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#thanks for the ask though lmao

turrondeluxe · 1 year

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You know how some kids say stuff that freak out their parents like “the man in the corner doesn’t like that” and there’s no one there

or how most kids just stand in the doorway of a room at night for no reason besides waiting for their parents to wake up so they can ask a question but it can be really creepy and freak the parents out

That kind of thing but mostly the second one because I think that’s more common in kids

(previous ask for context)

Alright i totally understand now. That'd be Moja, no doubt!

#the thing moja is saying is referencing the reddit of kids saying scary af stuff lmao #also shes around 3 years old because by checking that reddit thread you can actually read a very #prominent number of 2 and 3 year olds in specific that are the ones saying the most scary shit out of nowhere lol #moja would def be one of those kids that used to say the most concerning and scary stuff ever #she does grow out of it though (mikey is very thankful about this but he will never say it out loud)#also if anyone is wondering on how moja ended up with mikeys snork mimimi hat it went like #moja still very sleepy: papa can i have your silly hat to sleep better?#mikey: yeah sure kid #my art #doodles #tmnt #tmnt the last ronin #tlr lost years #tmnt mikey #tmnt michelangelo #tmnt moja #peepaw and babies au #ask

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crystallizsch · 3 days

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Hi, request here. Ignore it if you want. I'm not sure if you did this already and I'm too lazy to check, but could you put Jamil in Playful stage (whatever it's called) dress and Kalim in the masquerade dress

playful dress jamil & masquerade kalim!!! :DDD

so uhhh here’s my really rough and simplified take on it??? i hope the colors look at least decent bc i was so indecisive on that part 🧍

and thank you so much for this idea!! i’ve especially been meaning to try to imagine kalim’s masquerade outfit so you gave me an excuse to do so!!

anyways i was REALLY going back and forth between sticking to the theme and just putting them on what i think looks good and i think i just. managed to do a small compromise.

also forgive me the only thing i know about about playful stage is the fox man. i haven’t seen the story 💀 (i kinda only know that it’s based on pinocchio)

so i just went off every character's playful dress outfit and took inspiration here and there (and mostly from kalim's)

also i noticed the ribbons vs tassels in the outfits, dont know what that’s about so i just. settled with tassels.

same thing with kalim i just took from jamil's masquerade outfit but flipped it and made the headwear pointier.

and i just took a few artistic liberties here and there ;;;

also i highkey avoided the elaborate patterns because im not too confident with coming up with them 😖

that’s about some of my thought process??? i’m fine with any questions if any!!

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arcane-strangeness · 1 month

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whats your is one thing that you feel strongly about a fandom/media you like that no one else gets?

Aloy, from the Horizon video game series (Zero Dawn, Forbidden West) is a rat, in the way that she's constantly weaseling her way into spaces she isn't supposed to be in and causing problems on purpose. whether that's clambering around the vents in the GAIA base, climbing absurdly high buildings with zero regard for safety (much to Alva's concern, in the Leviathan quest), or brute forcing her way through social interactions (so many questions, she needs to know everything always all of the time), the outcast lifestyle definitely had a lasting impact on her lmao

she is not the voice of reason among her friends, she is the voice of "i'll do it till it's done even if it kills me" much to the concern of EVERYONE around her. someone make this girl take a break because giving her one is not gonna be enough for her to take it. she fought what was essentially a god to her, fell 30-50 feet into water below, swam a decent ways away while being shot at by essentially alien laser guns, was sucked underwater by a current, bashed into several things, thrown off a cliff face in a waterfall, bashed around some more, knocked unconscious, and still tried to get up walk around and keep going a day after the fact. the only reason she seems like a somewhat rational person is because everyone else on the goddamn planet has lost their minds. i love her <3

#horizon zero dawn #horizon forbidden west #i feel like i see no one talk about the first half of this post. why is she like that lmao #poor aloy her problems only get bigger. she solves one and suddenly the entire planet is doomed by another big thing. this happened twice.#genuinely love aloy as a character though she takes no shit from anyone #gives no fucks about anything unimportant to her #and lets absolutely nothing stop her #horizon forbidden west spoilers #also the way things in zero dawn snowballed was insane #she is NINETEEN lemme remind you #my posts #my analysis #thank you for the ask anon i am so bored :D #was gonna make a post about this anyways sometime thanks for the opportunity

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gingermaple · 4 months

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hi im trying to keep it professional here but may i request you to talk about your thought process/design inspirations behind your Tango? I don't think I've ever loved a Tango more than i love yours

i'm so glad you like him so much!!! he's definitely one of my favourites to draw :D

most of my mcyt designs follow a similar pipeline, where i create a first design that is simple; based on the skin, my impression, and common fanon ideas. then later down the line i throw all of that out the window and shoot them with my patented Creature Gun.

