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#that's where I get most of my link sources
transcarcinization · 2 days
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*waves hands* eclipses. you knwo
sources under cut
Quotes:
"On that day, many hopeless romantics became destined to a lifetime of searching for signals in the gamma-ray sky", A History of Dark Matter
"Do you have a human soul and can you prove it?", The long and short of it, Richard Siken
"Dear God / It is great the way you always get the stars in the right places." Children's Letters to God, Stuart Hample
"Things are similar- this makes science possible. Things are different- this makes science necessary." the dialectical biologist, Richard Levins & Richard Lewontin
"Hinc Itur Ad Astra", translates as "from here the way leads to the stars". Motto of Vilnius University
"Amid energies of the cosmos, you gave as good as you got", Eulogy from a Physicist, Aaron Freeman
"I know that / intimacy is not a clean thing; / it is difficult like this—covert / and common. Bare, as it should be: / someone says I want the mess in you / and you give it to them", Heed the Hollow, Malcolm Tariq
"For all I know, maybe everyone is screaming / as they go through life, silently," Don’t Tell Anyone, Tony Hoagland
"KL: Your honor I am here for a refresh. A renewal of self. I consider this act to be a poetic gesture and a birthday gift. I am ready for an update. An intervention into my life. I am here to be born again as myself, or at the very least, the most current version of myself. I am prepared to let go. To empty my cache. To refill the screen with the same information." Court hearing, Kristian Sue Lucas
Images:
Nasa: solar eclipse, multilength milky way, tycho's star
circuits archive (my love), Enterprise schematics, Franz Joseph, 1973
Other:
shoutout to this post for making me want to learn gradient maps, and @metronn for helping me find the episode where they show Geordi vision! Paintings are referenced from this screenshot (sorry for pinterest link i have no idea what episode this is)
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nothingenoughao3 · 2 days
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Why we wanna transition to Mad Scientist (or, revulsion and queerness in horror)
(Hi, @ash-eats-film! This is the thing I mentioned!)
Horror has a few baseline emotions it tries to inflict on the audience. This has been written about for decades, most famously by Stephen King, but the baseline elements most writers agree on are as follows.
Dread: Anxiety over what is about to happen
Terror: The fear of what is occurring right this second
Revulsion: Being forced to interact directly with what's happening right now
Black comedy: Being tricked into laughing at either the terror or the revulsion
Horror: The trauma response to what just happened
A great example of this can be seen in The Evil Dead II (YT link that doesn't include the full context, but does have the, uh, money shot). There's the dread of realizing there's something in the root cellar; the terror of when the Deadite pops up in the trapdoor; the combined revulsion and black comedy of Ash jumping on the Deadite's skull/the door, popping out its eyeball which shoots into Bobby Joe's mouth, and then the horror of what just went down rolling over Ash and his current companions.
Often, revulsion and black comedy go hand in hand. That's because they're tension relievers. The revolting thing becomes ridiculous, and you laugh at how ridiculous it is. This lets you settle down in the midst of the gore and death, just slightly, just enough to get through it... so the horror can fully set in for you, too, once it's over.
You also, often, question your own stability if you laugh in the middle of a gross-out horror scene: "Am I sick? Is there something wrong with me for laughing at X?" This is even worse if the villain starts laughing--now you're questioning whether you're IDing with the monster. Are you okay? Is something wrong with you?
Revulsion is often framed as the slutty member of the good, proper, morally-upright brigade of horror. We have a name for folks who seek out gross-out horror--they're gore-hounds, a term that is virtually always pejorative when applied to other people. We call certain types of horror "torture porn" or "gore porn", as though it is inherently sleazy and sexual to rely on this specific emotional reaction. (Note that we don't have "black comedy-porn", or "dread hounds", even though a dread hound sounds really fucking cool.)
Not to go off on a huge tangent, but I think the issue with media that overly relies on revulsion is that it's unbalanced, not that it's bad. A movie that's nothing but dread never has any emotional payoff. A movie that's nothing but terror never lets the audience relax back into their seats and, paradoxically, will become boring (imagine two hours of jumpscares).
So forth and so on: all aspects of horror rely on each other to survive. That includes scenes that make you go "Awww, sick" while nervously cackling.
Here's the thing: in previous generations, revulsion was similarly understood to be an essential part of horror, but what led to a revolted reaction was very different.
Lovecraft (boo this man! BOOOOO) understood the power of revulsion, which was the source of a lot of his strangest and most vivid descriptions. It was also the source of some of his most bigoted ideas working into his stories. The undercurrent of "non-WASPs are evil because they are repulsive" is as pervasive in his work as "the universe is incomprehensibly vast". You kind of can't get around that.
But there's another thing Lovecraft did to generate revulsion. He wrote a number of stories where an unhealthy focus on corpses, graveyards, graverobbing, and the like is, indirectly or directly, associated with sexual perversion. 
How many, you may ask? Off the top of my head, there's "The Loved Dead", "In the Vault", "The Disinterment", "Pickman's Model", The Dream-Quest of Unknown Kadath, "The Hound" and "Herbert West: Re-Animator". All of these tales share certain themes, which don't repeat beat-for-beat in each tale but do overlap:
Male character becomes obsessed with dead bodies--whether that's stealing them, having sex with them, desecrating them, or resurrecting them.
He is comfortable around death and the dead to a degree that is unusual, sometimes explicitly stating that he prefers the smells/sights of death to those of life.
Terms like "fiendish", "hellish", "abnormal" and "perverse" are used to describe him; his gaze towards dead bodies or to experiments may be framed as "leering" or "speculative".
He is frequently a twink; often described as being frail, if not noticeably beautiful; he may recall being mocked for being "bookish" or "weak" as a child.
He is superficially charming in a way that gets him by in polite society, but not long-term nor in-depth.
He often ensnares an otherwise "normal" man to share his obsessions, effectively recruiting him as an assistant... until the "normal" guy realizes he's about to go on the chopping block (or, in at least one story, already was on the chopping block).
Their crimes involve a lot of sneaking around late at night, locked doors, whispering so they don't get caught (or they'll be killed), secretiveness, glee at getting away with it, and frequently, sharing the same living space.
The Unrepentant Evil Dude is often killed at the end of his tale in a way that implies vigilante/mob justice is at hand. 
The other may be allowed to live if he's very sorry and frames the whole story as being the fault of the other guy, or he may die too while affirming his horrible demise as just, even if it terrifies him.
(One could make an argument that Wilbur Whateley fits into some of these tropes. It's me I'm one)
If this all sounds very gay, Lovecraft probably would have agreed. He had as dim a view of homosexuality as he did on most other things that were Outside The Norm. In other words, we were supposed to see Richard Upton Pickman with his ghouls and think, "Ah, yes, this is a metaphor for queerness", only we were supposed to be revolted by that revelation.
This same attempt at revulsion can be easily read into Victor Frankenstein, and probably more Mad Scientists than I can name offhand (but feel free to in reblogs). Frankenstein's "crimes against nature" were connected to dead bodies as well, and likewise involved a lot of sneaking around, locked doors, and worry about what would happen were he caught with this naked man-thing he's keeping in his dorm. His crime, as with his parody character Herbert West, is creating life outside the bounds of heterosexual cisgender sex. This was meant to revolt readers' sensibilities as much as the whole cutting-up-corpses-and-stitching-them-back-together thing would.
This is why, if we're being honest, "Re-Animator" and "Bride of Re-Animator" are not necessarily gay… they're homophobic. This might be controversial, but stick with me.
I feel like Gordon and Yuzna were tapping into that old-fashioned Revulsion Handbook, including from the source material, which thematically linked Herbert West with queerness. (I'm using "queer" a lot here, but I would personally include trans-friendly readings under that rubric; I'm using "queer" in the analytical sense and not solely in the identity sense.) This means that, ironically, a lot of what we could point to as queer subtext is actually homophobic text.
This is reinforced by the novelization of the first film, written by a homophobe who got Trumpist brainworms later in life. He wanted to make West repulsive to the reader, and therefore, he tried to make West more gay. And IT WORKED. 
To be clear, I'm not accusing anybody, other than the novelist, of being a homophobe. There's a difference between possessing internalized bigoted beliefs which express themselves in writing, versus utilizing tropes originating in bigotry because That's What's Done Around Here. (I can understand why others might not perceive a meaningful difference.) Like the Cuzco lizards, this queerness-as-villainy is definitely a stupid thing ported in from the source material.
I do think that this is why everybody but Our Queen Barbara Crampton seems embarrassed or nonplussed by all the transfags pestering them about fellatio tapes. It's because they don't get why this thing appeals so much to us. It shouldn't. If anything, they should be canceled for having yet another queer-coded villain, along with a number of other plot choices of questionable taste (I'm looking at you, The Head Scene, and I don't like what I see).
Only, uh, it didn't work out that way long-term, did it?
I thank Cronenberg and venereal horror for this, in part. Brutally queer despite not being explicitly gay, venereal horror is what happens when the characters should be revolted, but aren't. 
This kind of thing is horrifying for crossing the line twice: first by being disgusting, then by having characters respond as though it is exciting, or sexually stimulating, or if nothing else, normal. They are perverse. They leer at the dead and the subjects of their experiments. And the disgusting monsters at the center of these narratives are celebrated. Their twisted sexualities are explored with the same brave frankness other filmmakers give to milquetoast cishet missionary nonsense. Their political views are given life and air, and usually, they're right. Their deaths, if they come at all, are framed as tragedies brought on by society's sick rejection of the flesh their brave experimentation.
Cronenberg's the dude who unironically thinks that Shivers (trigger warning for literally everything) has a happy ending. My man David's got subscriptions where others have issues.
Venereal horror has given us a new metaframework for looking at the repulsive, the monstrous, and the problematic and responding to it… differently.
Now here's another thing: Lovecraft likewise provided a structure for embracing the grotesque and the queer.
Pickman, the Decadent artist, paints photorealistic, enormous portraits of ghouls. Literal flesh-eaters. He is fascinated by them, comfortable with them. "Model" heavily implies that Pickman is a ghoul changeling--switched at birth with a human child. This leans into Lovecraft's ideas about heritability being a major source of horror, of course, and seems run of the mill until you get to The Dream-Quest of Unknown Kadath.
In there, Pickman appears again, but this time as a ghoul. He has cast off his human social shackles and joined the beings he loves, beings who understand him and support him. Kadath is notable in that the ghouls are actually... like... reliable, loyal, and morally good? Carter's opinion pretty much is, "They do eat human corpses and they smell awful, but they're all very nice and want to help me on my quest, so maybe they're not so bad (if not as good as the cat army)".
This feels like Lovecraft acknowledging that his entire approach of linking queerness, death, and revulsion is fundamentally flawed. Once you become familiar with the repulsive, it becomes not-really-that-repulsive-at-all. You can find beauty in it, and amusement, and love. Pickman embracing his ghoulish nature isn't all that different from Seth Brundle's overall lack of revulsion at his body's transformation. And it's not that different from what a lot of transmasculine folks go through, either.
It's not that transmascs, trans men, and/or transfags don't see what West does as crimes against nature. It's that we're all very fucking tired of being accused of crimes against nature. We're tired of not being able to look at socmed without finding accusations that we're disgusting perverts who sneak around behind closed doors to corrupt innocent, promising people to be our lackeys and partners in crime.
Hell, I refer to my wife as "my partner in crime" not because it's a cute way of acknowledging how well and how much we work together both in life and creativity. It's also because we could have been arrested for our relationship when we got together.
We were illegal.
There was a lot of sneaking around and whispering and trying not to get caught and "what if they call the cops on us if we're clocked". Can I tell my friends about this? Will they reject me or rat me out? Where am I safe? Nowhere. Best to lock the door and then check it again to be sure. Best to be very quiet.
Best to act like a graverobber trying to get their grisly wares back home before good, decent, Christian folk see them.
So when I hear "Blasphemy? Before what God?!", I read it as (whether he's ace or aro, gay or achillean, trans man or transmasc or genderfucked) a queer slogan of defiance, instead of a defense of graverobbing, corpse desecration, and non-consensual resurrection.
We're told we and our bodies are repulsive, so being told that Herbert is also repulsive makes him more relatable. Instead of wondering what the hell's wrong with him for shooting up reagent, we all theorize that it's actually T or has similar effects--because we're all told that T is a toxin that will horribly change and disfigure our bodies. He dresses in a three-piece suit for school, and instead of reading him as a stiff and overly-formal little freak, we assume he's layering up because he hasn't found a hoodie he likes yet. 
He cackles at his horrific creations, and instead of saying "What a fucking freak (anguished)", we say "What a fucking freak (affectionate)" and laugh along with him. Who among us hasn't taken apart our Barbies and tried to combine their parts with the Kens? What is a doll, or a human, but a collection of parts to be rearranged? Haven't we also been told we're freaks for rearranging our own parts?
We've already been told by society at large that we are Herbert West. We're just embracing it, in the proud tradition of venereal horror fans who are not revolted when they ought to be, and I think that's delightful.
