#so its not actually the story i wanted to tell but it's the one i got

[theyluvkarolina]

Pook I know this might be extremely detailed, but can I request one where its max and reader but reader and max used to date and now max is with a new girl? But reader is still in love with him? Social media type layout? Sorry if that's like heavily detailed, btw love your Lando x reader (specifically the one with the pizza date thing.)

𝐈’𝐋𝐋 𝐋𝐄𝐓 𝐘𝐎𝐔 𝐁𝐑𝐄𝐀𝐊 𝐌𝐘 𝐇𝐄𝐀𝐑𝐓 𝐀𝐆𝐀𝐈𝐍

· . ୨୧⭒๋࣭ ⭑ ` ` one day, i will stop falling in love with you. ` ` ⊹ ‧₊˚

𝐒𝐔𝐌𝐌𝐀𝐑𝐘 ୨୧ Max and Y/N were the best couple on the paddock. Until, things came crashing down after Max says “I want to focus on my career” only to find himself with a new girl. And it hurts so much.

𝐒𝐎𝐍𝐆 ୨୧ Let You Break My Heart Again - Laufey

𝐏𝐀𝐈𝐑𝐈𝐍𝐆 ୨୧ Ex!Max Verstappen x Fem!Reader

𝐖𝐀𝐑𝐍𝐈𝐍𝐆𝐒 ୨୧ angsty? (I hope it is 😭), potential cheating, unrequited love, max is being a asshole (i promise i still love him @maxtermind)

𝐀/𝐍 ୨୧ ahhh tysm for the love! I appreciate it sm! i’m so sorry your request took so long, things have been hectic 😭 also, photos of kelly will be blurred because i won’t be using her as the new gf. I don’t like using current photos of drivers gfs and painting them as the villians in fanfics. i hope you guys understand! I just made up some random girl name for the new gf (Annelise Beringer) lol. enjoy!!

part 2??? 🤭🤭

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y/n.l/n

liked by lilymunihe, alexandrasaintmleux, fransica.cgomes and others

y/n.l/n girls night :)

tagged ; lilymunihe, alexandrasaintmleux, fransica.cgomes, & rebeccadonaldson

2,746 comments

alexandrasaintmleux 🩷 👭

→ y/n.l/n ✔︎ the love of my life 🥹 → charles_leclerc ✔︎ that is my girlfriend??? → y/n.l/n ✔︎ not anymore. my gf, my dog, and my house now leclerc. → charles_leclerc ✔︎ SINCE WHEN DID YOU TAKE CUSTODY OF MY DOG?? AND WE ARE LETTING YOU SAY HERE FOR FREE??

username1 if there’s a girls night, you know you fucked up.

username2 i hope y/n is okay :(

→ username3 i mean, leaving someone after 8 years hurts, i doubt she would recover from this for a while.

username4 stop the girls hanging out to cheer her up 🙁🙁

rebeccadonaldson ✔︎ we have to do this more often ❤️

→ y/n.l/n ✔︎ as long as it’s not under my circumstances i’m all for it 😩 → username5 Y/N 😭😭 → username6 what in the world did max do to her 💀 → lilymunihe ✔︎ GIRL. → fransica.cgomes ✔︎ i think another girls night is in order. → y/n.l/n ✔︎ @ pierregasly control you’re girl before she drags me to every store possible to cheer me up. → pierregasly ✔︎ sorry. kika wears the pants in this relationship. → charles_leclerc ✔︎ don’t worry mate, we can tell.

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y/n.l/n ✔︎

liked by landonorris, rebeccadonaldson, italyexplores and others

y/n.l/n buongiorno italia! spent the trip with my favorite girls 🩷

tagged ; lilymunihe, alexandrasaintmleux, fransica.cgomes, & rebeccadonaldson

3,104 comments

username7 i’m so happy the girls are there to support y/n after what max did :(

→ username8 especially after the rumors now circulating… poor girl → username9 rumors??? what rumors??!? → username10 based off the rumors, Max’s dad wasn’t happy with him dating Y/N. Something about her being too “normal”. And instead wants Max to be with a dutch-german actress named Annelise Beringer. the whole “we want to focus on our careers” is a cover up story. This all being before Max’s home race in Zandvoort. → username11 that’s actually so sad if true… y/n deserves better. do you know if max ever put up a fight for their relationship??? → username10 that I don’t know… but I hope he did…

username NABOKOV??? you have TASTE.

username oh to have enough money to go on a trip to italy and be on a boat

username idk who i want to be they are all so stunning 😩😩

lilymunihe ✔︎ men suck guys

Liked by y/n.l/n!

→ alexalbon ✔︎ uhmmm i’m right here?? → lilymunihe ✔︎ uhmm… i said what i said?? → alexalbon ✔︎ defend me here @ pierregasly → fransica.cgomes ✔︎ pierre literally stood me up in a restaurant? → pierregasly ✔︎ kika, first of all i did not stand you up, second of all, I left to go to the bathroom for 5 minutes? → fransica.cgomes ✔︎ he hates me guys 😭😭😭 → username11 I CAN’T WITH THESE COMMENTS

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maxverstappen1 ✔︎

liked by redbullracing, schecoperez, f1 and others

maxverstappen1 another race, another podium! 🏆 (Might get Jimmy and Sassy a new sibling 😆 )

4,391 comments

username12 who tf is that second hand Max Emillian Verstappen.

→ username13 get that woman OUT. justice for y/n. → username14 i really hope those rumors aren’t true… → username15 why are you all so invested in his personal life… he doesn’t need to disclose everything. → username16 yeah but someone decided to maybe move on from their ex gf of 8 years in 3-4 MONTHS???

redbullracing ✔︎ once again! 👏

→ username17 how to make red bull stop winning 🧑‍💻 → redbullracing ✔︎ not possible! 😉 → scuderiaferrari ✔︎ crash into them → redbullracing ✔︎ … i think i’m going to stay far away from you guys next race.

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maxverstappen1 ✔︎

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maxverstappen1 my favorite supporter from the bottom of my heart!

tagged ; annelise.beringer

5,329 comments

charlesleclerc ✔︎ oh how wonderful 🙂

→ username18 bro does NOT approve → username19 THE SARCASM…

alexandrasaintmleux how..lovely!

→ rebeccadonaldson ✔︎ …cute! → fransica.cgomes ✔︎ wow!! 🤯 → lilymunihe✔︎ awww!! (i’m puking) → username20 the bf effect 💀

annelise.beringer ✔︎ mijn liefje 💋

→ maxverstappen1 ✔︎ ❤️

username21 y/n is right there.

Liked by y/n.l/n! Unliked by y/n.l/n! → username22 UHMMMM??? y/n what are you doing here???

username23 anyone else feel like this is all a PR stunt??

→ username24 I THOUGHT I WAS THE ONLY ONE??? → username25 no bc max could never move that fast from a relationship… especially one as long as 8 years…

username26 not the hard launch 😬

landonorris ✔︎ who?

→ username27 LANDO.

username28 how about… no!!

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(ENG TRANSLATION: I’m going to chop off his dick.)

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𝐀/𝐍 2 ୨୧ tee hee!

#☆ﾟ user ↳ theyluvkarolina ◝ #f1 x reader #f1 fanfic #formula 1 #formula one x reader #f1 imagine #f1 smau #formula one x you #☆ﾟ smau ↳ theyluvkarolina ◝ #max verstappen x reader #max verstappen #max verstappen imagine #max verstappen fanfic #☆ﾟasks ↳ theyluvkarolina ◝ #formula 1 x reader #formula one #f1 fandom #f1 fic #f1 x female reader #f1 x you #max verstappen x you #f1 angst

[emphistic]

Hiii I wanted to say I love yours works and was wondering how sukuna would react to yuuji wanting us to be his valentines 💓💓💓

Yuuji knows what chocolates you do and do not like. . . Actually, he didn’t. Sukuna did, however. And — being the awesomest brother he was — told Yuuji, albeit not for free. The boy had to earn it (Sukuna’s words) by mopping the floors of the apartment. Why did Sukuna choose such an odd way of payment? Who knows. And then, of course, Sukuna had to accompany Yuuji to the store in order to purchase said chocolates.

Yuuji isn’t sure what flowers you do and do not like. But he didn’t care; he thought all flowers were beautiful no matter what color, shape, size, and that each flower was pretty and unique in its own way. That’s what he repeated to himself in his head as he picked flowers straight from the dirt in the gardens outside your apartment complex.

Yuuji sees you wear some colors more than others. So he assumes you like those best. That’s what he thinks to himself as he colors in a card for you using those exact colors with his crayons. And though they weren’t a carbon copy — since he was working with very limited resources — his brain didn’t notice. And neither did you, when you received the card.

Yuuji loves you, a lot. He loves you a lot. Yuuji loved how caring you were when he got a boo-boo. Yuuji loved how good your cooking tasted compared to everyone else's. Yuuji loved how you would sing him to sleep — he, like his brother, thought your voice was amazingly lovely. Yuuji loved how funny you were, the jokes you would tell to cheer him up, and they worked. They always worked. Yuuji loved how soft your hands were when brushing through his unruly pink locks, much like his brother. Yuuji loved how you showered him with your undivided attention.

Yuuji was a smart kid . . . sometimes. He saw the way his brother changed when you started coming over to the apartment more and more often. Even when he was very little, he noticed. He noticed that after you permanently moved into the apartment, Sukuna was softer towards him. Sukuna smiled more. Sukuna laughed more. Sukuna loved more.

And so, Yuuji loved you a lot. Because, most importantly, he loved how you changed Sukuna — for the better.

Unfortunately, and like most kids, one thing he didn’t love was . . . school.

School, a center for learning to some and a prison to most. But if he didn’t go to school, how would he learn what Valentine’s Day was? How would he know that Valentine’s Day was a holiday to celebrate love, friendship, and admiration, for those you call special? He wouldn’t. Yeah, in a nutshell, long story short, however you want to call it, Yuuji wouldn’t know. He wouldn’t know what Valentine’s Day was. But, without you, he wouldn’t even know what love was — save for his brother, [occasionally], of course.

And what did Sukuna do? — Since he loved Yuuji so much? He fixed the little kiddo a tie and suit, of course! Yuuji looked utterly dashing wearing Sukuna’s suit; the pants were dragging a bazillion feet behind the boy and the tie was completely off-centered. (Were you expecting a suit tailored and sized for a little boy? LOL.) Maybe Sukuna did that on purpose. Maybe not. Sukuna did happen to snap a picture, though. Oh, he was so going to use this as blackmail once Yuuji grew older.

Yuuji thought he had finally obtained the confidence and big muscles of a man when he grew the courage to sit you down on the couch so he could “talk” to you. But as soon as he saw you looking attentively at him with the most gorgeous eyes he had ever seen in his whole four years on this planet, he nearly experienced heart palpitations right then and there.

Coming to the rescue, Sukuna came over and patted his younger brother on the back. Nodding at him in reassurance.

You had to admit, Yuuji looked absolutely adorable whilst he stuttered over big, complicated words not fit for a mere child, but when he finally got it, he shoved the chocolates, flowers, and card into your hands.

“And—and, I wan’ to ask you to be my va . . . wen . . . tine. . . Vawentine!” It took him a few tries to remember the “correct” pronunciation and to sound out the word syllable by syllable, but what mattered most was that he got it — in the end.

Yuuji raised his arms into the air, for some odd reason, like a person cheering or celebrating. Speaking of which — in this case, he would be celebrating his finally having gotten the hang of saying the word ‘valentine’. But he just looked so precious that you couldn’t even find the heart to tease him about it. Not even a little bit.

And if you were paying a little more attention to your surroundings, you would see that Sukuna was in the corner of the room, slowly and silently moving his lips as in a way to help Yuuji sound out the tough word.

“Thank you, Yuuji! — For all the gifts.” You scooped him up into your arms, peppering kisses all over his face. “I love you so, so much! Of course I’ll be your valentine. You are just too cute, aren’t ya?” You pinched his chubby cheek, eliciting a squeal from the boy. “Such an adorable little baby. I just want to put you in my pocket and take you everywhere with me.”

Yuuji nodded fervently, although he didn’t understand a thing you had just said.

All the while, Sukuna crossed his arms over his chest, huffing, before facing away from you two.

“Aww, are you mad that you're not my baby?” You turned your attention towards your boyfriend — who continued sulking — and so did his little brother, still snuggled in your arms.

“What the fu—what the heck? No.”

“That you’re not my honey bun?”

“Stop.”

“That you’re not my sweetie poo?”

“Oh my God.”

“That you’re not my—”

He cut you off, turning around and swiftly slapping a hand over your mouth so fast you didn’t even see it coming. But, what you were able to do was: lick a stripe up his hand covering your mouth.

“Eugh! You just always have to ruin my day, don’t you?” Sukuna grimaced, pulling back and wiping his wet hand on his hoodie. You let out a cheeky laugh in reply.

“I think that someone . . . is a little jealous. Don’t you agree, Yuuji?”

He nodded. “Mhm!”

“I am not jealous, matter of fact. You all are just stupid.”

“Stupid?” You raised a brow, wanting to see where Sukuna was going with this.

“Yeah. Valentine’s Day is for couples. Couples. Not friends. Not . . . not anyone else. So, Yuuji can’t be your valentine.” He smirked at the now frowning boy in your arms. “Sucks to suck.”

“We are a couple. A couple of fwends.” Yuuji nodded profusely.

“Doesn’t count.”

“Yuh huh!”

“Nuh uh.” Sukuna stuck out his tongue jokingly at his younger brother.

“My teacher told me that—that Valentine’s Day is for friends, too. She said it is also a day for fwendship.”

“Well, your teacher is stupid.”

Yuuji clawed at your arms, trying to escape in order to jump out at his brother. He was mad. Big mad.

“Yuuji, no. No fighting.”

“That’s right. Listen to your friend, Yuuji. Listen to your friend, who’s not your valentine.”

At this, Yuuji flew out of your arms and lunged at his brother, tackling him onto his back on the couch.

-

Moving on, it’s safe to say that the next day at school, Yuuji told all of his classmates that his valentine was an angel.

Taglist: @beyond-your-stars @sad-darksoul @mochimoee @r0ckst4rjk @lillycore @deepchromatose @yinyinyinyinyinyin @fivehoneyharg @desihopelessromantic @taiyakii @hannas16 @acroso @msvalsius @call-memissbrightside

#sukuna x reader #ryomen x reader #sukuna x you #jjk x reader #jjk x you #sukuna fluff

[pukanavis]

Fuyume Hanamura Idol Story 1

ーThe Yumenosaki Academy library, two years since the establishment of ES.

Fuyume: Excuse me?

Are there any fairy tales here…?

Oh, the shelf over there is the section for picture books and stuff?

Thank you for your help.

~...♪

(Ah, she was right. Yume recognises a bunch of the books over here.)

(They’ve got a good selection to choose from but the categorising is a mess. They’re just randomly thrown onto the shelf without any care for alphabetical order or release date.)

(Oh well…apparently no one has any love for fairy tales…)

(‘The Little Mermaid, ‘Momotaro’, ‘Tale of The Bamboo-Cutter’, ‘Snow White’, ‘Urashima Taro’, ‘Cinderella’—)

(Oh! It might not be the one Yume was looking for but he’s in the mood to read Cinderella today.)

(This story is another one that Yume adores.)

(It’s a tale about love being rewarded.)

…♪

Fuyume: …? Hm? Oh, uhm, you’re that nice person from earlier—did you need something?

You were so kind to Yume earlier, so he’d be happy to give you some company.

Huh? The Yumenosaki Academy library is off-limits to anyone that doesn’t work for or attend the school?

How could you tell that Yume isn’t a student here?

Ooh, cause Yume isn’t wearing the uniform…?

That makes sense…no biggie, Yume will be sure to wear the school uniform next time.

Yume is really good at sewing, so it won’t be a problem…fufu ♪

Huh? That’s not the issue?

Yume doesn't like anything you’re saying right now.

Here he was thinking you were a nice person.

Fuyume: Huh? Yume’s name is Fuyume Hanamura.

