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#saving everything. because that's where the meaning lies. and it goes on and on and on.
pugzman3 · 2 months
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Man.........it's almost like....a Supreme Being.....with ultimate knowledge, superior designing capabilities, who could see the end from the beginning, and has total capability to not only, CREATE such a masterpiece of ecological functions, but can also regulate it in order to keep it functioning, to provide what he said he would provide, a habitation for this whole other engineering marvel that he created. Thank you LORD. And this video is just a single example among a multitude of examples.
Look, get mad about all the climate change lies if you want. Get mad at the regulations that are being forced on us in sight of the blatant hypocrisy by those pushing it on us. If that's where you want to plant your flag, have fun.
But some of yall are going to see the bigger picture. This environment worship, mother earth goddess nonsense, the idea that we are "one with nature" and we have to sacrifice everything to save it, this is Pantheism. It is not new by any means, look it up. And to the elites, it isn't about saving the earth, it is about worshipping gods, and not GOD. They are leading the population to THEIR gods, and not Jesus Christ, who by all things were created.
We don't know exactly how they are going to do it, but that isn't what is important. What is important is that you understand they are trying to hide the truth of Jesus Christ to you. That is where you need to get to first. Realize he is the truth and let him in, and you are going to start seeing so much of the deceptions. And it won't matter what they do, or how they do it, because you will be saved and under the blood of Christ.
Have I told you lately that every conspiracy theory goes back to God vs the devil? Because it does.
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cambion-companion · 7 months
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Baldur's Gate 3 Characters with Virgin Reader
18+ only obviously. Dirty headcanons under the cut. (these are all the "good" endings btw
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Halsin would honestly be a little in awed shock when you tell him. He'd treat you tenderly, go slowly and save the more rough lovemaking once you're accustomed to his...girth.
There is a lot of emotional connection that goes into the intimate act and knowing its his partner's first time would mean a great deal to him, he takes the perceived responsibility seriously.
Yall would have to go slow though, to accomodate the guy's size. Has strength as his dump stat yet is built like a brick house.
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He's all for the game of seduction, especially if he is still unsure of where he stands with you and your party.
When discovering you're a virgin he acts the part, flirting and using honeyed words to manipulate your heart.
However as the two of you grow closer his feelings also change and he feels anxious about knowing he has your utter consent before taking things further.
He knows what it feels like to be used and wants to avoid causing you the same hurt and feelings of doubt, because against all odds he has begun to care for you.
So much foreplay...SO much foreplay. And you can be in whatever position you want, it's all about your comfort when the time comes to be intimate.
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yeah she'd tease you at first, all in good fun, but still she has to get those sharp words in somewhere.
Soon enough the teasing gives way to concerned questions, not probing too deep into your feelings, but enough to give her hints as to how comfortable you feel with her.
We all know Shadowheart is a slow burn romance, so expect a long buildup while your relationship blossoms.
Lots of sweet kisses and witty flirtations, respecting each other's space until the time feels right to take it to the next level.
perhaps it's after one of your many swimming lessons where you Shadowheart takes the reins and becomes the teacher of a different kind of lesson.
She'd be asking questions throughout, listening to your responses and making sure everything is perfect and you're not feeling rushed.
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Oh she would be so sweet. You know how Karlach is usually quite boisterous and tends toward the goofy side.
She'd sober up right quick when you discuss something so personal with her and she'd be quite pleased you decided to share this with her.
She promises to take it easy on you, at least at first wink wink, and she has the idea to allow you full control to explore her body as much as you wish.
Feel her heart, or at least where her heart used to be, it blazes hotter under your touch.
She might pop the occasional sweet joke, but her eyes and her care is on you the whole time.
She will ask if now is okay, and make sure to gain your express verbal permission before touching your body herself.
She is gentle at first, as promised, but it becomes hard for her to contain her enthusiasm as your coupling progresses. Remind her if you deem it necessary.
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Gale, he'd be surprised but I think pleased.
He would want you to feel comfortable with him, and thus would info dump about his Tressym and the many books he's read about magic and the weave.
It's all about words of affirmation and quality time with Gale, he wants to show you and tell you how much you truly mean to him and reaffirm it is you, not Mystra, with whom is explosive heart now lies.
When the night comes, because he does prefer the romance of a star filled sky, he would ask you if you wish to become one with him.
Maybe astral sex is too soon for the first night, but you can certainly accept when he no doubt extends that offer.
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I think it's pretty much canon that she beats the shit out of you when yall have intimate time...that wouldn't change on account of your virginity.
You'd tell her you're a virgin and she might not even know what that means, I wouldn't be surprised. Either that or she truly does not understand why you think it's important to mention.
She would encourage you to take initiative and assume a more dominant role, prodding you (probably with a stick) if you got too shy.
Later on, in her storyline when she becomes more of an individual unto herself, she will understand the softer aspects of lovemaking.
Then she will be more willing to empathize with the feelings that must come with a first-time coupling, and act a little slower accordingly.
Still prepare yourself for the occasional impatient "tchuk".
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are you kidding, he'd be the ultimate gentleman.
He'd definitely get you a picnic and take you somewhere that smells better than the party camp and that stew Gale attempted to make for supper.
I feel like he'd be more forward than Gale or Karlach, wanting to feel some semblance of peace that your body and your affection could offer.
He'd for sure be drawn to your inexperience, feeling a sense of protectiveness overcome him. (yes yes I understand this post is full of innuendo)
Might wax poetic about his many adventures but pull him in for another kiss and he'll quickly forget his train of thought.
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yes, I made him wait in line, little shit
This cambion knows how to fuck, sit down and block me if you vehemently disagree.
He finds out you're a virgin, and interested in him? Game over.
He plays the long game in all his dealings, and won't be bothered if you choose to play hard to get....in fact he prefers it. Cat and mouse etc.
He's not gentle, nope, but when you're finally in his claws you hardly want him to be.
Doesn't have the bonus of Incubus spittle acting as an aphrodisiac but has had many bedmates and centuries to study how best to use another's body to pleasure his own.
Oh and bring you pleasure of course.
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no
Go play DOS2
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webslingingslasher · 25 days
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I'm dying for there to be a fic where the reader is Stark's daughter and tells Peter that he has to watch her, Peter does it and the more he does it the more they connect the two and end up dating in secret, but one day reader discovers it and then angs to fluff??? Would you do it, i love how you write yes and thank you
*cleaning out my inbox/drafts* this is an old one but i loved it so much mcu peter HAD to make a comeback for this. // a little different than what you asked.
--
you're livid and peter's scared.
your dad had shared a new piece of information in passing but it brought everything crumbling down. peter, your boyfriend, wasn't who you thought he was.
the person you thought was honest and gentle was really just a lying snake. he can wear manipulation well. even now, with wide eyes and a panicked grin you can't picture him hurting you like this. but you can feel it.
'hi, baby.' he knows you're mad, he's trying to approach this calmly.
'you're a fucking liar.' you just brought everything down to a negative level, peter feels his shoulders slump. he doesn't know what he did or how he lied. 'i'm sorry.' whatever he did caused venom to be directed his way and he doesn't like it at all.
'no you're not. you're a filthy, lying scumbag.' he's not trying to invalidate your feelings, but you're being really fucking mean to him and he really doesn't like this treatment from you. he's never been so hurt in his life, the person he loved with everything in him, can't get enough insults out their mouth.
'why are you talking to me like this?' he sounds pitiful and for a moment your heart breaks for him, you know how much you're hurting him right now but he broke your trust.
'my dad told me. i can't believe i fell for your bullshit, or was it all him? you're just some little drone for my daddy?' it was a blur of sarcasm and betrayal, and peter truly has no idea what he's done.
'what did i do? please tell me what i did.' he's pleading, he'd do anything to make it right. you scoff, everything seems so fake.
'my dad planted you into my life and you wormed your way into being my boyfriend.'
peter freezes, his stiff shoulders are your answer. 'it's true?' your voice cracked, the deception has your insides curling. you thought peter would deny it and kiss you a hundred times and tell you he wasn't that type of guy.
but he is and he did it.
'peter, it's true?' why do you want to cry? you were the one that was swindled. it hurts because you trusted him, it hurts because you thought he loved you just as much as you did him.
there's a new feeling, it's rage. you shared so much of yourself with him for nothing, you wasted time on him. you move on your own accord and you push your weight into his shoulders, trying to throw him back, it's useless. he doesn't even budge, but he still lets you try with everything in you.
'you're piece of shit! i... i fucking hate you!' the word has tears pricking your eyes. peter felt his entire heart shatter, he thinks you just told him the worst thing he's ever heard.
'i fucking loved you, peter. you were my everything. i loved you with everything in me, and it was all built on a giant lie. why would you do that to me?'
loved, loved, loved, loved.
peter goes numb, there's nothing to fight for, you didn't love him anymore. you push on his chest, he feels nothing, he moves with your motion. 'fucking say something!'
he blinks, he says the first thing on his mind. the only thing on his mind. 'i love you.' it enrages you even further, does he think it's a joke? 'fuck you, peter.' and with that, you turn to leave his room, his house, him.
peter might've messed up but he can't let you leave without trying to save this. he knows he fucked up. 'wait! don't leave yet, just let me explain it, okay? then you can go back to hating me.' the ending sentence felt like battery acid on his tongue.
you stand still. you’ve been hurt by him but you still love him no matter what you say, and that feels like a kick in the chest to yourself. if he can, you'll let him try and dig himself out of this hole.
'this, what we have, it's real. everything i did as your boyfriend was real. i love you with everything in me, you know i do.' you don't look like you believe it, it looks like you think he's just telling you what you want to hear.
'your dad...' peter doesn't know how he got here, he didn't expect it all to come out. 'look, i've always liked you, okay? you know that, we've talked about how when i first met you i was head over heels for you. your dad knew that too and he hated it. but then you were all sad about your friend so he suggested i just... befriend you.'
'suggested or told?' peter swallows hard, this is tricky even for him. 'i don't know. i just had the opportunity to talk to you and i took it. all your dad did was give me an in, that's it. everything else was all me, i promise.'
you sigh heavily, it sounds like something your dad would do. 'then why wouldn't you tell me this when we started dating?' peter gestures to you and all your fury. 'i didn't want this to happen. i didn't want you to doubt me. us. i didn't want you to doubt us.'
'so he told you to be my friend. nothing else?' peter winces, there's more to it and you're not sure if you want to hear it. 'okay, maybe he said to keep an eye out for you.' your face drops, peter's quick to keep talking. 'but i heard that as befriend! how could i keep you safe if we're not friends, right?'
it's not working, you seem more sad than mad now and peter prefers your anger. 'and when he saw how happy you were with me it changed and he gave me the go ahead to ask you out.' you'll bite your tongue on that one, you know it's because peter's a stickler for a father's blessing.
'when did he back out of the picture, peter?' the question un-eases him, and you have a feeling you know why. you pray it's not what you think, but it is.
'a couple months into dating.' peter jumps to continue, 'he never told me to date you, he just said it was a good thing and he was happy i was keeping you busy and making you happy. he gave me a little money for dates, but that's it, i swear.'
peter was taking money from him?
'so, while i was falling in love with you, my dad was paying you off? nice, peter. that's a real nice guy act.'
peter knows how it sounds, that's why he felt like he couldn't spit it out. the more time went on, the less he felt the need to share. 'that's not what it was, all he wanted was for me to be your friend, i promise. i'm the one that went a step further, i'm the one that wanted to be your boyfriend.'
you roll your eyes, how dumb does he think you are? 'of course you wanted to be my boyfriend, you were getting paid.' you couldn't be further from the truth, peter felt bad taking his money but it was to keep you happy and that's all he ever wanted to do.
he's failing pretty hard right now.
