Tarragon Theatre Sparkles with the Intense and Captivating "Behind the Moon"
#frontmezzjunkies reviews:
#BehindTheMoon
a #newplay by #AnoshIrani
@tarragontheatre
directed by #AnoshIrani
with #AliKazmi @TheAliKazmi
#HuseinMadhavji
#VikSahay
#TarragonTheatre #Tarragon2023
#TheaTO
#TorontoTheatre
Husein Madhavji and Ali Kazmi in Behind the Moon at Tarragon Theatre. Photo by Cylla von Tiedemann.
The Toronto Theatre Review: Tarragon Theatre’s Behind the Moon
By Ross
It’s the law of the jungle, and in Anosh Irani’s captivatingly engaging new play, Behind the Moon, currently playing at Tarragon Theatre, Toronto, the jungle is Toronto, and it’s a pretty wounding place to find yourself…
I think one of the slept on things that makes The Secret History feel like a real world is Donna Tartt's willingness to introduce a character that is just never brought up again (or brought up once or twice again.)
Because i'm real life, not every person you meet is going to have significance in your life. Not everyone is going to change that plot. Think about the teacher that takes over when Julian leaves. Or the farmer who claims to have seen Bunny. Or Richard's one night stand. Even the man stalking Henry and Bunny in Italy doesn't show up later.
And not only does this fill the gaps in the world, it absolutely helps build suspense. You never know if a character might have significance later, because there's simply no pattern to follow. It keeps you guessing.
Did I mention I started rereading The Secret History
FRZ021 GØGGS “En vivo en Teragram Ballroom” (Cassette)
Cada nuevo proyecto de Ty Segall lo lleva a explorar nuevos territorios, en este caso junto a su habitual compañero Charles Moothart (de Fuzz, CFM, Moonhearts), son guiados hacia sórdidos caminos por Chris Shaw (de los excelentes Ex-Cults y Richard Rose). Tiroteos, basureros, policías corruptos, asesinatos, aislamiento, violencia, soledad, cambios violentos. Shaw gruñe y arrastra el maravilloso ruido de Ty Segall y Charles Moothart hacia el caos musical. GØGGS es una palabra creada para maldecir a la humanidad.
“En vivo en Teragram Ballroom” captura la pasión de su show del sábado 15 de septiembre de 2018 en el emblemático escenario de Los Angeles, como parte de las presentaciones realizadas por el lanzamiento de su segundo disco “Pre Strike Sweep”. Ya con la incorporación de Michael Anderson en bajo (un amigo de la niñez de Segall), suenan salvajes pero ajustados, y jamas pierden la musicalidad.
Festejando el Cassette Week 2021, esta edición de 50 copias exclusiva de Fichines Ruido Zafarla viene en cassette blanco serigrafiado.
upon someone wanting someone's jayrose request I drew a little jayrose. I enjoy big brother night wing being concerned with his little brother's monogamous choice of beau. Even as they get older Dick still being ??? on why Jason despite being raised by known playboy womanizer Bruce Wayne and being given love advice by himself truly still has heart eyes for the completely insane daughter of his archenemy.
lately my drawing tablet has been fighting me.
rissathehost: One of my favorite things that we do at J and J All Hell Breaks Loose is a photo of the kids of Hub. They grow up quick and we keep adding more, our eldest is 21 and our youngest is 3 and a half. Gotta love convention and our Confam. #allhellbreaksloose12 #thehubproductions #supernatural #conventions #popcultureconvention #comfam #familydoesntendinblood #plaidshirt #hubsteria #jensenackles #deanwinchester #jaredpadalecki #samwinchester #robbenedict #chuck #richardspeightjr #gabriel #adamrose #elizabethblackmore #ladytoni #soldierboy #gilmoregirls #walker #mattcohen4real #johnwinchester #jakeabel #adamwinchester
I was rewatching NPMD, as one does. During Bury The Bully, Grace tells Pete, Ruth and Steph to grab, respectively, "hatchet, acid and tape" to dismember, dissolve and bound Max's body under the floorboards of the Waylon Place.
Only, the house is abandoned. There is no reason why there should by all that stuff just lying around. Except, Grace has the keys. She could have gone in earlier in the day, hid the hatchet, the acid and the tape somewhere. Which means that she never meant for Max to leave Waylon Place. After all, he made her sin. To Grace, destroying him is perfectly reasonable, which is the reason why she suggests going to the house in the first place. The plan is entirely hers.
She is also remarkably calm when he dies. Happy, even. All jaunty and smiley while singing a song about literally dismembering someone's body and burying it in the house. Which, by the way, she knew a whole lot about, more than Pete, Steph, Richie and Ruth.
I don't know if it means something, but I am almost entirely positive that Grace's plan was for Max to die, one way or another.