlie @rivatar@minnory@ikeyniofthetayrangi@ilovehobi101@spicymayyo@v4mp1rr3@nilsavatar@bambithewriter@quicktosimp@itchaboi-itchyboy@thehoneymushroomhealer @ilytulipse @witchsprit@imwutim@crazy4books1@thegirlwholoveslivesfanfiction@danniackerman@dayyzlol@justabite7 @krispyjellyfishkitty @neteyamtesuli @sakurayuki8655-blog @deadpool15 @valeriinee @leaveitbythewave @aqxllo @mxnygn @crazed-flower @crimsonroses666 @property-of-neteyam @rejectedbytheempty
Let me know if I missed you. It's getting a littly tricky to keep track of everyone haha
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Point of View: the Biggest Thing You're Missing!
Point of view is one of the most important elements of narrative fiction, especially in our modern writing climate, but you rarely hear it seriously discussed unless you go to school for writing; rarely do help blogs or channels hit on it, and when they do, it's never as in-depth as it should be. This is my intro to POV: what you're probably missing out on right now and why it matters. There are three essential parts of POV that we'll discuss.
Person: This is the easiest part to understand and the part you probably know already. You can write in first person (I/me), second (You), and third person (He/she/they). You might hear people talk about how first person brings the reader closer to the central character, and third person keeps them further away, but this isn't true (and will be talked about in the third part of this post!) You can keep the reader at an intimate or alien distance to a character regardless of which person you write in. The only difference--and this is arguable--is that first person necessitates this intimacy where third person doesn't, but you still can create this intimacy in third person just as easily. In general, third person was the dominant (and really the only) tense until the late 19th century, and first person grew in popularity with the advent of modernism, and nowadays, many children's/YA/NA books are written in first person (though this of course doesn't mean you can't or shouldn't write those genres in the third person). Second person is the bastard child. Don't touch it, even if you think you're clever, for anything the length of a novel. Shorter experimental pieces can use it well, but for anything long, its sounds more like a gimmick than a genuine stylistic choice.
Viewpoint Character: This is a simple idea that's difficult in practice. Ask yourself who is telling your story. This is typically the main character, but it needn't be. Books like The Book Thief, The Great Gatsby, Rebecca, Dr. Jekyll and Mr. Hyde, and the Sherlock series are told from the perspective of a side character who isn't of chief importance to the narrative. Your viewpoint character is this side character, the character the reader is seeing the world through, so the main character has to be described through them. This isn't a super popular narrative choice because authors usually like to write from the perspective of their most interesting character, but if you think this choice could fit your story, go for it! You can also swap viewpoint characters throughout a story! A word of warning on that: only change your viewpoint character during a scene/chapter break. Switching mid-scene without alerting the reader (and even when you do alert the reader) will cause confusion. I guarantee it.
Means of Perception; or, the Camera: This part ties the first two together. If you've ever heard people talk about an omniscient, limited, etc. narrator, this is what they mean. This part also includes the level of intimacy the reader has with the viewpoint character: are we in their heads, reading their thoughts, or are we so far away that we can only see their actions? If your story is in a limited means of perception, you only have access to your character's head, eyes, and interpretations, where an omniscient narrator sees through all characters' heads at once. (This doesn't eliminate the viewpoint character--most of your writing will still be in that character's head, but you're allowed to reach into other characters' thoughts when needed. You could also be Virginia Woolf, who does fluidly move through everyone's perspectives without a solid viewpoint character, but I would advise against this unless you really are a master of the craft.) Older novels skew towards third person omniscient narration, where contemporary novels skew towards first person limited. You also have a spectrum of "distant" and "close." If omniscient and limited are a spectrum of where the camera can swivel to, distant and close is a spectrum of how much the camera can zoom in and out. Distant only has access to the physical realities of the world and can come off as cold, and close accesses your character's (or characters', if omniscient) thoughts. Notice how I said narration. Your means of perception dramatically effects how your story can be told! Here's a scene from one of my stories rewritten in third-person distant omniscient. The scene is a high school football game:
“Sometimes,” he said. “Not much anymore.” “It’s not better, then?” She shivered; the wind blew in. “A little.” His tone lifted. “I don’t know if it’ll ever be better, though.” She placed a hand on his arm, stuttered there, and slipped her arm around his waist. “Did it help to be on your own?” He raised an eyebrow. “You were there.” “Yes and no.” “And the guys, the leaders.” “Come on,” she heckled. “Okay, okay.” Carmen sighed. “Yeah, it helped. I don’t think—I don’t know—I’d be me if they’d fixed it all.” She grinned. “And who might you be?” “Oh, you know. Scared, lonely.” He fired them haphazardly, and a bout of laughter possessed him which Piper mirrored. “Impatient.” “And that’s a good thing?” “No.” He sat straight. “Gosh, no. But I don’t want to be like him, either.” He pointed to the field; Devon recovered a fumbled ball. “He’s never been hurt in his life.” She met his eyes, which he pulled away. “You don’t mean that," Piper said. “Maybe not. He’s too confident, though.” The cloth of Carmen's uniform caved and expanded under Piper's fingers.
