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whoisglory · 4 months
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kiyaedits · 11 months
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BNHA COLOR PALETTES!! [TEAM RYUKYU EDITION] 🌌🐸🌀
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💕BNHA IMPORTANT POST
💚BNHA SUGGESTIONS POST
💙KIYA’S EDITS REQUESTS RULES!!
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gme-news · 1 year
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THIRDY RAVENA AT CHRIS ROSS NAGSUMBATAN | SMB NILAMPASO NG JAPAN B LEAGUE
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aashi-heartfilia · 8 months
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BnHA: Team up Mission Volume Cover
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Thoughts:
The Ochako Volume Cover we always wanted but never got...she looks sooo angelic!!! God!!!
I have so much to say about this: She looks so angelic here!! Like straight out of a volume cover! Too bad, only 2-3 volumes are remaining and the covers will most likely go to people like AFO, Deku or All Might, maybe even Bakugo if he wakes up.
I'm hoping for at least a TogaChako cover for Vol 39. An Ochako cover is way overdue, but at this point I'm just happy with what we got.
All the Kacchako, IzuOchas, and TogaChako shippers are gonna have a field day with this on Twitter! I'm really seeing a lot of Demon Bakugo X Angel Uraraka and Demon Spider Toga X Angel Ochako arts.
I wish Ochako got this hype earlier in the series, especially when so much of the main plot was hogged by the Todoroki family drama.
Anyways, I also love the fact that Ochako is depicted as an Angel here. Her quirk is literally float and she has big white wings along with that serene expression on her face...it's just so beautiful.
It really complements her soo much!! And contrasts to Toga who was seen as a devil / monster by everyone else.
Plus I really don't understand when people say, Ochako's not gonna be that popular as a pro, like are you kidding me?
Even if we just follow the cannon events, Ochako is popular among the common folks:
She was on TV during the sports fest and managed to impress a lot of pros, she was in Ryukyu's team in season 4 which also got some attention from the media.
She was helping the citizens in the aftermath. There is a chance that a lot of people, she directly saved might recognise her.
I mean, who wouldn't be thankful, if someone got you out of a falling house or someone that was trapped under a debri? Plus, rescue Heroes like Wash and 13 are pretty famous.
Plus, some might recognise her after her speech from the Dark Deku arc that was the first step to bridge the gap between heroes and villains.
And now in the final arc? SHE LITERALLY SAVED EVERYONE FROM TOGA'S SAD MAN'S PARADE!! AND THAT WAS ON LIVE TV!!!
The heroes trapped there, the people watching on live TV!! Who wouldn't recognise that?
Anyways, my point is Ochako's gonna be rich and popular and that's that.
Lol, I got way out of track here.
But Ochako's beautiful and everyone knows it!!
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lingthusiasm · 8 months
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Bonus 79: Field Notes on linguistic fieldwork - Interview with Martha Tsutsui Billins
Linguists often do research by interviewing people from a particular linguistic community. Sometimes these communities are nearby, sometimes very far away. Sometimes it's a community that the researcher is themselves a member of, sometimes this involves first building relationships with a community where the researcher is an outsider.
In this bonus episode, Lauren gets enthusiastic about the process of doing linguistic fieldwork with Dr. Martha Tsutsui Billins, an Adjunct Teaching Fellow at California State University Fresno, whose name you may recognize from the credits at the end of the show! We talk about Martha's research on politeness in Amami, building relationships on the Ryukyu Islands in Japan, and the role of outsider scholars in language documentation. We also talk about her relationship with the academic job market as an adjunct, her podcast Field Notes interviewing many linguists about their experiences doing linguistic fieldwork, and her role on the Lingthusiasm team helping us research examples for episodes. Listen to this interview about linguistic fieldworks with Dr. Martha Tsutsui Billins, and get access to many more bonus episodes by supporting Lingthusiasm on Patreon.
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epickiya722 · 11 months
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🐇"WEAK!"🌙
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Today, tonight, whatever time of day it is for you, I want to talk about this moment right here.
I have thoughts about this and I know I touched on this topic before but after updating one of my Miruko fics, I thought about this scene some more and realized something.
Here's the thing with Miruko that I think more people should actually stop overlooking.
If you read BNHA Vigilantes (I recommend it and SPOILERS AHEAD IF YOU HAVEN'T), then you would know a bit of Miruko's history.
For those who don't, let me give you a recap of it.
During Miruko's middle school days, she was quite a rowdy one. She would often crash fight clubs and get in trouble for it. Eventually, this lead to her being expelled from her school and taken into custody. Between that time and her high school years, her whereabouts were unknown and I have a theory on that in another post here.
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Now this bit of her history is why I think she says "I heard you formed a team. Weaklings."
I don't think she was being "mean" (if anything, I have a feeling that the Lurkers were even formed because of popularity reasons).
I think there's something deeper.
And that is if we dive deeper into her past, the answer is obvious.
Her quirk.
Does it not occur to anyone that Miruko may have been bullied by other people because she has a Rabbit quirk?
Think about it.
What's the first thing you think of when you look at a rabbit? Cute, right? And often how are cute things perceived? As defenseless!
Imagine growing up and people constantly telling you how cute you are, how helpless you look because your quirk gives you rabbit ears and a tail.
