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chaotic-minds-think-alike · 6 months

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Finally finishing all these guys we’ve got charts and headcanons! (Long post)

(Height)

(Wingspan)

(Body length & basic shapes I used) (it might be odd but ignore any detail on the back, the shapes are for general body shape)

Headcanons:

Seawings: - Colors range from red and purple to yellow - Aquatic is based off areas of bioluminescence rather than singular scales (because no one wants to draw all of those) - Although they average small compared to the other tribes, gigantism is more common - Wing bioluminescence gene is always present but for some doesn't show, thus aquatic doesn't utilize the wings

Rainwings: - Can change the texture of their scales alongside color - Weakest bite due to their fangs, probably why they're vegetarian - Mimic interesting behaviors - Have forked tongues

Mudwings: - Colors range from olive green to purple-ish red - Very resilient - Able to breathe fire regardless of body temperature, the heat of the flame depends on body temp - Their horns constantly grow and sometimes have to be cut due to dangerous growing patterns - Love gnawing on things, tough foods like jerky is popular - The horn covers of fallen siblings are harvested and turned into instruments to remember them by

Leafwings: - Colors range from gold to teal (and pink to olive green during cold seasons) - Can appear to have false eyes - Bug-like just like the other Pantalan residents (because they're just some weird outlier like what is going on here) - Leafspeak doesn't actually allow them to hear voices from plants but rather increase the sensitivity of their antennae which pick up on the changes in plants - In colder seasons, regions that have deciduous trees influence leafwings in that their scales change into warm tones similar to fallen leaves for camouflage but this also negatively impacts one's leafspeak ability; this doesn't apply to evergreen leafwings however

Hivewings: - Colors range from hot pink to olive green - Can appear to have false eyes - Have elbowed antennae just like their "cousins", Hymenoptera (wasps, bees, ants) - Tend to disregard personal space/get close out of habit, being close means better temp regulation and better communication - All hivewings have stingers, wrist stingers, and a venomous bite but it largely depends on preference of which they choose and like muscles, they can be exercised to become deadly weapons - They're not capable of "emitting a horrible stench"

Icewings: - Colors range from white to pale indigo - Melanism is still very rare but more likely in icewings - Can be iridescent in any color, especially visible in lighter scaled individuals - The scales on their face is very fine and is flushed with blood which darkens the area and allows them to see in the snow by absorbing light, otherwise the glare from the sun reflecting off would be a hinderance - Their wings are thin and thus have visible veins most of the time - Idk how to describe their scales other than its kinda like basalt formations - From the side they appear large but are actually thin and flexible - They can freeze to death if they've gone without cold for a long time and then reintroduced too quickly - In hybridization, they have dominant genes, partially because the animus gene - The extra mane of horns can appear randomly on the body in singular spikes, they also make a clink sound when they collide as if they're made of ice, making a pretty scary rattle when disturbed

Nightwings: - Colors range from orange to purple - Albinism is still very rare but more likely in nightwings - Dwarfism is more common - Teardrop scales are always present, highlighted when the dragon has powers regardless of type - Pitbull ready to bite kids - They CAN hang upside down as the books suggest but not for long - By taking dust baths, they dull their scales to reflect less light and blend in better in the dark - Have white fire but cant breathe for long due to how hot it is (this is mainly to add onto the mysterious factor of em and I always liked the idea) - Due to eye sensitivity, they hate sudden bright lights and will close their eyes as they breathe fire

Silkwings: - Can have black or dark accents but never as a whole body color unless they've hybridized - Wing shapes vary widely - Can appear to have false eyes - Flamesilk is rarer than one might think - Very flexible and have strong tails used as a sort of 5th limb in climbing - Albino or melanistic dragons still keep their iridescence - Silk is emitted through a spinneret on the chin rather than the wrists - Prefer to travel in pairs (instinct)

Sandwings: - Colors range from red to olive green - Dark patters often mimic a snake's - Horse-like in complexion - Alongside their snake-like appearance, they have pit organs - Tend to move like birds - Poor eyesight but good hearing - Their horns angle upwards sort of like a bull

Skywings: - Colors range from red to yellow (and green because skywings are meant to be your typical fire breathing dragon which is most often depicted to be red but can also be green) - Tend to move like birds - Weaker than they appear - Green skywings are incapable of being or having flamescales - Their horns constantly grow and have to be filed down - A flamescale cant melt rock or metal by touch alone, only via fire is it possible - It's not that they don't want flamescales that they kill them, it's more of a mercy killing because of how lonely their life can be

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colleendoran · 3 months

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Great Big Good Omens Graphic Novel Update

AKA A Visit From Bildad the Shuhite.

The past year or so has been one long visit from this guy, whereupon he smiteth my goats and burneth my crops, woe unto the woeful cartoonist.

Gaze upon the horror of Bildad the Shuhite.

You kind of have to be a Good Omens fan to get this joke, but trust me, it's hilarious.

Anyway, as a long time Good Omens novel fan, you may imagine how thrilled I was to get picked to adapt the graphic novel.

Go me!

This is quite a task, I have to say, especially since I was originally going to just draw (and color) it, but I ended up writing the adaptation as well. Tricky to fit a 400 page novel into a 160-ish page graphic novel, especially when so much of the humor is dependent on the language, and not necessarily on the visuals.

Not complainin', just sayin'.

Anyway, I started out the gate like a herd of turtles, because right away I got COVID which knocked me on my butt.

And COVID brain fog? That's a thing. I already struggle with brain fog due to autoimmune disease, and COVID made it worse.