'no, that's not what it was. i was the one that planned everything, everything we built was because of me.'
'right. and he was just sponsoring it?'
peter's never fought harder for anything in his life. you were on the line. 'he pulled out when it started to get real. he said it was on me to take care of you and i did. i have been. i'm not lying, your dad might have put you into my life but every single part of me loving you was real and all me.'
you want to believe him. you want him to be telling the truth. and maybe if it all started because your dad wanted him to look out for you, you could look past it. but for him to double down and start taking money when you were calling him boyfriend makes you feel sick.
peter knows it's not working. 'baby, please-' you cut him off, 'don't you dare call me that, we're done. it's over. hope it was worth it.'
panic fills him, he suddenly feels hot. for a second peter sees black dots, he swears he's about to pass out. 'no, no, no. don't do this, don't do this to me.'
how did peter go from trying to salvage it to ruining it beyond repair?
your arms cross over your chest, it's a way to guard your hurting heart. it's not fair. you gave him so much of yourself just to learn it was all built on a lie, you can't choose between breaking out into a sob or wanting to punch his face.
'i really loved you, peter.'
'you still do. i know you do. you can't just stop loving me out of nowhere. i know i hurt you and i know i broke your trust but you can't stop loving me.'
you feel empty inside. peter was right, he hurt you. he hurt you big time. 'i'm going to try.' you can see how wet his eyes are, if he drops a single tear you'll go back on every word of yours. you have to leave and stand up for yourself because if you don't it'll be proof that he can treat you however he wants.
'please don't do this. i'll do anything, i'll... i'll...' he's drawing blanks, for the first time ever peter doesn't know how to fix anything. 'please don't leave me. i'll be better, i'll be who you need. i love you so much, please don't do this to me.' peter's grasping at straws and you feel your chest rattle when you tell him you're leaving.
peter drops to his knees, he's begging. 'i'm sorry, i'm so so sorry. i should've told you when we first started dating- no! i should've never done it, i should've told your dad to... to fuck off and, and, i'm so sorry! please don't break up with me, please.'
you've lost all edge, you feel just as broken.
'goodbye, peter.'
----
it's been three days of reckoning and you're in a terrible mood. the blame has shifted, after you dumped peter and returned home to your bed you thought long and hard about it and realized that peter would've never done it if your dad didn't get involved.
if your dad didn't drop peter in as an informant, you wouldn't be here. if your dad didn't tell peter to buddy up with you, he'd still be your boyfriend.
you don't hate peter anymore, you're just sad. instead, you hate your dad. you hate how he ruined everything you had and ruined all your trust in him. you've refused to speak to him for three days, this morning he had enough of it when you slammed your door in his face.
he promptly allowed himself in and looked around your disheveled room, he knows something's wrong. 'woah. easy on, teen angst. talk to your dad, what's going on?'
you pretend he's not in the room with you. 'is something wrong? do you want me to call your boyfriend?' of course he wants peter over, he wants him to spy on you so your dad can corner him and sweat him out until peter spills.
you know how peter is and your dad took advantage of that.
'i broke up with peter. leave me alone.' there's a ring of silence, your dad is in shock. it would explain the sudden excuses on why peter can't come over, it would also explain your sour attitude.
'why would you do that?' because of him. because your dad had to get involved in your love life. 'because of you. you planted him in my life and paid him off to date me. i hate you.'
'is that what he told you?'
you don't know why you're talking to him. 'basically.' your dad sighs and sits on the edge of your bed, you resist the burning urge to kick his back.
'is this about what i said the other day? honey, i didn't ask him to date you and i didn't pay him off. i paid him when he helped me redo the lab. he must've gotten confused on the reasoning.'
you think about it. the lab was renovated right around the time you started dating and was finished right around when you became official. and peter did the brunt of heavy lifting and furniture shifting. he even had to reschedule a date because he was going to stay up all night to wrap up all the cords and label them to keep track.
'and for what it's worth, the kid's always liked you. i saw it on his face the second you shook his hand and i told him absolutely not. but the more i thought about it the more i thought why not?'
you're not saying anything but you're holding on to every word he says. 'i got tired of you moping around the place because of that brat you called a friend so i suggested he keep an eye out for you and be a friend if you needed one. honey, i knew what i was doing. i knew what was going to happen.'
peter left a lot of this out. a lot.
'he said you told him it was his job to take care of me now.' your dad laughs. 'yeah, i did. when he came to me shaking and halfway begging to let him be your boyfriend, i told him that he would have to grow a pair and take care of you.'
your dad turns and gives you a light smile, he pats your leg over the blanket. 'i don't think any part of it was a lie, kiddo. i just gave him the greenlight to do what he wanted to do the second he met you.'
tears sting your eyes, you think about how crushed peter looked. you imagine the tear in his heart was far greater than yours. you heard something and made your own assumption and peter can't back himself to save his life so you walked away from it entirely.
you were so mean to him. you belittled him and did the worst possible thing you could do. you told him you hated him. you blink fast to clear your eyes, tears start falling instead. you've been so mad you haven't been able to process what you did but it's hitting now and you feel broken.
'i told him i hated him. i've never said that to him, he was so sad. i was so mean to him, dad. i was calling him names and...' your breath catches, you feel like your throat’s closing up. 'i think i broke his heart.'
you curl up, you want to be left alone, you want to punish yourself. instead your dad tells you to 'get your sorry ass up and go apologize to your boyfriend.' it's a very short pity party.
---
you rushed his front door. you felt like the longer you waited the closer your window closed. you stupidly blocked his number so now you're unaware if he's tried to reach out at all. you're knocking so hard your knuckles hurt.
'oh my good-' you push past may. it's incredibly rude and you'll have to add her to your apology train but the first and most important stop is peter.
'where's-'
peter steps out from his room, he looks at you cautiously and doesn't get halfway through your name before you're running to him and wrapping your arms around his neck and pressing yourself against him. it's a full bodied hug.
'i'm so sorry and i love you. i love you so so much, i love everything about you. i love your voice in the morning, i love how you always give me an extra kiss at night to repel bed bug bites, i love how you never give me shit when i don't bring a jacket to the movies even though i'm gonna steal yours because i always get cold. i love how you always make me a bowl of cereal after we-'
'may.'
'-watch a movie. i love how you grew your hair out because i asked you. i love how you always ask to kiss me first. i love how you love me.' you squeeze him tighter.
'i told you i hated you and that couldn't be further from the truth. i love you so much and i was so mean to you and i just don't want you to think i hate you. i could never hate you, peter. i should've never said that, i can love you and be mad at you at the same time.'
peter quietly shushes you, it settles the bubble of anxiety in your chest. he's calming you down, he's doing what he always does when you're inches away from a panic attack. peter gently pulls at your hands around his neck to move them to his waist, it's instantly more comfortable, you're able to bury yourself into him.
'i don't want to be broken up anymore.' your voice cracks, you don't know what you'll do if he says no. you're spiraling, the consequences of your actions are falling into place. you're going to lose him.
peter pulls you back into reality. he always knows when you're too far gone, you can't imagine life without him anymore. 'calm down for a second, okay? i'm not going anywhere. i'm right here.' he turns his head back to his room, may's doing that thing where she pretends she doesn't see or hear what's going on but she's actually holding on to every word.
'wanna go lay down?' you nod fast and pull away to tug him into his own room, peter swears he sees a frown on his aunt's face. the second he shuts his door you start in on round two, you stop when he cups your face and softly shushes you again.
'please stop panicking.'
'i'll panic until you take me back. i should've never broken up with you, peter. i was yelling at my dad and then he told me what actually happened and we were both wrong and now you hate me.'
peter's eyes are shining, he's getting a little amusement from your distress and you allow it. it's the least you could give him after breaking him down into nothing.
'i told you to stop blocking me when you get mad at me.' you want to hit yourself in the face, you knew you missed out on something. 'never again, i promise. i can't do this again, peter. if i'm about to have a panic attack over something that's a non-issue i'll hate myself forever.'
'you really want to hate someone, don't you?' you seal your mouth closed. he's right, you've been saying it too much. even if he said it with a tilt in his voice you take it seriously.
'since someone is a little reactionary, i'll show you my phone.' peter paws at his back pocket before you have his phone in your hands, sure enough there's five missed messages.
the first one was an hour after you dumped him.
'upon further consideration, i reject our break up. you promised me that you'd never break up with me in the heat of an argument. not after the charity auction thing.'
'therefore, we are not broken up until you come over and do it at a later time.'
'love- your boyfriend <3'
'ps. even though you blocked me, i know you don't hate me.'
'you're just mad and you're soooo gonna regret that later.'
peter's right, you do regret it. your eyes are glossy when you reread the texts over and over, even at your worst he loves you. 'so, you're still my boyfriend?'
soft pokes are placed at your sides, you squirm with his touch. 'duh. i just stayed away until you figured it out.' you pout at him, your attack deemed unjustified.
'he wasn't paying you to take me on dates. he was paying you for renovating the lab. that's why the payments stopped after we started dating.'
peter never took money from your dad and your dad never employed peter. he nods slowly. 'oh, yeah, that would make a lot of sense.' you reach forward for another hug and speak into his chest.
'i'm sorry for being mean and trying to break up with you.'
'it's okay, baby.' you melt at a kiss on your hairline. 'you didn't mean it.'
'i promise i didn't.' you feel like a dog with a tail between their legs, there's not enough ways to say how sorry you are. 'i love you, petey.'
another kiss. 'i love you, too.'
he feels so warm, he feels like home. for the first time in three days you feel comfortable, you press into your boyfriend and he doesn't budge. you love how sturdy he is, you love how you can nearly hurt him with your love.
you squeeze him hard, using all your force and almost shaking you're holding him to you so tightly. when you start limiting his breathing, peter pushes down on your elbows.
'you're about to cuteness aggression me to death.'
'i love you.' you can't say it enough.
peter laughs, 'i love you.'
'no,' you peer up at him, it's been days since you kissed him. 'i really love you.' it's whispered, peter's lips twitch at your blown pupils. you almost purr when he cups your face. 'i know you do.'
peter knows that look. he's the one that created it. 'do you want me to-'
'yes.' you waste no time, pushing up and attacking his mouth with your own. you don't know why it's so harsh, you don't know why you're desperate to swallow him and show him how much you missed him, how much you need him. you want to prove how sorry you are.
'lock your door.' peter's eyes sparkle, that means one thing. he takes off so fast his socks slip on his floor and he catches himself on the wall, his lock flicked in seconds.
peter tugs at the back of his shirt, 'naked kisses?' you bite your lip and nod, 'i could go for a bowl of cereal.' 
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ineffable-suffering · 8 months
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Aziraphale, I love you. But you lied. And here's why.
Okay. I’m not gonna beat around the bush for too long. It’s time now for me to also throw my try at a personal Good Omens Season 2 Magnum Opus into the mix of already existing magnum op..i? Opusses? (Smited? Smote?)
If I’m honest, it isn’t fully my own magnum opus, as I read this meta not too long ago that made me go: „Oh! My God! That’s it!“ And I’m pretty sure a lot of other people have clocked this too by now. Of course I’m not saying it’s the objective truth but after having mulled it over for many endless nights and days, wading through the onslaught of coffee theories, body swap theories, The Metatron re-writing the Book of Life theories and many, many more, this is the one I think is most plausible and, if you look closely, most obvious.