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bludgeon-alt · 2 months
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hey, so, i've been a wilbur fan for ages, and i want to see the evidence against him. this isn't sarcasm or anything, i just genuinely want all the evidence so i can make a decision
Sure! I got you covered, anon. No shame in deliberating on the evidence yourself. I'll link you a few posts.
This is a good master post, but I will provide a few additional sources:
Shelby's Stream
A Follow-Up Tweet by Shelby
Additional Corroberating Statements From Former Lovejoy Trumpeter, Zoe
Statements From Admin of Wilbur's (unofficial) Discord
Statement From Julie Verlintox (Wilbur head mod/admin)
Clip of Shelby Talking More About Her Story on Lexie's Stream
Addition Piece of Potential Evidence Submitted by an Anon: Wayback Machine Archive of a Reddit Post Likely Made by Shubble in November; Mirrors Her Stream Statements
Additionally, both Smajor and Ranboo have unfollowed Wilbur. Make of all that what you will!
EDIT (3/27/24): Wilbur responded.
Shelby's Response to Wilbur's Response
Aimsey's Response to Wilbur's Response
Ranboo's Response to Wilbur's Response
Lexie's Response to Wilbur's Response
Punz's Response to Wilbur's Response
Tubbo's Response to Wilbur's Response
And many, many more.
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staryarn · 9 months
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This is so random but do you have the full image of the Ishmael CG from your pfp? The quality is so good and I’ve been searching for it
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https://drive.google.com/drive/folders/1l3EAfUK_0NEr3DczUzHN8rED01mQQx7O
(All 4.5 cgs)
https://drive.google.com/file/d/1kLHyrI0tmtBuldd7v3aDAQvQ593KM9BN/view?usp=drivesdk
(Ishmael icon)
https://drive.google.com/file/d/10LUU8ePiqbNeC0sC-LKW1N44ZpxghQ5d/view?usp=drivesdk
(Header)
Bonus: all cgs in game so far
https://drive.google.com/drive/folders/1qcGPVtmvydVcsIqoBDRRJSgHjlLYjyaI
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cardentist · 6 months
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hey, so people need to be aware that youtube is now (randomly) holding basic features for ransom (such as being able to pin comments under your own videos) in exchange for Your State ID/Drivers License, or a 30 Second Video Of Your Face.
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not to pull a "think of the children," but No Actually. I've been making videos as a hobby since 2015 (and I've had my channel since middle school), I was a minor when I started and I'm not sure I would have understood the kind of damage something a seemingly simple as a video of your face can do.
this is a Massive breach of privacy and over-reach on google's part No Matter What, but if they're going to randomly demand a state ID or license then they absolutely should not allow minors to be creators.
google having a stockpile of identifying information on teenagers is bad enough, but the Alternative of recording your face and handing it over to be filed away is Alarming considering it opens the gates for minors who Aren't old enough to have a license.
and yes, there is a third option, but it's intentionally obtuse. a long wait period (2 months), with no guarantee of access (unlike, say, the convenience of using your phone's cameras for either of the other two), with absolutely No elaboration on what the criteria is or how it's being measured.
it's the same psychological effect that mobile games rely on. offer a slow, unreliable solution with no payment to make the Paid instant gratification look more appealing (the "payment" in this case being You. you are the product being offered).
and it's Particularly a system that (I think intentionally) disadvantages people who don't treat their channels like a job. hobbyists or niche creators who don't create regularly enough or aren't popular enough to meet whatever Vague criteria needs to be met to pass.
markiplier would have no problem passing, your little brother might not be able to. and while Mark's name is already out there there's no reason why your little brother's should be too.
something like pinned comments may seem simple, you don't technically Need it. but it's a feature that's been available for years. most people don't look at descriptions anymore. so when there's relevant information that needs to be delivered then the pinned comment is usually the go to.
for my little channel that information is about the niche series I create for. guides on how to get into the series, sources on where to find the content At All (and reliably so). for other creators it can be used for things Much More Important.
Moreover, if we let them get away with cutting away "small" features and selling it back to you for the price of your privacy, then they Will creep further. they Will take more.
Note: I have an update to this post here: [Link]
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echoekhi · 5 months
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I’m Declaring War Against “What If” Videos: Project Copy-Knight
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What Are “What If” Videos?
These videos follow a common recipe: A narrator, given a fandom (usually anime ones like My Hero Academia and Naruto), explores an alternative timeline where something is different. Maybe the main character has extra powers, maybe a key plot point goes differently. They then go on and make up a whole new story, detailing the conflicts and romance between characters, much like an ordinary fanfic.
Except, they are fanfics. Actual fanfics, pulled off AO3, FFN and Wattpad, given a different title, with random thumbnail and background images added to them, narrated by computer text-to-speech synthesizers.
They are very easy to make: pick a fanfic, copy all the text into a text-to-speech generator, mix the resulting audio file with some generic art from the fandom as the background, give it a snappy title like “What if Deku had the Power of Ten Rings”, photoshop an attention-grabbing thumbnail, dump it onto YouTube and get thousands of views.
In fact, the process is so straightforward and requires so little effort, it’s pretty clear some of these channels have automated pipelines to pump these out en-masse. They don’t bother with asking the fic authors for permission. Sometimes they don’t even bother with putting the fic’s link in the description or crediting the author. These content-farms then monetise these videos, so they get a cut from YouTube’s ads.
In short, an industry has emerged from the systematic copyright theft of fanfiction, for profit.
Project Copy-Knight
Since the adversaries almost certainly have automated systems set up for this, the only realistic countermeasure is with another automated system. Identifying fanfics manually by listening to the videos and searching them up with tags is just too slow and impractical.
And so, I came up with a simple automated pipeline to identify the original authors of “What If” videos.
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It would go download these videos, run speech recognition on it, search the text through a database full of AO3 fics, and identify which work it came from. After manual confirmation, the original authors will be notified that their works have been subject to copyright theft, and instructions provided on how to DMCA-strike the channel out of existence.
I built a prototype over the weekend, and it works surprisingly well:
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On a randomly-selected YouTube channel (in this case Infinite Paradox Fanfic), the toolchain was able to identify the origin of half of the content. The raw output, after manual verification, turned out to be extremely accurate. The time taken to identify the source of a video was about 5 minutes, most of those were spent running Whisper, and the actual full-text-search query and Levenshtein analysis was less than 5 seconds.
The other videos probably came from fanfiction websites other than AO3, like fanfiction.net or Wattpad. As I do not have access to archives of those websites, I cannot identify the other ones, but they are almost certainly not original.
Armed with this fantastic proof-of-concept, I’m officially declaring war against “What If” videos. The mission statement of Project Copy-Knight will be the elimination of “What If” videos based on the theft of AO3 content on YouTube.
I Need Your Help
I am acutely aware that I cannot accomplish this on my own. There are many moving parts in this system that simply cannot be completely automated – like the selection of YouTube channels to feed into the toolchain, the manual verification step to prevent false-positives being sent to authors, the reaching-out to authors who have comments disabled, etc, etc.
So, if you are interested in helping to defend fanworks, or just want to have a chat or ask about the technical details of the toolchain, please consider joining my Discord server. I could really use your help.
------
See full blog article and acknowledgements here: https://echoekhi.com/2023/11/25/project-copy-knight/
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kunaigirl · 10 months
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Happy Disability Pride and awareness month! Let's talk about Epilepsy!
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Hi there! I got tired of seeing my condition (that impacts my literal every day life) being left out or forgotten about during discussions about disabilities, so I made my own post about it! Let's go!
First Off! What the heck is epilepsy? Epilepsy is the fourth most common neurological disorder in the world, and it's a chronic medical condition. Epilepsy is a brain disorder that causes recurring, frequent, triggered, and unprovoked seizures to occur.
The official Epilepsy Foundation describes seizures as follows: "Seizures are sudden surges of abnormal and excessive electrical activity in your brain, and can affect how you appear or act. Where and how the seizure presents itself can have profound effects...Seizures involve sudden, temporary, bursts of electrical activity in the brain that change or disrupt the way messages are sent between brain cells. These electrical bursts can cause involuntary changes in body movement or function, sensation, behavior or awareness." (Source link)
Sounds like a lot of fun right? This is our life. Even with medication, we can be VERY limited to what can be safe for us. Seizure medications are NOT a cure, they only exist (at least as of now) as a tool to help have your seizures less often, or be triggered less intensely. Even on medication, seizures can still happen.
If you have epilepsy as a child like I did, it impacts your entire growing and developing experience. I spent MANY times as a child in and out of hospitals, neurologist and specialist offices, an getting so many EEG tests done. The pain of scrubbing the glue out of your hair for DAYS is horrible.
At a young age my seizures were so frequent and serious, it impacted my brain's ability to retain information. I had to re-learn the names of things at age 8 and 9. I had to re-learn HOW TO READ at age 10. I had to be home schooled because the public school system of my state at the time refused to work with me. I have VERY distinct and vivid memories of crying over my little baby ABC's book that I needed as a 4th and 5th grader. I knew I should've known this by this age. I knew that at one point I already did, and it was TAKEN FROM ME.
As an adult, I'M NOT ALLOWED TO DRIVE A CAR. And I can NEVER go to see a movie in theaters or go to see concerts or live music. There are entire TV shows I don't get to see. I can't go to clubs, arcades, dances, or raves. I miss out on A LOT of fun things. I always do, and I'm WELL AWARE of the fun I'm missing out on. The social, casual, and fun life experiences I'll never get to have. That WE'LL never get to have. And oh yeah! Seizures can KILL SOME OF US. Yep.
And the list goes on, and every person with epilepsy experiences it differently. There are multiple different types of seizures you can have, they're NOT always convulsing on the floor. For example, I have complex-partial-myoclonic-seizures. Meaning my muscles DO twitch when I have seizures, but I'm not always completely unconscious and sometimes I'm even able to stay sitting up. However, I'm still very "off" and can't focus or remember much for a good while after the fact. I can't talk or communicate during one, even with my slight bit of consciousness.
My experiences are not universal, I just wanted to talk about it and bring it up. It helps to talk about it even a little bit. Here's more about different kinds of seizures. Here's more about common seizure triggers. Here's more about CORRECT seizure first aid. And here's more general information/resources.
Please stop leaving us out of disability awareness. Please stop ignoring us or saying we're "not really disabled" or anything else like that. Please. Why does it always feel like the only people who care about epilepsy, are people WITH epilepsy? We're so tired of being ignored by others who don't have our condition.
If you're an epileptic person reading this, I see you. I love you. You're so strong, we all are. I believe in you, I believe in us. We're so much stronger than we get credit for, and it's going to be ok. Your anger and frustration are valid. Your emotions and struggles are real. You're valid, and I see you. Hang in there, we got this.
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identifying-birds · 6 months
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Hey! I have no idea where I got this image from. Google is telling me this is a turtle dove but other images of turtle doves look quite different from this; I’m mostly wondering if it’s photoshopped?
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Okay so this one was a bit crazy to me because you’re right, this looks like a turtle dove but the tail feathers are off. And it doesn’t look photoshopped, I mean most photoshopped birds are like a Cardinal that has been turned blue. Reguardless I went to Pinterest looking for photos of turtle doves that may look similar to this one. Then I saw this exact image.
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Okay, a lead. I guess. But if you know anything about Pinterest they are very good at finding similar images. Maybe we’ll get something..?
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… never mind. Apparently, the people are very obsessed with this image. It has been posted everywhere. At this point it’s basically confirmed to be a turtle dove, all of these sources are saying that it is one. My real battle is trying to find where this image is from just to make sure. Now I go and reverse image search only to come across just about a billion results.
but I guess they were on my side today since I got VERY lucky.
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Someone on the internet cited their sources. Now this link didn’t work but that doesn’t matter since we have the name of the account who took this photo. Bass23. So I looked through years of nature photography by this account and found the post.
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Here is your answer! It is in fact a turtle dove that was captured just at a very specific angle to make a very unique show of tail feathers.
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swampjawn · 1 month
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God I love animation. I love it for the way it can bring anything to life beyond the constraints of boring ol' reality, but also the ways that it's inextricably linked to, and draws on the conventions of live-action film-making.
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So fuck it, let's look at how Hayao Miyazaki straight up copies some camera framing techniques from his predecessor and the other most influential Japanese filmmaker of all time, Akira Kurosawa! (Kurosawa really was the master of framing scenes around his characters, so he's a great source of inspiration)
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(btw, this is a screenshot from this TV special where the two met for the first time just after the release of Kurosawa's final film. It's pretty interesting, and also very cute how nervous Miyazaki seems to be to meet one of his idols.)
Specifically, how the two each choose to break the 180 degree rule (well, not technically 'break' in the case of Kurosawa) to show their protagonists' changing destiny in "Throne of Blood" and "Princess Mononoke".
For anyone who doesn't know, the 180 degree rule is a basic film-making rule of thumb which states that in any scene where two characters interact, you should draw an imaginary line between them and the camera should always stay on one side of that line.
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("In the Mood for Love" - Wong Kar-wai)
This way, one character is always looking to the right of the camera, the other is always looking to the left, and the audience doesn't get confused by the geography of the scene. Crossing this line can be disorienting, but when done intentionally, it can convey a paradigm shift of some kind in the scene.