With distant-omniscient, we only get the bare actions of the scene: the wind blows in, Piper shivers, the cloth rises and falls, Carmen points, etc. But you can tell there's some emotional and romantic tension in the scene, so let's highlight that with a first person limited close POV:
“Sometimes,” he said. “Not much anymore.” “It’s not better, then?” Frost spread up from her legs and filled her as if she were perforated rock, froze and expanded against herself so that any motion would disturb a world far greater than her, would drop needles through the mind’s fabric. A misplaced word would shatter her, shatter him. “A little.” His tone lifted. “I don’t know if it’ll ever be better, though.” She placed a hand on his arm, thought better, and slipped her arm around his waist. “Did it help to be on your own?” He raised an eyebrow. “You were there.” “Yes and no.” “And the guys, the leaders.” “Come on,” she heckled. “Okay, okay.” Carmen sighed. “Yeah, it helped. I don’t think—I don’t know—I’d be me if they’d fixed it all.” She grinned. “And who might you be?” “Oh, you know. Scared, lonely.” He fired them haphazardly, and a bout of laughter possessed him which Piper mirrored. “Impatient.” “And that’s a good thing?” “No.” He sat straight. “Gosh, no. But I don’t want to be like him, either.” He pointed to the field; Devon recovered a fumbled ball. “He’s never been hurt in his life.” “You don’t mean that.” She spoke like a jaded mother, spoke with some level of implied authority, and reminded herself again to stop. “Maybe not. He’s too confident, though.” Piper felt the cloth of his waist cave and expand under her fingers and thought: is this not confidence?
Here, we get into Piper's thoughts and physical sensations: how the frost rises up her, and how this sensation of cold is really her body expressing her nervous fears; how she "thought better" and put her arm around his waist; her thought "is this not confidence?"; and how she reminds herself not to talk like a mother. Since I was writing from the close, limited perspective of a nervous high schooler, I wrote like one. If I was writing from the same perspective but with a child or an older person, I would write like them. If you're writing from those perspectives in distant narration, however, you don't need to write with those tones but with the authorial tone of "the narrator."
This is a lot of info, so let's synthesize this into easy bullet points to remember.
Limited vs. Omniscient. Are you stuck to one character's perspective per scene or many?
Close vs. Distant. Can you read your characters' thoughts or only their external worlds? Remember: if you can read your character's thoughts, you also need to write like you are that character experiencing the story. If child, write like child; if teen, write like teen; etc.
Here's another way to look at it!
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This is a confusing and complex topics, so if you have any questions, hit up my ask box, and I'll answer as best I can. The long and short of it is to understand which POV you're writing from and to ruthlessly stick to it. If you're writing in limited close, under no circumstances should you describe how a character other than your viewpoint character is feeling. Maintaining a solid POV is necessary to keeping the dream in the reader's head. Don't make them stumble by tripping up on POV!
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Recognizing AI Generated Images, Danmei Edition
Heyo, @unforth here! I run some danmei art blogs (@mdzsartreblogs, @tgcfartreblogs, @svsssartreblogs, @zhenhunartreblogs, @erhaartreblogs, @dmbjartreblogs, @tykartreblogs, and @cnovelartreblogs) which means I see a LOT of danmei art, and I go through the main fandom tags more-or-less every day.
Today, for the first time, I spotted someone posting AI-generated images (I refuse to call them AI "art" - and to be clear, that's correct of me, because at least in the US it literally LEGALLY isn't art) without any label indicating they were AI generated. I am not necessarily against the existence of AI-generated images (though really...considering all the legal issues and the risks of misuse, I'm basically against them); I think they potentially have uses in certain contexts (such as for making references) and I also think that regardless of our opinions, we're stuck with them, but they're also clearly not art and I don't reblog them to the art side blogs.
The images I spotted today had multiple "tells," but they were still accumulating notes, and I thought it might be a good moment to step back and point out some of the more obvious tells because my sense is that a LOT of people are against AI-generated images being treated as art, and that these people wouldn't want to support an AI-generator user who tried to foist off their work as actual artwork, but that people don't actually necessarily know how to IDENTIFY those works and therefore can inadvertently reblog works that they'd never support if they were correctly identified. (Similar to how the person who reposts and says "credit to the artist" is an asshole but they're not the same as someone who reposts without any credit at all and goes out of their way to make it look like they ARE the artist when they're not).
