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seattlesea · 3 years

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Why Solangelo Isn’t A Good Ship (Sorry)

The amount of love I see for Solangelo is honestly kind of surprising???

1. It was only for publicity. The House of Hades- which is when Nico came out as gay- came out late 2013, and the spike for LGBTQ+ supporters and allies was mid-2013, and there was absolutely no foreshadowing or even hints to Nico being gay beforehand. Riordan only confirmed Nico gay to avoid backlash. And in The Blood of Olympus, Nico is openly gay to the readers, Reyna, and Jason, then comes out to Percy and Annabeth afterwards. Then he’s introduced to Will and- in the very next book they’re seen in- they’re in a loving relationship. It’s as if Riordan didn’t believe that having Nico come out as gay was good enough but had to give him a boyfriend to ‘validate’ or ‘confirm’ his sexuality like so many assholes ask LGBTQ+ people to do.

2. It happened way too fast. Will and Nico meet for the very first time and start dating within only five months. What? Not only is that too fast for normal people to actually get into a legit, real relationship that isn’t something out of a cliche high school movie, but Nico came out as gay after being scared to for years, just started slipping out of his isolated and depressive state, literally had to learn how to socialize after being alone for 3+ years, just came out of a war and even Tartarus with truck loads of PTSD that would take years to fully recover from, and just started gaining a family and friends and had to learn how to accept help and comfort from others. Tell me- how many soldiers who just came back from war are concerned about getting a boyfriend/girlfriend/datefriend? Nico’s story in BoO should’ve been about his recovery, not getting a boyfriend. I mean, he met Will for the first time and immediately started liking him, and they didn’t have any meaningful conversations whatsoever. All they did was bicker. Even in The Tower of Nero, they didn’t show any actual mutual understanding of or true affection towards each other. They didn’t talk about anything deeper than the shallow end of a pool, about each other, or even how they got to be in a relationship. They were just kind of there, reminding the readers that ‘Hey, I’m Rick Riordan and I added a gay couple to the main cast! I’m great!’

3. It was too fast for the readers. People often forget that the speed of relationships in books aren’t only about canon, but what the readers see as well, cause what good is a relationship if the fans didn’t see any of it? That’s not going to help us like it, it’s just going to confuse and annoy us. We want to see how the relationship formed, grew, and developed from a platonic friendship, acquaintance, or ally into a mutual romantic liking. If we don’t see that, the relationship is just boring and dull. Seeing the development of the relationship is what helps the readers gain a true connection and emotional bond to it. If we don’t get that, the relationship is as good as a blank page. And it’s not only that, but it’s also flat-out bad and lazy writing. Will and Nico met for the first time in BoO, talked like twice and only bickered and argued (as if that’s the start of a super healthy relationship), then in The Hidden Oracle, they’re suddenly a loving couple? What?

4. The mental illness problem. I’m sure most of you know of the disgusting and ableist stereotype that the struggle and trauma of people with mental illnesses (especially depression, anxiety, and PTSD) magically wash away after they meet their romantic partner, right? Like the teenage girl who’s having a panic attack in school, gets noticed by her crush, and is all of a sudden fine cause he touches her hand and they make eye contact? Or the girl who’s super insecure about herself but gains confidence after her boyfriend compliments her? Or the person with depression magically gets happy again after getting a partner? The same thing happened with Solangelo. At the end of The Blood of Olympus, Nico isn’t yet fully happy, but has gained the things that can make him so- a family, friends, acceptance, support, love, etc. But, after talking to Will (who’s a doctor, may I add) for the first time, all of Nico’s negative thoughts, anxiety, sadness, depression, etc. vanished and all his thoughts were replaced with ‘Will this’ and ‘Will that’. And in ToA- only five months after the war with Gaea- Nico is perfectly fine? As if all that pain and trauma could wash away in only five months? And this isn’t the first time this has happened in HoO. The same thing happened with Leo- he struggled with anxiety, depression, PTSD, etc. but after he met Calypso all those internal struggles magically washed away and he was happy only after getting a girlfriend, so it’s obvious Riordan isn’t exactly avoiding this hurtful stereotype.

5. It ruined their characters. Before meeting Will, Nico had a lot going for his character, a development that didn’t need to be completed with a love interest. He was realistic, relatable, and overall one of the best written characters in HoO, and his trauma and struggles were actually really well-written. But, after he met Will, the entirety of his character was ‘Will Solace’s boyfriend’. That’s all Riordan wrote about after he and Will communicated for the first time. Nico didn’t even talk to Reyna, Hazel, Percy (besides telling him he had a crush on him, which- again- is just another part of his love life), etc., and the only time he did talk to someone else (Jason), all he thought about was Will and how he was ‘disappointed’ that it wasn’t him. All of Nico’s character arc, struggles, relatability, and everything else Riordan worked up to his character was destroyed to make room for his love life. As for Will, he was actually quite a cool character- driving around Manhattan on a motorcycle, fighting in the Battle of Manhattan, protecting Camp Half-Blood, sewing Paolo’s severed leg back together, healing Annabeth’s poison knife wound, etc., plus all the cool powers he must’ve had as a son of Apollo. Even his personality was interesting- extremely caring, too dedicated, intelligent, calm, patient, etc., and I was really hoping to see him at his full potential in HoO. But Riordan ditched all the potential Will had for ‘Nico di Angelo’s boyfriend’. Even their personalities were washed away for cute pet names and teasing.

6. The fandom ruined their characters. This was really annoying. At first I mildly disliked Solangelo, but after the fandom’s take on it, I couldn’t stand it. The fans completely destroyed Will and Nico. I mean- is there any post about Will that doesn’t involve Nico in it at one point or another? And there are barely any posts about Nico that doesn’t involve Will or some other male character like Jason or Percy or that doesn’t mention his sexuality. I get that they’re dating, but that doesn’t mean they’re completely dependent on each other now. Another problem is their personalities. The fandom portrays them extremely inaccurately. Will isn’t a super upbeat, cheerful, bright, outgoing, happy-go-lucky guy. He’s actually a serious and determined hard-worker who just cares a lot about people. Just because he’s the son of the sun god and has blond hair and blue eyes doesn’t mean he’s the definition of ‘happiness’. As for Nico, the fandom just gave him a whole new personality as well. I mean- Nico swooning or blushing cause Will called him ‘Sweetheart’ or some other cliche pet name? What? Since when? Solangelo was bad on its own, but the fandom just ruined it completely.

7. Y’all only like it cause it’s gay. Sorry to be the one to say this, but if the majority of you hate Jiper after reading a whole series on them where they actually talked to each other besides about their physical health because it happened ‘too fast’ (which, I agree, it did) but love Solangelo after barely two paragraphs? Why aren’t any of you guys complaining that that went too fast? The reason is pretty obvious. This is a problem most fandoms have- they only like ships (especially canon ships) no matter how unrealistic, unhealthy, or toxic it is because it’s gay. If Nico was straight and Will was a girl but everything else went exactly the same, y’all would’ve hated on it in a heartbeat, but because it’s two guys... yay Solangelo???

I’m gonna get cancelled-

#solangelo #heroes of olympus #percy jackson #nico di angelo #will solace #solangelo isn't that great #stop acting like it is #just cause its gay #ship

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redxblueihateloveyou · 3 years

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You know it's always really funny to me when mhs say that had it not been for swimming Haru and Rin would've never become friends bc I'm like, that's how relationships work???? You initially connect bc of something you have in common and go from there???? In that case you can also apply it to mh bc if Haru and Makoto had not been neighbors since they were young they probably would've never become friends either, but nobody wants to mention that bc then their argument crumbles lol

Anyways, your blog is literally the best and your rh (and general) takes are always so nice to read

I'm... same, I just do not understand what’s new about this? Like my mom and dad met while they were both working at school, if I started talking with a guy cause he told me that he liked my chibi Akashi bag and anime, is this not allowed? This in no way means that that’s all we like about each other or smth, this means this one thing brought us together.

This is the reason why I dislike mh fans so much. Because the majority of them instead of posting some canon facts and truthful arguments, they either twist some words into something unrecognizable, either try to change a rh moment into mh. I just always thought ppl ship things for what they are, not what they are not...

And the main problem in this happening and the error in their equation is Haru. Cause they’re trying so hard to sew him into that but with everything he says and do he constantly falls off and they end up with mako-haha. It’s like they say that Makoto is the reason that Haru walks into his future, which is hilarious tbh, and the next movie airs and what do you know Haru is yelling at Rin’s face how “he only walks towards the future and wants it bc of him”, they say that s2 relay teams are what they truly want which everyone knows ain’t true and boom drama airs and Haru and Rin are talking how it’s not the same if they’re not together on the team. They air all the birthday stories and oh no, Rin is special again. I remember how they were running around after that frfr! episode, where Rin tries to make Haru laugh and Makoto says he actually already heard it before and turns out it was kid Haru’s evil laugh in his sleep at school. Like what is so special about that? And how is this mh related? Haru was cutely laughing watching Rin sleep and just reading his text.. that’s yeah, that’s the reason to fuss.

Their problem is always Haru, he never fits their mh plan like ever. But do they listen to him? No. Because we have a moment IN THE ANIME, where Haru says “RIN, I WANT TO BE LIKE YOU, TOO.” meaning he wants to be as brave/daring/passionate, etc. cause Rin represents freedom for him. Okay, I’d get why some needed me to post an arguments list for “Rin doesn’t like Haru only for his swimming”, which is still hilarious to me, but okay, he does have a kink in books about Haru moving in the water and goes about it for several pages, but with Haru this is actually not the case.

I don’t know if anyone noticed it, but swimming is not what attracts Haru the most about Rin and never was. It’s his character and state of mind and the way he makes him feel aka free. It doesn’t matter what they do, like whether they eat their rolls or draw new years fortunes. Haru said his whole body is on fire just when he looks at Rin and he doesn’t even notice how he starts smiling when Rin talks to him. It’s just the way he makes him feel. And swimming has nothing to do with that. Sorry, guys lmao.

Did they seriously just erase this moment, when Rin writes how he wants swim as fast as Haru in his letter, but Haru looks at the sky and he has this kaleidoscope of Rin’s pic in his mind and what he says next is "Rin, I want to be like you, too.”

And he means what he says. It’s not about the swimming truly, he admires the fact that Rin follows his dreams with such passionate determination. Mind the fact that moments of Rin that flash before his eyes in this moment a) when Rin openly gushes about Haru’s swimming in front of everyone; b) when he yells in front of the whole class that if he wants a relay with Haru, he will bloody get it; c) his swimming; d) when he tells Haru that he’s a sight he never saw before he’s gonna show him the sight he’s never seen before. It’s about how what Rin wants, Rin fights for until he gets it. Haru is in love with his passion, always was, always will be.

Haru doesn’t want to “swim like Rin” although they did compliment each other by saying “I find your strength amazing” “but I find your stamina amazing”, and Haru always drools about the power behind Rin’s strokes, but Haru swims in his own beautiful way. And while he adores the way Rin swims, that’s still not his favorite thing about Rin and never was. Every time he talks about Rin it’s always about his personality and surprisingly... it’s rarely about swimming. When he thinks about Rin it’s always stuff like... how he is so colorful and intense and full of life and passionate about his dreams and how he stands out among everyone else to him, not about his swimming skills.

So this argument is dumb AF tbh. I’m like.. yeah, and Lan Zhan loves Wei Ying for his demonic cultivation skills. Not because of his strong character, daring heart and his incredible ability to tick him off and light his cold ass on fire.

P.S. Seriously tho this is the first shipping base I see who just always for some reason does this stupid thing with finding a crumb and actively trying to make it into a bread but then realise it’s realistically impossible so they just replace it with a plastic one and pretend it’s real. This in fact makes your ship ridiculous. You can’t try to push the line that Rin is abusive (thats still lol) and how Makoto is better for Haru, since Rin did everything to make Haru reach his dream and made him happy and he’s the only one who can help Haru, when he feels down like in s2 and then with Albert and etc. Makoto can’t. It’s the truth, just let it go. I know there are not much positives sides in mh relationships to be honest in my opinion, but there are still some (?). Why not base your arguments on truth? Like at least it’s gonna be mh, not some imaginary thing. Either love mh for mh or don’t. Like yeah, Haru doesn’t resiprocate, but maybe one-sided stuff is your kink, ok, explore this, fine, but don’t try to make Haru into somebody else. Then it’s not your ship anymore.

It’s just funny to me like that Rin here writes poems about Haru and openly flirts with him in restaurants and plans their future together and I don’t even need to exagerate anything, it’s just how it really is and meanwhile mh is like “remember how 7 years ago Utsumi said that Rin and Haru wouldn’t be friends if it wasn’t for swimming, so mh is the shit”.. like I’m sorry, but I think I’m allowed to laugh at this. Sometimes you just have to let it go, seriously. Or at least like idk think before you post (and I know that it has like 3 retweets and no one cares, but still 3 ppl agreed and it reached me somehow, so..). My policy is when I create posts about my ships is validation. Like my last Rinharu facts youtube post got 5K likes, I didn’t post my thoughts, just their moments and at the end I specifically said “I have links/translations to all of this, so name thing you want to read, I’ll link you” and I linked everyone whatever they wanted.

