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#the hat isn't worse than the other one its just
glowinggayduo · 11 months
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he is so adorable and silly .. the new hat is amazing wdym ran
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primofate · 8 months
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You are the embodiment of fairness...
is what Neuvillette believes. There is not a single hair on your body that is selfish. Not a single thought in your mind that strays into evil thoughts.
The Chief Justice is just as fair, just as sensible. Though on you, he stays his gaze for a moment longer. Allows the slightest tug upward of his lips as you discuss the latest trial with him. The difference between the two of you? He doesn't think that he is as "well-behaved" as you are. There have definitely been times where he had thought to abandon his gentlemanly and prestigious image, just to lean in and brush his fingers on your cheek. Thankfully, so far, he hasn't done so, even though the two of you had decided to enter a romantic relationship.
The Chief Justice was very guarded, but so were you. The two of you were never seen together, only in the privacy of his home or yours did the two of you enjoy each other's company. Perhaps only his most trusted Melusines knew. Professionalism was important.
"I hope the next trial resolves to your liking, Neuvillette," you smile knowing what his answer would be.
"It isn't my thoughts that are important, Y/N-" he starts and he finishes his sentence at the same time as you chide in with him.
"It's the evidence. I know, I know,"
You bid him goodbye rather curtly, not even a kiss, just a brief pat on the arm. It's working hours, and it's not the time to do such a thing.
Working hours.
As the Chief Justice sat in court, trial in session, he locks eyes with you, the accused. He recognizes the confusion in your eyes as genuine, the hidden panic behind clear as day.
"Neuvil--Your honour," You catch yourself, voice trembling a little. "This is a mistake, it wasn't me,"
and yet all the evidence points to you. Photographs, witness accounts, the hat that you'd left behind in the crime scene. No matter which way you look, the answer was you.
"Guilty," was all he could muster, when he usually said more. His hand looked for the oratrice, hoping that the machine would give him something different, but he already knew it in his heart.
"According to the judgement of the Oratrice Mecanique d'Analyse Cardinale, the accused, L/N Y/N is..."
One second.
Two.
Three seconds.
Four.
The crowd started to bristle a little.
At five he opened his mouth, and closed it again, gritting his teeth in secret.
At six, he repeated his own words. "Guilty,"
Cheers erupted from the audience, he could not bring himself to look at your face, though he heard you loud and clear.
"No! NO! This is a mistake! I didn't kill anyone!" Your hysterics were comparable to a mother who had lost her child. To a hardworking man watching his hard earned house burn down.
"NEUVILLETTE PLEASE!"
The Gardes struggled, just as they always did, but you pushed forward, unable to understand nor accept what happened. At that moment you had not noticed the tears of desperation running down your cheeks.
You were going to that underwater prison forever. Dark and alone. What if the sea swallowed you? Or worse, what if the silence swallowed you? All by yourself hundreds of feet below, drowning was such an easy possibility.
Neuvillette almost grimaces, but keeps his face hard as stone. There are a thousand things running in his mind...but the Oratrice was absolute, and so was its verdict.
"Bring the accused to The Fortress of Meropide,"
The wails you let out haunted him, more than any other trial had.
Author's Note: Hello! This is just a quick update, literally wrote it in 30 minutes so excuse any pronoun slips or mistakes! I just wanted to let everyone know I am great and still playing Genshin! Just a quick reminder that The Ruthless Prince is still available on Amazon in paperback and all my previous works are still accessible in my Masterlist!
Do let me know what you think of this one though, and if you think I should turn it into a full fic!
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familyvideostevie · 5 months
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steel drum weight of me
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joel miller x fem!reader, 18+ mdni
summary: joel comes back from his wall shift with hands in need of some serious tlc. but why stop there? | 3.2k
warnings: fem!reader, fluff turned to smut, a tender blowjob, p in v sex, unprotected sex, riding, creampie
a/n: this could be in the same universe as come care about me and watching you with wonder but who knows. what matters is it's a post-part i jackson au and all is well. this is my first fic in a while and i hammered it out today so hopefully it's coherent. <3 series masterlist here.
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Jackson looks its best in the winter.
You've always thought so with its endless skies gone white, blending in with the grey clouds carrying the constant threat of snow. The peaks you never tire of, such ethereal beauty in a world otherwise gone to shit, looming over town with a steadfastness that you can fool yourself into thinking means protection, means safety. In reality, they're just something nice to look at when you have a free moment.
It's also fucking cold.
But you can deal with that. You've spent more winters in the last twenty years than you'd like to remember mostly outside, freezing your ass off, fingers so numb you could barely pull the trigger. But when it counted, you did.
Winter now means a town full of children laughing and having snowball fights. It means big pots of stew and your pick of hats, scarves, and a good pair of boots. It means a warm house to go back to every night, a bed to crawl into, and a man you love to hold you.
Things could be worse.
You're home first today. Joel and Ellie are on the wall and have been since mid-morning. The light is already going, the sun dipping behind the Tetons, sky that winter mix of purple and pink that makes the breath catch in your throat no matter how many times you see it. There's a flu going around and taking people out for a few days at most but it means fewer bodies free for the wall and for patrol. You're pulling a double tomorrow and you're already looking forward to the hot bath you'll take after.
Today, though, you change from your work clothes to something softer, a sweater that travels between your drawer and Joel's, thick socks Dina gave you for your birthday last year. It's hard to heat houses like yours the way you used to but it works well enough to fight the chill so long as you layer. That's the name of the game these days: adapting.
You set the kettle to boil and forgo thinking about dinner for a few hours. Joel won't drink tea with you but if Ellie stops by she'll have some. Maybe you can convince her to watch the movie you pulled from the library this week. You love him, but Joel just doesn't appreciate comedies.
The front door creaks, the bell you have hanging from the doorknob jingling.
"S'me," Joel calls into the house. "You home?"
"Making tea." The kettle isn't steaming yet so you lean against the counter and wait.
The sounds of his return are familiar even though you can't see him. He locks the door with a click, shrugs his jacket off with a sigh. He sits down on the bench you put in the entryway so he can take his boots off. The thunk of one and then the other. He'll tuck them next to yours under the coat rack. When the weather is bad you try to come in the back door so not as to track snow through the house but you don't want his back to get any worse so a bench in front makes sense.
The kettle screams. You pull it off quick and pour the water into your mug -- a chipped green one with a dinosaur holding a cookie that you find endlessly amusing -- and leave it to steep. The floor creaks under your socked feet as you make your way into the hall. Joel still sits on the bench digging into the meat of one palm with his thumb like he's working the feeling back into them.
He looks up and his jaw softens a little. His cheeks are rosy from the cold and his hair a mess from the wind. "Evenin," he says.
"How was the wall?"
"Fine." He stops messing with his hands and rolls his shoulders back with a grunt. "Ellie swears she saw a moose on her last patrol. Said to tell you. I think she's fuckin' with me. How was your shift?"
"Fine," you echo. "Is she coming for dinner?"
He shakes his head. "Game night at Jesse's."
You cross the remaining distance between you and he parts his legs automatically so you can stand between his knees. You run a hand through his hair, pushing the greying fringe back from his eyes. He looks up at you and finally smiles, just a little. You drag your hand down the side of his face and enjoy the feel of his beard on your skin.
"Maybe she did see a moose." He rolls his eyes and brings a hand up to cover yours. You lean down to kiss him but something catches your eye and you pull back, tugging your hand from beneath his to circle his wrist.
"Jesus, Joel." He makes a surprised sound.
"Hey now, what --"
You pull his other hand from his knee and hold them both close to your face, turning them over in the light of the entryway. "You didn't wear gloves, did you?"
He just shrugs. That means someone else on the wall -- probably Ellie -- forgot theirs and he handed his own over.
The skin of his knuckles is dry and cracked, the rest of his palm dry and cold to the touch. You've seen them bloody, broken and bruised, and compared to that, this is tame. Welcome, almost. But you know he won't do a damn thing about it, let himself bleed rather than take a second to make things better.
And you've never minded this part. Taking care of him, making him slow down and rest for even just a little bit. You both know you'd get your hands dirty or worse for him and he for you, but this is the part he has trouble with. So you take the reigns.
It's part of how you fit together -- part of how you look after each other.
"We've got something for this." Joel looks unamused. You press a light kiss to one of his knuckles and his nostrils flare. "Go sit on the couch," you say.
"I'm fine --"
"Joel, they'll bleed if you don't let me --"
"I said I'm --"
"Hey," you say. He hears the finality of your tone and lets you have it, sighing your name in one long breath.
"Alright," he says. "Move, then."
You press a quick kiss to his lips and release his hands to step back. He stands with his usual grunt and you have to stop yourself from leaning into the width of him, from wrapping your arms around him and slotting your nose in his neck and never letting go.
"It's that salve Dina brought over last week," you tell him. "The new one for the winter. Smells nice. Good for this kind of stuff."
Joel makes his way to the couch and you fetch the tin from the kitchen.
"What's it made of?"
"Uh -- oil? And some flowers, I think? Wax, maybe."
He's settled into the cushions when you return, smirking. "It's okay to say you don't fuckin' know."
You sit next to him and unscrew the top, folding your legs so you're facing him. "Well then, I don't fuckin' know." You're sure to imitate his drawl.
"Cute."
"Gimme those hands, big guy."
The salve smells faintly of lavender and it's cold on your fingertips. Joel extends his right hand and you work it into his skin slowly, extra careful around where it's cracked and split. You feel his eyes on you but you let him look.
"Feels good, huh?" He hums. "If you'd wear your gloves then --"
"What was I gonna do, let her freeze?" So it was Ellie, then. You flick your gaze up and find his brow furrowed. If you have a free hand you'd smooth the crease with your thumb.
"No," you say. "Guess it's a damn good thing you have me here, then."
He chuckles, a throaty, rusty sound. "Guess so."
You finish the first hand and motion for his second. He gives it to you and you dig your thumbs into the meat of his palm. Joel lets you touch him whenever you like, for the most part. Pressing into his side when you walk down the street in town, trailing your lips down his neck until he whines just a little in your bedroom. You've worked knots out of his shoulders and cleaned blood from surface wounds. You can never get enough of him, of his warmth, the expanse of his tanned skin all yours for the taking.
And, boy, he touches you back.
So you take your time. You rub the salve between his fingers, over the ridges of knuckles split so many times you don't even know about. His hands are rough even when they're not dry and cracking, callused from years of hard work. From years of violence and playing guitar, shooting a gun and holding the people he loves. Dotted with scars and nicks, hands that have touched every part of you.