so originally, tango was just A Guy. (see this post for an idea of how he looked) until i woke up one day and decided that he needed to become an absolute fucking critter.

i went into my very first draft of a new design with a few basic ideas that i wanted to follow:

Generally small, but have his clothing/accessories be big

Have the red glasses be a major design element

Be some form of lil critter with a tail, paws, and big ears

Be as shape as possible (this was the most important aspect to me)

Here was my very first pass with those concepts in mind:

More under the cut:

the first thing i realised was that i accidentally inverted the red and black on his outfit, the second thing was that he had come out looking somewhat rodent-like, so i decided to build upon that idea in my second draft, as well as further exaggerating his glasses and proportions:

i liked this much better, but decided he still wasn't shape enough, so after even more stylization, i eventually got to a point where i was happy, and we ended up with the critter of all time!

along the way, i also ended up with a rough idea for what he even was, that being a hybrid of my own made up rodent-adjacent mob that would live in the nether. which i ended up sharing an idea for in this post, thought i'll probably expand further upon the idea in the future.

overall i am insanely happy with how his design turned out, and i'm overjoyed that other people feel the same!

please never hesitate to ask me about my designs/my design process! i have so many thoughts that i'd love to share and a lot of the more fully fleshed out designs have a good amount of concept art that likely won't be seen outside of these sorts of asks.

#art #mcyt #hermitcraft #tangotek #character design #answer #galaxyinacup #rat rambles #<- new tag for these posts where i share ideas/concepts/etc.#might change it if i think of a better one though #thank you so much for asking me this actually #longpost #posts like these talking about character designs and such won't all be this long #it really depends on who you're asking about. tango was just the character concept equivalent of a landmine lmao

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shuploc · 4 months

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Have you managed to play bg3 at all yet?

Omg, have I? 😭

I got sick over the Christmas holiday and had to spend New Year's alone yesterday, and since I didn't have anyone to give a NY's smooch to, I got on BG3 so I could smooch Astarion (it might come as a shock to ya'll, but I'm rather insane)

I ended up finishing my third run then and went to bed lmao. I have about 255 hours played currently, and right now I'm trying to decide what I should do for my next run 😅 I absolutely love this game so much

#not to be like that' but I've been looking forward to the game coming out since early access 2 years ago #it took a while for me to actually play it though cuz I knew once I did' it would ruin my life LMAOO #and yeah' it kinda has' but in so many wonderful ways #...perhaps being delulu is the solulu' actually' dem girlies on tiktok were right #(thank you for sending me a bg3 related ask too lmao' makes me smile and giggle)

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marclef · 4 months

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A BIT LATE but a commission i did for @oddpizza!! this was a lot of fun to draw and probably helped motivate me to do more comm work in the future hehehe 👀

(if you have literally no idea what they're watching it's Yellow Submarine lmao, it's Odd's favorite movie ❤)

#eeeeee glad you loved it though odd!!!! i always enjoy drawing the squishies for you 👍#you also literally paid nearly the EXACT cost for a thing i had to order right after this LMAO thank you 😂😂#my art #pizza tower oc #pizza tower peppino #peppino x oc #but legit i thought of drawing this and then an hour or so later there's the post asking about commissions and my brain just went 👀👀👀

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achilleslyre · 7 months

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@aquataines ohhh absolutely i am soo happy to talk about food as an amalgamation of the uchihas love and the way it haunts them after the massacre. i'm really passionate about this so you don’t even understand the can of beans you have opened. i am going to be talking about both canon and filler in this though, because there is lots of supporting canon however filler continues to support and fuel this thought.

growing up with his family, sasuke is very commonly shown at the dinner table with his family eating together, and it’s where a lot of conversations with his family take place. now to start this off, i’m going to point out the obvious that the uchiha canonically are a clan that holds too much love inside of them, which is what develops their sharingan. carrying so much love within you of course needs an outlet to come out. we don’t really see the uchiha showing much verbal affection towards each other but sasukes family very obviously loves each other. fugaku even tells itachi that he doesn’t wish for words of flattery, but nonetheless to show his thanks and return the love back to itachi for what he said fugaku immediately offers to get him his favourite snack, dango. so we would infer that they communicate their love to each other in a different way. food.