This is how you tell ppl a story of why you love this ship and make them fall in love with it, too. Not by making up lies about what’s not there and twisting someone’s words (like this person wrote “thats what she really meant *adds complete nonsense*). And I know mh do not have any of this stuff that rh have, but if you really ship mh, find something real and go from there. Seriously, it’s better if you have smth small, but real, than a huge lie.

Also I still think ship is about two people, not just one. Why mh don’t want to listen to anything Haru says or wants like at all? That’s just sad.

P.P.S. Thanks for liking my blog, this makes me so happy <3<3<3

#answered #anonymous #Free!#free #anime #rinharu #harurin #sharkbait #rin matsuoka #nanase haruka #Haru x Rin #free! iwatobi swim club

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365days365movies · 3 years

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April 12, 2021: Mrs. Doubtfire (1992) (Recap)

Hey, Robin Williams. Been a while.

I’m sorry that I haven’t watched your movies for a while, and that I always skip your comedy stand-up when my phone’s on shuffle. I just...let me explain. Since I was a kid, you were one of my favorite entertainers. That might as well have started the day I was born, because...well, we share a birthday, fun fact. But it definitely continued with the first movie I ever saw in theatres.

While I don’t quite remember the first time I saw it, Aladdin was one of my favorite childhood movies, and I knew that you were the voice of the Genie from an early age. You might have actually been the first actor I ever knew by name. Which makes sense, because your stardom during the ‘90s was nearly unparalleled.

The next film I remember seeing (and hearing) you in was Ferngully: The Last Rainforest. That also starred Tim Curry, who would also be a major figure of my childhood. It also wasn’t the best movie, in hindsight, but it is the only time I’ve heard you rap since.

But eventually, I watched your forays into live-action, too. Jumanji, Hook, even the objectively bad Flubber, are all movies that I vividly remember watching during childhood. I was really excited for Flubber, even, and I LOVED Jumanji growing up. I liked Hook, too, but I appreciated that more as I got older.

Of course, during this time period, you also made less family-friendly films. The Fisher King, Good Will Hunting, Dead Poets Society, Good Morning Vietnam, and What Dreams May Come were all very successful, and cemented your reputation as an actor. I also haven’t seen any of them. In fact...I don’t think I’ve seen any of your dramatic roles, and that’s something that I’ll fix this year. Hell, in a few days, I’ll watch The Birdcage, another of your big hits of the ‘90s.

But why haven’t I seen them up to now? Well...I was going to watch these films, about seven years ago. But...I haven’t been able to bring myself to do it. Because it hurts. A lot.

I know that this is a downer, but my relationship with Robin Williams today is tainted by his tragic death. I was fucking BROKEN when his death was announced, and I really haven’t been able to watch him since. I’ve seen Aladdin recently, but that’s about all I could stand to watch. I mean, the guy shares a birthday with me! I’ve always loved his comedy stylings, and his improvisational skills are something I’ve internalized to a certain degree.

So, yeah. This one’s tough. But, it’s about time I moved on, and celebrated the man’s career for what it was: stellar. And that also brings up an important question, that some of you have probably asked by now:

HOW HAVE I MISSED MRS. DOUBTFIRE, WHAT THE FUCK

I KNOW I KNOW OK?

Look, I’m not entirely sure how I haven’t seen this movie, because I’m MORE than aware of it! I remember it airing during the ‘90s, my Dad AND girlfriend love this movie, and I know FOR A FACT that my family owned both the DVD AND THE VHS of this movie! So, how? HOW HAVE I NOT SEEN IT BY NOW?

I honestly have no idea, but let’s fix it now, huh? Yet one more man-dresses-as-woman movie this month! And no, I am not watching White Chicks...because I’ve already seen White Chicks. Also, it’s...problematic.

SPOILERS AHEAD!!!

Recap

Daniel Hillard (Robin Williams) is a voice-actor, and a good one. Which, given that it’s Robin Williams, isn’t entirely inaccurate. He’s also a voice actor with a spine, as he morally objects to a scene in the cartoon that he’s performing for, in which the main character smokes. By the way, I’m 99% sure that this cartoon is animated by Chuck Jones, and it looks well-made.

Anyway, this leads to him quitting the cartoon altogether, and allows him to pick up his kids early from school. These kids are Lydia (Lisa Hykub), Chris (Matthew Lawrence), and Natalie (Mara Wilson), and it’s Chris’ 12th birthday. Daniel arranges a...surprisingly large party, given that it’s completely impromptu, and it comes with a petting zoo and complete trappings. However, it’s not a party of which his wife will approve.

This wife is Miranda (Sally Field), a successful architect and the breadwinner of the family. After getting a call from the neighbor about the party, she comes home and busts the outrageous party. And for the record, I’m entirely on Miranda’s side here. This party is INSANE, and very irresponsible, given the fact that Daniel currently has no job. And yeah, he’s a very loving father, and a good person, but...it’s too much.

Miranda feels the same, and after 14 years of frustration, she realizes that she no longer loves Daniel. In a genuinely sad scene, she tells him that she wants a divorce. And she goes through with it MUCH to Daniel’s detriment. He has no home, as he’s staying with his brother, Frank (Harvey Fierstein) and his partner Jack (Scott Capurro). He also still has no job, meaning that he has no way to provide for his children. This means that he has no ability to provide, and the judge awards Miranda full custody. Oof.

However, this is a conditional arrangement, as another hearing for joint custody will be held in 3 months, and if Daniel can get a home and job in that time, he has a chance. He performs a litany of voices and impressions with his court liason, Mrs. Sellner (Anne Haney), which amuses me, but not her, and he gets a job in order to be with his kids for more than one day a week.

Meanwhile, Miranda IMMEDIATELY starts dating fellow designer and old flame Stuart Dunmeyer (Pierce Brosnan), like, almost before Daniel leaves the house. He bids a heartfelt goodbye to his kids, with the promise that he’ll see them on Saturdays. And now begins the absolute hatred and petty bitchiness of Daniel and Miranda! Seriously, it’s...it’s fucking terrible, and it takes away from my sympathy from either side. I get that divorce is rough and ugly, but GODDAMN, neither of them perform the act with any form of tact or grace.

This is put on display during the kids’ visitation to Daniel’s semi-crappy new apartment, which doesn’t even seem that bad, to be honest. Miranda dropped them off late and picked them up early, as if to slowly starve Daniel of time with his kids, which is extraordinarily shitty of her, fuck me. Daniel’s not taking it well, understandably, but then does something...really dumb, when you think about it.

See, Miranda’s looking for a nanny, to help watch the kids and clean the house during the week. Daniel volunteers his services, which is actually a good idea, but Miranda says she’ll think about it, which we ALL know means no. I DO NOT like Miranda, even if I understand the initial reasons for the divorce. She’s being especially spiteful, and it’s not a good look.

Daniel’s stupid idea, though, is to change the phone number on the ad for the nanny, which Miranda shows him before she takes the kids. Instead, he calls her number, and pretends to be various terrible applicants, until finally supplying his own applicant: the completely fictional Euphegenia Doubtfire (Daniel Hillard).

Daniel plays Mrs. Doubtfire as an elderly British woman, and a seasoned nanny in her day. Which is why it’s weird to me that, when he does to Frank and Jack to help him make an elaborate disguise as Mrs. Doubtfire, that they go through various other impressions and get-ups. Which, yes, is goddamn hilarious, but also makes NO SENSE, given that they’ve already established her character to Miranda. Funny, but nonsensical.

But, regardless, Euphegenis Doubtfire comes into being, and introduces herself to Miranda and the kids. Mrs. Doubtfire is exactly what Miranda’s looking for, although the kids aren’t exactly overjoyed, ESPECIALLY the oldest, Lydia. Also, during this first meeting, Miranda openly bad-mouths Daniel in front of the kids, in just the WORST fuckin’ way. I genuinely dislike Miranda A LOT. Again, the divorce was certainly justified, but I REALLY don’t like her. Daniel loves his kids, and they’re HIS kids, TOO. Stop using them as weapons against him, OOOOOOOOOOOH I DON’T LIKE MIRANDA

Anyway, that evening, after she’s officially been hired by Miranda, Mrs. Doubtfire heads home, only to find court liason Mrs. Sellner waiting to speak with Daniel. After a litany of puns, and a humorous changing scene, Daniel accidentally throws the Mrs. Doubtfire mask out of the window, and is forced to improvise through equally humorous circumstances. Hence, the above meringue mask scene. Has anybody tried that, by the way? Could that work as a groundbreaking beauty technique? Or would the sugar just feed the skin bacteria and give you acne? Genuinely curious.

Now going between his job as Daniel and the nanny job as Doubtfire, Daniel’s not doing too badly for himself. The nanny job begins, and Mrs. Doubtfire IMMEDIATELY contrasts with Daniel, creating a disciplinarian atmosphere in place of Daniel’s formerly loosey-goosey attitude. Which is interesting, and it works! I mean, it’s not how I would parent, but it does work. Doubtfire makes the kids to their homework, rather than watch TV, and then attempts to make dinner. Instead, though, the dinner’s ruined, and Daniel orders takeout and makes it LOOK like homemade food. And it looks good, too! Daniel’s full of hidden talents.

After dinner, as Mrs. Doubtfire’s leaving, Lydia apologizes for backtalking her earlier, and thanks her for making her mom happy with everything she did that evening. he also says that she’s still a bit messed up about her dad being gone. And yeah, it’s sweet-but-sad.

Going forward (and in a montage set to Aerosmith’s Dude Looks Like a Lady), Mrs. Doubtfire takes care of the family, and Daniel even betters himself to become a better Mrs. Doubtfire. Which...to be honest, Daniel REALLY should’ve done this before. I get that he needed the pressure of losing the kids to do this, but...look, Daniel really wasn’t that responsible of a parent, and the fact that THIS is how he learns to be so is...not great. Like, here’s an example, OK: take Donald Trump.

Yeah, I know, what’s this politics doing in my peanut butter? And WOW, that reference is older than me, but anyway. Let’s say that, in two years, a new politician comes on the scene, and her name is Karyn Walldottir. She has somewhat centrist views, and behaves in a way that’s inclusive to the majority, and backs up her claims and promises with evidence (at least true enough for us to suspend our disbelief). This is, of course, Donald Trump disguised as a woman in order to gain custody of the United States of America again. Naturally.

Karyn Walldottir gets elected in 2024, and all of her policies are markedly different from Trump’s and Biden’s, but leaning closer to Biden in progressive standpoints (assuming that that worked for him come 2024). While Trump is doing this specifically to be president again, he ends up revising his personal policies, and being a better person and president for the country. A literal impossibility, I know. But suspend your disbelief to ask this question:

WHY THE FUCK WOULDN’T HE DO THAT IN THE FIRST PLACE? IT MAKES NO FUCKING SENSE!

OK, now that that dumbass (and mildly horrifying) thought process is concluded, let’s get back to Mrs. Doubtfire. In the process of Mrs. Doubtfire’s ingratiation with the family, Miranda’s been dating Stu, whom Mrs. Doubtfire subtly insults when they meet. And yeah, Daniel’s being a little petty here, but it makes a bit of sense at least.

That night, after an accidental intrusion by Chris when Mrs. Doubtfire is going to the bathroom, Daniel’s basically forced to tell Chris and Lydia his little secret, which Lydia’s happy about, but Chris is understandably weirded out about. But, they agree to keep the secret from their mom and younger sister.

At his OTHER job, delivering film reels from a TV station, he witnesses the filming of an extremely boring kids educational TV show, and comments as such to another man watching. As he quickly learns, this is the owner of the station, Jonathan Lundy (Robert Prosky), on whom Daniel makes a good impression.

In the meantime, Mrs. Doubtfire has a talk with Miranda about their love lives, real and fictional. Daniel realizes how badly Miranda had been suffering in their marriage, which she never told him because...well, he never seemed to take anything seriously. Which is entirely fair...but this is why Miranda’s a tricky-ass character. She’s got two sides: there’s the justified caring mother and strong woman, and there’s the PETTY ASSHOLE who genuinely doesn’t care about Daniel or his feelings AT ALL. Jesus.

And Stu...look, Stu is LITERALLY a Gary Stu, who’s mostly perfect. Sure, he’s not always been that way, but he definitely is now! He’s responsible, wealthy, in love with Miranda AND her kids. And yeah, at a country club that he’s a member of (OF COURSE he is), he privately badmouth Daniel in front of Mrs. Doubtfire, calling him a loser, and...yeah, he’s not really unjustified in that statement. Fact of the matter is, Stu is barely even a plot device.

Meanwhile, in Daniel’s day job, he finds himself alone in the studio, where the toy dinosaurs from the TV show are still sitting on the table. He plays with them, gives them voices, sings some songs, and impresses Mr. Lundy, who’s there in the shadows after all that. He’s impressed, and invites Daniel to dinner to talk about a potential future show at the network.