Joel's slightly slimy finger taps your chin. "You okay?" You've been stroking the same bit of his hand for who knows how long.
"Yeah," you say and mean it. You rub your own hands together to soak in some of the salve before putting the lid back on the tin and standing. "Need to let it soak in."
"Feels soaked in already," he grumbles.
"Stay there." He purses his lips. "I mean it, Joel."
"Bossy today," he says. "There's wood that needs choppin'." You ignore him since he's just being annoying. The salve goes back in the kitchen and his voice trails after you. "And I told Tommy I'd --"
You turn on the tap. "You gotta let that soak in," you say again from the sink.
"What? Can't hear over the water."
You turn off the tap and dry your hands. Joel is still on the couch when you return. "Sorry," you say. You run your hand through his hair again and settle back down next to him. "I said be patient."
"Don't think that's what you said."
"It's what I meant."
And he looks at you in that way that always makes your face feel hot. Like he's seeing right to the bone of you, like he's laying you bare on the floor in his mind. Like he never wants to stop looking at you, next to him on the couch, leg pressed to yours. Like he loves you.
"Alright," he says.
You get an idea, the flames licking at your belly and your hands itching to touch him again, to touch him differently than before. That idea has you grabbing a pillow and tossing it to the floor, has you getting up and drawing the curtains before you sink to your knees before him.
Joel only looks mildly surprised, eyebrows raised, mouth tugging up at the corner. "Now, I ain't gonna complain but --"
"Then don't," you say. You tug his shirt from his waistband and start working on his belt. "Gotta pass the time somehow. And I don't know what we're doing for dinner yet, so maybe I'm just stalling."
"Hell of a way to stall." He reaches for you to touch your face, maybe, or help you with his belt, when you click your tongue. "We can just go to the community hall--"
"Don't touch," you remind him. "You have to let it--"
"Soak, Jesus, yeah, yeah." Joel tips his head back along the sofa and takes one deep breath. If he really wanted to he could ignore you and you'd let him get away with it, but if there's one thing you and Joel have solidified, it's trust. He trusts you to take care of him, to handle him with hands that love him.
So you do. He lifts his hips just a little so you can tug his jeans down, zipper undone and button popped. You pull out his cock, already half-hard at the promise of what's to come. You spit into your palm and stroke him once root to tip and he hisses. More blood flows and he stiffens in your hand.
"You just gonna look at it?"
You give him a squeeze for being a shit. He laughs but it sounds punched out, on the edge. Frankly it's an effort not to take him in your mouth right away. You've always loved this -- the exchange of power, the trust. You're the one on your knees but you're calling the shots. And he's mouthwatering. The way his cock curves a little, the vein that runs along the underside. The mushroom head a little pinker than the rest, the wiry hair at his base. The hefty weight of his balls in your hand, on your tongue. You know how to make it good for him and it's good for you, too.
Joel opens his mouth to no doubt say something else annoying so you finally drag your tongue along the vein, swirling a little at the top before taking just the tip of him in your mouth. His precome is salty. You work your hand along the rest of him as you start to suck in earnest, hollowing your cheeks and taking a little more each time.
"Look so pretty, baby," Joel says. His voice is gravely, broken in his throat. You manage to take almost all of him and you swallow, just once. Your reward is your name spilling from his mouth in a groan.
It's messy. Spit beads at the corner of your mouth and drips a little as you work him, breathing through your nose when you take him all the way. So good, takin' all of me, keep goin'.
Joel has clearly forgotten your directive as he winds one hand in your hair and pulls just a little, just enough to make you moan around him. You don't scold him for it, instead keeping your eyes on his face. His head is tipped back just a little, lips parted at he gazes down at you. His other arm is stretched along the length of the couch, his fingers digging into the fabric as you bob on his cock.
You know he's close. You can feel how he's trying hard to keep his hips down, trying not to fuck your throat cause usually he asks first. So it's only a little surprising when he pulls you off him, eyes a little glazed and some color high on his cheeks.
He wipes spit from the corner of your mouth with the pad of his thumb. "Why don't you c'mere?" he says. "Let me fill you up."
"Joel." This was supposed to be about making him feel good. You know even if he comes in your mouth he'll ask you let him touch you, so frankly you don't mind if he fucks you or not.
He smirks, presses his fingers into the side of your neck a little. You swallow so he can feel it. "We both know you can take it," he drawls, eyes dark. "Always gets you goin', my cock in your mouth."
You can feel the heat between your legs, the arousal pooling in your gut. He's right but he's also an asshole. "You're annoying," you tell him.
"So is that a no?"
You drag the flat of your tongue up his shaft one last time as punishment before standing, using his knees as leverage to get off your own. He shucks off his jeans the rest of the way as you drag down your pants, letting them pool with your underwear at your feet before stepping out. Joel holds out a hand for you to balance on and you take it, putting your other on his shoulder.
"Feels softer already," you mutter. Joel snickers and you straddle him. He uses one hand to drag his fingers through your cunt and you fail to swallow a gasp.
"Well, look at that," he says. "I was right." He pushes two fingers into you and they go easily, your hips jerking as he pumps them in and out once, twice, and then you're empty again.
"Smug bastard," you manage. He brings his hand to his mouth and takes a long lick before surging forward to kiss you. You can taste yourself on his tongue and it makes you even wetter.
Joel licks into your mouth and you kiss him back sloppily, desperately, in the way you know he likes. You're so busy with that hands on his face, his beard scratching your skin deliciously, that you don't notice what else he's doing. His hand presses into the bare skin of your back under your shirt and you lift up a little on instinct and then --
The head of his cock nudges at your entrance and his hand presses again and you meet the movement of his hips with your own and he fills you with just one stroke.
You moan in unison, Joel's arm wrapping around your back as you curl yours around his neck, mouths not so much pressed together as hovering as you pant, as you adjust. Even with how wet you are Joel is a stretch, a welcome one, but a stretch regardless. You shift your hips, roll them back and forth a little.
"Go on, then," you tell him. "Fuck me."
He laughs.
His lips leave yours and trail down your chin, sucking spots onto your neck and on that spot that makes you keen as he does what you ask. He goes slow at first, letting you meet him thrust for thrust. One hand snakes up your shirt, thumbs at your nipple when he finds no bra in the way. You wing your fingers in his hair and tug, tug until he picks up the pace, until all you can hear is the smack of his flesh against yours.
"Joel -- Joel -- right there --"
"M'not gonna -- I -- fuck --"
"Said you were gonna fill me up, didn't you?" you pant, managing to find a bit of cheek in the haze of your fucking. "C'mon, Miller. Don't keep a lady wait--"
His hips pick up the pace, his hands pressing into you hard enough to bruise. You give up trying to tease him and hang on for dear life, managing to snake a hand between your legs to rub at your clit as he pounds into you. The only thing you can say is his name over and over as you feel the hook pull taught, feel the head of his cock brush against and then pound that spot that makes your vision blur.
Joel comes just before you do, his thrusts stuttering and his name on your lips. You feel it, the heat inside you and it's enough to send you over the edge, your cunt squeezing him as he empties inside you.
You press your forehead to his and catch your breath. He palms your neck, your jaw, slides his thumb lazily under your eye and kisses the corner of your mouth.
"Hell of a salve," he manages.
You slot your lips over his. "Wear your damn gloves." Joel laughs and it shifts him inside you. Even softening it makes you both hiss a little. "Just gimme a second."
His hand drags up and down your back, pressing into your spine. "Take your time," he says. "M'clearly not goin' anywhere."
"You never stop, do you?"
Joel kisses you again. "'fraid not."
You laugh into his neck. "Good."
thank you for reading <3 reblog, send feedback, general masterlist here!
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hamliet · 3 months
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Hazbin Hotel Has Better Theology Than Most Modern "Christian" Stories
As a Christian who was raised in a fundie cult and escaped to now have a far healthier and vital faith, I genuinely really like this show. The songs are bops. The characters are well crafted and interesting, and likable too. The art design is bizarre but appealing.
And, as a theology nerd who studied theology as part leaving said cult and also has since gotten papers published in theology, I'm actually fairly impressed by the show's handling of theology.
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No, I'm not expecting the story to preach or even like, be explicitly Christian in a lot of ways. But it's taking a lot of the really beautiful aspects of Christian theology and re-contextualizing them in a way designed to provoke thought: by juxtaposing them with the antithesis of what you would think, by making demons heroes. In my opinion, this makes the beauty shine brighter.
Yeah, yeah, it's designed to be offensive and obscene in a lot of ways. Yet, it's never (thus far) mean-spirited. On the contrary, it seems to have a big, beating heart at its core that is perhaps best embodied by Charlie Morningstar, its protagonist and the daughter of Lucifer and Lilith.
Critique of the Church, with Caveats
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The story works best with an interpretation that heaven isn't actually heaven or God (who has been conspicuously absent), but instead as a critique of the church. Specifically, the evangelical American church, and specifically, white evangelicals. (Same as She-Ra's premise, actually).
God's absence therefore makes sense, because while Christians do believe God is present as a living reality among us, we also can't like, see him physically now. So, God being not even mentioned in HH makes it seem more like a mortal reality rather than an immortal one. Honestly I kinda hope God doesn't appear in the story, not only because I think it could cross some lines (which is admittedly personal), but also because I don't see that the story really needs it.
Adam in particular reminds me of every "theobro" on Twitter (I'm not calling it what you want me to, El*n). Basically a dudebro coopting his supposed salvation to flex in an often misogynistic way, who doesn't realize that he has absolutely no love in him and therefore is actually a worse human being than everyone he condemns on the regular.
(Which is kind of why I'm expecting Adam to wake up in hell next season...)
Think red hats. And Mark Driscoll. And, I have a list of pastors. Sigh. They advocate for how "simple" Christianity is, except they themselves make it ridiculously complicated and don't even examine what they suppose is "simple" if it requires them to take the planks out of their own eyes. "Shallow" is a better description of what they actually preach.
But what sends people to hell or heaven anyways?
Eschatology and Atonement Theory
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Hazbin Hotel combines a lot of theories, throwing not only the idea of a physical hell (albeit mixed with Dante's idea of what hell is the Inferno, but to be fair a lot of the church has adopted that idea too) but the idea of annihilation, which HH calls "extermination."