sasuke and his family really share their most intimate moments together when they are in the kitchen at the table. here is where sasuke asks fugaku why itachi doesn’t give him much attention while at the dinner table, and fugaku explains that itachi is just not very social, sasuke later admits to mikoto that he thinks he’s unfavoured between him and itachi by fugaku, to which mikoto explains the differences between him and itachi and reassures him that he’s not. it’s where they’re seen talking most commonly just in general as well, about the sharingan, about training, exciting moments, ect.. the dinner table is where their love is shown when they gather together and eat the food that mikoto has made with the love for her family. it’s where they feel most comfortable to show their love and be honest because in the kitchen is where their love grows.

why is the food their centre of love though? just in general making food for someone is something very special, intimate and ultimately caring. you are turning basic ingredients and foods into something for others to not only to take nutrients from, grow and gain strength from, but also to spend time with them and enjoy the taste of the food you made with care together. you pour the love you have into the food you make for the people you love because you want to see them be happy and healthy. for people like mikoto and itachi who’re shown to enjoy cooking, it’s something special that they put everything into because not only do they want to see their family eat to keep them alive, but they want to see them enjoy the taste and feel the care and love for them that they’ve stored within the food as they make it. they want to place their love inside their family and have them carry their love around wherever they go and what better way to store their love inside them other than to put it in the food your make for them? mikoto is obviously the main cook of the uchiha household and she makes sure that her family stores the love she puts into the meals she cooks inside of them. she is frequently seen ensuring that her kids are fed, making sure they’re filled up, making them lunches, giving them snacks and making sure they are eating good food.

itachi as well, in filler, spends the episode finally getting to be around sasuke and bond with him. the day was spent making sasuke happy and sharing the love that he does have for sasuke with his brother, and at the end of the day makes a huge feast for sasuke. he made him so much food to show sasuke that he cares about him and loves him, he wants to see him eat and he wants to see him eat well. he intends to pack him full of his love. not to get into the fact that clearly mikoto would have had to teach itachi how to cook, sharing the ‘secret’ of spreading love. now this isn’t canon however i personally would like to think (considering how young itachi is here and how much he can make already on his own) that mikoto also had started teaching sasuke how to cook a little as well. this will come back later, which is why i mention it.

the common theme within all of these meals— all of mikoto’s dinners, her bento boxes, fugaku and itachi’s dango, and his feast for sasuke— they are all good, yummy food. they’re something you want to eat and hold inside you and cherish. they’re all made and/or given with care, thought, intention and love.

sasuke grew up eating a variety of good tasting and well made food.

after the massacre, though, he changes. sasuke has lost the love from his family, he doesn’t have it anymore. sasuke grew up with food being the indicator of love, and grew up with the dinner table being the centre of family and bonding. as a reaction to the loss of his family he couldn’t bare to keep storing that love inside him, food as a love language died with them. his family was now gone, and the thought of storing love (read: well made food) inside him after his family was killed was not in the question. after the loss of their love, the only thing he needed to focus on was catching up to itachi to kill him.

here we can see what foods sasuke favours post massacre. “sasuke’s every move is designed to make him stronger, he approaches his diet with equal intensity.” his diet has changed drastically. from being fed a large variety of yummy, well made food filled with love and care for him to enjoy eating, he goes to eating raw and bland food, anything just to get stronger quicker. you could argue that he just didn’t know how to cook, which i can’t say he didn’t, but as i stated before it seems very likely that mikoto started teaching the boys to cook from a very young age, added to the fact that sasuke intentionally only starts eating food for its nutrients and health benefit, it’s fair enough to infer that he can cook at least some meals that he used to eat, he just can’t bare to anymore.

“he never selects his meals based on what he actually likes.” we look to his favourite foods to eat and they’re broken down into their health factors. this kid, reportedly, is known to be eating raw tomatoes simply because he wants to get stronger as fast as possible. he does not like the taste of what he is eating. he does not eat food with the intention of enjoying it’s creation. with the loss of his family he lost the will to store himself with love (this is not to say he does not still have love, he has been stored with love all his life, he is an uchiha, he will always be motivated by love), he couldn’t bare to continue consuming love filled food so he ate food solely to get stronger. food made with no care, thought, intention, or love. the love of his family haunts him. this is beside the point but i can’t even begin to express how heart breaking that is. the uchiha show their love with food and sasuke stops eating food created with love once he loses his family, all the love he had.

sasuke, isolated, left all alone in this village with no friends spent his time from 7 to 12 years old avoiding the love of food. but when he finally finds someone to create a bond with, what does he do?

he offers naruto food. despite what he says, this an olive branch to start forming a bond with naruto. this is him extending care with the intention of filling naruto so that he doesn’t go hungry. whether the food was made with love or care doesn’t matter because at that moment sasuke put the intention into the food. it’s how he creates bonds, it’s how he shows care and how he shows love because that was how he was raised, he was raised to bond over food, to show care and to love with food.

the uchiha’s love has always revolved around food and it’s woven so into the text that at this point it’s not even a head canon to me, but fact.