But then, it’s also Miranda’s birthday coming up, and Stu’s holding a dinner for her, to which Mrs. Doubtfire is invited. Trouble is, it’s at the OH FUCK IT. YOU know what this is. It’s at the same time and place as the Mr. Lund meeting yaddayaddayadda LOOK. We ALL know how this is going to end. It’s the GODDAMN LIAR REVEALED TROPE AGAIN. And here’s the thing:

I FUGGIN’ HAAAAAATE THE LIAR REVEALED TROPE

You know, that thing in movies (especially family movies of the ‘90s) where somebody starts off a situation with a lie, they get deeper and deeper into that lie, grow close to people under false pretenses, and then OH NO! THE LIAR IS REVEALED! And everybody’s angry and/or sad, the liar slumps off, defeated and broken, but then realizes the error of his ways, while everybody else realizes the same thing, and he comes back to vindicate himself, and is welcomed back with open arms. And it introduces unneeded tension AND I HAVE ALWAYS FUCKING HATED IT.

Let’s list the examples, shall we? A Bug’s Life, Aladdin, Mulan, The Road to El Dorado, Chicken Run, How to Train Your Dragon, Klaus, Madagascar 3: Europe’s Most Wanted, Megamind (SUBVERSIVE MY ASS), Over the Hedge, Rango, Toy Story, Steven Universe (the whole Pearl/Sardonyx arc, which went on for WAY too long), the list goes on and fucking on. And I GODDAMN HATE IT. Not to say it can’t be done well. Disney actually usually does a pretty good job with it, and Dreamworks uses it A LOT, but almost always pretty well. But sometimes...GOD. Either way, it’s still used FAR too fucking much. And look. Here’s another one. Joy.

Look, at this point...I will freely admit that I'm biased against this trope, but it’s also obvious where this is headed. Basically, Daniel switches back and forth between the dinner with the family, and the dinner with Mr. Lundy. With Mr. Lundy, he gets absolutely SMASHED. Great. Great decision, Daniel.

So, yeah, Mrs. Doubtfire’s also smashed, which is pretty goddamn apparent to them all. At this point, I’m wondering why Daniel, as Mrs. Doubtfire, didn’t just say she was sick as hell, and had to go home. Or, considering the fact that Daniel proposes her as a show idea regardless, the switch wasn’t even necessary! And that means that none of what’s about to happen, happens. Or, here’s a crazy thought, maybe Daniel shouldn’t have POISONED STU’S FOOD WITH CAYENNE PEPPER THAT HE’S ALLERGIC TO!

YEAH! Because that causes Stu to go into anaphylactic shock for a hot sec, causing him to choke. Mrs. Doubtfire does the right thing and gives him the Heimlich maneuver, and in the process, SURPRISE! IT’S BEEN DANIEL ALL ALONG! BUH BUH BUHHHHH DA DA DA DAAAAA DA

Yeah, so Miranda is understandably ENRAGED by this revelation, and it’s all over. Daniel represents himself in court at the custody hearing, but the judge deems his “lifestyle” dangerous for children. Which...yikes, Judge, that statement didn’t age well AT FUCKING ALL. But, given Daniel’s admitted stupidity with this whole idea, he’s not wrong about the dangerous part. But, I have to say, Daniel’s speech in his own defense is nice...although he also says he’s addicted to his children, so let’s throw a second yikes on there for good measure.

The speech moves Miranda...but not enough to prevent Daniel has his custody stripped away from him! GOD THEY BOTH SUUUUUUUUCK. Daniel’s a broken man, and Miranda and the kids are similarly broken without him and Mrs. Doubtfire. However...Daniel’s career isn’t broken AT ALL, as Mrs. Doubtfire is now a kid’s show host! Yeah! And she’s a hit! And again, it brings me to wonder why Daniel DIDN’T APPLY HIS OBVIOUS TALENTS LIKE THIS IN THE FIRST GODDAMN PLACE

Realizing that she made a mistake, she goes to the set during the filming of a show. She congratulates him on the show, and he replies by stating how broken he is now! Thanks, Miranda! Well, after an argument, and after Miranda sees how badly she’s messed up someone she used to care for, they come to an agreement: joint custody. FINALLY GODDAMN IT

And good, because I don’t want them back together. I have to give this film props for that: they acknowledge that these two are NOT good for each other, and they deliver a message in the end: families are families, no matter how they’re shaped. One mom, one dad, uncle or aunt, grandparents, adoption, two separated or divorced parents...oh, also, two dads or two moms. Yeah, that isn’t said in Mrs. Doubtfire’s final monologue, which is odd considering Daniel’s brother and his life partner...but it’s also kid’s TV in the ‘90s, so I guess that sadly makes sense. And with that, and their new family arrangement, Daniel takes his kids on an afternoon out, as himself.

...Look. That’s Mrs. Doubtfire, yaddayaddayadda LOOK. I don’t dislike this movie. In fact, here: have this mini-Review:

Cast and Acting - 9/10: Good, although Brosnan was a little stiff.

Plot and Writing - 5/10: It’s an idiot plot, what can I say? It’s actually based off of a book, which was a surprise to me, but it was adapted by Randi Mayem Singer and Leslie Dixon, and...eh. Still an idiot plot.

Directing and Cinematography - 8/10: It’s Chris Columbus, you get what you get. Definitely has that Home Alone flair to it.

Production and Art Design - 8/10: I mean, yeah, the Doubtfire disguise was good most of the time, but...I dunno, I could still tell it was Robin. But, still, it was good. Took 4 hours of makeup, fun fact.

Music and Editing - 8/10: Music by Howard Shore (ooh, Howard Shore!) was pretty nice, especially the ending theme. Editing by Raja Gosnell was...RAJA GOSNELL???

OH GOD. Yeah, OK, I see what happened here. Also, I didn’t know he was an editor! I just know him as the director of the Scooby-Doo films, Beverly Hills Chihuahua, The Smurfs films, Big Momma’s...

...OK, no, I am not doing Big Momma’s House OR the Madea movies. THE TROPE-BUCK STOPS HERE! I am moving on to something else! But, of course, I have to sum this up in a Review. See you there!

#mrs. doubtfire #mrs doubtfire #chris columbus #robin williams #sally field #pierce brosnan #harvey fierstein #robert prosky #mara wilson #comedy april #user365 #365days365movies #365 movie challenge #365 movies 365 days #365 Days 365 Movies #365 movies a year #moviegifs

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luciehercndale · 4 years

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Alastair Carstairs and Charles Fairchild: Uneven Love

In this essay I will try to be as brief as I can about what it meant to be part of the LGBTQ+ community at the beginning of the XX century and a few points on why Charles and Alastair were an uneven/unbalanced couple. Have a nice read!

Being gay in Victorian/Edwardian London

Legality of Charlastair’s relationship

Uneven relationship

Before I start delving into this topic, I just wanted to tell you a few things about what it meant being part of the LGBTQ+ community at the beginning of the XX century. I will briefly tell you about Great Britain specifically because the story is set in London, but you have to understand each country has its movements of emancipation and its laws, so there are a few things which may differ. I will also just mention about homosexual relationships at this time.

Being a gay man in London at the beginning of XX century wasn’t easy, because if two men were caught together in compromising positions, they could be arrested and detained and accused of buggery or attempted buggery. There was a law passed in 1885 which condemned public indecency between males, and such law won’t be abolished until the 60’s of the XX century. The only places gay men were allowed to be themselves were the Molly Houses. Those places were like modern taverns, pubs, coffeehouses where they could meet and engage in sexual activities with other gay men. Speaking of Charles and Alastair, I do wonder if they met in such a place, although since the former is so obsessed with keeping the appearances, maybe not. Or maybe he went in secret, but let’s not forget that in 1902 Alastair was 17.

Why is Charles so obsessed with his image?

For one, homosexuality was the opposite of the idea of “manliness” in Victorian/Edwardian age. During this period, what counted the most to British people was their image, how they appeared in public, and being gay was considered as a deviant act, an immortal act which was the evidence of a corrupt morality. A Victorian family had to be presentable, impeccable - the public sphere had to be pristine even if the private sphere was not. Charles Fairchild is a man of the public sphere because he’s sort of a politician’s figure who was born during the highest point Victorian mentality. It’s no wonder he is concerned with how others perceive him, and he sees his sexuality as a threat to his preferred career, which is all about “manliness”. Remember before Charlotte became Consul? Even there we saw the sexism of the Inquisitor and other members solely because Charlotte was not a man, hence, she couldn’t be “manly”. Charles would be regarded the same way, this is why he decided not to be openly gay. But mark my words, sooner or later he will because that is an inner conflict he has which is at war with his outer goal.

I’ve seen people say that one of the first reasons why Alastair and Charles’ relationship was not appropriate is because Alastair was 16 and Charles was 22. Of course I agree. I wanted to check whether it was legal or not in the XX century, and I discovered that after the Criminal Law Amendment Act passed in 1885, the age of consent was 16, which meant that as much as I find it repulsing, Alastair and Charles could have a relationship and they wouldn’t be breaking the law except for the not so little detail that they were homosexual. Like I said above, homosexuals could risk a prison sentence.

I want to tell you more about this topic but I don’t want to derail from the purpose of this essay.

First and foremost, from the interactions we had of them, you could tell Charles seemed to have promised things to Alastair, because when they speak in Chapter 11 of CoG, the latter is pained and all of his hopes are destroyed. “But you said - I thought” that is what Alastair says. That is the realization that he believed in Charles and what they shared in Paris. Charles says he doesn’t make “false promises”, which means that he may have already thought that their relationship could not be more than what it was - a secret affair. Secret because the act was illegal at the time, and affair because it’s clear Charles might have used Alastair’s affection to fuel his own ego.

I’m convinced that Charles may have an inferiority complex. His mother Charlotte is Consul, the first female Consul. I believe he admires her because despite being a woman, she could get this post because she is also very able with her job. Charlotte is someone Charles looks up to and wants to emulate, but as we see through CoG, Charles’ regent job is laughable. He slanders James, he seems to side with Tatiana whenever he is concerned without having evidence (you see, Tatiana may have manipulated Charles into doing what she wants). This is not what a promising Consul does, and Charles probably knows it.

Then why Alastair?

Why, you say? For one, Alastair also likes politics. I hope he likes politics because he wasn’t influenced by Charles, but I’m convinced that is what Charles and Alastair bonded on; politics. I could see Alastair also getting into politics, by the way, but this is a chat for another time.

Alastair, 17 year old Alastair, felt confident of baring his soul to Charles when they started getting acquainted. He was also very young, I think Charles was the first person that he recognized also loved men like he did. He lived in an age were homosexuality was punished, the majority of gay men tried to hide their sexuality not to be deemed immoral and deviant. I think Alastair was ecstatic that he had found someone he could like and who could like him back, and this is why he decided to be with Charles. We don’t know when this relationship started, but probably after 1899 and the Academy. Maybe Paris in 1902 was the first encounter they had because they couldn’t see each other all the time, maybe they had been together longer… I don’t know. I hate that we don’t know the exact timeline, but we may get it in the future.

I was saying. In Chapter 11 of CoG when Charles goes to Alastair’s house, he reveals that he loves him. “I have loved you since Paris,” Alastair says, which, like I said above, makes it impossible to define if they just had Paris and Alastair fell for him from that only moment of connection (because they might have had sexual interactions there, maybe Alastair lost his virginity to Charles - these are just my assumptions, I have no idea if I’m right).

The Paris affair also makes me think about: “We’ll always have Paris”, which is a famous line from Casablanca. What does it mean? The only thing the protagonists of that movie can hold onto is Paris, since WWII broke and they can only have the memory of what happened in Paris because they can’t be together/won’t be reunited. Rings a bell?

Before I also add how prophetic it was for Alastair to find Thomas in Paris at the same moment he was waiting to spend time with Charles - because it was indeed a coincidence, but also how tricky fate is. Alastair was probably already attracted to Thomas in Paris, but he was loyal to Charles, otherwise… but this is also a chat for another essay.

Then Alastair and Charles kiss. The way Charles treats Alastair is very controlling: he doesn’t just reply “You know I do” when A tells him he loves him, he leads the moment and draws Alastair towards him for a kiss. Then they end up on the sofa, Charles on top and Alastair under him - which isn’t very casual, is also a way for Charles to control everything, because he knows fine well Alastair loves him and he’s indulging into the moment because he doesn’t dislike A, but he also doesn’t love him. Alastair gives Charles the validation he isn’t getting in his political sphere. (See a few paragraphs above).

Sex is also a way to exert power. We don’t know Alastair’s and Charles’s private lives in detail, but from the ways this scene is written, I can tell Alastair is the type who bares himself for the one he loves. Now that his heart was broken I don’t know what to expect.

Then they stop. Alastair is in pain because he longed for Charles. Of all the things he could ask Charles, what does he ask?

“What is wrong, Charles?” he said, his voice husky and rough. “If this is not what you came for, then why are you here?”