Not complainin' just sayin'.

This set a few of the assignments on my plate back, which pushed starting Good Omens back.

But hey, big fat lead time! No worries!

Then my computer crawled toward the grave.

My trusty MAC Pro Tower was nearly 15 years old when its sturdy heart ground to a near-halt with daily crashes. I finally got around to doing some diagnostics; some of its little brain actions were at 5% functionality. I had no reliable backups.

There are so many issues with getting a new computer when you haven't had a new computer or peripherals in nearly fifteen years and all of your software, including your Photoshop program is fifteen years old.

At the time, I was still on rural internet...which means dial-up speed.

Whatever you have for internet in the city, roll that clock back to about 2001.

That's what I had. I not only had to replace almost all of my hardware but I had to load and update all programs at dial-up speed.

Welcome to my gigabyte hell.

The entire process of replacing the equipment and programs took weeks and then I had to relearn all the software.

All of this was super expensive in terms of money and time cost.

But I was not daunted! Nosirree!

I still had a huge lead time! I can do anything! I have an iron will!

And boy, howdy, I was going to need it.

At about the same time, a big fatcat quadrillionaire client who had hired me years ago to develop a big, major transmedia project for which I was paid almost entirely in stock, went bankrupt leaving everyone holding the bag, and taking a huge chunk of my future retirement fund with it.

I wrote a very snarky almost hilarious Patreon post about it, but am not entirely in a position to speak freely because I don't want to get sued. Even though I had to go to court over it, (and I had to do that over Zoom at dial-up speed,) I'm pretty sure I'll never get anything out of this drama, and neither will anyone else involved, except millionaire dude and his buddies who all walked away with huge multi-million dollar bonuses weeks before they declared bankruptcy, all the while claiming they would not declare bankruptcy.

Even the accountant got $250,000 a month to shut down the business, while creators got nothing.

That in itself was enough drama for the year, but we were only at February by that point, and with all those months left, 2023 had a lot more to throw at me.

Fresh from my return from my Society of Illustrators show, and a lovely time at MOCCA, it was time to face practical medical issues, health updates, screening, and the like. I did my adult duty and then went back to work hoping for no news, but still had a weird feeling there would be news.

I know everyone says that, but I mean it. I had a bad feeling.

Then there was news.

I was called back for tests and more tests. This took weeks. The ubiquitous biopsy looked, even to me staring at the screen in real time, like bad news.

It also hurt like a mofo after the anesthesia wore off. I wasn't expecting that.

Then I got the official bad news.

Cancer which runs in my family finally got me. Frankly, I was surprised I didn't get it sooner.

Stage 0, and treatment would likely be fast and complication-free. Face the peril, get it over with, and get back to work.

I requested surgery months in the future so I could finish Good Omens first, but my doc convinced me the risk of waiting was too great. Get it done now.

"You're really healthy," my doc said. Despite an auto-immune issue which plagues me, I am way healthier than the average schmoe of late middle age. She informed me I would not even need any chemo or radiation if I took care of this now.

So I canceled my appearance at San Diego Comic Con. I did not inform the Good Omens team of my issues right away, thinking this would not interfere with my work schedule, but I did contact my agent to inform her of the issue. I also contacted a lawyer to rewrite my will and make sure the team had access to my digital files in case there were complications.

Then I got back to work, and hoped for the best.

Eff this guy.

Before I could even plant my carcass on the surgery table, I got a massive case of ocular shingles.

I didn't even know there was such a thing.

There I was, minding my own business. I go to bed one night with a scratchy eye, and by 4 PM the next day, I was in the emergency room being told if I didn't get immediate specialist treatment, I was in big trouble.

I got transferred to another hospital and got all the scary details, with the extra horrid news that I could not possibly have cancer surgery until I was free of shingles, and if I did not follow a rather brutal treatment procedure - which meant super-painful eye drops every half hour, twenty-four hours a day and daily hospital treatment - I could lose the eye entirely, or be blinded, or best case scenario, get permanent eye damage.

What was even funnier (yeah, hilarity) is the drops are so toxic if you don't use the medication just right, you can go blind anyway.

Hi Ho.

Ulcer is on the right. That big green blob.

I had just finished telling my cancer surgeon I did not even really care about getting cancer, was happy it was just stage zero, had no issues with scarring, wanted no reconstruction, all I cared about was my work.

Just cut it out and get me back to work.

And now I wondered if I was going to lose my ability to work anyway.

Shingles often accompanies cancer because of the stress on the immune system, and yeah, it's not pretty. This is me looking like all heck after I started to get better.

The first couple of weeks were pretty demoralizing as I expected a straight trajectory to wellness. But it was up and down all the way.

Some days I could not see out of either eye at all. The swelling was so bad that I had to reach around to my good eye to prop the lid open. Light sensitivity made seeing out of either eye almost impossible. Outdoors, even with sunglasses, I had to be led around by the hand.

I had an amazing doctor. I meticulously followed his instructions, and I think he was surprised I did. The treatment is really difficult, and if you don't do it just right no matter how painful it gets, you will be sorry.

To my amazement, after about a month, my doctor informed me I had no vision loss in the eye at all. "This never happens," he said.

I'd spent a couple of weeks there trying to learn to draw in the near-dark with one eye, and in the end, I got all my sight back.

I could no longer wear contact lenses (I don't really wear them anyway, unless I'm going to the movies,) would need hard core sun protection for awhile, and the neuralgia and sun sensitivity were likely to linger. But I could get back to work.