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In this scene from "Throne of Blood," (a feudal Japanese retelling of Macbeth) Washizu's wife Asaji discusses tactics with him and tries to convince him to aspire to the throne and to assassinate his lord Tsuzuki while he sleeps.
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As two servants appear to notify them that Washizu's sleeping quarters are prepared, the camera dollies left and around the characters' backs. This camera movement is motivated by the motion of the servants' torches outside the room, but it also signifies a change in Washizu's outlook.
Washizu is completely silent for most of this scene, contemplating his wife's advice. But as the camera slides behind his back and across the line of action, the scene is now re-framed, illustrating his change in perspective.
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He's been convinced and the trajectory of his life is about to change - and now, facing away from the camera, is the time for action.
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Because the camera slides smoothly across the line, Kurosawa isn't technically breaking the 180 degree rule. Miyazaki on the other hand, takes it a little further.
The complimentary scene in Princess Mononoke comes near the start when the wise woman of the village reads Prince Ashitaka's fortune after he's cursed by the wild boar spirit. She tells him that it is his fate to leave the village and travel to the west, where he may be able to lift the curse on his arm. The trajectory of Ashitaka's life changes in this moment too. As he accepts his fate, the change is symbolized by him cutting off his hair, but also by the camera jumping the line.
Throughout this dialogue scene and even as he cuts his hair, the simulated camera sits just slightly to the side of Ashitaka's left shoulder.
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But once it's done, for the final shot, the scene is reframed and we jump to the other side, where Ashitaka is now looking to the right of the camera instead of the left.
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Making the camera dolly across a scene like Kurosawa's version in 2D animation is no simple task, so this transition with a simple cut is in a way subtler, in another way a bit more jarring, but it conveys the same meaning.
This is the moment when our protagonists make the choice to embark on a new destiny and re-frame their lives.
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This has been an excerpt from a short video essay I made a while back, which not many people watched. I think this is at least in part due to my failure to package it well, and it seems you tumblheads like this animation/cinematography analysis stuff, so this is an experiment to see if, with the help of y'all, and a new title and thumbnail, it's at all possible to give this video a second wind in the eyes of the Youtube Gods!
So if you found this interesting, I'd appreciate if you checked it out! Thanks for reading!
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bambiesfics · 2 months
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𝗘𝗺𝗼𝘁𝗶𝗼𝗻𝗮𝗹 𝗦𝘂𝗽𝗽𝗼𝗿𝘁 𝗚𝗳 — Ellie x Bimbo!r
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𝜗𝜚 Author’s notes ✦ Butch/femme dynamics, Ellie has a panic attack, this references joel’s death, anxiety, bile, nausea, and hyper sexual themes, Ellie’s butch, wears a packer/strap. Refers to it as cock, dick etc Reader’s a bimbo and genuinely stupid. Ellie gets really scared.
𝜗𝜚 Ellie Williams ✦ I listened to Vietnam - Crystal Castles it’s tempo mirrors Ellie’s panicked anxiety. I’ve linked to a few seconds before the beat drops, on YouTube for accessibility. Listen with earphones so the music fucks your ears.
𝜗𝜚 If you find yourself uncomfortable with the themes in this fic, maybe try educating yourself on Butch sexuality. Read this to get a sense of Ellie’s headspace.
kisses u. ⋆ 𝜗𝜚 ˚⟡.
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Ellie fisted the joystick into neutral and killed the engine. She cracked all 5 knuckles before reaching over to release your seatbelt. The belts cold buckle sprang across your breasts and over your shoulder, turning your nipples visibly hard and full in their wake. Ellie fought off the urge to glance down; to drink them in. She was semi-successful at managing away her inner teenage boy every time it chose to rear its ugly hungry head at inopportune moments.
  “So…” she started, her hand massaging the inner dough of your thighs, warmed by the hug of your crossed legs. “We just gettin’ your little sparkly earrings? Or are you gonna get distracted and spend more money than I make in a single paycheck?” 
  You ran your palms up the sleeves of Ellie’s brown military jacket. Fascinated by the texture of the rough fabric everytime one of its crinkles caught against your acrylic nails. You couldn’t fathom how Ellie walked around in clothes so rough and distressed, all of your outfits were soft cotton or silky satin. And here Ellie wore a deconstructed uniform jacket like it was meant for her body. You blinked away your distracted thoughts, and leaned into nose at her neck. Pressing nose and lips to the source of the most comforting scent in the world to you. Allspice, cigarette smoke, and 2-in-1 body wash. There was still a faint trace of her cologne, you wish she wore it, the traces of it made you go brainless for your butch.
  “Earrings only.” Your sweet voice was muffled against her neck. She reached her other hand up to cup the back of your neck. The cold metal of her rings kissed your skin, but you leaned into it.   
 “I’ll wait for you right here, peach.” 
“Okay.” You nodded obediently. 
“Don’t spend too long in there, okay?”
“Okay.” You nodded once again. 
“If anyone stares at you too long or makes you feel weird for being girly, call me and I’ll meet you wherever. Especially those judgemental ass grandmas.”
You looked up at her, her hair was in her eyes, casting a shadow that turned her gaze into a deep hunter green. 
You leaned in slowly and kissed her lips. Ellie attempted to chase the kiss, until you slid your hand between the valley of her breasts and urged her to stay. Behave baby boy. 
  Ellie’s right eyebrow quirked up in response, impressed that you kept her in check. That you knew her so well that you could tell exactly where that kiss could’ve led to if you didn’t tell her to slow down. 
“Be right back here in an hour.” Ellie was relishing in how your thumb rubbed across her chest. Your hand rested on her chest like you were her little damsel in distress, looking to her to save you. You made her feel like Clark Kent, and it made her want to puff her chest out. 
  “Hour-and-a-half, I wanna get ice cream.” You prattled.
  “An hour.”
  “Ellieeee” You whined. 
  “If you’re not back here by 2:30 pm, I’m stomping into Icing myself, throwing you over my shoulder and marching right back out.” 
  “Please as if you could hoist me up over your shoulder.” You leaned over to fish Ellie’s wallet from her back pocket. 
  Ellie side-eyed you intensely as she tracked the movement. She enclsaped your wrist in an iron grip once your acrylics brushed the back pocket of her jeans. Her thumb pressed down. You couldn’t move.
“You didn’t seem confused about my strength when I lifted you into that full nelson and pounded you in front of the mirror.” She dropped her blue steel face and started grinning like a fox. “Uhnnuhuh Ellie, m’gonna squirt. I’m gonna squirt on you daddy.” She mocked in a high-pitched overly feminine voice. She drew her eyebrows together to school up the appearance of someone deliriously aroused. One that mimicked your cock-drunk face all those days ago.  
  Ellie dropped the comedic expression for a moment, in favor of replacing it with the one she sported to intimidate customers who started testing her boundaries or her patience. The one that said ‘respect me.’  
“Fuck you, asshole. I’m made of steel.” She spat.
  You leaned up, and just planted a glossy kiss on her cheek. She blushed until she was cherry tomato red. She always blushed harder when you were affectionate to her, in the middle of her egotistical masculine delusions. Like a mom kissing her son's cheek, after he called himself Spider-Man. 
Ellie would tease you for hours. But remind her again you were her adorable little girlfriend who she worshiped, then she’d be back to acting right again. Ready to hump the air just to get a whiff of your hair. Sweet and pliable. Ellie crossed her fingers subtly and hoped you got specks of glitter gloss on her cheek from that kiss. She wore your kisses like merchandise. Those and the smell of your pussy on her mouth and fingers. Some days, the smell was just smeared all over her face. 
  You blinked at her, slow and pouty in the way that got her real happy and pleased. “Now that you’re done poking and teasing me, can I go inside to get my sparkly earrings?” 
Ellie slid her wallet into your palm, her lips parted at the way your acrylics snatched it. The way they sunk into the soft leather. Mmmm.
  “An hour.” 
You climbed out of her beat up hatchback. The metal groaned as you slammed the door shut. “See you Els, if I get in trouble or get lost I’ll call you okay? I charged my phone this time. Bye-bye.”  You sing-songed just before walking away, out of the parking lot and towards the entrance of the mall.
  You were the utter definition of hate to see you leave, but love to watch you go. Ellie drank in the very very obvious little characters of your ass. The jiggly flesh, dimpled skin, and the way they smacked each other with each step. The type of visual someone could only see if the person walking in front of them was naked. Which you practically were considering how your pink cotton leggings looked painted on. The silhouette was way too intimate with how well it showed the character of your ass. She could’ve forced you to change, but you two had such a good morning today. 
Ellie didn’t want to—no—she hated picking fights with you. Ellie being mad at you? That was just another Tuesday. She had temperament issues, trauma, death of a loved one blah blah blah. But you being mad at Ellie? She’d kill herself. She shuddered in the car at the thought of it, and swallowed her jealousy. Everyone sees your little dimpled ass? Fine. She’s the only person that’s seen it twerking for her during backshots. And anyway, you’d get jealous if she wore gray sweatpants to work, so she kinda understood the sentiment. Especially because she packed everywhere, and the bulge was glaring. 
  Ellie wrapped her knuckles on the steering wheel. Trying to distract herself from the slow and lonely weight of the parking lot. Joy Division’s “disorder” played in her head. She considered pulling out a Marlboro to smoke, but thought against it. She remembered how you squealed whenever she kissed you with cigarette breath, telling her how it made your kisses taste so bitter. 
Truth be told, she was just as clingy with you, as you were to her. You just initiated it more often. When someone follows her around like a little puppy trying to catch up to its much larger owner all day, it’s hard not to notice their missing presence. 
  Ellie played with her rings as the mounting anxiety gnawed at her tummy. She turned her wrist over to check her watch. Ten. Only ten minutes had gone by? Fucking christ. 
She puffed out her cheeks. Yeah she was being ridiculous. Knowing you, you probably had only just arrived at the store, and that meant making a cute pikachu face at every new piece of merchandise they shipped into the shop floor that week. So it’d be a while before you were back. She could’ve gone in with you, but Ellie knew her presence there would’ve weirdly encouraged you to take a full day tour of the mall. She was your walking wallet apparently. But it’s worse when the wallet can actually give in.
  It was better this way, you kept her card in hand, but Ellie wasn’t physically there to actually convince of anything. So you couldn’t use it to buy anything more than earrings. Plus, she couldn’t stand another trip to Victoria’s Secret. As much as she loved the way you modeled a show for her whenever you tried stuff on, and as much as the jokes she cracked with the other boyfriends waiting for their girlfriends to be done made for good conversation, Victoria’s Secret just served to make her feel incredibly out of place. Mostly due to its overtly sexual displays of femininity. Something she still struggled to place how she felt about. All Ellie knew was that she didn’t want it.
Matter of fact she had repelled femininity so much, it even reflected in her dating preferences. You were by far the most feminine girl Ellie had ever dated. That was a considerably large shift from the tomboys she typically had crushes on in highschool.  
But she couldn’t help but be turned on by the way your acrylics stroked her bulge, by the way you blinked up at her with those dolly lashes like you needed her approval more than you needed oxygen, by the way she got both wet and enraged seeing men’s gazes linger on you as she walked behind you. Lingering in a way that they never did for any of her exes. It ignited a possessiveness in her she had convinced herself she didn’t have the ability to feel. Made her walk out the house with her shoulders drawn up to her ears, scowling. As if to say to all the men, ‘fuck off, get your own cocksleeve. This one’s claimed.’ 
  You were the cutest cocksleeve too. The human embodiment of a little bow for her dick. 
Just the thought prompted her to squeeze her bulge through her jeans, feeling phantom erections.
God it’d been how long now? Ellie checked her watch, reading the watch face to make sure she’d read that right. Twenty minutes? Only?
  Her palms started perspiring, and she started grinding her teeth. It’s fine, it’s fine, it’s fine. She’ll be back any minute. Be cool, you freak. 
Ellie reached to grab her phone, but the way the time flashed at the top bar of the screen made her stomach knot up anxiously. She chucked her phone into the passenger seat, and rolled down the window to get some fresh air. It felt beautiful for a moment, her rough short hair curling around the wind and blowing in her eyes. But then she felt like she couldn’t breathe again. Like her throat was squeezing in on itself. So Ellie unbuttoned the top button of her navy plaid button down. She yanked the collar away from her neck, and took deep breaths. Nice and deep slow breaths. The demonic little shadows and whispers of panic ebbed away, leaving only room for peace and the sunlight of the early afternoon. Ellie smiled, she’d be fine. 
She played with her rings, recounting all the places and dates she’d thrifted them from. Then she started fidgeting with them as her leg bounced in the car, working off some of that returning nervous energy. The little shadows were starting to creep back in her mind again. Ellie white-knuckled the steering wheel. “No, no, no please. Not now, please not now.” She sucked in a deep breath as unshed tears lined her waterline. She flipped her wrist watch face up quickly, you’d been gone for thirty-five minutes by this point. And Ellie felt her skin run cold. thirty-five minutes left twenty-five minutes. Twenty-five more minutes for the ebb and flow of panic to infect her brain and trigger her adrenaline response. Twenty-five more minutes of letting her own mind attack itself. Ellie couldn’t stomach the thought. She started gasping as she fidgeted to remove the car keys from the ignition. The dark whispering shadow only urged her to look at one thought in her mind: Alone. You’re alone again, Ellie. 