I mean, what? Do you know the heaviness of this sentence? It means that most of Alastair and Charles’ interactions as a couple might have been lead by sex or by making out. Why do I think this? Because otherwise Alastair wouldn’t say that - he’s basically implying that most of the occurrences between them started because of something sexual…

“IF THIS IS NOT WHAT YOU CAME FOR…”

It makes me so mad. So mad. Because it is clear to me that after the Academy, Alastair was devastated and also regretful of his actions towards the other guys. He also had to take care of his family. He also points out how he managed his household when his father was “sick”, how Alastair has been a brother and a father and the head of the Carstairs family for longer than we can imagine. I understand why meeting Charles could have changed his life, but Alastair is a giver, he gives a lot to those he cares about, meanwhile Charles is a seeker, he also wants to feel loved but he can’t exchange the affection the same way.

We can consider Charles and Alastair’s relationship dead and gone, anyway. Not only because Alastair said he was done and understood that Charles just wanted to matter (his words, not mine) and that he only cares about his career. In the scene I mentioned above, we also know that the reason why Charles came to Alastair’s was to inform him that Barbara Lightwood had died. Metaphorically speaking, her death could also signify the death of Charlastair and the moment in which Thomastair’s door was truly open to explore.

Now to conclude my thoughts - which I hope weren’t too jumbled - I’ll just say that as much as he unnerves me, I do think Charles could have a nice arc if played well. But, my dears, without Alastair. This is for sure.

Footnote: If you want to know more this, especially concerning gender, you can read What is Gender History? By Sonya O. Rose which treats different topics.

#alastair carstairs #charles fairchild #thomas lightwood #the last hours #gender history #chain of gold #chain of iron #chain of thorns #charles and alastair #thomastair #alastair and thomas #tlh #tsc #the shadowhunter chronicles #tales from the shadowhunter academy #my edits

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strangertheory · 3 years

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It's pretty much a given that Dr. Brenner will be returning. Do you think he's in the states still trying to track down El? I always suspected that he may have ran away to Russia so he could continue his experiments and research (maybe that's how the Russians knew about the Upside Down). I've been trying to avoid any BTS photos that could provide any major spoilers so there could be news I missed.

From the way that you contextualized your question, I believe you might prefer to avoid spoilers and any Stranger Things 4 leaks or rumors.

I am going to offer you two answers: one which is in the first part of this blogpost, and one which you can choose to read at your own risk which is below the “read more” divider and that takes into account my current thoughts on a few leaked photos and rumors.

I don’t believe that Dr. Brenner or the Lab was necessarily trying to track down El throughout seasons 2 and 3. Even though the Lab assured Nancy and Jonathan that the people who “made mistakes” in the past are gone (presumably they are referring to Dr. Brenner) the Lab and Dr. Owens seem to have a few different mysterious arrangements with Hopper. What these arrangements might entail have been implied but never openly stated. We do see Owens giving Hopper a birth certificate for Jane and telling him to “give it a year.” We see Hopper getting into cars and having shadowy interactions with people that we can only assume are affiliated with the Lab. But now that Hopper is gone and presumed dead (as of the end of season 3) is it possible that the mysterious arrangement that Hopper had with the Lab and/or with Dr. Owens would be nullified and that El would become the target of the Lab’s interest again? It’s quite possible. And perhaps Dr. Brenner, if he is alive and still doing experiments and research, might return and look to find El again.

I’d like to discuss a second hypothetical reason why I expect we could see Dr. Brenner in season 4, too:

In my opinion El’s conversation with Kali in season 2 foreshadows the return of Dr. Brenner, or perhaps it foreshadows the return of someone who might represent Dr. Brenner in some way.

"Now you're faced with the same choice, Jane: go back into hiding, and hope they don't find you. Or fight, and face him again."

"Face who?"

“The man who calls himself our father.”

Dr. Brenner was conspicuously missing from seasons 2 and 3, but we are led to believe that we haven’t seen the last of him yet. (Dead? Not dead? MIA?)

I theorize that Dr. Brenner will make a return appearance in season 4 because I have been waiting for the writers to reveal the secrets behind El and Will’s shared mysterious connection to each other that is implied to involve (among other things) the Lab and Dr. Brenner.

I believe that El now living with Joyce, Will, and Jonathan sets up the opportunity for this intersection of El’s and Will’s storylines to finally be explored and revealed to us.

I have considered a few very hypothetical ideas regarding what we might see in season 4 based on a few alleged Stranger Things 4 rumors and leaks. Keep in mind I treat all leaks as inconclusive information that is highly unreliable, and I try to avoid making many theories based on rumors and leaks. But! I cannot stop my brain from thinking about the information and ideas being passed around the fandom, and I do have a few ideas and hypotheticals that I’m happy to share with you.

Potential spoiler alert! For the rest of this blogpost I will be talking about a few rumors and alleged photo leaks that have been discussed by fans online over the last few months which influence my thoughts and ideas:

There were photographs leaked of alleged Stranger Things 4 filming in front of a movie theater that listed movies from 1982 such as The Dark Crystal. (1982? Yes! 1982.) This would mean that we might get flashbacks or scenes set before the events of 1983 when Will went missing and El escaped from the Lab.

If we will be seeing events that took place prior to season 1: it is very possible that we could see Dr. Brenner again in flashbacks that are relevant to either El or Will’s history with Dr. Brenner and the Lab.

Could we see Dr. Brenner in the present-day? Maybe, maybe not. El told Kali “Papa is dead.” But perhaps he either A) isn’t actually dead B) will still be a relevant character from El’s past within the story and we will get to see her or other characters interacting with Dr. Brenner in the past.

I believe that season 4 is going to focus heavily in addressing the mysterious connection between El and Will and I also suspect that Dr. Brenner is involved in that in some way.

To refer to the alleged leaked photograph of the movie theater again: the theater name suggests that it is located in “Lincoln Square.” There is a Lincoln Square in New York City and there is also a Lincoln Square in Chicago. We have characters who have connections to both Chicago and New York City in the series, and so it’s hard to determine the precise location of this movie theater. Regardless: we can say with greater confidence that, assuming these leaked photos were of filming for season 4, that this scene they were filming might take place in 1982 and show us events from characters’ pasts. I’ve considered the possibility that since Kali and El pursued a Lab employee (presumably living in or near Chicago in season 2) that it is possible that the Lab might have offices in that city as well as Hawkins. This is one reason I lean towards the possibility of seeing scenes set in Chicago at some point either in season 4 or season 5. (But who knows?)

In season 2 Will expresses his dislike for doctors and tells Joyce “No doctors. You promised!” and Hopper also asks Joyce, while she’s stressing over what to do about Will, whether she wants to “take him back to Chicago.” One can assume from the context of that conversation that Hopper is referring to medical treatment that Will had in the past.

Could Will have been a former patient of Dr. Brenner or another division of the Lab prior to his appointments with Dr. Owens?

I think it’s quite likely.

I’m not convinced that Dr. Brenner is who we think he is, however. I think there’s more to Dr. Brenner’s role in the story than we officially know (yet.)

To return to El and Kali’s conversation again:

"Now you're faced with the same choice, Jane: go back into hiding, and hope they don't find you. Or fight, and face him again."

"Face who?"

“The man who calls himself our father.”

If, as I suspect, Stranger Things is about a DID System and Will and El are both part of it: I have been wondering for a while whether the reason Dr. Brenner has all the Numbers refer to him as their father is because he is in fact actually their father in a more literal sense than simply being the mad scientist raising them to learn to control their powers.

If El is indeed an alter in a DID System, then perhaps “Papa” is actually an NPC or persecutor alter in the DID System based on whoever “real dad” is. Maybe El’s memories of being isolated and abused at the lab is a trauma memory that she experienced as an alter, and Kali is another alter who had similar traumatic experiences.

Maybe when we meet “Dr. Brenner” again he won’t be who he was before, but embodied by a different character who is chillingly familiar to El.

As I mentioned in this recent answer to another Ask: I am curious how El might react if she ever met Lonnie and whether she would recognize him as someone she knows or not.

I realize that my thoughts about Brenner might be a little bit hard to follow: this is because I don’t have any clear-cut expectations for when and how we will see Dr. Brenner again. What I described above is purely speculative and I wouldn’t even consider it a theory. It’s simply a few ideas. :) I’m a lot more comfortable analyzing what we already know about the series and finding hidden connections within the episodes and content that we already have available. When it comes to speculating about super-specific future plot-points I see it as a less exact science and (for me, at least) it can easily become fanfiction. I might have an opinion on the general trajectory of certain character relationships based on foreshadowing that we have been given, but the specific way that they will manifest themselves in the story is beyond what I can say.

Thank you so much for your Ask! Dr. Brenner is a fascinating character and there’s so much that we still don’t know about him. Discussing hypotheticals about Brenner always interests me even though I don’t feel especially confident in any one possible route the story might take and I relegate most of my thoughts about him to the “maybe?” section. But I do think we’ll see him again.

#stranger things 4 #stranger things 4 rumors #rumors are below the read more section #doctor brenner #dr brenner #stranger things #stranger things theory #stranger things theories #the did theory #will byers #el hopper

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takirasu · 4 years

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Why I cannot understand how a huge majority of the Persona 5 fandom ships Akira/Protagonist with Akechi if you’ve played the game and what is possibly wrong about it

First and foremost: I do not mean to offend or hurt anyone personally with this. This is purely analytical from the viewpoint of someone who is interested in analysing characters and character dynamics. The group of people mentioned that I dislike regarding this ship is targeted to certain types of people in the fandom that will be explained at the end, meaning if you ship this No, I don’t automatically dislike you and even if I would, who cares? It’s just me. I don’t know you and it shouldn’t matter to you. I also want to mention that obviously Persona 5 will get spoiled in this analysis as well as slight mentions and spoilers of Royal, especially the third semester. Read at your own risk! Without further ado, let’s jump into a very interesting dynamic between two characters that had potential, but – in my opinion – leaves a bitter aftertaste in my mouth due to what fans did and do with it most of the time and how Atlus ends it in both Orginal and Royal. I will try to be about this as neutral as possible, since an analysis shouldn’t take a side and then put my opinion about it at the end, because the aspects and whys about this matter more than one person’s opinion alone. Also, the analysis will help form an opinion and back it up. There is nothing worse to me than giving an opinion, but not having anything to back it up with.

To analyse the relationship between the two I will be taking important parts of the story in this dynamic and analyse it as well as analyse the characters briefly according to the situation and towards each other. I will be taking the Anime and Manga into this for certain parts as well. I would like to do a whole character analysis one day if I find the time and fans are interested, but since the main focus of this is a ship and what is up with it I will only analyse the moments that they either have together or that further underlines the topic.

Starting with Akira, it is clear from the very first hour on that he has a strong want of helping other people – in need or not - and cannot stand injustice. To underline how important it is to him you have to understand that in Japan’s society it is considered incredibly rude to interfere between two adults in whatever situation given. It is not your business, like Sojiro Sakura – his guardian in Tokyo during his probation – explains to him and much more the player at the beginning of the game. In short, Akira knew what he might possibly get himself into. Even if Shido wouldn’t have tripped and hurt himself. Even if Shido wouldn’t have threatened the women to tell the upcoming police Akira apparently assaulted him. The only thing important to those who found out about the incident and know that he did not push him was still this: You do not interfere between two adults, keep your business. People who do that are considered delinquents and you really do not want this stamp on your forehead in Japan. Further, I assume Akira might be suffering from a Saviour complex. In all three media – game, manga and anime – he puts other people’s needs over himself and gets incredibly upset if he is not able to help someone or better, in Akechi’s case, save them. As helpful and kind a someone can be by nature, you have to understand that not everyone will either want your help or will be able to accept it. Not everyone can be saved and you do not have to save everyone. People who have trouble with accepting this suffer from a Saviour complex. A moment to justify both this and my first point is during the beginning of Madarame’s Palace, with one of my favourite quotes of Akira being,

“I want to help. I just want to be sure what we're doing is right. Trust me I'm not saying we should turn a blind eye and do nothing...”

After this event, Ann and Ryuji call him out for being both too timid and yet in haste at the same time. They’re barely out of the Metaverse and obviously have a private life that they need to care about when he already wants everyone to gather information on if Yusuke is really being abused and used by his teacher as fast as possible; on the same day. Again, he puts others over himself. While of course Ryuji and Ann aren’t any less concerned, to him someone might be getting hurt and there is no time to waste on matters like this. When they do find out through Nakanohara, a former student of Madarame, that he steals his pupil’s art, threatens everyone that leaves him and makes students even hurt themselves, Akira as the Phantom Thieves leader decide on saving Yusuke. Said complex also feeds his need of wanting to protect others, shown and explored more in two major scenes in the anime. When Phantom Thieves meet Akechi for their finale encounter they captured it very well. Akechi reveals he has the power of the Wild card, being able to handle more than one Persona, like Akira does. When the Thieves try to either talk to Akechi or attempt to walk up to him and handle it, Akira as Joker takes his role seriously. He tells the others, “He’s mine. Hold. Don’t worry, I’ve got this.” knowing full well that nobody else would be able to take him on other than another Wild card. Another scene is when he protects Sojiro from a few police men. He knows he shouldn’t step in between two adults and he is still on probation, but the want of protecting the person that offers him shelter and that warms up to him is stronger than his own desires. He stands in front of Sojiro and shields him.