And you are? …Anzu-san? You’re a graduate of Yumenosaki?

You’re here at your old school to do some producer work, huh? It made you feel nostalgic so you’ve been walking around the grounds…? 

Oh, is that the case? Hmm…♪

Then, aren’t you and Yume in the same boat? Yume goes to a middle school separate from Yumenosaki and you’ve already graduated…right?

It sounds like neither of us are allowed to be here.

Let's work together then, okay? If you pretend you never saw Yume, he won’t go around yelling, ‘There’s a trespasser in here!’ …♪

What do they call it? A contract, business, bargaining? Let’s do something like that…♪

If you’re willing to comply, Yume will leave you be. He isn't particularly interested in you anyway.

Yume is just here to read some fairy tales.

…♪

Fuyume: Huh? Did you need something else? You want to know what Yume is reading?

Ehehe, you’re interested in fairy tales? Sounds like we can get along.

Ehehehehehe. Yume is just reading a picture book about the massively popular princess, Cinderella. Though, he actually wanted to read something else. 

Maybe you’ve heard of it? For some reason, no one in Japan knows about it—it’s a fairy tale about an amethyst. 

Even if you don’t know the story, maybe you’ve heard this quote before?

—”The amethyst broke into pieces.”

Fufu. I guess you haven’t heard of it. Oh well.

Basically, it’s a story about an ordinary girl that comes across an amethyst that can grant any wish that she desires.

In fact, she actually fuses with the amethyst and becomes a crystalised-human of sorts.

It’s a curse put on her by an evil witch…ehehehehe ♪

The plot is kinda similar to ‘The Happy Prince’. Actually, something like ‘Arabian Nights’ or ‘The Monkey’s Paw’ might be a better match.

After transforming into the wish-granting amethyst, the girl wishes for her crush to pay attention to her, or to become better friends with people—

With each little wish she makes, the amethyst uses its power and gradually begins to crack—

Aah…♪ Eventually, her body becomes so fractured that it crumbles away and she loses all of the love and friends that she had been granted.

Her loved ones view her like a monster and chase her away in fear.

After everything, the final wish she makes is—

Fuyume: —Ah, wait, Yume thinks you should read it for yourself to find out what happens next. Spoilers are a crime!

Ehehe. If there’s one thing Yume can say, it’s that he empathises with the amethyst girl and even admires her.

At the end of it all, the final remaining piece of her—

Becomes a ring that showers the wedding between her best friend and the one she loved in joy.

After everything, her final wish is—wait, oops, Yume just realised how much he’s spoiling. He’s really really sorry.

You don’t mind? Really? You’re super kind, you know?

Ehehe. You see, Yume shares the same wish as the girl who became a ring.

—-“I wish for your life to be full of joy.”

During her final moments, the girl whose selfish asks led her to break apart used her last wish to bring someone else happiness. 

Ehehe. Yume doesn’t have the power to grant wishes but he’ll do everything he can to achieve that too.

For example, Esu goes to Yumenosaki so Yume snuck in to watch over him in secret.

Huh? Does Yume love Esu?

It depends how you define ‘love’ but yep, Yume loves Esu.

But it's sad, isn't it? The reality we live in isn’t a fairytale.

—The amethyst already shattered long ago.

#Fuyume Hanamura #enstars translation #Ensemble Stars #4piece

[sailor-aviator]

Hey.

Go ahead and get settled because this will be...long, in true Liz fashion.

So, by now I'm sure most of you have heard what's happened. If not, you can search this blog for some answers or others for more.

I joined this fandom offiicially at the end of September after being a long time lurker. I had just lost my job and times were uncertain for me. I felt inspired to write, and as someone whose formative years were shaped by the fandom experience, I wanted to feel that sense of belonging again - to feel like a part of a community. I've talked about it on here before, but I started my fandom days in the original Hunger Games fandom when the first movie had just come out, and then I shifted gears towards the SuperWhoLock fandom. If you know anything about SuperWhoLock, then you know you had to have pretty tough fucking skin to be a part of any of it.

Of course, this was back in the day when fandom was an actual community and not authors having to beg for scraps of engagement and people thinking its a numbers game. I was a fairly large blog within the SuperWhoLock community (Waywardly-Carrying-On was the username), but I left fandom for a few years because life got hectic and I felt like I had outgrown the fandom itself as I was no longer watching any of the shows. As the years went on, I started to yearn for the fandom experience again, which is how I found myself dipping toes into several different ones.

I was so excited to publish my first fanfic. I had convinced myself that I wasn't a good writer (much to the chagrin of my irl friends), and I had put a pause on writing my original story. I wanted to write this idea about a cowboy and a girl using characters that I had grown to love like I did way back in my older days. So, I started posting, and I was so excited for the story, that I kept posting almost daily. MamaMay was one of the first people to embrace not only my story, but me as a person into the fandom. She made me feel welcomed and wanted.

Pretty much right off the bat I was already getting anons telling me that I was being too much and that I needed to calm down with all the posting. I was confused because...this is Tumblr. It's literally a blogging website? Why wouldn't I post? I decided to ignore the mean words (not before giving my opinion, of course) and kept on doing my thing. Well, the anons got continually worse and worse. I had a suspiscion as to who the anons could be, but I never had concrete proof. So, I experimented with blocking suspects until finally it worked. I'm not naming names because that's not my style, so don't even bother asking.

The fact of the matter is, some of you have entered fandom spaces for the first time, and you don't know how to act. You don't care to learn fandom etiquette as you've made abundantly clear by calling fandom olds every name under the sun while utilizing the anonymous feature. Newsflash, you're part of the problem. You're the reason why authors don't want to publish anymore. You are the reason that something that's supposed to be fun is starting to feel like a goddamn chore.

How many times can authors on here say that we aren't machines? We have lives outside of this website: family, friends, jobs, school, etc. Some of you really are just hellbent on making everyone around you miserable, and it's sad. You can't just leave well enough alone and let people enjoy something, no you feel like everyone has to enjoy it the same way as you.

Some of you go after authors on here because of some weird sense of jealousy too. I don't know why my shit blew up, babe, I really don't. But I started out with no followers and no support just like everyone else. I'll tell you what helped me though: following fandom etiquette and reaching out to other creators to build an actual community. None of this "I've reblogged three of your things and now I'm messaging you so that you return the favor." No, I reached out to make actual friendships which is what fandom is SUPPOSED to be. If someone was clearly not interested, it was fine!! I backed off and kept doing my own thing.

Some of you think being mean on the internet makes you big and bad. Guess what! It doesn't! It's loser mentality and I feel genuinely sorry for you. I'm sorry that people in your own life made you feel so small as to feel like you had to lash out at strangers on the internet who are just trying to have fun.

Anyway, this is my really long way of saying that I am taking a break for a little bit. I have no idea how long it will be - could be the weekend, could be a couple of weeks, could be forever. I need time to decide if this is something I want to keep persuing. If I come back, I don't know if I will remain a TGM blog or if I'll shift gears and hop into another fandom with a rebrand. Guess we'll just have to see.

To the people on here who have been a constant source of joy, laughter, and support: thank you. From the bottom of my heart. Your presence has meant everything to me, and I hope that my break sees me wanting to come back and giggle about the silly plane movie with you all again.

Nothing but love,

Liz 💛

#psa #public service announcement #this has been a psa #liz speaks #liz rambles #long post

[handsometheo]

You've gotta hear me out on Ithaqua getting a little too possessive towards his survivor partner during a match ! Love your works btw <3

Mmmmmm Possessive Ithaqua 😍

Warnings: You'll never guess this one but Possessive behaviours

Pairing: Possessive! Ithaqua x Gn! Reader

--------

- He isn't sure what caused it. Maybe it's his own instincts telling him he needs to protect you, or maybe the manor is affecting him somehow..

- Your Team is quite possible the worst concotion of players to have paired with you. The Prospector, the cowboy and the "prisoner". He's semi-alright with Luca, he doesn't really do much harm. Its more a case of him being annoying to deal with on a good day.

- However Kevin and Norton strike Ithaqua the wrong way.

- He immediately finds Norton but instead turns his attention to finding you, just to make sure you stay away from them.

- He finds you. Quite easily actually. He comes across you helping Luca to decode who quickly runs off in favour of saving himself. Smart man, Ithaqua has to applaud him for using that mildly malfunctioning brain of his. He does have to break the connection, if only to delay your guaranteed escape.

- He lets you finish the cipher and simply stands around impatiently huffing and puffing to the side like a bratty child not getting enough attention. And that's accurate to a certain degree.

- once the cipher is done he tells you to go into a locker so he can pick you up and take you with him. You think nothing of it as this is fairly normal behaviour he likes to carry you around you've noticed. His little giggle when he picks you up just melted your heart.

- However. Unlike the usual routine, Ithaqua takes you to the nearest corner of the map and places you there before trapping you within his arms. His cloak making the two of you practically disappear, well.. you know as much as one can with the terror radius thing..

- His eyes are animalistic and his jaw clenched, but he makes no move to act on whatever violent act is forming in his head. Just pulls you to him as though he is trying to mesh with you.

- of course, he was mostly..., kind of, calm.

-Until the two idiots turned up. And by that I mean Norton and Kevin.

-Kevin lassoed you from Ithaqua's grasp, that alone made him screeched out in rage, but just to add some extra sourness to the situation, a magnet gets thrown towards him. Forcing him back into the wall.

- You struggle your way out of Kevins hold and push him away right as Ithaqua dashes at him. Norton quickly runs off to possibly hide in case he needs to really save, or possibly help Luca to continue saving.

- "IDIOTS, BOTH OF YOU!" You yell out to nobody in particular as Kevin had already run off. Ithaqua stays still for a moment, left eye twitching.

- He turns quickly. "Stay." He commands as though you are a dog awaiting your next trick. You're going to stay near, obviously, just maybe that Cipher off to the left will somehow get finished off...

- He dashes away in the direction Kevin left.

- As you're decoding, the prospector returns around the corner.

"Hey."

"Fuck off. That was stupid and you know it."

"Yeaaah.. but got the reaction I wanted. He's a tad bit, whats the word, protective? No. Possessive. Thats the one! Like he owns you."

"If he ever got asked if he owned me he definitely would answer like that.. It's a bit much at times, maybe next time to come running up to try and save when he's clearly not going to chair me. Luckily he seems to have lost Kevin."

The last Cipher gets completed by you and Norton but just before you can run to the exit, Norton says something that irks you.

"Geez, I didn't ask for your life story.. no need to keep going on..."

Yoou dont even initially intend to do it but you're hand reaches out to slam his head against the nearest wall to temporarily stun him.

"Not so fun now is it.."

In the distance a pissed off roar can be heard from Ithaqua, who you can assume just missed hitting the now escaped Kevin and Luca.

"Now, we're gonna surrender." You tell the prospector sternly

"Why would I do tha-"

You grab his ear and stare at him, "Consider it your apology to Itha. Believe me Kevin's going to deal with far worse."

Quiet grumbles are all that are heard from the disgruntled ex-miner.

----

Hope you enjoyed :) I partially forgot what I was writing halfway through but I loved writing this ♡

#x reader #fanfic #idv x reader #idv ithaqua #idv night watch #idv nightwatch #idv night watch x reader #idv nightwatch x reader #idv ithaqua x reader #ithaqua x reader #night watch x reader

[flower-boi16]

”you want everything to be spelt out to you!” “The show doesn’t need to explicitly spell it out for you!” “You can just infer it!”

This is the exact same defense I always get whenever I argue with Viv fans when I criticize Viv’s piss-poor writing. And the thing is this IS true; shows don't need to explicitly spell things out to the audience, as there are conclusions that the viewer can draw on their own without having to be explicitly told by the text, usually by the text giving direct hints to that explanation.

The problem is that Viv fans' definition of inferring isn't "drawing conclusions on our own with direct explicit hints given from the text that is the canon explanation the story wants you to come to" it's "making shit up to try and explain and/or justify Viv's terrible writing".

There are three times where I got this defense when arguing with HH/HB fans all three times I lost several brain cells in the process.

The first time was in a discord server where I posted an HB episode tier list and put Truth Seekers in C tier (the mediocre one). One of users commented on this and I explained my reasoning why I thought the episode was meh. One of these reasons was the plot hole of why the Dhorks didn't send the footage they already had to the government.

The user then countered that with "how do you know didn't send that old footage?". Well, the reason why I know that is because the episode gives no actual indication that they sent it, and when I said that the user countered that with "because there was also no indication that they didn't send the footage". And then after that the argument spiraled into both of us repeating the same counterarguments over and over again.

The user says that it's logical for the audience to assume they sent the footage because it's the logical thing to do cuz why would they keep it. Which, ok, you can assume that they did send the footage but there's no indication of that within the story. This does not change the fact that this is an unanswered question that the story itself didn't answer, did they or did they not send the footage?

That's a pretty important question to answer and the show can't just leave it there. And then the user tells me "you don't need to be told, Its in your face how they act". There is no way to infer if they did send the footage because the story gives a SINGLE hint that they do, and the story DOES need to say if it they sent it or not.

This is not inferring. This is making shit up to explain Viv's writing for her. Did they or did they not send the footage? This is a big question that the episode does not answer even though this is a major plot hole and it can't just leave it hanging there for fans to just guess. The episode gave no indication that they sent the footage, so I have no reason to believe that they did. You can't infer ANYTHING from this.

This explanation is simply something made up, not a conclusion that's given direct hints from the show. If the next never said it happened, it did not fucking happen. This assumption is literally just headcanon.

The next argument was from an ask I got calling me media literate for my point about how fans shouldn't have to create fan theories to explain Viv's writing for her and Viv should explain her world-building herself. It stated that the explanation for why sinners are confined to the pride ring (making the exterminations more efficient/easier) is the clear explanation that the show doesn't have to spell out because 1) The show says that there are annual exterminations which aren't viable without the confinement and 2) Lucifer gets control over which ring his subjects go to.

Both of these explanations suck, here's why.

The exterminations simply being there does not explain the confinement. Also, this explanation doesn't work to begin with as I've talked about before

Lucifer having control over where he sends his subjects to doesn't inherently explain why he sends them to the pride ring specifically.

The "sinners are confined to the pride ring to make exterminations easier" was a fan theory created by the fans to explain this because the show itself didn't bother giving an answer. That's bad world-building.

The show itself needs to explain these things rather than having fans create explanations for it. There isn't any way to infer that because the show never once gives any hints that this is the reason. And, like I said before, the explanation doesn't even work anyway.

There is no way to infer why the sinners are confined to the pride ring at all, this explanation is once again a headcanon. But when I pointed this out, the anon said that I just want everything spelled out for me.

The third and final instance of this is with our good ol friend truffhollowell. Ya know, the person who's been going around on Hazbin critical posts spouting nothing but complete bullshit.

This argument was under this post about why Vaggie's turn around made 0 sense. In the post truff tried countering my argument with "uuuuh, actually, not all murderers are heartless monsters!" even though that is explicitly what the exorcists are shown to be.

They then go around and say that Vaggie could've been thinking "how could a child end up in hell" and she realizes Heaven's corrupt systems and develops her own identity (at least that's what I remember them saying since they deleted all of their replies once they lost the argument lmao)....even though there is NO indication within the show that this is what's happening.

This is not inferring. This is just a headcanon. But truff says that you CAN infer it because...child murder is bad...

...umm...WHY TF WOULD THE EXORCISTS GIVE A SHIT IF CHILD MURDER WAS BAD IF THAT CHILD IS A FUCKING SINNER????? And THEN they hit me with that same fucking claim of "oh, you want shows to spell things out for you!".

Ya, well, guess what, I can't infer any of this because that's not what's happening. This is not what's happening in the scene, this is just a headcanon truff made up.

There's more to their arguments than just that but that was the general point they were making.

I'm so sick of always getting this stupid-ass defense because NO, I DON'T want everything spelled out for me, I want things to actually make sense. I'm looking at specifically what the text itself is saying, the information that it gives out and what's happening within the show.

Not your headcanon you made up to explain Viv's terrible writing. None of these explanations are people infering things based on direct evidence from the show. They are just headcanons/theories with nothing in the text hinting towards it.

