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dinitride-art · 2 years

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OKAY SO- holy shit this might be something.

In light of the current discussion of the cabin scene and thinking it could be from mikes POV, I raise you the possibility that we’ve actually been in Mike’s perspective more than we think.

Starting with Mikes first appearance; when he’s reading el’s letter. He’s reading her letter. It could have been el writing it the whole time but no. The events being narrated are what mike is seeing and what he isn’t seeing. It’s not el telling him, it’s what he’s seeing and what he’s not.

Next: the apology. I’m saving my pictures here because I’ve got a lot to discuss a little later but, if you look at that scene I’ll bet that Will is in the light. And if you look at the car scene, I’ll bet the same thing. And the triple take. And will painting in els letter. Will is always in the light somehow. And mike is only in the light with him (from what I’ve seen so far) when he apologizes and they actually talk.

But to the main thing here, the van scene. I was watching being differnt + you’re the heart when I noticed this. I’ve been thinking that it looked more like mikes POV than wills but I couldn’t pinpoint why exactly until we started talking about light.

The light is literally blowing out the camera lense/ picture when pointed at Will. But at mike? There’s nothing.

Same thing here, but there’s also the added sun glare on the lense in wills shot. And the light that should probably be on mike, isn’t. I’m willing to bet it took them so long to film this because they were manipulating the light.

But it’s not like it’s just where the light could be either. Because Jonathan’s POV through the mirror, is neutral. It’s dim on both of them, besides some natural light. But also the way that this is shot, the mirror vs. Their individual shots at the same time are so different.

Will, although the light is dimmer, the suns not shining so brightly, is still glowing. And the camera is still picking up glares as he speaks and is flashing and blowing out with light. And mike? The shots are so careful to avoid light on him. And this is like this for the entire scene.

The last pair I’ve got here, the end of the scene before it’s just will, is this. It’s this. The light is obscuring will and shining beautifully and the glare and everything. And mike? Nothing.

Mike isn’t just in the dark. Mike’s our narrator. And that’s why we’re being absolutely blinded here.

And it doesn’t stop here. Because it was like this in the airport scene. And all the ones I mentioned above.

It’s been fucking mike the whole time.

#stranger things #will byers #mike wheeler #byler #byler theory #I cannot fucking believe this shit #why would any one want to film lighting like this for a whole season #it’s absolutely insane #the lights

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pixipoxi · 1 month

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#listened to this tonight while I was driving home #the lights #the song #the empty highway #my speeding #it was all beautiful #Spotify #music

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thewatcher98 · 12 hours

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Hello beautiful people. How the week's going so far?

Oh! Wait... It's only Tuesday...

#i love everything about this pic #the angle #the lights #the man #that little mask he's wearing #the tux #the stance #the man particularly though #itv endeavour #endeavour morse #shaun evans #tux tuesdays #hot damn evans

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lovesitcomsandgaystuffs · 2 years

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When blue meets yellow...

#en mi era byler delulu #byler #will byers #mike wheeler #stranger things 4 #stranger things #st4 #st4 vol1 #st4 vol2 #THE LIGHTS

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yougetsu · 2 months

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Climax Together 3rd elevated

#the setlist #the outfits #the lights #the visuals #the presence

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magicalgardenofhypnosis · 9 months

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Love Isle Resort Part 1

Jamie Lomas is a extremely hot British soap star actor on the English show the young, edgy and soapy Hollyoaks for a whole new generation.

He is visiting on vacation when I caught him in his hotel room upon a request waiting for him on the bathroom I can see him in the reflection.

The mirror previously cleaned he stops to be his own admirer posing at the mirror with s huge fake smile and dental implants galore of course.

He flips the light switch on the light radiating on him I continue to hide in the shadows of the bathroom as he looks up to see the light blink.

He curses the lights as he bangs the wall all goes dark for him his eyes stay upward lock on the light frozen on time it malfunctions according to my plan.

I glee with excitement sneaking out of the closet I reach in back of him embracing his body with mine as I dig my nose in to his shirt.