I have never been more grateful in my life.

Neuralgia sucks, by the way, I'm still dealing with it months later.

Anyway, I decided to finally go ahead and tell the Good Omens team what was going on, especially since this was all happening around the time the Kickstarter was gearing up.

Now that I was sure I'd passed the eye peril, and my surgery for Stage 0 was going to be no big deal, I figured all was a go. I was still pretty uncomfortable and weak, and my ideal deadline was blown, but with the book not coming out for more than a year, all would be OK. I quit a bunch of jobs I had lined up to start after Good Omens, since the project was going to run far longer than I'd planned.

Everybody on the team was super-nice, and I was pretty optimistic at this time. But work was going pretty slow during, as you may imagine.

But again...lots of lead time still left, go me.

Then I finally got my surgery.

Which was not as happy an experience as I had been hoping for.

My family said the doc came out of the operating room looking like she'd been pulled backwards through a pipe, She informed them the tumor which looked tiny on the scan was "...huge and her insides are a mess."

Which was super not fun news.

Eff this guy.

The tumor was hiding behind some dense tissue and cysts. After more tests, it was determined I'd need another surgery and was going to have to get further treatments after all.

The biopsy had been really painful, but the discomfort was gone after about a week, so no biggee. The second surgery was, weirdly, not as painful as the biopsy, but the fatigue was big time.

By then, the Good Omens Kickstarter had about run its course, and the record-breaker was both gratifying and a source of immense social pressure.

I'd already turned most of my social media over to an assistant, and I'm glad I did.

But the next surgery was what really kicked me on my keister.

All in all, they took out an area the size of a baseball. It was hard to move and wiped me out for weeks and weeks. I could not take care of myself. I'd begun losing hair by this time anyway, and finally just lopped it off since it was too heavy for me to care for myself. The cut hides the bald spots pretty well.

After about a month, I got the go-ahead to travel to my show at the San Diego Comic Con Museum (which is running until the first week of April, BTW). I was very happy I had enough energy to do it. But as soon as I got back, I had to return to treatment.

Since I live way out in the country, going into the city to various hospitals and pharmacies was a real challenge. I made more than 100 trips last year, and a drive to the compounding pharmacy which produced the specialist eye medicine I could not get anywhere else was six hours alone.

Naturally, I wasn't getting anything done during this time.

But at least my main hospital is super swank.

The oncology treatment went smoothly, until it didn't. The feels don't hit you until the end. By then I was flattened.

So flattened that I was too weak to control myself, fell over, and smashed my face into some equipment.

Nearly tore off my damn nostril.

Eff this guy.

Anyway, it was a bad year.

Here's what went right.

I have a good health insurance policy. The final tally on my health care costs ended up being about $150,000. I paid about 18% of that, including insurance. I had a high deductible and some experimental medicine insurance didn't cover. I had savings, enough to cover the months I wasn't working, and my Patreon is also very supportive. So you didn't see me running a Gofundme or anything.

Thanks to everyone who ever bought one of my books.

No, none of that money was Good Omens Kickstarter money. I won't get most of my pay on that for months, which is just as well because it kept my taxes lower last year when I needed a break.

So, yay.

My nose is nearly healed. I opted out of plastic surgery, and it just sealed up by itself. I'll never be ready for my closeup, but who the hell cares.

I got to ring the bell.

I had a very, VERY hard time getting back to work, especially with regard to focus and concentration. My work hours dropped by over 2/3. I was so fractured and weak, time kept slipping away while I sat in the studio like a zombie. Most of the last six months were a wash.

I assumed focus issues were due (in part) to stress, so sought counseling. This seemed like a good idea at first, but when the counselor asked me to detail my issues with anxiety, I spent two weeks doing just that and getting way more anxious, which was not helpful.

After that I went EFF THIS NOISE, I want practical tools, not touchy feelies (no judgment on people who need touchy-feelies, I need a pragmatic solution and I need it now,) so tried using the body doubling focus group technique for concentration and deep work.

Within two weeks, I returned to normal work hours.

I got rural broadband, jumping me from dial up speed to 1 GB per second.

It's a miracle.

Massive doses of Vitamin D3 and K2. Yay.

The new computer works great.

The Kickstarter did so well, we got to expand the graphic novel to 200 pages. Double yay.

I'm running late, but everyone on the Good Omens team is super supportive. I don't know if I am going to make the book late or not, but if I do, well, it surely wasn't on purpose, and it won't be super late anyway. I still have months of lead time left.

I used to be something of a social media addict, but now I hardly ever even look at it, haven't been directly on some sites in over a year, and no longer miss it. It used to seem important and now doesn't.

More time for real life.

While I think the last year aged me about twenty years, I actually like me better with short hair. I'm keeping it.

OK. Rough year.

Not complainin', just sayin'.

Back to work on The Book.

And only a day left to vote for Good Omens, Neil Gaiman, and Sandman in the Comicscene Awards. Thanks.

#good omens graphic novel #good omens #terry pratchett #neil gaiman #dunmanifestin

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the-witchhunter · 2 months

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DP x DC worlds greatest detectives ramble

You ever just get a bit tired of the batfamily being dumb?