Rumi probably got sick of it. She probably started acting out to prove that she isn't some helpless kid (like Izuku). She doesn't have sidekicks, an agency and doesn't work with other Heroes like that because she grew up with the idea she had to carry her own weight and do things on her own so people would stop underestimating her.
Check out her interaction with Rappa.
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She may have had to deal with people like him!
Also, not just because of her quirk but also the fact she's female.
Note that there is a lot of male heroes in the industry and the highest ranked female heroes currently are Miruko at #6, Ryukyu at #10 and Mt. Lady at #23. Yet, each of them had to deal with more crap than some of the other heroes. Not just even physical injuries but I bet they have heard some sexist things in their lifetime. Mt. Lady is a starting hero, but so was Kamui Woods and she did more than him during the Kamino incident.
Personally, Miruko is a better hero than the ones ranked above her (both in skill and morals). I'm sticking by that and my mind will not be changed. No, I don't care for a debate about it. You have your opinion and I have mine.
Now, like other kids, I'm sure she idolized admired Heroes, possibly All Might, and wanted to be one. But as it happened to Izuku, she was put down for it because even though she has a quirk, people probably saw it as a "weak" one and that she's a girl.
"Rabbits always running away because they're always scared."
Her motto probably became something like "I'm a rabbit that runs towards the danger, not from it. I am the danger."
Thus lead to her doing what she did in her school days and thinking teamwork is weak. She didn't want people to think she has to rely on others' strengths and to protect herself. She could do that herself.
Think about how she interacts with other Heroes and teamwork. She is cooperative and she doesn't complain ever about working with them. She didn't think twice about helping Endeavor and Hawks out and she didn't protest during the Hospital Raid (or after later in the manga).
And remember when she insists on still fighting and Endeavor told her she done enough?
She probably felt that she still had to keep going, that she had to prove "I'm not helpless, let me still fight" (again, there's that Midoriya).
While it's on my mind, since I touched on Vigilantes.
I also think it's crazy that out of everyone in her past that the one person who did think her quirk was useful was the most evil character in this story and that's All For One.
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During chapters 88 - 89 in Vigilantes, AFO is watching the underground fight so he can choose what quirks to steal. However, he (and Kurogiri) was about to call it a lost cause until Rumi showed up and started kicking everyone's asses and changed his mind and attempted to steal her quirk.
That is mad wild to me that she was still training as a Hero, so again another moment of how badass she really is, just a kid and AFO sees this girl with Rabbit ears and a tail and think "I can steal that". Like you got to be one hell of a fighter for AFO to look at you and want to steal your quirk. Rumi took a "weak quirk" and strengthen it and AFO recognized that.
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class1akids · 1 year
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Updated character highlight checklist of the final arc - green circles with possibly finished arcs, blue circles with still to finish their arcs.
No circle means that the character has not appeared significantly enough yet.
With Death Arms, Stain, Kendo and Tetsu added, my hypothesis about this art being a clue of the final battle winning team still stands.
It also gives us indications on what hasn't happened yet:
Other than the main cast (Deku, Tomura, Bakugou, Shouto, Uraraka, Toga, Dabi, Aizawa, All Might, Endeavor, Hawks) getting their character arc climax, we are still waiting for highlights to:
From Class A: Iida, Momo, Kirishima, Kaminari, Sero, Ojirou, Hagakure, Satou, Aoyama
From Class B: Everyone, except maybe Monoma, Kinoko, Manga, Rule-Chan, Yanagi and Honenuki. I expect Kendo and Tetsu to get a somewhat more substantial moment.
UA Teachers: All Might, Nezu, Recovery Girl, Vlad, Ectoplasm, Hound Dog, Cementoss, Thirteen
Pro Heroes:  Ryukyu, Pussycats, Fat Gum
Villains: Compress, Overhaul yet to appear, Stain yet to have his moments
Other UA students and civilians: Shinsou may still get something, but it looks like the students from the Culture Festival arc will pop up too, and of course Eri and Kouta.
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deusvervewrites · 11 months
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Runaways: Now I'm imagining Toga and Uraraka locking eyes, having an entire silent conversation for a fraction of a second, then teaming up to kick Overhaul's ass without sharing a single word.
Hmm... Toga led Uraraka and the rest of the Ryukyu Team to the fight while disguised as Midoriya. She then spends the rest of the fight in canon laying low because the fighting is too crazy for her to reach Eri.
In canon, the attack on the transport where they take Overhaul's arms was technically Twice's idea because Toga was too distracted fawning about Midoriya.
So in Runaways, I think it makes the most sense for Toga to lose it like she did when Twice died in canon, joining the fray using her hiding trick to steal one of the Quirk-Destroyer Guns and using it on Overhual. Considering Overhaul was fused at the time, I can't imagine that would do good things for his body.
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stillness-in-green · 1 year
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Chapter Thoughts — Chapter 383: Meek Spirits
Pre-cut Positivity—
O Rule and Mount Lady are a fantastic team-up.  Mount Lady is, in general, pretty boss this week.  I want to combine this and my last fandom and give her Barbatos’s mace-chan.  I also have to admire her exercise routine, given that winging around a solid metal wrench as wide as your leg and almost as tall as you are must take considerably more strength than e.g. wielding a similarly sized spear or club made mostly of wood.[1]
O The effects of Mina's efforts on her appearance are neat. The way the blacks of her eyes melt off??  I wonder if Curious’s could do that too, under the right circumstances.  Also, her horns extending out is a cool look, one that I don’t recall ever seeing before.  I wondered briefly if it was meant to represent a quirk evolution like Koda growing in that horn, but Mina’s seem to go kind of droopy afterward, so I don’t know if they’ll be permanently different in shape the way his seems to be.
