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#outlander book
solgasart · 7 months
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"Give me a thousand kisses and i'll give you a thousand more"
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sassenach77yle · 21 days
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“You thought you were dying when we brought you up here, didn’t you?” I asked. My voice sounded more bewildered than accusing. It took him a moment to answer, though he didn’t look hesitant. It was more as though he was looking for the proper words. “Well, I didna ken for sure, no,” he said slowly. “Though I did feel verra ill.” His eyes closed, slowly, as though he were too tired to keep them open. “I still do,” he added, in a detached sort of voice.
“Ye needna worry, though—I’ve made my choice.”
“What on earth do you mean by that?” I groped beneath the covers, and found his wrist. He was warm; hot again, in fact, and with a pulse that was too fast, too shallow. Still, it was so different from the deathly chill I had felt in him the night before that my first reaction was relief. He took a couple of deep breaths, then turned his head and opened his eyes to look at me. “I mean I could have died last night.” He could, certainly—and yet that wasn’t what he meant. He made it sound like a conscious— “What do you mean you’ve made your choice? You’ve decided not to die, after all?” I tried to speak lightly, but it wasn’t working very well. I remembered all too well that odd sense of timeless stillness that had surrounded us. “It was verra strange,” he said. “And yet it wasna strange at all.” He sounded faintly surprised.
“I think,” I said carefully, keeping a thumb on his pulse, “you’d better tell me just what happened.” He actually smiled at that, though the smile was more in his eyes than his lips. Those were dry, and painfully cracked in the corners. I touched his lips with a finger, wanting to go and fetch some soothing ointment for him, some water, some tea—but I put aside the impulse, steeling myself to stay and hear. “I dinna really know, Sassenach—or rather, I do, but I canna think quite how to say it.” He still looked tired, but his eyes stayed open. They lingered on my face, a vivid blue in the morning light, with an expression almost of curiosity, as though he hadn’t seen me before.
“You are so beautiful,” he said, softly. “So verra beautiful, mo chridhe.”
My hands were covered with fading blue blotches and overlooked smears of buffalo blood, I could feel my hair clinging in unwashed tangles to my neck, and I could smell everything from the stale-urine odor of dye to the reek of fear-sweat on my body. And yet whatever he saw lit his face as though he were looking at the full moon on a summer night, pure and lovely. His eyes stayed fixed on my face as he talked, absorbed, moving slightly as they seemed to trace my features. “I felt verra badly indeed when Arch and Roger Mac brought me up,” he said. “Terribly sick, and my leg and my head both throbbing with each heartbeat, so much that I began to dread the next. And so I would listen to the spaces between. Ye wouldna think it,” he said, sounded vaguely surprised, “but there is a great deal of time between the beats of a heart.” He had, he said, begun to hope, in those spaces, that the next beat would not come. And slowly, he realized that his heart was indeed slowing—and that the pain was growing remote, something separate from himself. His skin had grown colder, the fever fading from both body and mind, leaving the latter oddly clear. “And this is where I canna really say, Sassenach.” He pulled his wrist from my grip in the intensity of his story, and curled his fingers over mine. “But I . . . saw.” “Saw what?” And yet I already knew that he couldn’t tell me. Like any doctor, I had seen sick people make up their minds to die—and I knew that look they sometimes had; eyes wide-fixed on something in the distance. He hesitated, struggling to find words. I thought of something, and jumped in to try to help. “There was an elderly woman,” I said. “She died in the hospital where I was on staff—all her grown children with her, it was very peaceful.” I looked down, my own eyes fixed on his fingers, still red and slightly swollen, interlaced with my own stained and bloody digits. “She died—she was dead, I could see her pulse had stopped, she wasn’t breathing. All her children were by her bedside, weeping. And then, quite suddenly, her eyes opened. She wasn’t looking at any of them, but she was seeing something. And she said, quite clearly, ‘Oooh!’ Just like that—thrilled, like a little girl who’s just seen something wonderful. And then she closed her eyes again.” I looked up at him, blinking back tears. “Was it—like that?” He nodded, speechless, and his hand tightened on mine. “Something like,” he said, very softly. He had felt oddly suspended, in a place he could by no means describe, feeling completely at peace—and seeing very clearly. “It was as if there was a—it wasna a door, exactly, but a passageway of some kind—before me. And I could go through it, if I wanted. And I did want to,” he said, giving me a sideways glance and a shy smile. He had known what lay behind him, too, and realized that for that moment, he could choose. Go forward—or turn back. “And that’s when you asked me to touch you?” “I knew ye were the only thing that could bring me back,” he said simply. “I didna have the strength, myself.” There was a huge lump in my throat; I couldn’t speak, but squeezed his hand very tight. “Why?” I asked at last. “Why did you . . . choose to stay?” My throat was still tight, and my voice was hoarse. He heard it, and his hand tightened on mine; a ghost of his usual firm grip, and yet with the memory of strength within it. “Because ye need me,” he said, very softly. “Not because you love me?” He looked up then, with a shadow of a smile.