And it goes as such: Aziraphale lied.
To all of us. All of them. And most of all, to Crowley. He lied to him. Well, he sort of did and also sort of didn’t. He certainly didn’t tell the truth. At least not all of it. I hear you ask: “OP, what the fuck are you talking about”. I answer you: Let’s start from the top and under the cut.
(Small note: this meta ended up being way too large for Tumblr, which is why I will redirect you to an external doc at the end of the post, where I have written it all down nicely and accurately. It's about 35 digital A4-pages long, just in case you want to save it for later.)
(Word count: 12.831 | Approximate reading time: 50 minutes)
Let’s start with a short recap of what happens before the Metatron crashes the bookshop party and everything goes to shit. The proper visuals for this are in my Tumblr post but I am absolutely convinced that right up until when the Metatron comes to take Aziraphale away and talk to him, the angel is fully ready to get into Crowley’s Bentley-chariot and finally ride off into the sunset (or Alpha Centauri-set or whatever). You can see it in his face and body language. You can see when the penny drops for him that a) Crowley loves him b) he loves Crowley and c) they can finally start their happily ever after. Aziraphale realizes this all throughout said Brielzebub reveal in the bookshop. And he’s such a lost cause once he does. 
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I mean, look at that. Look at it. This (very shitty recording, sorry, I'm not tech-savvy enough to avoid the Amazon Prime screen recording blocker) is the very second Aziraphale realizes hat Crowley loves him. When he hears him suggest Alpha bloody Centauri as a getaway for Gabriel and Beelzebub, as Crowley has done to Aziraphale for so, so many times now. He finally understands what Crowley was trying to tell him with that all those times.
Aziraphale realizes this all throughout the Brielzebub reveal in the bookshop. And he’s such a lost cause once he does.
Right when Crowley suggest Alpha Centauri as a nice getaway spot to the two, Aziraphale looks at him and he gets it. That Crowley has loved him, has been loving him for millennia. Truthfully, they've both known that for a long while now. But there's a difference between knowing, wanting, craving and actually being able to finally have something. And that's exactly what we see on Aziraphale's face here. This is it. This is where it all starts working out for Crowley and him. This is were they can start their eternity together.
So from that second on, Aziraphale only has eyes for Crowley. He keeps physically pawing at Crowley with complete heart eyes, as if to say „Look, look, that’s gonna be us too! Finally!" He’s actually so smitten that he doesn’t even hear what Crowley is saying when he asks Shax if he can have back his apartment now because he’s sick of living in his car. (Also, what way to drop that bomb right in this moment Crowley, lmao). 
Once the Metatron comes in, the first thing Aziraphale says is that they don’t need to talk because „he’s made his position quite clear“. He doesn’t even want to talk to the Metatron, because in his mind, he’s already made the choice. Actually, he made the choice way before the bookshop showdown. For starters, I’m convinced that the Jane Austen Ball actually never was for Maggie and Nina but for Crowley and him (you can read more about that here). And apart from that, for this whole season we have seen Aziraphale trying to advance his relationship with Crowley romantically and domestically and move them to the literal next base (our car!). And after everything he just witnessed with Brielzebub, the final nail in the coffin of ethereal-infernal romance being possible, his choice is absolutely crystal clear: It’s Crowley. It’s always been Crowley and it always will be Crowley. And now it can be Crowley. They can be an us.
The whole of Season 2 is such a massive learning curve for Aziraphale’s character, with him remembering all those important pivotal points of his past,  and this very moment is the peak, with him not only understanding that Crowley loves him (because he certainly knew for quite some centuries now) but accepting that love, letting himself have that love, being allowed to want that love and taking that love and starting their new and final chapter with it. Nevertheless, the plot clock ticks for them. The Metatron saunters into the bookshop, evil and stinky as Metatrons do, and urges Aziraphale to come with him with his whole Take The Coffee schtick, which I will get into later. And Aziraphale, immediately sensing there’s Something Up, does. Can’t really turn down someone as high-ranking as the the voice of God, after all. Even if you were currently already planning how you were going to elope with a certain red-haired serpent of Eden. 
he next time we see Aziraphale on screen, it’s so painfully evident on his face that he is neither happy nor excited. Not even the slightest bit. We’d know if he was, thanks to Mr. Michael master-of-microexpressions Sheen. None of the usual “Aziraphale is happy”-signs are there. No blinding eye-smile, no giddy wriggling, not giggles and gasps. No, when the Metatron tells Aziraphale to „go tell your friend the good news“, his expression looks like this:
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I’m gonna go out on an entire limb here and say: That does not look like someone who’s absolutely tickety-boo hyped to tell his demon soulmate that he just got the juiciest promotion and that they can both be angels and live happily ever after in ethereal eternity now.
This, folks, looks like someone who knows exactly that the news he has to break right now, are going to be tickety-shit awful and very upsetting to said demon soulmate. And already, from that very short snippet of conversation, we can tell that Aziraphale isn’t really given a choice by the Metatron. Because while the Metatron does tell him that he doesn’t have to „answer right away“, he immediately follows it up by: „Go ahead and tell your friend the good news!“ Very distinct and definitive choice of words here. It’s “good news” because it’s already been decided. Because it’s already a done deal. There is no “yes, no, maybe”. This is the only choice he’s giving to Aziraphale. Because it’s ‘Coffee or death’. 
And he already gave him the coffee. 
***
Tumblr won't let me continue this over a certain character limit and I am not even remotely done yet – so, I feel like this is a good moment to redirect you to the continuation of this insane meta before we're in too deep. You can do so right here!
I'd love to hear your thoughts and opinions about this once you've fought your way through it. Hope you have a good time with it!
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prythianpages · 2 months
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The Sun & the Moon | Rhysand x Reader
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summary: Rhysand wants to write you the perfect poem for Valentine's Day and calls up Cassian and Azriel for help.
warnings: fluff and some implied smut/mainly suggestive tones.
Happy Valentine's Day! ♡
a/n: So I got a little ahead of myself because this can be read as a stand alone (all you have to know is that reader is a healer from Dawn Court.) But it is a part of my Wanna Be Yours series. All because I saw this tiktok sound of this poem and found it so beautiful. I did not write this poem, all credit goes to this creator. I also wanted to write a scene of Rhys struggling to write a poem (I had some saved on pinterest) in part two but had to scrap the scene out for other ones. Now, it's a win-win situation. Don't worry, there are not really spoilers in here for what I have planned. Just know this takes place after their happy ending (:
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Valentine’s Day is approaching and Rhysand finds himself facing an unprecedented dilemma. Getting you a gift. A gift as special and perfect as you.
The pressure is high, and the responsibility lies squarely on his shoulders, particularly given the mating gift he presented to you. An expansive estate, where everything–the architecture, the decor, and furniture seamlessly marries the celestial essence of the sun and moon. The grand house paints an exquisite portrait of dawn, reflecting the enchanting blend of your old court and now new one.
So naturally, given his stress, he calls upon his brothers for help.
“You called us here because you don’t know what to get y/n for Valentine’s? y/n, your mate?” Cassian asked, carrying a mix of amusement and disbelief.
“I thought this was important,” came from Azriel.
Rhysand shoots Azriel a pointed look. “This is important.”
Azriel raises an eyebrow while Cassian grins. The two exchange a knowing glance that hinted at a shared understanding. Just as Rhysand prepared to delve into their minds to unravel their thoughts, they turned their attention back to him, nodding in unison.
"Alright, Rhys," Cassian began, clearing his throat dramatically, "How about flowers?”
Rhysand slumps into his desk chair, a heavy sigh escaping his lips. “I get her flowers every week.”
Cassian mirrors Rhysand, seating himself on one of the chairs across from him. He throws his hands up in the air. “Then, I don’t know.”
“Gee, thanks.”
“How about you gift her something a little more sentimental?” Azriel offers. He crosses his arms deep in thought, resting his chin on one hand. “Something small but meaningful.”
Rhysand’s violet eyes light up, the silver specs in his irises glimmering like stars. “Like a poem! Y/n loves poetry."
The library in your home is stocked with a vast amount of poetry. Mainly romantic ones and then, the initial enthusiasm gives way to a fading spark.
Expressing the depth of his feelings verbally comes naturally to Rhysand. His silver-tongued declarations never fail to effortlessly convey how much you mean to him. He is the master of tone and inflection when it comes to expressing his feelings for you and when those are not enough, he loves to show you. Often. With that silver-tongue of his.
However, the transition to writing felt like a different art form altogether. It was challenging because how could he successfully capture the nuances of his love for you in writing? When he'd rather show you...
Rhysand runs a hand through his already disheveled hair, a frown creasing his face. He wants to do this for you but--
“I’ve never written a poem before.”
He looks up to Azriel for help, who in return merely shrugs with a smirk. “I don’t resort to poetry.”
“Oh! I got it!” Cassian, on the other hand, leans forward in his seat with nothing but pure mischief reflected in his gaze. “How about this? Roses are red, violets are blue. y/n, my love, I’m obsessed with you.”
The silence was loud. And then Azriel’s deep laughter fills the air. He finally takes a seat next to Cassian’s, sensing this is going to take awhile. “That is terrible.”
“Absolutely,” Rhysand agrees, his expression defeated. It doesn’t stop him from summoning a quill, ink and paper right in front of Cassian. “But jot that down...just in case.”
As the trio delved deeper into their poetic endeavors, Rhysand's frustration grew. Cassian's attempts became increasingly cheesy. Meanwhile, Azriel just sat back and watched, his shadows peeking curiously over Cassian’s and Rhysand’s papers. He would give his input when necessary, more inclined towards laughter than actually helping.
Nearly two hours later and drowning in parchment full of scribbled attempts at poetry, Rhysand lets out an exasperated sigh, finally excusing Cassian and Azriel. They leave all too quickly, slipping away before Rhysand could retract the words of dismissal that had escaped him.
There’s still a frown in his brow as his eyes graze over all the poems him and Cassian wrote together.  He couldn't bear the thought of presenting any of these creations to you. The inked words on paper seemed to mock the depth of his feelings, failing to capture his love for you.
His eyes flutter shut as he allows his thoughts to drift toward you. The clock's hands have nudged past noon, and the familiarity of your daily rhythm dances in his mind. He knows your schedule as you know his. It’s right after your lunch so he knows you’re at your desk. 
A mental portrait forms, capturing you leaning forward at your desk. Maybe a touch hunched over as you read over a patient's reports with that adorable furrow in your brow. There’s a window right behind you and given the sun is currently at its peak, he can imagine how it glows upon you like a radiant spotlight. 
And when your eyes grow tired from reading, he can already picture the way you’d lean back in your chair, spinning around to face the sun. Your eyes would be fluttering shut like his at this moment. The sun would now be shining on you, its golden hues cascading upon you in an ethereal glow where every beloved feature is highlighted. A living embodiment of warmth and brilliance.
You're his sun but you’re also his moon.
His eyes snap open, his grip on the quill tightening. Before he knows it, words are spilling effortlessly onto the blank parchment in front of him as he lets his emotions flow. He feels a tug down the bond, as if you could sense his thoughts, and with a smile, he echoes the sentiment. He couldn’t wait for you to read it.