Akechi on the other hand is one of the most interesting and misunderstood characters I have seen in a long time. While not outright admitting it himself, Akechi has this immense and unfulfilled need of being loved since his past was pretty much empty of it. His resentment towards Akira is fuelled by this since he sees how said one has a lot of supportive friends when he’s nothing special in particular. This possibly means that in Akechi’s eyes you have to have a certain standard to achieve to be special and lovable, which would explain the way he made himself for the public. He further insults Akira as a criminal who lives in an attic during their last meeting and asks himself what he has that Akechi lacks, not knowing that it is something he never grew up learning. He hates Akira, but deep down he does not. It pains him to see the exact opposite of himself and how out of place it is for him. Akira is nothing yet loved, while Akechi build up this perfect self that is special, but not actually loved. It messes with him whenever Akira is in front of him and does better than him. He is the reason he gets reminded of the things he hates the most about himself. Similar to Akira he is an outcast to society – just carefully sealed and hidden behind his Ace detective mask. Shido, who is actually his father and he only works with to get revenge on, did not care that he got someone pregnant and left, which lead to Akechi’s mother giving him away and committing suicide. In Japan these kind of families are frowned upon on, being the kid of a possible one-night stand gives no meaning to your life and only tarnishes the mother, which is most probably the reason why the women took her life. It wasn’t bearable for her in this society and she couldn’t life with Akechi’s existence. He was given from foster home to foster home, never had any parents that would give him love and that he could look up to as well as forming actual bonds with people. You see him both struggling to form an actual friendship with Sae, an adult, as well as adapt to people his age, for example the Phantom Thieves. He feels odd and has this unpleasant aura of superiority around him, since he has never learned anything regarding love and how to work and be with other people. So Akechi decides he needs to build his mask to be lovable to the public since his actual self, in his eyes, is not. He’s smart and basically reforms himself completely new for the public. His public self is near to perfect for the role of a student detective. Justice driven, charming, funny and smart. During the game while he is on stage it slips his thoughts during the moment everyone cheers for him and adores him, that none of these people know he’s an unwanted bastard child, which means that he does not think as highly of himself as the player tends to think at the beginning of the game. He is sure nobody would like him and he would never be able to become a detective if it was him as his true self that is worthy of nothing. These two things lead to him being able to be cold-blooded and cause the mental shutdowns, as well as try to kill Akira. First, he has never gotten love and affection. These things are needed for a child to grow and learn empathy, which Akechi lacks. It might almost sound mean, but from a neutral viewpoint this is why it was so easy for him. He does not feel for other people as openly as others do. Also, you have to keep in mind that every shutdown being demanded by Shido would eventually bring him closer to his goal. His father to acknowledged his existence in the perfect moment, the apex of his power, and to take revenge on him for the life he has to live and most possibly for his mother to be driven to suicide. Lastly important for this analysis, Akechi knew what he did when he decided to let himself get killed by his cognitive self, Shido’s so-called security system. First, it would have either been him and the Phantom Thieves who were the only ones able to use the Metaverse next to him and change Shido’s heart, or only him which means that there was a possibility to at least ruin his life and not make him the new Prime minister of Japan. He knows that they won’t kill Shido, but taking everything from him that is important to him, his only desire, and the reason Akechi had to live life like this to begin with seems enough in the moment he faces death. Second, he does not believe in second chances and he does not believe in forgiveness. Akechi’s believes that are present during the whole game aren’t just towards others, but also himself. He hates his true self the same way he dislikes Akira. Both his true self and Akira are nothing in society therefore neither worthy of love or forgiveness. To him, there is no other way to atone for his sins. When the Phantom Thieves defeat Akechi he states,

“You (Akira) are so lucky to be surrounded by teammates who acknowledge you. Once Shido confesses his crimes, you’ll all be heroes. As for me, people will find out my past deductions were just charade. My fame and trust will vanish. In the end, I couldn’t be special…”

The only place he could eventually feel loved was when he faked those crimes and fake investigated them, since they were his own the public didn’t know about. He could feel important and respected, have a place in Japan’s society while working on his goal of his father’s downfall. The moment the Phantom Thieves won over him, he knew this would be taken away from him since to him the only possible outcome of this is the Phantom Thieves winning over Shido and either turning Akechi in or Shido spilling during his change of heart. People relying on him and trusting him, people acknowledging him. That is what the trust and fame was about to him. The moment they meet in Shido’s palace and Akechi is defeated, it would all be taken away from him. Putting this together is the reason he decides to trap himself with the summoned shadows and his cognitive self. His father would lose everything that was important to him if he saves the Phantom Thieves and he has no reason to live in a world where he has no fame and trust from the public, since in his distorted mind he will not be worth of love and worth of existence. He wouldn’t be special. When the Phantom Thieves do reach out and tell him all the things they admire about him and give him a chance to join them against Shido, he laughs about them. His true self is out and to him, it is not lovable or special no matter what they say.

From the reasons shippers bring up for these two, Akira being devastated about Akechi’s death and wanting it revoked is a big one and the first one I want to analyse and explain. As analysed earlier, it is important to Akira to save others and help them, especially when they cannot help themselves. In certain parts, the two aren’t far from each other yet polar opposites. Akira knows that and despite everything feels empathy for Akechi after said ones tells the whole story. Witnessing someone’s death whether it is hearing or seeing it is traumatizing and it’s normal to think about it later back at home in the real world how Akira does, but taking his character analysis into consideration it probably messed with him more than it would with other people, like the other Phantom Thieves. In the anime, Akechi throws a chess piece with Akira catching it. Akira, who is not someone to have emotional outbursts, gets so worked up and angry that he hits the wall that came down in front of them with his fist before he quickly catches himself back in the role as the leader who always had and has to stay calm and collected. If you look at it, Akechi is the only one Akira couldn’t save when he knew he needed it and, to Akira, deserved it. Because throughout the whole game with so many different cases of people not being able to save themselves or being in unjust situations not once does he care about how the people are or if there is any certain character trait etc. to them in particular. Akira probably shares the same belief like his friends. Everyone is special in their own way and so was Akechi deserving of a better life like everyone else is. It messes with him so much, that in Persona 5: Royal, a game that came out 3 years after the original game and it is still tightly being fought about if it is canon or an alternative reality to which the developers have yet to make an official statement to, he tells Maruki, the school’s therapist who is interested in cognitive science, that if he could change reality, his wish wouldn’t be that all of this had never happened, but that Akechi would still be alive. While this is the number one situation people who ship the two use ever since Royal has come out, it just further underlines Akira’s character and my suggestion of him having a Saviour complex. He cannot live with the fact that he couldn’t save Akechi, when this is what the Phantom Thieves stood for. It pains him so much that his wish is actually beneficial to someone else. We know nothing about Akira’s past, but it is impossible that there isn’t something he wishes wouldn’t have happened that is outside of the game. Instead, he chose something that helps someone else and puts himself back to ease. He knows, this is what pains him the most and will for quite some time. Having Akechi back would ease his complex and give a person he thinks that deserve a second chance another tries. This is once more better shown in the anime during the last confrontation when Akira tries to talk to Akechi multiple times during Akechi’s small monologue, but eventually realizes it will be of no use. Akechi is too far gone and Akira tells the group to finish it.

Second are the moments we got early in the anime. While the game doesn’t allow this, the anime explores Akechi’s detective side a bit earlier and more for the viewer. In game, we only see Akechi working on the cases he created while he is actually really good at “real” cases as well and able to solve them. During Yusuke’s arc, Akira and Akechi work together on a few of those and Akechi teaches him how not to be fooled by rotten adults. This all goes quite wholesome, but at that point the interrogation nor the black mask reveal had happened yet. The story is early and fresh, not even having picked up the pace. It almost feels like Akechi either tried learning how Akira’s mind works, or honestly just wanted to spend time with someone he felt like was similar to him. All of this gets revoked though when he massively insults him at the end of the game, making it hard to put this in canon. It might be that Akechi was trying to give himself a chance, because Akira was probably the first person who could handle Akechi just like how he is and also accepted him just like that - since that is what Akira does with everyone throughout the game and also gets complimented and aknowleged for - but instead Akechi couldn’t stop himself and pulled through with the rest of his plans. Looking at it from another side, taking this from the anime into consideration makes the next thing and points even worse.

Last is the interrogation, probably one of the most well-known scenes in the whole game, that I want to analyse further. To begin with, Akira finds himself getting arrested due to Akechi’s betrayal. While it is not exactly explained how, it is obvious that Akechi lead the police in since only Metaverse app users can enter the Metaverse. If you have a non-user nearby, you can pull them into it. Akechi probably did this beforehand, told them to hide and gave them either a time limit or symbol. After the fight against Sae Futaba picks up enemy readings, so many that they’re being surrounded. Akira and the Phantom Thieves part ways and the leader makes all the attention go to himself so that the others can escape. In the end he gets ambushed, cuffed up and knocked out by drugs. What the player does not know is that the group had known about Akechi’s plan all along and they had to play along. All throughout Sae’s palace, Akira knew he would most probably be cuffed up by the end, but it was necessary to let it happen. Otherwise they would never be able to defeat Akechi. I would like to add that this in particular sounds pretty traumatizing and stressful as well. Moving forward and the Phantom Thieves’ plan succeeding, Akechi is unknowingly being dragged into the Metaverse. He outright plans to kill Akira, which reveals his true motive on why he worked with them on Sae’s palace in the first place. The Phantom Thieves are blocking his path of the mental shutdowns and destroying his father. It is so soon that he cannot lose due to them. He is smart about it and wants to kill their leader. Once again and as stated earlier, Akechi doesn’t feel empathy and he has killed before. He gets things done so that they are beneficial to what he needs to do further, just like how it was beneficial for him to work with the Thieves together for at least a while. Be that figuring out how they work, or just messing with them. What he doesn’t know is the person in the interrogation room is the cognitive version of Akira. He is only in there, because he just entered Sae’s palace and in her cognition Akira is in the interrogation room, which she does not have much control of. Therefore, it keeps being the interrogation room instead of anything Casino related. Akechi proceeds to shoot an innocent guard and then Akira. While doing so, he seems like on a high, fully enjoying it getting rid of him and it is almost uncomfortable to watch that is how good it is made. It is Akechi’s first time he kills someone in the real world, but it doesn’t seem to be much different for him. He shoots Akira right in the head when he has nowhere to go, tied up and completely drugged to a point that both in the game and anime he can’t talk properly and even passes out. The state Akira is in is portrayed very well and just underlines the atmosphere further. A murderer just aiming at their helpless victim. Akechi puts the gun in his hand to report it as a suicide and leaves. He never shows any remorse when they meet again, only throwing in that the two might possibly would have become friends if having met earlier. He does not mention the faked death, because there is nothing to say. It might be, because both know Akechi wanted to do it. It was necessary for his path and nobody, especially not someone like Akira, would be standing in his way. Shippers defend this situation, saying Akechi had to kill Akira. To some extent, I would analysis this as true and say that it was a possibly way of getting rid of the Phantom Thieves and continuing his plan, but is your first idea really murder to this? In such a special way? Concealing it as a suicide and not have any respect to the person you just killed? It is unlikely as smart as Akechi is that this was the only possible option he had regarding on how he would get rid of the Phantom Thieves or their leader. Killing the person is just probably the most convenient one to Akechi and again, he does not feel for others properly, since he has never learned how to. This is why he is able to plan this, kill someone he acted like a friend with, saw multiple times for weeks and just walk away. In conclusion that means it is not because he had to and also not because he wanted to in particular, but because Akechi did not care and therefore made it possible to just shot him and continue with his life. It is one of the most important scenes in the whole game and does a lot to the development for all three characters involved (Sae, Akechi and Akira) yet shippers throw it under a bus with the sole statement that he had to.

Putting everything above together, the major moments these two had, shipping Akira and Akechi is complicated and probably not the best.

To finally conclude my opinion to this. In another world, Akechi could learn a lot from Akira. He has a lot of empathy for others and wants to help, which Akechi lacks. It would have been good for him and the part where Akechi mentioned that they might have become friends if met earlier made me emotional as someone who does not support it in a romantic way. In this moment, I thought of them as friends. I thought myself thinking of what would have been if they had met one or two years earlier. Two people who get better through each other and learn from each other. As much as I love this character trait from Akira, I have had my personal fair shares that having this can be negative at times. It would be good for him to have someone that shows him the opposite or at least a middle path. Both characters go All-Out on this. It is either full on empathy or complete lack of empathy. Either you want to save everyone or you’re okay with killing whoever as long as you obtain your ultimate goals.