  She nearly keeled over from the sheer nausea that thought brought about. Ellie tripped out of her car, slammed the door and stumbled towards the mall as her heartbeat thundered louder than her thoughts. And her thoughts were very loud. Her face felt tight and itchy, as she ran. And due to the combination of wind and glossy eyes, her vision warped until it became disfigured. Which only set off to make her blood run icier. Like she was being deprived of all her necessary  senses as she yanked the mall door open and stumbled around trying to wade her way through until she got to the side where women’s jewelry and clothing was huddled. Her vision was disjointed, Ellie felt as if she was looking through a fish-eye lens. It caused bile to rise in her throat. Ellie was spiraling, she knew it. And if she didn’t find you—fuck where were you?—it was only going to get uglier for her. She despised being reduced to ugly. She hated herself when she was ugly. 
  Snot mixed in with tears as she scaled the walls of the mall trying to use the brightness of pink and white signs to guide her to the right store. You promised you’d go to icing, you promised you’d go to icing, you promised you’d go to icing. She hummed the mantra in corners of her brain.
She gurgled “better fucking be at Icing otherwise I’m gonna kill he—my heart christ—fuck fuck fuck baby please be at icing.” The palpitations rolled in, causing her heart to beat erratically. Two beats instead of one, a skipped beat, or an extra hard beat. Every bastardized combination instead of the reliable, glub-glub of a healthy heart. Ellie gripped her own shirt, and tried to feel any lingering warmth from your hand when you placed it there nearly an hour ago. Her breaths were coming out ragged, and she was still blind with a disjointed vision no matter how much she rubbed her jacket across her eyes to soak up tears. Ellie stumbled until she saw a store with the familiar lettering, and she yanked and tugged at her shirt to ground herself as she made her way to the checkout lane. “Hi.” Her voice came out so small and strained. She hated herself for it. 
  “Have you seen a girl, she’s—seems about yay-high and she’s wearing pink leggings and a tight pink top. Oh—she’s pretty—long nails. My girlfriend, do you know where my girlfriend is?” Ellie choked, her sanity was slipping. Her bloodshot eyes were crazed as she stared down at the cashier like the woman held the answer to curing Ellie’s mental suffering. 
  “N-no. Sorry I didn’t see a girl with pink leggings.”
  “No?” Ellie’s voice grew fainter, weaker. She sobbed “are you sure?” but her voice crackled with that sentence, and the cashier just stared at her with a puzzled expression, unsure of what to say to diffuse the situation. 
  Ellie stumbled out of the store, flinching at the expressions of customers who were looking around the store to see if they were the only one witnessing the girl's mounting panic attack. She ran to an empty hallway in the mall. The one where they kept those gumball machines that hadn’t been replaced since 1998. She fell to her knees and curled in on herself. Her nails scratched her scalp until it broke skin, trying to draw out the thoughts of being alone, being alone, being alone, being, alone, being alone, being alone, being alone, being alone, out of her head. 
Ellie tugged at her hair now, using the self-inflicted pain to distract from that hungry giggling fear, the one that wrapped itself around her eyes and throat and told her to describe what she saw: loneliness. Pitch black, devoid of warmth, pure unadulterated isolation. 
She needed you, needed you so bad as she cried to herself on her knees. She should’ve never let you go alone, she should’ve never let you walk away from her, she should’ve never let you have an hour to leave her, she should’ve never let you take her wallet and not take her, she should’ve never ever ever ever ignored the signs, the raised hairs and the feeling of dread that pooled in her stomach the past week. Just waiting to be triggered by something insignificant. Now it was triggered, and in an incredibly public place too. Ellie beat her chest, coughing just to bring herself down from the dissociative hell her mind was flinching in. “Baby where are you? I’m hurting…it’s hurting me again. Pleasepleasepleaseplease, peach.”  
  Nails bluntly tickled her nape, sending a shiver down her spine just as the smell of sweet jasmine and vanilla perfume engulfed her. Ellie broke from her kneeling fetal position to draw you into her lap. She didn’t even need to look at you, she knew you like the back of her hand. Ellie knew the feeling of those acrylic nails because of how deeply they’d scratched down her back in bed. She knew the smell of your perfume from how often she’d buried her face into your waiting body after work for comfort. Her grip was painful, likely breaking capillaries from its tightness. She mewled for you like a kitten finding its mother. “Babygirl.” 
  “Ellie—Ellie I’m sorry did I take too long? I set an alarm, I don’t think it went off, I’m sorry Ellie I didn’t mean too I promise.” Ellie let out a wet laugh from where her face was crooned in your neck. She just shook her head. It absolutely was not your fault. But God weren’t you just the cutest fucking thing in the world for thinking you’d made another little mistake? How sweet, that even in the face of Ellie’s utter mental crack and breakdown, you found a way to give your baby the benefit of the doubt. Ellie dragged her face up your neck, inhaling deeply as her nose traced a path up your throat. The scent alone was like Xanax to the nerves, drowning her in a sea of serenity. Letting the anxiety ebb away until it was no more than a dull twinge, the whispers reduced to muted hums. You were her light. Ellie’s grip on you tightened, her medicine. 
  She pulled her face away, and she could only imagine how distressed she must’ve looked by the way your eyebrows drew up, and by the way your pretty little lips formed a worried pout. Ellie gnawed on her bottom lip. There was nothing to fear, you would understand. 
“You didn’t take too long princess, I just had a panic attack.”
  Your hands flew to cup Ellie’s reddened blotchy cheeks, massaging her face cutely as her eyelashes fluttered. God, you were a balm. “I should’ve seen it coming, I’ve been feeling so out of it the past week. But then this morning was so fun. We made fluffy pancakes, you sat on my lap and listened to my dumb work drama, helped me trim my bangs, then...” Ellie blew air into her cheeks and looked up. This was going to be hard to say. Felt like a lump stuck in her throat. “Then we got ready and the kiss we had before we got in the car made everything melt away. This morning was so good baby, so good. I tried to ignore it, thinking my brain just wanted to be a little asshole and spook me for no reason. But no—I should’ve known—it doesn’t play tricks, it only gives warnings.” 
  Ellie leaned into your palms, she kissed them gently. “Can we go home baby?.” She held your gaze through wet eyelashes. You nodded “Mhm. I’m sorry Els I’m so sorry. I’m so sorry, I’m sorry, I missed you.” You were disappointed because you didn’t intuitively know the right words to say, and how to say them. Didn’t know how to articulate that you understood her pain but she also shouldn’t beat herself up. Everything you thought of sounded cliche, you weren’t smarter than her, you weren’t able to come up with reassuring words the way other people could. Not like her uncle Tommy or Maria, or anyone. All you could do was cover her in kisses, tell her you loved her, that next time you’d never ever be separated from her, and cradle her head against your chest. 
  Ellie rose to her feet, pulling you up with her by your elbows. The kiss that followed was for comfort, for reassurance. For the feeling of squeezing her human emotional support plushie. 
  Ellie pulled away first, leaving you wanting more. She tasted so good, smelled so good. Made you want to pur and stroke her through her jeans. But it wasn’t the time nor place. Not after recent events. 
“Did you get your earrings at least?” 
“Yeah, I got a pair for you too!” You shared excitedly. 
  Ellie was still shaken up, but for now she could break out a small grin. “You got earrings for me?”
  “Yes, same color too!” 
  “Baby, my ears aren’t even pierced...”
  “Oh.” Ellie loved that, your characteristic little ‘oh’. 
“I knew that. I just got them for when—for when you decided to pierce them, yeah.” 
Ellie was hot in your heels as you two made your way out of the mall “Is that right?”
“Mhm.” You refused to meet her eyes.
“Oh yeah? K, then. Thank you so much for getting me a gift using my credit card.”
 “You’re very welcome, I love when we match as a couple. Els when we got home, did you want my chicken noodle? Cause it’ll make you feel better.”  
Ellie sucked in a breath. Cuteness aggression was real, and she was feeling it so hard right then. Right after her emotions had already been frayed by her anxiety. She knew, if it wasn’t for the way the panic attack had left her feeling utterly exhausted, bone tired like a wet blanket, ready to drop at a moment's notice to recuperate, that she would’ve done something that would’ve pulled a squeal out of you in the car. And she had the package to do so. 
  “Sure, I’ll eat your damn noodle soup.” She chuckled tiredly. 
  You put both palms on her chest and leaned in to kiss her, stealing back some of the desire that was ripped away too soon in the mall. 
“You’ll feel better in no time.” 
 Ellie gave you a once-over. Over eager, as usual. 
“Somehow I don’t doubt that.” 
  You littered her face in kisses all the way home, like you always did. Like you thought each press of your lips to her freckled face was going to cure her of her anguish. And believe Ellie, every press of your puffy lips to her cheeks, tip of her nose and forehead did more for her state of mind than two hours of trauma therapy a week did. Or at least that’s what she’d like to believe. Fuck the noddle soup, it’s you. You’re what’s going to make her feel better. As long as you’re there, everyday for her to come home to. All she needed was her pretty princess, her little babydoll, her little bimbo.
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screamingfromuz · 6 months
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Hi there! I am reaching out because someone sent me a question about how to help Gazan civilians without accidentally helping Hamas or spreading more hate against Israelis. I honestly feel lost on this myself, but as far as I can tell you are someone who has done real activism in Israel. Do you have suggestions for diaspora Jews who want to help fight for peace?
So a small disclaimer to the Gaza problem. We have 2 main problems with getting aid into Gaza, the first is the limited amount of aid that is allowed in, sending more money cannot make it go in faster. Problem number 2 is that much of the physical aid ends in Hamas's hands or in the black market and there is nothing we can do with that. I have heard recommendations to wait and see who opens a field hospital on the Rafah border crossing, and donate to them. Despite that, here are some charities to help Palestinians both in and out of Gaza.
I will admit, most of my activism is focused on deradicalization on the Israeli side and solidarity work, so I had to ask around for some of those charities. Some of the groups I know of do not currently have an international donation link, so if I get more good ones, I'll make another post.
Gaza:
Medical aid for Palestinians-
Anera-
Doctors without borders-
Palestinians outside of Gaza and Peace movements:
Palestinian red Crescent- they also work in Gaza, but as the main source for Palestinian ambulances in the WB, I put them here.
mistaclim (Looking the occupation the the eye)- this group is helping to protect Palestinians from the illegal settlers
Keshet- this is a big one. they support Bedouin communities in normal times, and now they are working on getting bomb shelters to the unrecognized villages, and providing a mental health first aid line.
standing together- totally biased, as I am a member of this organization.
Women wage peace- a feminist based solidarity group
Haqel- they represents Palestinians in cases related to land ownership and access. there work is still ongoing even during the war
Center for Jewish non Violence - a diaspora org that also does a lot of work in the South Hebron Hills.
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abbyshands · 2 months
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THE LAST OF US, and the israeli themes surrounding it
i'm very glad that people were able to see one of the previous things i published, where i complied a series of links that you can use to learn more of what's going on in gaza, how you can help, places you need to boycott, etc. however, at the end of the post, there is a large part of it that is DIRECTLY meant for people who play or watch the last of us, or play the last of us 2.
the last of us 2 in specific is not at all elusive in displaying the chilling themes we are seeing before us today. what boggles my mind, is that a select few individuals are choosing to keep publishing fics, reblogging them, uploading content that has NOTHING to do with what's going on, etc. also, you can't reblog one thing about palestine and claim that you care, then flood your account or people's home pages in fanfiction, especially during a media blackout. it just doesn't work like that.
i took the time to make a post discussing all of the israeli/palestinian themes that the games as a whole, but mainly the second one, display. if you are my mutual, a friend, a fan of my work, or a fan of the game or show, then i 100% demand you read this. if you can read fics for hours, you can spend time to read a post discussing the universe those very fics came from.
a lot of us are now aware of the last of us's nature in regards to the ongoing genocide, but not many people know the specifics of it. after seeing this post last night (the person who made this, you are an angel), i decided to take the time to dive into the specifics of the last of us 2's israeli nature, on a logical level, but also a moral level, using a list of sources to help me along, which will be linked at the end of this post. i will link the sources along the way so you know which sources i got my information from.
regardless of if this changes anyone's mind about ignoring the media blackout, or not giving a fuck about what's going on period, know this: regardless of how you feel, regardless of what you believe, from the river to the see, palestine will be free. at this fucking point, the people who are on the right side will keep speaking out and spreading awareness, regardless if you are here to do it with us. that's it. now, let's get into this.
