if you're smiling you're vapid or flirty or vain or contrite or insipid or a massive bitch or coy or cunning and if you've relaxed and are just watching-back, you're enigmatic or mysterious or sexy or a massive bitch or coy or cunning and if you're frowning you're hysterical or overwrought or the voice of your people or hard to please or a massive bitch or
and you stand there reading the little plaque next to pictures of people who aren't really like you because they're rich and they wear satin but they are like you because they had to watch other people paint their pictures without getting to paint them by themselves and you think about the fact that something like 80% of "fine art" on the walls is only made by white men and how so many of these pictures are of white women and how many are of naked women and how many are of bloodshed, and how the women are all looking at you and watching you and there are so many discussions about what kind of a person is she
but she isn't in this painting, is she, she's watching like a ghost behind you, saying a man told my story and you know what that's like because her facial expression defines her personality (what if she was just happy? what if she was holding back a sneeze? what if she is a kind person who relaxes into a frown when she's not focusing?) and on trains and in public if you hunch too much or let your "resting bitch face" show (it means you're not-smiling. you don't even have to be frowning. you know people who think they have "resting bitch face" and really mean they don't look delicate and pretty when they're relaxing; their facial expression isn't even intimidating it just isn't lovely) like congratulations that's your whole personhood
oh it's lovely to be in art circles and of course you've had some similar conversations because you do your homework but when you point out that maybe it doesn't actually matter if the mona lisa is smiling, that maybe we need to look at something other than her lips - people tell you that you just don't get it, so maybe you don't, but your skin crawls because you picture someone taking a picture of you and saying is she coy? is she clever? what do we see? and you think. well, i'm hungry, and stressed, and i've got those rent bills incoming
and it's not like you can say it doesn't happen with men because of course there are conversations about it but you've noticed that a man with a blank face is empowered or showing leadership skills or calm or even kind - that he gets good attributes faster for less effort - and it's not like you're even a professional in these circles but it still feels like you're trying to express something very akin to - if you were one of us, you'd need no explanation for it because you can look at a picture of these women and something in your heart rings and something else in the back of your mind says - this isn't for everyone, this is only for us and you know that no matter what you do or say about dehumanization and how we are people at the end of the day and how not every woman who smiles at you lies on a spectrum of "flirting" or "devoid of wit" - no matter what you do, they're not going to get it.
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I understand the impulse to look ahead to whatever nonsense is coming in the relaunch, but my head’s still firmly in Krakoa for now. Did a piece of Rachel hanging out and watching monitors in the No-Place cabbage with Mother Righteous.
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i also don’t think ‘security in your masculinity’ functions as a cure for violence against women. in fact, the cure is (put simply) compassion and empathy for women, the recognition that women are human beings, which is something masculinity is explicitly constructed against. because masculinity isn’t a biological reality, it’s a social construct defined against a feminine ‘other’ and associated with power. traits/behaviours/embodiment that one culture and time period associates with masculinity are associated with femininity in another.
In that context ‘security in your masculinity’ means... security that you don’t have to behave like [insert racialised/class-prejudiced portrayal of stereotypes male violence here] to preserve the privileges you expect to be surrounded by as a member of the dominant gender class. the irony in the ‘secure in my masculinity’ brag is that it makes the men with genuine cause to fear for their place in masculine hegemony (disabled men, gay men, trans men, men of colour, jewish men, immigrant men, working class men, etc) more of a threat than the men who are most secure within it. and now, under this framework, striving for inclusion within the privileged class, fighting to maintain its definitions, and subscribing to its values, is... feminist praxis?
and of course, in all of this, men’s experiences are centralised in the conversation of violence against women. violence against women becomes a tribal issue between groups of men, a.k.a 'feminist’ men are taking fundamentally the same perspective as the 3750 year old code of hammurabi.
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I know there's probably some important plot stuff going on in the greater panel (like hop shooting Mother Righteous, good on her) but LOOK! LOOK AT THE GIRLS!!!! THEY LOOK FANTASTIC!!!!!
(Powers of the House of X #2)
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The gladiator skirt in her new costume is such a great embellishment on the classic black and yellow training uniform. Also really hoping she survives the Krakoan timeline purge (if that’s even what ends up happening).
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Some new sketch cards that I'll have at my table at Tucson Comic Con! These are all just from the category of "whatever characters JoJo likes and feels like drawing", ha ha! I'll see if I have time to get a few more done...only a few short days away!
Tucson Comic Con is September 2 - 4 at the Tucson Convention Center, and I'll be at table AA 038! Hope to see you there!
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