See, in Christianity, there's a lot of debate about hell. Like, since 2000 years ago. The reason is because a lot of Bible verses seem to indicate hell, but others indicate the eventual redemption and salvation of absolutely everything in the universe, so you have Christian universalism tracing itself back just as long. But, setting aside universalism, people who do believe in hell tend to fall into one of two camps:
Physical hell, aka suffering for eternity, or annihilation: the idea that souls that aren't saved end up annihilated, or snuffed from existence. HH combines both of them, wherein everyone lives in hell but then every so often heaven "exterminates" a certain number of sinners.
And then you also have Catholic purgatory, which is also adapted in HH in that... for most Christians, physical hell doesn't offer the ability to redeem yourself. Chance over, you're dead. But, Catholic Christianity, which draws on ideas of praying for the dead, has the idea that people can improve themselves or be prayed out of it and into heaven. This seems to be somewhat similar to the idea of Charlie's hotel, in that sinners can improve, redeem themselves, and rise to heaven.
And, I mean, it's already kinda worked. Sir Pentious acted out Jesus' words: Greater love has no man than this, that he lay down his life for his friends (John 15:13).
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But anyways, the branch of theology that deals with the afterlife is eschatology. And Hazbin Hotel takes on a related form of theology as well, a type of theology I've only seen covered in stories once before (The House in Fata Morgana): atonement theory.
Atonement theory is something I remember well from my theology 101 class, as in I remember sitting with a friend and her turning to me and being like, "okay, so we know Jesus' death and resurrection give us eternal life, but we have no idea how or why?" To which the answer was "basically, yeah."
Most of the white, American evangelical church is very "penal substitutionary atonement," but the reality is that this theory has only been popular for the past few hundred years. It's also, imo, somewhat scripturally unsound. But there are a lot of other theories, and sometimes the theories overlap. Here's a fairly decent summary. (I'm in general a believer in Christus Victor.)
So how does atonement theory tie into Hazbin Hotel? Well, essentially the scene where Charlie and Vaggie are debating with Emily, Sera, Adam, Lute, and others in heaven is them going over various atonement theories and realizing that they actually know nothing at all. How does one get to heaven? How is one saved? They don't know.
Sera criticizing Emily for asking questions was also very relatable, and I feel for Sera. She's genuinely scared but the truth will set you free, Sera. John 8:32. Anyways, the point is like... the angels are an organized religion, an evangelical church, that preaches about simplicity but mistakes shallowness for simplicity and discourages depth and discovery.
Anyways, the whole crux of theological study and atonement theories is that they should promote humility. We don't know for certain on this side of the curtain. That's okay. So what do we have to guide us?
Love. After all, God is love (1 John 4:8).
Charlie is Jesus
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"Why would you endanger your immortal life for these sinners?" 
Adam, the absolute worst, says the above to Charlie in the finale.
I mean... look. That's literally the premise of Christianity. That the immortal son of God comes down to earth, lives with sinners, loves us, and dies to save us. However that happens. Charlie even responds:
"They're my family!"
In other words, she loves them. Yeah, sure, they're destined for extermination, but they are going to be exterminated over her dead body.
In a lot of branches of Christianity, and even in some creeds--though I'm going to give into my pet peeves here and state that it is NOT Scriptural and relies on the faulty assumption that God is bound by time, when I think God exists outside of it--state that Jesus descended into hell after his death and took all the souls of people who were saved prior to his coming to earth to heaven. Again, I think that's small-minded at best. But, the idea that Charlie is working among them to bring them to heaven is pretty reminiscent of this idea. And I don't hate it lol.
Charlie sees worth inherent in everyone, and no matter what they've done, thinks there's a future for them. Honestly we need people like her on this earth.
Angel Dust
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Angel Dust is clearly my favorite character. Bite back your shock, I know (I have a type). But his name is also a fascinating multi-layered pun.
Angel is clearly foreshadowing his endgame. Let's be real, we all know Angel is ending up as an angel. And "angeldust" is of course a name for PCP, and considering Angel's drug habits, yeah.
But, dust also has another meaning to it. See, when Adam was created in Genesis 2:7, the words in Hebrew are "apar min ha'adamah," which is translated literally as "dust of the ground." So the dust is what creates Adam, literally "ground."
In other words, I very much expect Angel Dust to end up being foiled with Adam even more so. Adam might be the first man, but Angel is the first sinner working towards redemption. And let's be real, for all Angel's flaws, he's already a better person than Adam. And if there's any hope for Adam (not that I particularly care if there is but) it'd be through realizing that he and Angel aren't actually different after all. Conversely (and not necessarily mutually exclusively), Angel might serve as a more symbolic "adam" in that he becomes the person all sinners look to for hope. Which, y'know, since "the last Adam" is also a Scriptural term for Jesus...
And so it is written, “The first man Adam became a living being.” The last Adam became a life-giving spirit. (1 Corinthians 15:45).
I fully expect Angel's arc, alongside Charlie's, to bring life and redemption for everyone around them. Maybe, maybe even the dramatic "all" of Colossians 1:20 (which means, literally, all, everything, everywhere, in the entire universe).
Closing Thoughts
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But honestly, regardless of how the story ends--besides that it will presumably end happily because HH is at its core feel-good despite being profane--season one at least has got good theology. Why? Because it's digging into the questions that theology is concerned with. It's digging into the ideas of human nature, of what it means to be a good person, of what it means to redeem oneself, of affirming how precious each individual human soul is.
It doesn't offer cheap answers, and it specifically calls out the white American evangelical church for how it purports to be simple but actually just confuses people and punishes them for things they can't help, that creates more stumbling blocks than it does shine a light. And it does it in a way that is scandalous. Offensive to many religious people.
But, y'know, Jesus was pretty scandalous too.
So I really love the story so far because it emphasizes what I find so beautiful about my religion, and criticizes the parts that have also hurt me. I don't think it's remotely aiming to be a Christian allegory or anything like that, and I don't at all think anyone has to be religious to enjoy it or gain the core message of it, but I do think that it's doing a hell of a lot more good in the world message-wise than most evangelical movies of the past 30 years.
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cozage · 8 months
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Hi cozage,
Congrats for 2k!!!🤧💖
SO, I was thinking about how Sabo would confess his feelings for his beloved one, or like, SHE would confess first? Being so oblivious and occupied with work like he is, maybe isn't crazy imagine that happening 👀✨
I loved the silent treatment one with him lol, I don't see a lot of imagines with him, I miss it rsrsrs
Thanks for lighting up my day with your stories 💖
Thank you! Writing Sabo is always fun, I enjoyed this one a lot :)
Characters: gn reader x Sabo Total word count: 1k
Subtle Realization
You knew you liked Sabo. You found him attractive from the moment you met him. But the second in command of the revolutionary army wasn’t as obvious with his feelings towards you. 
You worked closely with him for weeks, a constant battle between hot and cold emotions from him. Sometimes, he asked about your day, your likes and dislikes, and many other things. Other days, he only barked out orders. It was confusing, to say the least. But there were a few moments that made you realize he was actually paying attention. 
One morning, you were running late to a meeting, and you fully expected everyone to be pissed at you. You didn’t even have time to stop at your favorite bagel shop and grab breakfast. 
But when you slipped into the meeting beside Sabo, he handed you a bagel with cream cheese and your favorite tea. 
“How’d you know?” you whispered. 
“I always see you there.” He shrugged. “Figured I’d just get your order for you since you weren't there this morning. That’s what friends do.”
Friends. That pesky word that he loved so much. He may have done one of the kindest things he had ever done for you- for anyone- but you were still just friends. 
It was only a few days later when he asked you to dinner. 
“We’re both working late, and you’ve been working so hard, I just thought it would be nice to go somewhere and talk away from work.”
“Sure.” Your voice was monotone, but your heartbeat quickened at the thought of the two of you at dinner. Alone. 
It was a nice restaurant, far fancier than what you had dressed for, but Sabo complimented how lovely you looked, and the two of you had a fabulous time. 
He learned about your past, and you learned about his-what he could remember of it, at least. He paid for dinner and even walked you back to your little cramped living space, like a true gentleman. 
“Thank you for the meal,” you said. “Would you like to come in for a bit? It’s not much, but-”
“Oh no,” Sabo said quickly. “Dinner was lovely. We should do it again sometime.”
Were you reading too much into his words? Or was he trying to insinuate that he was feeling something more?
You smiled, trying not to let too much excitement show. “I’d like that quite a lot.”
“As would I.” He tipped his hat to you. “Since we’re coworkers, I think it’s important we get to know each other as much as possible.”
Coworkers. Somehow, it was worse than friends. You tried not to let your disappointment show, but once you slipped into your room, you couldn’t help but burst into tears. 
A few weeks later, you were grumbling about your roommate. The set up was atrocious, and while you weren’t much of a complainer, your roommate and living space were both worthy of complaining about. 
“Why don’t you just move in with me?” Sabo asked, not even bothering to look up from his writing. 
You stared at him for a few moments. Surely you had heard him wrong. “What?”
“Move in with me,” he said again. “You already stay here well past midnight. Sometimes you even crash on the couch. I have a spare room. You should move in.”
You scoffed. “I can’t just move in, Sabo. Its-”
“Why not?” he asked, finally looking up at you. “It wouldn’t be much different than now. Nothing would change except where you call home.”
Home. With Sabo. Surely you were setting yourself up for heartbreak here. But you agreed.
 Three days later, you moved in with him. And while you still referred to each other as coworkers or friends, you also went home together. You cooked dinner together. You shared a bathroom, and worked in the study together. 
You never had a break from him, but you didn’t mind. In fact, on your off days, the two of you often went and did something together. You read books together and talked about them over dinner. You went on walks, and trained, and only when you said goodnight did the two of you go your separate ways. Sabo to the room on the left, and you to the room on the right. 
It was awkward at first, but you quickly found a way to cohabitate. Cooking and cleaning was infinitely more fun with Sabo by your side, and he laughed a lot more in your presence. 
Ten months after you first met him, he finally came to the realization. 
You were sitting at dinner, just the two of you. You had made pasta, and you had managed to get some sauce on your face while the two of you were eating. 
Without thinking, Sabo leaned over and gently wiped it from your chin, and suddenly the entire world simultaneously flipped on its head and made so much sense. 
“Oh,” Sabo whispered, still staring at the place where the sauce had been. “I think I could do this forever with you.”
Your heart was beating so loud in your chest, you were certain he could hear it. 