Toward that end, I've downloaded all the images I spotted on this person's account and I'm going to use them to highlight the things that led me to think they were AI art - they posted a total of 5 images to a few major danmei tags the last couple days, and several other images not to specific fandoms (I examined 8 images total). The first couple I was suspicious, but it wasn't til this morning that I spotted one so obvious that it couldn't be anything BUT AI art. I am NOT going to name the person who did this. The purpose of this post is purely educational. I have no interest whatsoever in bullying one rando. Please don't try to identify them; who they are is genuinely irrelevant, what matters is learning how to recognize AI art in general and not spreading it around, just like the goal of education about reposting is to help make sure that people who repost don't get notes on their theft, to help people recognize the signs so that the incentive to be dishonest about this stuff is removed.
But first: Why is treating AI-generated images as art bad?
I'm no expert and this won't be exhaustive, but I do think it's important to first discuss why this matters.
On the surface, it's PERHAPS harmless for someone to post AI-generated images provided that the image is clearly labeled as AI-generated. I say "perhaps" because in the end, as far as I'm aware, there isn't a single AI-generation engine that's built on legally-sourced artwork. Every AI (again, to the best of my knowledge) has been trained using copyrighted images usually without the permission of the artists. Indeed, this is the source of multiple current lawsuits. (and another)
But putting that aside (as if it can be put aside that AI image generators are literally unethically built), it's still problematic to support the images being treated as art. Artists spend thousands of hours learning their craft, honing it, sharing their creations, building their audiences. This is what they sell when they offer commissions, prints, etc. This can never be replicated by a computer, and to treat an AI-generated image as in any way equivalent is honestly rude, inappropriate, disgusting imo. This isn't "harmless"; supporting AI image creation engines is damaging to real people and their actual livelihoods. Like, the images might be beautiful, but they're not art. I'm honestly dreading someone managing to convince fandom that their AI-generated works are actual art, and then cashing in on commissions, prints, etc., because people can't be fussed to learn the difference. We really can't let this happen, guys. Fanartists are one of the most vibrant, important, prominent groups in all our fandoms, and we have to support them and do our part to protect them.
As if those two points aren't enough, there's already growing evidence that AI-generated works are being used to further propagandists. There are false images circulating of violence at protests, deep-fakes of various kinds that are helping the worst elements of society to push their horrid agendas. As long as that's a facet of AI-generated works, they'll always be dangerous.
I could go on, but really this isn't the main point of my post and I don't want to get bogged down. Other people have said more eloquently than I why AI-generated images are bad. Read those. (I tried to find a good one to link but sadly failed; if anyone knows a good post, feel free to send it and I'll add the link to the post).
Basically: I think a legally trained AI-image generator that had built-in clear watermarks could be a fun toy for people who want reference images or just to play with making pseudo-art. But...that's not what we have, and what we do have is built on theft and supports dystopia so, uh. Yeah fuck AI-generated images.
How to recognize AI-Generated Images Made in an Eastern Danmei Art Style
NOTE: I LEARNED ALL THE BASIC ON SPOTTING AI-GENERATED IMAGES FROM THIS POST. I'll own I still kinda had the wool over my eyes until I read that post - I knew AI stuff was out there but I hadn't really looked closely enough to have my eyes open for specific signs. Reading that entire post taught me a lot, and what I learned is the foundation of this post.
This post shouldn't be treated as a universal guide. I'm specifically looking at the tells on the kind of art that people in danmei fandoms often see coming from Weibo and other Chinese, Japanese, and Korean platforms, works made by real artists. For example, the work of Foxking (狐狸大王a), kokirapsd, and Changyang (who is an official artist for MDZS, TGCF, and other danmei works). This work shares a smooth use of color, an aim toward a certain flavor of realism, an ethereal quality to the lighting, and many other features. (Disclaimer: I am not an artist. Putting things in arty terms is really not my forte. Sorry.)
So, that's what these AI-generated images are emulating. And on the surface, they look good! Like...
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...that's uncontestably a pretty picture (the white box is covering the "artist's" watermark.) And on a glance, it doesn't necessarily scream "AI generated"! But the devil is in the details, and the details are what this post is about. And that picture? Is definitely AI generated.