Hit the jump for the rest. Note that I have seen the leaks, but I’m leaving the writing below as written pre-leaks, if only because I am very much going to want an accurate translation before I start talking in-depth about the Machia content in 385.
On Gigantomachia and the Limits of Emergency Situation Excuses—
The bit about Machia embodying “pure psychological scarring” is very…  Like, guys, That Is A Person.  He is not a symbol, not a metaphor.  He is a human being.  Apart from being a bad look in general, it's especially bonkers to dehumanize Machia in this specific fashion—“From the standpoint of ordinary people”—when the first thing the heroes’ do upon bringing Machia, the soul-numbingly terrifying symbol of everyday peoples’ trauma, under their control is to—stampede him fifty miles back across the landscape over the same path he took before?  What are they going to do, stop to yell at everyone they see between here and Jakku not to worry, he’s working under hero auspices now, please refrain from having any PTSD-induced panic attacks!
As I said last time, turning Machia against his own is the sort of thing trial-at-the-Hague war crimes are made of, or would be if this were an international conflict.  What’s even more maddening is the stench of double standard hanging over it: when Spinner turns up intending to rescue his ally use a mentally conditioned victim as a tool, he got a moralistic scolding from Mic about how “that guy ain’t gonna be your ace in the hole.”  But as soon as the heroes find themselves in a tight spot, all concerns about not using mentally conditioned victims as aces in the hole go right out the window.
The only difference between Kurogiri and Gigantomachia that matters in this context is that the person Kurogiri was pre-mental conditioning was friends with a hero, whereas Machia, so far as we know, has always been loyal to AFO.  That’s it.  If Machia had been best school buddies with e.g. Ryukyu, we would never have seen him used like this; the heroes would never have even thought about it.  We even know that’s the case because the heroes could just as easily have had Shinsou brainwash Kurogiri to open all the portals they needed to kick off this combat; instead, they had Monoma copy the Warp Gate quirk and use it under his own power.
Kurogiri is not to be used as a tool.  Eri is not to be used as a tool.  But Machia?  Break out the psychic hammer and tongs and start beating him into shape; the heroes have lots of uses for him.
I know there’s a measure of shrugging and saying desperate times call for desperate measures out there on this topic, and, indeed, that’s the way Kirishima and Tsukauchi both frame this—a back-up plan, a massive gamble.  But the heroes of BNHA are not just any sort of protagonists; they’re called, by both the narrative and as an in-universe job title, heroes.  That carries a connotation of ideal, of role model, of a character/person viewed as worthy of admiration and acclaim for their nobility and courage even under duress.
@robotlesbianjavert reminded me of a quote by Rich Burlew, author of the webcomic The Order of the Stick, that really encapsulates my problem with the heroes’ tactics and the big shrug those tactics elicit from certain portions of the fandom.
Burlew said, “Being heroic often means rejecting some tactical options that, while potentially effective, violate your personal moral beliefs.” While he was talking in the context of D&D characters with specific moral alignments, I feel it’s applicable when it comes to superhero comics, as well. Certainly it's a plot that comes up with marked frequency in the U.S. comics Horikoshi draws so much of his heroic iconography from.[2]
If I may use a more widely recognized sentiment, “The ends don’t justify the means.”  That’s the issue with the calls the heroes keep making, over and over again.  They condone things being done to their enemies that they would never condone in any other context.  This isn’t admirable Plus Ultra determination; it isn’t heroic.  It’s pessimistic and inconstant, useful only for securing short-term victories.
By all means, that’s a valid story to tell, and heck, sometimes the short-term victory is all you can get, so you do what it takes to get it.  That’s true in real life, too.  Certainly, if the narrative just wanted its leads to be able to do whatever it takes to get the job done, it could have framed them as being harshly pragmatic, doing whatever it takes to get the job done, dirtying their hands and making hard, uncomfortable decisions in order to keep people safe.  That’s the bread and butter of spy dramas and political thrillers! Heroism, however, especially in the sense of cape comic imagery and tropes that Horikoshi is using, requires harder decisions still.
A hero is someone who doesn’t take the easy way out.  They not only have to get things done, but they have to get things done in a way that doesn't betray the ideals they uphold. That means they don’t get to use villainous tactics and still call themselves heroes.  They certainly don’t get to castigate their enemies for their methods and then turn around and use those same methods themselves.
(More on this next time.)
Moments with Mina—
You know, I thought it was a little weird, back in the Class A vs. Deku fight(‘s aftermath), that Kirishima’s “thing” he tells Deku is that he saw the news story about some kid facing the Sludge Villain.  It felt so out-of-left-field, so random—surely there could have been something more relevant to Kirishima than a callback to the Sludge Villain that he had never once indicated he knew about?  But now I wonder if the selection wasn’t about Kirishima in that moment, but rather, undercooked set-up for this one.  Bringing the Sludge Villain back here instead of any place he might confront a character he faced before just felt like such a non-sequitur, but with the earlier setting, at least there’s that tiny bit of connection.  Save that it doesn’t come to anything here, either—I don’t even get the impression Kirishima recognizes him?