Sure I appreciate a good “Danny is weird and the Bats try to figure out his deal and draw wrong conclusions based on incomplete evidence” fic as much as the next guy, and I’m definitely not saying not to write them

But the thing is, they’re all really smart. It’s their whole thing, they’re a family of detectives that dress up in colorful costumes and fight crime, but detectives nonetheless

And I get it’s for humorous effect to have otherwise intelligent people be incredibly dumb about one thing, but it’d just be nice to see them be smart sometimes. Even in a fic where they’re drawing the wrong conclusions, it’d be nice to see them use their detective skills

Like build a case so solid Danny questions whether they’re actually right about him and if he’s just confused

Or just apply it to more conventional situations/crimes

Because frankly it’s funnier if you show they’re smart before having them do something really stupid

If you build them up a bit, then it’s funnier when they fall down.

“Where did he go? It’s like he vanished into thin air!?”

“Don’t be silly, see these scuff marks? Someone recently went down this way. The gravel here has been disturbed indicating this manhole cover has been moved recently. Now if we just prop this up…”

“…huh, is that…?”

“Killer Croc and not the twink we were just tracking?”

“Yeah, that”

“Yeah, that’s killer croc… hi Waylon”

*large scaly hand darts out and drags Bat in question down in the sewers while Danny watches invisibly*

#dp x dc #dp x dc crossover #dpxdc #dp x dc ramble #just some thoughts #it’s just getting a little old to see them mainly used in idiot plots #they’re extremely intelligent people #I get it’s harder to write people being intelligent than it is for them to be dumb #but it’d be nice to acknowledge that they are actually successful detectives sometimes #they have their issues #stubbornness and not always communicating #but they’re clever

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obscure-entity · 7 months

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your shading is AMAZING specially when its conveying organic forms..... do you have any tips for people who dont know wrf going on (with shading)

ok so HI. hi. my old tutorial pisses me off so i will make a new one

i made a guy whose sole purpose is to be shaded so dont worry he likes it. and his name. his name will be mr. Boob. mr boob does not have to be blue

theres probably way better explanations of how to do it but unfortunately trying to "emulate" shading does ask you to somewhat understand ur character in a 3d way. like what would the 2d shape be if you "sliced" it? mr boob is made of so many circles. his tail also does a kind of weird perspective foreshortening thing because its pointing at you. is this being conveyed

you obviuously dont have to draw a horrendous grid on your characters skin to do this . BUT it helps you put down (or at least envision) the lines of the form shading :

dont worry about cast shadows or the shading color because this is FORM SHADOW time only. think about what surfaces of the character are obviously facing away from the light source and put down the "separation line" of the shading based on that. thr most important thing is that youre trying to separate light from dark

im going to pick the first one for cast shadows bc it will be the most obvious to me

ok so. his ears and snout are blocking other surfaces of his body from the light, which means a shadow is cast!!!! bam. i saw someone describe cast shadows as what the light's pov "can't see." his entire body is putting down a cast shadow on the ground too

im impatient so i blended the form shadows now. its usually the easiest to just NOT blend cast shadows as a way of conveying that they are still cast shadows. but you can still blend them if you want to show "distance" between the obstruction and the surface its blocking. but its just a way of saying form and cast shadows should not be treated the same even if their softness coincides

im going to lump reflection and ambient light together because theyre like. similar. reflections dont just happen in mirrors

since the sky is blue, making the ambient lighting, i tinged mr. boobs existing shadow to be a bit blue. (*this is kind of important because it can help you decide a shading color, which should USUALLY be based on the environment) (unless your character is just in the transparent void then it doesnt matter)

since the ground is pink, i made pink light bounce off of him. pointed and labelled. i dont rlly know how to go more in depth than that

contact shadows are literally shadows formed from direct-touching contact. very little light can reach in there, even from how reflections disperse, which means youre free to use the darkest color available (black). in this case mr. boob is making contact with the floor. because he is sitting on the floor.

i touched him up a bit and wow!!!!!!!!!! look at mr. boob!!! he is so beautifully sculpted.

and one more thing

thats right. i made mr boob PINK. hes fucking ruined now. just kidding i would never say that to him

what im trying to convey here (its the easiest with really light colors) is a transitional color. this can also show subsurface scattering depending on how you use it which is fun to look at. the mistake i made on my last tutorial was "Just pick a warm saturated color!" which is really wrong in examples like Blue mr boob. because it would be weird to use a warm color to transition from blue to blue.

if you have a character that isn't bright enough then obviously the shadows wont be as visible. its BEST to bring more attention to highlights and reflections to reveal the form a bit. they play the biggest role with darker colors

thats all i can think of. fun things to look up:

structuralization + contour lines + foreshortening etc. 3d lingo

form shadows

cast shadows

ambient light

contact shadows

subsurface scattering

im also just speaking out of my ass otherwise. i didnt look up any of these terms until the end now im inferring and hoping i got them right

and remember every time you shade mr boob will be rooting for you

#art tutorial #shading #lighting #long post

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artist-ellen · 26 days

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Young Rhaenyra

It's happening! At least a year after Season 1 is relevant I'm finally starting the House of the Dragon series. Like before I'm probably going to just do the ladies, men's fashion in the show has it's weird moments but it isn't my field of interest/expertise so I'll burn out pretty fast if I have to draw that many pants.

We're starting from the beginning with Rhaenyra's yellow dress. The idea of the dress is fine... but the choice of fabric and finishings really undercut her status and character. Supposedly there was a fabric shortage when the show was starting which affected the costuming decisions but I am going to have opinions on how the final product looks. It's understandable for example if a student ran into technical difficulties, but it doesn't mean a lower quality end result wouldn't affect their grade. Anyway there are a LOT of costumes in the series that bewilder me. Especially with the amount of costumes that resemble Spirit Halloween purchases, the fabric often looks too thin or cheap, the appliqués are sometimes painful... and the world-building through clothing makes no sense (watch Sumalee Eaton on clock app for a professional's review with more detail).