#and i know it's silly but not to even get into how the egg ova ties right into this as well.. needing the perfect egg to feed to his brother #ANWAYSSSS #all that to end it off with sns propaganda……….. LOLOL #i’m not joking with that last part tho.. it’s important and vital to the beginning of bonding #and it started with food #thank you for asking though and welcome to my twisted mind #there’s no way you were expecting (or likely even wanting lol) all this but….. the uchihas love thru food means so much to me #i'm *really* passionate about it and i don’t know how to express it in a concise way #i hope you at least enjoy reading this #the way that i wasn't even trying to write a lot but this literally became a meta #lmao #naruto #meta #jitter bugs u

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bthump · 6 months

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What are your thoughts or analyses on the phallic imagery in berserk? Less so the more obvious ones like seen in Casca’s nightmares which are obviously pointing to her sexual trauma, but like we see with the vagina-esque monsters and how Guts’ sword is alluded to being like a penis in some cases. Sorry if it’s a weird question lol

Sorry for the wait on this lol, I was on vacation for a while, and it's also a topic I wanted to spend some time on because I love it and I wanted to be relatively thorough. Thanks for the ask!

So yeah, disclaimers out of the way, Freudian analytical theory is very silly, very gender essentialist in ways that can often be transphobic and misogynist, and as far as I'm aware pretty much wholly unrelated to real psychology. Back in the 70s and 80s you had film theorists who took it seriously as a genuine glimpse into the subconsciousness of humanity or whatever, but now it's pretty much just a readily available source of sex and gender related symbolism that's easy to understand.

And in Berserk I do genuinely think it's a valid lens to view the story through because Miura is often quite heavy handed in utilizing it as symbolism. I mean, Guts literally gives someone an orgasm by stabbing her at one point. Some of this can definitely be a stretch, taking established symbols and running with them, but some of it is also almost certainly purposeful. I'll leave it to you to decide what you see as legit and what you see as stretching believability here.

This is very long lol

So yeah, it starts off strong in Berserk with Guts' oversized sword. Swords are dicks, ie sources of masculine power, especially in Berserk

and in the context of the story the dragonslayer is Guts overcompensating imo. And it's not compensating for a small dick lol, which would be more the purview of comedy, but for a loss of masculinity, ie Guts' childhood abuse from Gambino, and rape trauma. It's about his need to prove himself because he was made to feel like he had to, imo.

And it's not just the size of his sword, his obsession with it is also a major factor. He has a grandiose speech about how his sword is like a part of his body (hmm) and that it's been at his side through everything and he's always relied on it. The dream he lands on is to be the best and strongest sword fighter ever. He's currently having a breakdown over not being able to hit someone with his sword. He has a recurring tendency to break other guy's swords lol. At one point Casca screams at him that he essentially cares about his sword more than her. etc etc.

In the story dreams are at odds with emotionally healing human relationships, and dreams are represented by swords (Guts' sword obviously, Casca becoming Griffith's sword, Griffith calling the throne a sword while taunting the king in the dungeon as well as his vision of himself throwing him a sword and pointing to the castle in chapter 72).

So through a Freudian lens, Guts' sword can also be said to represent emotional isolation, positioning masculinity as emotionally isolating. Which, yk, fits with Griffith also equating dreams and masculinity in his Promrose Hall speech (a man must achieve a dream before he can have a family or lover) and, I suppose lol, Casca getting "softer" and more feminine as she falls for Guts, as femininity is therefore the opposite: emotional reliance on and support of others.

So if swords are dicks, then it follows that wounds are vaginas, ie yonic symbols. Also pretty obvious when you read some of the lines during the Guts and Casca sex scene lol. "I too want a wound I can say you gave me." These can represent weakness and victimization (I did warn for misogyny lol) and/or (often sexual) relationships and emotional openness.

So you have the relationships - "licking wounds" with Casca; Guts letting Casca stab him when he thinks about abandoning Griffith; the Beast of Darkness calling Casca the wound Griffith left so Guts can keep feeling the pain Griffith caused; Griffith scratching his own shoulder where Guts' sword pointedly didn't wound him; Griffith being out of reach of Guts' sword post-Eclipse; "let's give him a heap of raw iron;" and Farnese grinding on Guts' sword while possessed and Slan directly treating being stabbed as sexual penetration for the most obvious examples...