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Valentine’s day dawns a week later, and Rhysand’s excitement for you to read his poem is palpable. It took all his restraint not to give it to you as soon as he finished it.
Unfortunately, you weren’t able to take the day off. It didn’t matter as your plans for tonight were simple–just a lovely dinner together, made by Rhysand, in the privacy of your home. All that mattered is that you had tomorrow off. 
Rhysand waits for you right outside the steps of the clinic, not wanting to distract you from your last reports. He could feel your presence grow nearer and nearer through the bond. He tugs on it, a silent urge to pull you to him faster. The door opens and you’re rushing down the steps to meet him.
Throwing your arms around his neck, you bury your head into his chest, inhaling softly. He feels his heart flutter and he tightens his arms around you, holding you close in his embrace. “Hi, love,” you murmur.
He pulls away, cradling your face in his hands. He smiles and then kisses you, pouring all his love and devotion to you. A promise of what’s to come later. “Hey, beautiful. You ready to go home?”
“Always. As long as it’s with you,” you tell him,  voice still breathless as your hand effortlessly entwines with his.
Rhysand’s lips twitch and he finds himself melting at your words. Instinctively, he averts his gaze, warmth flooding his cheeks as he bites his lip. He intended to walk you home as Velaris had decorated the streets with hearts, flowers and pink garland. He gives your hand a squeeze and winnows you both directly to the comfort of your home instead.
He reluctantly lets you go so that you can wash up and change.
When you join him in the dining room, the glamor he had placed earlier lifts, revealing an exquisite dinner that has your stomach growling. Cute hearts, flowers and confetti adorn the table and walls around you, filling your heart with a cozy glow.
As his gaze lifts from the table, his eyes widen, pupils flaring.
“Come here, you,” he breathes, pushing his chair back just enough for you to have space to settle onto his lap. 
“I’m hungry,” you say, a small warning delivered with a touch of mirth. His eyes sparkle at you with an unmistakable gleam as he drags a finger up the fabric of your red dress. But your body betrays your words, leaning in to his teasing touch.
“Me too," Rhysand replies with a smirk and it's evident he's not referring to the food plated in front of you.
Your stomach growls and he chuckles, resting his hand on your waist instead. “Let’s eat then.”
The two of you dive into the dinner Rhysand made, feeding each other and catching up with one another. You’re nearly in a food coma, collapsing into Rhysand’s chest when you're done. He rests his head on your shoulder, his strong arms securing their place around your waist.
“I got you something,” he whispers against your neck, lifting his head only to speak his next words. “Well, I wrote you something.”
“You wrote something for me?”
He takes delight in the surprise and excitement in your voice. Raising a hand, he retrieves his valentine card from the pocket realm. The only place he deemed fit to hide his poem for you. He’s too busy pressing his lips against your neck, to hide the giddiness he feels inside, to notice his mistake.
“Roses are red. Violet’s are–”
“Not that one!” Rhysand exclaims, body tensing behind you as he rips it from your hands. “I did not write that one!"
You can’t help but laugh. “Then who did?”
“Cas.”
“Cassian wrote a poem for me?” You reply, eyes widening slightly as you shift in his lap to face him. You're thankful the dress you chose has a loose skirt as it allows you to move freely and settle a thigh on either side of him.
“Gods, no,” Rhysand groans, cursing himself for not discarding that poem once he had written his. He leans forward, burying his head into your chest for a moment to hide his embarrassment.
“I asked Cas and Az for help. I didn’t know what to get you because–well, you’re perfect to me and nothing could ever amount to the love I feel for you. Az suggested I give you something small but meaningful and I know how much you love poems but I’ve never written one so then–”
You interrupt Rhysand with a soft and sweet kiss. When you pull away, Rhysand chases after you but you stop him, pressing your fingers his lips. He plants a kiss on your fingers, holding your gaze.
“Let me read it. The poem you actually wrote.”
“Okay,” Rhysand breathes as he summons another red envelope from the pocket realm. He holds it out to you. “But don’t laugh.”
“Never,” you reassure him as you take the envelope, fingers eagerly tearing it open.
He watches with bated breath, a cascade of emotions swirling within him, as your eyes gracefully traverse from left to right, absorbing every emotion he poured out to you. It's endearing—the tender way your expression, while immersed in his poem, mirrors the very sentiment he wore on his face while crafting it for you. Your lips curve into a radiant smile, and the spark in your eyes begins to glisten with heartfelt tears. In that moment, he can feel the ripples through your shared bond, overwhelming and flooding with an abundance of pure, unbridled love.
“I love it,” you manage to say as you lift your gaze to meet his again. Holding the poem to your chest, you store into the safety of your pocket realm. “I’m going to frame it.”
“I love you,” Rhysand says and then kisses you. “So, so much.”
“I love you, too,” you whisper against his lips and then wrapping your arms around his neck, you pull him even closer to you. “Now, it’s my turn to give you your gift.”
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this is the poem:
"If the sun and moon had a baby, it would be you.
Cause you are so beautiful.
You radiate light like the sun.
And you bring me calmness like the moon.
You balance me out like the earth and that’s just the beginning of everything you do.
I think that you’re so gorgeous and sometimes it brings tears to my eyes.
Because how could I get so lucky to have someone so beautiful like you in my life.”
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a/n: I thought this poem was really cute, especially given the sun/moon theme of this series. It's 11:58pm where I live so technically, I made it before Valentine's Day was over lol. I apologize if there are any typos. I tend to make them a lot and switch words out (like I caught myself writing lips instead of lap) when I'm tired. This is exactly the type of vibe i'm going for, for Rhys in this series. It's a scene from a kdrama, where the male fell hard first for the female and he's totally endeared by her. Anyway, hope you enjoyed!
tagging: @minnieoo , @phoenixgurl030 (I know this isn't part two but I tagged y'all just in case, y'all were interested ♡)
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blueskittlesart · 11 months
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can we talk about how rauru is literally like. just zelda’s dad. like in that one scene where zelda looks like she’s gravely contemplating turning into a dragon and then rauru goes “i believe the answer lies in more research and understanding your power!” and she looks at him with such shock and awe. zelda’s adventures in the past are literally like her life but with a better dad. the queen promises her to help her figure out her power but dies before they can figure out a way how to use that power to safely save everyone. zelda desperately wants to help everyone and is clearly feeling the pressure of it all and the king is the one to tell her “hey i understand how hard you’re trying and how much you want to save everyone and we’re thankful for what you’re doing”. rauru actually acknowledges zelda’s dedication and the importance of research and technology, he is kind to her and never blames her for any of the bad things happening. he also never pushes zelda to make sacrifices and is the one sacrificing himself in the end - in botw, all the champions and zelda have to choose to make sacrifices to save the kingdom, but in totk rauru doesn’t ask that of any of the sages, instead recognizing his own responsibility as king and basically dying to save his kingdom. he’s literally zelda’s better dad.
same anon as the one raving about rauru also the differences between how the two kings treat link. they’re both tutorial figures but the way they guide is SO different. pretty much the first thing rhoam does is lie and pretend to be a random old man, being quite annoying as he sends link to do a bunch of challenges for a paraglider. the framing is so fundamentally different, rauru freely offers the information he has to link upfront, he apologises for the body modification, acknowledging link’s potential distress. rhoam basically keeps link on the plateau arbitrarily, presenting giving items and teaching link about things as challenges for link to overcome. rauru on the other hand aids link as best he can, tells him what he needs to do from the beginning (tells him to open the door which is pretty much the last thing he’ll need to do in the tutorial, telling him about the ultimate goal from the beginning), proposes solutions when it doesn’t work out (directs him to the shrines as a way to help him gain the strength he needs, as opposed to making him complete challenges to get a paraglider that in the moment seems like literally arbitrary conditions). rhoam telling link how much responsibility and pressure he has on him all of a sudden and how much he needs to do vs rauru telling link that it was wonderful to meet him and zelda’s accounts of him were all true. like. the framing. the difference in character. the deterioration of knowledge within hyrule falls parallel to the deterioration of its king’s kindness and virtue.
the differences between rauru and roham are crazy to me because one of them was so fundamentally good and one was so fundamentally flawed and yet. neither of them were able to save their kingdom. no matter how good a king of hyrule is, no matter what he gets right or wrong, he is still doomed to die. rhoam tried to sacrifice his daughter to keep hyrule alive. rauru did everything in his power to make sure she DIDNT have to be sacrificed. and in the end the outcome was the same. but the KINGS were not the same, and that difference in framing you mentioned i think is fundamentally a difference in legacy. rhoams legacy is to forever be the king who sacrificed children to save himself and died anyway. rhoam died a loser through and through, a king atop a throne of nothing but failure. i think that’s partially why he appears as an old man at first, because he KNOWS what being the king of hyrule means and he’s EMBARRASSED that his legacy is what it is. but rauru. in complete contrast, rauru was so GOOD. rauru died with his sages and his DAUGHTER alive to see another day. rauru ENSURED they’d live no matter what. he wouldn’t LET them sacrifice themselves for him. rauru put everyone else before himself. he didn’t expect or even tolerate self-sacrifice and yet when the time came he sacrificed HIMSELF selflessly despite knowing that it wouldn’t even WORK. rauru’s legacy is something to be proud of. he’s open to link because he has nothing TO hide. no regrets or stupid decisions. and he is remembered so much more favorably because of it.
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m1ssunderstanding · 3 months
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Get Back Rewatch 55 Years On: Day 21: The Concert
Every time they're not on camera I simultaneously feel so relieved for them and so upset that I don't get to watch. Messed up of me, but hey. Remember that slightly disturbing quote where Paul said he actually does believe he's kind of public property and he's fine with that?
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He looks so determined. Like the fairy tale prince staring down the dragon or Enjolras about to hijack a funeral (Literally my baby was conceived after I watched this in IMAX so if that tells you anything about my feelings . . . I'm going to be annoying I'm sorry I can't help it)
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Her legs look so good in those tights! I love that Mo came not because her boyfriend needs his mommy but because she wants to see them perform! Kissing her on the mouth right now.
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Danger boy Paul!
Fun fact, I was this John for Halloween in 2021 to a college party. My hair was already like that, and I had dirty white keds and black jeans, so I just did fake sideburns, fake glasses, and a fake fur coat. I tried to get my best friend to be Paul. She wanted to be a hooker, and I was like “It’s the same thing!”
See, look at him and his whorish ways!
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John’s little lip-bit smile. He’s so happy with himself nailing that solo. Cutie. 
Cocky boys. As they should be. I love when they’re proud of their work together. Get Back is 95% just Looks between John and Paul, isn’t it?
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John and Paul instantly jump into their little “humble working class entertainers” act. You know what just occurred to me? You know how they talked about the “rattle your jewelry” comment backstage and Paul dared John to say it? I wonder if they talked about the “audition” comment too.
It really is a beautiful thing they’re doing. It’s lovely, watching everyon leave their desk jobs and their shopping and whatever else to sit in their fire escapes and congregate in the street and huddle together on rooftops. It really is just like the happy end in a sixties zeitgeist movie. 
All the girls nervous to be too enthusiastic after years of being made fun of themselves and watching others like them being mocked on TV. Let girls like things, damnit!
Mo jamming! I’m in love.
John mouthing Paul’s lyrics.
“Paul McCartney singing that. What a voice.” Literally me if time travel existed. 
“And if SOMEBODY loved me like she does,” Well, it is good manners to look at the person you’re talking to, I guess. But you do have an audience, John. And a mic and a camera. 