This post is based on 8 works I grabbed from a single person's account, all posted as their own work and watermarked as such. Some of the things that are giveaways only really show when looking at multiple pieces. I'm gonna start with those, and then I'll highlight some of the specifics I spotted that caused me to go from "suspicious" to "oh yeah no these are definitely not art."
Sign 1: all the images are the exact same size. I mean, to the pixel: 512 x 682 pixels (or 682 x 512, depending on landscape or portrait orientation). This makes zero sense. Why would an artist trim all their pieces to that size? It's not the ideal Tumblr display size (that's 500 x 750 pixels). If you check any actual artist's page and look at the full-size of several of their images, they'll all be different sizes as they trimmed, refined, and otherwise targeted around their original canvas size to get the results they wanted.
Sign 2: pixelated. At the shrunken size displayed on, say, a mobile Tumblr feed, the image looks fine, but even just opening the full size upload, the whole thing is pixelated. Now, this is probably the least useful sign; a lot of artists reduce the resolution/dpi/etc. on their uploaded works so that people don't steal them. But, taken in conjunction with everything else, it's definitely a sign.
Those are the two most obvious overall things - the things I didn't notice until I looked at all the uploads. The specifics are really what tells, though. Which leads to...
Sign 3: the overall work appears to have a very high degree of polish, as if it were made by an artist who really really knows what they're doing, but on inspection - sometimes even on really, REALLY cursory inspect - the details make zero sense and reflect the kinds of mistakes that a real artist would never make.
So, here's the image that I saw that "gave it away" to me, and caused me to re-examine the images that had first struck me as off but that I hadn't been able to immediately put my finger on the problem. I've circled some of the spots that are flagrant.
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Do you see yet? Yes? Awesome, you're getting it. No? Okay, let's go point by point, with close ups.
Sign 4: HANDS. Hands are currently AI's biggest weakness, though they've been getting better quickly and honestly that's terrifying. But whatever AI generated this picture clearly doesn't get hands yet, because that hand is truly an eldritch horror. Look at this thing:
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It has two palms. It has seven fingers. It's basically two hands overlaid over each other, except one of those hands only has four fingers and the other has three. Seeing this hand was how I went from "umm...maybe they're fake? Maybe they're not???" to "oh god why is ANYONE reblogging this when it's this obvious?" WATCH THE HANDS. (Go back up to that first one posted and look at the hand, you'll see. Or just look right below at this crop.) Here's some other hands:
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Sign 5: Hair and shadows. Once I started inspecting these images, the shadows of the hair on the face was one of the things that was most consistently fucked up across all the uploaded pictures. Take a look:
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There's shadows of tendrils on the forehead, but there's no corresponding hair that could possibly have made those shadows. Likewise there's a whole bunch of shadows on the cheeks. Where are those coming from? There's no possible source in the rest of the image. Here's some other hair with unrelated wonky shadows:
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Sign 6: Decorative motifs that are really just meaningless squiggles. Like, artists, especially those who make fanart, put actual thought into what the small motifs are on their works. Like, in TGCF, an artist will often use a butterfly motif or a flower petal motif to reflect things about the characters. An AI, though, can only approximate a pattern and it can't imbue those with meanings. So you end up with this:
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What is that? It's nothing, that's what. It's a bunch of squiggles. Here's some other meaningless squiggle motifs (and a more zoomed-in version of the one just above):
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Sign 7: closely related to meaningless squiggle motifs is motifs that DO look like something, but aren't followed through in any way that makes sense. For example, an outer garment where the motifs on the left and the right shoulder/chest are completely different, or a piece of cloth that's supposed to be all one piece but that that has different patterns on different sections of it. Both of these happen in the example piece, see?
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The first images on the top left is the left and right shoulder side by side. The right side has a scalloped edge; the left doesn't. Likewise, in the right top picture, you can see the two under-robe lapels; one has a gold decoration and the other doesn't. And then the third/bottom image shows three sections of the veil. One (on the left) has that kind of blue arcy decoration, which doesn't follow the folds of the cloth very well and looks weird and appears at one point to be OVER the hair instead of behind it. The second, on top of the bottom images, shows a similar motif, except now it's gold, and it looks more like a hair decoration than like part of the veil. The third is also part of the same veil but it has no decorations at all. Nothing about this makes any sense whatsoever. Why would any artist intentionally do it that way? Or, more specifically, why would any artist who has this apparent level of technical skill ever make a mistake like this?
They wouldn't.