“What do you mean?” you whispered, scared to be hopeful. 
His eyes darted up to yours. “I think I love you. And I don’t ever want to lose you.”
“Sabo-” you breathed out, but he lunged across the table, connecting his lips with yours. 
He pulled away far too soon, afraid he had ruined one of the only friendships he actually cared about. 
“Sorry,” he mumbled. “I know you might not feel the same way. I just realized and had to tell you.”
Part of you was certain this was a dream. But if it was, you never wanted to wake up. 
“I feel the same,” you assured him. “I just wasn’t sure if you would ever…” You trailed off, unsure how to finish the sentence.
He gave you a slightly devious smile, leaning back across the table to give you another kiss. “Well I do. And we have a lot of lost time to make up for.”
For the first time since you moved in, the two of you didn’t go separate ways for bed.
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bluegalaxygirl · 7 months
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One Piece Masterlist
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Requests Open for Zosan, Zolu and Law- I don't do requests involving: NSFW (Smut), child/teen x character, domestic abuse in a relationship with the characters, couple fighting over reader (e.g sanji and zoro fight over reader) and Au's.
^ Clone wars + Bad batch Masterlist
^ Law Masterlist
^ KidKiller X Reader Masterlist
All straw hats + Law:
^ Caring for you - plot: Headcannons for how they would care for you before a procedure/surgery.
ZoLu X reader:
----------Headcanons -
^
^ Writer - Reader is a writer on the crew and loves books, but secretly writes romance.
^ Hugs and Kisses - Reader's the type to want hugs and Kisses at random times.
^ I want a baby - Reader tells the boys she wants a baby.
^ Morning Routine - What your morning are like.
^ Night Routine - What your nights are like from 6PM to 4AM
----------Stories -
^
^ Celestial wedding - P1 - P2 - P3 - P4 - P5 - P6 - P7 - P8 - P9 - P10 - P11 - P12 - P13 - P14 - P15 - P16 - P17 - P18 - Plot: Reader gets taken as revenge for Luffy and Zoro's defiance against the Celestial Dragons, they were just going to kill her to make an example but now theres a wedding????.
^ The Vault - P1 - P2 - Doctor who Crossover (On hiatus until life settle down) - Plot: The Doctor asks for your help when he finds out theres a base on earth holding alien tech and maybe some alive aliens. Luffy agrees before you do so you take some of the crew along to have a look but you don't reserve a warm welcome and this place seems to be hiding more than just normal aliens.
^ First Bath togeather - Plot: Your first bath with Zoro and Luffy gets you to open up about your past a bit.
^ A step too far - P1 - P2 - Plot: While enjoying a Night of music and relaxation in the aquarium bar a fight breaks out between Zoro and Sanji only this time its worse than ever.
^ Loyalty Test - Plot: Your sister isn't convinced that Zoro and Luffy wont be loyal to you so sets them up to be flirted with while she makes you watch form a back room.
^ Trouble Makers P1 - P2 - P3 - Plot: The new island you docked on seems peaceful until a strange rumble catches you all off guard.
ZoSan X reader:
----------Headcanons -
^
^ Little maker - Zosan with a reader that makes things for them and the crew.
^ Nightmares - How Zoro, Sanji and Reader help each other with nightmares, how they deal with it themselves and what they have nightmares about.
^ The Spicy Book - Zoro and Sanji find you reading a spicy book. Contains sexual content but no smut.
^ How it happened - How you, Sanji and Zoro got togeather.
^ Morning Routine - What your mornings are like.
^ Night Routine - What your nights are like from 6PM to 4AM
^ Annoying things you all do - All couples have things they don't like about each other but you put up with them because you love them. here are some things that you find annoying about each other.
^ The little things - Just some cute little things the three of you do togeather and how you interact with each other. Also threw in how the crew see's you three.
^ Homesick - Your feeling home sick so this is how Sanji, Zoro and the crew help you
^ Kleptomaniac - Zoro and Sanji with a kleptomaniac Partner.
----------Stories -
^
^ Obsession's Grip - P1 - P2 - P3 - P4 - P5 - P6 - P7 - P8 - P9 - P10 - P11 - P12 - P13 - P14 - Plot: After saving some of the straw hat crew from a prison, the crew help takes a young man away so he can have a fresh start in life. He's shy but seems to grow attached to Reader in an unhealthy way.
^ Wild Flower - P1 - P2 - P3 - P4 - P5 - P6 - P7 - P8 - Bonus- Plot: While doing recon for the crew, reader's snake gets captured by a marine who knows more about her than her own crew but to make matters worse he can hurt reader through her Snake using some strange powers and deadly plants.
^ Hot-spring - Plot: Just the crew relaxing for a week at an exclusive winter resort.
^ New bounties - Plot: After Wano you all find out what your new bounties are.
^ Fear of abandonment - Plot: the fear of abandonment hits you hard and now you just want to leave before your friends and the people you love leave you.
^ Old Friends - P1 - P2 - P3 - P4 - P5 - P6 - P7 - P8 - P9 - P10 - P11 - P12 - P13 - P14 - P15 - Plot: Reader is the 9th doctors old assistant but soon moved on to other things, joining the straw hat pirates and falling in love but now their paths cross again (only he has a new face) when they go to see an old friend in a strange hospital. Unfortunately there's some one else there that wants to start trouble.
^ You get sick - Plot: Zoro hides being sick which causes you to get sick, not only do you have to deal with the symptoms but your ability to control the tattooed snakes on your arms makes things worse.
^ I love you - Plot: the first time you say I love you to each other
^ Your First time - NSFW Minors DO NOT read
^ Distraction - Plot: its your's and nami's job to distract some pirates in a night club while the rest of the crew steal from their ship. Theirs only one problem, those pirates get a little too handy. Basically you being super sexy in front of them
^ First Bath togeather - Plot: After being togeather for a long time the boys have never taken a bath or a shower with you. You work up the courage to join them but try to hid the scars of your past.
^ You and your wild plans - Plot:. Zoro refuses to dance even when Luffy try's his best to make it happen, so you hatch a plan to make him dance.
^ Don't get lost - P1 - P2 -plot: Zoro gets lost and its up to sanji and reader to find him and bring him back but there's one problem.
---------- Series masterlist links
^ Baby series
^ Halloween series
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heartfullofleeches · 2 years
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What if yan emperor was engaged to someone that wasn’t jester? Like his parents set up a marriage with someone else, that hates the jester for “having a affair” with the emperor???
Cold water splashes in your face, the juggling pins in your hands clatter to the floor in front of the culprit. The emperor's betrothed stands before you, shooting you a hateful glare that sends chills frostier than the one's already through you. Several gasps come from the audience, all festivities halted.
"Stay away from my king, your harlot."
Today had been the emperor's birthday; many coming from far and wide to celebrate. Unbeknownst to you, he absolutely hated the day. The year you came into this life was the first one he enjoyed as it was the day your trope came into town and you became friends.
By the next year, the day soon approached and you didn't know what to get him. You had money from chores you did around the castle, and coins the prince would sneak to you. He didn't seem too interested in material things, but you wanted to do something for him.
It was on the day before his birthday that you found what you thought would be a decent gift. It was a little pierrot doll. Lips painted with the same red as the red balls on its white and black shirt, and collar. A rosy blush tinted it's cheeks and a cone hat sat atop its head; beady little eyes and vertical lines through them making up the rest of its face. It was one of the cutest things you had ever seen, and almost reminded you of your old home. Though you didn't know all about the prince's likes, you knew he valued your friendship like no other.
"It's almost like me!" Was your excuse when you gave it to him. "I noticed you seemed kinda down when we're apart, so I bought this so you could remember me by."
The young prince just stares at the doll. You start to panic.
"Ah, I realized that makes me sound a little full of myself when I say it out loud. I'll take it back and-"
"No."
You're taken aback by the authority in his voice. "Huh?"
He hugs the doll to his chest, the first smile in days cross his face. "It's atrocious. I love it."
-
Every birthday after, you'd get him a new doll. As you got older, you bought other things, but the dolls were always the icing on the cake. One of your birthdays, he even had a jester doll custom made, but it spent a majority of its lifespan in your room rather than his.
This year was the same as before. The emperor was surrounded in a mountain of presents from gold to self portraits, but the only time he truly smiled was when he saw your gift; angering his betrothed to the point they could kill you.
The couple were set to be engaged when the emperor was in his early teens, much to his disappointment. It was around that time that he released his love for you. He had dreams some nights of just running away with you, and on others- killing his further spouses entire bloodline.
They were some noble who's family his father had been acquitted with. It was love at first sight, but he never noticed nor cared. They tried with all their might to get his attention, failing at every turn. It was when they saw that little pierrot and the jester on his bed that they finally realized what was going on.
"What is going on here?!"
The emperor pushes through the small crowd; eyes already full of fury. They soften as they fall upon you, the water soaking your outfit. He'd raise hell on whoever did this to you; finding the culprit rather easily - glass still in their hand.
"What did you do to them?" He roars.
They scoff. "Don't humor me. I know this one is the one you're sleeping with it. To think you'd mess around with a literal fool. Do you take me for one as well?"
"That isn't true, your majesty. " You meekly announce. "He is my closest friend..."
Your words stake daggers into the emperor's heart; a betrayal worse than physical tearing the organ out. He had a few advances in the past, but they were shut down by his parents and obvious to you. They warned that if he continued, he'd never see you again. He grabs your wrist.
"Come on.. We're leaving."
His betrothed tries to step between you. "Where are you going? We aren't done talking!"
"They need to change before they get sick. I'll deal with you later. Try to stop me again, and you won't like the consequences."
They shrink under his threatening tone. Shoving through the muttering crowd, the emperor drags you along to your room. He slams the door shut as an outlet for his rage, causing you to jump. His demeanor quickly changes as he hurts to you, pulling the cap from your head and cupping your face in his gloved palm.
"Are you alright, Y/n?"
"Yes, just cold. You should get back to the party."
He frowns. You always gave up your wellbeing for the sake of others, he couldn’t stand it. He reaches for your collar, having to stop himself before he undressed you with his own hands. He scolded himself for even thinking about it, his mind on autopilot when it came to you.
"I'll wait for you outside. Let me know when you're ready."
"Is.. it alright if I retire for the night?"
He sucks in a breath. "That's fine. I'll check on you in the morning."
You hug him, neither minding the dampness of your clothes as he hugs you back.