Also I'd argue that any time Guts gets his ass kicked in a fight it functions as an echo of his rape trauma symbolically and subconsciously to Guts. Both kinda obviously at times, like eg when Slan overpowers him and tears off his shirt while wounding his chest, and kisses him after the stabbing, causing Guts to feel a burst of fear

or when Rosine stabs Guts through the mouth as another enemy who flirts with Guts mid-fight. And of course the first duel with Griffith in which Guts unilaterally sets the stakes to sex slavery because he's projecting.

But also a little more subtlely, such as when Zodd is given the same position as Nightmare Donovan in Guts' concussion nightmare after he kills Adonis, or all this consistent imagery that rapists and apostles tend to get.

Or, interestingly, the way the Berserk armour functions as self-harm as Guts fights by penetrating Guts to "heal" him.

Something that solidifies its hold over Guts and makes him lose more and more of his positive humanity to his urge to kill.

So yeah, from a Freudian angle I'd suggest that Guts is driven to fight to reclaim the sense of masculine power he was stripped of when he was raped, and every fight can be said to be a repetition of his rape trauma in which he (usually) successfully fights back, but also continuously retraumatizes himself rather than healing.

I'm going to delve a little deeper into how phallic and yonic symbols intersect with the characters' relationships now that we've outlined some of the preliminary symbolism, starting from the Golden Age.

The first duel between Guts and Griffith is rife with Freudian symbolism, very overtly. Griffith stabs Guts and then Guts proceeds to have a nightmare about his rape trauma. Then he projects that trauma onto Griffith when he assumes Griffith wants to fuck him and adds sexual stakes to their duel. Then, yk, he takes Griffith's sword into his mouth lol.

Griffith winning by dislocating Guts' arm can be easily taken as a symbolic unmanning/castration, nicely introducing us into Guts' three years of growth towards prioritizing relationships instead of aimless sword-swinging to prove himself. It's also suggestive of penetration when you're primed to look for sexual symbolism (and if Guts offering Griffith his ass and then biting a sword doesn't prime you for it, what does?):

And the two of them losing their swords in the course of the fight and resorting to unarmed combat can also be taken as a telling symbol of the conflict between dreams and their relationship with each other. They lose the symbols of their dreams and contend only with each other, in a more positive contrast to the second duel that ends their relationship, in which they fight only with swords and never touch each other.

Wounds come into it when Griffith nearly gets killed rushing in against Zodd to save Guts, leading to the most impactful moment of their relationship, where Griffith admits he did it solely for Guts' sake and had no other reason. Griffith also points out how wounded Guts is after that fight, in what I'd call a nearly flirtatious way:

And if you follow these symbols completely strictly this scene suggests Guts retreating into his defensive masculinity in his sword exercises after being defeated/emasculated by Zodd and accused of not valuing his personal relationships by Casca, and finally finding a new, more constructive purpose for his sword after Griffith essentially confesses his devotion to him.

Dedicating his sword to Griffith in return for the wounds Griffith suffered for his sake, with, it has to be noted when the topic is freudian symbolism, his sword held at exactly crotch level.

In the second duel Guts destroys Griffith's sword before leaving, a symbolic castration which is most likely intended to represent and foreshadow Griffith's subsequent loss of power when he throws his life away and ends up tortured in a dungeon for a year. More interestingly imo, is Griffith tracing scratch-markes on his shoulder after sleeping with Charlotte and while crying over Guts - the same shoulder Guts' sword didn't quite hit when he won the duel, drawing attention to the lack of a wound by Guts' hand, a wound he created himself and traces in his devastation.

You have a nice... I don't know what the comic terminology is lol so I'm just going to call it a match-cut here, with Griffith and Casca both getting penetrated by the same number of arrows/skewers, to signify Griffith and the Hawks' fall from power, in contrast to Guts' growing phallic power as he pursues his sword swinging. Power which he demonstrates when he returns and saves the Hawks and Casca and Griffith by swinging his sword a lot and defeating a lot of powerful enemies and, if I'm gonna be crass, healing Casca's suicidal despair with his dick lol.

Interestingly though, before he does that he lets Casca stab him while experiencing the guilt of having driven Griffith into a torture chamber by leaving. It's a wound that highlights his emotional connection to Griffith and vulnerability to those emotions, even as he tries to deny them. He then manages to successfully deny them for a little while longer after having sex with Casca.