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“Absolutely disrupt all the business in this area.” Yes! Get those blue meanies, boys!
“No lay rishi gahd blay bloojaygoo” should replace all the stupid quotes the Lennon estate puts on everything they sell. Then I’d actually want their shit. Paul trying to magic the words from his head into John’s there. Successfully, though.
That “Pleeeeeheeeeease” is one of the prettiest beatles vocal moments. I love it with all my heart. And clearly, so does Paul. Doing that thing he does, inappropriately thrusting into his bass. 
Oh my gosh it’s the song Paul and John do together on tour right now!
That “Yyyyyeeeeeah, yeaaaaaah!” (I mean the whole song, the whole concert, but especially that) does things to me. 
John’s extremely blurry, because he turned his head quick enough to give him whiplash there, sorry everyone. But look! They’re having the time of their lives! They just love performing together so much!
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Everyone goes to check on their accumulating audience. (except Paul. Wonder what that’s about.)Ringo’s little pleasantly surprised smile is so so sweet!
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It must be so fun for them to be performing One after 909 again after all these years. Bitter sweet with everything that’s changed since then. 
LMAO Kevin thank you for your service!
He’s a silly cutie.
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The mic in the street asking that girl if she’d like them to come back every lunchtime. Imagine if they did? How cute would that be? Like back to their cavern lunchtime shows. Maybe that could’ve saved them.
Them playing God Save the Queen reminds me of that story where Brian was like, “This bigger manager wants to buy your contract from me, and I just wanted to be straight with you. They could probably get better deals for you.” and they were like, “If you sell us to him we’re only playing God Save the Queen from that moment on.” It’s probably a fake story, but that’s what it made me think of. 
I always think that quote of Paul’s is so strange, where he was like “I never got the chance to watch John while we were playing.” Like. What are you talking about, baby?
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Literally “Uh. Yeah. Uh. Yeah.” Fucking his bass. Staring at John. Okay? And I’m not supposed to take that and run with it? I’m not supposed to assume from that that you want to fuck your songwriting partner?
I think he genuinely wants to get arrested. I really do. I think he wants them all to get arrested so they can finally be alone in a room together. A lovely cell for four. Just shimmying at them. And Billy looking at him like, Bro. What the fuck is wrong with you?
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Paul’s “woo” and shimmy :: John’s “woo” and weird little kick move. And Paul looks so fond, of course. 
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God bless Mal for stalling those little fucks as long as humanly possible. And Debbie! “Don’t actually go on the roof because it’s overweight.” Gaslight, gatekeep, girlboss!
Absolutely LOVE John and George turning their amps back on. That’s right. You guys are what’s keeping the country going at this point, so if you want to play on your roof they better let you play on your roof and say thank you.
All the times when they just simultaneously turn to each other. Like, yes, this is our que to stare hungrily into each other’s eyes. 
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My stomach just dropped at those words across the screen. “This was the Beatles’ last public performance.” We know, Peter Jackson. You don’t have to remind us. Jeez. 
John and Paul’s two very different but equally important leadership roles in the band at work here at the end of the concert. John delivers his iconic line, makes everyone laugh, and seals the band’s last performance with a very tight bow. Meanwhile, Paul’s climbing the gate to bypass the crowd and schmooze the police out of arresting Mal. 
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THIS is sooo cute. Heads buried together and John’s very sweet, “‘s’matter? Hmm?” 
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George is so cute here in the control room afterward. No wonder they don’t listen to his not wanting to do things, honestly, if he acts like this after. “What’s the law say why you can’t do that? Well how disturbing the peace? Yeah, I’m for taking over London. And every rock group in the world all on different buildings, playing the same tune.” Adorable.
Poor John. It breaks my heart that he doesn’t think his little lyric flub is funny. He’s disappointed in himself. I wish he could see that that’s one of the things everyone loves about him. George was grinning ear to ear about it. For fuck’s sake, that’s one of the reasons Paul fell in love with you in the first place. If only John could see himself the way we see him, you know? 
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This little moment cracks me up. John always has to be mommy’s naughty little boy, and Yoko does a very sweet job of playing her part here. 
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Linda and Paul are so touchy and clingy and it’s very romantic and I love that Ringo joins in and makes fun of them.   
The whole after-show glow for everyone was just so palpable and fantastic. I wish they could've gone on performing together. Clearly it made all of them very happy.
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aethon-recs · 6 months
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Love the blog!
Wondering if you have any Tomarry/Harrymort case-fic/mystery recs?
Thanks so much for the ask! I also can’t get enough of the casefic/mystery genre.
Usually I throw together a mix of both WIPs (why WIPs?) and complete fics, but for this set of 15 recs, I selected for fics which are either complete or still actively updating, so as not to leave you on a cliffhanger on a mystery fic! A few of these fics are outright casefics, and a few of these have a mystery component where the big reveal comes to light as the story unfolds. Hope you enjoy!
*
Tomarrymort Mystery Recs
aurora polaris by @aglassroseneverfades (E, 153k, WIP)
Harry wakes up one day with no memory of his past, upon which he’s greeted by a handsome, doting older man named Gaunt who claims that he and Harry have been in a relationship together for years. 
Blood in the wine by @girl-with-goats (E, 31k, complete)
Tom Riddle achieves immortality by the means of vampirism. Enter young copper Harry Potter, fresh recruit from Scotland Yard, sent to investigate the mysterious disappearances of all the young men who uncannily look like him.
Corpse Party: Hogwarts Edition by @robinegberts (E, 67k, complete)
Harry, Hermione, and Ron skip the Halloween feast, only to wake up to a world where the castle isn’t right. It’s cold, empty, quiet. The layers of dust suggest it’s been abandoned for years. And outside the classroom lies the corpse of a girl who went missing years ago. As they wander the halls of this strange alternate version of Hogwarts, they encounter corpse after corpse, warnings left behind by the dead, and for some reason Harry feels they’re being followed.
Dead Leaves on a Wet October Day by @trelloreads (T, 29k, complete)
Harry is a ghost hunter. Riddle Manor is his strangest case yet.
Everything We Dream Can Be Real by @vdoshu (E, 52k, complete)
Harry had a life after Voldemort. He had a family. He had a career. And then one day it was all ripped away when he woke up at Number 4 Privet Drive. Or: Where Harry doesn’t exactly get that chance to do it over again. And things are Not Okay.
Keepsake by IceLynx (M, 5k, complete)
“I am Lord Voldemort, and I have not kidnapped you.” “That's... I should have known that.” Because Voldemort's words ring true, deep in Harry's heart. Harry tries to remember, but the thoughts won't come to him. The more he forces it, the more obvious the gaps in his memories become. “Why didn't I know that?”
Let's Cross Over by @whisprchrysalis (M, 251k, complete)
A hundred years after the end of the Second War, Harry Potter, Master of Death, unwittingly helps the last fragment of Lord Voldemort’s soul escape Limbo. Now, bound to Tom Riddle for the next five years, Harry has to coexist with the man he feared the most. Or: Auror MOD Harry and Tom Riddle strike an uneasy truce and solve crimes together, and Harry has to decide if his capacity to save everyone includes everyone, really.
love seeping from their guns by @purplemineralwater (E, 41k, complete)
Detective Harry Potter is just trying to enjoy his holiday when the tranquility of the lovely cruise along the Nile is shattered by the discovery that Theodore Nott has been shot. He was young, rich and beautiful, a boy that had everything – until he lost his life. Or: Harry investigates some murder, Tom tries to help, everyone has many, many secrets.
No Body, No Crime by @duplicitywrites (M, 20k, complete)
Harry works as a car mechanic in a small town. He and Ginny are best friends, their close bond the product of a traumatic event that scarred them both as children. One day, Ginny confides in Harry that she thinks her husband—the charming, enigmatic Tom Riddle—is cheating on her. A day later, Ginny goes missing. Harry is convinced that Tom is behind her disappearance, and becomes determined to exact justice by any means necessary.
One Year In Every Ten by @saintsenara (E, 165k, WIP)
A decade after the final battle, just when the wizarding world thinks itself safe, a serial killer emerges, leaving a trail of dead women in his wake. Each of the bodies bears a gruesome message for the Aurors. A message which claims the Dark Lord has risen again. All Harry wants is something to distract him from a marriage falling apart at the seams. Maybe his latest plan to save the world, requiring Lord Voldemort to agree to turn his talents in the realm of wrongdoing to solving the case, will be just the thing…
Personal Assistant by @phantomato (E, 10k, complete)
Harry receives a mysterious package. Inside is a ring. A weird, ugly, old one made of gold and some kind of black stone.
Reconciling with Death by Madame_Psychosis (M, 27k, complete)
Featuring a dead girl in a forest, little-soldier-boys, some tenuous grasps on reality, straw mothers, a ghost in a bathroom and, slowly and sadly, kindness from a boy who’s just passing through time.
The Matchmaker by @eris-dawn (M, 44k, complete)
The Matchmaker is a serial abductor whose modus operandi consists of pairing two same-sex individuals together in a coffin, six feet underground - buried alive. He isn't a killer. He's a kidnapper with morals, and Detective Chief Inspector Tom Riddle finds himself obsessed with solving the case. Unfortunately for Tom, the Matchmaker is just as intent on knowing him.
Tom Riddle and the Quest for Vulnerability by lejf (E, 16k, complete)
They found him in an old house, under the stairs. His face was pale and instantly recognisable. aka: Auror Harry Potter has eighteen-year-old Tom Riddle bent over the table barely a day after he becomes his ward.
Wings of Ash by IceLynx (M, 31k, complete)
If eight people going missing isn't cause enough for panic, one of them being found dead might do it. The Ministry of Magic has no choice but accept all the help on offer, including that of former Auror Harry Potter. For Harry, it might be a chance to get his job back, if he can only crack the case first. Surely Harry can be forgiven if he too takes all the help that's offered. Including that of his pet snake, the former Dark Lord Voldemort.
*
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I just rewatched 02 x 07 for the first time since finishing all the books and I can't stop thinking about it. I feel like everyone is either on the side of (1) it was all a big ploy, or (2) that's it for Moiraine and Siuan they can never come back from this--but I really don't think either of those are true.
I think the most in character thing Moiraine could possibly do is forgive Siuan, for the following reasons:
Moiraine knows that she would do the exact same thing that Siuan did here--namely, sacrifice anything (even their relationship and their trust in one another)--for the sake of the world and their mission. And this shared goal, these compatible values, and this mutual understanding is literally what has kept them together despite 20 years of distance and secrecy from the world.
[MINOR BOOK SPOILERS] We see in one of the books that Moiraine believes she and Siuan have made their beds and will lie in them one day by becoming involved in the quest to find the Dragon -- I believe the way she phrases it is about payment coming due for all the rules they've broken and the secrecy etc. that they needed for their quest. If this is her attitude, she is not only willing to give up everything, but expects to give up everything. And she expects it of Siuan as well.
Siuan has already proven how much she would give up for their quest. She became Amyrlin despite, as we learn this same episode, how much she did not want to be trapped in the tower and could not see her future there. She gave up any semblance of a happy life (how she would picture it both with and without Moiraine!) for this quest.
In some ways, if Siuan had just let Moiraine take Rand through a waygate to Falme, it would have actually been a betrayal of their mission. Their mission wasn’t “get Rand to Falme.” It was “protect and train the dragon reborn.” Siuan feels the need to do that as acutely as Moiraine does--and critically, Moiraine knows this about Siuan.