So, to anyone who is going to give me the "you can just infer it yourself!" excuse to defend these shows whenever I criticize them...

Shut the fuck up.

#vivziepop critical #hazbin hotel critical #helluva boss critical #vivziepop criticism #helluva boss criticism #hazbin hotel criticism #arguing with viv fans is a headache inducing nightmare #sorry #I just wanted to vent about this #because it's SO FUCKING ANNOYING getting this same argument over and over again whenever I complain about Viv's shit writting

[winterkittenreads]

Review: Dead Boy Detectives [Season 1]

Audience: 16+

Stars: 4.7/5

dear radish,

I LOVED this show. I felt so alive at the end of it. Go watch it!!!

Things I loved:

Found family

Tied to the Sandman universe but tells its own story in such a wonderful, engaging way

The way our titular dead boy detectives Edwin and Charles have been through the meat grinder, but still want to help others. The way they keep each other afloat omg. Precious.

A LOVE TRIANGLE THAT I ACTUALLY DON'T HATE OMG. I know who I'm rooting for though ;)

The way it doesn't shy away from depicting violence. Because the world IS brutal, even as there's pieces of light in it.

Crystal finding strength through the past women of her family. Loss of memories as a metaphor for how the slave trade stripped Black Americans of their history and identity (maybe). And the empowerment that comes with reconnecting with one's roots/lineage.

Pacing. Look, I admit it. I'm someone who often watches shows at 2x speed. Well buddy, this show moved so fast that I felt no such compulsion to speed it forward. Possibly because the show's creators needed to fit so much within just 8 episodes. But they pulled it off!

Niko's room is full of manga and anime posters, and I loved that for her.

Spoilers:

I HOPE NIKO COMES BACK IN SEASON 2 ARGHHHHHH.

WAS THE GUY IN THE FISH DESTRUCTION???

Night Nurse redemption arc I'm readyyyyyyy

CHARLES IS A BI-KING CHANGE MY MIND

#dead boy detectives #the sandman #edwin payne #charles rowland #edwin paine #crystal palace #niko #dead boy detectives netflix #film and media #show review #ghosts #esther finch #found family #tragic mick #monty the crow #cat king

[astro-break]

I've been sitting on this ever since the chapters came out but Kiriwo vs Iruma and Azz was actually a really good section? Both from a technical and a storytelling standpoint it was top notch and is an excellent case study of how far Osamu Nishi's writing has come

First off, its the first time both Iruma and Kiriwo are meeting face to face after the events of the Battler Party. And it only took 300-ish chapters. Of course its going to be impressive, but I kind of want to focus on what I really really love about these two chapters.

From a technical analysis, I absolutely adore the double page spread with Kiriwo breaking the panel to lean over and devour Iruma. Demons are the most powerful when they are their greediest and not even the foundations of the medium can stop Kiriwo. I also absolutely adore how the hand pointing into his mouth lands right over Iruma's terrified face, the outstretched hand as well boxing him in with no way to escape. It breaks the natural flow of reading manga, forcing readers eyes to jump from the first panel to the last immediately. Even the speech bubbles which also break the panels to bleed into the next are boxing Iruma in, leaving only Kiriwo as the only option. He's right. Right here. Into his mouth. That's the only direction the manga allows him to go. Not even Azz, who is logically right behind Iruma on the other side of the barrier, can't be seen. Its just them.

One thing that Mairuma likes to emphasizes is eyes. Nishi likes putting in a lot of close ups of the face but eyes specifically is something she puts a lot of focus on. Of course, eyes are the only reliable way to tell if someone has returned to origins but eyes also change according to wicked phase. They are the windows to the soul, and whenever a hype moment occurs, the eyes are almost always a focal point to enhance the action.

The latter half of 303 really ramps this imagery up as eyes become one of the main focus points of the sequence. Iruma's watery eyes when he asks if its really Kiriwo, the concealment and subsequent focus on Baal's eyes as he looms over Princes Shura revealing his motives (also Shura covering her face up till Baal "saves" her is an interesting symbolic choice i might write about), the ever present return to origin markings on Kiriwo's eyes after declaring his intentions, and that final page is all about eyes. My favourite is the hiding of Azz's eyes as he breaks the barrier only to reveal them as he boldly says he'll stay by Iruma's side, eyes finally coloured in when up till that point in the chapter it was left white.

Speaking of panels though, Kiriwo is allowed to break past the gutters and invade other panels. His single minded devotion to consuming Iruma allows him to bend the laws to manga and lean right over. So logically, the next page where Azz saves Iruma, Azz who is consumed by devotion and is perhaps even more enamored with Iruma would do the same, no?

Nope.

Despite everything, Azz is still trapped within the story and its confines. Not even his words break through the boundaries. The best he can do is close the gap between the gutters, squeezing the panels together as close as he can. He still lacks critical information and Kiriwo has and no matter how much he tires, without that he will always be a step behind his senior. Even all the power in the world will not change that Suzuki Iruma is a fragile, fragile human.

As if to rub salt into an already gaping wound, Kiriwo's speech bubble at the end of the chapter literally shuts down Iruma's protests. Kiriwo is in control of the situation and his words take over the page. He's also drawn to be taller than Azz who is canonically about 10-15 cm taller

Control seems to also be a big theme/determining factor for whose words are allowed to transcend the metaphysical boundaries boxing them in because who else would be the one to quite literally dominate the next climatic moment than the unpredictable agent of chaos, Clara herself? The ringtone from her call quite literally cuts both Iruma and Kiriwo's words in half, drowning them out in her silliness. I remember seeing that a lot of people were upset that Clara interrupted Kiriwo but I argue that Clara is the perfect person for this? Master of funtimes and such a wildcard that she managed to seduce Raim through pure innocence? You can not tell me that you didn't laugh at the stupid fonts that Misfit Scans used for Iruma's ringtone. (Thank you Flare, whoever you are. Because I laughed. So hard.)

Also KiriAzz's faces when they look at Iruma? Peak visual comedy

Clara calling is also just the breather that the story needed. Yes, she inadvertently protected Iruma's secret, but she also the most emotionally mature out of the Love Trio which I think so many people forget. Clara is super smart when it comes to her boys, she knows that off on their own, they're bound to get caught up in their own heads worrying and agonizing in silence. Clara knew to call her boys after the Devilculum because it would had undoubtedly been stressful mingling among the upper ranks. Of course she was lonely and wanted to know how her soulmates were doing but even if she knows it or not, she is their emotional center and grounds them when they drift too far into their own self flagellation. But more importantly, she grounds the story in its genre. Lets not forget, Mairuma is a comedy series. Devilculum Arc was quite uncharacteristically somber for the series which runs on comedy of errors and misunderstandings galore. Sure, the beginning of the Arc was kind of funny but once everyone stepped into the venue, comedy became secondary to the plot.

Would it have been interesting to see what would have happened if Clara didn't call? Of course, yeah. But I think thats better left explored in fanfiction. At the end of the day, they're the Love Trio, they are a tripartite. Do not separate. And even unknowingly, Clara's protecting Iruma in her own way. And because of that, she is given the power to take over the page, filling it with images of Magitools Batara and her own silly creations, flower shaped speech bubbles framing the members as they work towards their own ambitions. She is the one that reminds Iruma of his own goals, who reminds him that there are demons at home who are waiting for him, and who he too is waiting for.

On a more aesthetic note though, I do like how Iruma's necklace this arc mirror's Kiriwo's collar. Its a very nice parallel but also acts as a way for Iruma to be connected to the people he's attending Devilculum with. The frilled collar on Ameri's dress and the Amosdeus Clan's rose brooch that both Azz and Amu have on their suits.

Idk how to end this ngl but I am completely normal about ch 303+4 the writing and set up is so so so good. I remember Misfits being so mad that others were translating the human part and I agree. Its so vital for the Love Trio and their relationship that their secrets are theirs to tell and not anyone elses. And the way these dynamics are portrayed through diegetic story telling is just perfect, I will never get over how good the KiriIru double spread is. Like those two pages specifically is my Roman Empire. I think about those pages on a hourly basis. I love that spread so much but 90% of what makes it so great is the surrounding context and the proceeding events. One day Nishi will probably top this and make me slobber all over her artistic storytelling but for today, I will continue to be consumed with thoughts about these two chapters.

One last thing but the fact that Iruma's secret got cockblocked from being revealed twice because of a phone call is just hilarious. Once is good enough but Narnia prioritizing a work phone call over warning his brother about what he sees as a great evil? He's so silly actually.

#mairimashita! iruma kun #m!ik #mairuma #welcome to demon school iruma kun #wtdsik #suzuki iruma #ami kiriwo #amy kirio #asmodeus alice #valac clara #analysis #inspired by my term end thesis paper i word vomited this after handing it in (￣y▽￣)╭ #i have a lot of thoughts about 303 specifically but you can't talk 303 without adding in 304 so I just winged it #those two 303 double page spreads are so special to me specifically i love the symbolism behind them

[theresattrpgforthat]

Thanks so much for doing all this, I love what you do for enjoyers of ttrpgs!!

What I'm looking for is epistolary or long-distance, asynchronous games for multiple players. I know you've done lists of 2-player games that people can play in their own time (writing letters or journal entries back and forth, stating your actions in a message then waiting for the other player, etc) but I was wondering if there were any I could play with 3 or more players with different timezones & schedules at once.

Genre and playstyle are flexible, we love trying new mechanics! I've struggled to find games to fit this myself, so I hope you can have a little more luck. You're awesome for taking these requests and finding so many different games for people!

THEME: Asynch & Epistolary for 3 or More.

Hello friend! First of all, I’m going to send you to my Epistolary (Part 3) post because that was specifically for 3 or more players, as well as my first epistolary post because there were a number there that could also be played with a number of people.

But don't worry, there's more!

Angels of the Railway Stations, by Speak the Sky.

There’s only so much you can do alone, but you’re not alone. There’s only so much that can be done with any one meeting, but life is more than one meeting. As you go through the stages of Arrival, Stopover, and Departure, take notes of everything in the form of a letter to be sent on with the train when it leaves the station. These letters should give your fellow angels more context to help the traveller in need along the way. They’re also your only way to communicate with your colleagues and comrades.

Angels of the Railway Stations is an epistolary game for 2+ players in which you play a liminal community of lonely angels. Help lonely travellers in a world undergoing a great upheaval, then write about what you see and do to pass it on to the next angel down the line.

All of the rules for this game can fit on one page, and require you to rely on other players to determine what each of your passengers need and help them get to where they need to go - on time. Angels of the Railway Station references a game called Black Engines, which does not actually exist, which means that many parts of this game will require your play group to fill in the blanks. That being said, I think Angels of the Railway Station has plenty of potential when it comes to telling emotional stories.

Intersecting Orbits, by Ell Schulman.

For as long as there have been Orbiters, there has been the Interference. Spikes in data that have no business being there, garbled words, ghosts in the machinery. Few people believe truly in the existence of the Interference as an entity.The Interference does not care what they believe.

The planet below is alive. There are deep oceans and high mountains and biomes we do not have names for. There are plants and animals that do not conform to systems we know.

There are people who look up at the stars and wonder who else is out there.There is so much to explore. 

Intersecting Orbits is a game for three players, two of whom play Orbiters sending messages back and forth and one of whom plays the Interference who intercepts those messages and removes words from them. 

Using a deck of cards, the two Orbiters will try to communicate to each-other about something that is going on. Meanwhile, the Interference uses 2d6 to determine how many words of the message they can remove. You can probably use this method either by sending letters to each-other, or by writing e-mails or sending texts, so I think this game is definitely flexible in terms of how quickly you want to send messages to each-other, and how long you want the game to run.

Chronicle, by a.fell.

The world is coming to an end. It has been foretold, and so it shall be. We cannot stop it; we only wait, and observe, and recall.

This is a game to create a chronicle of a world, and to find the world again in the last seconds of its life. The game is different depending on which path you choose to take.

You will not play together. You might not play at the same time, or in the same place. You might not even know each other before you play this game.

When you play The Chronicler, you will play alone, across time, across worlds. There is foretelling that an end is coming. You are here to ensure that your life, your people, and your world, survive. The Witnesses will find your artifacts an unknowable amount of time later. They will observe, they will wonder, they will remember their own lives, and they will know you. The world they know is empty, and soon they, too, will be gone. But they will carry these moments with them.

Chronicle uses a tarot deck (or something similar) as an oracle, and requires some form of map for the Chronicler to add to. The Chronicler will draw from this deck to create the events, artifacts and messages from this world. Most of the Chronicler’s work is done by the time the Witnesses come into play, who will travel across the map, pick up artifacts left behind by the Chronicler, and use their own oracle decks to recall personal memories. Eventually, a cataclysm will fall, and the game will end.

Leaving Cambridge, by Nora Katz.

You were together once, a lifetime ago, in a place called Cambridge. It was a place you held dear—a place that you called home, even if just for a moment. But something strange or sinister happened, and now you are all gone, dispersed across countries, continents, and maybe even worlds. There are stories untold and things unsaid. This is your chance to say them. 

“Leaving Cambridge” is an intimate, asynchronous storytelling game that takes place through letters exchanged between a group of people who have parted ways. Over the course of a real-life calendar year, a group of players write letters to each other, piecing together what happened to them, trying to reconcile their checkered pasts with their current realities. As the letters arrive, this group of people will come to understand each other, and themselves, with more clarity—and, most likely, more questions. 

Leaving Cambridge is a setting-agnostic game, so you can set it at any time period and any technology level, as long as it is possible that all of the players at some point went to Cambridge together.. What remains true is that you were once friends, but you have since grown apart. You will draw from a deck of cards, with red cards reflecting memories you share and black cards representing your emotions. Writing will happen over four seasons, with an inciting reason for you to get back in touch with each-other, and generative prompts that encourage your characters to reveal pieces of themselves the longer that they write.

I’d Also Recommend…

When I Lived Here, by a grumpy little critter.

#tabletop games #indie ttrpgs #game recommendations #dnd #asks #epistolary games #indie ttrpg

[iwritenarrativesandstuff]

Killua and the Power of Wishes

Okay going to try and make this coherent because the amount of wish association all through Killua's character development makes me want to chew plaster.

As a fair warning, this analysis ended up being long as hell, and I didn't even include everything I could've said. This is also just one lens to analyze Killua's story arc with, and I feel there are other valid interpretations of some of these moments. This is just one of mine, so keep that in mind please.

One last warning that this analysis does discuss emotional manipulation and abuse, as is par for Killua's background.

Let's set the stage with one important piece of info: Killua's birthday.

Killua's birthday is July 7th, the same day as Tanabata. Tanabata is a folklore-rich festival where according to legend, the two lovers, weaver Orihime and cowherd Hikoboshi, represented by the two stars, Vega and Altair, are allowed to reunite once a year after separation. A popular custom of Tanabata is to make wishes by writing them down on tanzaku, then hang it on a bamboo tree so that the wish might one day come true.

Tanabata is also known as the Star Festival. Please keep this in mind, because I'm going to come back to it.

To finish setting up the lens for this analysis, I'm going to need to dig into the game-changer scene for Killua's early characterization - his confrontation with Illumi at the end of the Hunter Exam, and specifically, the exact nature of Illumi's manipulation of him.

I say "game-changer" because it really is - up until this point, it's kind of fair to not fully know what to think about Killua. Certainly, he seems excited to hang out with Gon (he approached him first, after all) and he's friendly enough, but he's also arrogant and claims to be motivated mainly by boredom. For all intents and purposes, Killua seems set up to be Gon's dangerous yet charismatic rival... but then this scene happens and it completely turns it all on its head.

Because Killua may have mentioned his family was controlling before, but he seriously downplayed the severity of it - likely because he has no point of reference for how awful his situation actually is other than it makes him feel bad and trapped. Illumi's appearance immediately shifts our understanding of Killua from runaway murder kid with annoying murder family to straight-up victim of emotional abuse, and dissolves his cockiness instantly to terror.

What does all this have to do with wishes? Glad you asked. Let's look at some of Illumi's dialogue.