“Sassenach . . . I love ye now, and I will love ye always. Whether I am dead—or you—whether we are together or apart. You know it is true,” he said quietly, and touched my face. “I know it of you, and ye know it of me as well.”
He bent his head then, the bright hair swinging down across his cheek. “I didna mean only you, Sassenach. I have work still to do. I thought—for a bit—that perhaps it wasna so; that ye all might manage, with Roger Mac and auld Arch, Joseph and the Beardsleys. But there is war coming, and—for my sins—” he grimaced slightly, “I am a chief.” He shook his head slightly, in resignation. “God has made me what I am. He has given me the duty—and I must do it, whatever the cost.”
“The cost,” I echoed uneasily, hearing something harsher than resignation in his voice. He looked at me, then glanced, almost off-handed, toward the foot of the bed. “My leg’s no much worse,” he said, matter-of-factly, “but it’s no better. I think ye’ll have to take it off.”
The fiery cross
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always-outlander · 1 year
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Do you have any headcanons for the Outlander characters?
Hi Anon, thanks for this question! What a lovely thing I got to spend some time thinking and writing about. To quote Miriam Webster for those who may not know, a headcanon refers to something that a fan imagines to be true about a character or story even though no information supporting that belief is spelled out in the text.
So yes, definitely do! I mainly like to fill in the blank spaces or passages of time that the show does not cover fully. And because the show and source material span so much time, there are plenty of those. I love the drabbles people write for those reasons, but you asked me specifically for the characters, and my faves are Jamie and Claire so here we go.
Jamie:
Perhaps this is a more commonly discussed one, but my longstanding thoughts about his ghost that we see in the first episode. We know the ghost is Jamie at age 25 per Diana, which is about the time when Jamie fought in the battle of Culloden and had sent Claire back through the stones. We also know Jamie has "sight" and has been able to see his loved ones in the future through visions. Since Claire is from the future, I have always thought that as his sight increases, he likely could see Claire in her time and during her life before she went through the stones and met him.
He has also said countless times that his soul will find Claire's even in death, and that he would endure 200 years of purgatory in order for them to meet again. So I think that at the end of Jamie's life, he uses the knowledge of his 'sight' to send his soul and project himself to the place he knows Claire will be able to reunite with him, which is 1940's Inverness. I have always hoped that it is his appearance as a ghost that triggers the sequence of events in which Claire to goes to the stones, travels through time and meets him. So in my mind, in Jamie's death, he creates a never ending time loop that the two of them are in. (I hope that makes sense).
I also have thoughts pertaining to Jamie's childhood at Lallybroch and all of the adventures he found himself on with his older brother, Willie. They would climb the walls and venture to the furthest stretches of Lallybroch together, pretending to fight in battle or hunt. A five year age gap between the two likely meant that Jamie was often Willie's undesirable shadow, and the two undoubtably would fight.