"I hope you repair everything with your spouse. I'd hate to end the day on such a sour note."
He places his face into the crook of your neck. You're going to kill him with how much desire you sent him. A want that's become a need he'll someday have to have or he'll perish at your feet.
You pull away, much to his sadness, sticking your fingers to the corners of his mouth and pulling them upwards.
"And smile more for God's sake. You'll get wrinkly like your old man if you don't."
You drop your joking tough voice with a laugh, warming the pits of his stomach. He holds a small smile as you drop your hands. You always knew what to do to make him shine.
"Goodnight, Y/n."
The emperor exits your room. Instead of returning to that party, or that demon, he slinks down against your door and reaches into his pocket; pulling out the newest doll in his growing collection. It's the first time in forever that he's alone on his birthday night.
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atopfourthwall · 7 months
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Geez Louise that was an aggressive response. I wasn't advising you on how to make everyone stop teasing you, mid level youtubers will always have jerks. I was talking about a proven method to deal with it in a healthy way- judging from your response alone I felt you needed. Think of its this way: you made that comic 17 years ago. Do you really want to be still getting SO angry and snapping at people in another 17? If not at LB but whatever else they'll come up with? But up to you, best of luck.
You're absolutely right it's an aggressive response. Maybe it was an unwarranted one... but your message was frankly unserious and unoriginal. Because your "proven method" is horseshit. "If you let people bully you, they'll stop bullying you." That's what you're recommending - be good natured about people insulting me. It is in fact not healthy to sit there and bear it and pretend I'm okay with it. I was quiet about it for a year or two before I finally started pushing back on it. I was miserable and it was affecting my mental health. They kept doing it - some because they honestly did not realize it upset me (and again, that's who the thread is for and I repeat - speaking out about is what got people to stop). But the other ones? "Do you really want to be still getting SO angry and snapping at people in another 17? If not at LB but whatever else they'll come up with?" Here is what you need to understand and I don't think you do: THESE PEOPLE DON'T FUCKING LIKE ME. They don't like my face. They don't like my voice. They don't like my show. They don't like my sense of humor. They don't like my hat. They don't like that I'm liberal. They don't like that I support LGBT+ people. They don't like that I analyze Power Rangers. They don't like me when I'm happy. They don't like me when I shout. They don't like me when I'm successful. They don't like that I was part of Channel Awesome. They don't like that I'm NOT part of Channel Awesome. They don't like my friends. They don't like me streaming. They don't like me criticizing truly awful people. They don't like when I don't dance to their little nickname. They. Don't. Like. Me. I am a joke to them - a clown, a living meme that they can throw my name out and it's an automatic laugh. I am not a person to them with thoughts and feelings and something that can be hurt. I am only real to them because they think I'm pathetic and they want to bully someone that they think is more pathetic than them. They do not and never will respect me. They see me as the guy who invented Lightbringer 17 years ago. That's it. That is all I will ever be to them... if I'm lucky, because these are the same kind of people who will try to find ANY weakness, anything that's slightly embarrassing I've said or done as a weapon... or just make up complete bullshit to attack me and make that into more memes against me, too. And the fact that you just refer to it as "teasing" me shows everything I need to know, frankly. Because that's all that it is to you - not something that was hurting me. Not something that was affecting my mental health. Not something that I respectfully ask people to stop doing because it makes me uncomfortable. Hell, your original message said I was "constantly" doing it. Two threads a couple years apart with a smattering of me asking one-on-one "Hey, can you not do this? It's actually intended as an insult." The assholes doing it to be assholes just get a block, because why the fuck would I try to engage with them? So yeah, if I'm aggressive in my response, I'm sorry, but your way is NOT healthy. Maybe my way isn't the right way for everyone, sometimes it CAN make things worse... but that's not the case for me and I get tired of bad advice from people who think they understand what's going on.
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threadsun · 8 months
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Anonymous Asks: "may i ask for more pirate au blurbs? its okay if not 💕"
Of course!! I'm hype to write more au stuff both in general and specifically pirate au >:3c
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Your house isn't made for ten people. Honestly, it's hardly made for one. It's a simple shack, propped up on stilts for those storms that drive the sea up to your door. Inside it's open, but hardly spacious. A firepit set up in the middle of the floor, a handful of chairs around a small table, the barest possible kitchen to get by. And around a half wall sits your bed, spartan and hard as a plank of wood.
You've never felt the need to own much. You were born on the sea, and you'd lived your whole life on the sea. No matter how secure you are, you can't shake the habit of frugality and discomfort. Honestly, you reckon you'd sleep worse on a plush mattress you could sink into than you do on the hard pallet atop your wooden bedframe.
Really, the only things in your house that aren't completely practical are the relics of your time at sea. The cavalier hat with the raven feather you'd bought when you first became the admiral of your own pirate fleet. The ornate cutlass with the obsidian handle you'd taken off a captain in the Spanish navy when you'd taken over his ship. The flag that had heralded your fleet, emblazoned with two pieces of eight and a jagged shark's tooth.
All this to say, you certainly don't have room for the nine dripping men currently stripping down around your fire. They're eyeing the remains of your stew hungrily, and most of them smell like rum. Not that either of those particularly bother you. Nor does watching water run down their naked bodies. No, you simply take one of the few seats in the house and watch with a grin. It's not your problem that there's not enough chairs.
"Used to make people pay to see this," one of the men, a scrawnier one with black hair, sighs. He sounds wistful.
"We could make them pay to watch," the strawberry blond points out with a deceptively mild smile.
"Hey." The one you can only assume is the captain—brawny, dark haired, tattooed—cuts them off with a stern look. "Don't you dare. They opened their home to us when we needed it."
"Some pirate." One of the gingers snorts and rolls his eyes. "No one wants a captain with morals."
"He won the captaincy fair and square, Jean." The one with locs and a gold hoop earing frowns. "You're just bitter no one wanted you in charge."
"Oh don't bring this up again..." The other ginger whines, nervously eyeing the other men as though worried a fight might break out. You sit up in your seat a little, ready to kick them all back into the storm naked if they try anything in your house.
"We'll be good house guests." The blue haired one looks stern as he glances at each crew member in turn. He's the largest of all of them, and it's clear none of them feel up to arguing with him.
"Is this stew?" The man with the dog ears and tail sniffs in the direction of your pot, tail wagging excitedly. It's hard to tell if he's intentionally changing the subject or baiting you to offer some.
"It smells good..." The final man has hair that flashes intermittently pink and orange in the light of the fire. They definitely want some.
"Take some," you finally speak up from where you sit, gesturing to one of the cupboards. "There's bowls in there. You can split the rest between you, I've had my supper."
There's a general clamour as the hungry, naked men set about passing around bowls of stew. It's fascinating to watch them. The way they work together, clearly a crew, yet with their obvious differences. You feel almost nostalgic for your days at sea. You're sure if you were on their ship you'd be able to whip this crew into shape.
You shake off the thought as they race for the remaining seats, the losers resigned to sit on the floor. You're happy here, on land. You don't want to go back to the pirate's life. Not for all the gold in the world.
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queerfortress2 · 2 months
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transman reader x a very pathetic sniper and medic PLEASSEEE im tired of seeing them written as dominant alpha men
HELLO HELLO LETS SEE WHOS UP FIRST
*adjusting glasses* I LOVE THIS!! LITERALLY WITH YOU ON THIS ONE I WANNA DOMINATE SOME MEN (tf2 reference) let's get right into this before i make a fool of myself oh dear — mod medic! <3
TRANSMASC!READER X MEDIC + SNIPER (SEPERATE)
SNIPER
major MAJORRR bi energy from him, i just think he wouldn't mind dating a man. problem at hand i think he's so very bad at dating in general and it being man doesn't make it worse per se, but now he's just 10x more awkward
he's seen hetero dating on TV! but how does it work with another man? he's so awkward i love him...
you WILL have to make most of the moves anyway, I don't really think he's dominant I think he's like. a loser, you feel? like a loser/pos though.
very very touch starved
like if you even hold his hand i think it would be easy to fluster him hes so pathetic
upon reaction i am one of those girlies who think he would throw his hat over his face and murmur something about being 'okay' and that you were just looking at him funny
sure mundy. sure. whatever YOU wanna believe.
other than that hes super physical while alone with you, i dont think much in public but i think if you catch him really tired in bed he would cling to you like a very lanky and large koala.
dont call him out about it he will fold
all in all? i think he desires some softer lovin. like after a harsh days work of being a mercenary i think he just NEEDS it
MEDIC
hehe. guess whos my favourite mercenary
i think hes just gay. sorry even as a woman i can acknowledge thats a man who likes men
probably offered you surgery. please deny it though. like for your own safety i genuinely think its better to just keep them
flustering? mmm. i think its a little harder, especially in a dominating manner. i always see him as a little bit of a control freak, so he would be a little .. stubborn about it
not to say its impossible! because its not impossible but its hard to do!
i'd say be.. harsher with it. sniper likes that softer love i think medic (to fluster him even in the slightest) would need something more out there
PIN HIM TO A DESK, CORNER THAT MAN, FIGH—
ahem
be brash is all im saying
i think while hes working late at night its easier, he isn't expecting anything specific and at that our he probably advises you just to sleep, its only a tad bit easier to deal with him at that our, you can be a little soft with him
he will bring his up later though
not now, no, he still wants to work, but SOON. PREPARE
i?? hope?? thats okay? I DONT EXACTLY* KNOW* WHAT LENGTH MY WRITINGS MUST BE! BUT HOPEFULLY YOU'RE SATISFIED DEAR ANON, TILL WE MEET AGAIN!!!
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pixiemage · 12 days
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My Fate Is In Your Hands - Entry 1
[ Entry List ]
[ — | Next ]
[A/N: Hi there! This little project is something new for me, a bit of writing experimentation to see if I can formulate a story without too much pre-planning. This story will be entirely guided by you guys, by the readers. Each short entry will end with a choice you all get to make...and that choice will lead us to the next piece of the story. I hope you all have as much fun with this as I will! ~Pixie]
~ ~ ~ ~ ~
[Introduction]
It's only starting to get dark outside, the sky above Tumble Town painted in the familiar reds and blues and pinks and golds of sunset. Jimmy isn't outside to appreciate it though, his sheriff duties keeping him busy in his office, paperwork piled high on his desk…though it’s more finished than it is unfinished. It's all the typical things he normally finds in his workload - import and export agreements, build requests from citizens, the odd letter from a fellow ruler either inviting him to a kingdoms-wide event or asking after the next wave of gunpowder restock. Other daily matters related to the care and keeping of an Empire.