This goes quadruple if Siuan actually did think Moiraine could be a dark friend. Siuan thinks Moiraine lied to her!! And Moiraine knows this too, since Siuan does at least have the chance to say "You lied to me!" Moiraine would understand that if there was any chance Moiraine had been turned or was compelled, Siuan had to try and stop her from taking Rand off to god knows where.
Literally just a few days earlier Moiraine had threatened to have Alanna take Lan’s bond by force if he stood in her way--aka, the way of her mission. At this very moment, Moiraine herself has spent days (weeks?) contemplating what it would mean to betray the autonomy and trust of those she loves most if it means saving the world. And she knows what side she's on.
When Moiraine says, “if you have ever loved me don’t do this” my heart shatters into a million pieces. But that line is not just ,“it will be a betrayal of our love and trust if you compel me." It is that, but it's also a call for Siuan to see Moiraine for MOIRAINE. She’s saying “you know me.” She’s trying to get her (Siuan) to see that what she (Moiraine) is doing is not about her shame and pride but about the mission. Because it is ALWAYS about the mission, Moiraine IS the mission, and Siuan loves her because of that, and Moiraine knows Siuan loves her because of that 
Moiraine clearly hesitates before going through the waygate. Her character isn't one to linger out of shock and betrayal. She lashes out and she puts up distance--we've seen this all season. Moiraine moves forward. So I read her looking at Siuan here as far more "I love you and I'm sorry [I can't help you? it's come to this? we can't reconcile?]" than "How could you?" or "You're a different person to me now." I’m not trying to minimize the violation Moiraine is also feeling in this moment, I just think that if the violation was her primary emotion she would likely behave differently. And if she can have this messy a set of emotions even in the heart of the moment, I have faith she can similarly hold multiple emotions later when reconciling.
The flashback scenes are so heartbreaking but they don’t have to mean that Moiraine and Siuan feel so betrayed and far from those versions of themselves that they will never be together again. Those flashbacks can also be saying “remember when we were those people?” Holding onto those versions of themselves is how they hold onto their love despite this scene.
Those flashbacks also remind us that their relationship in the show is like 50 years old. It is deep. People don't throw away 50 years of relationship without a conversation, even if there is a deep betrayal involved. And that's normal people--not even people who have given up absolutely everything for a cause that the relationship has now gotten wrapped up in. In the books, they are together for a few years and then seemingly go their separate ways when the Dragon is reborn. I don't think the show would have gone out of its way to deepen and lengthen this relationship just to end it so quickly and unceremoniously.
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5) DOES HANGE HAS FEELINGS FOR LEVI?
In Chapter 115 of the Manga, we can see how worried Hange was for Levi.
Levi got caught and blown by the explosion of the thunder spear causing him to lose 2 of his fingers and got badly injured and wounded. He's bathing with his own blood and barely breathing/alive.
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When Floch said that they're going to shoot Levi on his head, Hange lied by saying Levi is already dead... (look at the way she held Levi's head! 😭😭 She held him like he's the most fragile thing in the world.)
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Her reaction when Floch told her he's going to check/confirm by himself if the captain is really dead or not. She looks mad and worried at the same time. Luckily, Floch and the other Yeagerists' attentions was moved to Zeke who just recovered his whole body, Hange took that chance to risk everything and take Levi to a safe place with her.
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In chapter 126, Hange shot her comrades who's pursuing them in order to protect Levi. Her tears were falling down because she doesn't want to kill them, but had Hange hesitated to do it, Levi will be the one who'd get killed. She killed her comrades before they could kill Levi to keep him safe.
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She treated his wounds and talked to him though she knew he's unconscious.
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"I'd rather the two of us to just live here. Right, Levi?"
Just by looking at Hange's eye before she said those words, you can see and feel her sincerity. She doesn't said it as a joke as she doesn't have time to do it. AND SHE THOUGHT LEVI WAS SLEEPING so she just let those words out—to pour her real feelings out. There are panels where Hange said she's tired and she admitted it herself when she talked with Mikasa and Jean, telling them she's serious about wanting to run away from her responsibilities... But she doesn't want to run away... alone.
She wants Levi to run away with her.
Singers like IU wrote songs about wanting to run away with their lover... The lyrics goes like, "Dearest, Darling, My Universe, will you take me with you?" "Far in the Universe, from Earth to Mars, could you come with me?"
I do believe that Hange meant to say those words to Levi as a confession. Because if she doesn't mean it in a romantic way, why would she blush after she found out that Levi heard her?
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Is it because she's shy that Levi heard her talking to herself? They are close friends, so what's there to be shy about? Whatever the reason was, it just proves that she cares about what Levi would think about her.
Which is really ironic because Hange isn't the type of a person who cares about what others would think about her. But she cares about how Levi would think of her because she has romantic feelings for him.
(If you have more time, you can watch this video on YouTube.)
So does Hange loves Levi? Does Hange has romantic feelings for Levi?
If loving someone means...
1) lying to protect that person
2) risking your own life to save that person
3) killing your comrades in order to keep that person safe
4) wanting to run away and live with that person just the two of you, together
5) hugging that person like they are the most precious thing in the world for you,
then, Hange, indeed, has romantic feelings for Levi 💜💚
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to be continued~
(continuation here)
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emilover-1 · 3 months
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Mori Ogai; kindness and philosophy.
Mori is a very interesting character, and with that it comes the complexity of the character, since he is a complex character and not too much is known about him, its pretty often people in the fandom mischaracterizes Mori, so let’s talk about his kindness first.
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In the official BSD guidebook, it is said that his strength is kindness and that his weakness is that he is uncertain whether he truly has the confidence of his subordinates.
Kindness is being selfless, caring, considerate and generous, is mori any of those things…? Actually yes. First let’s go with the selfless definition.
Selfless is being more concerned with the needs and wishes of others than with our own, unselfishness. Mori has shown to be concerned about Yokohama and the port mafia more than being selfish by just focusing on own needs, he has textually became the boss and therefore slave of the own organization, everything he does is for the better of Yokohama and the pm, Mori even helped Atsushi in his debut appearance despite it not giving any benefits to himself, there was no need to save Tanizaki and help Atsushi at all, yet he did.
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He is caring towards those who are in the pm, even though some may die in missions he sent them to, he is shown to be sad when they die WITHOUT a reason, more than a hundred of his subordinates died because of a mission and he griefs over them because there wasn’t a good reason for them to die, after all mori is called “He who fell out to the optimal solution” isn’t he?
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He is considerate towards (surprise) the pm and Yokohama, he puts Yokohama above EVERYTHING, even above personal wishes or needs, not to mention that he was generous to Higuchi admitting that Higuchi wasn’t suitable for the job but yet let her stay.
Now that the kindness topic is off the table, let’s go with his mindset and philosophy.
The philosophy that would suit him the best would be Niccolò Machiavelli’s philosophy. Niccolò Machiavelli thought that the end justified the means fully, he also thought that it was best to be both loved and feared, yet the two rarely go along, and anyone compelled to choose will find greater security in being feared than in loved, but why? Because if people love you, they can still do things against you or your ideals, but if they fear you, they won’t.
Despite Niccolò not mentioning the word ‘philosophy’ in The prince or The discourses the word philosopher does appear (once) in The prince and 3 times in The discourses, Niccolò is seen as a philosopher himself by a lot of people, lets dive into his philosophy.
Niccolò thought that it would be excellent if a ruler had morals and all good things and none of the bad, but since it’s the nature of life that you cant have or practice al those qualities all of the time, a ruler must take care to avoid the disgrace that goes with the kind of failings that could make him lose his position, just as Mori thinks; the end justifies the means, if a ruler had morals it would be good, but it can’t be possible or it will lead to failure, it just isn’t possible, it isn’t affective.
Mori isn’t good on terms of morality, which may be contradictive to the first part where we were discussing kindness, however Mori is kind not because its just natural and no other intentions than good, he manipulates those people he is kind to, though not always, most of the time he manipulates. This is related to another thing Niccolò thought, was that you could be good, have morals, but not too much because its ineffective, you cannot be good because for you to be a good leader most of the time you have to be cruel, going back to the love and fear, you cannot control how or who people love but you can control who they fear. Have goodness is good, its good but its simply not affective, no matter how much people love you or claim they do, they can always lie, so why not lie to them too? Its better to be feared than lied that they supposedly love you but hate you and start conspiracies. People are cruel, selfish and deceiving, so why not be too?
A lot of people in bsd fear mori, others admire him, but almost none hate him, that shows how good of a leader mori is, and despite dazai and yosano hate him, yosano still fears him, and dazai didn’t always hate mori, dazai just started to hate mori because of what mori did with oda, yet dazai recognizes that it was the most logical solution, the only reason he ‘hates’ and I don’t think it can even be defined like that, I would say that its resentment, dazai wouldn’t kill mori, dazai has no wishes to become or even come back to the port mafia, and again that shows how good of a leader mori is.
Thank you for reading my analysis!
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phoebepheebsphibs · 4 months
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NOT THE SHAKY LINES AROUND DRAXUM TOO (That alone gives me angst pangs 😭) HHHHHHHHHHHHHHH I'm perfectly normal about this guy what do you mean :')
HECK YEAH HUG UR SON GOAT DAD
This does beg the question though- have you thought about where Draxum was during the invasion? (within the lore/au/etc of this story/comic, at least?) Why WASN'T he there when Mikey almost died?
food for thought :3 and fun
I love this comic so much 😭 uyghjdfqwseuhghugsivyjbhkjdcvb
(Real quick cuz I love this detail— but if you look closely you can see that the shaky lines surround just Draxum in one panel… but then spread to Mikey too when he starts crying.)
I heard one theory that Drax was out of the country getting magic supplies and junk… I like that idea, of him traveling to Japan to learn about ancient Yokai culture and legends…
But personally I think he was just. Busy. Or trapped. Similar to how Cass was there, she just wasn’t “there” there. I assume that he was either at the school, at his apartment, or down in the Hidden City somewhere. He probably wanted to find the guys but got caught up in the Krang attacking wherever he was, and didn’t get a chance to call them or check in until a fair amount of time after everything was done.
{For my comic of Draxum’s Nightmare, however, I like to think that he was doing nothing in particular. He was relaxing, enjoying his day, plotting some mad scientist stuff, and didn’t even hear about the Krang attack until hours after it was over. He was maybe in the Hidden City shopping and renovating his lab, doing some fine work, maybe getting a new robe too, and of course filing paperwork with the Council of Heads so that he was no longer a wanted (goat) man. And then when he goes home to his apartment, via portal of course, he turns on the TV and sees the news. His heart drops as he realizes what he missed. Draxum is not a begging man, but he actually begins to pray that they all made it through safely or survived, because of course they’d be in the middle of it. His phone blows up with texts from April and Mikey and Donnie and Raph and probably not Leo except for a meme that says “I lived, sheep man!” with him giving a peace sign while he lies on a stretcher with a leg cast and arm cast and enough bandages to qualify him as a mummy. But they lived. They are okay… mostly. They didn’t need his help after all. Sure, it might’ve been easier if he was there, but there’s no point in dwelling on the “what ifs”, especially since it all worked out. Splinter calls. Cassandra calls. Mikey calls. He goes to help them and hears about the entire battle… not like he was worried, he’s seen what they can do— MIKEY DID WHAT.
Oh.
Oh heads.