Instead, we get a moment for Mina, and—it leaves a bit to be desired, I’m very sorry to say.
O Firstly, okay, Mina failed against Machia before—froze up when she recognized his voice and had a brief, vivid flashback to the fear she felt when she first crossed paths with him.  Yet here, when she comes up against him again, he’s basically incidental to her.  Which, yeah, I guess you could say is progress—she’s come so far she saves Mount Lady from Machia as an afterthought.  On the other hand, though, we’re deprived of a big moment of her facing the fear she failed against before—which Kirishima got!—and instead get her taking out the Sludge Villain, with whom she has no prior interaction, to save Shinsou, so Shinsou can stop Machia.
Not only does her action, then, come down to another example of a girl’s action being crucial to enable and support a boy’s more decisive action, but she even credits it to the training she got from two boys—Bakugou and Shouto—rather than her own efforts.[3]
O Mina being the one to talk about Midnight continues to feel a little strange.  Midnight never had a close-close relationship with any of the students, but surely both Momo and Mineta had more significant moments?  And Momo’s not here; she’s being criminally wasted on the Sky Coffin battle.  Mineta certainly is here, though, and he gets a sum total of bupkis to say or do when faced with Midnight’s killer.
O I wish I didn’t find Hose Face’s writing this week so overwhelmingly exhausting (more on that shortly), because Mina’s line to him about heroes and villains both finding strength in numbers is interesting on its own merits and would be even more so if it weren't being wasted on such a flat caricature.
It has echos of things like Jeanist calling heroes and villains two sides of the same coin and Spinner spitefully accusing the MLA of being the same as him (bandwagon jumpers).  It’s also somewhat ahistorical in the sense that the story alludes a few times to the fact that groups of villains were fairly rare prior to the rise of the League of Villains/the fall of All Might.  Hero teams were likewise uncommon until they had to start banding together to fill the gap All Might left.  The MLA has certainly been cultivating strength in numbers for generations, but it’s still a pretty new thing to both “sides” of the conflict Mina’s talking about.
Anyway, it’s interesting, but I wish I knew where it was coming from.  The closest Mina’s ever been to facing the humanity of her enemies is keeping Shouto company in the wake of the Dabi reveal.  There’s Aoyama, too, of course, but there’s been no collective effort made to extend the class’s experience with Aoyama—forced into “villainy” against his will—to empathy about other villains they don’t know personally.  So wherefore this sudden empathy with villains looking for closeness with like-minded people?
O My final issue with Mina’s big proclamation is that it carries zero weight for her to disavow revenge when she’s never been shown to have a vengeful personality.  Mina’s cheerful!  She’s upbeat!  She doesn’t hold onto anger; she doesn’t brood; she’s extremely well-adjusted in that she cries when she needs to, to get it out of her system, and then she bounces back.
If Mina had been shown to have a particular fondness for Midnight,[4] then maybe I could buy her having to struggle with a darker turn.  In the story we have, though, she lacks both: she has no personal connection to Midnight more significant than “teacher whose classes I enjoyed,” nor did the story spend even a breath of time prior to this on Mina struggling to cope with Midnight’s death.
It’s the same issue I have with, say, Deku’s “mad drive to save.”  I can’t accept the characterization of Deku’s saving instinct as so intense it’s like a form of madness when the story continually fails to treat that instinct as in any way aberrant or alien to the people around him.  Likewise, I can’t applaud Mina for overcoming her rage or desire for revenge when the story never portrayed her wrestling with either.
Way to keep forcing Shouji to be the model minority for everyone else, though.
Hose Face and the Incongruous Belief Set
The PLF material this week is mostly just sigh-inducing and difficult to muster up much enthusiasm for discussing.  To recap, though, the members of the erstwhile MLA are taking every opportunity in this second war arc to double down on quirk supremacy despite tiny little issues like the fact that a great many ranking officers and members of high command have quirks that aren’t suited to getting them ahead in a society built around quirk supremacy. 
I mean, really.  Here’re some impromptu categories and characters that fit them:
Good but unrelated to the function they actually serve in the organization/plot:
o Skeptic – Makes active use of his puppets exactly once; otherwise does nothing that isn’t connected to electronics. o Curious – Quirk has combat applications, but they have little to no relevance to her day job of running the MLA’s propaganda arm.
Okay but not so impressive that you’d think they’d have what it takes to rise to high positions in the society they themselves profess to want:
o Hose Face – His emittance lets him float, and does—what else, exactly?  It’s clearly not lethal to the touch, given that he uses it to float a bunch of his allies, so at best, I can see it giving him a bit of extra punch if he boosts his attacks with it.  Not all that impressive or stand-out compared to things that hit harder or are more versatile. o Galvanize (Taser Dude) – Lightning is a great quirk, except for the fact that elemental quirks seem to be relatively common, so you’d be up against every other asshole in your town that has the same power as you but with some barely more than cosmetic variation.  Hard to make a name for yourself that way!
Just kind of whatever:
o Slidin’ Go – If he were getting as much mileage out of a slip-and-slide quirk as e.g. Captain Celebrity or The Crawler, he’d be more famous and recognizable instead of being basically a joke. o Brand (Pinstripe Shark)– If his quirk is so impressive, why does he bring a katana to the battlefield with him? o Scarecrow and Nimble - Are their heteromorphic appearances all they have going for them?  If not, we sure didn’t see them do anything else, even in the middle of pitched combat. 