Jimmy lets out a low sigh and his brow furrows as he spies Joel's name on the next envelope, not sure if he's even willing to deal with whatever's inside at this time of night. It's been a busy and exhausting day, and Jimmy is sure that one more conflict with the local so-called "god" would push him past his breaking point.
He's ruminating over whether he should just burn the damn thing or if that might make things worse, when a cacophonous sound of destruction meets his ears. The world trembles. He jolts, his wings fluffing in alarm, and he pauses for only a moment to try and listen for further signs of whatever it was he just heard. When there's nothing but silence and the soon-following sound of doors opening around town and voices murmuring, he pushes himself to his feet. He snags his hat from the hook by the door and ducks outside, and it's from beneath a leather brim that he stares on with wide eyes at the flickering and churning light on the horizon.
High above the town, on the cliff above the bowl in which Tumble Town resides, Jimmy can see a trail of smoke that snakes all the way up to the atmosphere. At its source, like a pot of molten gold at the end of a smoking rainbow, a massive fire is roaring, the cause of it not quite visible from down here.
Jimmy casts a furtive glance around him, eyeing his citizens that have begun to gather. They're worried, he can tell, worried and even scared in some cases. He feels as though he has a choice to make. He could stay and keep an eye on his town, keep everyone at a safe distance and make sure they're all okay. He could explore the source of the fire tomorrow. Or he could go and investigate now, with a brief reassurance to the townsfolk that he'll figure out what's going on. For all he knows, the fire - or had it been an explosion? - could have been caused by someone, accident or otherwise, and that someone could be hurt.
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skippiefritz · 6 days
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reqs from @idanit and @beetle-goth (sorry for tags I'll untag if asked ^^;)
long rambly post ahead! Unlike what I normally post but its my account so I can do what I want lol
(This probably isn't the most historical thing I’ve ever written but! I will fix as I work on it more lol)
the implications of Bertie's bachelorhood if he were a bachelorette fascinate me endlessly
I read this post and it gave me brain worms and I've been designing an au around it ever since
In this au it's a complete genderswap with all characters, uncle Alistair (aunt Agatha) becomes more old fashioned sexist to Bertie, not thinking she can take care of herself. (sorry Agatha stans)
Which like. She can't. But it's nothing to do with her being a woman.
Bertie keeps her core character traits, but by merely being a woman living alone in 1920s London, she inherently becomes more independent and rebellious.
She's sneakier about her escapades, still stealing hats off bobby's and the like, but tries to be subtle about it. Emphasis on tries, she's still a Wooster at her core, and thus a very
big klutz.
Bertie is just completely and unapologetically her/himself regardless of gender, for better or for worse.
If humble pie is being served, she will surely go back for seconds every time.
I can picture her leaning very hard into the roaring twenties flapper persona, but still being a homebody at heart. Big of heart, dumb of ass.
The biggest issue of course is the engagements, it’s a lot harder for a woman (particularly one whose family wants her to get married) to get out of engagements. THIS is where the fun new plots come in
Obviously there’s the classic setting up her fiances with other women, so they call it off and marry their true loves. And the occasional making herself seem unsuitable to be married. (though, this would usually backfire, that would make it seem like she needed to be married more, so she had a man to take care of her and make her settle down)
Instead of focusing on making it seem she herself is un-weddable, she (and by she I mean Jeeves) concocts byzantine schemes to paint her potential suitors in the worst light possible, or to make them seem negligible so one family or the other would call it off.
I’ve been working on one such story, I haven't ironed out all the details but it ends with Gussie pushing Bertie into a lake. Of course. (I may make  a comic abt it when done)
Jeeves’ character is fascinating too, I see her being the classic “quiet competent woman who gets shit done”. She would be less respected than m!jeeves, but still far more respected than the average maidservant of her time.
I can see her need for fashion clashing with the maidservant outfits of the time, part of me is tempted to keep her design the exact same and make her a big beautiful butch, but…I know that's probably not how it would go.
Jeeves would wear the classic Maidservant outfit of the time, though I can see her styling it subtly to suit her more.
Her control over Bertie’s wardrobe, while still being “God this bitch has no fashion”, also has an undercurrent of internalized sexism. She’s discomforted by the more risque (by those times) outfits Bertie enjoys wearing, like her flashy flapper dresses and the like.
Of course, she’s also uncomfortable by how attractive she finds her in said risque clothes. (drama!!)
And they end up compromising !!! and Jeeves has a lil arc in learning to accept the new fashion wave and embracing bodies and whatnot.
Their dynamic would essentially be the same, homoeroticism, Jeeves being morosexual, Bertie being endlessly impressed by her.
also because of the ridiculous british nicknames most the characters are referred to the same, they just have diff first names, here's a quick cheat sheet
(I tried to keep them similar and also extremely english)
Reginald Jeeves = Regina Jeeves
Bertam "Bertie" Wooster = Bertha "Bertie" Wooster
Reginald Jeeves = Regina Jeeves
Aunt Agatha/Dahlia = uncle Alistor/Dahl
Augustus "Gussie" Fink-Nottle = August "Gussie" Fink-Nottle
Charles "Biffy" Biffen = Charlotte "Biffy" Biffen
Marmaduke "Chuffy" Chuffnell = Marigold "Chuffy" Chuffnell
Stephanie "Stiffy" Byng = Stewart "Stiffy" Byng (the implications of a man being named Stiffy are. different but Wodehouse had to know what he was doing with that name)
Richard "Bingo" little = Richenda "Bingo" Little
and so on and so forth!
Anyway uh, this went on for a while lol
I’m working on designs for them and will gladly share if asked! But they’re nowhere near done dhjdsh thanks for coming to my ted talk.
I don't know if any of this made sense, sorry if it doesn’t.
also for a bonus here's a quick messy collage I made of f!Bertie
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danyvhell-writes · 10 months
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Hi hi hi !! Idk if ur TS headcanons asks are still open (I am, so so sorry if not) but if they are I was wondering if you could do some Pirate Ais Au? >:3 I saw that idea in one of ur other posts and i think the idea is just MUAH MUAH
It could just be general Ais headcanons or X Mc :0 anything with him just being a pirate because bro I just love pirates so much 😭 they are SO COOL and Ais as a pirate captain is just ??? Even better ???
Anyway, I hope you have the best rlly good day 🫶
Pirate Ais AU 🏴‍☠️ Touchstarved
GN reader - no warnings | Yes my asks are still open !!! So happy you liked my idea :') OMG OMG OMG WHERE DO I EVEN START ?!!!!? The brainrot is real and fueling eachother with ideas like that is making it even better (or worse u choose uefgzifguz). As a kid who was obsessed with pirates and a current One Piece fan, your ask is exactly what I needed, thank you so much ♥ This AU is more joyful than what's seen of his canon life so yeah, hope you'll like it ! Okay, ready to sail ? Let's go !
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• First : the ✨fashion✨. Ais could be at sea for weeks but would still make sure to look good, real good. I mean look at him ! He even has a pretty hat he wears on special occasions ✧.
• In this AU, Ais has his crew but is still affiliated to Ocudeus. Instead of being the spirit of the Seaspring, Ocudeus is literally the incarnation of the sea depths, a whole big Kraken ! Its energy, force and magic are linked to the abyss.
↑ Ais powers manifest differently here. Instead of seeing through the eyes of others, Ocudeus gave him some sort of marine omniscience. He can use the kraken's senses to a certain limit, a real advantage for navigation. Bro can literally listen through the sea itself if he wills enough :') He must have seen a lot...
• Ocudeus isn't the only spirit of his kind but is genuinely intrigued by mortals. It's not his first time forming a pact with 'lower beings' but Ais is actually one of his favourite holders/vessels so far lmaoezoihf. He kinda cares about the pirate, who's the closest thing he has to a friend.
• His ship is his second home, he takes absolute care of it. If his whole crew has to stay up all night to tidy & wash everything from top to bottom, they will ! And of course, the ship has a japanese name ! Ais named it "Hayai" [速] cause she's the fastest boat you'll ever see (his words not mine). First time you hear him talk about her you're like "...Wait who's Hayai ?" "This big girl over here >:)" and he shows you his amazing ship with a proud smile, which you really weren't expecting !
• Loves, loves, loves to travel ! Any new destination in his adventures is a reason to explore more, search for information and mysteries. He's just so curious about everything :')
• He picks up expressions, phrases and languages from his previous trips ! If he can remember as much as possible, he'll note everything in his log.
→ After every daily island/town tour, he makes sure to write a little about what happened so far. How much they traveled, how much they visited, how much they learned from passengers and citizens.
• Ais originally comes from a village on a small island, lots of yokais live in there as a community.
• He moves a lot but always comes back to his hometown when he can ! He's someone who gets attached and I just know he'd never abandon his little village.
• As a captain, his main role is to make sure everyone's fine. He checks up on his mates whenever he feels something might be wrong. He's got a sort of sixth sense for that... wonder how he got it hm 👀
→ Being the big softie he is, he actually really likes sleeping in the same room as his whole crew instead of his own cabin, he knows they're safe with him so he feels way less stressed. (Would 100% read bedtime stories to the youngest members.)
• His goal isn't even to find treasures or anything, he simply enjoys the freedom of being a pirate, the message behind it and especially the sailor fights !
• Knows how to sword fight and is pretty talented at it ! If you want to learn one or two tricks, he'll teach you >:)
• That man already had the smell of blood, smoke and metal well... in this AU it's even worse ! His smell is so distinctive and strong, anyone could recognize it from miles away.
• Our boy enjoys a good drink, we know that. Almost every night all his gang gather around and share some booze together in a comforting atmosphere, around a small fire. They enjoy the night together while chatting, playing games and much more !
→ Of course they also share tea in daytime when they're not busy navigating or whatsoever.
• Could also fit in general hcs but, his tattoos move or/and glow at specific moments. Sometimes it's like he's bioluminescent, when he goes in water at night, completely in the dark, his skin starts to glow under the moonlight. First time it happened he was so confused zegbkzuhf.
• After his pact with Ocudeus, he started to feel even more at peace when closer to the ocean. If he stays away from shores or marine areas for too long, little oni starts feeling homesick.
• He really appreciates collecting small objects from his travels. His room is full of souvenirs, strange artefacts found in the sand, small treasures, sea shells, cards from around the lands, old books in foreign languages, cultural jewelries offered by locals etc...