In this Freudian context, Guts and Casca's sex scene is an affirmation of a relationship, but one which is emotionally uneven, with Casca ready and willing to emotionally rely on and support Guts, but Guts still dedicated to his sword-swinging dream, inviting Casca with him but only as long as she doesn't get in the way of what he wants to do. This does fit with phallic symbols being associated with emotional distance and yonic symbols being associated with emotional closeness lol. (Also fittingly, the one way he does open up to her is about his rape trauma after a flashback.)

It's worth noting that in this disconnect Casca erroneously assumes Guts fought the hundred men and "bled" for her, making her want "a wound" from him in return. Guts fighting those hundred men is much more reminiscent of his fights against apostles, the fights that revolve around replaying his rape trauma to make himself feel better. Casca assumes they already have an emotional bond due to Guts' wounds, but she's wrong - Guts specifically thinks to himself during the hundred man fight that he's not doing it for Casca.

This is reflected in the Wyald fight when Guts insists on fighting Wyald, again as part of the whole reaffirmation of masculinity thing I outlined at the start of this, when Casca just wants him to run away. The Wyald fight is pretty overt about being about Guts' rape trauma imo, moreso than most fights in the story. Wyald's rapiness is made a point of from Guts' point of view when he sees him wielding the torso of a woman sexually impaled on a pike and gets extra angry, and when he literally cuts off Wyald's dick when he's about to rape Casca, and then has his pointed line about needing to "settle the score with him... with them... by his own sword."

SO ESSENTIALLY to sum up this subsection, I think you can argue that what prevents Guts and Casca from being an equal relationship is Guts stlil being hung up over needing to prove his masculine power through sword-swinging, rather than embracing his emasculation (which, remember, tends to signify positive relationships in this context) and coming to terms with it ("immersing himself in sorrow" as Godo says much later.)

Like, to return to Griffith, it's fitting that after Guts destroys his sword and he goes through a year of torture and is thoroughly emasculated, he's able to recognize his feelings for Guts and understand that Guts is more important to him than the dream, the "sword called the throne."

But he doesn't quite come to terms with his emasculation either. This symbolism is one explanation for the wagon scene where he propositions Casca - a desperate bid for some form of power. Not the strongest explanation imo, but since we're currently in the business of actively looking for this symbolism, it definitely fits. Casca's rejection and pity reinforce Griffith's emasculation, and overhearing her tell Guts to leave again is the final straw. Relationships are a bust, swords are now his only recourse, as we see when he has a vision of himself throwing him a sword and pointing to the castle.

You could take the nightmarish vision he has of a life with Casca as Griffith rejecting emasculation, but an alternate way of taking it is Griffith regaining a form of phallic power, and the emotional isolation that goes with it. After all, it's implied that he has a child with Casca, while totally withdrawn and emotionally isolated.

I once said in a different silly essay that Griffith choosing the dream is, in a way, Griffith choosing another version that nightmare, and that take also fits here.

And hey, it's another reason for Femto to rape Casca lol, if we want to ascribe meaning there, and of course we must in this kind of analysis. In the wagon Griffith essentially offers sex to Casca for the faint vestige of masculine power it could give him (emotional isolation and a child); in his nightmare he imagines that life and it drives him to suicide; and after becoming Femto he forces sex onto Casca and then continues on to embody emotional distance and masculine power.

This power is painfully demonstrated through the rape of Casca, but also subsequently through his pure untouchability (often in pointedly sexualized contexts); through his phony relationship with Charlotte and ascending to the ultimate patriarchal role of king/emperor and taking that sword called the throne; and I guess also through his actual sword lol which he still uses.

An example of sexualized untouchability - check out the positioning of that third thought bubble, in this scene where Griffith lords his invulnerability over Ganishka.

And look at all those pillars, I'm js.

And I'd be remiss not to point out the most recent confrontation with Guts where Guts tries many times to hit his naked body with his giant sword, completely fails, and then Griffith kidnaps Casca. More very on-point emasculation symbolism, it might as well be Guts trying to fuck him but unable to get hard lol. His breakdown afterwards doesn't do much to disabuse you of that notion either.

Anyway, back to post-Eclipse Guts. There's not much else to add that I didn't cover at the start, but in brief:

Guts has lost his arm during the Eclipse, which is an emasculation - he loses it while watching Femto rape ~his woman~ so it's like the most traditional symbolic castration there is lol. And of course he replaces it with a bigger, better, and more overt phallic symbol: a canon. And like the first thing we see him do with it is shove it into the mouth of a monster he's banging and blow her head off. So yk, there's that.