Functionally useless in an every-man-for-himself world:
o Trumpet – If he had to live in a dog-eat-dog world where only the strength of one’s own quirk, zero other factors, determined who got ahead, he might as well be quirkless.
There are other issues, of course, but another one that’s on display this week is how quirk supremacy is nowhere to be found in the words of Destro or Re-Destro.  Nowhere in any line Rikiya has ever spoken, even in the privacy of his own mind, has Might Makes Right-style quirk supremacy been in evidence; he has unfailingly thought of nothing but liberation and building a better, freer world.  Here this week, Hose Face’s flashback entails a memory of Re-Destro calling himself and whatever audience he's speaking to comrades, equals, “one and the same.”  What part of your supreme leader calling himself and you equals is in accordance with the law of the jungle?
Seriously, guys, if the MLA were actually supposed to have believed all this in such a heavy-handed way all along, why was Geten[5] the only one who actually brought it up during MVA?  MVA is the arc that introduced the CRC; surely Hori wasn’t worried about the League fighting a bunch of violent extremists!  Or is it rather that he didn’t want to show the League allying with a bunch of violent extremists, so he downplayed the truth as much as he could?
Is it doublethink/groupthink, a cult-enforced unwillingness to ask logical questions if they run you into trouble with the dogma?  Is Hori just simplifying them because he’s rushing the ending and doesn’t have time to resolve their plot lines in the way that would be necessary if they were written as having valid points?
On both the Watsonian and the Doylist levels, I’m completely at a loss.
Stray Notes—
O Hose Face’s face hose gets torn apart, and I have some seriously pressing questions about whether he just lost a limb to what was functionally a hero’s attack.  I suppose it could have been a support item, but no lines between his quirk, his briefly glimpsed fighting style, and an enormous fucking hose on his face leap to draw themselves in my mind.  Again, if his quirk is a biohazard of some kind and he needs a mask to protect him from its effects, like Mustard, surely he wouldn’t use it to float his unmasked allies around the battlefield? So what is it, just dead weight on his mask to make him look creepier?
Anyway, there’s none of the blood spray that has tended to accompany traumatic limb loss in the series to date, but I do wonder.  It would be, I think, the only instance other than All Might pulping AFO’s face of heroic action maiming a villain to such an irrevocable degree.[6]  You know, just to exacerbate the severity of turning Machia on his allies even further.  God knows Shinsou doesn’t tell Machia to hold back, and those claws were plenty lethal against heroes, as we all well know.
O Not sure why Shinsou had to base his Persona Chords arrangement on recordings from Tartarus when he could have just gotten it from the phone call to the Aoyamas.  I wonder how much time he needs to program those voices in?  It definitely drives home that the heroes had been contemplating using Shinsou against Machia for a long time, though.  Which, again, would be perfectly fine if all Shinsou were doing were making Machia stand down.  Not so much all the rest of it, though.
O Would it kill Horikoshi to stop telling us the outcomes of these flashbacks before we spend whole chapters on them?? At least when Mirio came back during the war, we spent like a page and a half on the foregone conclusion before getting on back into the swing of things. The reason the fight with Spinner at the hospital had tension is because we didn't know the outcome in advance. What exactly would have been the issue with ending Chapter 382 with Machia showing up and hurling a mountain at the combatants without revealing that the target is AFO and showing Shinsou and Kirishima?
(Tune in next time for: trying to make heads or tails of what exactly Shinsou thought he was doing.)
------------------ FOOTNOTES ------------------ [1] I’ll take Scale Considerations the Author Probably Wasn’t Thinking About for $600, Alex.
[2] Consider, for example, Bad Future Timelines where the present-day heroes have to debate and, ultimately, defeat jaded dystopian future versions of themselves. Or the perennial question, "Why doesn't Batman kill the Joker?"
[3] This after crediting her Acid Man move as being inspired by Kirishima’s Unbreakable, too, recall.
[4] And I’ll note that both times she’s brought up Midnight, here and in the war arc when Mineta is fretting, it’s in the context of going back to Midnight’s classes.  She never actually brings up Midnight as her own person, Kayama Nemuri, because Mina doesn’t know Kayama Nemuri.  It’s always and only “Midnight-sensei, whose classes I like.”  It can’t be stirring and personal when it’s so staunchly removed from being personal.
[5] The kid whose name means Apocrypha, to repeat myself for the umpteenth time.
[6] Give or take the way the heroes have been pretty openly using lethal force against Shigaraki ever since he got out of the tube.