Speaking of world building one of the reasons I put this design challenge off for so long was that in my first ASOIAF redesigns I referenced clothing and fashion across different time periods. So when HotD is set ~200 years before ASOIAF... the answer of when/what to base things off of gets real complicated. While keeping up with the reactions to HotD as it aired I came across Sumalee Eaton’s review of the costumes and they recommended that the show lean into its Byzantine inspiration. Every once in the a while the show will have a costume that references a sort of kokoshnik or mantle...but then sabotages itself with either unlined fabric or some haute couture thing.

This is getting too ramble-y, sorry. This is her yellow dress if it leaned into Byzantine fashion, if it reveled in the wealth of the Targaryens with gems and jewelry that are worn with their everyday wear. It's casual, the shape feels appropriately young and unserious but royal all the same. (And before anyone worries this is not an April fools joke, I really am doing a Season 1 redesign series)

I am the artist! Do not post without permission & credit! Thank you! Come visit me over on: instagram, tiktok or check out my coloring book available now \ („• ֊ •„) /

https://linktr.ee/ellen.artistic

#rhaenyra targaryen #team black #fire and blood #house of the dragon #redesigning hotd #ellenart #ellen artistic #character design #digital illustration #costume design #historically inspired #byzantine targaryens #house targaryen

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raven-at-the-writing-desk · 2 months

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episode of octavinelle manga spoilers for this month :)

***WARNING: CONTAINS TWEELS IN TRUE FORM, I REPEAT: CONTAINS TWEELS IN TRUE FORM!!***

SAVANACLAW IMAGINED IN RSA UNIFORMS AS THEY TELL EVERYONE ELSE ABOUT RSA....... . . ..... . . ..... . . . . .. . . .. . They wear the clothes so well 😭 You can see Ruggie’s little tail poking out!! AND THE RIBBON ON LEOn’A ‘S TAiL IS KILLING ME FR

I'm giddy that the manga is able to feed us visual tidbits like this!!! It brings so much joy...

WAAAAAH I love Yuuta and Grim being so excited about food! They've even crying tears of joy just seeing the meal... Honestly, these two are such kindred spirits...

Obligatory Smugzul!

Something about the way he holds that contract makes me want to punch it out of his hands 💀

I can hear the SPLASH sfx as the group enters the Coral Sea! The bubbles look so fun too, definitely reminds me of the bubbles that would show up in The Little Mermaid when the merpeople and sea creatures moved around vigorously. I love how the drawings show us how different the physics are under the water and how the characters move and react differently as a result of that. They're paddling their arms to fight against the water pressure, trying to see how their limbs react to their new aquatic environment. You can tell from their expressions too: they're totally out of their element now.

here we are Here we are HERE WE ARE LADIES AND GENTLEMEN (AND THEY/THEMS), THE STARS OF THE SHOW... SLIMY BASTARDS... (Yes, Azul also showed up but LET ME SCREAM AND SHOUT ABOUT THE EELS, I'VE BEEN WAITING FOR THIS FOR FOREVER AND THIS IS WHAT I CHOSOE TO BE FIXATED ON)

THERE THEY ARE, FELLAS 🫵 HERE COME THE BOIIIIIIIIS, THE EELSSSSSSSSSSSSSSSSS

LOOK AT THEMMMM 😭😭😭 LOOK AT HOW THEY OMINOUSLY SWIRL OVERHEAD, LOOK AT HOW LANKY AND LONG THEY ARE, LOOK AT HOW THEY CASUALLY POSE WITH ONE ANOTHER, LOOK AT HOW THEY GO FROM CHILL TO UNHINGED WHEN THEY'RE ABOUT TO FISTFIGHT 🤡 Their cynosis skin looks less weird in manga form, probably because it lacks color-- THE FOCUS ON THEIR TWO GOLDEN EYES IN THE CENTER TO MIRROR FLOTSAM AND JETSAM'S EYES LINKING TO LET URSULA PEEK AT ARIEL THROUGH THEM, IT'S PERFECTION I TELL YOUn qegfiygyasfhlavipyfwp9gyfwpyqeqi75WRvFSUduoSDGNOYAFSOYGIADNILsgnyocsSYOFSGYLADADFLIUNDGIADVM AFU Q63ONQ.,.L,PKSDMOPHADFIHwiYO EQOFBWnp THSI ASHOT IS JSUT GOINNNA LIVE RENT NFREE EIN YM MIDBN FOR THE NEXT MONTH I SWAEWAE RRRRRRR SERHLBAFGIAFGIUEAFGPQETPnfnyoqtpg79F97BFw FNPGEQ.L,KWMMTQ3QEMPHEPMOF;,FAFS

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meanbossart · 2 months

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Oh boy, VaM is kind of a trial and error experience LOL I couldn't really show you how to use the interface and stuff without a whole video or something, but it's not THAT difficult to get a hang of if you just give yourself a day or two to play around, not to mention the number of tutorials you find out there. Luckily, if you only want to use it as a reference software that makes the process far easier (to this day I have no idea how to animate on that thing, since that's not what I use it for)

As for how I use it, it's pretty self explanatory - if there's a complicated pose I want to draw but I'm either having trouble with it, or just want to double-check angles/anatomy, I will use it as a resource! I use for most of my "proper" pieces (y'know, the nicer looking ones) and every once in a while for my silly comics if I'm having trouble with a pose.