And his greatest fear haunts him. Because… he wasn’t there. And one small mistake could have cost the life of the one Hamato that saved him… changed him… accepted him. When no one else did. When everyone saw him as either a failure or a villain… and he could have lost that one precious child.
And he could have helped, he knew what to do! He knew how to use that kind of magic and he’s had experience opening portals to other dimensions!! HE COULD HAVE DONE IT BUT MIKEY DID AND HE HAD NO IDEA HOW TO DO THAT AND IT SHOULD HAVE KILLED HIM—! …Mikey should be dead at this very moment.
And Draxum would never have had a chance to say goodbye.}
I hope you enjoyed that haha
:D
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acourtofchaos · 4 months
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Currently having so many ideas and thanks to them all whirring about in my brain, I can't decide what to actually sit down and write first, so I'm gonna write a little description of each (apologies because I absolutely suck at summaries) and then leave it up to a poll because why not 🤷‍♀️
IDEA #1
Mattheo Riddle x F!Reader / Tom Riddle x F!Reader. Set a little while after the war when the world seems to be returning back to normal. But peace doesn't last and the Riddle brothers have been keeping secrets from you about rumours that are swirling to do with Voldemort's followers not entirely being gone. It all comes to light in the worst possible way when the three of you are attacked and Mattheo sacrifices himself to save you and his brother. As months go by and you remain drowning in your grief whilst Tom grows utterly possessed by grief and revenge, the only solace you find is with each other which eventually leads to something neither of you could have ever expected and complicates everything when your investigations into the rogue ex death eaters lead you to a shocking discovery. Mattheo is still alive.
IDEA #2
Mattheo Riddle x F!Reader. When you are asked by the order to spy on Mattheo and he is told to spy on you by his father, the two of you forced to put aside your hatred for each other in order to fulfill your tasks. But just how close are the two of you willing to get to the other in order to be successful and will the fragile feelings that begin to bloom, despite convincing yourselves its still all fake, be able to survive when the lies you've built them on come to light?
IDEA #3
Theodore Nott x Lestrange!Reader. Rivals since you were kids, you and Theo have never been capable of doing anything except butt heads. But times are changing and the world is growing dark, on the very precipice of a war that neither of you want to be part of but you've been signed up to since you were born. When the pressure to become the perfect soldiers your parents expect you to be will you both break and lose yourselves or will you find salvation and the will to fight back in the very person who had always prayed to see your downfall?
IDEA #4
Lorenzo Berkshire x F!Reader. This one is mainly vibes atm but best friends to lovers with a shit ton of pining, drunken kisses that they insist mean nothing (lies), a first love confession that goes horrifically wrong and some angst and miscommunication before they get the second confession perfectly right.
IDEA #5
Tom Riddle x F!Reader. Smut smut smut. I basically got inspired by the song sucker for pain and imagined a scenario where you and Tom are in a relationship where you deliberately piss each other off and make each other jealous just so the other one will ruin them. Like imagine Tom thinking he has the upper hand in this scenario constantly because if you piss him off he gets to ruin you and if he pisses you off he still gets to ruin you because there's no way you'll be able to ruin him right? You won't be able to make beg. There's no way you won't break first and end up begging him to fuck you because no matter what you do, the man has immaculate restraint and he would never lower himself to begging anyone for anything. Even you.
Oh how wrong he is.
IDEA #6
Mattheo Riddle x F!Reader. Smut smut smut. Despite breaking up, you and Mattheo just can't seem to stay away from each other.
Inspired by maroon 5's animals
IDEA #7
Mattheo Riddle x F!Reader. Smut smut smut. Best friend Mattheo being jealous as fuck of the guys you keep wasting your time with and being determined to prove to you that he knows you better and could treat you way better than any of them ever could.
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swervinonalatenight · 7 months
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So many have interpreted The Emperor Balduran as a meta commentary on the how the player interacts with game characters and acts as a mirror of how you’re character acts to others. Which is super interesting and props to the writers for it.
But I always see The Emperor, “The Character”, which is its own can of juicy worms.
I should start off by saying this. The Emperor is NOT Balduran.
Ceremorphosis in its final stages destroys the soul of the host and replaces them with a mind flayer that has some of the memories and experiences of the host. They are not a transformed version of the original. (So sorry to pull out the rug on those who want to save Karlach with ceremorphosis, but that’s not Karlach anymore, it’s an ilithid based on Karlach.) They cannot be resurrected, they cannot be recovered. Their fundamental nature has changed from whatever they were, into a new mind flayer.
With this in mind, we can examine The Emperor from the start of your first meeting. The Emperor lies to you. He comes to you in a form of a dream guardian, someone who appeals to whatever you or your characters ideal is. He is everything you would want from the start and promises to protect you if you help them.
When The Emperor does reveal himself as a Mind Flayer, he doesn’t do it willingly, when you have grown to trust him and he you, it’s when he was forced to, when all options of hiding are gone. IIRC he never says anything about revealing it to you, if he could he would have kept lying to you for as long as he needed. He plays off his deceit by saying that he needed you to trust him, that you weren’t ready for the truth, shrouding you in wool of “forces beyond your understanding”.
He catfished you.
Then next you talk he tries to relate, tell you of his exploits as a human. A noble act yes, but again, shrouded in mystery as to who he was. He says he only killed criminals to feed off of, but never what kind of criminals. Were they murderers? Petty thieves? Gang members? Someone who stole bread to feed a starving sister and their son? He never says, just “criminals”. He worked with someone to make the place better, only to have it turn out he mentally controlled her to the point of making her brain dead.
His best friend, most likely lover, saw he was sick and went from heaven to hell to try and get him better, while he said he was fine with how he was, until the point where his lover was unable to accept him being gone and he killed him in self defense. Only, as it turns out, his lover may have actually been trying to stop him from doing something evil.
He says he has a troubled, but understandable past that you should sympathize with.
He then comes to you shirtless, ‘vulnerable’. He says there is a connection between you two that has driven you closer, that you understand him and he you. He gets you, and thinks you should “get to know him”. He seduces you, and he’s happy if you go along, but if you refuse he sounds miffed, like he was banking on it happening. And he says he knows everything about you and what you want.
He uses sex and a perceived attraction as a means of gaining trust, started with a false sense of vulnerability.
When you do as he says, follow his lead and “trust” him, he acts happy, overjoyed that you trust him and that you are following your best chance at salvation. That you see Balduran, not a mind flayer.
When you don’t do as he says, not necessarily distrust and go against him, even just thinking “maybe there’s a better option” he calls you a fool, and idiot, an incompetent who will damn themselves and everyone else because they don’t follow his vision. Even in the end, when you say you trust him but killing s bound and helpless man who he’s enslaved and exploited to get this far is wrong and that freeing him is best. He immediately cuts all ties and goes to a higher form of authority to get back at you. He exploits your desires about you, using the dream guardians as fodder. All your desires are nothing but tools to break you down. He knows you, but since you defied him, he will break you for daring tho think against him at all.
Really, The Emperor is an abusive/manipulative partner. He breaks down natural barriers of trust with his words and charisma of “trying to help you” and that you are the only hope (“I love you so much, you are so much better than me”). But only in so much as you follow his word. (Why are you doing this? Aren’t we partners? Don’t you love me? I’m the only one who can help/love you!) He isolates you from the others by talking to you alone, wraps you in six different kinds of lies to protect your sweet precious mind. (DW, it’s fine you don’t need to think that hard about it baby. I will take care of everything you just listen to me) And the moment you decide any other way than his way may be better, he goes against everything he has ever said to you and joins with the thing that enslaved him before just to get back at you, using everything you gave him against you. (Why don’t you love me!? We shared so much together?! Fine! Hope you love getting harassed and swatted bitch!)
The Emperor never cared about like he said. He’s a mind flayer, you are just, a really important thrall to him. That’s all you ever will be. A mind flayer mind is so alien to the thought of “other races are ok” that the closest they can get is “my favorite slave”.
He cares about you only in so much as you ensure his freedom. Becoming a mind flayer, is his way of gaining total control, as you are now HIS ideal, alone from anyone else that may care about you.
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falsemortal · 2 months
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Ache; Part 2
The hotel smells like a closet. Infested with mothballs and the aged hint of old perfume, powdery and somewhat floral.
Travis bids Laura good night, parting after assisting her with her luggage. Her room was right beside his, a door conjoining them if need be.
His joints creaked as he sat on the edge of his bed. He hadn’t bothered to turn on the lights as exhaustion poured out of him and made him sink further into the mattress.
It’d been a night and some driving after what happened. The blonde had fallen asleep about an hour into the trip, which left him to his thoughts.
The aching never went away.
She’s been the one holding his heart unknowingly, and while he is content with just being friends.. he still yearns for more.
Years, possibly decades holding and putting himself behind everybody and watching them grow and achieve their goals. He was left in the dust.
..Travis has no one now except her. No family; at least none that speak to him. No friends; he pushed them away years ago at the height of the curse that ruined his life. Ruined and poisoned everything he knew in life.
Yes, he knows his family life wasn’t.. great before.. but it’s what he had.
That’s all and gone now; buried with ashes on Hackett land.
He sighs, rubbing his knee before standing back up to stash his bag on the dresser. He takes his shirt off and catches a glance of himself in the mirror, making him grimace at what he’s become.
Old, mean..
He sees silver reflecting in his chest hair and groans.
Laura could never look at him like he does her. He fights himself each and every time because he shouldn’t be thinking such things about the young woman.. but it’s true; she’s beautiful.. and funny.. and so, so smart.
She deserves so much more than him. What could he possibly bring her? He’s nothing but a traumatic asshole, who she probably pitied and put up with because he’d do anything for her.
He’d had his hopes up, when her lips touched his. A daydream he often had, where they could both be happy and nothing more. After years of just a kind pat on the back from ‘friends’ and family, he was petrified getting to touch her that intimately, but just as it had started.. she’d used him.
The thought echoed in his mind, his heart splintering with every beat. Max, the fucking ex-boyfriend had seen them together and.. she used him.
Used him as a shield, used him to deflect conflict– it hurt too close to home and he’s silently angry that she didn’t recognize that, didn’t think things through.. but that’s how she is, right? A one track mind with one goal, not caring what else got in her way.
He touches his cheek like she had, brushing it upwards and into his hair and scratching his scalp. He felt stupid and naive; he greatly appreciated the friendship they had built but he didn’t understand why she stuck around. He ruined her life, he took away months from her, he introduced her into the fucked up world that they both travel in, hunting unknown creatures in the hopes of saving people so they don’t end up like… them.
Travis sits back down, undoing his boots and setting them on the floor beside the bed. His jeans come off next, and just as he’s thinking of slumping back into the uncomfortable mattress and just sleep it off.. he sees the mini fridge.
He sucks his teeth and crouches down, opening it up to see the ridiculously priced alcohol inside. He can spare for a few, just enough to get his belly warm so he can slumber in relative peace.
He grabs two bottles, the glass clinking satisfyingly in his grasp. They’re definitely not his brand, but it’ll do as he cracks one open and starts to down it, he squints his eyes as the taste runs over his tongue. “Fuck is this shit..”
His throat burns as he looks at the label, trying to decipher the brand and make but to no avail he puts the other one back. He’s not a quitter, so he downs the rest of the bottle with a shiver and goes to lay down in the bed.
The warmth travels down his chest as he lies down, he rolls onto his stomach in hopes of sleep taking him faster as he buries his head underneath the pillows.
It’s takes a few minutes of him drowning out the world around him, but he sleeps.