• Never really sets up a specific destination, except if he needs to. He loves the adrenaline of finding new places by complete hazard.
• Ais being a pirate who doesn't like seafood, the most accessible food at seas, is well... ironic.
• The sound of seagull chants and waves soothes him. He usually falls asleep on the deck, sunshine on his skin with the sea rocking him gently.
• First time you come to see him, it's one of his crewmate that tells you about him but you don't even know he's a captain ! You see him for the first time and you're just "Helloooo sailor ! How can I join your pirate gang handsome?"🥴
• Every single member is attractive. That's it. It's not the biggest crew really (around 20 people) but the diversity is here. Young ones, old ones, skinny ones, fat ones, pale skin, dark skin, humans, monsters, all the types really. And yes, some tried to woo you (how could they not, MC is 10/10).
• Kids on the ship view you as the cool unty (is that the gn term ?). Ais thinks it's cute except when you start spending more time with them when he originally invited you over…
• And yes, Princess & all his other soulless are here !!! Now they're more some sorta semi marine creatures. They really like to swim and it's the cutest thing :') Like, Ais and his pets swimming in the sea while some are playing in the sand ??? Too cute for me I-
• Talking about our favourite girl, she's the mascot of the crew ! Everyone is so in love with her, she's everyone's precious lil baby (even tho she can and will bite). They'll sometimes try to dress her up to fit their aesthetic and surprisingly she doesn't seem to mind. Also, the sounds she makes are…a mystery !
• Okay but just picture it : Ais hair flowing into the wind while he's watching the horizon, hues of the sea reflecting on his skin looking so peaceful.
• Thinking about his jolly roger, it would be a oni skull surrounded by red eyes with two teal sabers behind (I did a lil sketch hehe) :
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• His favourite thing to find are old maps ! Especially if they lead to ancient locations with unchanged names. He has a lot of them and it also might be why he gets into a lot of fights (maps are a treasure themselves so of course people are gonna take risks).
• Even if he's young, he has a big reputation among other pirates. Rule number one : Don't mess with him or his crew. Number two : If you want information there's always a price to pay ! He's nice and generous but hey you know : don't except mercy.
→ Known for his loyalty tho ! If you show that you're worthy of his trust, he'll be your best ally for the rest of your life. He's intimidating but full of qualities.
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kani-miso · 25 days
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mini fugue es and fugue jackalope character design analysis
tw: mention of uncomfortable topics such as child neglect and child abuse
appreciate @hectorthedoggo for making this series and also please appreciate the illustrator!!! (im not sure if they have any socials yet)
ngl i sound like an english teacher when analyzing , also idk if i over analyzed some parts so sorry if did (i know the ties shape isn't important but i just needed to include it)
note: some will be copy pasted from a previous analysis!
fugue es
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starts from top to bottom
hat : omg!! i love the hat so much!! ok, anyways. their hat is presumably a peaked hat. peaked hats are usually used by soldiers or armed forces, their hat is blue so they're a part of the air forces (referencing the fact that their room is on top of the tower, in air?). peaked hats have embroidery on their crown that are usually called scrambled egg(s). the scrambled egg is supposed to determine their ranks and/or organization, their scrambled egg is a key hole. that perticular shape can possibly fit all kinds of keys, referencing how naive and how easy it is for the abusers come to their life to abuse them < if the keys symbolize the abusers. (also i think its silly to think they're in any organization). the ropes connecting to the keyhole,,,, you murdered me with this one,,, ropes symbolize tangibility of physical or emotional capture in the embodiment of a rope or lasso. even worse that the rope is given by jackalope (the rope is possibly brighter and more saturated than the one given by the past abusers because jackalope acts as the light in es' life).
keyring : haha, theres alot to say. lets talk about what the keys represent first. the individual keys represent past abusers, and the keyring as a whole represents jackalope (also everytime es thinks negatively about abuse and jackalope, their head starts to ache in pain. are their thoughts controlled by jackalope so they wont have a negative view on him?). why would jackalope be the whole keyring you may ask, i have the answer for you curious creatures. jackalope has abused es in many ways, such as verbal abuse, neglect, physical abuse (?), possibly domestic abuse based off the 10 chairs in dining room, emotional/psychological abuse, being toxically overprotective and possibly child exploitation. since all the keys represent past abusers, jackalope is just all of them as a single entity. well, which key represent which abuser? this is from left to right btw. -key n1/ household mortice key, mortice keys are normally used on internal doors to improve security. personally, i think this is symbolism for toxically overprotective parenting, they are locking the internal doors of a child to improve the security they have around them. -key n2/patio double glazing key, patio double glazing keys are used to lock windows, these locks are strong and cannot be opened once locked. personally, i think this is symbolism for physical abuse. once they are with the abusers, they're locked with them forever until someone opens the lock. -key n3/master key, master keys are used to unlock several locks. personally i think this is symbolism for domestic abuse. once your abuser finds out about your partners, friends, family, they will unlock that lock to continue their abuse. -key n4/first level security key, first level security keys are used to secure a lock shut. personally i think this is symbolism for neglect. once you're with your abuser, there's no other place to go. you stay with your abuser or rot in the streets.
outfit (top) : not much to say about this but i'll try to make something out of it. their outfit heavily resembles a uniform. uniforms are distinctive clothing worn by members of the same organization or body or by children attending certain schools. i find it suspicious they're wearing a uniform instead of normal clothing (< its even mentioned in the fic itself) when they're not even in any organization, especially that jackalope gave it to them made it even more suspicious. but what type of uniform are they wearing exactly? i think it might be a waitress uniform, that's the closest i can get to identifying their uniform. it hurts that they're wearing a waitress uniform,,,
belt and tie : the main point is analyzing the tie so here we go. tie shape = (copy pasted from prev analysis with additional notes) 'who gave this to them?' i suspect it might be from their past abusers(i have a theory that there are 4 past abusers by the number of keys on their keyring). 'what's the purpose of it?' the tie on their waist is tied into a knot. many cultures including japan use knots to symbolize unity. es and their past abuser will always be tied into a knot together because no matter where they go, the abuse stays. it either continues from another person, or the previous scars of abuse never heal (both physically and mentally). the knot also seems tight, a tight knot means to maintain a close and secure hold on something. it can be used figuratively or literally. in a literal sense, the phrase can refer to tying a knot that is difficult to undo. you can think of it as es being a rope that has been tied tightly to their abusers, because of that its hard to undo/untie them from their abusers because of how close they've become to them. 'the tie has 2 ends, what's the meaning?' : the number 2 usually symbolize the duality of two subjects, the ones that are important to note are : yes/no, true/false, and yin/yang. yes/no, true/false are self explanatory, yin/yang on the other hand. 'yin' represents coldness and darkness (< es' uniform overall colorscheme is cold representing yin, mind you this is give by jackalope). and 'yang' represents light and warmth (< es' tie on their waist is a warm color, this is given by their past abusers). i wonder if this is implying that es still cares and resonate warmth from their past abusers and feels coldness and a sense of darkness when getting taken care of by jackalope..(no wonder pain is nostalgic for them) also, in japan, 二 (ni). It represents creation, time (past, present, and future). 'why does the end of their tie look like a teru teru bozu?' a teru teru bozu is a traditional japanese talisman used to bring good weathers and to stop or prevent rainy days. rain is essential when growing crops, so it symbolizes the growth of a new family (found family and biological). the fact that they are using a teru teru bozu that prevents rain implies that they are being held back in finding a "new family" :( (also this might not be important but teru teru bozu's are dolls that are hung by the neck). tie color= the color gold is the symbol of the sun and of the god's power and mercy. gold is often used in temples and shrines. due to the desaturation and discolorment of the tie, it has a different meaning. desaturated colors or dull colors are usually associated with poverty and aging. seems like that tie was given from a long time ago (more material for the past abuser theory) especially that seems like the edges of the end already looks like it's semi-decaying. if we still use the gold symbolize the sun and of god's power and mercy, then they are barely at god's mercy, it sort of references what abuse victims go through if they speak out their voice. if you speak out, some god's will respect you, some god's wont (god's as in people in society). perhaps they're in a world where abuse victims more often get shunned away, they are barely at god's mercy.
cape : their cape is just normal imo, the thing that interested me is the galaxy in their cape. a galaxy can symbolize aspirations and the patterns of tomorrow you are shaping through your beliefs. their beliefs are specifically centered around their abusers and abusers only. the tomorrow they're going to shape is just the same as yesterday, they wont stop the cycle of abuse because to their "own" beliefs what they're enduring is not abuse, but discipline. their cape is most visible on the left side of their body. the left side usually represents femininity, they embrace the traditional femininity by being vulnerable and having puffy cheeks
boots : their boots have more of those rope thingys. those ropes are the ones given by jackalope, not the past abusers. the rope that is given by jackalope is thin and easily broken, meaning they could just be "re-sheltered" by someone else. thats why there's little restraints on their boots. there are 2 restraints on each boot, which again symbolizes duals/duos. the duo being es and jackalope. also, on the top of their boots, there's a gold colored leg warmer (< that are on boots). the thought of their abusers keeps them warm, thats why their keyring warms up whenever they think about them.
fugue jackalope
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antlers : oh my. his antlers are just his usual antlers, the only difference being that there's ropes wrapped around it. i want to point out that the ropes warp comfortably, and not made into a tight knot (< like es). i find it interesting that there are 4 parts that are branching out of the base antler, because es has 4 keys on their neck and jackalope has 4 secondary antler parts (idk what they're called). every rope on the branched out antlers connect to each other, it makes me have a suspicion that all of the abusers knew each other. they're all not tied in a knot together because they are simply lurking and not uniting together. also i think, gold is being used as the color of the abusers because they're supposed to feel grandeur, luxurious, rich, and sort of unbearable is smart. gold is treated like the superior color, the one everyone loves and likes. es color is presumably dull navy blue which is associated with trust and loyalty. dull colors are also treated as poor colors so es has to cling to their abusers to seem presentable to the world.
hat : AUGH the symbol,, his hat is just like es' hat, its a peaked hat. the only difference is his scrambled egg. his scrambled egg symbol is an eye, referencing that he sees all. eyes usually are associated with clairvoyance, omniscience, and a gateway to the soul. the eye symbol has a dull orange color which shows his lifelessness. eyes can also mean vigilance, intelligence, moral conscience and truth. it hurts because in this situation it's a total lie. he's literally trying to brainwash them into thinking all he says is only truth, making them base all adults off of him.