Lets use this drawing for example (the character on top of DU drow belongs to @namespara )

I don't draw a lot of mud-wrestling (shocking, I know) but I had an idea of the kind of pose I wanted them to be in. So the very first thing I did was make a rough sketch of what I was envisioning:

I often do a rough sketch first, even If I know I'm going to be pulling the program up because A) It's less tedious than adjusting the models over and over again until I pick a pose and B) because sometimes I'll decide I don't need the reference, after all, and so that's 30 minutes I'll have spared myself of playing around on the software.

Now, this is a pretty complicated pose! It's in a weird angle and the bodies are making contact in ways I'm not used to depicting, so I did choose to whip out VaM for this one. I went into the program and after some messing around, I flopped my little dolls together like this:

Now something really cool about VaM is that you can completely customize your models, and if you have the patience, I would definitely encourage you to do so! Obviously, you don't have to make picture perfect replicas of every single character you have, but as you can see here I have made a DU drow "decoy" to help me better understand some of his features when I draw him: he has a strong brow, a short nose, a square jawline - these are all going to look a very specific way from certain angles, and I might not always be sure of how to draw it right! So it's useful to have models that bear SOME semblance to the character so you can better understand how different viewpoints will affect their bone structure and mass.

Also thank fucking god for the elf-ear slider. Figuring out how to draw those shits from certain angles was a huge pain in the ass when I started drawing DnD races.

So, with the reference in hand, I go over the sketch again:

Now you may notice that I don't stick to the reference 100%. There's three reasons for this:

posing on VaM is tedious as hell. You can get something incredibly natural looking and picture-perfect to reference from if you wish, but it's going to take you hours to do. So, for the most part I just slap guys together until the results are "close enough" and use that.

In my opinion, you should always aim to ENHANCE your reference material, not replicate it exactly!

While VaM is a PRETTY DANG GOOD source of anatomical reference, it isn't perfect, I often supplement it with further reference from real life resources or make tweaks based on my own knowledge where I catch it falling short (and, antithetical to what I just said, I sometimes fuck the anatomy up further on purpose if I think it looks better that way LOL it's all jazz baby).

Then lines, color, yada yada. I don't have a tutorial on that and I don't think I could make one, because my process is chaotic as hell, but I do at times use Virt-a-mate as loose reference for lighting too when coloring - waaaaayyyy less so however, because that process is even more tedious and I feel like I often get better results by just winging it. It is a feature of the program though, and I'm sure it would be helpful for someone who has a difficult time visualizing lights and shadows. I only started using this program a few months ago, so I happened to already have a pretty good understanding of that kind of thing and just don't personally feel like I get much out of that particular mechanic.

Here's a few other examples of pieces that I made reference for (WARNING: Suggestive)

Now, for the question many of you may want to ask:

"Can I trace this junk?"

And to that, I say: Buddy, you can do whatever the hell you want with the reference material you created.

However,

If your goal is to learn and improve your art, and to recreate realistic proportions and anatomy from memory, tracing won't help you.

Developing your own style, your muscle memory, and personal technique will all be hindered by choosing to trace instead of drawing from observation, so I would encourage against it. Hell - even when tracing is employed as a technique, it's usually by high-skill realism & concept artists who are looking to either cut some corners, save time, or just double-check their own proportions in order to improve further - if you try tracing as a beginner, you will most definitely find the result to still look stiff and "off".

So trust me, there is so much more to be gained from drawing from observation. Make note of tangents, compare proportions, use all the elements of the picture to dictate where and how things should go - it will be a far more rewarding experience.

Hopefully this has been helpful! VaM is a really cheap program (you get it on the guys' patreon for I think 8 dollars, just google it!) and it's definitely been worth my money as an artist since I found it. Learning to use it can be a little intimidating at first glance, but as I said above you only really need a day plus one or two tutorials to get a hang of the interface.

A fair warning though, IT IS A SOFTWARE MADE FOR VIRTUAL SEX/ADULT ANIMATION So when looking it up expect to see a some spicy content.

#Funfact THIS is the post that got me flagged last time so i'm really tempting fate right now LOL #ask #art #tutorial #resource

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dr3c0mix · 1 year

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Hi, I just started reading your works and they are fantastic! I saw on your request page that you do teratophilia, but I don't fully know if you do orc, so I wanted to know before I sent in a proper request. If you don't do orc I'll probably request something with a minotaur instead.

Little Duckling

Yandere!Orc x Gn Reader

cw: nsfw, kidnapping, stalking

⚔️ Valeth was a warrior, a dangerous, bloodthirsty orc. One who had the blood of hundreds in his hands. A scar-ridden man whose company consisted of the vile and ruthless, thieves and murderers.

⚔️ So why the hell were you in here??

⚔️ You looked so small, so weak. A tiny creature possibly from a far land from the look of your wide-eyed, innocent face.

⚔️ He stared at you from across the tavern as you happily scribbled on a notebook with a small glass of some sweet drink you ordered.

⚔️ He could hear the laughs and jeers of the other patrons, some giving you less than decent stares at your body, it made him sick.

⚔️ But why? Why is he suddenly so protective of a tiny, weak, small, soft, cute, adorable, fragile doll of a person like you?

⚔️ ...

⚔️ Shit...

⚔️ He pinches the bridge of his nose and gets up from his seat and walks over to where you're sitting.

⚔️ "You better get out of here before you get hurt Duckling."