Some more nonsensical patterns, bad mirrors, etc. (I often put left/right shoulders side by side so that it'd be clearer, sorry if it's weird):
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Sign 8: bizarre architecture, weird furniture, etc. Most of the images I'm examining for this post have only partial backgrounds, so it's hard to really focus on this, but it's something that the post I linked (this one) talks about a lot. So, like, an artist will put actual thought into how their construction works, but an AI won't because an AI can't. There's no background in my main example image, but take a look at this from another of my images:
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On a glance it's beautiful. On a few seconds actually staring it's just fucking bizarre. The part of the ceiling on the right appears to be domed maybe? But then there's a hard angle, then another. The windows on the right have lots of panes, but then the one on the middle-left is just a single panel, and the ones on the far left have a complete different pane model. Meanwhile, also on the left side at the middle, there's that dark gray...something...with an arch that mimics the background arches except it goes no where, connects to nothing, and has no apparent relationship to anything else going on architecturally. And, while the ceiling curves, the back wall is straight AND shows more arches in the background even though the ceiling looks to end. And yes, some of this is possible architecture, but taken as a whole, it's just gibberish. Why would anyone who paints THAT WELL paint a building to look like THAT? They wouldn't. It's nonsense. It's the art equivalent of word salad. When we look at a sentence and it's like "dog makes a rhythmical salad to betray on the frame time plot" it almost resembles something that might mean something but it's clearly nonsense. This background is that sentence, as art.
Sign 9: all kinds of little things that make zero sense. In the example image, I circled where a section of the hair goes BELOW the inner robe. That's not impossible but it just makes zero sense. As with many of these, it's the kind of thing that taken alone, I'd probably just think "well, that was A Choice," but combined with all the other weird things it stands out as another sign that something here is really, really off. Here's a collection of similar "wtf?" moments I spotted across the images I looked at (I'm worried I'm gonna hit the Tumblr image cap, hence throwing these all in one, lol.)
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You have to remember that an actual artist will do things for a reason. And we, as viewers, are so used to viewing art with that in mind that we often fill in reasons even when there aren't. Like, in the image just about this, I said, "what the heck are these flowers growing on?" And honestly, I COULD come up with explanations. But that doesn't mean it actually makes sense, and there's no REASON for it whatsoever. The theoretical same flowers are, in a different shot, growing unsupported! So...what gives??? The answer is nothing gives. Because these pieces are nothing. The AI has no reason, it's just tossing in random aesthetic pieces together in a mishmash, and the person who generated them is just re-generating and refining until they get something that looks "close enough" to what they wanted. It never was supposed to make sense, so of course it doesn't.
In conclusion...
After years of effort, artists have gotten across to most of fandom that reposts are bad, and helped us learn strategies for helping us recognize reposts, and given us an idea of what to do when we find one.
Fandom is just at the beginning of this process as it applies to AI-generated images. There's a LOT of education that has to be done - about why AI-generated images are bad (the unethical training using copyrighted images without permission is, imo, critical to understanding this), and about how to spot them, and then finally about what to do when you DO find them.
With reposts, we know "tell original artist, DCMA takedowns, etc." That's not the same with these AI-images. There's no original owner. There's no owner at all - in the US, at least, they literally cannot be copyrighted. Which is why I'm not even worrying about "credit" on this post - there's nothing stolen, cause there's nothing made. So what should you do?
Nothing. The answer is, just as the creator has essentially done nothing, you should also do nothing. Don't engage. Don't reblog. Don't commission the creator or buy their art prints. If they do it persistently and it bothers you, block them. If you see one you really like, and decide to reblog it, fine, go for it, but mark it clearly - put in the ACTUAL COMMENTS (not just in the tags!) that it's AI art, and that you thought it was pretty anyway. But honestly, it'd be better to not engage, especially since as this grows it's inevitable that some actual artists are going to start getting accused of posting AI-generated images by over-zealous people. Everyone who gets a shadow wrong isn't posting AI-generated images. A lot of these details are insanely difficult to get correct, and lots of even very skilled, accomplished artists, if you go over their work with a magnifying glass you're going to find at least some of these things, some weirdnesses that make no sense, some shadows that are off, some fingers that are just ugh (really, getting hands wrong is so relatable. hands are the fucking worst). It's not about "this is bad art/not art because the hand is wrong," it's specifically about the ways that it's wrong, the way a computer randomly throws pieces together versus how actual people make actual mistakes. It's all of the little signs taken as a whole to say "no one who could produce a piece that, on the surface, looks this nice, could possibly make THIS MANY small 'mistakes.'"
The absolute best thing you can do if you see AI-generated images being treated as real art is just nothing. Support actual artists you love, and don't spread the fakes.
Thanks for your time, everyone. Good luck avoiding AI-generated pieces in the future, please signal boost this, and feel free to get in touch if you think I can help you with anything related to this.
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