UPCOMING DISCUSSIONS: neil druckmann, the last of us 1, the last of us 2, the last of us show and zionism in the show's cast, boycotting the game and show, and conclusion
NEIL DRUCKMANN
45-year-old neil druckmann, who was the co-director and co-writer for the last of us 2, was born in tel aviv, israel in 1978. according to the above source, druckmann was raised in a settlement in the west bank, where he was surrounded by violence on a daily basis. comics, movies, and most of all, video games, became an escape for him as a child, before he and his family moved to miami, floridawhen he was 10 years old.
to water down the full story that you can, again, read here, druckmann went to college to major in criminology. however, when he was in college, druckmann took a compsci course, that later lead to his major becoming coding as opposed to criminology. soon after, he knew he wanted a career that related to one thing: video games.
in the summer of 2013, the last of us part 1 was released, and it was renowned as one of best video games to have ever been made. in 2020, druckmann and nd released the last of us part 2, followed by the 2022 release of HBO's show based on the first video game. druckmann played a huge part on set, being not only the co-creator and co-writer of the show, but also having directed an episode himself. druckmann will remain involved in the second season of the show.
bringing up neil druckmann’s background is a crucial aspect of what’s upcoming in this post, hence why i wanted to discuss it at all. druckmann growing up in israel is one of the sole reasons the last of us was ever made at all, and not only that: it is the reason why the second game is the way it is, because neil druckmann planted his israeli ideologies right into it.
so, let’s speak on it.
THE LAST OF US 1
on the official the last of us podcast, neil druckmann himself discussed the last of us' link to the israeli-palestinian conflict, and now, genocide. the general consensus was that people will go ridiculously far for the people that they love. this idea of druckmann's was revealed when he discussed the first time the main character of the first game, joel miller, kills somebody to keep his daughter, sarah, safe from harm. this is one of the first scenes in the game prior to the time jump, where the pair's neighbor becomes infected, and attacks them. joel uses a gun to kill him so that the neighbor doesn't harm sarah.
the following is a quote i would like to copy from this link word for word: "Druckmann said he follows "a lot of Israeli politics" and compared the incident to Israel's release of hundreds of Palestinians prisoners in exchange for the captured Israeli soldier Gilad Shalit in 2011."
the plot of the first game, as neil druckmann explained, is based around a moral dilemma. he discusses how if joel had to kill a man to save a random kid, would he have done it? druckmann himself says, "but when it was his tribe, his daughter, there was no question about what he was going to do."
while the first game, in my opinion, isn't as heavily centered around israeli themes as the second game is, regardless, it is heavily crucial to note that the basis of the first game derived from a real-life incident involving israel and palestine, where hundreds of palestinian people (edit: i believe it is more than 1,000) were released from imprisonment, all in exchange for one israeli soldier. in the second game, the israeli-palestinian themes, if you look closely enough, scream out at you.
let's talk about it.
THE LAST OF US 2
"There is a common saying that if you seek revenge, you should dig two graves. Playing The Last of Us Part II is like being made to dig those graves with your teeth (Zacny)."
nd's 2022 the last of us part II is described down to the last letter in the above quote, albeit the game's utterly obvious israeli nature. in this post, the creator, rob zacny, goes on to discuss the game's theme of a "cycle of violence," and how the game reminds you in each grotesque encounter of the cruel ideology behind that. due to what occurs in the last of us 1, joel, basically, reaps what he sows when he is murdered for killing a surgeon who, along with the group said surgeon was a member of, the fireflies, was planning to perform surgery on ellie, who joel had since grown close to, in search of a cure for the infection that has plagued their world for decades. four years later, the second playable character in the game, who is introduced in the first half hour or so, abby anderson, kills joel to avenge the surgeon who was murdered, who happened to be her father. from then on, the game follows what, again, can only be described as a "cycle of violence." joel kills abby's dad, abby kills joel, ellie kills all of abby's friends, aims to kill abby in the final battle of the game, but spares abby when ellie's conscious morally attacks her for her decisions.
throughout the 24 odd hour gameplay, the player is allowed to play as ellie and abby, abby's parts of the game being arguably longer than ellie's. the idea this, i believe, is meant to introduce, is one of perspective: the player is meant to be loyal to joel miller once the first game has been finished, so when he is killed, they are inclined to make abby pay for it. however, abby's perspective, both in the past and as the present course of the game goes on, is meant to make the player understand why she did what she did. thus, the moral: there are no good guys in this game. every person is as equally bad as the following, and no one is innocent. however, when we consider the israeli-palestinian nature of this ideology and how it is presented in the last of us part 2, it simply doesn't work like this.
“I suspect that some players, if they consciously clock the parallels at all, will think The Last of Us Part II is taking a balanced and fair perspective on that conflict, humanizing and exposing flaws in both sides of its in-game analogues. But as someone who grew up in Israel, I recognized a familiar, firmly Israeli way of seeing and explaining the conflict which tries to appear evenhanded and even enlightened, but in practice marginalizes Palestinian experience in a manner that perpetuates a horrific status quo (Maiberg).”
when discussing the last of us part 2’s plot, one could 100% argue that there really aren’t good guys on the dual sides of the game. if you compare ellie and abby, you know that ellie went on a murder frenzy to get revenge on abby for killing joel. on abby’s side of it all, you know that abby wasn’t all that great before coming across lev and yara, and even then, she killed people to do what everyone in said world aims to do: survive. prior to finding lev and yara, abby had killed numerous people before, and did, as the player sees, handle joel very cruelly before she ended up killing him. here’s one more example, one that’s more random (but it’s simply to compare abby vs. ellie’s people, if you will): joel and manny. joel went on a cross country murder spree to keep ellie safe, and killed a building full of people at the end of the game to save her life. in regards to manny, if you recall a discussion that manny and mel had in the beginning of abby’s parts of the game, the pair are discussing a happening where a group aside from the wlf, the seraphites (which we will discuss later) attacked them because the wlf killed children who were a part of their (the seraphite’s) group. manny voiced how he would prefer to keep their people (the wlf) safe, and challenges mel, implying that those “kids” weren’t really kids, because they were the ones who attacked their guys (the wlf) in the first place. as a general consensus, manny kills several people throughout the course of the game, which can be inferred or seen by the player, making him, for the sake of what i’m getting at, a bad guy.
we see in the game how ellie and abby’s people are unanimously bad. the last of us is set in a world where laws and morals are thrown out the window for the sake of survival, so this is no surprise. however, this dual perspective, “no bad guy,” ideology simply doesn’t apply in the world today. you may compare ellie vs. abby, or joel vs. manny, or bring in more characters in the game, such as tommy, nora, etc, claiming that all parties are bad. that makes perfect sense. but think about it like this: if this is meant to represent the israeli-palestinian perspective, and i give you the scenario of a five-year-old child versus a full-grown IDF soldier, what would you say? isn’t there an obvious answer as to who is in the wrong and who’s not? maiberg is 100% right in claiming that the game marginalizes the real-life palestinian experience. abby, ellie, joel, manny, etc, are not real people. but the thousands of innocent children who have been killed for the ridiculousness and inhumane israeli regime are. you can’t say each side is equal in awfulness, not when one side is full of innocent men, women, and children, some of which could never make it into a year of their lives. not when if one side pauses their battle, there would be a ceasefire, but if the converse pauses their battle, they would all be dead.
“And then they cheered afterward,” Druckmann, who grew up in Israel, recalls. “It was the cheering that was really chilling to me. … In my mind, I thought, ‘Oh, man, if I could just push a button and kill all these people that committed this horrible act, I would make them feel the same pain that they inflicted on these people.’"
remember how i said discussing neil druckmann's background was crucial? it is. druckmann, who, again, was born in israel, told the Washington Post that the game's cynical themes of revenge and suffering is linked to the 2000 killing of two israeli soldiers (tw, lynching), who were killed by a mob (maiberg). allegedly, some of the incident was remembered in film, that druckmann watched, and in his interview, he explained his angry nature that came about in response to the video, and how he desired vengeance.
the last of us part 2 is mainly set in seattle, washington, where secondary main character, abby anderson, resides in with a militia group named the wlf (which we will also delve into later, alongside the seraphites). maiberg brings out how seattle, on a visual and mechanical level, is based around "a series of checkpoints, security walls, and barriers (Maiberg)." he notes: "[seattle] looks almost exactly like the tall, precast concrete barriers and watch towers Israel started building through the West Bank in 2000." here are side by side images for comparison:
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now that we’ve discussed this, let us discuss one of most prevalent aspects of abby’s part of the story: the wlf, and the seraphites. the seraphites are a religious group, nicknamed “the scars” due to the scars the members of said group carve into their faces to display their membership, who the wlf, a makeshift militia group, runs into conflict with following the fall of FEDRA, the country’s former military. in a note in the game, a fedra commander explains that the city of seattle has been lost to the wolves (the wlf), who he names as terrorists. maiberg brings out the following: “Here, there are parallels to early Zionist organisations that fought British rule in the region. These organizations were also described as terrorists, and leaders of those organizations later became leaders in Israel, much like how Isaac, the leader of the Wolves, came to control Seattle. Other in-game notes, scenes of urban ambushes, and the bodies of executed FEDRA officers laboriously walk the player through the cliche "one man's terrorist is another man's freedom fighter (Maiberg).”
maiberg also discusses a series of manners in which the fictional seraphites resemble real-life palestinians. here are the three ways he specifically discusses in his original post, but there are much more:
“The same note from the Seattle FEDRA commander that bitterly says the Wolves are in charge explains that it's now their responsibility to not only feed and shelter the people of Seattle, but deal with the "religious fanatics," referring to the Scars.
Later in the game, Ellie finds a location called "Martyr Gate," where the Scars' spiritual leader apparently died, indicating a religious significance of a specific and disputed location, and emphasizing the notion of martyrdom as central to their culture.
The Scars are able to get around Wolf patrols and various barriers around the city via an elaborate, secret system of bridges between skyscrapers. These function as a kind of flipped version of the underground tunnels Palestinians use to bypass Israeli blockades and other means of limiting free movement in order to get supplies and carry out attacks on Israel.”
one more post i would like to link is this one, the very reason i decided to make this in the first place. it captures the zionism in the last of us 2, along with the wlf vs. seraphite conflict, perfectly. i very much recommend you read it, as it explains it much better than i can.
the general consensus is this: the idea that the seraphites are equally as bad as the wlf, which implies that palestinians are equally as bad as israelis, simply doesn’t apply in 2024. as i said before: what is so vile and cruel about a newborn baby? a pregnant woman? an innocent man? NOTHING. part of the reason the last of us captures this so poorly is due to the apocalyptic nature of the world the game is set in. obviously, people would go rogue if their lives were put in peril by not only animalistic infected beings, but also humans. however, we live in a real world where laws and morals do, in fact, apply. this isn’t a video game where those are simply discarded. what the wlf and the seraphites did to each other in the last of us 2 could be any other day for them: but what israel is doing to palestine right now is a war crime, a genocide, and plainly vile.
THE LAST OF US SHOW, and zionism in the show’s cast
i don’t think i need to spend a lot of time here, because if you have made it this far, you are well aware of the real nature of the last of us and the last of us 2 already, so you must understand that the show is HBO’s take on the game’s story (which, need i remind you show-wise and game-wise, neil druckmann played a huge part in). i simply bring it up so that people are aware of the fact that the 2022 show is ALSO linked to the ongoing genocide, and the cast is a major part of that (however, if anyone would like me to delve deeper into the show, let me know, and i 100% will).
for the following season which is a sequel to the last, theorized to center around the happenings of the last of us 2, members who are set to play a few crucial characters in the game have been announced. this includes isabela merced, who will play dina woodward, ellie’s romantic partner for most of the game, alongside kaitlyn dever, who will play abby anderson.
many people freaked out when they realized kaitlyn dever will be playing abby, but not for the reason they should have been. if you are a last of us fan, you are well aware that abby’s muscles are a central aspect of her persona. yet, kaitlyn dever is on the skinnier side, and according to some, does not resemble abby.
but this is not the issue that is most crucial to discuss.
kaitlyn dever is a zionist, and so is isabela merced (i am under the impression that both of these claims are true, but i had trouble finding a source i deemed reliable enough to link here. if i do, however, i will). now, while i’m not here to riddle you with conspiracy theories, people believe this (zionism) is the reason kaitlyn dever in specific got the role of abby anderson (there is a separate actress, shannon berry, who more closely resembles abby, but made a post in solidarity with palestine. this is theorized to be the reason why she didn’t get the part, and why kaitlyn dever was announced shortly after this particular actress made said post). let us not also forget that ellie’s actor, bella ramsey, is also in support of israel, which can be seen here.
(edit: i was informed since making this that bella has a story on one of their social medias, showing their alleged support of palestine and calling for a ceasefire. i’m going to link this post where i spoke on it, so you aware of what i think on that front).
all of the previously provided information brings me to my final part of this post: boycotting the games, and boycotting the show.