⚔️ You look at him startled with the cutest eyes, fuuuuckk

⚔️ You ask why with the voice of an angel; the orc bit the inside of his cheek to stop him from smiling.

⚔️ "You new in Phenonia?" He crossed his arms, glancing at the others in the tavern, all of them looking away from you after meeting his gaze.

⚔️ You tell him you're a traveler in search of adventure. He lets out a laugh, giving you a tusk-filled smile.

⚔️ He offers you a walk back to your inn and you happily agree, skipping and rambling about your travels the whole way. Normally he would tune out someone as talkative as you, words he didn't understand going one ear and out the other, but you, you managed to hook him with your explanations of distant lands and the discoveries you made there. He even asked questions and gave you tips and advice for your future adventures in Phenonia.

⚔️ You reach your inn and you bid the large orc goodnight, shaking his calloused hand and heading inside.

⚔️ He stood there for a minute, looking at the hand that touched yours. He felt his face heat up a bit before he shakes his head, trying to get the image of your bubbly smile out of his head. He heads to his home to get some rest but all he can think about is you in the bed next to him. Its not weird is it? god what's wrong with me????

⚔️ You two ran into each other a few more times, Valeth always using the nickname he gave you; Duckling. He says it's because you remind of a little duckling always waddling and smiling at everyone all the time.

⚔️ He helped you out sometimes whenever someone gave you a hard time. It's like he would magically show up to protect you like a big green guard dog. You would always give him that damn smile and treat him to a meal.

⚔️ When you two weren't together, he would be watching you go about your day in a busy street or from behind a merchant cart or crate. He knew your set schedule like the back of his hand, where you'd go for breakfast, your favorite place to rest after a long day, the spot you would always draw at. He would pay friends of his to keep tabs on you to make sure you're safe.

⚔️ You left a scarf once and he found it with an adorable pin that was for favorite bug made from jewels of your favorite colors. He wanted to give it back to you, but he couldn't bring himself to part with it. he found himself taking in the scent of you from it. He imagined you actually there with him as he stroked his cock while moaning into your scarf.

⚔️ Eventually he had enough of merely watching you and quick hand touches, he wanted to know your touch, he wanted to know your taste, he wanted to know the sound of your moans under him.

⚔️One night after an exhausting day of trying to sketch a bird that kept flying away, you see Valeth waiting by your inn. You smile weakly at him and wave, but he just sighs and walks over to you.

⚔️ You start to get a bit uneasy and ask what's wrong but he reaches in his coat and pulls out a cloth.

⚔️ "Sorry for this Duckling.." He mutters to you before pulling you to him, covering your mouth with the cloth. You black out before you could even scream for help.

⚔️ You wake up in a bed full of warm pelts with someone lying next to you. You gasp, remembering what happened and kicked yourself off the bed.

⚔️ Valeth jolts awake and sees you scrambling to your feet on the floor next to the bed. He gets up and quickly pulls you close as you try to wriggle out of his hold.

⚔️ He tries to calm you down, whispering comforting things to you. You fight the tears threatening to run down your face as you feel his breath on your neck.

⚔️ His hands feel you up and down, rubbing you in order to comfort you, but it only serves as a way to scare you even more.

⚔️ He kisses your neck, licking your sweet spots, his tusks ghosting across your skin like a dull blade.

⚔️ "It's alright Duckling, you're safe, it's going to be okay. But you're gonna stay here with me now alright? I'll keep you safe, I promise."

⚔️ He reaches in the drawer next to you two and pulls out your scarf, he puts it on you, crying your teary face with the soft fabric. You hold the scarf close to you, but you still turn away from him.

⚔️ He sighs and puts his hand at the back of your head, bringing your forehead to his.

⚔️ "You'll understand soon enough Duckie...you'll understand how much I love you.."

⋅•⋅⋅•⋅⊰⋅•⋅⋅•⋅⋅•⋅⋅•⋅∙∘☽༓☾∘∙•⋅⋅⋅•⋅⋅⊰⋅•⋅⋅•⋅⋅•⋅⋅•⋅

⚔️ Valeth kept you locked in his home after that, always leaving to keep up appearances that nothing happened. Whenever someone asked where you've gone, he said you just left in search of more adventure as you do.

⚔️ He was as tough and stoic as ever when he went out but as soon as he comes back home to his modest house in the edges of the kingdom and sees you, he becomes a giant cuddle bug.

⚔️ This big battle-scared orc turns to putty when he hugs your small form.

⚔️ He still locks the doors and windows from the outside in fear of you leaving him, but it's ok! You can still write about your travels and such! He brings home things he thinks you'd like. Weird stones, leaves, trinkets, anything.

⚔️ He would do anything for you, and you're reminded every day when he cuddles you close, taking in your sweet smell. Everything. Except being let go of course.

⚔️ Sometimes you refuse to eat in hopes of ticking him off but he just laughs and holds you in his arms like a stubborn baby and spoon-feeds you.

⚔️ No matter how much you kick and scream, he's always stronger than you, always shutting down your tantrums as easy as placing his hand over your mouth.

⚔️ Eventually you learn to live with him and his affections, the pile of junk he brought home is rummaged through and actually paid attention to by you, meals are eaten, albeit with you staring daggers into him, but he couldn't be happier.

⚔️ He never forced you to do anything lewd you didn't want to do, but he would sneak off out of bed to watch you, sometimes touch himself to the thought of the day he finally gets permission to bed you.

⚔️ But now, he's satisfied with you just sleeping with him in his arms, his face buried in your hair.