And there's Puck, who exists to help bridge Guts' emotional distance and essentially serves as the feminine counterpart to Guts' masculinity for a while. From his magical empathy, to his tiny size, to his lack of genitalia (note that in Freudian theory the lack of a penis is an indicator of femininity rather than specifically the presence of a vagina), to his connections with female characters Theresia and Jill, even arguably to his introduction where Guts saves him from a bunch of men throwing phallic knives at him by skewering them with his own (bigger) projectiles, this is consistent during the Black Swordsman/Conviction arc era.

Chestnut Puck is a lot more boyish, with his particular humour, his cameraderie with an annoying teenage boy, and now having his own feminine counterpart in Ivalera, but that's fine because his thematic job as a feminine influence on Guts is over after Guts starts collecting more friends.

And as far as the RPG group goes, there are a few notable instances of phallic symbolism for them too. Farnese and Serpico are an obvious example, with Farnese sexualizing the wounds Serpico voluntarily suffers for her, when she demands he duel for her honour a bunch of times.

Farnese brandishing the end of her whip at him doesn't hurt the freudian power dynamic symbolism either lol.

In the Conviction arc Farnese wielded a sword she was incapable of using, suggestive of her true femininity under a brash masculine surface, and when she softens in the Millenium Falcon arc she becomes a caretaker with only a small dagger for self-defense. That said, she does get that epic moment of stabbing a tiger in the eye with a long silver pole (candlestick) when she rejoins Guts' crew rather than becoming a housewife, so she still gets some badass phallic weapon imagery lol.

Serpico wields a thin rapier in the Conviction Arc, which Guts easily grabs in his hand, and in the Millenium Falcon arc he switches to a... limp feather duster lol. Serpico is very feminized compared to Guts and his weapons fit as part of that, but they're still effective weapons. You could maybe argue, within this Freudian lens, that this is indicative of Serpico's healthier relationship with masculinity. He's not compensating for anything, he's at peace with himself.

And god I gotta say something about Guts and Serpico's duels. In the first one you have Serpico delaying Guts while Farnese steals Casca from him, and part of that delay is to force Guts into a fight where he can't wield his sword, a parallel emasculation to Casca being kidnapped.

Then you have their confrontation after Farnese's no good very bad night, which is just incredibly suggestive lol.

You cannot tell me this isn't Guts getting blueballed when Serpico leaves after one quick exchange. Particularly coming in the same chapter featuring possessed Farnese grinding on Guts' sword (which Guts was much less interested in, incidentally). Also: wounds as sexual imagery again. Guts licking the blood off his cheek? Come on.

And finally you have their fight in Farnese's basement, in which Serpico attempts to hinder Guts by surrounding him with giant pillars, which Guts smashes through as he dodges around them. Another neat illustration of Guts' pure phallic power and Serpico's much more effeminate style.

One final note to address part of your ask, which didn't naturally fit into the rest of this lol: I would interpret vaginal imagery in monsters as mainly castration anxiety, yk, vagina dentata vibes, the fear of sticking your dick in a hole you can't see into. There's actually a lot of interesting stuff to consider in terms of the feminine as the unknowable other when it comes to Freudian theory, but that's like, not something I would expect Miura to lean into first of all, and also it would take another essay of explanation. If you're interested in that kind of Freudian analysis though I'd recommend the books Men, Women, and Chainsaws by Carol J. Clover and The Dread of Difference, edited by Barry Keith Grant. I took a course on women and horror films ages ago and read chunks of those, and it was very fun, and iirc both address Freudian imagery in horror.

Okay! So that's the rundown of like, all the examples of Freudian imagery that interest me at least lol. This isn't exhaustive ofc, Berserk is long and not stingy with this stuff, but this response is already so long and meandering lol, so I'm going to wrap it up here.

To sum up, phallic imagery often represents masculine power as well as masculine flaws (like emotional isolation) in Berserk, while yonic/vaginal imagery tends to represent feminine weakness as well as feminine virtues (like emotional connection and vulnerability). As a general rule, the more phallic imagery someone violently swings around, the more fucked up they are. Phallic violence is used to compensate for past trauma, but it only continues the cycle of violence. The way to break that violence is to accept one's wounds and focus on them, to heal, rather than trying to distract from them.

I don't think this is always the best way to interpret Berserk lol, but it adds another dimension that very often complements the surface meaning and thematic resonance of the story, sometimes purposefully, sometimes likely incidental. And either way it's a lot of fun to read into!

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crystallizsch · 26 days

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Hello Ian! ♡

I got this sudden idea for Cathie that I just wanted to share, as I also feel it's something Jamil would do!

So, since Cater has his ears pierced, I was thinking...