[ID: A screenshot from HxH episode 20 of the 2011 anime. Killua looks up, sweating and conflicted, as Illumi tells him "You don't want anything or wish for anything." End ID.]

This is the crux of Illumi's (and the family's) control. Killua's desires do not align with the family trade. They must be excised from him.

When Killua insists that he does have something that he really wants, Illumi says "Tell me what it is you want", in a mockery of a certain other sibling who would have helped fulfill this wish - Illumi asks only so he can completely dismantle it. And Killua isn't even really surprised at Illumi's words, just heartbroken. You can tell this isn't the first time this sort of thing has happened.

Killua states his wish quite fervently; he really means it. But his words are not rebellious, nor cathartic. Instead, he answers Illumi quietly, as if fearful or ashamed, almost reminiscent of a sinner's confession.

[ID: Two screenshots from HxH episode 20 of the 2011 anime. In the first Killua looks down with a troubled expression, saying "I want to become friends with Gon...". In the second, his face is hidden as he stands with hands clenched at his sides with a spotlight on him. He says "I'm sick of killing people..." End ID.]

It's such an innocent, simple want.

And Illumi proceeds to make him feel like even something so simple is harmful and selfish of him... not to the family, but to Gon.

In a matter of a few minutes, Illumi breaks down Killua's wish by:

Acknowledging this desire, but twisting it into something that will inevitably fade over time, thereby causing Killua to doubt his own conviction and feelings -> "Gon is a novelty, a radiant presence who has piqued your curiosity. No more than that."

Acknowledging that Gon is someone important to Killua, and undermining this by telling him that by his very nature, he will eventually bring harm to Gon, which makes him feel as though Killua cannot trust himself to be a good friend -> "If you try to be friends with him, you will one day want to kill him... because you are, by nature, a murderer." (As a... delightful... bonus, this is also apparently how Silva and Illumi justify their treatment of Killua to him - "This is the essence of your existence and we taught you accordingly." Like they adapted to Killua's nature, instead of them molding Killua into who they wanted him to be.)

Delivering an ultimatum - to fight Illumi and win, or else Gon will die - that Killua is doomed to fail due to his upbringing and the needle in his head. Since Killua doesn't know about the needle, he assumes this is his own personal failure, something Illumi feeds into -> "You're just not qualified to make friends."

And it's the last point that breaks him. The first two shoot down Killua's present wish, but the last proceeds to shatter any hope he might've had of wishing for anything similar in the future - he has told him that his desires are weak, temporary, inherently dangerous to those around him, and worst of all, aren't enough on their own for him to deserve friendship and love from others. And the clincher: Killua feels like all of this is his own fault, that there is something inherently dangerous and wrong with him!

So, it doesn't even matter to Killua anymore if he fails the Hunter Exam. To him, he just failed the only test that mattered.

10/10 manipulation, Illumi. Fuck you, seriously.

Killua's character arc is mainly his quest and struggle to refute Illumi's arguments and to shake off the manipulation and the ways in which his family have molded and controlled him. And by far, the most difficult part of his conditioning to shake off is this idea that he is undeserving of anything more than what he is already given.

It's almost like the family has drilled it into him that wishes are dangerous. How interesting.

Thankfully, however, there are two parties to Killua's wish here - Gon, too, is a part of it, and it is not simply his reciprocated desire to be Killua's friend that saves him, but also his recognition of Killua's situation for what it is (notably, when no one else correctly identified the true issue).

"You know it wasn't his choice. You manipulated him, kidnapping his spirit!"

The ensuing Zoldyck family arc emphasizes that Gon is 100% correct: the main hold Killua's family has on him isn't physical - it's all emotional.

Killua breaks one of his shackles when Milluki threatens to have his new friends killed, but he only breaks the rest when Zeno tells him he's free to go. So, if Killua could break loose at any point, was this still a rescue like Gon said?

Well, yes - just because he absolutely could've broken out physically at any time, that does not mean he could just leave. That's the nature of situations such as this - it's not as simple as "just leaving". Support is necessary, as is actually having something tangible outside the situation to go to - otherwise there is little point to leaving at all. Gon (and Kurapika and Leorio) showing up to free Killua showed him that his wish was reciprocated and allowed him to break one cuff - this is the start of his journey, but he still has a long ways to go. Notably, he again hesitates and closes off when Silva asks what he wants.

[ID: Three panels from HxH chapter 42. In the first, Silva asks Killua "...would you like to see [Gon]?" Killua's expression is complicated in the next panel - he's closed off and uncertain. Silva continues "Be honest, Kil... what do you want?" End ID.]

Killua will backtalk and casually break his shackles and death glare his family... but he's too fearful to voice his wants aloud.

And once again, asked by his father what he wants, he is subtly set up to fail. His wish is granted, but made conditional - "Do not betray your friends", something Killua is regrettably set up to do by virtue of the needle in his head that he, again, doesn't know about. Silva fully expects him to fail and come back home, disillusioned, believing it's his own fault due to his "nature", and trusting in Silva still as a "reasonable" figure in his life.

This condition placed on his friendship is what drives much of Killua's fear and insecurity with regards to Gon for much of the series - the idea that Killua has to earn his right to friendship, and that if he doesn't, he will lose it, one way or another.

It really makes me wish that Killua had actually gotten to hear Gon's views on friendship from the beginning of the Zoldyck Family arc, because it entirely refutes this entire philosophy. He even outright refuses to go through the Testing Gates at first, purely because he thinks the sentiment of needing to prove yourself just to be friends is completely outrageous - he only relents because there is no other way.

[ID: Two screenshots from episodes 21 and 22 of the 2011 HxH anime adaptation. Gon looks up at Illumi and firmly states "[Killua] doesn't need to earn the right to be my friend!" In the second, Gon's face is seen in profile and close up as he asks "Why would you test your friends?" End ID.]

I doubt it would've truly prevented Killua's insecurity from manifesting even if he had heard this, to be honest - his issues with usefulness are very deep-rooted in his upbringing - but still, it would've been nice for him to hear, I think.

However, that's not to say that this exact sentiment doesn't come through in their interactions.

Gon, as Killua's friend, cares about what Killua actually wants and wants to make sure Killua knows that - and that's part of what makes the Whale Island conversation between them really important.

[ID: Two images, both of the same scene from HxH chapter 64, and episode 37 of the 2011 anime. In the manga panel, Gon has turned his head to look at Killua directly, who looks shocked and taken aback, to say "I like hanging out with you." In the anime screenshot, Gon has turned his whole body to face Killua, and says "I think it's fun to be with you." End ID.]

I see a lot of people chalk this up to just Gon being Gon, but it reads to me as much more deliberate than even his usual honesty. He's turned so he's looking directly at Killua, which is a sure way to make his words come across clearly. The lead up to this is Killua, again, not knowing or being able to vocalize what he wants. He doesn't have a goal to work towards like Gon, he only knows what he doesn't want - he's a mix of envious and admiring towards Gon, who knows what he wants and simply goes for it.

But this conversation makes it clear that they have a shared wish - they both want to be friends, and they'd both like to stay together. It's not about earning, to Gon, it's only about if they both want the same thing - mutual, not conditional. There's a nice almost call-and-response type dialogue here, where Gon asserts that he likes spending time with Killua (very directly lol), then shares that Killua is the first friend his age he's had. This prompts Killua to say that Gon is his first friend ever, and that he does have fun with him. And just like that, Gon replies "Then let's stay together!" and pointedly includes Killua's desire to find a goal in their, now shared, upcoming journey.

Overhead, a shooting star appears in the sky. A mutual wish is granted.

[ID: A panel from HxH chapter 64. The night sky is full of stars. In the centre is a shooting star. End ID.]

Hm. Stars. Remember how I told you to keep that in mind, all the way back at the beginning? Their association with Tanabata, making a wish on a shooting star, etc. etc.?

Well, buckle up because this star is going to make you experience so much sadness now.

[ID: Panels from HxH chapter 286. The first is a conversation between Killua and Meleoron where Killua asserts he intends to "go down in flames with [Gon]". When Meleoron looks concerned, Killua brushes off the declaration as a joke. In the second image, Killua is turned away, his outline pale, as Meleoron thinks "Why... did you looks so sad... back there?" The last image is a cloudy night sky filled with stars. At the centre of the panel is a shooting star. End ID.]

Yeah, it makes its reappearance directly after Killua has "jokingly" resolved to die with Gon if it comes down to it, after "since it means nothing to you".

I am assured, in Japanese, the word choice here is 心中 (shinjuu), the word for double suicide, where the intent is to die at the same time in the same manner in order to be reunited in the afterlife. The implication here is that Killua, having increasingly grown insecure in his place by Gon's side but unable to voice this, knowing that Gon is hurtling down the path of no return, thinks back to their conversation under the stars where they both mutually wished to stay together and, because he believes that it is no longer possible for him to help Gon, has resolved to stay by his side in death, and after it.

...holy shit, kid.

[ID: Two screenshots from the 4th ending of the 2011 anime. In the first, Gon and Killua stand back to back as meteors fall around them. In the second, they stand facing away from the audience towards a body of water under a night sky filled with stars - Gon throws a stone, which flashes in the air like a shooting star. End ID.]

And of course, here's the shooting star again in the 2011 anime's Nagareboshi Kirari ending, as well as it being the subject of the song itself and rather explicitly referencing that wish to go on a journey together, to stay together, because... Madhouse hates us. I guess. :'(

What started off as a simple wish for a friend deepened into a wish to always stay by Gon's side. This is largely good at first! Killua is able to explore and experience genuine friendship, to get a taste for freedom, and use the power of his fervent wish to protect his dear friend in order to rid himself of Illumi's needle. However, the more Killua wants, the more he traps these wishes in monologues within his own head and does not voice them aloud. Part of it is that he already feels he's been given much more than he deserves - seeing himself as a creature of darkness and Gon as light - but a greater part of the issue here is not that Killua is afraid to wish for things, but that he is afraid wishing without "compensation" will inevitably lead to horrible repercussions - namely, losing who he loves.

In order to feel worthy of staying with Gon, of earning his friendship, Killua works hard to help Gon achieve his goals, taking on the role of wish grantor, growing to do practically anything needed to support him for seemingly nothing in return - but that's not 100% true. Killua wants at least some appreciation, whether he admits it or not - it's a security thing, and it also clearly makes him happy, even if he's not great at accepting it. He insists in Chimera Ant arc that friends don't need to thank friends, but this declaration always read as very sudden to me or like a rationalization, and it's relevant to remember that this is at the peak of Gon isolating himself and self-destructing before his eyes, and Killua's own insecurity regarding his importance to him.

Killua might not mind doing things without thanks, but that doesn't mean he doesn't like to hear that Gon appreciates him. He clearly does appreciate verbal confirmation of their bond! We know this.

[ID: Two screenshots from the 2011 anime. The first is from episode 61. Killua smiles down at the ground with his hands in his pockets, the colours having gone soft and bright. The second is from episode 70 during the dodgeball match. Gon smiles determinedly in the foreground as Killua looks shocked next to him. End ID.]

Keeping all this in mind, Killua's story, or at least this part of it, couldn't have concluded in a better way than his rescue of Alluka, the wish grantor.

Now, I could probably write an entire other analysis on Alluka and Nanika alone, but for the sake of not making this any longer than I already have, I'm going to go through only a few points. Alluka is incomprehensible to her family because they make no attempt to understand her, with the exception of Killua. The only thing they do seem to understand, when explained to them, is the demands made after Nanika grants a wish - this, of course, fits neatly into their own predetermined views on "earning" and "punishment". However, beyond this, they make no attempt to understand her, and since her power is deemed dangerous and uncontrollable, she is locked away.

They are worried, first and foremost, that Alluka will bring harm to the family, and there's two ways in which this could be true:

As a function of failing to fulfill her requests, of course

Because she, just by existing, threatens the family's status quo

I stated at the beginning that Killua's desires do not align with those of the family business, and he's always apparently been more open to understanding others - he asks Alluka and Nanika questions to understand them, and treats them with respect, while his family are more so focused on subjugating anything that might be a threat. This is what Illumi tried to drill into Killua after all; never fight a superior opponent - everything is about assessments of relative strength, which leaves no room for open-mindedness or getting to know people.

Faced with a daughter who is clearly incomprehensibly powerful, and a son, the would-be inheritor of the family trade, who is showing a disturbing amount of willingness to befriend instead of retreat from her, the family made the decision to excise Alluka not just from where she could "harm" the family power-wise, but also likely to secure their control over Killua, who they then set about practically programming to not have any more wishes for himself, or at least to not be able to vocalize them without fear of loss or retribution.

The family's nickname for Killua is "Kil" or "Killu", which is deeply fascinating to me as a reader - nicknames are expressions of endearment, typically, and I actually don't doubt that here. Killua's family does love him, but their love comes with conditions. He must be molded into the perfect son, and every part of him that doesn't fit must be excised.

So: Killua's memories of Alluka are suppressed with the needle, and she is further cut from his life by dropping the "a" from his name (the Zoldyck children are named like a game of shiratori - Illumi -> Milluki -> Killua -> Alluka -> Kalluto). The nickname is also like a command or order "to kill", which is of course what they want him to do.

Saving Gon through saving Alluka and Nanika forces Killua to have to face down the last and hardest of Illumi's manipulations to shake, and that's the notion that a wish, that kindness and friendship and love, cannot be unconditional without severe repercussions - where the people he cares about get hurt because of him, something he cannot envision being forgiven for.

It's a little sad to me that after spending most of the series struggling against his family's teachings that they didn't lead to Killua betraying Gon at all, as he'd feared... but to him betraying Nanika, by sending her away.

Here is this little girl with a bloodstained past, incredibly powerful and dangerous and capable of amazing feats, treated as some evil thing by those who fear her. But she is kind at heart. Her true strength lies in healing, not killing. And she only takes commands from Killua.

Illumi thinks this is because Killua is the only one with control over her. Killua believes this is because she wants praise. They're both partially correct, but this is not the full reason Nanika does what Killua asks of her.

[ID: Two screenshots from episode 146 of the 2011 anime. In the first, Nanika smiles and says "I love Killua." In the second, Killua looks at her, stricken. End ID.]

Nanika loves him. Everyone has been trying to figure out all these complicated rules and conditions on her wish granting and why Killua is the one exception, but the answer is exceedingly simple. She loves him, and wants to do nice things for him so he can have his wishes granted. It's the only way she knows to get the love that she wants in turn.

Just like her brother, Nanika makes herself useful to earn love and appreciation from someone who accepted her when no one else did.

Even though he knows Nanika just wants to help, he still sees her presence as a danger to the person he sees as pure and innocent who must be protected. He sends her away because her "nature" is to be a threat to Alluka's safety, even if she doesn't intend to be. Killua's fear of Illumi and repercussions causes him to make a horrible mistake.

And Alluka tears into him for it.

[ID: A set of panels from HxH chapter 336. A furious Alluka glares and asks Killua if he made Nanika cry. When Killua stutters, she demands he apologize to her. End ID.]

You tell him, girl.

Oh hey, this looks a little familiar, huh?

"Apologize to Killua!" says Gon to Illumi after Illumi sends Killua away.

Nanika should not be the one punished for the actions of those trying to control her. She certainly shouldn't be forced to leave those she loves, or have to earn love from them.

And neither should Killua.

[ID: Three panels from HxH chapter 336. Alluka yells, tears in her eyes, "If you're going to protect me... you have to protect Nanika too!!" Killua looks shocked, then his eyes widen. End ID.]

It's interesting to me that this is the line that snaps Killua out of his fear enough for him to properly speak with Nanika and apologize. One party cannot receive all the protection, nor can the other only give and give limitlessly.

Killua makes it clear to Nanika when speaking with her that he will protect her, and that she doesn't need to earn affection from people by granting their wishes. He promises they will both be there for each other - Killua will praise her whenever she wants, and not just when she does something for him, but he also doesn't refuse Nanika's desire to grant his wishes. It's mutual, not conditional.

And on the heels of this "betrayal", Killua asks for what he never thought he could receive - forgiveness. And even though Nanika is clearly still very upset...