This lifeless husk of a body is mine it to play with hours unfortunately he taste sour and ripe from a few hours of the gym my hands enjoy.

My hands begin to roam on his body feeling how plump his pecs are, erect his nipples are and his upper body strength fully bulked up.

I lean in laying my lips on his skin first his face then down his shoulders tracing it to the chest and his abs so broad and godly I had to have him.

“Can you hear me Jamie? Answer me love” I demand of his attention instinctively.

“Yes…. I can hear you.” He replies to me.

“You will do everything I instruct of you.” I add.

“Yes sir.” He issues.

“Your cock, nipples and pecs are hard.” I tell him.

“Uummmmm….aaaaahhhh….yyyeeesss” he howls.

“It’s throbbing and you are burning fucking hot.”

“Oh God! It’s burning “

“Strip off your clothes you need too”

“These damn clothes….oofff”

“Much better “

“I feel sexy “

“Let’s play “

“First off get in the shower and clean up “

“Yes”

“After be my entertainment for the night “

“Your wish is my command “

“I am deeply programmed “

“In the mean time let’s peruse this den that use to be my hotel.”

“God most of this like a movie set”

“ Time to update the clothing for today”

“One swipe and the staff will prep the pool”

“Now for my main course “

“You are back? Excellent! Put these pieces on.”

“Meet my by the pool after “

“I have plans for you “

“Sir Yes Sir”

Leaving the room he compiled automatically as if on autopilot the clothes rip off the bed and the towel falls to the floor in a frantic way.

He cleans up the room putting everything in its proper place as I designed in his mind as his architect and now rule for a lifetime well obviously.

He grabs his wallet, keys, cellphone and his hotel room key as he exits the sweet aroma of the cologne I left for him mix with his own scent fills the halls.

He pops on the elevator pressing the pool side button as it descends his mind is in a whirlwind of emotions overtaking him in his own madness.

Walking off en glides over to me standing far too tall his shadow overcast on me then I grab him and yank his lips down to mine as we kiss.

We make out intensely feeling each other up in more ways then I can say as he kisses me slowly and we touch I am enamored at his ways.

“How do you register yourself?”

“I am slave nothing less nothing more”

“Good boi! This will be quite blissful.”

The end

Love isle Resort Part 2

“When you look in my eyes what do you see?”

“Fuck you prick”

“Look in my eyes “

“I said….”

“LOOK IN MY EYES”

“Damn it”

“It’s so much easier”

“To stare and obey “

“S-t-a-r—e”

“O-b-e-y”

“You belong to me”

“I belong to you “

“Take me to your room”

“Wait!”

“Yes”

“Finish your drink “

“As your wish “

“Let’s go “

“How about we do some role play”

“When you arrive upstairs….”

“YES MASTER!”

I exit the elevator walking on to the floor in a state of frenzy knocking on the hotel door for room 403.

Ashley Taylor Dawnson opens the door for me standing shirtless waiting for a pizza order as programmed.

He stares at me checking me up and down

I can see his cock growing, body pecs are bouncing and I assume control.

“Well hell there”

“Would you like to come in”

“Excuse me!”

“You heard me hot stuff “

“Where’s my pizza”

“I see it in your pants”

“Oh my god!”

“Sure! Let me teach you a few lessons”

“Hell yeah!”

“Slam the door “

“Crawl to me and kneel “

“Mwahahahahaha “

The end

#Ashley Taylor Dawson #Jamie Lomas #hypnosis #the lights #reprogramming #mind control #actor

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cowboylikeghost · 4 months

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Being neurodivergent and low energy is so tiring. Like Yesterday, we went out with my whole fam to the mall (worst place on earth) and only AFTER that we had to go to Ikea, very nice place if you didn't use all your energy before. Because when i tell you i walked around like a fucking zombie, i'm not kidding. My sister told me "why do you always look dead whenever we take you anywhere?" and all i can do is ☺️👍🏻 bc i don't want to fucking talk. And after all that, i get a tummy aches, then a headaches and it feels like my legs will betray me at any seconds.