BOYCOTTING THE GAME AND SHOW
i could go on and on about why this is so crucial, but we would be here forever. however, i’m going to paste in what i wrote in this post surrounding the topic of boycotting, as i personally believe i got it down quite well in regards to the last of us (the show and game). it reads:
"DO NOT BUY TLOU, TLOU REMASTERED, TLOU2, TLOU2 REMASTERED, OR ANY GAME FROM ND! neil druckmann has donated money to the IDF in the past. & where do you think he’s getting his money from? yeah, you got that. watch gameplays, pirate these games, or buy them secondhand. several shops sell used games. & for those of you who went and purchased the game anyway, knowing about all of this? fuck you.
if you think your $10 doesn’t matter, then think about this: okay, one person spends $10 on the game. whatever. but when 100,000 people do it? that’s a million dollars, going into the hands of a zionist, who is using YOUR money to help kill innocent men, women, and children. put that in your pipe and smoke it.
it is not just the games you need to boycott. HBO’S show also needs to be. follow this link to learn of more movies and shows you need to boycott, & the reasons why, including the last of us. let’s also not forget that dina & abby’s actresses are in support of israel, and BELLA RAMSEY, ellie’s actress, has also shown support.
boycott. the fucking. show. there are a million websites where you can pirate it, so you are not giving any of your support to it. resist."
what it comes down to is this: purchasing the game or watching the show directly from nd or HBO is not a must. spreading awareness and speaking out about palestine is. you are more than capable of not purchasing the game, or watching playthroughs, or buying the game secondhand, etc. you are more than capable of pirating the hbo show so that money is not made off of your engagement. it's not that difficult. i have said it once, and i will say it again: boycotting is a form of resistance, and that is the least we can do for those suffering in gaza as you read this. resist. people openly admitting that they went and purchased the game anyway simply make me sick. i hope you know what an awful thing to brag about that is, and how despicable of a human it makes you.
CONCLUSION
there's so much to discuss when it comes down to this topic, and it's possible that in the future, i will make a second part to this. however, for now, i really hope this does suffice. i believe knowing of the game's israeli nature is a step. but knowing the specifics is a leap, one that i need everyone engaged in this fandom to take, hence why i wanted to make this post at all.
i'm not saying anyone needs to quit liking the games or the show or whatever. i'm not saying you need to delete or throw away a game you spent $60 on. i've seen so many people who are way too dense to understand that. what i'm saying is that it's crucial you are at least AWARE of the content you are consuming. aware of why it even came about at all.
in my opinion, you can't separate the game from the roots. but you can remain aware of the inner workings of this world you've grown to love. you can keep spreading awareness about it, and you can do right by the people in gaza by discussing the ongoing genocide, and using your voice as much as you can.
i'm so lucky to have been able to gain a following on here in such a short amount of time, even if that following has gone up and down because i've chosen to post more about palestine as opposed to my previous content (granted, that fact won't deter me at all). i will keep using said following to keep speaking out for the people in gaza, and i encourage you to do the same. keep reblogging. keep speaking up. keep using your voices. the people in gaza need us. be there for them.
FROM THE RIVER TO THE SEA, PALESTINE WILL BE FREE 🇵🇸🍉.
LINKS AND RESOURCES:
neil druckmann | the official the last of us podcast | the not so hidden israeli politics of the last of us 2, by emanuel maiberg (i highly recommend you read the full post. it discusses several crucial details i didn't discuss in this post) | galid shalit prisoner exchange | Neil Druckmann Speaking on the Washington Post | 2000 killing of two israeli soldiers (TW: LYNCHING) | 'The Last of Us Part II' Is a Grim and Bloody Spectacle, but a Poor Sequel | Veiling Colonial Violence: The Last of Us Part II, Israel and the Erasure of Power (full disclosure, i did not read the full post. i merely needed the quote in the very beginning of it) | zionism in tlou2 | isabela merced | kaitlyn dever | bella ramsey's support of israel
PALESTINE LINKS
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brailsthesmolgurl · 1 month
Text
WHY HER?
Another angst/fluffy oneshot required by one of you. I swear, the ones who are following me, most of you have a thing for angst :0 But it is okay my babies, as I am nothing different from you guys :) this will be a bit shorter than my usual oneshot lengths but hope it is just as enjoyable for you guys :)))
Warnings: Angst but don't worry my lovelies, there shall be comfort for this round. Reader is not main character in game.
Please note all artworks are credited to the artist @chimmyming on Twitter, please do go and support the artist! Click onto the pictures and there shall be a link on it that brings you straight to their artwork!
Rafayel
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You sat at the beach, looking far out into the ocean as you waited for Rafayel. He had agreed to meet you today for a nice evening walk but it was VERY UNLIKE HIM to be late for any meetings with you. Furthermore, you had only came back from your business trip recently, and the last thing you had expected was for your lover to be late to this long-awaited meet up.
Taking out your phone, you decided to give your boyfriend a call. "Hello, Rafayel?" You spoke once the call was picked up. "Where are you mister?"
"Hello?" The voice on the other end of the call caught you off guard. It was the voice you had heard Rafayel mentioned through his video calls with you for a couple of times. "Rafayel will be there in a bit." You heard a slither of your boyfriend's voice echoing in the background, shouting out something and the girl repeated his message. "He told you to---"
You hung up the call. Not even bothering for an apology nor an answer. Just hearing her voice made your blood boil. It does not help either when Rafayel would mention about her during your business trip. He would say, "Oh she helped me with the drawings today, as she said purple would fit better than orange." or "We went and got some paint today by the shop that was at the corner of the Bloom Street. She asked me to buy the conch shells too."
The recollection of him telling you all about their activities brought tears to your eyes, pulling your knees up to your chest and you stopped fighting the tears coming out of your eyes. When did she took your place? Helping him with his artworks? Accompanying him to buy painting materials and buying seashells together? That is, and has always been the activity reserved for you. But maybe, your absence made him feel empty inside.
Standing up, you dusted the sand off of your pants and decided to head home. Your phone had rung for a couple of times but it had fallen on deaf ears. Unlocking your phone and rejecting the call, you decided to block him. What happen to Lemurians only having one mate for the rest of their life? A question raised in your head, but it goes unanswered.
˚₊· ͟͟͞͞➳❥
Loud music filled the entirety of the darkness of the bar. Your hand held onto a cocktail glass, swivelling the Long Island Iced Tea in it. But here is the catch, none of the contents in the glass contained anything that has to do with its name. But it is surely going to get you wasted in no time.
You took another hit, feeling the burn go down your throat when you downed the whole glass in one go. The laser lights, light bars below the bar table and holograms of women dancing being the only source of lighting found within the bar, a good way for you to hide away from anyone you know.
You just wanted to drown out your thoughts, but forgetting the point that you had never been the type to handle alcohol well. Hence earning the title of you being the teetotal in every party and event you attend with Rafayel. Speaking of the man, your eyes wandered down to your cocktail glass, the empty contents a direct reflection of your mind right now, empty.
When your mind started to get hazy further, you knew it was the right time to leave. You slowly maneuvered your way through the club till you were nearing the exit. A guy came in front of you to block your exit. "Where are you going, pretty lady? Do you need a ride home?"" His hand reached for your arm and you winced, his hold tight.
"Leave me alone. I am not interested." You pushed him with your hands and the guy barely budged. His tight grip on you still unfaltering. Instead, he started leading you out of the club, and into the alleyway.
"Bad girls don't deserve a good treatment. And seeing how wasted you are, I doubt you could stop me. So just be a good girl and take it." His words made you teared up, hand still coming up to push him with all of your might, sobs started surfacing from your breath.
"Help me!" You shouted out, head aching and eyes widening when you caught sight of the guy undoing his belt. He is planning to rape you isn't he?
"Nobody can hear you don't worry, so save your breath for me when I take you baby girl." He chuckled darkly but a spark caught your eye and the guy immediately got lit up in flames. Bright red colour lighting up the dark alleyway.
"Y/N!" The familiar voice called out to you, your sobs not stopping till someone grabbed you and you pushed with all of your drunken might, traumatised by how you were nearly raped by a stranger. The strong arms circled around your small body to pull you in close and your face hit against a taut chest. "Are you okay?!" And you passed out.
˚₊· ͟͟͞͞➳❥
You woke up, eyes slowly fluttering opened and you winced at the throbbing of your head. Looking down at yourself, you realised your clothes had a change, you were wearing an oversized button up and you gasped, your memory piecing the fact that you almost got raped yesterday night. Thinking you were still entrapped in a stranger's home, you turned your head and you caught sight of your boyfriend fast asleep next to you.
His purple hair sat on his head like a bird’s nest, a vibrant colour against his white pillow and bed sheets. Feeling movement on the bed, you watched when he slowly opened his eyes, lapis-lilac shades caught yours. "Good morning..." He spoke groggily and slowly sat up, the blanket sliding down to reveal his chiselled abs. It was rare for him to not wear clothes to sleep.
"I should go..." You said quickly, eyes avoiding his when you pulled the blanket aside and you realised, you were half naked, the oversized shirt covering your naked upper half and you were only dressed in your underwear underneath the clothing. You probably had sex with him, you thought to yourself as tears came to your eyes again. That was the last thing you wanted to do as you did not want anything to do with him anymore. "This...this mistake... It won't happen again. I'm sorry for being an inconvenience."
"Wait..." Rafayel was shocked at your response, his face contorted in disbelief. "Y/N, wait..." He quickly got out of bed, butt naked and nimbly searched for his pants and putting them on, as he quickly chased after you. You were already putting on your shirt, his button up strewn across the floor. You being in a hurry to leave him made his heart ached. "No, y/n wait." His hand clasped your arms when you were heading towards the door with your phone in hand.
He turned you around and was met with your bare face, red painted across your nose and eyes. "Just leave me alone. I wish you all the best with her." A silent tear fell and you pushed his hand away. But he grabbed your arm again, reluctant to let you leave.
"Nothing happened." Rafayel's tone was calm. "Trust me. Nothing happened between me and her." His hand came up to your face to wipe the tear but you looked away, not wanting him to touch you any further. "She only helped me with this. Come..." Holding onto your arm still, he guided you towards the backyard. A canvas placed in the middle of the yard. "She was helping me to create this for you." He turned the easel to reveal an artwork, featuring you by the beach, on the shore with a mermaid tail. Your tail. The artwork had hints of purple in it and the seashells they had gotten previously.
Amazed at the artwork, you turned towards your lover, eyes still bloodshot. "This explains why you had been cutting our calls short and with her picking up the call yesterday and you being late for our date?" Your hesitant tone was evident.
He pointed to the pile of pot paints on the floor next to the painting. "I was in a hurry to create this piece since you were only out for your business trip for 4 days. I wanted it to be perfect so I took a longer time than usual. I was trying to clean up the mess before I go and find you." He held your other hand in his when you turned to fully face him. "I wanted to show you this yesterday." He sighed and looked down. "I am sorry that I hurt you, you nearly got hurt because of me. But, I will never choose anyone else other than my lifetime mate. I will not choose anyone over you." His eyes looked deeply into yours.
"Rafayel..." Your eyes softened when you looked up at your lover. "Thank you." You took a small pause and smiled warmly. "Thank you for always choosing me." And you hugged him.
✧○ꊞ○ꊞ○ꊞ○✧
Xavier
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"Y/N," Your name was called when your boyfriend approaches your desk, handing you some documents for you to upload into the computer. "I will be going out for my mission soon, so I will see you back at home later?" His gentle voice made you smiled and nodded. He leaned down to give you a peck on your cheek when he realised nobody was watching and you watched as he walked off, the blond hair of his forming a halo under the radiant sunlight.
"So you are paired with Xavier again?" You heard a few girls squealed beside you and you just sat at your desk, continue inputting information into your computer, but you cannot help eavesdropping. "How lucky are you to be paired with him. How many times have you been paired with him for combat?"
"Oh, uhm....Almost everytime I think." The brunette replied, her hair tied in a low ponytail. None of the people in the headquarters know of the fact that both of you are actually in a relationship as there was no need for anyone to know about your private lives. And staying undercover just makes things less complicated when it comes to work.
"But, do you think he would make a move on you?" The short haired brunette asked and Xavier's combat partner shrugged her shoulders nonchalantly, a sign of not sure but there is a possibility of it happening as well.
"He did kind of brushed my hair out of my face and patted my head yesterday." Her response stopped you from typing any further as you felt your blood drained from your system. The girl-friend however, cheers and squeals for her friend's answer. You stood up, adjusting your outfit before you headed off to the washroom to take a break.
Washing your hands, you stare blankly at the mirror, studying your own reflection. Why would Xavier do this to you? You knew that your combat skills are non-existent, so that's why you kept yourself occupied with the information department, filing in documents for the deepspace hunters. They are more like the hands and feet while your department acts like the brain, collecting and providing information.
Maybe he likes girls with combat skills. Your mind jumped to that conclusion and you were snapped back to reality when the door opened up and you turned off the faucet, stepping past the same girl that was bragging about being close with your boyfriend. Your boyfriend no doubt is one of the popular males among the whole headquarters but all this while he had never made you worried. But why does her words affect you so greatly?
✧・゚: *✧・゚:*
After work had ended, you took your time to walk instead of taking the subway, wanting to give yourself some time to walk after you had spent the whole day sitting in the office. You walked past a grocery store and remembered that you are running low on food at home so you decided to head into the grocery store to pick up some items.
Staring at the snacks isle, you were debating on whether to get popcorn or potato chips, since Xavier would like to munch on them whenever he is bored at home. So without much thought you just get both of it. You paid at the counter and held onto the plastic bags, resuming your walk back home.
Walking the streets during the evening is a sight to catch. The skies displaying orange and yellow, dashes of pink over the linings of the cloud that hung high above. It looks like a light show in the skies, but only that it is a natural phenomenon. Taking out your phone, you took a snapshot of the skies and checked the result. A frown coming upon your face when you know that cameras would never be able to fully capture nature’s beauty.