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hamamatsu-divison · 4 months
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"everything is possible for a eccentric"
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Timeline
Age 0
is born to Yukimura Yakumo and Yukimura Sae
Age 4
His father teach him to read
He found out his father's detective child books
Starts to deduce the riddles and misteries for fun
Age 6
Noticed his mother's strange behaviors
Nellie ask to his father about that but he say him he's "too young to understand" to Nellie's frustration
Age 8
Sae attacks him during a maniac episode and make him a laceration at a leg
After it she ingreses temporaly to a psychiatric
His father explain Nellie his mom have a mental illnes called "schizophrebia"
Nellie starts to research about that and others mental illnes
To distract him of the past attack, Yakumo give him so very books of the Author Jules Verne and Nellie develope a fascination for his works
After a few of months Sae out from the psychiatric and Nellie is happy of see her
Age 12
see his father writing short tales and Nellie becomes intereseted on write by himself
Learn that schizophrebia can be inherited and is secretly scared of inherited the illnes from his mother
To distract himself Nellie starts to looking for events and stories around him in the form of "aritcles" that make him develope interest at journalism
Age 15
His father show him his new works as novelist and Nellie is happy for him
Age 18
Graduates high school and enters to university to obtain his degree in literature
Takes a journalism course as "extracurricular activity"
Sae ingreses to a psychiatric permanently after her mental state worsened, Nellie is sad of that
Age 21
Graduates university with a degree in literature
Starts to write for a newspaper
Nellie write detailed criminal analysis at his articles about crimes that leave people impressed
Meets and befriends Ryukyu Shirone when Nellie was writing stories in kumamoto
Ryukyu introduce Nellie with his couple Aoi Yamamura and their children, Aoba, Kururi and Eden
Nellie befriends the children, especially Eden
Age 23
Starts to work with polices and law workers for his knowledges and abilities as researcher and analiyst but Nellie is often in disagree with them for their black and white point of view
Nellie starts to have migraines,hallucinations and mood swings he try to ignore it but not work
His biggest fear becomes true when he is diagnose with schizophrenia
Fall in depression but is supported by Ryukyu and Aoi
Take meds and learn to live with it but deny to tell his father he inherited Sae's illnes
Age 24
Open his publishing-house called "Verne publishing-house"
His father ask him for edit and publish is literature works and Nellie is happy of do it
Age 25
Aoi is muredered by people from aoyama
Nellie lament his friend's death and support Ryukyu
Age 29
His father is defended by Kisouna Yuzairu after be accused of fraud and plagiarism and Nellie fall in love for her
Ryukyu ask Nellie if he want to adopt Eden, Nellie doubt because don't think he can take care well of Eden due to his job and mental illnes
Meet and befriends Kaede Iwasawa who after introduce him with his boyfriend,Jyuto Iruma
Nellie is esceptic of his relationship but see how Jyuto love Kaede genuinly
Age 31
His father is killed by a group called "The Theater"
Nellie starts to research the mistery behind his death
His schizophrebia worsened and have episodes more often
find Eden is "the succubus" but Nellie don't surprised because Ryukyu told him about the supernatural and Eden's abilities
Age 32-present
find a connection with the group know as "The Theater" with the Division Rap Battle
Eden bring him three hypnosis microphone that he taked in one of his "hunts"
He becomes the leader of the Hamamatsu's division team Trickstar alongside Eden Yamamura and Kaede Iwasawa
Schedule
1:30 a.m 6:00 a.m-asleep
6:00 a.m 6:15 a.m-freshens up and have breakfast
6:15 a.m 6:55 a.m-walk to the his publishing-house
6:55 a.m 11:30 a.m-working at his publishing-house
11:30 a.m 12:00 p.m-lunch
12:00 p.m 15:00 p.m-writing for his journalism
15:00 p.m 15:40 p.m-returns home
15:40 p.m 17:00 p.m- do publishing-house paperwork
17:00 p.m 18:00 p.m-free time (feed and play bakeneko or read)
18:00 p.m 18:30 p.m- talks with Eden about their day
18:30 p.m 19:00 p.m-makes dinner
19:00 p.m 19:20 p.m-dinner with Eden and Kaede
19:20 p.m 20:10- out looking for stories
20:10 p.m 20:50-returns home
20:50 p.m 23:00-writing his novel
23:00 p.m 23:30-listen music
23:30 p.m 1:00 a.m-researching/analysing crimes
1:00 a.m 6:00-asleep
Character hashtags
Regular hashtags
#Verne publishing-house
#proud father of a devil
#aspiring novelist
Trauma hashtags
#victim of my own mind
#inherited illnes
#my father's corpse
Other info
Hobby: caligraphy
Weakness:schizophrebia episodes
Trauma:"with every day i slowly lose my mind and i can't reality connect"
Twitter:@VerneEditor
Drinks:yes
Smokes:no
Special skill:"i'm good deducing and analysing crimes"
Intro quote:"My name is Nellie Yukimura do you have a good story for me?"
Trauma quote:"This fucking voices still whisper on my ears! and all the things i see are not real,why? Why i inherited this?!... i'm so scared of this, please someone save me from this,from myself!...please *crying*"
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commander-revan · 6 months
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I wonder if this is where we're going to get Sero's big moment. It seems like it's one of the last active battlefields, and Gashly looks absolutely horrifying. I'd love to see him team up with Ojiro and Ryukyu, feel like it's been a while since we've seen them.