Imagine a single pair of earrings, where Cater wears one on one of his ears, and Ruthie wears the other on one of her ears! ♡

It's a cute way to be matching with your partner, and a small way of keeping them with you wherever you go!

I think Jamil would do this too, as not only is it subtle, but it's also a way for him to show that you are his (even if others may not know it!)

Whenever he sees you, and sees the earring on your ear that matches his, a small smile comes to his face, feeling a sense of pride ♡

And whenever he misses you, he holds the earring between his fingers, subtly rubbing where it sits in his ear. Sometimes he does it without even realizing it ♡

But yeah! I just wanted to share, cause when I got this idea for Cathie, I instantly thought of Jamil and him doing this with Yuusha ♡

Thank you! ♡

(Also, I just wanted to let you know I'll be sharing this idea with Mah too, as she also has an OC that she ships with Jamil! I just wanted to give you a heads up in case you see this ask on her blog too!)

HELLO HI HELP READING THIS MADE ME SO GIDDY AHGDSKLJFA

(the earrings are a very rough concept gksdljfsldj) (also fun fact: the reason why there's a star because yuusha's last name "tala" means star in filipino)

and i don't know if you even intended this but i made the connection of jamil rubbing the earrings when he's missing you / thinking of you like he is wishing for you to appear ;;; to something similar to how you rub the magic lamp to summon the genie --

AGH IDK IM JUST ARGHLSDJFLS

IM EATING THIS UP SHEEP THANK YOU FOR THE FOOD 🙏

ALSO --

I DO LOVE THIS A LOT FOR CATHIE!!! the idea of cater and ruthie having matching earrings is so adorable and AAH IT JUST SOUNDS SO THEM 💖💖💖

AND AND MAH'S DAMALI AND JAMIL YES YES - ough just so cute ;;;;

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aiyanakopa · 1 year

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I love your art and you’re levi reminds me of Oluo which makes oluo trying to be levi in th show much funnier

It looks very nice 😊

(Sorry if this bad, English is not my first language!)

hey you know?? I can see it

#and thank you so much!! 🥰#I do really enjoy drawing oluo though #he's just got such an expressive face lmao #levi ackerman #oluo bozado #attack on titan #aot #shingeki no kyoujin #snk #ask #art #fanart #digital

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shuploc · 7 months

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Who is your favorite character to draw as of right now? I’m just curious. 👀

Oh, Miguel, 100%! I could draw him all day, every day. A very, very close second though would be Viktor from Arcane.

Idk why, but I absolutely love faces that are pretty striking. Lots of natural contrast, prominent features; dark eyes, dark hair, sharp edges, that sort of thing. It's so satisfying to draw. And I mean, I also love both Miguel and Viktor very much 😌❤️

#...Jayce is still my favorite though LMAOO #he's also great to draw #I just don't have as easy of a time with him though as miggy and viktor #-not that they're that easy to draw either' but' y'know #I'm actually taking a break from work and drawing viktor rn' not sure when I'll post it though' if I'll wait a little #but anyways lmao #thank you so much for asking! 🤗❤️

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nyoomerr · 16 days

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Hello! I was wondering how you feel about Bingliushen, since you like Bingqiu and Liushen separately.

hello hello! in theory, i love bingliushen! i'm a very big fan of "sqq has two hands, have bingqiu and liushen both at once" !!

...in practice, i tend to not like it so much 😂

i apologize for my crimes, but i just don't like bingliu at all :') i'm pretty into multishipping sqq, but when it comes to lbh, i really only like him with sy/sqq...

so, when bingliushen is done old-fandom style where it's more of a sqq harem, i'm very into it! but generally, bingliushen tends to focus on where the tension naturally lies in the pairing - aka "making bingliu get along" - which tends to shift a lot of bingliushen's focus to bingliu itself.

i'm guilty of this too, btw, so i totally get why it happens!! i have an old abandoned bingliushen wip in my folders that i let grow dusty specifically because it was difficult to find a way to write it in a way where i could sideline the bingliu. they aren't the sort to naturally share in general, let alone share with each other, so every plot i could think of was forced to address that, and address it in a slow and steady way.

i have recently thought up a different bingliushen plot idea that i do think could let me just focus on the bingqiu/liushen V-style ship with bingliu as simply united over their care for sqq and only barely friends outside of that, though, so maybe i'll take another stab at it someday soon!

#...idk if anyone would be interested in that though lmao it seems like most people who like bingliushen really do like bingliu 😅#ANYWAY tldr: yeah i love bingliushen but only in the V-style ship format ahaha #thank you for the ask!!#nyoomerr ask

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