I think the snake "Sawny" was carved by Willie as a token of respect and thanks following a scare on one of their escapades. The only snakes native to Scotland are venomous Adder snakes, and I bet Jamie saved Willie from being bit by one. To thank him, Willie carved him the snake with his nickname on the back. 'Sawny' is an abreviation or nickname of Alexander (Jamie's middle name). When Willie died of Smallpox in 1727 at age 11, Jamie was only 6. Two years later, Jamie lost his mother and younger brother Robert during the birth. It's no wonder this piece of his adolescence means so much to him and remained with him throughout his life. It was likely the fondest concrete memory he had, given to him when he had won the respect of his brother.
Claire:
I've ALWAYS wanted to have a storyline or a tidbit of information regarding Claire's parents. To me it's strange that Diana never wrote anything about them, or had Claire's character recall something substantial that her uncle might have said about them in the past. For background, Claire was born in London to Henry Beauchamp and Julia Moriston. We know from a small passage in Outlander that Claire looks like her mother, but I've long liked to imagine that Claire gets her fiery personality from her mother as well, who was only 32 when she died in 1923. Her mother's maiden name has Nordic/Scottish roots, while her father comes from French roots. In my head her father came from a more affluent or wealthy background, while her mother was more middle to low class.
Claire was born at the end of World War I in 1918 and I like to imagine that her parents met towards the beginning of the war (closer to 1914). At that time in England, women were beginning to fill the job positions left by men who had gone off to war, and there were countless strikes for equal pay taking place. In my mind Henry was a scholar like his brother who found himself perhaps a bit useless in his profession at the time of the war. Julia would have been in the middle of the women's rights movements and fighting for equal pay, perhaps working as bank teller or clerk. When Claire was born at the end of the war, I imagine she cut back on her hours but maintained some autonomy and retained her job she had spent so long fighting for.
I like to think the two met with a classic meet-cute, where Henry had lived a very privileged life filled with high profile connections forged through his parents and scholarly peers. Julia mistakenly finds herself among his social circle one day and completely knocks his socks off with her candor and forward ways of thinking. She challenged him, and treated him differently than any woman previous. Similar to how Jamie cannot help but adore Claire's outspoken nature, I picture Julia having that same fire and strength which Henry would and could not ignore. I'd read a book about them, I think!
These are just a few, I have PLENTY more but this would quickly become it's own novel :)
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adaptationsvs-polls · 17 days
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Which version of this do you prefer?
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The canon queer character of the day is:
Lord John Grey from Outlander, the Outlander series, and the Lord John series, who is gay.
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lucasbarr · 6 months
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Just finished Bees and yet again the Bree + Roger subplots are the least interesting to me but I’m glad we got more of William and of Ian and Rachel! It kinda dragged on a bit with the day-to-day monotony of the Ridge (which I usually like but this was a lot) but overall I enjoyed the book!
Major Spoilers under Read More
John Cinnamon is my new favorite character! He is such a sweet young man and I think I’m going to go back and read the Lord John series now too! Because it felt like I was missing something with the whole Percy subplot in MOBY + this book having not read it.
Like lowkey why is everyone other than Jaime and Claire’s immediate offspring (sans Willie) more interesting? Idk how Diana managed to create such an unlikeable little family unit with Brianna, Roger, and their kids (tho I do like Jeremiah, not so much Amanda) but such a rich supporting cast!
Also why give Brianna a heart condition if it’s just magically going to be fixed by her being pregnant?!
I will say though it’s interesting that Davy isn’t a time traveller like his siblings. Makes you wonder if Fergus (who I am also choosing to believe is La Comte’s son) is a traveller or not and what this means for Claire and her family. Also makes one wonder if Percy’s family that he married into or even Fergus himself might be one of her ancestors 👀
The Richardson subplot is…😬 Why would you make an abolitionist the main villian! Not to mention he has African American ancestry! Diana WTF? Your racism is showing in this book 🤦‍♀️ Not to mention the plot with Ulysses/Joseph Stevens… like Diana why???