[ID: Two screenshots from episode 146. In the first, Nanika and Killua face each other, both of them teary. Nanika says "Kay." In the second, he has pulled her into a hug. Nanika is teary, her fingers gripping Killua's back tightly. End ID.]

...she doesn't even have to think about it.

I do think Killua still has a ways to go, but he is in a position right now to learn from his relationship with his sisters about balance - that love is not just selfless devotion, but also allowing those who love you to help you and make you happy too. I think that's what unconditional love is, in a way - supporting and working together with the people you love to make each other's wishes come true.

#oh my god this was supposed to be a brief write-up what happened 😭 #ugh i feel like this is a bit of a mess and there's infinite other little points i could've made or elaborated on or interpreted differentl #but i'm so tired lmao #anyways tldr fuck you illumi you suck #killua is a snarky little shit but he also has so much love in his tiny body and i think we should appreciate him forever and ever #this also accidentally turned into alluka and nanika appreciation. i love them #nanika sweet angel i love you so much i hope you get all the head pats in the world #ghhh i'm so scared this doesn't make sense anymore i've been working on it for almost a week #hunter x hunter #hxh #hxh meta #killua zoldyck #call me ace detective the way i am ace. and also a detective. #storyrambles #also that one scene where gon turns to look directly at killua and tells him he has fun being with him makes me jdfhbvsdjfbvh #he's so intense about it i start laughing. no wonder killua basically just went ??!?!?!?! and like. leaned back because i think i would've #done the same lmaoooo #it's very sweet though :') #argh. gotta post. i need to stop hesitating. let's go.

[cripplecharacters]

Hello! Want to double check that I've done a decent job of avoiding disfiguremisia, and try to turn it into great counter to hatred instead of just an okay one.

Preface: I have a form of memory loss and likely brain damage so I cannot always phrase things clearly although I will try my best.

Personally I do not feel happy reading escapist stories as that happy ending is not achievable for real people. We don't get to live in a place that's completely safe and free from judgement. I'd like to write people in a hostile world who find love and safety and community, however this does necessite writing hostility. I want to make sure I'm doing so with care.

I would like to make sure that the hostility written as tension does not tar how I write how one of the main characters. He should be written with dignity and respect even when he is not being treated well by those around him.

One of my characters is blind and develops severe burn scars. He wears a blindfold to help with photophobia and sensory overwhelm, but takes it off when its dim. (CVI plus autism.)

While he does wear a cloth coverings in public due to ugly laws, he views it as a ridiculous requirement and happily removes this mask when with friends. He also enjoys that being visibly strange or somewhat unnerving to most people means that shallow people who judge by appearances avoid him.

Question: what other things might I be able to employ to counter disfiguremisia? I have him being content with his face as it tells a story of his life and he's a blunt, forward person, not covering his face for most of the story despite laws necessitating that he do so, and a few other things too (and many side characters with facial differences and deformities also).

Also none of the central plotlines centre around facial difference. He's joining a servant rebellion, befriending a bitter exile intent on status at all costs, and discovering the truth of history. (Also a mind controlling octopus being is involved and a semi sentient moon amalgam thing but don't worry about it everything's fine.)

I think later books will be a more effective counter due to lack of ugly laws and him finding a lovely interest. I will also do my best to make the counters feel real and feasible - I want it to feel like an achievable option for those who deal with prejudice in the real world. I want his happy ending to feel real.

I respect the hell out of escapist fantasies it's just that they do nothing for me personally. I really want to write someone dealing with a lot - more than I ever have - and coming out the other end happy. Yes this world is hostile and will judge me but I can find joy despite it all. Some say the world is universally cruel but I have not found this to be the case. It is wise to be wary but myself and friends can create small sections of time and space where no precautions are necessary. Am I not part of the world? Are not they? The world is not universally cruel as long as I and those I treasure live in and we are not extraordinary, simply uncommon, and what is uncommon is still a great bounty. (Something to that effect.)

I'm set on what I want to write but the specifics I'm more than happy to change in order to bring joy. Do you have ideas on how I can do this full idea full justice?

Hello,

before getting to your actual ask, I have a "few" questions about the premise of the story itself.

You mention that you don't like escapist fantasies - that's fair. Taste differs; you can write whatever and that's great. But I do find the insistence to write a story about a specific type of discrimination as an outsider rather strange. If you want to have facial difference representation, I assume you want to have readers with facial differences, correct? I mean, I don't think that many able-bodied people would be too interested in it specifically considering most don't know what it is. So okay, this is supposed to be a story of characters with facial differences overcoming centuries worth of hatred and all that. Arguably more, considering that disfiguremisia and ableism go all the way back to Biblical times.

Why are you the person who needs to tell this story?

Just as people with facial differences are readers, we can be authors as well. We tell our stories. I will take an #OwnVoices book over a one that isn't that any day, and this fact will influence the rest of this answer. I'm a firm believer in #NothingAboutUsWithoutUs and all when it comes to this stuff.

Have you talked to people with facial differences who would be interested in the kind of story you want to tell? Do you know what they want to see from an author that's not taking it from their own experience? I don't count here, because as I made clear before, I'm not and won't be interested in it. I also don't know anyone in the community who has ever said "I wish more people without our experiences wrote about how hard it is to be us!". You need to make sure there are people who want this.

So, have, or will you, reach out to those that could like it? Sensitivity readers, random people online who like to read about disfiguremisia in their free time, advocates who work on media-centric problems? Anyone who would enjoy it is automatically a better candidate to help than me. I'm too jaded, I suppose.

If you want to talk about people with facial differences in such detail and setting, you need to get to know us. One guy with a specific set of opinions from a blog on Tumblr isn't that (thank god), but I guess I can serve as a reminder that not everyone will be excited to read a book that represents them in some way. We still have preferences.

To write it, you need to involve yourself in the community, start actually spreading activism about our issues. Preach about Face Equality and celebrate when our once-a-year week happens in May. See what disfiguremisia causes. Share our efforts to get all the problematic garbage off the big screen. Read our stories. Understand us as people who are incredibly diverse, and that not all of us like to be described as strange or unnerving.

If you only want to talk about our suffering as some quota to fill on a "types of discrimination" list, it will always be flat and inauthentic, and if you don't put in the effort it's pointless. We don't want tragedy porn, and we don't need to be included in every story about struggles that just wants some brand-new type of bigotry in it. We want authors who care about us, the living and breathing people. And sometimes it might mean respecting our opinions on writing disfiguremisia.

Here is a great post by @writingwithcolor explaining the effects of tragedy exploitation. Not everything there applies, but I would consider it a very valuable read.

If you think about all this, and decide that you are ready to write such a heavy, community-based story, go ahead to...

Actual Answers! Hooray

what other things might I be able to employ to counter disfiguremisia?

Sympathize with him. Disfiguremisia is a tragedy, it's brutal and it hurts. It's traumatic and impossible to forget, even if it wasn't happening constantly just to remind us that it's still there. On this note, I would recommend you research writing characters with PTSD.

Have him think about it. Sometimes I get home after getting stared down on the street and just want to yell. You don't forget a microaggression or a hate crime after five minutes. Let him vent and let him be upset. He can have flashbacks or recall similar situations that happened in the past.

I'm glad that he's aware of disfiguremisia unlike a ton of characters who are somehow always unable to figure out that it's a problem. If the ableism he's facing is so systemic and severe, individual people will be even more extreme. You can have him remember that the shop owner was a slur-spitting bigot, or that his neighbors avoid even talking to him. I want him to call them out - in retrospective, at the moment, in his head, whatever - on what they're doing. Throw a "not this fucking thing again" or something in there.

The minimum is to make him feel like a human with an internal thought process, who is able to actually experience what's happening to him, and for it to have long-term effects.

Also, outside of the whole disfiguremisia thing and me being overdramatic, check out our #blindness tag, and research burn scar care. If you don't show the boring and mundane, it will only feel closer to tragedy porn; just a sad thing one after another.

I will also do my best to make the counters feel real and feasible - I want it to feel like an achievable option for those who deal with prejudice in the real world.

This I think is the part of the ask that made me the saddest, and not because of what you wrote. I tried to think of achievable ways; ways that we did it, tried to do it, and are doing it, and one-by-one I crossed them out as "didn't work", "no one cared enough" or "kinda worked but honestly, it didn't". Face Equality is basically non-existent, not matter how much it hurts me to admit it! We are trying our best, and it doesn't work. It's just plain hard for me to come up with suggestions for this.

In fiction, I suppose that personal resistance is the way when it comes to this. I don't think there are feasible systemic changes that could happen that don't border on magical thinking or get into the "singular glorious revolution that somehow fixes everything and everyone lived happy ever after. We fixed racism, yay!". This just sucks.He could try to educate the people who are willing to listen - that's somewhat what I'm trying to pull off here on this blog, I guess. Sometimes it works, often it doesn't, but in his situation it wouldn't hurt to try.

The fundamental part here will be whether your character is able to find a way to make the ordinary person care in the end. To me, society who still hates us just as much, with a small group that thinks we're okay isn't a happy ending. The opposite, rather. It's cold and isolating to know only your friends could value you as a human being, and downright sad to imply that we should be happy for that. I don't mean that everyone should love us in every story, but there's a difference between The Ableism being represented by an antagonist or two versus the entire world except for the main characters.

If you decide to go forward with this story, I do hope your other readers with facial differences enjoy it!

mod Sasza

[This ask was submitted before my announcement of not taking questions regarding this subject matter. As of publishing this, it still applies.]

#mod sasza #anonymous #face difference #disfiguremisia #tw ableism #long post

[lovecolibri]

And yet if it was all questions related to Tommy they wouldn’t have a concern in the world. They like to say stop making it about buddie, and that it should be about just Buck, but then they turn right around and make it all about Tommy and his perfection. But like you said, asking about buddie is asking about bi Buck. And not to mention buddie is 6 years worth of history at this point. And we’ve learned enough the last few days to know a big portion of bucks bi sexuality was in tandom with Eddie. There is next to nothing to go off of in terms of things related to Buck Tommy. They have had a single kiss and a bad date. That’s it. Interviews would get like one question out of that and then end of topic.

Yeah, I just don't get the hype 🤷🏻‍♀️ Which is normal, I'm a chronic mono-shipper so I just avoid ships that aren't for me and block tags and such. But it's hard because right now there is a LOT of mis/cross tagging so I'm trying to just stay in my bubble.

But yeah, it's weird that people are both saying this should ONLY be about Buck but are also mad that it's not more about Tommy. He's a side character whose job is to move the plot forward, and there are lots of other storylines going on that are going to get the focus in upcoming weeks, and they haven't shot the last couple episodes yet so what is Oliver supposed to say? If there are only a couple more scenes with him and Lou coming up while the storyline focuses on Madney, Bobby, and Henren, he won't want to spoil them. If they already have maped out where the relationship reaches its natural end, he's not going to spoil that either but also won't want to super hype up a relationship he knows isn't going to last. He HAS made a point to say he hopes Tommy can stick around as a friend which to me says that the cast enjoys working with Lou and the audience has been mostly receptive so it's a good character for the show to keep in their back pocket as a recurring guest.

But Buddie??? Oliver has YEARS of pent up Buddie stuff he didn't feel like he could talk about, especially after FOX shut down the storyline, and that he's talking about it now tells me conversations have been had with him, Ryan, Tim, and the network about what possibilities are open to them and likely a broad timeline/plan. Which is of course, subject to change as we saw with this originally being planned for Eddie but due to actress availability, got shuffled around but I don't think they would be clearing these questions and Oliver especially would be answering so freely if he didn't feel like it's where things are eventually heading. 🤷🏻‍♀️

Also, I think it's important to remember it's a STORY and so of COURSE people are pulling in threads from previous seasons and connecting the dots because that's what you do with stories. And from the first moment Buck sees Eddie and doesn't quite know what that feeling is that he's getting, it's all been tied up in Eddie, with the show reinforcing that relationship at every turn. Why WOULDN'T people make it about Buddie when the story itself tells us it always has been? I just don't always get the "these stories have to be entirely separate from each other" because beyond all else Buck and Eddie are best friends. Of course their stories are going to include each other and be intertwined! And if Buck is looking at his life with new eyes or Eddie is examining what he actually wants in a partner for himself, why WOULDN'T they examine their relationship with each other since it's the most prominent one they have?

ANYWAY

*i just have a lot of feelings.gif*

#my sweet nonnie friends #911 #buddie

[naavispider]

💙💞Survivor: bonus scene💞💙

Read Survivor on AO3, my cop au where Quaritch is a high ranking police officer who finally works out the street kid he's had multiple run-ins with is his son.

For everyone who wanted a scene from Quaritch's point of view! Here's the moment he worked out Spider is his ✨ (I changed it from the main story so that Spider told the precinct his full name the last time he was arrested, instead of telling the hospital the day Q found him. It's not a huge change, just run with it).

It was grey, blustery Thursday morning in downtown St Mark’s, the wind whipping against the windscreen of the PD’s Ford Explorer as Miles Quaritch patrolled down another empty street. At 6am, no one was out yet. The world was quiet apart from himself and his partner sitting in the passenger seat. 

“She was a beauty,” Lyle Wainfleet reminisced, vastly overestimating how much Miles actually cared. “That was the one that got away, I’m telling you.”

“Is that so?”

“I should message her again.”

Quaritch rolled his eyes without looking at his partner. He’d known Lyle for a long time and there was no one more reliable he’d rather be on shift with. However, their differing attitudes towards Lyle’s hunt for a woman was sometimes a point of contention between them. “Should you now?”

“You don’t think it’s a good idea?”

“It seems to me she made her feelings pretty clear.”

“Well aren’t you a ray of sunshine today? Come on, Colonel, I’m trying not to get my heart broken, here!” Miles shrugged, surveying the bleak street ahead of them. It had been an uneventful night shift, which is exactly the kind that Miles should have hoped for. However, he couldn’t deny that a huge part of him still missed the action and danger of the marines. Rain had just started to spit from the overcast sky, forcing him to turn on the wipers. This part of town was known for its drug involvement, most of which Miles himself had uncovered. Now though, the street was empty, not a single sign of life in the dawn light. There was nothing amiss here.

“You wanna get a coffee?” Lyle’s bored voice drifted over from the passenger seat. He’d already switched off for the shift. 

Miles sighed, thinking they may as well, but then he saw it. A shapeless lump on the floor in one of the archways that lined the shopfronts. “Hold up,” he said. “Let’s deal with this first.”

Unfortunately, the homeless were nothing new to the pair. They had time to check one more over. Miles pulled the car over to the curb, gently bringing it to a stop a few feet away from the sleeping figure. Now that they were closer, the Colonel could make out that it was someone small, maybe young, but their face was hidden in the concrete. Miles frowned as he realised that the person wasn’t huddled up in a blanket or sleeping bag like usual, but instead they were lying almost completely exposed to the wind and the cold, limp and seemingly lifeless. 

“Oh, shit,” Lyle articulated as he too clocked that this could be something serious. 

Without wasting time, Miles opened the door and cautiously approached where the person lay. “Hello, there,” he called loudly, as per protocol. “Are you alright?”

As he knew there wouldn’t be, there came no response. Lyle joined him and they stepped closer, Miles’s heart thudding at the expectation of finding a body. Since joining the police force, it had happened once before to Miles. It was nothing like the death he’d seen in the warzone, but it was almost… sadder. These people had nobody with them, no one waiting for them at home and possibly no one that would miss them when they went. At least there was honour in dying in combat. 

He grasped the young person’s upper arm and shook firmly. “Hello? This is the police, do you need help?” In doing so, he finally caught sight of the person’s face. It was a teenager - and one he recognised at that. The boy had a young face, dirty blonde curls that covered most of his head and a peaceful expression that remained unresponsive. He remembered the teen from a couple of run-ins they’d had over the past few months. Once for underage drinking and then again for stealing. He was a runaway foster kid, barely sixteen if he remembered correctly. “Shit,” he murmured, a pang of something anxious striking his insides at the thought that he’d had the chance to help this boy and he might now be dead. “We know this kid. Wake up!” He pulled the boy by his arm and the teenager rolled over limply, completely out of it. His lips were blue and there was dried vomit on the side of his face. Ignoring the smell, Miles put his ear to the boy’s mouth, checking for breathing. He couldn’t see or hear anything for several torturous seconds. Lyle was already radioing for an ambulance. 

