Aimee, from Leonard Nimoy’s 2010 photography series Secret Selves
Aimee — tattoo and body piercing
I like being a girl…no one knows I am a woman, let alone a lesbian. My beard is natural, there is no imbalance.
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Do you guys notice how when Shawn Fain, president of the United Auto Workers union, started planning a general strike, he did it by a) targeting his messaging towards unions with the ability to safely and effectively strike in large numbers, b) laid out a clear, actionable plan for those unions to follow (setting contracts to all expire at the same time, since many unions cannot strike while under contract), c) is using union contracts to set clear, actionable demands that can be met in order to gauge success and provide an end goal, and d) started organizing FOUR YEARS before the proposed strike date to give people the chance to plan accordingly, because it takes a really freaking long time to get tens of millions of people organized?
You notice how he didn't do it by slapping a message on Twitter saying 'hey nobody go to work on Monday, that'll really show 'em'?
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as much as i love sam knowing about destiel before dean does, there's something about "i mean yeah my brother and his angel best friend are really weird about each other, live together, co-parent a kid, nearly kill themselves every time the other is gone, stand too close and stare at the other's mouth while they talk, but i mean to each their own i guess??" that's so special to me
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Dick puts everything on the line.
He's the last one standing. The rest of the Titans are down.
He dies making sure that they, and the world, can live.
Then he wakes up, staring at a ceiling dotted with glow in the dark stars, very confused.
There's a redheaded teenager who calls herself Jazz, who seems suspicious of him. He had parents, ghost hunters who are definitely breaking many, many laws, who love him dearly.
He has a pair of very close friends, Tucker and Sam, who also do not trust him.
There was a funeral for Dick Grayson, he looked it up. There was a corpse and everything, cremated exactly as he had demanded after learning what had happened to Jason.
Just in case it's a fluke, and he's about to be thrown out of a body that isn't his, he doesn't reach out to anyone in the hero community just yet. Instead, he decides to look into who, exactly, is Daniel Fenton, and why do his friends and sister keep looking at him like he's a spy?
Or; Danny, growing more and more powerful as a halfa, was starting to have his ghostlyness leak through to his human form. He asked Clockwork if there was a future where Jack and Maddie would ever accept him being half ghost, and Clockwork informed him that no, there was not.
So Danny worked with the Yetis in the Far Frozen to make a lifeless clone of himself, with the intent to fake his death and live on in the Realms.
So when Jazz came into his room, fully expecting a lifeless clone, only to find the clone not only alive but fully functional, she's suspicious.
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forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.
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You asked me to teach you chess, and I've done that. It's a useful mental exercise. Through the years, many thinkers have been fascinated by it. But I don't enjoy playing. Do you know why not?
Because it was a game that was born during a brutal age when life counted for little and everyone believed that some people were worth more than others. Kings and pawns.
I don't think that anyone is worth more than anyone else. I don't envy you the decisions you're going to have to make. And one day I'll be gone, and you'll have no one to talk to. But if you remember nothing else, please remember this:
Chess is just a game. Real people aren't pieces. You can't assign more value to some of them than to others. Not to me. Not to anyone. People are not a thing that you can sacrifice.
The lesson is: Anyone who looks on the world as if it were a game of chess deserves to lose.
— Harold Finch, not knowing how to explain to his AI offspring that it should care about people (but doing his best), Person of Interest 4x11 “If-Then-Else”
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bruce and jason are the scariest bats because they’re physically intimidating — boring, obvious, overdone
dick and cass are the scariest bats because you’d never see them coming — brilliant, incredible, amazing, revolutionary, show stopping, spectacular, never the same, totally unique
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it really makes me so emotional that fig went to record a song to find herself again, because she realised she lost herself because she stopped making art, and she wrote dawn of justice, a song so amazing that its performance literally gave fig a domain. she literally got ownership of ankarna's old domain so that no one else could fuck with it. she thinks she isn't an artist, that she shouldn't be a bard, but she is, her art changes the world, her art gives her power
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