⚔️ "You're mine little Duckling...only mine..."

Thnkank uouyu anon <3 <3 <3

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py-dreamer · 18 days

Text

Man I am on a roll these days!

I love this doll base for the lmk characters, I actually drew some designs for the other lmk characters in this base in a notebook and as much as I would like to post them, Idk if that'll be any time soon.

I know in the show, Mk's headband is his signature. Even since childhood, I get that but I also saw a design of kid MK with him without the headband and fell in love.

Also he has light up sketchers. Cause why not.

It was a lot of fun doing the crayon drawings and seems like red and yellow are our lil prince's favorite colors, though it was a bit difficult to do them on such a small scale and at a slanted angle.

why does Mk have random building blocks?....

...

(I genuinely don't know)

Looking back, I do wish I made the toys a little more scuffed up cause while I do believe Pigsy would buy some toys and new clothes for his son the kid but I do love the idea that many of MK's old toys were hand me downs or at least second handed from Pigsy's past or even any cousins giving old toys or heck. Maybe some of Tang's university students found out their teacher has a new kid and give some old stuff to help out since Mk is a sweet kid and his appearance was quite spontaneous.

Perhaps that doll is a clone Wukong placed to keep an extra eye on the boy

BTW that love heart is NOT romantic in any way you creeps. Like how a child loves a toy, there is nothing weird happening here.

WUKONG IS HIS GODDAMN DAD/FATHER FIGURE AND IF YOU GENUINELY SHIP PEACHYNOODLES, GET OUT

OUT OF THIS HOUSE!

I try to respect different ships and opinions. I try my best.

But we see in the show, their father-son dynamic. I know there is a ship format of mentor x student but there is a clear parental relationship here!

It just feels icky, especially when you consider the inbalance of both power and experience in any 'romantic' context

Sorry, I just went on a tangent there, but hope you enjoy the actual piece and enjoy the easter eggs (>u ')/

(also out of curiosity, are any of you interested in the stopmotion film, Kubo and the two strings cause there might be a new au on the horizon!)

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pasteilian · 8 months

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Do you have a recommendation when designing a black character? Or tips, or maybe pages you visit for references?

Suck at explaining stuff but I’ll try

‼️ Ethnic Features ‼️

So, the art world is in a very weird place when it comes to ethnic features. The conversation was about how using POC ethnic features as an insult in media was damaging and needed to stop, and that somehow morphed into people being scared about drawing people with those features.

Black people have big ears, big noses, and big lips. That's not the problem. The problem was that media was using it to make us look like giant ape, monkey, monster creatures. It's okay to give them these defining features.

Also, remember that brown people have lighter pigment under their feet, hands, and bottom lips. 🌸 (didn’t really know where to put this but drawing mix people is basically a spin the wheel we come in all different shapes and sizes and features. There’s really no wrong way to draw a mixed POC.)

‼️ It's Just My Style ‼️

I'm so goddamn tired of hearing this goddamn excuse. A style does not mean you can't properly represent POC. I would even go on to say that if your style is stunting you so grossly that you can't draw a proper black person, you have a bad art style. Sorry—not really.

Media has shown us that style does not stop representation. The only thing stopping that is your ignorance and refusal to improve. Great examples of ranging styles still being able to represent different POC are "Adventure Time," "Disney's Soul," "Proud Family," "Afro Samurai," etc. I'm just saying this because I've seen this excuse be more prevalent in the art world, and it's just better to nip that in the bud.

‼️ Whitewashing + I Don't Know How to Use the Color Brown ‼️

I've seen people make the excuse that the skin color is lighter because they use a pastel style, but they never bring up the fact that the only color in the art that's lighter is the skin tone. 💀

Also, the whole thing about people saying they don't know how to shade and color brown palettes is just completely bullshit. I would even say that trying to shade pale colors is harder than shading darker colors. Additionally, there are multiple artists and tutorials showing you exactly how it's done. You have no excuses other than you just don't want to.

YouTuber Sinix has a great video on painting skin tones!

‼️ Black Hairstyles ‼️

I love dreads. Dreads are a very pretty hairstyle. However, we have more hairstyles other than dreads. If you're going to draw black characters, I would encourage you to branch out and explore beyond dread heads. There are so many unique black hairstyles out there. We need to move on from just focusing on dreads.

YouTuber Ari has two wonderful videos on black hairstyles in video games. I would recommend checking them out.

‼️ References ‼️

I love referencing old black media such as "The Fresh Prince of Bel-Air," "The Proud Family," and "Little Bill" (before all the Bill Cosby stuff came out). I also appreciate how "House of the Dragon" implemented black people into the lore. Other references include "BOTW/TOTK Rottmnt," etc.

Some artists I reference all the time are Mohammed Agbadi, who doesn't do many art tutorials anymore but often discusses black characters in media, and his art is still amazing. Ethan Becker has a very interesting video on the racist triangle that I recommend checking out.

On Instagram, I love the art of Jojo.Dreamie, Chibichanga12 (holy shit, love their art), Bruniosktch, and Caw.Chan. I also just reference my family a lot. 💀

This is a lot of rambling, but what I’m gonna say is don’t stunt yourself by tricking yourself into believing that your art can’t include POC 🌸🌸‼️💌💖💌��🎀💕💘‼️🧁

#rottmnt #rottmnt fanart #rottmnt mikey #pastriesart💌#pastrieschat💌#this was long but hope I got my points across #as a Afro head I challenge dread heads to a duel

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