~*
Travis doesn’t dream often.
Nightmares, yes.
Dreams? No.
He’s in Laura’s apartment, he’s been there plenty of times to help her. Whether it’s when she was moving in, had an issue with something hands on.. he was there.
It was warm, so he assumed it was summer.
He sat on her couch, watching the cityscape. Something that was fascinating to him, so far and different from North Kill. He enjoyed city life in short bouts, but he doesn’t think he could ever live there full time.
The couch arm dipped beside him, and a hand touched his shoulder. His eyes blinked over and his face instantly heated up.
Laura looked at him with hunger; similar to that of when she transformed back into a human, riddled with blood and visceral, and so very naked and on top of him.
Except this time, there was no blood. It was just her and her natural beauty, her scent enrapturing him as she straddled his lap. He felt himself twitch to life, his hand squeezing the couch with all his might.
“Travis,” she purrs, pressing her chest into his, “Has it really been that long?”
His voice cracks, “About what?”
“Since you’ve,” She rolls her hips slowly, “been with someone.”
The older man bites his lip, holding back the sound of want that is rattling in its cage to get out. He can’t control himself as he gives a gentle thrust against her, making her gasp and giggle into his neck as she begins to kiss and nibble on him.
“Laur,” he groans, stretching his neck to give her more room on reflex. “What are you.. what are we doing?”
“Making you feel good,” she smiles, “You can touch me, y’know, I won’t break.”
“I.. see that,” he gasps as his hips give another thrust, his cheeks burning brighter, “..but why?”
“Can’t you just live a little?” She grinds down on him with more intention, making him whine slightly as he feels cock grow heavier. “We both want this.”
He shakily puts his hands on her hips, making her purr again as she rolls slowly, bringing them both pleasure. He wets his lip as he gently starts to guide her, the warmth of her flesh under his fingertips sung high in his nerves.
She laughs and suddenly they’ve changed positions, him over her. Her legs spread wide just for him, her wetness glistening and so tempting. He reaches out to touch her and moans, relishing in how beautiful and breathtaking she was.
“C’mon,” she grins and taps his ass with her heels, “You know you want to..”
He gives in. Lining himself up and thrusting inside, an explosion goes off in his mind at the sensation. He wants more.
And more he has, the girl before him hungrily joins him in thrusting back. She tightens around him and he about blacks out, his cock weeping in happiness.
But just as they’re about to get back into it–
~*
He blinks and he’s back in the hotel room, alone and thrusting harshly into one of the poor, lumpy pillows. He can’t stop himself, the pleasure feels too good and it’s been a long time since he’s indulged in himself.
He imagines her beneath him; how tight and hot she must feel. He imagines the sounds she might make as he grabs and slams the headboard, god, he’s so close it hurts. He doesn’t even hear himself as he pants and calls her name gently, he’s so stuck in his head as pleasure pulsates through him.
He hits the edge, his whole body twitching as he rapidly thrusts into the poor pillow. A cold sweat breaking out as he feels his balls tighten, he comes with a shout, hot loads shooting out of him and into the sweaty, cheap sheets. He felt incredible for the first couple moments and then realization hits as he slumps into the mess he made.
“I’m a fucking monster,” he murmurs, regret flooding through his mind as he lays there and contemplates getting up or suffering the consequences later.
Only.. to hear something from the other side of the wall. Laura’s side of the wall.
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that-ari-blogger · 30 days
Text
Inciting Incident (Thank Goodness)
One of the most popular songs in Wicked is sung by Galinda, and centres around the idea that the society she lives in is corrupt and that she is the only one who knows how it really works. But is she right about that? Does she actually know as much as she thinks?
I think the answer is complicated, and that's the fun of it. I think that Glinda has intellectually grasped that the system is flawed, but I don't think she's emotionally wrapped her head around it. Case and point, the complete and utter cognitive dissonance that is Thank Goodness.
Let me explain.
SPOILERS AHEAD: (Wicked, The Trekkie's Tale)
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Thank Goodness is actually two songs. Thank Goodness itself, and a reprise of No-one Mourns The Wicked. So, it's a rehashing of the first act, opening with Glinda conversing with the crowd, the difference is whether or not she is appearing to agree with it.
In the first Glinda tries to argue for Elphaba's morality, and it frames the entire story. But now, Glinda stands idly by and goes along with all that the chorus says while they get more and more worked up by lies that she knows to be untrue.
You would think that the two segments of the song being in agreement would mean that they go well together, but they really don't. Thank Goodness and No-one Mourns The Wicked do not fit with each other at all, in my opinion.
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So, what does this mean?
I think that this song shows Glinda lying to herself, and finally starting to crack and realise what is happening.
Glinda spends this song deflecting from the problem, instead of confronting it head on. She relies on popularity and giving the people what they want to distract them.
My ex-girlfriend is being hunted by the masses for something she didn't do, but look over here, I'm getting married!
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"Like some terrible green blizzard
Throughout the land she flies
Defaming our poor Wizard
With her calumnies and lies!"
The obvious thing here is the tense. This is happening now, as opposed to something the characters have lived through and made it out the other side of. It is more immediate.
But the other thing that I want to point out is the wall that the Ozians are putting up. The reason Elphaba can't get through to anyone is because they think she is lying, because who are you more likely to believe, someone who you trust implicitly, or someone who everyone around you says is dangerous?
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The song is broken into four sections. The introduction, Glinda's two reflections, and Madame Morrible's story, which prompts her to change her mind a bit.
"When you bowed before his throne
He decreed you'd hence be known
As Glinda the Good, officially!"
The following is an excerpt from The Trekkie's Tale, a Star Trek fanfic first published in 1974.
"Gee, golly, gosh, gloriosky," thought Mary Sue as she stepped on the bridge of the Enterprise. "Here I am, the youngest lieutenant in the fleet - only fifteen and a half years old." Captain Kirk came up to her...
"Here, take over the ship for a minute while I go get some coffee for us."
This is the archetypal Mary Sue story, a format where the protagonist gets all that they want and more. The world revolves around Mary Sue, and as a result, it isn't particularly compelling. She wins everything, then she saves the day and dies, and everyone mourns her.
Nobody online seems to be able to agree on whether this story was a satire of general fanfiction trends or not, a fact that I find rather funny.
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But compare that to the story Madame Morrible is telling about Glinda. Allegedly, the wizard gave her the title for... not much actually. In Morrible's version of events, good people get things just because, and nobody is asking any questions.
Essentially, Glinda is getting all that she wants on a silver platter, with no questions asked, no strings attached. Well, one string attached.
"Then with a jealous squeal
The Wicked Witch burst from concealment
Where she had been lurking, surrpetitially!"
I mentioned in my post on Defying Gravity (maybe go check that one out) that the central conflict that ended Elphaba and Glinda's relationship was that Elphaba was prepared to sacrifice everything, and Glinda wasn't. But Glinda did have to give up something to achieve her dream, and I don't think she quite understood that until now. To get the power she craved, Glinda had to lose Elphaba.
This song is essentially bludgeoning Glinda over the head with the fact that this tradeoff was not worth it.
That is the dissonance inherent to Glinda's entire character. She recognises the flaws in the world around her but has convinced herself that it will be worth it when she gets to power.
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I don't think that Galinda would have realised this, and I am making a point of differentiating Glinda and Galinda. In my mind, Glinda is the version of this character who fell in love with and was changed by Elphaba. The two characters are incredibly similar, and one is an evolution of the other, but it is the influence of Elphaba that makes the difference.
Galinda was seeking power for the sake of it, a person who got her way because she couldn't understand anything else. But Elphaba changed that and gave her a purpose for seeking to climb the ladder. I think Glinda believed she could make a difference from within the structure of Oz, probably to help Elphaba.
Glinda has got everything she theoretically wanted, but at the behest of the reason she was doing it, and now that she is here, she can't even initiate the change she wanted to change. Glinda made the wrong choice, and is only now realising it.
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"We couldn't be happier
Right, dear?
Couldn't be happier
Right here
Look what we've got
A fairy-tale plot
Our very own happy ending."
If you are wondering why I've been leaving Glinda's monologues until the end, it is because they make my case for me, and make analysis rather difficult as a result. I have been saying over and over that this musical is about dreams and reality colliding, and that is explicitly stated in these verses.
The fact that there are two of these mirrors the two sides of Glinda's character. The first is the side that craves the attention and has got everything that she wants, then the song reminds her of Elphaba, and she tries again with a more nuanced perspective.
"Though it is, I admit
The tiniest bit
Unlike I anticipated
But I couldn't be happier
Simply couldn't be happier
Well - not simply
'Cause getting your dreams
It's strange, but it seems
A little, well, complicated"
This is literally what I've been saying. She's got what she wanted, but not in the way she wants. It's complicated, and that facade of hers is finally cracking.
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That duality is mirrored by the time signature, which is maddening. The song oscillates between a ton of different signatures, and if someone with more musical knowledge understands anything more about this than me, please give me a hand.
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From my, admittedly limited, understanding, this feels like a lack of surety. Glinda doesn't know what she wants or thinks anymore, so she can't decide what she is singing.
It also gives an incredibly informal tone, as the lack of structure matches how a person speaks, almost. There have been two characters who have distinct speech patterns in this musical, Madam Morrible, and Glinda. The script of both of whom is written in recurring patterns and rhythms, making up words to match the metre of their sentence. It's pompous and pseudointellectual.
This is most obvious in how smooth the start of Defying Gravity is. There, Glinda doesn't have to change how she talks to match the song, because she is already speaking in the right rhythm.
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Cynthia Erivo's rendition of this song in PBS's Wicked In Concert is phenomenal and I highly recommend you check it out, not least of all because removing the crowd gives the song a completely different vibe.
But here, halfway through a song, she gives up with artfulness and just speaks her mind. It's still a song, so you still get the rhythms and melodies, but that is breaking down, and is gone in the script from this point forwards. That's partially why I say Glinda and Galinda are different people, they sound different to each other.
There are a few almost exceptions to this rule, and I say almost exceptions because they come really close to breaking the mould, but don't.
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In this exception, Glinda is trying to convince herself that she is happy. The song is limited to one thought, the idea that Glinda should be happy, and there can't be anything wrong. She has got everything she wanted, and that would make her happy, right? Happy is what happens when all of your dreams... That's the word that throws her off, dreams.
This is no longer Glinda's dream.
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This song is a microcosm of Glinda's entire arc in the musical. She follows the story laid out for her, but is changed by the journey until it no longer fits. She has changed, and now she can't do anything about it.
Ironically, Glinda has gained all the authority she could dream of, but she is more powerless and has less agency than she started with, and all of that happened without her notice.
"There's a kind of a sort of, cost
There's a couple of things get, lost
There are bridges you cross
You didn't know you crossed
Until you've crossed."
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Final Thoughts
Genuinely, my favourite trope in a story is a character undergoing character development and not realising. For example, the "nobody's that heartless" line in The Emperor's New Groove.
But Glinda is my favourite example of this because of the way in which she reaches her conclusions. She is smart, possibly the most intelligent character in the entire musical, but her biases cause her to make some serious leaps of logic and ignore several things that would change her worldview until she runs headfirst into them.
Also, the stagecraft of this song is simple in order to not distract from Glinda's thoughts, but that means a lot of these photos are remarkably similar. I apologise for that.
Next week, I will be looking at Wonderful, and how it forms a neat little mirror of Sentimental Man, so stick around if that interests you.
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