Maybe it's a 'study finds water is wet' type of thought, but
considering it's an action movie whose overall plot is "immortal warriors Fuck Shit Up™️", I think it's significant that in The Old Guard the thing that makes Copley pull red strings through his Murder Conspiracy Board and say "[Merrick] doesn't care what [Andy]'s done with [her immortality]" is the people they save, not the ones they kill
Most of the Conspiracy Board is him circling random newspaper headlines and faces on old photographs to (more or less realistically) follow the immortals' treck through the world and big historical events. Which is, in-canon, not much different than putting portraits from different centuries next to a picture of Keanu Reeves and saying "they look the same, clearly Reeves is an immortal!"
But then there are the connections. A little girl holding Joe's hand in WW1 becoming the youngest (and first) woman to be awarded a Nobel Prize for Medicine (suck it, Kozak). Or the grandchild of a family that Andy saved from [something] helping people escape from the Khmer Rouge genocide in Cambodia.
They are warriors. They have fought and been in the midst of countless wars, major or minor, throughout history. They must have killed as many people as they saved... and yet.
It's not them taking out a random warlord or dictator or rabidly hateful politician that has tangible repercussions in history. It's the children and families they get out of war zones, save from accidents, protect from natural disasters. People to whom they give a second chance at life, and grow to change the world (or even just their own world), like a mysterious stranger once changed theirs just by holding out a hand or patching a wound.
I don't know I just think it's particularly neat
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he'll burn himself down
gotta love a good fall from grace
magali villeneuve, greater good cover
lesser evil by timothy zahn
greater good by timothy zahn
lesser evil by timothy zahn
luke ross and nolan woodward, thrawn (2018)
thrawn: alliances by timothy zahn
pat olliffe, andrea di vito, and rachelle rosenberg, thrawn: alliances (2024)
star wars: rebels, "family reunion - and farewell"
thrawn: treason by timothy zahn
chaos rising by timothy zahn
star wars: rebels, "family reunion - and farewell"
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An Exploration of Anakin Skywalker and Miss Piggy
(do NOT judge me)
Anakin Skywalker holds the unique position of being one of the most famous fictional characters of all time. Instantly recognizable, the epitome of iconic villainy, he goes beyond beloved character to join the ranks of cultural icons.
Over the past 50 years, countless analyses have been written on Anakin Skywalker and his hero's journey. While virtually every aspect of the character has been explored, one remains critically unexamined: his similarity to another cultural icon, Miss Piggy from the Muppets. While both of their presences in pop culture are nearly ubiquitous, the two have curiously never been associated with each other in the cultural lexicon.
This paper aims to explore Anakin Skywalker's and Miss Piggy's similarities through the lens of their background, their general characteristics, and their relationships. In doing so, it argues that Anakin Skywalker and Miss Piggy share a common basis as people shaped by their rage and their love in equal measure.
Background
When examining Anakin Skywalker and Miss Piggy's backgrounds, the author finds that they share several common beats. Anakin Skywalker grew up on a backwater planet, abused and a victim of a violent system from birth. Irrevocably shaping him forever, it formed the backdrop for his complicated relationship with his mother and his eventual fall into deep evil. Miss Piggy's journey neatly parallels this, as demonstrated in the following quote from Frank Oz:
"She grew up in a small town; her father died when she was young and her mother wasn't that nice to her. She had to enter beauty contests to survive. She has a lot of vulnerability which she has to hide, because of her need to be a superstar"
Both Anakin Skywalker and Miss Piggy had troubled childhoods; both grew up in backwater towns; both had complex relationships with their parents, whether through absent fathers or painful memories of their mother. Both had to use their bodies to survive. In Anakin's case, living as a piece of property who did not own his own body; in Miss Piggy's, falling back on her beauty to participate in systematic objectification. Anakin risks his life in podraces; Miss Piggy stalwartly appears in bacon commercials. Both suffered insecurities as a result of their upbringing: Anakin, forever unsure of his personhood, and Miss Piggy, tied to a mother who never wanted her. Forged in similar fires, Anakin and Miss Piggy's lives show two beings sharpened by their experiences, made especially clear in their characteristics.
Characteristics
Anakin Skywalker and Miss Piggy are primarily defined by need to respond with violence. Miss Piggy is described as conveying a feminine charm - then suddenly flying into violent rages when thwarted. In the Star Wars trilogy, Anakin Skywalker is famed as the dashing Hero with No Fear, while savagely violent when it suits his purposes. Capricious, arrogant, and convinced that they're destined for greatness, both Anakin and Miss Piggy bear the marks of their childhood. After years of being treated as worthless, neither can handle critiques gracefully, although notably Miss Piggy shows herself to be more violent than Anakin in this regard. Pre-Vader Anakin complains; Miss Piggy goes for the kill. Regardless of response, both are convinced nothing will stand in their way.
Additionally, Miss Piggy and Anakin even share a few physical characteristics. Both are burly and physically intimidating compared to the others around them. Both wear gloves that are symbolic; Miss Piggy's, of the image she wants to convey to the world, and Anakin's, of risking being more machine than man. They also both are martial artists. Anakin Skywalker is frequently described as one of the most powerful and dangerous Jedi of his generation, a formidable and cunning warrior; Miss Piggy is famed for her karate chop that sends its target flying across the room.
Most essentially, both are figures of puppetry who still retain their agency. Anakin Skywalker is a victim of forces larger than himself, groomed to be a Sith Lord since childhood, and yet the inevitability of his fall is disproven by his own kindness and heroism preceding it. As with all muppets, Miss Piggy is a puppet but one who, within the story, has a will of her own. She, much like Anakin, makes her choices in the end.
Relationships
Lastly, Anakin Skywalker's and Miss Piggy's relationships mirror each other with similar dimensions. Their relationships are characterized by intensity and undertones of violence. Anakin Skywalker consistently shows an interest in Padme, pursuing her only to be rebuffed; Miss Piggy consistently shows an interest in Kermit, pursuing him only to be rebuffed. After a rocky road in the beginning, both experience rejection until they are rejected in no longer in a whirlwind romance - Anakin, after a respectful acceptance of Padme's wishes, and Miss Piggy, after a dogged pursuit. Once together, the relationships are unstable and dysfunctional. Anakin beats another man in a jealous rage, while Miss Piggy, "when not smothering [Kermit] in kisses...is sending him flying through the air with a karate chop." Both are on and off again with their partners; both are truly in love but struggle to form healthy connections after a childhood of trauma.
Conclusion
As seen above, Miss Piggy and Anakin Skywalker share similarities in background, characteristics, and relationships. While this paper attempts to begin an exploration into these similarities, future work is still needed to fully flesh out their radical extent. This paper did not cover issues such as the two both being incredibly melodramatic, among others, nor how both suffer the consequences of their rage. The author would like to close with a cautionary quote from Friedrich Nietzsche:
Whoever fights monsters should see to it that in the process he does not become a monster. And if you gaze long enough into an abyss, the abyss will gaze back into you.
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