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kumamoto-division · 7 months
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Double face
Strange magic isn't the only Kumamoto's representative team but contrary to other divisions this team is a secret,formed by the scientist Ryukyu Shirone to be the support of strange magic the division rap battle, a secret secondary team who is in certain way the comedy for strange magic's tragedy
The name of the team is propperly "double face"
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Their logo is the tragic and comedy masks for they nature as secret team,the fact of how they could be considered the disciples of strange magic and his affiliation to theater
Their colour is the burned red,the colour of a theater curtain
And let's talk about the members
Leader:"valkirye"
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Real name: Kururi Yamamura
Age:17
Voiced by-Mayaa Uchida
This young girl at first place joy, eccentric and creative but with a hidden dark side as the infamous serial killer "Saika" considered "the second coming of the sweetheart killer" but sometimes accompany Bluefire on his bombings and arsons
like her older brother she's the leader of the secondary team of kumamoto "double face" and she's also the most recent member of kumamoto's theater under the protection of the famous actor (and informant) Kunio "Kurome" Chōten as his apprentice as a theater actress,artist and informant (and killer)
With a joy and a bit psychotic voice her perfomances have a crazy and fun feeling but also artistic and elegant considering how Kururi look herself as a "artist and puppeter"
Her rap themes are around of her as artist and puppeter she makes references to things like porcelain dolls,the theater and his most bloody art but while she rapping her rap could turn more psychotic talking abou her most bloody form of "art" and how people are only canvas to her, on that state she talk about how she lament "don't protected him" and her "broken promise" and the fact that she is not completely sane and his hate for rich people for the death of her dad
"You look so cute and you will be more beautiful when i finish with you...yeah 'cause you will be my new doll!...only tryna don't scream so much"
2nd member:"marionette"
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Real name:akame mado
Age:16
Voiced by-chogakusei
The second member of double face and (unofficially) member of kumamoto's theater this youngman is the self-proclamed "Marionette" to Kururi's puppeter but he isn't who he seems, with a femenine aspect and goth style he was a orphan reprimed in his former orphanage where was forced to wear dresses and be called "aki" after found out that the orphanage's workers abused other childs he get tired of all and with some cleaning products he poisoned those workers and escaped from the orphanage wondering until be adopted by one of theater's staff member but in the artistic sense he felt more fascination for marionettes and music than for the theater
If Kururi's is Kunio's apprentice Akame is Natsume's apprentice, since he meet Natsume Akame felt admiration by his trust and his beauty so the poisoner taked Akame under his protection and currently Akame is learning the art of poison and seduction
His perfomances are goths,dark and sensual mature for his age
His rap themes are around of him as a marionette, Akame refers to himself as a marionette and makes references to literature works and works of art and his rap also are sugerents or directly insinuants (and masochists)
"I wanna be her marionette...i want to be recognize for my darkness and beauty like a rose...so beauty and so deadly"
3nd member:"clockwork"
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Real name:Yue Utami
Age:15
Voiced by-Unämed
The third and last member of double face,borned in a rich family he was despises by his mother and father often abused him until the point of abandoned him,he lived in streets for a time where people tried take advantage of him due his innocence,in his time in streets he learned things like death crimen even killed people himself,after it he was catched killing for a old man who was the director of a theater in kumamoto that also work in the underground as a guild of informants and assasins,impressed for his ability and his beauty he adopted Yue and taked under his protection,he meet Kururi Yamamura since she close him fascinated by his appearance and talent singing is one of the theater's "newbies" but don't less talent than the other staff members and actors
His perfomances are majestics and elegances with a feel of ternure
His rap themes are around his past,his love and how happy is with his new life and he also make references to theater and time, Yue also make references to his former life in slums and how he hate rich people
This team is considered the "tragedy" for strange's magic "comedy"
Ryukyu call them the "non-existent" team 'cause nobody except the theater,strange magic and himself know as they existence as a rap team
...yep, double face is a reference to ex-valk from "ensemble stars!"
They are openly loving with each other and even insinuan hinting they are a polyamorous relationship
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askvectorprime · 11 months
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Dear Vector Prime, besides the trio of Blood, Dauros and Gilmer was ancient Earth plagued by any other Decepticon Pretenders?
Dear Pretender Peeved,
Oh, certainly—the Autobots spent centuries trying to corral them. You may already be aware of Bludgeon and his fellow Pretenders’ rampage through ancient Japan; these Pretenders ranged across the entire world, so you may be interested to learn about their feats and fates.
Bludgeon likes to claim to have taught humanity the art of war, providing weapons and armor to various groups, relishing in the bloodshed and chaos he caused. The Autobots sealed him away on many occasions, but his final sealing took place in the 10th century. He had teamed up with a sorceress who sought revenge on the slayers of her father, and her magical manipulations multiplied the mystic Metallikato might of Bludgeon's Pretender shell. He was eventually sealed away under what would eventually become the city of Tokyo.
Iguanus rampaged across early Europe, seizing whatever he could from the tribes who lived there. He was finally sealed away under Stonehenge by Metalhawk and the other Autobot Pretenders, although they never discovered Iguanus' treasure hoard—not that they made any particular attempt to reclaim his collection of trinkets, busy as they were keeping humanity safe.
Stranglehold maintained a petty kingdom in Northern Africa, using his impressive physical might and near-invulnerability to maintain control over those nearby. He especially enjoyed wrestling with humans, viewing them as pitiful challengers. In the end, one such pitiful challenger managed to defeat Stranglehold by getting him in a Cobra clutch. In shame, Strangehold abandoned his kingdom, and wound up in the crosshairs of the Autobots, who sealed him beneath the Atlas Mountains.
Carnivac and Snarler terrorized the lands of Arcadia, causing havoc and famine as they destroyed whatever civilizations tried to intrude into their wilderness domain. Their teamwork kept them undefeated until the Autobot Pretenders teamed up as well, separating and binding them between a pair of mountains.