Suddenly, a gurgled cough escaped the boy’s lips. “There, we go,” Miles murmured, trying to rub the kid’s back as he racked his brains for the alias the kid had given them. “Can you wake up, kid? It’s the police, we’re gonna get you some help.”

He knew the boy couldn’t hear him, but he kept speaking anyway. Once he was confident the kid was taking semi-regular breaths, he cast around the scene for the drugs packet he knew he’d find somewhere. “Here,” he said, handing the tiny bag to Lyle, who got the drugs kit out. A few seconds later, they had their answer. “Cocaine,” Lyle confirmed. “Isn’t this the kid we picked up a while back for stealing?”

“That’s the one.” The boy was cold to the touch. “What’s the ETA?”

“Four minutes,” Lyle responded. “There’s a camera up there. That could be interesting,” he nodded towards the CCTV placed not too far away. It was pointing in their direction and would have covered the boy while he slept. 

Miles nodded, pulling the boy’s thin blanket over his frame while they waited for the ambulance to arrive. “Kid, can you wake up? You’re in a bit of a rough state.” He raised his voice as if he was speaking to someone who was deaf. “Kid? Can you hear me? Try and wake up.”

He could tell he’d broken through by the wince in the boy’s features, his body seeming to spasm for a moment before his chest heaved and vomit spluttered from his mouth.

“Easy, tiger…” He rubbed the kid’s shoulders, making sure he was on his side. “At least he’s alive,” he glanced up at Lyle. 

Eventually, the ambulance arrived with flashing lights. It couldn’t have come soon enough, as far as Miles was concerned. Every second felt like the kid was slipping further away from them. “What’s happening, then?” a kind woman with brown hair asked as she and another paramedic hurried over, bags over their shoulders. 

“Sixteen year old boy, found unresponsive. Cocaine on his person.”

“Okay,” the paramedic nodded her understanding. “My name’s Janine, this is Sarah. We’ll get him on board as soon as we can. Do you have a name?”

“Spider.” It came to Miles like a flash of lightning, the strange nickname finally illuminated in his brain. “We’ve met before.”

“Spider?” Janine asked, taking Miles’s place at Spider’s side. “Can you hear me? We’re here to help you. I’m just going to put this Pulse Ox on your finger…”

Miles stepped back to allow the medics to assess Spider. He was a marine, he was used to chaos and stressful situations, normally the picture of calm as he navigated the safest and most efficient way back to safety. But he had to admit this one had thrown him. He was glad that someone else was here to take charge because his concern for Spider was growing by the minute. It somehow felt like his fault the boy had ended up here, and he couldn’t shake the uneasy feeling. As he watched them work, it struck him that he felt responsible. 

Which was ridiculous, of course. This wasn’t his responsibility in the slightest. He’d done his job the previous times they’d met. He’d tried to help the kid as much as he could. But something deep inside was nagging at him. It wasn’t enough. 

He didn’t like it. He looked at Lyle, hoping for one of his usual unfunny quips to take his mind off the feeling. His partner was speaking to the other medic and it was all Miles could do to help Janine heave Spider off the cold concrete. 

“Get off me!” Spider suddenly burst out, surprising everyone. His eyes were still closed, but at least he was gaining consciousness. 

“Spider? I’m trying to help you,” Janine continued. “You’re okay… Let’s get you into the ambulance. I need you to stand up. I’ll help you.” She glanced at Miles for support, and he quickly pulled one of Spider’s arms over his own shoulder in tandem with Janine. The boy was extremely weak, relying totally on their support. It would have been easier if they’d just left him sleeping, because like this Spider could lash out at them in his disorientation. Together, they heaved him onto the ambulance and the gurney. He groaned and angry tears began to slip from under his closed eyelids. “Fuck!” he slurred as he curled up on the bed. 

“He’ll be alright,” Janine said, slightly out of breath as she turned to Miles. “He’s dehydrated and has a high blood pressure, but I’m more worried about his temperature. He should be frozen, but he’s burning up. He might have taken something else.”

Miles took this in, thinking what the procedure was for this kind of thing. This was a minor with no known relatives, so he knew they’d have to accompany him to the hospital. At least until they could contact CPS. 

“Okay, we’ll meet you at the ER. You going to St Mark’s?”

She nodded, holding the back of the ambulance open for Miles to exit. “We’ll do our best to hold him until you guys get there, my guess is that you’ve got a few hours at least until he’s lucid.”

Miles thanked her and pressed his radio as she pulled the heavy ambulance door closed. “Fike, can you get me any info on that kid we bought in a few weeks ago?” He retreated to the car as the ambulance sped off down the empty street. He watched it go, feeling like it was carrying precious cargo. Then he realised how ridiculous that feeling was and shook himself. 

“Which one? Can you be more specific, Colonel?” Fike’s voice came crackling back over the radio. 

Lyle slid back into the passenger seat. “Good spot, Colonel. Now can we get coffee on the way?”

Miles let his annoyance settle quietly in his stomach, ignoring his partner in favour of the radio. “Kid bought in for stealing an iPad from the Apple store. Sixteen.”

“Copy that, I’ll check for you.”

“There’s no way the kid told them anything,” Lyle commented, listening to the exchange. “It’s real sad, but he's on a one track road and it’s going nowhere good.”

“And that’s okay is it?” Miles surprised himself for his response. He was never normally this invested in a case. “We should just let it be?”

Lyle had the decency to look abashed. “What are we supposed to do, Colonel?”

Miles shook his head. He knew it wasn’t their individual responsibility to take in every lovable stray, but it still felt like a failure of the police department that a kid like Spider had been allowed to deteriorate to such an extent. “I don’t know,” he relented.

Thankfully, Fike was quick. “Miles Socorro, ward of the state.” 

Miles’s heart stopped. 

For a moment he thought… but it must have been radio static. “Can you repeat that, officer?”

A few seconds of confused silence went by as Lyle stared at him and they waited for Fike to get back to them. “Copy, Miles Socorro, ward of the state.” 

Dread filled his stomach.

Vile nausea rose in his throat and he needed air… he needed to step out… Miles Socorro. She’d called the baby after him? 

This couldn’t be right. This was a mistake, a coincidence. It had to be a common name. 

“Colonel, you alright?” Lyle's voice was far away. 

He was outside again, leaning against the car door, his head in his hands. He just needed some deep breaths. Miles Socorro. Miles Socorro. Miles Socorro. Miles Socorro. Miles Socorro. 

It wouldn’t stop. 

The name swirled around his brain incessantly, each time with more veracity and more vengeance, over and over again until he realised it would never let him go. The baby. The baby. 

It was him. 

Of course it was. He’d known it from their first meeting when the kid had squinted at him against the blinding sunset with an empty cider bottle in his hand.

“Holy shit.”

He felt a hand on his shoulder and vaguely registered that Lyle was concerned about him. 

“I fucked up,” he said. “I fucked up. I messed it all up.”

Of course it was Miles. His son. Suddenly he thought of nothing else, gaining a sense of clarity for just long enough to press his radio once more. “Can you look up Paz Socorro?”

He didn’t care what anybody was thinking right now. 

“Is this a relation, Colonel?”

“Just look her up!”

“She’s not on our system… Hang on, let me search…” 

Miles held his breath, the nausea hot at the back of his throat, burning him from the inside out. 

“Paz Socorro, deceased. Died in 2013.”

Miles couldn't stem the surge that retched its way up his throat. He bent double over the sidewalk, vomiting feet away from where they’d found Spider. 

She was dead? Why hadn’t they contacted him? His son… the baby he’d made… had ended up here!

“Colonel, steady!” That was Lyle. 

“Everything okay over there?” That was Fike. 

Miles’s chest was imploding. He’d failed. He’d failed. How had he not been made aware? How could he have not bothered to check? They’d agreed it was for the best they had no contact, but Miles could never, never have imagined… 

Suddenly all he wanted was to be by Miles’s side. His son’s side. Spider. 

He didn't bother replying to either man, instead wiping his mouth roughly on his cuff and slamming the door behind as he climbed back into the driver’s seat. Lyle quickly followed him back inside the car but seemed too stunned to address anything. “Er, Colonel…”

“We’re going to the hospital.”

A moment of silence passed. “Who’s the kid?” Lyle asked in a low voice.

Miles gripped the steering wheel tighter than he had in his life, his knuckles turning white. He couldn't say it. He couldn't say it out loud. Then it would make his failure real. His life’s failure, real. “I think you know,” he said in a voice that sounded nothing like his own. 

Lyle sat back in the seat and allowed Miles to drive the short distance without pressing any further. “All good here,” his partner replied when Fike radioed back. 

Miles’s voice had stopped working. He wasn’t sure any of him was working any more.

#miles spider socorro #miles quaritch #recom quaritch #spider socorro #avatar 2 #avatar the way of water #atwow #avatar modern au #lyle wainfleet #my stuff: survivor #bonus scene #quaritch pov

[tigereyes45]

can you write a fic where Jim has to be the logical one when Spock finds a stray kitten and wants to keep it

You can also read it on AO3.

Summary:

Spock found a kitten. Jim has to convince him that it can't stay.

Story:

Jim wobbles the PADD in his hand, up and down as he ponders its contents. Updated maps, star charts, all evidence that slowly and surely they’re discovering the far reaches of their universe. One week on Earth, and he was actually starting to doubt that. Home. It always makes him feel stir-crazy. Even being back on the Enterprise takes tons of stress off his shoulders, and buries it in the bottom of his stomach.

As the door slides open Jim starts to yawn. He wanders inside, letting his feet walk the familiar path.

A soft, desperate mew stops him dead in his tracks. Forcing his exhausted eyes open, Jim finds Spock, sitting in his usual seat at Jim’s desk. Unusually there’s a small bundle of fur laying on his chest.

“Spock.”

He looks up, completely unperturbed. His fingers run across the all-grey kitten’s head and down it’s back. “Yes captain?”

Jim rests his fists on his sides. “Why?”

“Why what, captain?” Spock raises his head, calm and stoic.

Forcing back a laugh, Jim stares at the vulcan. Not so much as a twitch. He should have expected as much. “It can’t stay.”

“She can as she has nowhere else to go.”

The small bundle mews again. It weakly tries to climb up Spock’s chest. It gets a few steps, before pushing its head into Spock’s chest again. Spock raises his hand and rests it under the kitten’s bottom paws.

Undeniably, adorable. Damn it.

“Spock.” Jim lets his head fall back. “A starship isn’t a place for a kitten.”

“She would have ample food and water. It is not difficult to change a litter box and keep the space around it clean.”

Jim stares at the ceiling, feeling exasperated. Leave it to Spock to put him in this position, of having to be the logical one.

“And what if the ship gets hit?” He can picture it now. A ion storm rattling the ship, or a strike from a klingon warbird and she’ll end up on the ceiling somehow, or worse, ontop of someone’s face with her claws out, desperate for anything stable. “She’ll be sent flying across any given room or hall she’s in.”

No. She can’t stay.

“I can have magnet boots made so that she will always be on a surface.”

How is that logical? “I bet she’d love that.” More than a little sarcasm slipped out.

“It would be uncomfortable for a time, but she may grow accustomed to it.”

Jim moves closer, perching himself on the end of his desk. He waves his hands in a small circle, before clasping them together again.

“Spock think about this logically.” Spock’s eyebrow rises. “What if she gets visiting dignitaries sick? What if she somehow ends up on the surface of a faraway planet? How would we find her? How could we keep diseases from spreading?”

Spock looks to be deep in contemplation, but Jim can tell he’s still unwilling to concede. Jim gets off the desk, moving to sit on it closer to Spock. Their knees bump. Time for the big guns.

“What if something happens to her?” Spock opens his mouth to respond. Jim rushes to ask his other questions. “Who would take care of her? Who could take care of her exactly the same way you would have?”

Spock tilts his head to the right. “Ensign Chekov seemed to have expressed an interest in her, and Doctor McCoy has taken care of animals in the past.”

Resting a hand on Spock’s knee, Jim says softly, “So have I, but the answer is still no.”

Spock’s head tilts against the back of his chair. The vulcan equivalent of kicking his feet up, or maybe it’s just Spock’s equivalent. “You may have a point.”

“Thank you.” Jim pulls back his hand and folds both in his lap. “Now where are we dropping her off at?”

“In fact I know someone in Iowa who expressed an interest in caring for her.”

“Iowa?” What a coincidence. Except this is Spock, and where he’s concerned coincidence is hardly at play. No Jim’s gut was telling him this is exactly what it sounds like. “Spock, you didn’t.”

Spock nods. “I did, Jim.”

Of course he did.

Jim throws on a smile. “When is my mother due to arrive?”

“In three point seven minutes.”

Perfect. Jim shakes his head.

“So you were never planning on keeping the kitten.”

Spock lifts both eyebrows. “I was, but I anticipated your arguments and came to the conclusion that I would have to adhere to your ‘logic’.”

Even when he forces Jim’s hand into being the logical one, this vulcan is still three steps ahead. Jim will have to get him back at the next chess game.

Author's note: If you also want to send in a star trek fic request, feel free!

#star trek #spirk #tos #star trek tos #fanfic #fic #star trek fanfic #star trek fic #tos spirk #fanfiction #ao3 fanfic #request #answer

[katerina-marie]

Bathtub Confession (Eres Tú)

Sukuna x Reader

Part 3 to this

The one where you learn that certain confessions don't always have to be romantic, but others certainly do.

Word Count: 5.7k

Notes: Part 3 of my Sukuna x Reader celebrity!au. Takes place directly after part two. Song of inspiration: Eres Tú by Carla Morrison

Content: bandmember Sukuna x actor female Reader (referred to as such, but left descriptively vague), no y/n, manager Nanami, bodyguard Toji, actor Gojo, found family vibes, some angst, fluff, crack, humor, out of character Sukuna (he's so fluffy), suggestive, maybe lightly explicit, tho no sex actually occurs just yet (sorry), so please avoid accordingly.

-------------------------------------------------------------

“Should I change my name?”

A beat of silence. A drop of water.

“No.”

“Should I get a wig?”

Another beat of silence. A clink of glass on tile.

“No.” 

“Should I flee the country?”

A minuscule half second of silence.

“Not if you’re going to quit paying me,” Toji grumbled. 

His response made the frown on your face dip down further on your lips, and you rolled your head against the back of your porcelain tub to stare at the ceiling.

“Is that all you see me as?” you whined, “A paycheck?”

“You want me to lie?” 

“That’s it, I’m going to drown myself.” 

That gets a long, heavy sigh from your bodyguard and you can hear him readjust himself on the chaise lounge seated in the middle of your expansive bathroom before he carries on.

“First off,” he grunts, “no you’re not. That would require me to pull your sad self naked from the tub, and we both know we don’t want that. Second…you know you’re not just a paycheck.” Toji goes quiet for a moment. “I’d like to think that we’ve become a sort of family over the last couple years, you, me, and Nanami. Shoot, even Megs too when he’s around.” 

His soft confession brings a smile to your face, and you turn your head to the right to look in his direction from behind a large mahogany privacy screen. It stands tall, wrapping just barely around the ends of your tub where your feet and head lay, keeping you securely tucked away from any prying eyes. It found its way there long ago, because this wasn’t the first time that Toji had played therapist from his dedicated chaise while you lounged in a hot bath and the two of you shared a bottle of wine. 

“Thank you,” you whispered to him, “I’m grateful you’re my friend…and my family.” 

“Don’t worry about it, I know you are. But don’t go on getting too upset or sentimental just because you’ve had a rough day. Things haven’t been that bad,” Toji said, and you groaned at the reminder.

After finally arriving home safely—no thanks to you—Toji immediately went into damage control mode and spent the afternoon fielding phone calls and text messages, though nothing too serious had been blown your way yet. 