You turned a corner and you came across the sight of your boyfriend standing outside of the claw machine store that you would visit with him sometimes. Your eyes lit up, wanting to go up to him but you stopped in your tracks when you saw his combat partner appeared from the stores, her grin tugged from ear to ear, and her face clearly blushing.
Your hands tightened on your grocery bags when you noticed your boyfriend, who has his back facing you looking down at the girl. Oh, how you wished you could eavesdrop on their conversation right now. You would have wanted to know desperately what their conversation is about. A part of you is telling you to straight walk up there to claim your man while the other part of you is held back, heart heavy as you watched the girl's face lit up when she was conversing with your boyfriend.
And that was when you noticed she tip toed to lean up towards your boyfriend. That's it. You had seen enough. You turned away, and stomped the other way. Tears caught you off guard when you decided it is the best for you to step away. You do not want to cause a scene in the middle of the streets.
✧・゚: *✧・゚:*
"Finally found you." A voice broke the whispers of the wind. You stayed silent when you heard shuffling, someone taking a seat next to you. "Why are you out here, in the cold?"
You refused to face your boyfriend, eyes narrowed, lashes combatting against the cold harsh wind. Another shuffle could be heard again and you felt his hands on your shoulders, a heavy material wrapped over your shoulder. It was cold, but it could be a good excuse; to hide the actual fact of what caused your nose and eyes to take on a reddish colour. "Can you give me some time alone?"
"Why?" He asked, the puppy eyes he is known for stapled on his face when he tilted his head, trying to get a better look at your face. "Have you been crying?" His question made you turned your head to face him, cheeks still pressed against your knee.
"No." You blatantly lied and avoided his gaze again. "I don't have anything to talk to you about. You can go home first and wait for me at home."
"Are you sure?" His concern made you hid your face further into your knees and you nodded. Your reluctance to meet his eyes already confirmed his suspicion of something happening. So he asked further. "Were you happening to be watching me just now? When I was at the claw machine store?" Your silence gave him a sense of comfort. "So my senses are not wrong. That was you peeking out of the corner just now. And let me guess, you saw me with the hunter didn't you?"
How did he knew? You swear he probably has eyes on the back of his head. That thought sent a shiver down your spine. You adjusted your seating and he sat closer to you. "And...you probably saw how she wanted to kiss me, with her on her tip toes." It was crazy on how accurate he was on this.
He unwrapped your arms around your knees and slowly pulled you into his side, placing his arms around you and letting your head lay on his shoulder. Xavier's scent enveloped you, talcum powder and vanilla. There is no need for him to use any sorts of perfume when he himself is a walking perfume that nobody could remake. That is how he always smelled like and a part of you wondered if she managed to smell it from him as well.
"I would have teased you further, and enjoy the way you would have reacted when you are jealous. But," His hands smoothed over your hair, tucking some strands behind your ear gently. "I pushed her away before she could even come close enough. I even told her about us." You looked up at him, his cerulean orbs now light grey under the stars. "I don't think it would be a good idea to hide our relationship anymore." His free hand came up to rub his chin. "Because I want people to know that you are the only one that I want."
"What about your missions with her? She was bragging about you patting her head and tucking her hair." You asked frantically, thinking he might still end up spending time with her.
"I had contacted the captain about this and requested for a change of partners. This time, it will be a HE and no, he is not GAY." He smiled, finger tucked under your chin to pull your face up to meet his lingering gaze. His soft laughter rolling out of his mouth. “Moreover, I never touched her, not even once, she needs to get her head checked out. Whenever she falls during combat, I just stood aside and watch.” He leaned down and pressed a kiss to your cold cheeks, in an attempt to warm them with his lips. “After we reveal our relationship in the office, you don't have to worry anymore, because no matter what happens, I will protect you to the ends of this world."
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Zayne
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<I will be home late tonight. I have to cover two emergency shifts. I will call you at 10P.M. before you head off to bed. I have a gap in between.>
Your phone beeped when you were nearly done at work. You read the message, knowing that he has to work late again for tonight, same as yesterday, the day before, and practically 4 days before. But, you cannot blame him for being one of best cardiac surgeons in Linkon City. It should be something you are proud of.
But it does not help when you went to pay him a short visit two days ago, his door does not open even after you had knocked twice on the wooden door. His usual patient, the deepspace hunter, came out of his room, face as red as a tomato. Your eyes followed her as she walked down the hallway and you made your step into your lover's room.
Zayne was near the bed, readjusting his shirt and coat. He did not realise you had walked in until you cleared your throat. "You are here." He said calmly, turning over to face you, his tie a little bit crooked. "I thought you were going to wait for me downstairs."
The deepspace hunter's red face, and him readjusting his shirt, anyone with two sense of mind could easily tell what had just went on in the room. "I just wanted to stop by your office as well." You replied, taking a seat on the couch in his office. "So, what did you do with the girl?"
"You mean the deepspace hunter?" He questioned, taking long strides to close the door. He did not seemed like he was anxious nor scared of your question. Probably a mask to his own guilt, you thought to yourself.
"Yeah, your childhood best friend." You clicked your tongue, arms crossed over your chest. "She seemed flustered when she left your office just now."
"I just conducted a normal check up on her, as usual." He said, dismissing your question easily. He reached his hand out to you, beckoning you to take his hand. "Let's go and get dinner together."
⁎̩͙ ⁑̩͙̩͙ ⁂̩̩͙͙
Your hesitation of his loyalty to you was one of the things that kept on bugging your mind, other than your work of course. You looked at the amount of work you have on your desk and started arranging it. Doing whatever you can now to keep your mind busy. What does that deepspace hunter have that you do not have?
A fleeting childhood with Zayne maybe? There have been theories that men would fall for their childhood friends due to the familiarity they have and how comfortable they could get with their childhood buddies. But this theory sucks. You tell yourself and stacked the files neatly and placed them at the shelves behind you.
You are just as capable as Zayne, but just in a different field. You are known to be one of the best lawyers in Linkon City. A highly respected one in fact. When news of you and Zayne went out, people claimed it was meant to be because both of you are aces within your own field and that you are both compatible to one another.
But what if he wanted someone more normal? Someone who would not constantly be under the watchful eye of the common public? The voice came about again. Almost every month, both of you would have your own array of social meets, and both of you making time to acquaint one another to those social events. Every single move, every single action you and Zayne do, it would be booming news. Maybe he is tired of us constantly being under the spotlight.
Mighty or not, you could be the best within your field, but you could also have equally damaging insecurities. This is the exact moment that you start crushing your own walls, walls of confidence that you had taken years to build up, to earn for respect from others. And perhaps, to earn Zayne's love.
<Okay.> You texted back and tossed your phone into your bag. Grabbing your car keys on your way out of your office. You locked your room on the way out and you were shocked to see some of your interns are still working in their cubicles. "Guys, I think you should all take a rest. How about we head to the coffee shop downstairs to have a drink hmm?"
Your interns' eyes lit up at your offer and they quickly gathered their stuffs before following you out of the office like a bunch of ducklings. On the elevator ride, you asked them of their work progresses and whether they needed any additional help with their current tasks. Your interns however, were more than surprised that you are willing to communicate with them.
Their first take on your image is that you are professional and strict. A woman of high standards and it was a common theme for people to link your working attitude to you being arrogant and ignorant. You had never once fell back on any datelines and your clients always leave your room satisfied, regardless of the outcome of the court case. You are on a whole other league as compared to anyone else within your department.
All of you decided to choose the seat outside because of the cooling night wind. It serves to refresh everyone, to step out of the tight cubicles for a bit and having to stretch comfortably. You sat next to two of the female interns, with them asking you about brands that you could recommend them to buy formal outfits. It was nice to see how fast the interns had opened up to you once they found out that you are not as scary as what was portrayed by others.
Your eyes caught sight of a black car pulling up just a few shops down the street. Not many people within the city owns that car, especially the black version. And one of those 'lucky few' happens to be your boyfriend as well. Your eyes slightly widened when you noticed the familiar figure coming out of the car.
His hair the colour of his full outfit, with a lanky but muscular build. The man standing next to the limited edition car is no doubt your boyfriend, Zayne. The sounds of your interns talking around you had turned into a constant white noise. Your eyes watched carefully, thank goodness the spot he had parked at was right below a street lamp.
The passenger side of the door opened, and out came the same girl. The one that you had suspicions about. At that exact moment, you felt your walls started breaking. Your eyes continued watching, your heart strapped in the back seat, limbs unable to move when you sat there in shock. The girl went up and gave Zayne a hug, you can tell that it was a tight hug, based on the way she literally planted her face into Zayne's torso. The sight of it made your heart crumbled and you stood up, your chair creaking against the cement pathway. Your interns stopped abruptly and turned to look at you in sync.
Clearing your throat, you held back tears as you spoke. "I remembered I have something to tend to, I have to get going." You bid them goodnight and you turned immediately, car keys dug out of your bag and you rushed to get into your car before you drove off quickly.
⁎̩͙ ⁑̩͙̩͙ ⁂̩̩͙͙
The clock at your bedside table flashed 9.55pm. It was a good idea to head off to bed earlier than usual. Although Zayne said that he would call you at 10pm, you had made your decision not to pick up. Telling him that you were too exhausted and fell asleep sounded like a viable excuse.
You closed your eyes and lulled yourself to sleep, used to the other side of your bed being empty for the past few nights. After a while, you heard your room door opened, the slither of light from the living room seeping in.
Zayne was home early. You assumed he would have went back to the hospital after dropping her off. Your back was facing him so he would not be able to tell that you were upset. But your plan was short lived when his shadow loomed over you.
"Y/N." His voice soft, and you heard a thud, the warmth of a hand on your face. "My love." He called for you again, running his big palms across your cheeks, him noticing that there were some tear streaks. "Are you awake?"
Your eyes then opened, and you are face-to-face with your handsome boyfriend, his hazel green orbs fixated on your face. "I thought you were at work." You slowly sat up, rubbing your eyes and feigning a yawn, as if you had just woken up. Your heart felt heavy, and before you could stop yourself, your mouth blurted out. "Am I not good enough?"
Zayne was clearly taken aback, turning on the switch to the lamp on your nightstand, the soft glow of the light bouncing off of your silhouette, your white satin night dress a sheen of orange. "Why would you think so?" His hand comes up, touching your arm but you flinched away. "Y/N, what's going on?"
"You know what, it's nothing." Your hands came up to hide your face from him, desperately trying to hold back your tears. Zayne has never seen you cry many times, only when you were drunk and watching some sad rom-coms or when work gets too stressful and you were pushed too hard. Yes, a strong woman like you have her own small, vulnerable moments too. And Zayne, acknowledges all of it. To him, he never treats your crying moments as to be small matters. When you cry, it is a natural human emotion yes, but it is not normal within your books, for you to cry over something miniscule.
"Y/n, you are sad. And being sad is---" He stopped himself before he continued spitting out medical facts. Knowing at this moment if he were to do that, he would not be doing her a favour in consoling her. "You had always been strong in my eyes. So, what is going on through your head? Do you want to tell me about it?"
"Is the deepspace hunter better than me?" You sniffled, face still covered, your voice slightly muffled. "I saw you...today...with her...near my office...you hugged her." You choked out your words, accompanied with tears and snot. This will mark one of the first times Zayne would witness you cry like an adult baby. But you could care less as you anticipate for the heart break.
"No." He replied. "I did not hug her back. She hugged me and I pulled away after 2 seconds. She was thanking me for saving her life. And she will no longer need to come for checkups again in the future." He clarified and sat on the bed beside her and he slowly peeled her hands away from her face. "I fetched her back, because she had had her surgery a day ago, and she could not get a cab on time during her discharge timing. So I offered a ride for her, and thought maybe I could surprise you at your office. But your interns told me you left in a hurry so I came home."
"What about your surgery that was scheduled for tonight?" You asked.
"I cancelled them and rescheduled them to tomorrow. I just wanted to come home and spend time with you." He placed a kiss onto your forehead, calming your sobs. "You don't look happy for the past few days. Perhaps you want to enlighten me on anything else I had done that could have made you so upset?"
"What about that day, when she left your office, did you guys do something? She looked embarassed, and when I came in, you were adjusting your clothings. And the way you just dismissed me, it hurts me." Your eyes looked exhausted to him, with you patiently waiting for him to explain the situation to you.
Zayne took a few seconds to recall. "I was doing last minute checkups for her, before her surgery. But when she tried to stand, she nearly fell and she grabbed onto my tie for support but still ended up on the floor, which explains why I had to readjust my clothing. She was probably embarrassed at the situation, which explains the red face." He added on. "Her condition got worse after our dinner, that was why I had to rush back to do the surgery immediately."
His explanation gave you nothing but a rush of relief through your heart. "I see." You said, wiping your tears and Zayne took the opportunity to pull you into his arms, seated on his lap and your chest against his. "I am sorry for being so ridiculous."