I am also choosing to believe that Totis is Ian’s son! He is such a sweet addition to the household, even if the reasons were a bit strenuous in the book. Though I am also intrigued by the Jenny/Joseph Brant’s Uncle romance. Though I don’t know why Claire didn’t tell Jenny that the war would be over in a matter of months? 🤔
Makes me wonder why she’s decided to kill off Percy and what this means for the Percy & Fergus storyline.
And why in hell Hal want to see Ben! Like I was under the impression that Amaranthus was in cahoots with Ben and then she went to see him and saw him with a other woman which came out of nowhere. Honestly it would have been more interesting if she’d known and went be with him and left Trevor with the Willie and Lord John. Bye maybe the whole widow thing is a ruse and she lied about the other woman and maybe she is in on it?
Though it makes me wonder if Hal made the poison to poison Ben…
Like I wonder if William will take Amatanthus up on her offer and pass off his title and estates to their kid. Like obviously that’s what Ben did with her and why I thought that Amarantus was more involved with the plan than we saw (esp with her reaction when she went to see him) though I’m dubious about whether her account of the events is true or not.
I mean the way she brazenly suggested the plan that Ben had gone through with seemed suspicious to me!
I think Richardson is involved with Rob Cameron in some way and that the gold is going to come into play. Again, weird choice of villain with Richardson being an abolitionist but I guess we’ll just have to wait and see.
And also WTF happen to Ulysses? Is he dead? I know Duncan was one of his men but like why didn’t you just tell him she was in Nova Scotia? Just be vague and then he might not have tried to ya know oust Jaime and that whole skirmish!
Like I want to see less filler (or just more with beloved characters like Lizzie!) and more streamlining from the editor on the major plot points!
Also WTF happened to Buck!
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music-is-endless · 2 years
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I heard so many good things about outlander and even my best friend really recommended it, having read almost all of the series. Gotta say, I am supremely disappointed in the author and I had to put down the book before reaching the halfway point.
So, IMO, it’s not worth a read, especially if you have triggers concerning domestic abuse, attempted sexual assault, and spousal r*pe.
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"Your face is my heart, Sassenach, and the love of you is my soul." Dragonfly in Amber
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90staylor · 10 months
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past lifes.
gabriela mistral from a letter to doris dana in january 1950 // movie: everything everywhere all at once // trista mateer quote // franz kafka, letter to milena // tv show: outlander (season 1) // taylor swift: timeless // tv show: dickinson (season 1) // tumblr post // movie: past lives // v.w poem
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jemscorner · 10 months
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Outlander parallels - 2x13 | 7x05
Nothing is lost . . only changed.
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solgasart · 9 months
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"Sunshine" ☀️ What else to add? Although the previous episode was very good I returned to the 4th one for only this scene. 🧡
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sassenach77yle · 24 days
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Then let amorous kisses dwell
On our lips, begin and tell
A Thousand, and a Hundred, score
an Hundred, and a Thousand more 💗
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themusicsweetly · 10 months
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All the time the ghosts flit past and through us, hiding in the future.  We look in the mirror and see the shades of other faces looking back through the years; we see the shape of memory, standing solid in an empty doorway.  By blood and by choice, we make our ghosts; we haunt ourselves.
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mostlyghostie · 1 year
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A double commission! Fantasy in one, romance in the other.
The customer specified that very nice edition of The Starless Sea and I’m happy with the special level of rumpledness I’ve managed on it.
Shop
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nepacala · 2 months
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towns-end-bindery · 5 months
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Songs of Love & Death
♥️☠️🗡️
Edited by George R. R. Martin & Gardner Dozois
Features stories by Neil Gaiman, Jim Butcher, Jacqueline Carey, Diana Gabaldon, Majorie M. Liu, Carrie Vaughn, and many more.
This is the finished look of my latest rebind!
📚📖
Process videos:
PART 1
PART 2
Original Cover designs:
HERE
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