You had received a none-too-pleased email from the producer of the movie you and Satoru were co-starring in, accusing you of sabotaging the release by not waiting to reveal your relationship with Sukuna until after the movie premiered in a few short months (as if he couldn’t tell that what happened today wasn’t by choice). Luckily, Satoru swooped in with his sweet-talking words and buttered the producer right back into promising extra money for a job well done. Though Satoru’s idea of fixing things was convincing the producer that the only premise that sold better than a classic love story was the angst of a good ol’ fashioned love triangle, and he was more than happy to play the jilted lover dead set on winning you back. You wondered what it must be like to live in such delusions. 

What really put the cherry on top of a bad day was the text you received from Sukuna shortly after arriving home. It wasn’t anything particularly worrisome, a straight to the point, “I’ll call you this evening, busy smoothing a couple things out, x,” but it had you in a fit nonetheless. After sending a quick affirmation back, you threw your phone across the couch in your living room and flung yourself onto the nearest surface to bemoan your miserable existence. Toji was not amused when that nearest surface happened to be his chest, and he only offered you five minutes of soaking his shirt with snot and tears before he drug you upstairs to your bedroom, turned on the hot water to your tub, and shoved you into the bathroom with a promise to return with wine if you quieted down for just a second. 

So here you were, an hour later, soaking under a mountain of peppermint scented bubbles while you toed at the hot water handle at the end of the tub. 

“You think if I begged hard enough Nanami would let me come stay with him for the rest of his vacation? I’m afraid I’m in need of a tropical escape,” you told Toji, already calculating in your head how quickly you could pack your bags and be on the next plane to Malaysia. 

Toji chuckled, “No, I don’t think he would, considering he refused to tell us anything more about his trip other than what country he’d be in and when he’d be back. You showing up would take seven years off his life. Add three more if he opens up the door to you sobbing like you’ve been all day. Besides, running away to another country just because you’re afraid to talk to your boyfriend is a cowardly move.” 

You ‘tsked’ at him for calling you out on poor behavior and slouched further down into the hot water in shame-filled defeat. Instead of wallowing in it further though, you popped your ankles up on the rim of the tub, tossed your arms back to hang behind your head, and clapped twice to get Toji’s attention.

“Another glass of wine, please,” you mocked in as snobby an accent as you could manage.

“What do you take me as? I’m not your damn butler,” he complained, but you could hear the quick successive cracking of his back as he stood up from the chaise and stretched. 

“Just one more and that’ll be it, I promise.” You considered what else could entice him into doing your bidding. “I’ll let you be done for the evening and take the day off tomorrow if you also bring me a plate of cheese and crackers, please.” 

Toji was silent before letting out a begrudging “fine” and shuffling out the door without another complaint. 

You marveled in the silence, nothing but the occasional lap of water as you adjusted yourself in the tub to break it. After a few minutes, however, you realized the absence of conversation was the perfect environment for your thoughts to run unhindered, and that was not something you cared to partake in at the given time. Trying to concentrate on anything else though was futile, and perhaps trying to wade through your own head for a few minutes would leave you feeling better when you chose to pointedly ignore it once your butler…ahem, Toji, returned with your snacks.

Besides falling on national television��and underneath Gojo Satoru nonetheless—you had a particularly difficult time deducing from yourself what exactly about the accidental revelation of your relationship with Sukuna caused you so much embarrassment. It wasn’t that you didn’t want to be associated with him or that you always intended for the relationship to remain secret until it had reached its course; your desire was quite the opposite, actually. It was a feeling best left to baser animals and bedroom activities, but the idea of staking a claim, proving that he belonged to you in a way, was not unappealing and not something you could talk your way out of thinking, especially with the world the two of you lived in. 

If you got down to it, the real problem lay in your unfortunate habit of caring what people thought. You didn’t want Sukuna to see you as childlike, only a few years younger than him in age but miles behind in maturity. You didn’t want him to view today’s incident as a misfortunate foreshadow into the “what if’s” of your relationship. Neither did you want the world looking at the two of you and questioning how exactly something like it came to be. Where Sukuna was all sharp angles and dark colors, suave nonchalance and carrying a presence that demanded to be seen, you felt painfully opposite. You wouldn’t self-deprecate and believe that you were unworthy of standing beside him, but just cognizant of how different you felt. More like something that could be just as appreciated, but more likely to be overlooked and favored over something brighter. A “mismatched pair” is what they would call you, something that struck you so vividly that the pressure in your chest increased ten-fold. You knew he would hear it, see it, be made aware of it, and while he may not agree right away, you wondered how long it would take for the sphere of influence to get to him too. The anticipatory grief (as your actual therapist called it, usually followed by anxiety) of waiting for someone you valued so much to realize that he had better options was enough to make you consider running away from the whole thing entirely. 

And that’s how you came back to scheming your departure from the country. If you hurried, you could probably towel off, pack a bag, and slip out the back before Toji realized (you wondered if the big oaf had decided to take a nap instead of bringing you snacks for how long it’d been since you last heard him). Surely Nanami wouldn’t abandon you in your time of need if you were wailing at him over the phone in the airport of a foreign country. 

But alas, you heard your bathroom door open, effectively cutting off any means of escape.

“It’s about time, Toji. What took you so long?” He neither spoke, nor took another step. “Eh, no matter. Bring me my snacks, please.” 

Footsteps continued again and before you could chastise Toji further, a voice spoke up from right behind your privacy screen. 

“Should I be concerned with the normalcy of your bodyguard attending to you while you’re naked in the bath?” 

The shock of hearing Sukuna’s voice caused you to jolt, sending your legs into the water with an unmistakable splash and leaving you to scurry back into a sitting position from where you had slipped dangerously close to submerging your whole head underwater. The indecency of it all would kill you if this conversation that was about to happen didn’t.

“I assure you,” you started, hoping you didn’t sound as wrecked as you felt, “it is not nearly as salacious as you made it out to be.” 

Sukuna hummed. “Really? Because it sounded as if you were expecting him, and when I ran into him downstairs he told me to tell you that he would be back up to deliver wine and cheese shortly. Sounds like a romantic evening to me if I’ve ever heard one.”

You were relieved to hear a hint of amusement in your boyfriend’s voice, but horrified at what he was saying. 

“Please stop implying things that’ll make me gag.” 

Sukuna chuckled, but was quiet for a minute until, “You have five seconds to tell me to stop before I move this privacy screen so we can talk face to face.” 

You shot upwards, looking around hurriedly as you tried to scrape the remaining bubbles in the tub to strategic places in order to maintain your dignity, though you realized a moment later that it was probably unnecessary. With a second left, you brushed tendrils of your hair away from your face and wiped your thumb across the top of your lip to remove any remnants of a wine stain from your skin. In the next, Sukuna was pushing aside the privacy screen and looking down at you with a blank—but not unkind—expression. You eyed him warily as he walked up to the edge of the tub and dropped a cushion from the chaise Toji was sitting on earlier to the floor. He settled himself down onto it and then placed his elbow on the edge of the tub so he could lean in close to you. 

“Hello,” you whispered to him, settling both your arms down next to his and then resting your head against them. A small smile crossed his face.

“Hello to you too.” 

You were surprised at the lack of tension in his face, no clenched jaw or heavy brow to be seen, and as you trailed your eyes further down his torso you noticed its absence there too. His shoulders were relaxed, and his chin was cupped in the hand propped up on the tub so he could gaze at you with those unnervingly observant eyes of his. You wished he’d been wearing a t-shirt instead of the thin navy turtleneck he currently had on so you could focus your stare on the black tattoos decorating his body. Aside from being intricate, and distracting, they always gave you something to look at when meeting his eyes felt like too much. 

The tenderness of Sukuna’s knuckles meeting your temple forced you to look back up at him, only to see that he was following the path his fingers were making over your skin. They grazed over your cheekbone, feathered down the bridge of your nose, and then were skimming over your mouth, his thumb catching ever so lightly on your bottom lip. His hand didn’t linger there, and it was quick to skate over your jaw before his thumb landed under your ear and the rest of his fingers tangled in your hair while his palm cupped your neck. With a slide of his other hand up your arm and down your back to press between your shoulder blades, Sukuna brought you close enough to him that he was able to reach the rest of the way over the tub and kiss you. His lips remained pressed against yours for a second or two before he broke away, hesitated, and then leaned in to do it once more, twice, and a third time. 

You were the one that put space between the two of you, sitting back in the water and drawing your knees to your chest. You desperately needed to inhale without smelling the crispness of his aftershave or the spiced warmth of his cologne, both of which were guilty of making your head spin. 

“You’re not mad at me?” you asked, breaking the silence before he had a chance to, before you lost your nerve. You watched as his head tilted slightly to one side, his expression a touch befuddled, but full of disbelief. 

“Why would I be mad at you?” He questioned slowly, moving himself to his knees on the cushion so he could go back to resting his arms on the tub. 

“I don’t see why you wouldn’t be,” you told him, your voice a bit sharp. “I inadvertently told anyone with access to the internet that we were dating, without even talking to you about it, and then proceeded to flee the scene like a coward instead of getting back out there to present myself as confident enough to own up to my mistakes. Not to mention the fall with Satoru right before. It’s embarrassing. The whole thing made us—me—look like a giant mess!” 

Your voice cracked on the last word, and you bit down on the inside of your cheek until you tasted iron. Sukuna looked pained, and he reached a hand out to play with your fingers as they sat at the top of your knees. 

“You’re not a mess,” he said, rubbing his thumb in small circles over the middle knuckle of one of your fingers, “and I’m not embarrassed either. I never intended to keep us a secret, and I’m not trying to implicate you when I say this, but I don’t think I ever implied doing so that evening.” 

“Well, yeah,” you huffed, the twinkle in his ochre-brown eyes and the mischievous grin on his face as he hinted to the night the two of you cemented your relationship into the category of “official” making your face get warm, “we didn’t do a whole lot of talking after that point.” 

You tried to jerk your hands out from under his to cover up your cheeks, but Sukuna was unrelenting in his hold, and you gave up before continuing on, “I know you never implied that you wanted to keep our relationship hidden, but that’s been the theme of whatever we’ve had going on these last ten months. We were sneaking around from the very beginning, we lied about it to Yuji and Choso, and then let’s not forget about the whole incident of being caught by Satoru,” you pointed out to him, feeling the slightest bit smug when he looked chagrined. 

“I apologized for that,” he reminded you, his voice tone faintly defensive. You squeezed his hand in comfort. 

“You did, and I’m not upset about it.” 

You took a deep breath and cast your eyes everywhere except Sukuna, taking in the details of your bathroom as you tried to muster the courage to share your insecurities with him. He never let his attention on you deviate, and between that and the heat of the water you had been in for almost two hours, you were beginning to feel lightheaded, and everything finally came rushing out of your mouth.

“I feel like we’re mismatched! It feels like everytime someone looks at us, they’re going to wonder why, like we don’t fit well together. And I’m not saying I believe that, or that you would believe that, and I know this whole thing sounds ridiculous because it is ridiculous, but it’s hard to get outside of my own head about this when I already love you so mu—,” 

The startled look on Sukuna’s face is what clued you in to the fact you had said something you had not intended to. You snapped your mouth shut with an audible click of your teeth and used your feet to push away from him and to the otherside of the tub, wrenching your hands out of his grasp. 

If someone asked why you never liked to talk about your feelings, this was why. Why the words that came out were never as eloquent—or as sane—as the thoughts in your head was something you’d pay so much money to figure out. And Kento was about to have no choice in letting you hide out with him for the rest of his vacation because you were no longer asking, and if he was interested in keeping his job he would do so without complaint. Even so, you considered that forcibly releasing Kento from the grip of a career that was so wrought with overtime would be another mercy for the overworked sal—,

“You know what I think,” Sukuna murmured, bringing you out of your own head to focus with rapt attention on the blissfully contented expression he wore. His fingers curled around the tops of your arms as he reached out to slide you back to his side of the tub, and when you were close enough again, he pushed his nose into the plushness of your cheek to nuzzle there affectionately. You were transfixed by a small tan freckle on the edge of his eyebrow that you somehow hadn’t noticed before.

“I think this whole time you’ve been so focused on pleasing everyone around you—which isn’t necessarily unadmirable, I promise—and treading with extreme care to take into consideration my feelings about our relationship that you haven’t noticed what’s been going on…or I haven’t been doing a very satisfactory job of making it apparent.” 

He said the last part more under his breath, but didn’t give you a chance to interject with an objection before he carried on, making intently sure your eyes were on his. “From the very beginning, even when all I had of you were fleeting touches and secret meetings in questionable places, I was always bound to fall in love with you.” 

You didn’t know what to say, what to think, and trying to wrap your head around the fact that what you considered to be one of the worst days of your life was ending with unintentional confessions of love in your bathtub wasn’t helping. So you did what you could and traced a finger down one of the tattoos under his eyes, hoping he would keep talking.

“We aren’t a mismatched pair,” he insisted, his eyelids fluttering slightly at your gentle touch, “I think we compliment each other quite well, so please, don’t try to hide or run away.” He fixed you with a pointed look that told you Toji had warned him of your current status as a flight risk, and you ducked your head slightly and in a way that you hope conveyed repentance.  

“Because you must know, I will always be chasing after you.”

You wasted no time in hurrying to crush your lips against his and throw your arms around his neck, because what else was there to do when words couldn’t suffice, other than to surrender to the melding of bodies? 

Sukuna reciprocated in fervor, breaking apart from you only to stand up from his place on his knees, and reached down to cup his hands under your bottom, lifting you out of the tub and securing your thighs around his hips while his mouth found yours again.

He seemed to care not that you were dripping water on the floor and soaking the front of his clothes from where you were pressed tightly against him. He stumbled back a couple steps until the back of his knees made contact with the chaise, and the two of you fell back onto it. Sukuna adjusted you to straddle his lap, his hands clasping at your hips while your hands scrambled down his back to pull up his shirt. You ground your pelvis down against him as he dropped his head to mouth at your neck, and the rough groan that elicited from his throat had you deciding that your bed was too far away to justify taking time to separate, and that the convenience of the chaise was worth going to the trouble of having to buy Toji a new one. You had no more than let the thought flutter through your head when an obnoxiously loud knock resounded through the bathroom. 

“You two haven’t drowned yet, have you?” 

Speak of the devil and he shall appear. 

Sukuna ripped his lips away from where he was sucking a mark into the space where your shoulder blended into your neck, and met your gaze with one that dared you to intervene. 

“Don’t even think about it,” he growled, using the grip he still had on your waist to hold you in place while he rolled his hips up into yours, and you prayed that the moan you let out wasn’t as loud as it sounded. Even if it was, you hoped Toji would get the hint and make himself scarce.

“Look, I get it,” your bodyguard remarked, sounding both amused and vaguely uncomfortable, “but it’s kinda, maybe important.” 

With both the mood dashed and your anxiety spiked again, you patted Sukuna on the shoulder in a bid to get him to let you slide off his lap. He rolled his eyes, exasperation—and lustful desperation—painted clearly on his face, but he helped you down without giving you any grief and grabbed a black fluffy robe from where it was draped over your privacy screen. He held it out so you could thread your arms through it, and then he proceeded to tie the belt securely around your waist. 

“Come in, Toji,” you called, moving to sit on the chaise while Sukuna came to stand at your back.

Your bodyguard waited a moment before opening the door, peeking his head around first and then sauntering in with his normal arrogance to lean against your bathroom counter just a couple feet in front of you.

“Glad to see that nobody’s drowned. There’s only one of you I’d be willing to do mouth-to-mouth on,” Toji joked, clearly proud of what he had come up with. You felt Sukuna’s hands come to rest on the tops of your shoulders, his fingertips digging into the muscles lightly. They relaxed when you bought one of your hands up to twine your fingers with his. 

“So, to what do we owe the interruption?” you asked. The amusement on Toji’s face vanished, and in its place came weariness. 

“I just got off the phone with Nanami, and—,” 

“You called him?!” You yelped, springing up from your seat, “I begged you not to!”