"I don't see any issues with that. You care for me, that is why you feel this way. And with you crying over this, it means it matters a lot to you." He hugged you and you relaxed in his arms. "I don't blame you for getting upset over this as it is equally my fault for making you doubt my loyalty. But I treat that deepspace hunter just like how I would treat every other patient of mine." He pressed a kiss to your shoulder, his lips soft and tender. "Just know that even when I am very busy, I will always make time for you."
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I KNOW I LIED AGAIN, MY MIND JUST STARTED BEING IN OVERDRIVE BECAUSE CREATIVITY WAS FLOWING SO I WROTE IT LONGER AND LONGER AND ENDED UP WITH THIS. I AM SORRY!
But hope this read is just as good as the others!
Lots of Love! <3
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avis-writeshq · 1 month
Note
not me asking for it https://www.tumblr.com/avis-writeshq/744966259884556288/if-someone-asks-for-it-ill-write-a-fic-based-on?source=share
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pairing: s9!spencer reid x fem!reader genre: fluff, established relationship, SMUT warnings: 18+ CONTENT; MINORS DO NOT INTERACT !! oral fem receiving, spencer reid is a munch, hair pulling, fingering a/n: a promise is a promise !! based off of this post <3 i hope this lived up to expectations !! first time writing fem oral ha h a ha wc: 1.1k
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Honestly, if there’s one person Spencer can blame for the situation he is currently in, he blames himself. After all, he should have known that a ‘gathering’ at Rossi’s house that was planned by Penelope would only call for a lot of teasing, a lot of ‘get to know each other!’ games (despite the fact that he has worked with this same team for more than seven years. What else is there to know?), and a lot of alcohol. He didn’t quite realise that these games would be of the drinking variety. Alas, here he is, sitting on one of Rossi’s incredibly expensive leather couches and cringing at the horrid taste of whiskey. 
The game they’re currently playing is an alcoholic’s rendition of ‘who is most likely to?’, involving a thick stack of cards with different topics while each member of the team took turns reading out. Whoever ended up with the most amount fingers pointed in their direction was forced to drink.
Spencer hates this game. He has drank from his cup a grand total of six times, and he is not getting any more used to the spicy-poison-equivalent in his hand. 
“Alright, this is a good one,” Derek announces with a manic snigger. “Who here is most likely to be a munch?”
There is no hesitation in anyone’s answers, and all six fingers point into Spencer’s direction. His jaw drops at the betrayal, his head spinning from the sheer amount of shots he had to take but also what the hell is a munch?
“I don’t even know what that means!” He insists. 
“Oh–” Penelope wears a half delighted half pitying expression at his words. “We really need to get you onto the internet more. Reddit is probably up your alley.”
“Even Rossi knows what it means,” Emily cackles, gesturing to Rossi who looks all too pleased. “Hotch was my second option though.”
Aaron shrugs, sipping at his drink. “Guilty.”
A chorus of laughs and shrieks erupt from the group, leaving Spencer even more confused. “What?”
“Don’t Google it,” JJ chimes in. “Seriously.”
Spencer nods, and although he knows that he should have taken the warning seriously, the curiosity was getting to him and he had no choice but to search it up as soon as he got home. He gets the usual answers– the etymology of the word, what it means in the Oxford Dictionary, the popularity of the word since the early 1800s, and he really doesn’t understand what the fuss is. Does the team think that he eats loudly? Or that he chews with his mouth open? His brows furrow at the unsightly thought. 
His interest soon shifts to a different a different link, namely The Urban Dictionary. He blinks, clicking on the link without much thought and– oh. He does not get much sleep that night.
*** 
Your relationship with Spencer isn’t a secret. At least, it was never supposed to be classified as such. He is simply an incredibly private person that even his closest friends don’t know that you exist. It simply never popped up in conversation– or so he says.
The relationship isn’t necessarily new either. It’s nearing the one year mark and you have gotten to the point where the two of you have been more ‘experimental’ when it comes to sex. He finds it embarrassing. You find it unsurprising that he would. You find it even more surprising when he breaks a kiss halfway to lower you onto his bed, your head falling to one of his very expensive memory foam pillows. 
“I want to try something,” he announces softly into your ear, squeezing gently at your waist and looping his fingers into his shorts. “Is that okay?”
“Yeah,” you breathe, body hot with anticipation as he pulls down your shorts. It’s only when he brings his face between your thighs do you realise what he intends to do. “Spence, you don’t have to–”
“I want to,” he repeats softly, his fingers running up and down the lacy fabric at your slit. “If you want me to stop, you can tell me.”
You shake your head immediately at that, your hands moving to his grip his shoulders. “No, I don’t want you to stop but– but Spence, this is the first time you’ve done this. It’s okay–”
“Let me do this for you,” he says, his breath ghosting against the sensitive skin of your thighs. “I’ve done my research.”
“What–”
You’re silenced as soon as he presses his lips to your cunt, only separated by your pretty lacy underwear. He groans quietly at the taste of your slick seeping through the fabric, and his hands hold onto your thighs to keep them parted. It’s so good, so good, but it just isn’t enough. He pushes the fabric to the side, watching the way it clings and sticks to your skin. 
All it takes is one swipe of his tongue on your pretty clit for his brain to grow blank. The grip he has on your thighs grow firmer and his fingers dig in hard enough to leave little marks. His nose bumps against your clit while his tongue travels against your folds. 
“You taste so fucking good,” he breathes against you, lapping at your dripping cunt. “Fuck, angel, you’re so beautiful.”
Then, he’s on you all over again. His lips wrap around your clit and he whines into you as he sucks at the bundle of nerves. Each one of his actions has your back lifting from the bed and your hands tugging at his curls, to which he responds with a quiet moan. Amidst the pleasure, your mind nags you to be gentle, and you loosen your grip despite it taking all of your self control.
“Do that again.” He says it as a demand, guiding your hands back into his hair. “Do it again, angel.”
His head is spinning and he craves for more of you, his tongue flattening against your clit over and over again. He brings his own fingers to brush against your entrance, coating them with your slick before slipping his middle finger inside. It’s only the first knuckle but it’s enough to have you squirming beneath him. He pushes further until it reaches all the way, and Spencer groans at the feeling of you tightening around him. He kisses your clit again at the same time he curls his finger inside you and it’s all too much. 
“Spence–”
You gush around his finger and he licks and laps at your pussy like he needs it to breathe. His finger curls open and closed inside you while you rock your hips against his face, your grip on his hair tightening as each second of your high passes. 
“So good,” Spencer moans, kissing your clit. “Taste so good. You can do one more, right, angel? Just one more, I promise.”
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reblogs are always appreciated !!
tagging the people who commented on the original post: @mosaicbrokenherz @doigettokeepyou @goblinintheblog @cassioxpeiaxmgg @daddytenebra @lilliumrorum @matthew-gray-gubler-lover @lightreiding
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vicissicude · 4 months
Text
reading the transcript of james somerton's video and here's some notable stuff for people who dont want to watch the 34 minute long thing:
it opens with him saying his media blackout is because he was in the hospital for "trying to do something really stupid"
the first thing approaching an apology in this apology video is at the timestamp 2:20
immediately after saying "i'm really really sorry" he says that in title cards he tried to put "this is based on this person's research or this person's book" but he "knows that isnt enough now"
"there were a lot of times that stuff just got put in and there was no attempt at crediting anybody and i'm really really sorry" nice passive voice james
he claims he didnt know he was hurting people doing this
he spends two minutes explaining how long he's been friends with nick and all their history and that nick has not spoken with him since "this happened"
"I also want to apologize for the misinformation and just outright lies that ended up in the videos I can honestly say that I never intended for any of that stuff to be in the videos. And most cases I didn't write it but I should have […] I should have been more diligent about factchecking" he never intended lies to be in the video, just pure good research that he stole. research that he later says he took for granted
he briefly thanks harris and his team for the fund set up for victims of plagiarism and says he wants to help but doesn't know how
less than a second later he's saying that all claims and estimations of how much he makes online are overestimated and that he split everything 50/50 with nick
he says his plan moving forward is to reupload all the videos, put credit in the description, and then somehow send the ad revenue for those videos to the authors whose research he stole. do those authors want that? wonder if he even asked them. i mean if he stole my shit for a video i wouldnt want him to reupload with a credit in the description and whatever paltry cents i get from the few views he'll manage after this
"I never thought anyone thought that I was doing like journalism on stuff. I don't think anyone did, but the people who actually were doing it should have been given the credit they deserved." wild sentence bro
he once again defends his title card citations in two videos and appends "but now I know that's not how citation works" so why are you still saying it...
at some point he'd like to do videos again, and his plan for that is "videos that are fully sourced where I will put a link to the script where you can find all of the sources so that everyone is properly given the credit that they deserve." now i could be reading this purposefully negatively but this just sounds like a description citation again but with extra steps
he wants to be a "really good example" of proper citation
"People think that I hate ace people and women and bisexual people and lesbians and that's not true. I'm sorry that stuff made it into the videos. I promise you I did not write that stuff. I should have been a lot more extracting when Nick and I would be editing scripts but I promise you that I don't think those things […] when it came to that I would just kind of run with Nick's judgement and his observations and stuff like that." SO THE ONE THING THAT HARRIS SAID WAS NOT PLAGIARIZED AND SEEMED TO BE JAMES'S REAL OPINION HE WANTS US TO KNOW THAT HE DEFINITELY DOESNT FEEL THAT WAY AND WAS JUST PARROTING NICK'S OPINION. but dont worry right after this he assures us he's not trying to "throw Nick under the bus"
he says he thinks they were just trying to do videos too fast and writing and editing too fast
"Telos was never a scam. It was never a grift or anything like that I swear it was not. In the next couple of days I'm going to send out a message to the supporters on Indiegogo and explain the whole situation in more detail to them." can't wait to read that explanation
he spends more time talking about the videos he'd like to make in the future
"I actually liked doing research. I loved doing research, reading the books and articles and stuff like that. The part of me that was lazy was the copy and paste part. I wasn't trying to be malicious that was just laziness." james. that's not as great of an explanation as you might think. it just shows how blatantly you dont respect or care for other creators. you only did it because you believed you could get away with it, not just because you were lazy
he says the reason he's reactivating his patreon is because there were several people online theorizing that his plan was to relaunch in january to pull surprise billing and run with the money. so he said he's relaunching now to give people time to leave ("which i imagine will be the vast majority" can't pass up the opportunity to be self-deprecating)
he ends the video restating what he said earlier in the video
notably he's crying the whole time
one thing i'll say is that i didn't see anything that indicated he communicated with harris or kat or anyone. it sounded like he was coming up with that plan on the fly. i'm not surprised if he claimed it elsewhere or has failed to follow up on that promise, but it has only been 5 hours since release (at the time i'm typing this). so at least he's not making claims quite as bold as "i've been in communication with hbomberguy"
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copperbadge · 11 months
Text
I’ve messed around with AI a little, because I like to understand a thing when I’m formulating opinions on it and I’ve found the best way to do that is to climb into the thing and start pushing buttons. I’ve been unimpressed with ChatGPT; its fiction chops are oddly saccharine, and of course you can’t trust the nonfiction it spits out because everything it says needs to be fact checked. It claims it can’t “lie”, only misinterpret data from the sets it was trained on; devs call the misinterpreted data “hallucination”.
Part of what I was testing was whether it could competently do my job, so that if my boss starts asking about it, I can give him a decent report. I asked it for biographies of a few wealthy people I’ve researched in the past, and it spat out some respectably generic information that was mostly correct. However, most of the people I research now are not like “so rich I’m famous for it” levels of wealthy, and harder generally for me to find information on, as I assumed it would be for ChatGPT. 
So I thought I’d see what it could do with someone more middle class, and asked it for a biography of Sam Starbuck. 
What it returned was like what you would get if you told me “Write a flattering biography of yourself and don’t worry that I’ll be fact-checking anything you say.” It was mostly true, but it hyped up my achievements as an author in ways that I would consider not entirely honest, and said I was also a professional editor and that I had led prestigious writing workshops in the past. That’s plain untrue, but I can see where it would be making that assumption, because my author bio sounds like a lot of other, more famous peoples’ author bios, and I would guess it just pulled in some of their verbiage for color. 
But the wildest part of the bio was that it named three of the novels I’ve written. Or rather, it named two novels I’ve written and one novel that I definitely have not. It said I was the author of a novel called “Like Clockwork”. Just in case I had written a fanfic titled “Like Clockwork” and forgotten about it, I checked AO3 and also asked ChatGPT for a plot summary of Sam Starbuck’s “Like Clockwork”. And sure enough it hallucinated a multi-paragraph summary of an entire novel I’ve never written, on AO3 or anywhere else. (It was not a good summary. Very Generic YA SF Thriller.) 
ChatGPT is very good at one thing: apologizing. When I pressed it about where it found the data it couldn’t say, when I asked why it had made up the plot summary it couldn’t tell me, when I asked if it could show me source links or data it drew on to create “Like Clockwork” it of course would not. But it always said it was sorry...
Anyway, my best theory from googling is that every year there are roughly nine million news stories about how Starbucks Coffee’s holiday cups are back “like clockwork”. 
I suppose I should be glad the novel’s title isn’t Unicorn Frappucino.
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