#i fucking hate crowded space #like the mall is litteraly my definition of personal hell #the lights #the people #the noise #it's just all so #loud #i hates it #neurodivergent #neurodiversity #neurodivergencies #adhd #ADHD #adhdawareness

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liar-or-lawyer · 2 years

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#edits #mike ross #suits official #suitsedit #suits cast #suits usa #suit #suits #patrick j adams #cast #tvshow #tvshowedit #harvey×mike #harvey specter #harvey and mike #he looks beautiful #the lights #his eyes

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punkeropercyjackson · 23 days

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🤝🏻🤝🏾🤝🏿The besties!!!!!

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drathe · 1 year

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Okay, light show at Hannover Zoo made my Christmas

#the lights #we walked almost 23 kilometers today #because also gardens #but I’m so happy #and ofc I have 10000 videos too

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dinitride-art · 1 year

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Mike Wheeler in Season 4 (Analysis/Theory)pt.1/2

On screen in season four we didn’t see Joyce have a panic attack. We’ve seen her before, like in season one when Will went missing, but it’s interesting that they mentioned Joyce’s anxiety when it didn’t really come up.

Will mentions it in this scene, after El’s been arrested and her note has been handed over. He says something along the lines of, “-[My moms probably halfway to a panic attack right now]-” but we don’t see that when she’s trying to call later. Granted Murray is there to alleviate her worries when she can’t get through but it never gets to a point that is concerning.

Right after Will says this, he and Mike talk. And Will spends that conversation reassuring Mike that everything's going to be alright. This is far from the first time we’ve seen similarities between Mike and Joyce. They are constantly paralleled in the first season. But this also isn’t the first time we’ve seen Mike have a reaction to stressful situations that’s like this. It usually looks like an overreaction to the immediate situation- like when he hit Hopper in season two after El came back. And then Hopper changed gears completely and just held him until he calmed down.

We aren’t told a lot of things when it comes to Mike. Probably because we see so much of him and his narration, we don’t necessarily need to be told, but that makes it interesting when trying to interpret context clues.

Will mentioning Joyce having a panic attack, and the rest of the scene being spent making sure Mike’s okay, might be telling us exactly what’s happening with Mike.

We can see that Will’s choosing his words carefully. He’s thinking a lot about how to handle this conversation. Mike doesn’t have that same range of expressions.

Mike’s over the shoulder shot is also a bit different than what we see with Will. It’s closer to his face and angled so we see less of his expression and more of what he’s seeing. With Will’s OTS shot, they had more of an even share of the shot. It’s pretty usual for us to see more of what Mike’s perceiving than Mike himself, but thinking about it within the context of Mike’s struggles in season four it could offer an explanation as to why were never told what’s going on with Mike. At least not in words.

Mike’s posture is also making him look lower than Will. Like, emotionally. There’s also a lamp behind Will’s head, so that and the lighting shows Will’s role in this scene. Which is comforting Mike. (Mike’s also in front of the only orange rectangle in Jonathan’s wall hanging which is concerning because orange means danger. Established in season two with the pumpkins.) Will being placed in front of a band poster (I believe its the smiths? I might be remembering wrong though) also puts Will in the position of music. Which in season four, has connections to fending off Vecna’s curse. It’s pretty much the same idea as the light.

So Will is Mike’s light and his music. What this seems to be saying is that Will’s presence is protecting Mike from darkness/evil/Vecna. Or is foreshadowing that happening in season five.

But the main point is that Will is successful in cheering Mike up. And the scene might be showing us that Mike and Joyce have similar struggles with anxiety.

Jonathan and Will also seem to decide which person they’re responsible for? Like in the scene where they’re burying the dead body of ‘Mr. unnamed hero agent man’ and Argyle’s freaking out- and then Mike’s just standing there.