Many people have stated already that the ship is quite abusive. Anything that comes out of Akechi’s mouth towards Akira in both game and anime (I’m only referencing the anime since the last two times because the manga is barely at Futaba’s arc yet) after revealing his true motives, is negative. Either he insults him directly or the way he lives, just because he found someone that reminds him of himself deep inside if he wants to or not. That gives him no right to act like this, even when psychology is complex. And if you want to defend this, it gives him no right to shoot him and actually visibly enjoy it – which you cannot deny and a lot of people in the fandom stated as well. He didn’t have to, but he did. He wasn’t forced to, but he did it. I wonder if Akechi tells Akira he hates him for the fact that he did make him feel something. Not in a romantic way, again, but more in a way of empathy and this feeling of friendship and he knew he had to stop this.

There are a lot of good people in the fandom fan of his complex character. I don’t necessary like Akechi as a character, but I find him interesting and good to talk about. As for liking or hating him…the interrogation scene happened the way it happened let’s just leave it at that. Sadly, there are also a lot of people in the fandom who will shove this ship down your throat. Somehow, it is superior to them and it should be canon. I have seen so many tweets and Tumblr posts, especially with Royal and its’ third semester that genuinely leave me concerned. What started as 3AM ramble to my friend ended up being this 5000 words essay on why the situations and character traits stated above get taken out of context or misunderstood by shippers. It goes further when you find out that some people ship it because it is abusive to begin with. They acknowledge it and love it and while there are more important things in life than this, I just found it too concerning and also very annoying at one point, I had to make an analysis about it and clear some things up. I have blocked a lot of tags regarding this ship and I still see it every day in the fandom and get attacked if I say something against it, so I just made this post, knowing that people will eventually get mad at it. But, I honestly really enjoyed it. I really enjoyed writing about Akechi’s character. He is interesting, complex and there is so much to talk about him, but do I ship him with my favourite video game character? Hell nah.

If you want to add something to this, feel free to. I also enjoy respectful and normal discussion about this! I researched a lot for this, re-watched a few anime and game scenes and wrote for a total of 7 hours. If you enjoyed it or it made you think a little, it would be kind to let me know. I haven’t written anything in a while and my last character analysis was years ago, so this was quite a challenge, but knowing how popular this ship is and how much worse it got with Royal’s existence, I had to put this out. I’m going to be honest here. If they would’ve met a few years earlier, who knows if this wouldn’t have become one of my ships (I don’t interact in a lot of shipping to begin with so), because the basis of it is nice. But then the actual plot happens. All this stuff from the interrogation until the end happens and shippers just dismiss it or try to make it sound less bad. Like it’s the actual plot. It’s there. This is how P5 goes down. Akira’s one of the most traumatized characters I’ve come across in fiction and Akechi does a fair share to that. Don’t just dismiss that so your ship can be cute. It won’t, I’m sorry. And if you want to come at me for shipping in general, I as well ship something with complex and interesting dynamics within this game. It’s appealing, but not like this.

Thank you for reading this if you got through all of it! I seriously appreciate it and my non-existent sleep does to! - May

#persona 5 #p5 #persona #akira kurusu #ren amamiya #goro akechi #video game #analysis #persona 5 analysis

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chil2de · 3 years

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Hey don’t apologise for clearing your inbox. You did it for your own mental wellbeing and you can’t be apologising for taking care of yourself. I’m happy for you for finally doing it, it must’ve been daunting to try to get through so many asks. This must feel so refreshing and I love that for you. Take care of yourself (that’s a threat, if you don’t I will force you to) - 🥰

aaaaaa anonnnnie please you’re so sweet TwT iknowiknow but that’s just being an infj for you, you know? i’ll bump into a chair and apologise to an object that isn’t sentient in any way shape or form, i’m sure it doesn’t care that i just bumped into it

thank you for the supportttt thankyouthank you it seriously means a lot <3 more than you’ll ever know tbh hdhbfhshdhf it feels really refreshing now, really strange in all honestly but i like it (: feels like i just cleaned my room after a while lmao

o i’ll also reply to your previous ask below!!!

im so!!! excited for when u do read it! i can’t wait to see your reactions towards certain scenes KDNGJFBFHS

hunny if i saw toji and/or naoya in the street i’m not sure what i would do???? i might faint LMFAO naoya would probably spit on me i won’t lie i don’t know how i feel about that😳 maybe if i manifest internally by screaming at them to approach me they will cause lord knows i’m not going up to them, mfs look so damn intimidating... toji with his 6 foot something self and naoya with the cocky smirk, yeah no thanks

ariana always has really nice vocals, but i have to admit that i probably don’t enjoy all of her new songs preferred to the older ones. it’s just preference but i can’t vibe with them as much

as for wicked games aaaaaa i’m glad you liked it! the weeknd is one of my favourite artists ahah and i always thought it would suit toji. but yeah... his backstory isn’t pretty. at all. i think compared to the grand scale of things and all of the character’s backstories you’ve heard so far in the anime, his is probably one of the most depressing by a landslide. oh god, and yuuta? absolutely tragic... they might even be on par, though perhaps that’s me acting on a bias towards two of my favourites

i have an inkling that when the movie gets released yuuta will be extremely popular :/ i mean, like, i don’t care? don’t mean to go on a tangent but i dislike when ig lesser known characters only gain popularity by conventional means, not because people actually enjoy them or their character. they’ll see him animated and be all “wow! this guy is really cool!” then all the ogs are just sat there like “yes, honey, we told you so” (obviously this excludes anime only fans he was briefly mentioned in the first few episodes— how megumi states that he’s the only other second year he can openly respect, and how he won the kyoto school event by far etc etc, later that one scene of him in the second opening)

trust me u will love baby boy yuuta <3 i don’t share, if ever!! but hell i’ll make an exception for you :)

but in all honesty sometimes i wish i just stuck writing for one fandom because no matter how hard i try there will always be a time where i favour one fandom over the other, e.g i was writing gintama for the longest time, and that’s how my blog started growing, but then i got into haikyuu again and i started writing for them. therefore now because i’m into jjk it’s mainly what i write for and i always feel so terrible for the other fandoms fhsbfhghs

but i don’t hold any regret towards it, i’m glad that i switched to multifandom. i wouldn’t be happy writing for gintama forever, i’d feel so trapped and suffocated in terms of the free reign and variety so it’s all good (: besides i think it’s good to take breaks and to write for characters with vastly different personalities, i always find that my writing becomes a little bit more sharper and accurate when i’m trying to clean up and polish someone else’s dialogue or antics. needless to say, no shade to people who do write for only one fandom, because that takes major dedication so that’s a kudos!

anyways, didn’t mean to ramble on babe LMAO i do have a horde of google docs😭😭 i debated screen recording but there’s so many that after a while of scrolling it has to wait for the next batch to load, so you’ll just have to take my word for it (genuinely wish i could see somewhere that tells me how many overall docs i have, i’m pretty interested to see considering i have around ~500 posts, then again, not all of them are fics)

hfbshghd i hate how this was all about me please— ur giving a sister out here heart problems, i beg u pls tell me something interesting

OH OH OK i got a question, how about, who was your first fictional crush? can be anime or from a book series, etc

and is there any favourite anime characters you have from other fandoms?

(ily thank you once again I WAS LAUGHING SO HARD WHEN U SAID USING UP UNLIMITED MINUTES— the rest of the ask got cut off imsosorry we’ll just improvise from here on out, bUT hey dude let’s go to shibuya together!!! i’m so sure that they put a life size statue of gojo there everyone keeps talking about it LMFAO i’ll be whizzing around w my phone taking some very cool pictures :) then we can go grab some food or a few drinks, also ill stock u up on merch ok ily take care)

#dude anon have you seen the jjk x uniqlo drop?#i’m waiting for the restock to buy a few shirts #they sold out in 2 days after the first wave #anyways fun fact yuuta is also infj

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thisisthepartwhereyou · 4 years

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STAR WARS-SPECULATION #2: Rebel or Lost Cause? *May Contain Spoilers*

--- During the course of human history there has been many cases of overwhelming tyranny and opression. It can be as small as the dominion of a single creature, or as vast as an entire world. But as they say, even the cornered rat will bite the cat, and give birth to struggle and resistance. Under these circumstances, a rebellion rises to resist and challenge the rule of the oppressors, despite facing unlikely odds. David against Goliath, the Spartans in the battle of Thermopylae, and when speaking of the Star Wars-sequel trilogy, the Resistance and the First Order.

While one can go on to say that the conflict between the First Order and the Resistance is basically a carbon-copy of the Empire versus the Rebellion from the original trilogy, as we don't go deep enough into the history or political aspects of either group to really nail down their differences to their older counterparts. Though from what I gather, the First Order is composed of the remnants of the empire, who by the time of The Force Awakens (2015) is recognized as an extremist following, though not generally seen as a major danger in the eyes of the government (like a space-equivelent to North Korea?). The Resistance is a countergroup acting outside of the galactic government who sees the threath of the First Order and keeps an eye on their acitivties.

Either way, that is not what I am here to talk about today, as my focus will be directed at one of the most principal characters within the Resistance: Poe Dameron.

Played by the very likable Guetamalan-American actor Oscar Isaac, Poe Dameron is an ace X-wing pilot, an agent of the Resistance and the original owner of the droid BB-8. His actions in the first movie, where he stores important information within his droid, is what starts the whole chain of events for the trilogy, an act which rhymes with the actions of princess Leia in A New Hope (1977). Over the trilogy he is portrayed as a brave, cocky and hotheaded brother in arms. He is a generally well-received character, especially in regards to his bromantic (and apparently quasi-romantic) relationship with Finn, but has over the progression of the last two films been the subject for critique. Not as red-hot of a critique as some other aspects of the sequels, but enough to make you raise your eyebrowns a bit. The main critique being, is he REALLY neccesary?

Don't get me wrong, new members of the Resistance are vital for new movies, otherwise the Resistance might have looked like an old folks home. Poe Dameron should have all the ingredients neccesary to be the posterboy of the the Resistance: he is the member with the most screentime, his actions set off, he is played by a very likable actor and he is a great pilot. But the issue is, while it is all there, it is not really utilized well. The further one goes with these movies, the more one realizes that he is the least developed of the main characters. His role in TFA is minor, he acts as an agressor in a generally disliked sideplot in The Last Jedi (2017), and his part in The Rise of Skywalker (2019), while the richest in content, feels un-earned because the direction of the character is neither clear or given enough development.

So considering that his role doesn't add a whole lot in the trilogy after the first part, was Poe Dameron's continuous role in the sequel-trilogy REALLY neccesary? Objectively, I would have to say no. I mean if a character doesn't have a clear purpose, you either give him one, scale him back or kill him off, so that you can give more room for the other characters. I believe the therm is “kill your darlings.“ With that said, I can understand why one would be reluctant to kill him off to begin with; Oscar Isaacs is the most likable actor ever, something that translates into his performance, and in turn, the character. While Poe Dameron is pretty pointless, he is still hard to completely dislike. This illustrates the power of a talented actor, that he or she can someimes overwin bland or nonsensical writing.

So we have a character that is perfectly likable and who could have been a great addition to the franchise. There certainly was potencial in him, so what could have been done to make the most of it? Well, below are some of the directions I think could have been taken:

A) Poe Dameron dying in TFA: This one feels appropriate, considering it was the original intent of the moviemakers. As stated by Oscar Isaac's in Business Insider (https://www.businessinsider.com/star-wars-poe-was-supposed-to-die-2016-3?r=US&IR=T), his character was originally supposed to die. While it would be a shame to see a likable character go so fast, it might have solved a couple of issues and added something more to the first part of the trilogy. Besides the fact that it could have added an extra layer of danger to the plot, in that any character could die at any point, it would have also put all of our eggs in the basket of a deserting stormtrooper and a random scavenger. Plus, killing him off wouldn't have made his role in TFA much smaller anyway. Poe not being in the two following movies could have also left much bigger room for the development Rey, Finn and several other characters. Also, to see how the heroism and sacrifice of a single Resistance-member would affect Finn would be really interesting, considering that Finn would have owed his freedom and life to a complete stranger (who was just recently his enemy) that would have died before he could have even had a chance to thank him. How does that make a person who is trying to flee from the battlefield, feel? I can't help but to think of a similar situation in the Green Lantern-comics (DC), where veteran member of the Green Lantern Corps, Abin-sur, crashlands on Earth and gives his power ring to Hal Jordan, a human pilot, before dying. Abin-sur's death had a considerable effect on Hal Jordan, in that besides becoming a new corps member, but became one by taking over the ring of the corp's most beloved and respected members. That is a hell of legacy to live up to, not to mention a massive responsibility. Something like THAT would have been a pretty thought-provoking storyline for Finn.

B) His carelessness has personal consequences in TLJ: In the beginning of TLJ, Poe Dameron disobeys an order to evacuate and instead engages a First Order fleet. This is a foolhardy act, as even though they take down a Stardestroyer, a lot of Resistance pilots die in the process. While it has several consequences within the movie, such as barely having any pilots left for the remainder of it, he himself do not seem overly affected by it, dismissing it as the casualties of war. But if you really think about it, should there not be some resentment aimed at him besides from his superiors, and shouldn’t he feel more guilt? I mean, Rose Tico's sister died in that battle. Wouldn't it have been more interesting Rose and others resent him for his careless actions? This could've been a more likable struggle for him, as he should have been the one to learn that war is not just about defeating the enemy, but saving the ones you love. If he had done this and in the process displayed a sense of leadership in a time of great need, maybe his transformation into a commander in TROS would have felt more organic?