“Whoa, Whoa,” Toji cautioned, raising his hands up in a surrender, “easy with the accusations. He called me. He knew.” And before you could open your mouth to ask how, Toji’s expression darkened and his eyes flicked up over you to glare at Sukuna. “Uraume called him.” 

You whirled around to look at Sukuna, who—thankfully—seemed just as surprised by the news as you did. 

“I didn’t ask them to do that,” he assured you, then turned to Toji, “did Nanami say what they wanted?” 

“Just to talk about the whole situation, more or less. Nanami said they only talked for about ten minutes, but they’re planning to discuss things more when he comes back in five or six days.” Your bodyguard sighed and crossed his legs as he leaned back further against your counter. “He was nearly ready to hop on the first plane home, but I managed to convince him to finish his vacation. Told him it’d damn near break your heart if he came back early.” 

You plopped back down on the chaise, bone tired and completely ready for this whole day to be over. 

“Thank you, Toji. I’m sorry for jumping down your throat like that.” 

“Don’t sweat it, Princess,” he said, pulling a vaguely familiar set of keys out from his pocket and pushing himself off the counter to walk towards the door. “You two going to be okay if I head out? I have some errands to run and then I’ll probably crash at Megumi’s tonight instead of the staff quarters.” 

You nodded at him, sending him off with a wave before shifting to look back at Sukuna. 

“Stay with me?” you pleaded. He answered with a kiss to your hair, and then offered his arm so you could stand from the chaise. He followed after you into your bedroom, and the faint flutter of clothing made you glance back over your shoulder. Your heart began to race at the sight of his bare chest, tattoos displayed in full glory. You must have made some kind of noise because he looked up at you from where he was draping his shirt over the back of a lounging chair in the corner of your room.

“I hope you don’t mind,” he said sheepishly, “my clothes are wet.” 

You shook your head, tugging your bottom lip between your teeth as you watched the muscles in his back flex as he bent down to push his jeans to the floor, leaving him in simple grey underwear. There must have been something written all over your face as he began to walk towards you, for he was reaching out to pull you into him as soon as he got close enough.

“I’m tired, Sukuna,” you warned as he pressed your cheek to his chest, though you wondered if you could muster up the energy to continue where the two of you had left off in the bathroom. Surely he would make it worth your while. 

“I know,” he told you, voice light and good-natured, and he tightened his arms around you briefly before stepping back and nodding in the direction of your bed, “why don’t you go get comfortable. Toji left your snacks on your dresser. Want to finish them off before bed?” 

With a grateful nod, you turned to leap onto your bed, sitting down in the middle and wiggling with excitement as Sukuna came to join you. He sat the tray of food and wine in between the two of you and crossed his legs underneath himself before picking up a piece of cheese and offering it to you. You smiled in thanks and began to nibble on it while he surveyed his options. 

“Mhm,” you started, an errant thought popping into your head, “I’m assuming since Uraume knows that Yuji and Choso know now as well?” Sukuna raised his head slowly from where he had been studying the various snacks, and the hint of guilt on his face wasn’t confidence inspiring. 

“They do,” he drew out, observing you carefully, “they were both watching the interview with me.” 

You groaned as white-hot embarrassment flooded your body, and you fell back against your pillows, grabbing one to shove over your face to muffle the bitter laughter you couldn’t control. “What do they think?” 

“It’s nothing you should be worrying about,” Sukuna said, suddenly sitting by your head and lifting the pillow off your face to set it above your head, “you know they adore you. Choso was his normal, level-headed self. He’s happy for us. Yuji was just as ecstatic once he got his laughter under control, if a bit disappointed that we hadn’t told him.” Your boyfriend paused, his face darkening suddenly, and you watched with interest as a muscle feathered in his jaw. 

“What?” you asked, pushing yourself back into a sitting position and poking him in the arm to urge him to explain. He shook his head, clearly annoyed.

“You know what that little shit said immediately after? He thought that you and Gojo had been secretly dating and were waiting till after your movie was over to say anything.” 

Obnoxious laughter erupted from you, and you hurried to slap your hands over your mouth to try to conceal it as Sukuna’s face fell. 

“I’m sorry, I’m sorry,” you rasped out in between giggles, unable to stop it as you watched Sukuna sit back against your pillows with a huff and a crossing of his arms. 

“The little idiot is just dense. And delusional. Anyone could see that you and the q-tip don’t have any real chemistry.” He sounded an awful lot like he was trying to convince himself of the truthfulness of his own statement. You wondered, affectionately, at which brother was a touch deluded. You were a fine actor, thank you very much. And you were about to open your mouth and say so when something ‘plinked’ off the window next to your bed. 

Strange. Your bedroom was on the second floor. 

Sukuna jerked his head up, all traces of humor forgotten, and the two of you listened for the noise again. 

Plink. 

“What the hell,” he muttered, pushing off the bed so he could go inspect the noise, “stay right there.” 

You appreciated the concern in his voice as he began to lift the window pane open, and he had just begun to stick his head out to look around when something small smacked him right between the eyes, sending him butt-first to the floor. 

“Sukuna!” you gasped, rushing over to kneel by his side and lift his hand from where he had it pressed to his forehead. You didn’t get a chance to fawn over him any further before he was up on his feet and striding to your bedroom door. 

“Be right back,” he growled, throwing the door open and cursing all the way down the stairs. 

You heard something land next to you on the floor, utterly perplexed when it turned out to be a rock from your flower beds. You got up and tiptoed over to the window, just barely lifting your head over the pane as to avoid becoming another victim of a flying projectile, then shot to your feet when you caught sight of a familiar white-haired costar outside beneath your window.

“Satoru!” You screeched, dumbfounded by his mere presence and the way he waved up at you, completely unbothered, “How in the world did you get through the gate?!”

“Hey! There you are!” He called, with a lazy grin on his face, “that’s not really important right now.” 

“I would disagree!” You yelled back down to him, making a mental note to have Toji go over all the security points around your property after his day off. “What are you doing here?” 

Satoru laughed sarcastically before the smile on his face suddenly disappeared, and he propped his hands up on his hips. “Where is my car?” 

No. Way. 

“You’ve got to be kidding me, Satoru.” 

“Nope! Give me back my car. It’s one of a kind!” 

You groaned, reaching up to massage the burgeoning headache you could feel at your temples. “Are you sure it’s not out there in the driveway? Toji left just a bit ago, so you shouldn’t be boxed in or—,” you cut off when the memory of your bodyguard twirling an unfamiliar set of his keys around his finger as he left your bathroom flashed across your memory.

Oh god, that absolute bastard. 

Satoru must have caught the horrified look on your face, as well as how you suddenly stopped talking after mentioning Toji because his face blanched even paler than usual, and his voice was two octaves higher in distress when he hollered back up at you.

“Does that criminal have my car?!” 

You deserved a vacation at this point. 

“I’ll call him in the morning, Satoru, I promise. And I’ll make sure he washes it for you or whatever you want, just come back tomorrow.” You hoped placating him with the prospect of torturing Toji would convince him to leave, but no, he still stood rooted to his spot down below. 

“As fun as that sounds,” he mocked back up at you, “I can’t.” 

“What do you mean you can’t?”

He looked a bit like a toddler caught with his hand somewhere it shouldn’t be. “Suguru dropped me off and then left in a hurry. He said he had something to do.” 

You couldn’t believe that the universe thought that pairing those two together in any capacity was worth the absolute chaos they unleashed on the poor, unsuspecting population. 

The slamming of your front door caught your attention, and you figured your boyfriend was about to make himself known.

“Look,” you sighed, backing away from the window slightly, “you can borrow one of my cars and swap it tomorrow when Toji brings yours.” You ignored Satoru’s protests and started to close the window. “Just apologize to Sukuna for hitting him between the eyes with a rock and he’ll open the garage for you.”

You caught the confusion on Satoru’s face, and just barely heard his panicked remark as you shut the window.

“Oh, fu—.”

-------------------------------------------------------------

Whew, that one took it out of me, not gonna lie. Angst and I are not friends.

#jjk #jujutsu kaisen #jujutsu kaisen x reader #ryomen sukuna #ryomen sukuna x reader #ryomen sukuna x you #sukuna x reader #sukuna x you #gojo satoru #toji fushiguro

[strangersteddierthings]

In the 19 years Steve's lived in this house, never once has he slammed his front door like that. Too scared of his parents' wrath should it have caused any damage.

It feels good.

He almost turns around to do it again, a fuck you to his parents and every decision they ever forced on him, but then he remembers. They're all in there. Nancy, Jonathan, Argyle, Eddie, Robin. In his living room, making declarations and decisions about Steve's life for him. Or, well, one of them is.

Like his parents do. Did?

He didn't grab his keys, wallet, or even his coat, but he's not going back for them. It's cold, sure, but Steve's sure his anger will keep him warm until he reaches a destination. Any destination.

He just doesn't understand why- Why they keep doing this to him.

Why he keeps letting them.

No. No, that's a lie. He keeps letting them because he knows, deep down, he's not a fighter. Not for himself.

He'll put himself between the ones he loves and danger in a heartbeat; he's done that since the first time he watched a petal-faced monster peel its way out of the Byers' wall in '83.

But his parents trained the fight right out of him when it came to himself. It was easier to not argue, to just do what they wanted. They'd smile at him when he was good. They'd take him with on shorter business trips when he behaved. His mom would even allow a quick hug if he impressed a shareholder with how well-mannered and quiet he was.

He won their affections with obedience.

He's never- Nancy and he love each other now, but in the same way they all love each other after having survived the horrors the Upside Down. But Nancy never loved him the way he'd once loved her. That was bullshit.

Even Robin and Dustin. He knows they love him now. Will love him forever, going forward, but both had admitted to having a predetermined idea of who Steve was and what he was like and they weren't wrong but they also weren't right because Steve's never been Steve a goddamn day in his life.

Steve hadn't even known Steve until monsters came into his life.

The way everyone used to refer to him as the Steve Harrington was a judgement all its own. A thing that he was, and had no say to be otherwise.

Even Eddie, in the Upside Down, and now, in his own house.

Steve finally feels like he might be becoming who he really is and he's surrounded by friends and it just made him stupid. He'd thought it was confidence, when he pulled Eddie aside to talk, to confess, but then-

Eddie telling him he's confused. Like Steve is a child learning new concepts and not an adult who has been questioning how he feels about men since he first noticed other boys in middle school.

Eddie telling him, 'you don't want this, man. Not really.'

It's not fair.

Robin came out to him, and he'd just wanted to make her laugh so she would quit looking so scared. Eddie came out to him, and Steve had thanked him for trusting him. Jonathan, Nancy, and Argyle confess to all dating each other and Steve congratulated them. But Steve comes out and gets told he's confused?

And Steve didn't even refute it. Just got so hurt he couldn't be there anymore. Left his own house because he'd told Eddie he had a crush on him, and asked if he'd like to go on a date sometime and Eddie said no and told him he was confused.

Eddie doesn't get to decide that for Steve! No one but himself can decide if he like guys or not. No one gets to tell him he's confused about what he's feeling.

It's- that's bullshit, is what it is!

Steve turns on his heel and marches back to his house. His hurt has fully morphed to anger now.

Steve hasn't run away from a fight since '83, and he's not going to start now.

He rips his front door open and is greeted to everyone just inside the door, in various states of putting their winter clothes back on. All the faces look concerned, but he scans for Eddie's.

Eddie who looks relieved for all of two seconds, when it seems to dawn on him that Steve is angry, and it's directed at him.

"The appropriate response," Steve growls as he steps through his door and punctuates those words by slamming it shut again. (It's not as satisfying this time, because he sees how it makes his friends jump.) He barrels on with his words, eyes never leaving Eddie, "when someone comes out to you, is to say 'thanks for telling me' or perhaps even 'thanks for trusting me' or, if one is so inclined, to just say 'cool, dude' but you don't get- you don't get to tell me I'm confused!"

Eddie takes a step back, knocking directly in Argyle, who steadies him, but he doesn't say anything.

Maybe Steve should be more calm about this, given the audience, but he's not able to stop the words now that they've started. "I'm not confused, and I know exactly what I'd be getting into. You don't get to- to try and make your rejection my fault. If you don't wanna date me, just say so. But you don't get to try and tell me how I feel about you!"

From the corner of his eye, he can see Nancy trying to subtly shift herself and Jonathan away from the door, probably to get out of what really should be a private conversation, but Jonathan's a bit preoccupied by catching Robin around the waist as she lunges towards Eddie.

"What the fuck did you say, Munson!" Robin growls, arms swinging out like she's going to claw Eddie to death.

Argyle has inched back a bit, putting distance between him and Eddie in case Robin breaks free. "You dudes should probably talk this out in private."

"Byers, if you don't let me go right now-"

"Robbie, I got this," Steve says, because Robin shouldn't be turning on Jonathan when he's done nothing wrong. Robin continues to glare at Eddie for a few seconds before she makes eyes contact with Steve. He raises his brows slight -I got this- and she furrows hers -are you sure?-, so he tilts his head -yes, really- and she deflates in Jonathan's arms and allows him to drag her away.

"We'll just be in the rec room," Nancy says, looping her arm through Argyles and following after Jonathan.

Eddie doesn't bolt, which is a bit more than Steve expected. They both just stare at each other until they hear the click of the rec room door.

"Steve-"

"That was fucked up, Eddie," Steve interrupts.

"Yeah. It was," Eddie says, but doesn't offer up more, even though Steve is waiting for an apology.

"That kind of reaction is exactly why I didn't come out sooner. What would be the fucking point if no one even believed me? Or worse, if you'd given me that kind of reaction like, six months ago, I probably never admit to liking guys out loud ever again. You can't just- you can't decide this kind of shit for other people!"

"I know! I- I freaked out, and panicked, and I'm sorry. I'm so sorry Steve," Eddie says, and he sounds sincere and looks almost fragile while saying it that Steve loses a bit of his steam. He doesn't want to just keep yelling at Eddie.

"Yeah. Well. Thanks for apologizing," Steve mutters, crossing his arms with a huff.

Eddie worries his bottom lip before he seems to gather all his courage and says, "have I fucked everything up between us?"

"No. Not- I'm going to, like, need some time to get over my crush, but no. It's- it'll just be take time-"

"No! I mean, I can't- if you don't, uh, like me like that anymore I get it, but I- what I meant was. Well. No, I guess that answered my question."

Steve is confused, now. For real, and not about his sexuality. "What?"

"What?"

"You did it again. Deciding for me if I liked you or not."

"Shit. Fuck! Sorry," Eddie drops his head into his hands and groans. "I'm fucking this up so bad."

"Than use, like, real, whole sentences and speak to me!"

"I like you!" Eddie blurts. "I have a crush on you, too, but I- I fucked it up!"

"Yeah. Kinda."

Eddie makes a really pathetic noise at that.

"Not so much we can't, like, figure it out, though," Steve offers. "Not, like, right now, because I'm hurt and angry, but like, I'm not going to stop liking you because of one fight. Not. Uh, not now that I know you like me, too."

"Oh," Eddie whispers, then frowns. "For real?"

Steve rolls his eyes. "I said it, didn't I?"

"Sorry, it's just, just good things don't happen to me. It's- I'm processing, okay."

Steve lets out a long-suffering sigh and heads towards the rec room. "If you want to leave to 'process' alone, I get it, but you're welcome to stay. We can get this party re-started and hang out."

Eddie's silent a moment, and Steve thinks he's going to ask if Steve's sure, but instead he gets a quiet, "yeah. I'd like to stay." and the sound of Eddie's footsteps following him to the rec room.

-

@i-less-than-three-you @nburkhardt @afewproblems @skepsiss

#steddie #pre-steddie more accurately #my fic #we have a lot of fic where it feels like the miscommunication is just one character deciding how the other feels #and i LOVE that trope. The angst of it all it just *chefs kiss* #but I dont think steve would let people get away with telling him how he feels #i think hed get hurt and then angry #so i wrote it #thats a lie. this STARTED as that trope (i even warned the discord babes) but while I wanted steve to stay sad instead he got mad \: #so its not actually the story i wanted to tell but it's the one i got