sash : this wasn't really important but i just had to. the sash he's wearing doesn't really look like a sash, it just looks like es' keyring without the keys, although there's a difference in length and width. i think jackalope has not been involved with the past abusers because he doesnt have any keys, anywhere. also his sash looks lifeless.
cape : i think i got a heart attack. the only thing im analyzing is the symbol btw. i cant find anything similiar with that symbol anywhere so the closest i can get is the Illuminati symbol. if im not mistaken, the Illuminati symbol can be found on the all-seeing eye/eye of providence. the all-seeing eye is supposed to represent god. this references the fact es sees and treats jackalope like their god no matter what they endure because of him, they must bow down as he is the all knowing all seeing man. and i might be crazy, but i think there's no symbol on the left side of his cape, what does it mean? the right side is the masculine side, he embraces the masculinity by assertive, controlling, and aggressive behavior. also it might be a play of words, right side, right=correct. (maybe its just because the symbol is hidden idk) with es leaning more to the feminine spectrum and jackalope to toxic masculinity, it shows the huge power imbalance in their relationship.
thanks for reading, i will go back to yappington. have a reward for staying alive
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gorbalsvampire · 4 months
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More Humane Than Human - Humanity as degeneration vs. Humanity as detachment
I wanted to repost the Requiem readthrough review before I got into this, because it started as one of those "Requiem vs. Masquerade which is better" conversations. In rules terms I think V5 has iterated successfully on Requiem - there's probably about the same density of actual rules there but V5 makes a better fist of hiving some of them off into advanced/optional/discretionary territory - but Requiem innovates hard in terms of ideas about how vampires and vampirism work, introducing things like the Predator's Taint and Lashing Out and, crucially, Touchstones.
Touchstones give the lie to the "V5 does rules better" claim. I have never liked how V5 does them. The notion of tying an individual vampire to a person, place or artefact is nothing new. Those of us who are Old, or retro-curious, may recall Vampire: the Masquerade - Redemption, in which Brujah himbo protagonist Christof is told he needs an "anchor" for his Humanity and selects Anezka, the nun who nursed him back to health and who he's been having less than holy thoughts about ever since he woke up. Christof is told, by his mentor Wilhelm, that choosing a person as his "anchor" is a dangerous call - but his mind is made up and, not to spoil a twenty-five-year-old game, it turns out to be for the best for both of them... as long as he's kept his Humanity up, anyway.
So, Touchstones in the context of Masquerade are nothing new to me - in fact I was quite surprised when the full TTRPG didn't have rules for them. But! Touchstones in V5 are a bit different. Instead of one, there are many: instead of humanity in general, each of the vampire's Convictions has a named person attached to it.
The problem - and this isn't just me, it's something that's come up in all the V5 games I've played or hosted - is that viable characters have two or three Convictions. Coming up with two or three Touchstones at character generation, before you have a feel for who this person is and how you're going to play them and what their routine looks like, has not worked for anyone I've played the game with. One might work - most of us can ideate a relationship with one other person before we start playing - but three seems to stretch the limited sense of a starting character's identity too thin.
Rules As Written, of course, a Touchstone doesn't have to be someone significant to the story. They can just be someone your character saw every day, or sees every night, or notices every time they pass by. But... that's bullshit. That is not a "hang a key element of your personal ethic and capacity for self care on this person" relationship. I can see the story beat of "this person isn't there any more and you're morally shook by it" working once, maybe, but still, permanently altering your character's relationship with the Beast is kind of an integral function of the game. It feels like that hat should be hung on a sturdier hook - a full-on fleshed-out SPC. Like in Requiem, where you get one Touchstone.
Also, Humanity works differently, at its most fundamental level, and this exposes a key difference between the two games - one where I think Requiem is strides ahead. @awakenedsalamander touched on this talking about the differences in the concept of the Masquerade between the two games, but I want to go deeper on it.
In Masquerade, Humanity is about degeneration - it's the Downward Spiral, an almost inevitable drift from Man to Beast with exceptions being so rare they're practically mythical. It's about becoming worse, with all the moral judgment that implies, about committing acts that appear on a Hierarchy of Sins.
(At least, it is in V20. V5 abolishing that in favour of chronicle specific Tenets and character specific Convictions is really smart. I didn't grasp how it was meant to work from the corebook - it took the Player's Guide to spell it out to me - but now that I grok it, I love the tension between the Tenets that forbid and govern a character's actions and the Convictions that excuse and forgive those actions.)
In Requiem, Humanity is detachment. It's about the state of being a vampire slowly and inexorably reminding you over and over that you're not human any more, drifting further and further away from what you were and into the all-night society of predators. It's quantified in terms of Breaking Points - roughly grouped by significance and severity, these experiences hammer home that you're dead, you're dead, you're dead and out of this world. It's less "I did a bad thing" and more "I experienced something that no human ever should" like walking off a stab wound or being reminded you're a hundred years old and still act like you're twenty. When you hit a Breaking Point, you roll a number of dice - how many is a function of how serious and hard to avoid confronting the Breaking Point is - to avoid losing Humanity.
Now. In the past I've met quite a few players who don't really want to engage with the morality play aspects of Masquerade. Whether that's "we want to speedrun to Humanity 4 so we can play the game 'properly' without having to pretend we regret doing all the things RPG protagonists do" or "we think it's kinda stupid the way low Humanity says you may no longer create art or have sex without 'faking it' and let's interrogate what the developers think 'sex' is, shall we?" doesn't really matter. Maybe you want to play on the theme of post-humanity rather than be wrist-slapped for trying to do main character stuff. I don't blame you.
I think it should be possible to wholesale lift the Requiem system of detachment, rolled for at Breaking Points and mitigated by a singular Touchstone who can be a more developed character, or a place, or an object, and slot that into V5 replacing Tenets, Convictions and Stains.
That gives you a version of Humanity that's more permissive and less frontloaded, allows you to go deep on one hook instead of ideating sets of pairs before you even know who your character is. It also divorces functions of sexuality and creativity from being a good person - in the Requiem model, vampires fuck, and make art, and low Humanity expresses more in how they do it than whether or not they can.
(Although - there'd need to be some finesse around Oblivion, since I think the Discipline's theme of entropy inducing personal decay still works in the detachment model - maybe keep Stains as an additional lever, a function of Messy Criticals and dangerous Disciplines, and have Breaking Points inflict Stains instead of automatically triggering rolls...)
Important note on this idea: this does NOT exempt you from having a conversation about what's off limits in Session 0. It's easy to miss this in the V5 core book, but Chronicle Tenets aren't a safety tool. Chronicle Tenets are the moral rules that are going to come up A LOT in play, they define what your coterie collectively accepts as Doing A Bad Thing, to be excused for personal reasons (i.e. Convictions). An actual out of character trigger, an aspect of the World of Darkness with which a real live person who exists does not wish to engage, is a line or a veil - something we either don't include, or don't narrate explicitly. It's not something we build into one of the game's mechanical loops and ensure will come up. That would be... the absolute opposite of safe.
Whadda we think?
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the-damnable-fool · 5 months
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tinfoil hat time: the devs wanteD Sophia to be a pseudo-love interest to P but GASP, not only she is technically older than P (and even Carlo by default, she looked like a young teen when Carlo was a child) she also looks older (in the last render at least). cant have a female love interest looking, acting and behaving older than the mc, noo sire.
Uhhhhhhhhh I don't know about that one chief. First off, Romeo is definitely firmly first in the running for P's potential love interest when you take a look at their history as characters. Secondly, Sophia and P don't really have any sort of chemistry to speak of. Thirdly, and most importantly, Sophia's motivation to find P was almost entirely selfish. I don't doubt that she cared about him and wanted him to succeed for other reasons too, but she also really, really wanted to be freed from the Arche Abbey (and life itself).
That does, however, allow me to segue into another gripe about the storytelling of Lies of P. Sorry for hijacking your ask for this purpose, but its happening.
Why the hell was the MC a silent protagonist?
Actually, I know that answer. It's because Dark Souls did it, and this game wears its influences on its sleeve.
But why does it work better in Dark Souls and worse in Lies of P? Simple. In Dark Souls, the MC isn't really a character.
You see, in any Souls game, there are a couple things you can take as read from the beginning. First, the world is going to be transitioning from an age of light into an age of darkness. Second, the great heroes of the world are going to be corrupted or insane. Third, the protagonist is a mere pea sized insect trawling through the ruins of a once great civilization. These are the constants.
These constants lend themselves to a silent protagonist because the protagonist is merely a vessel for the player. They have no history. No motivations. No relationships or connections. They're merely a vehicle by which the player experiences the bygone grandeur of the world around them. In Dark Souls, you aren't a great hero or anyone of consequence, you're just the one that gets to come by and put them down after they've gone mad. Sure, your choices may affect the fate of the world, but who you are is ultimately of no consequence because you are overshadowed by what has come before you and what you represent. You're not a person in dark souls.
But in a story in which the main character is an established character with relationships and feelings, that all begins to break down. You cannot be the blank-slate player stand in and a fleshed out character at the same time. Lies of P's MC (I don't call him Pinnochio because I don't think that name is ever uttered in game) is a person with history to him. Granted, he doesn't remember most of it, and its arguable that he's a different entity from Carlo entirely, but he's still an established character with his own struggles, relationships, and so forth.
I've been rambling for a bit now, but the gist of what I'm trying to say here is that having the MC be a silent protagonist just doesn't really work when you're trying for a more character focused story. The MC isn't The Nameless Undead or some gothically titled hero of myth, he's Geppetto's puppet. His actions only have real consequence to about a dozen people (I stand by this estimation because the vast majority of Krat is dead). Having other characters talk to him and form relationships with him comes across as odd when he never talks back or voices his own thoughts or opinions on the subject. It's like they're trying to make friends with a wall, but they seem convinced that that wall has its own thoughts and opinions even though that's never actually demonstrated.
Circling back to the original Ask, I don't think that Sophia is a love interest for the MC for the same reason that I think that none of the characters were intended as love interests for the MC. Love is a two way street, and you can't have a good love story if one of the lovers doesn't talk to the other. Giving the MC a voice and his own concrete personality and character separate from the whims of the player could've made room for a love story and greater character exploration, but that's not the route they chose to take, and I'm personally of the opinion that that was the wrong move.
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