C) Poe goes with Finn to Canto Bight instead of Rose Tico: This one could have worked as a continuation to B. Canto Bight isn't exactly a favorite moment in TLJ, even for the ones who like TLJ. The main criticism being that it is not that interesting of a planetary environment; basically just feeling like a casino with aliens. Another critique is that it felt like a detour that was too disconnected and did ultimately not add that much to the other parts of the movie. One way of making the movie less fragmented, as well as give Poe something better to do, could have been to give him more or less the same role as Rose Tico. Besides further developing his and Finn's friendship, it could have even been a way of putting that awkward kiss in the third act to better use, and confirm some legitimacy to the whole Finn X Poe-ship. While I am not staunch supporter of the ship, I have to admit that it would have been interesting. With that said, I don't think it would have made everyone happy. I mean lets face it, if people get upset about a black dude in a stormtrooper-uniform, one can only assume how they would have reacted to an openly gay or bi character in Star Wars. But at the same time, if people were pissed off at even the good bits in TLJ, why not go all the way and piss off every stuck up parent sitting in the theaters worldwide while you're at it? Certainly would have been ballsiest move ever, especially considering it’s a Disney-film.

D) Poe staying at Leia's side in TROS: As I have written before, the main issues with TROS is messy storytelling and a rushed pace. One of many things that adds to this is by suddenly providing Poe with a backstory while simultenously trying to give him a bigger role than before by having him travel with Rey and Finn. What if they had scaled him down a little, let him stay with Leia as they plan for the upcoming attack? Not only would it have been more powerful for him to be there with her as she passes away, but also motivate him to step into the role of a mature leader more. I realize that this is a little sensitive, as it may have required additional footage of Leia in order to work. Though to be fair, being respectful is one thing, making a good movie is another. And also, if they can remake young Leia for a flashback, why can't they just remake old Leia a bit for some extra material?

Could any of these alternatives have added something good to the movie, or subtracted from the main story? You tell me. No, seriously, tell me what you think, I would love to hear your thoughts on the matter in the comments. Do you have any ideas of your own that could have helped make Poe Dameron the most iconic pilot of the sequel era? Feel free to discuss this with me :) ---

#star wars #poe dameron #finn #rey #leia #sw #x-wing #Speculation #rebel or lost cause #TROS #TLJ #TFA #The last Jedi #The Force Awakens #the rise of skywalker #theory #analysis #jcl #oscar isaac

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askshivanulegacy · 4 years

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All for blakk

O M G :’D

I’m not even putting this behind a cut SCREW YOUR DASHBOARD :P

A: Aptitude1. what are your oc’s natural abilities, things they’ve been doing since young?

Hiding.

2. what activities have they participated in?

HACKING, to include some questionably legal manipulation of the Intel mainframes for the purposes of playing a competitive game.

Swoop racing (actually just a dream, he hasn’t raced anything YET, but he’s working on building a racer)

Model building, he has a complete set of working model ships and vehicles

Built his own mouse bot

3. what abilities do they have that they’ve worked for?

All of his skills he’s worked very hard to develop and become proficient at. He started out at a disadvantage, not being able to concentrate in class and having difficulty remembering things. He worked very hard to overcome this.

4. what things are they bad at?

Anything involving emotions. :’D

5. what is their most impressive talent?

Knife fighting. Also dancing, he’s capable of some very impressive dance moves.

B: Basics1. what is their hair color?

Black

2. what is their eye color?

Dark blue

3. how tall are they?

5 ft, 4 in / 162.5 cm

4. how old are they?

Depends, but he starts SWTOR at 17 years old.

5. how much do they weigh?

Somewhat under an ideal healthy weight for his height and age.

C: Comfort1. how do they sit in a chair?

Properly. Although, left to himself on something comfy, he likes to pull up his legs and snuggle under a blanket.

2. in what position do they sleep?

Usually curled up on one side.

3. what is their ideal comfort day?

Before meeting certain people, it’s holed up in his room either working on his models or studying tech manuals. After meeting certain people, it’s snuggled on a sofa with something sweet and hot to drink, wearing thick sweater and socks, and either watching the fireplace or a movie (with a fire in the fireplace).

4. what is their major comfort food? why?

Some kind of hot, creamy soup. Certain people made something like this for him on cold days or to help him feel better.

5. who is the best at comforting them when down?

A feeeew people: Seran-vin ( @askcarminelegacy), Ziminder ( @kaosstar), Ahuska ( @dingoat), possibly a couple others. ♥

D: Decoration1. how would they decorate a house if they had one under their name?

Blakk’s DK stronghold is typically done in cool colors with sleek, industrial lines and clean, minimalistic styles, although he does favor green, so that’s probably here and there. Left to his own devices though (and maybe some interior decoration hints), his ideal house would probably be decorated warmly, with a more natural, welcoming style of furniture.

2. how would they decorate their child’s room?

Blakk would not have a child. XD

3. how do they decorate their own room?

Same as above, except littered with pieces of tech and various flying vehicle models.

4. what type of clothes and accessories do they wear?

The best in Imperial fashion - clean, sharp lines, asymmetrical styling, appropriate use of contrasting colors and accents, usually a darker color spectrum (unless white or silver). No flowers.

Accessories include knives everywhere, a stealth unit, comms, Intel-tech grappling hook. Less practical accessories include possible hat, white or black gloves (or dark green if he’s wearing green), earring (just one, asymmetry FTW), or choker.

5. do they like makeup/nail/beauty trends?

No. Except when disguised as a woman, then of course whatever is tasteful and stylish and matching his clothes. Possibly sparkles and/or tattoos in interesting places if left up to Watcher Two. ;)

E: External Personality1. does the way they do things portray their internal personality?

Yes, very much.

2. do they do things that conform to the norm?

To the classic “Imperial norm,” yes.

3. do they follow trends or do their own thing?

Tasteful trends in fashion. Other trends, generally not; Blakk is something of a lone wolf and finds it hard to group along with others.

4. are they up-to-date on the internet fads?

Not in the least.

5. do they portray their personality intentionally or let people figure it out on their own?

Blakk unintentionally does not portray his full personality.

F: Fun1. what do they do for fun?

See A for activities. Also, reading technical manuals.

2. what is their ideal party?

Not having one.

3. who would they have the most fun with?

Proooobably a certain Alderaanian noble or a certain Bothan. Or even a certain thief.

4. can they have fun while conforming to rules?

Blakk certainly thinks he can. 8) Imperial rules, anyway, no one mentioned anything about Republic rules

5. do they go out a lot?

Nope.

G: Gorgeous1. what is their most attractive external feature?

His eyes.

2. what is the most attractive part of their personality?

Probably his shy kindness or awkwardness.

3. what benefits come with being their friend?

Generally, he’s very loyal to his friends and honestly thinks the world of them.

4. what parts of them do they like and dislike?

Blakk likes his appearance; he’s not shy at all about being seen and being fashionable. He hates the rest of himself. XD

5. what parts of others do they envy?

The ability of people to make friends or speak or hang out or have fun so easily.

H: Heat1. do they rather a hot or cold room?

Hot! The hotter the better.

2. do they prefer summer or winter?

Summer!

3. do they like the snow?

No! Except the indoor part with cozy clothes and hot drinks and cuddling.

4. do they have a favorite summer activity?

Nothing Blakk particularly identifies with the summer.

5. do they have a favorite winter activity?

Avoiding everything about the winter.

I: In-the-closet1. what is their sexuality?

A very in-the-closet Bi.

2. have they ever questioned their sexuality?

Not consciously.

3. have they ever questioned their gender?

Nope.

4. would/was their family be okay with them being LGBT?

What family? 8)

5. how long would/did it take for them to come out?

Still waiting, in denial 5ever, even after having a couple boyfriend AUs. :’D

J: Joy1. what makes them happy?

Sharing time with the people they care about.

2. who makes them happy?

Certain special individuals. ♥

3. are there any songs that bring them joy?

Probably, especially when certain people sing them.

4. are they happy often?

No.

5. what brings them the most joy in the world?

Someone telling him, “I love you.” It’s never happened.

K: Kill1. have they ever thought about suicide?

Yes.

2. have they ever thought about homicide?

”Thought” implies something deeper than a daily occurance. XD

3. if they could kill anyone without punishment, would they? who?

Blakk already does, but he has no one specific in mind.

4. who would miss them if they died?

Blakk thinks no one would.

5. who would be happy they died, anyone?

DERRICK @kaosstar

L: Lemons1. what is their favorite fruit?

He doesn’t know enough to have one. Raspberry might be a good contender.

2. what is their least favorite fruit?

Still doesn’t know enough to have one, but possibly lemons. XD

3. are there any foods they hate?

FLOWERS.

4. do they have any food intolerances?

Possibly. Blakk just needs to be careful he doesn’t overdo it with foods he’s not used to (his regular diet is exclusively nutrient bars).

5. what is their favorite food?

Nutrient bars.

M: Maternal1. would they want a daughter or a son?

No.

2. how many children do they want?

Zero.

3. would they be a good parent?

Blakk would be a terrible parent. He’s not in a position or a mindset to care for a child, he might never be in one.

4. what would they name a son? what would they name a daughter?

Nothing.

5. would they adopt?

Nope.

N: Never Have I Ever1. what would they never do?

Blakk would never want to hurt the people he cares about ... but it’s happened anyway.

2. what have they never done that they want to do?

Race a swoop.

3. is there anything they absolutely can’t believe people do?

Probably not.

4. what is the most embarrassing thing they’ve done?

That one time he was swindled into going undercover at a strip club.

5. have they done anything they thought they’d never do?

Defect from Imperial Intelligence.

O: Optimism1. are they optimistic or pessimistic?

Very pessimistic.

2. are they openly optimistic, throwing it on others?

No.

3. are they good at giving advice?

Terrible at giving advice, but that doesn’t stop him. :’D

4. is there anyone in their life that throws optimism on them?

A good handful of people, haha.

5. were they always optimistic?

Blakk was ... once, in a part of his life he no longer remembers.

P: Personality1. what is their best personality trait?

Kindness.

2. what is their worst personality trait?

Negativity.

3. what of their personality do others love?

Probably the kindness and stubbornness.

4. what of their personality do others envy?

... Possibly his loyalty?

5. do they hate anything about their personality/about other’s personalities?

Blakk hates his lack of confidence and his introvertedness. There’s not much he actually hates about other people’s personalities, except cruelty.

Q: Questions1. do they ask for help?

Never, if he can help it.

2. do they ask questions in class?

Rarely.

3. do they answer questions that make them a little uncomfortable?

Not usually, although there’s not much that would make Blakk uncomfortable in a classroom setting.

4. do they ask weird questions?

No.

5. are they curious?

Reasonably curious, moreso about things of a technical nature.

R: Rules1. do they follow rules?

Imperial rules, yes.

2. would they be a strict or laid-back parent?

Neither.

3. have they ever been consequenced for breaking a rule?

People have tried, in Republic space. 8)

4. have they broken any rules they now regret breaking?

Does blowing up hundreds of thousands of people across several planets count?

5. do they find any rules they/others follow absolutely ridiculous?

Mandalorian rules.

S: Streets - already answered!

T: Truth

1. are they honest?

Generally, but there are a lot of things Blakk lies like a rug about.

2. can they tell if someone is lying?

Usually; it’s part of his Intelligence training.

3. is it obvious when they’re lying?

No, unless it’s about his own feelings. 8)

4. have they lied about anything they regret lying about?

Oh yes. Or half-truths, or not confessing his feelings before it’s too late.

5. have they told truths that have been spread against their will?

No, but certain people have discovered truths Blakk would rather have been left alone.

U: Underdog1. have they been bullied?

Yes, even beat up a few times at Intelligence.

2. have they bullied anyone?

No.

3. have they been physically attacked by a bully?

Yes.

4. have they ever been doubted?

Blakk has never told anyone. He thinks “allowing” himself to be beat up is a severe weakness, and he’s pretty demoralized that no one noticed or stepped in.

5. have they surprised people with being good at something?

When it comes to fighting, probably yes. He’s extremely agile, tenacious, and downright vicious.

V: Vomit1. do they vomit often?

No? This is a very bizarre set of questions. Clearly someone had no ideas when it comes to ‘V’.

2. do they get lots of stomach aches?

Possibly, when eating too much unfamiliar food.

3. are they good at comforting someone ill?

Not very good, but Blakk will sit with them and provide company.

4. what do they like as far as comfort goes?

Warmth and physical contact.

5. do they burp, cough, or hiccup most when nauseous? when vomiting?

Not exactly a very relevant question. XD

W: Water - already answered!

X: Xylophone

1. what is their favorite genre of music?

Generally something smooth and instrumental, like Classical.

2. do they have a favorite song?

Probably a few, or anything sung by a certain Alderaanian.

3. do they have a favorite band/artist/singer?

Just one favorite singer. So far.

4. can they sing well?