This is just Mike looking at Will, but it’s also showing who he looks for assurance in. Because Mike’s not doing well this season, that’s why there are so many heart to hearts, and Mike and Will moments. Because Mike needs constant reassurance in order to continue functioning. At least, that’s what seems like could be happening.

And in these two shots, we see first- Jonathan going and calming Argyle down, and then going after him. We also see Mike looking at Will, and his entire head is in shadow. Will’s in the center of the frame, and in the light.

And we all know the triple take. (colour wise, Mike’s in front of a yellow car, and Will’s in front of a blue car. Possibly showing their changing roles in their relationship. In season two and three, Mike was the one who was taking care of Will, and now that’s flipped. Because now Mike’s the one who’s struggling. And needs Will.)

We know that Mike was looking to Will the entire time they’ve been burrying the body. But it could be Mike staring at Will for the sake of staring at him, as much as it could be Mike wanting reassurance.

And he gets that the next time we see them.

Again, Mike’s been positioned in front of an ominous part of the background. This time it’s the mountain in shadow, while Will is in front of the open sky and plant life. Mike holding a seven up specifically, is also showing us that something is very wrong. Seven is a number established as a bad sign in the first episode of season one, and that had to do with Will. And Mike, because he was the one Will told. Mike being the one with a seven is again showing how their roles have flipped over in terms of what they both need from each other. Will needs Mike to be okay, and Mike needs to be okay.

The orange truck is closest to Mike in frame, and again Will is in front of blue cars.

While Mike is in front of a yellow truck.

Their backgrounds are contrasting again, with Will’s being light, and Mike’s being shadow. Their faces have a similar juxtaposition. Will is once again comforting Mike, who is again, struggling. The purpose of this part of season four isn’t just to develop Mike and Will’s relationship, and fix unresolved problems from the previous season. It’s also to show how their roles are swapped.

And the most important thing we see in these conversations, is that Mike needs this reassurance from Will, because something is wrong. Whether that be personal, or personal and supernatural, is yet to be seen. But we can be pretty sure that somethings going on with him.

Mike’s again is our focus. What’s interesting is how Will and Jonathan are on either side of Mike, not really caging him in, but rather in slightly protective stance. (Mike’s left hand is the one we see covered in dirt in this shot. More danger signs surrounding Mike.)

When Mike finds the clue, he looks to Will and Jonathan on either side of him. In season one, Mike was in a similar position as Joyce- meaning that there were a lot of people that told him he was wrong when he was actually right. Being worried about Will, thinking Will’s in danger, knowing Will is alive- all of these were things we saw Mike say to people and they shut him down. Like how Joyce was continually shut down when she was sure Will was alive.

He looks at Jonathan and Will for reassurance that he’s right. If he was sure and confidant in himself, it would have made more sense for him to jump into action immediately. But he doesn’t. (Yellow car behind Mike, blue van beside Will.)

When they call the number, we see Jonathan and Will again in supportive positions. But not necessarily taking a stance that shows they are confidant in Mike’s theory.

Then Mike passes the phone to Will, because he needs him to hear it too. Will’s hand over Mike’s makes more sense as a way of subtly comforting him. Saying that Will’s with him, but also showing further development in Mike and Will’s relationship this season.

After this happens, and the phone gets passed over to Jonathan, Will’s in the center of the frame. There’s a clear divide between Will and Jonathan, and Mike. This could be showing a couple different things. One being that Mike feels similar to how Joyce (and himself) felt in season one, being doubted while being right. And how he’s set a part from Mike and Will. Or it could be going the forced conformity box and foreshadowing Mike’s monologue and how Mike’s putting himself in a box. Or it could be saying something about how Mike called Will, but the calls didn’t go through- creating a rift/divide in their relationship.

From the composition of these shots however, it’s probably showing Mike being set a part from Will and Jonathan and needing to convince them he’s not crazy.