Octopunch was the least active of the Decepticon Pretenders, preferring to keep watch over the slumbering form of his master, Devil Z. To avoid the Autobots, he ventured out only when he was in dire need of resources, raiding ships while proclaiming the might of the Decepticon god he served. In the end, the Autobots managed to lure him into a trap off the Ryukyu Islands, sealed beneath a collection of sandstones.
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gme-news · 1 year
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TNT SAN MIGUEL GIGIBAIN ANG JAPAN B LEAGUE
via IFTTT
youtube
View On WordPress
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aashi-heartfilia · 8 months
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MHA Headcanons#03:
Ochako will be the most popular pro hero out there?
I have seen a lot of people predict and write fan fictions where Uraraka is often depicted as an underdog and not as popular as her other fellow hero classmates. If Deku is no #01, she is #20 or something and she's usually very insecure about her weight, chubby figure, and personality and has low self esteem in general, which is kinda weird if you look at all the canon material we have...
From the get go, it is implied that Uraraka is strong, not just physically but mentally.
She is supposed to be the Ultimate Hero that will surpass All Might in terms of both power and influence she has on the mass of people.
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She made it to the top 3 in the practical exams of UA entrance test and secured a position in the top 16 in the sports fest.
She might not be a prodigy like Bakugo or Todoroki, and she might not have All Might's legacy either but she is a strong hero in her own right.
In fact, from her internship with Gunheads to joining Team Ryukyu, she did it all on her own merit.
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She managed to go toe to toe against Bakugo, who was the winner of the entire sports fest!
Plus, the strength and mental fortitude she showcased in the sports fest, helped her gain offers from various agencies, something that even Momo wasn't able to secure, because she hardly did anything against Tokoyami in their match.
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I'm not saying that Momo's quirk is not powerful. In fact it's quite the opposite but it more or less depends upon how a person uses it.
Just like how Toga used Ochako's Quirk to kill numerous villains in one go, while Ochako resolved to not let a single person drop to their deaths and led her to her quirk Awakening.
And this takes me to my next point. Why wouldn't the golden girl Uravity be popular?
SHE CAN LITERALLY LIFT THE ENTIRE CITY!!
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AND IT WAS ON LIVE TV!!!
She would be getting offers from various agencies in the entire world because who wouldn't want a hero that can lift an entire mountain?
She is not some low paid rescue hero, called over during the aftermath just to pick up the rubble.
She's THE HERO THAT SAVES EVERYONE.
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Her words inspire people to take action!
Her actions inspire people to take action!
How could she not be one of the most popular heroes of JAPAN?
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Plus in one of the recent TUM chapters, a guy was specifically charmed by Ochako's presence after seeing her in a commercial and the entire chapter was about that.
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Plus, she's really pretty. Have I already mentioned in one of my blogs that Ochako is canonically one of the prettiest girls of class 1a? Her name literally means 'a beautiful day' and 'green tea girl'. Horikoshi himself leaves no opportunity to beautify her and he even considered himself a genius when he came up with her name!
So, she's not just strong but also beautiful.
So with all that being said, I don't know what people writing these fanfics are thinking?
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encyclopika · 1 year
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Escape Artists
Summary:  It’s been a year and a half since Ochako’s promotion to Pro-Partner at the Ryukyu Agency, and life seems good, despite the distance wedged between her and Izuku’s loving relationship. Success, friends, and a great partner make for a quasi-paradise while he’s away. But when the office is tasked with a missing person’s case, the team quickly finds themselves chasing down a crime ring centered on trafficking people with feral quirks. Against old wounds, Ochako will stop at nothing to free the people trapped on display, and keep her partner from becoming ensnared as well.
The sequel to Missing!
Rating T
My Hero Academia – IzuOcha
Chapters: 7/???
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The monotony of the days that followed threatened to pull Ochako's eyelids closed. Even while standing, she found herself nodding off. Exhaustion probably had a lot to do with it; keeping up, or rather, staying up with Deku as he tirelessly worked definitely cut into the amount of rest she was accustomed to when he was away. Being there for him, though, as a sounding board, a support that never wavered, or simply a reminder he ought to eat and take care of himself, wasn't something she was going to quit. The dynamic certainly wasn't what she wanted at the end of a long day – it definitely wasn't what she needed – but she would take her time with him wherever she could get it. They were together for everything, and that seemed to keep Deku's spirits up high. His need to crack into the case however he could dragged Ochako in; she wanted to save the victims and put away Keeper just as much. So, she decided that was what they could bond over. That new perspective certainly helped her stave off the loneliness she'd felt at the beginning.
However, they were together until paperwork did they part. As exciting as being on such an important case was, it also came with work that was less than invigorating. Paperwork filled the hours to the brim and seemed to stop time all the same. Folders of pink slips and written testimony stood in for the faces of brand new villains Uravity, Krow, and Flashlight needed to log into the system back at the Ryukyu office. As expected, one young hero did his work quietly while the other groaned every time Uravity delivered a stack of folders to his desk.
She couldn't blame Krow for groaning – he hadn't seen much action since the warehouse raid, yet was stuck processing paperwork for villains he hadn't had the opportunity to punch in the face, as he'd put it. “It's cruel at this point.”
“You wouldn't have been allowed to punch anyone on the last mission anyway,” Uravity had argued.
The response was a dramatic roll of gray eyes. The stack of folders landing heavily in his inbox was her rebuttal. It was the name of the game. Catch villains. Do paperwork.
Read the rest on AO3!
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