But it’s also showing again that Will is Mike’s light and his music. But also the way that Mike’s positioned in center frame, and is looking over his shoulder could be another sign of danger. Mike’s almost entirely in the dark in these shots, at least the close up ones. But Jonathan and Will are allowed to have light fall on them. Again, Mike’s in shadow, and has an indicator of something not being right. It’s a choice to not have everyone’s faces clear in reacting to Will. That choice including Mike looking over his shoulder, might be saying that Mike’s on edge for other reasons as well.

Once again we see Mike in between Will and Jonathan. He’s in the center again and Will’s in the light again- and what this seems to be saying is that we’re looking at Mike, and Jonathan and Will know somethings up too.

They keep being set up like this at Suzie’s, at least for the first part of it. Mike’s on edge the entire time he’s here, but the rest of them are slightly less tense. (Argyle’s in front of the bookshelf, and closest to the space poster. Further pushing the idea that he’s the wise fool, meaning that what he says might not always make sense, but have meaning from an audience perspective.)

When they’re lying to Suzie, and Mike has his arms crossed, he looks to Will quite a lot. These are the most notable/emphasized times, but what it shows is that Mike’s looking to Will to back him up. And it’s showing us that it’s very noticeable to other people when Mike does look for Will.

Also there’s a lot going on in Suzie’s room. Will’s put directly in front of a blue arrow pointing at Mike. And Mike’s in front of a bulletin board with letters tact to it. In the first shot, there’s a heart on Suzie’s desk on Mike’s side, and the arrow behind Will’s head on Will’s side. Both Mike and Will are placed near and/or in front of lights in this shot. This might be supporting Mike’s shirt pocket arrow representing the direction of his heart. Especially since it is pointing to Will in that shot. This is one of the first times that Mike’s shirt pocket is allowed to point to Will in Suzie’s house too.

Even in this shot, Will and Jonathan manage to be on either side of Mike. Mike’s shirt pocket is pointing to the light, and the curtains. This is one of the rare times Will is in the dark while Mike’s in the light. But this lighting is similar to the harsh white light cast on Vecna’s victims, rather than the romantic lighting on Will. Mike’s also been positioned in front of a painting that’s either of water, or sand or something weird and important. If it is water than that’s another sign of danger for Mike. But either way, the one we see panicking the most in this shot is Mike.

Still can’t really tell what it is, but it appears to be water.

Anyways, then they end up in Suzie’s dad’s office. Mike and Will are in front of two windows, and Mike’s shirt pocket is pointing to Will. Jonathan deviates from the bordering Mike thing him and Will have been doing, but Will sticks close to Mike.

The hand touch that we don’t really see, but definitely happens, has a different meaning within the context of Will trying to comfort Mike. It’s similar to the pinkie boop in season two between Mike and Will. They’re in a situation where doing anything else might not be okay. Mike holding Will’s hand in that scene wasn’t safe, not like it was in Will’s room.

I think the same thing is happening here. These two shots of Mike (and Will) are before and after that shift. Mike looks visibly more relaxed. So this seems to be less of a accidental hand touch, and more of a subtle comforting gesture in an unsafe environment.

Then they’re all out of there, and Mike and Will are sticking close to each other. What Will’s been doing in season four is comforting Mike the same way that Mike did in season two. But with Mike there’s the added layer of paralleling Joyce and her anxiety. Which is mentioned by Will, and has a pretty good chance of relating to Mike as well.

The van scene is the exact same thing- just with more direction. Mike’s spiraling and Will tries to fix it, even though it hurts him to do so. In season two, it hurt Mike to tell them to sedate Will. And he was in pain when they were trying to get through to Will in the shed. It’s not unequal. It’s just different.

When they can’t get El a flight, Will bumps his arm into Mike’s. Everything Will’s doing is in response to Mike starting to panic. And it works, because it’s Will. In the same way that Mike was allowed to take care of Will in season two, when Dustin and Lucas weren’t.

And Mike’s letting Will be the person to reassure him that everything's okay. He’s actively looking to him, and Will’s answering.

#too many content blocks again #welp gotta go slplit this in to two very unequal parts #byler #my writing #the lights #stranger things #mike wheeler

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