Blakk can actually sing reasonably well, he’s a tenor.

5. can they rap?

If his life depended on it? Probably. :’D

Y: You1. how old were you when you created them?

Uhhh I do a terrible job of tracking what I did when. Just about the time I started SWTOR, I created Blakk.

2. what inspired you to create them?

Blakk is the what-if Imperial universe version of my Jedi Knight Zakku’an. The “what-if” brainstorming determined how his personality changed, and his appearance is the result of what I liked when changing Zak’s appearance with the character creator. XD

3. were they different when they were first created?

As Zak, he was very different. More optimistic, friendly, and light-hearted.

4. do you enjoy writing them more than other characters?

Yes!

5. what’s your favorite thing about them?

Everything, especially how he has a chronic, “dig himself into deeper and deeper holes” problem. XD

Z: Zebra1. what’s their favorite animal?

He hates animals. Wolves.

2. do they like animals?

Not generally. Although one day he will end up with a varactyl named Featherhead, an akk dog he will be Force-bonded to, and a pack of miniature blurrgs named after his friends. 8)

3. cats or dogs?

Neither? Both?

4. what’s their dream pet?

Since he’s never wanted a pet, he doesn’t have one.

5. do they have any pets at the moment?

Not at this very moment, but see #2.

@kaosstar I HOPE YOU’RE HAPPY XDDD

#kaosstar #I'm not even 100% sure this was the right set of asks #but I am 85% sure so that's ok 8)#ty for the ask!!!#I think ahahahaha #Omega Blakk #asks #answers #no regrets #stretching your dash for days

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upontheshelfreviews · 4 years

Text

Last year I talked about Fantasia, which is not just one of my favorite Disney movies, but one of my favorite movies in general. And if I may be self-indulgent for a moment, it’s also one of the reviews that I’m the proudest of. Fantasia is a visual, emotional masterpiece that marries music and art in a manner few cinematic ventures have come close to replicating. One question that remains is what my thoughts on the long-gestated sequel is –

…you might wanna get yourselves some snacks first.

As anyone who read my review on the previous film knows, Fantasia was a project ahead of its time. Critics and audiences turned their noses up at it for conflicting reasons, and the film didn’t even make it’s budget back until twenty-something years later when they began marketing it to a very different crowd.

“I don’t wanna alarm you dude, but I took in some Fantasia and these mushrooms started dancing, and then there were dinosaurs everywhere and then they all died, but then these demons were flying around my head and I was like WOOOOOAAAHHH!!”

“Yeah, Fantasia is one crazy movie, man.”

“Movie?”

Fantasia’s unfortunate box office failure put the kibosh on Walt Disney’s plans to make it a recurring series with new animated shorts made to play alongside handpicked favorites. The closest he came to following through on his vision was Make Mine Music and Melody Time, package features of shorts that drew from modern music more than classical pieces.

Fast-forward nearly fifty years later to the golden age known as the Disney Renaissance: Walt’s nephew Roy E. Disney surveys the new crop of animators, storytellers, and artists who are creating hit after hit and have brought the studio back to his uncle’s glory days, and thinks to himself, “Maybe now we can make Uncle Walt’s dream come true.” He made a good case for it, but not everyone was on board. Jeffrey Katzenberg loathed the idea, partly because he felt the original Fantasia was a tough act to follow (not an entirely unreasonable doubt) but most likely due to the fact that the last time Disney made a sequel, The Rescuers Down Under, it drastically underperformed (even though the reasons for that are entirely Katzenberg’s fault. Seriously, watch Waking Sleeping Beauty and tell me you don’t want to punch him in the nose when Mike Gabriel recalls his opening weekend phone call).

Once Katzenberg was out of the picture, though, Fantasia 2000, then saddled with the less dated but duller moniker Fantasia Continued, got the go-ahead. Many of the sequences were made simultaneously as the animated features my generation most fondly remembers, others were created to be standalone shorts before they were brought into the fold. Since it was ready in time for the new millennium, it not only got a name change but a massive marketing campaign around the fact that it would be played on IMAX screens for a limited run, the very first Disney feature to do so. As a young Fantasia fan who had never been to one of those enormous theaters before, I begged and pleaded my parents to take me. Late that January, we traveled over to the IMAX theater at Lincoln Center, the only one nearest to us since they weren’t so widespread as they are now, and what an experience it was. I can still recall the feeling of awe at the climax of Pines of Rome, whispering eagerly with my mom at how the beginning of Rhapsody in Blue looked like a giant Etch-A-Sketch, and jumping twenty feet in the air when the Firebird’s massive eyes popped open. But did later viewings recapture that magic, or did that first time merely color my perception?

We open on snippets from the original Fantasia…IN SPAAAAAAAAACE!

It reminds me a little of the opening to Simply Mad About The Mouse, where bits of classic Disney nostalgia fly about to evoke the mood of this upcoming musical venture. In a clever conceit, snippets of Deems Taylor’s original opening narration explaining Fantasia’s intent and music types plays over the orchestra and animators materializing and gearing up for the first sequence, which jumps right into –

DUN DUN DUN DUUUUUUN – I mean, Symphony #5 – Ludwig Van Beethoven

Here, a bunch of butterflies flee and then fight off swarms of bats with the power of light – I can’t be the only one who saw these things and thought it was butterflies vs. bats, right?

It does look cool with its waterfalls and splashes of light and color bursting through the clouds, but this brings me to a bit of contention I have with the movie.

When I planned this review I was going to do a new version of “Things Fantasia Fans Are Sick of Hearing”, except there were only four major complaints I could think of that. On further introspection, I admit they are legitimate grievances worth addressing. I’m going to get them out of the way all at once in order to keep things rolling.

#1 – This Seems Familiar…

Certain sequences are noticeably derivative from the first movie. It’s as if they were afraid of trying too many new things that would alienate audiences so they borrowed from their predecessor in an effort to say “Hey, we can do this too!” Symphony #5 is clearly trying to be Tocatta and Fugue with its abstract geometric shapes swooping all over to kick things off. Though I love how much character the animators managed to give two pairs of triangles, Tocatta’s soaring subconscious flights of fancy leaves me more enthralled. Carnival of the Animals literally began as a sequel to Dance of the Hours until the ostriches became flamingoes. And Roy E. Disney openly stated he wanted the last sequence, The Firebird Suite to have the same death and rebirth theme as Night on Bald Mountain/Ave Maria, which they got, right down to a terrifying symbol of destruction emerging from a mountain to wreak chaos.

‘Sup, witches?

#2 – Too Short

Speaking of repeating the past, the original idea for Fantasia 2000 was to follow Walt’s vision in that three favorite segments would make a return amongst the newer ones – the Nutcracker Suite, which was eventually cut for time, Dance of the Hours, which I’ve already stated morphed into Carnival of the Animals, and finally, The Sorcerer’s Apprentice, the obvious choice to keep since that’s the most popular piece out of any of them. Cutting things for time doesn’t make that much sense, however, when you realize that Fantasia 2000’s runtime is only 75 minutes. A very short animated film by today’s standards that lasts barely half as long as its previous installment. I don’t see why they couldn’t keep at least one other sequence from the first Fantasia to make things last a little longer and keep in the original idea’s spirit.

#3 – All Story, No Experimentation

Unlike the first Fantasia, all of the sequences have a linear narrative structure that’s easy to follow. Not a bad thing and kudos to you if you’re among that group who prefers Fantasia 2000 for because of that, but again, I admire how the original film didn’t stick to a coherent story the whole time; how it was unafraid to let the music, atmosphere, and visuals speak for itself without sticking to a three-act plot and designated protagonist for every piece.

#4 – The One You’ve Been Waiting For, The Host Segments

One of the things that turned Fantasia off for its detractors was Deems Taylor’s seemingly dry narration. But maybe Fantasia 2000 can fix that with some folks who are hip and with it, perhaps a wild and crazy guy or two…

Eh, he’ll do.

Now, the idea of varying segment hosts isn’t an altogether bad idea. Most of them work well: Angela Lansbury gives the lead-in to the Firebird Suite plenty of gravitas befitting the finale, as do Ithzak Perlman, Quincy Jones, and James Earl Jones, who build plenty of intrigue for Pines of Rome, Rhapsody in Blue and Carnival of the Animals respectively; this seriousness makes James’ reaction to what the Carnival segment is really about a successful comic subversion. Even Penn and Teller for all their obnoxiousness kind of works with The Sorcerer’s Apprentice due to the linking magic theme.

I suppose what turns people off is the self-congratulatory tone and seemingly forced attempts at comedy you get from Martin, Penn, Teller, and Bette Midler. But you know what? They still make me laugh after all these years (well, you have to laugh at Bette Midler’s antics or she’ll come after you when the Black Flame Candle is lit). In fact, I have to hand it to Midler’s intro in particular. Fantasia 2000 came out right around the time I began taking a keen interest in what animation really was and how it was made. For me, her preceding The Steadfast Tin Soldier piece with tidbits about Fantasia segments that didn’t make it past the drawing board was like the first free hit that turned me into an animation junkie (plus this was before you could look up anything on the topic in extraneous detail on the internet, so it had that going for it). If I have to nitpick, though, The Divine Miss M referring to Salvador Dalí as “the melting watches guy” is a bit reductive. That’d be like calling Babe Ruth “the baseball guy” or Walt Disney “the mouse and castle guy”. Plus, Dalí and Disney were close compadres with a layered history. They planned on many collaborations, though the fruit of their labors, Destino, would not be completed in either of their lifetimes. Couldn’t show just a modicum of respect there, Bette?

Ahhh! I take it back! Don’t steal my soul!

So, I wouldn’t say I hate or even completely dislike the host segments. Sorry to disappoint everyone who was hoping for me to rip into them. They’re not awful, just uneven. And if you think they ruin the movie for me, you’ve got another think coming.

Pines of Rome – Ottorino Respighi

The idea for Pines of Rome’s visuals came about due to an unusual detail in some concept art. Someone noticed that a particular cloud in a painting of the night sky heavily resembled a flying whale. So why make a short about flying whales? The better question would be why NOT make a short about flying whales? A supernova in the night sky miraculously gives some whales the ability to swim through the air over the icy seas. Again, seeing this in IMAX was incredible. There’s just one minor issue I have with. This and another segment were developed well before Pixar made its silver screen debut, and unfortunately, it shows twenty years later; the worst cases are the close-ups.

Okay, who put googly eyes on the moldy beanbag?

There are ways of blending CGI and hand-drawn animation well, and this isn’t one of them. I understand the necessity of having expressive eyes but simply dropping one on top of a CGI creature gives it a bit of an uncanny valley feel. They should have either stuck with traditional all the way or made the whales entirely CG. The CG animation of the whales themselves isn’t too shabby, so they could have pulled it off.

Because simply giving whales flight apparently isn’t enough to hold an audience’s interest, we have an adorable baby whale earning his wings, so to speak. Once he gets his bearings above the surface, he swoops ahead of his family and bothers a flock of seagulls. They chase him into a collapsing iceberg, leaving him trapped, alone and unable to fly. The quiet dip in the music combined with the image of this lost little calf adds some genuine emotional weight to this piece. The baby navigates the iceberg’s claustrophobic caverns until he finds a crevice that elevates him back to his worried parents. From there a whole pod of whales rises out of the ocean to join them as they fly upwards to the supernova’s source.

“So long, and thanks for all the krill!”

As the music reaches its brilliant crescendo, the whales plow through storm clouds until they reach the top of the world and breach through the stars like water. It’s an awe-inspiring climax of a short that, flaws and all, reminds you of what Fantasia is all about.

Majestic.

Rhapsody in Blue – George Gershwin

The music of jazz composer George Gershwin? Timeless. The art of renowned caricaturist Al Hirschfeld? Perfection. All this brought to life with the best animation Disney has to offer? It’s a match made in heaven. Eric Goldberg, who animated the Genie among other comedic characters, idolized Hirschfeld and drew plenty of inspiration from drawings, so getting to work alongside him while making this was nothing short of a dream come true. That attention to detail in rendering Hirschfeld’s trademark curvy two-dimensional style goes beyond mere homage. It is a love letter to a great artist that encapsulates everything about him and his craft, and to a great city that we both had the honor of calling home. The story goes that Goldberg screened the final product for Hirschfeld shortly before his 96th birthday and his wife told him after that it was the best gift he could have ever received.

All this to say I am quite fond of this particular short, thank you very much.

The piece follows four characters navigating 1930’s Manhattan and crossing paths over the course of a single day:

Duke, a construction worker torn between his steady, monotonous job and following his dream of drumming in a jazz band,

Joe, a victim of the Great Depression desperately looking for work,

Rachel, a little girl who wants to spend time with her parents but is forced to attend lesson after lesson by her strict governess,

and “Flying” John, a henpecked husband longing to be free from his overbearing wife –

And her little dog too!

By the way, John is modeled in name and in looks after Disney animation historian John Culhane, who also was the inspiration for The Rescuers’ Mr. Snoops, hence why the two look so similar. He’s not the only name who appears in this sequence: Gershwin himself makes a surprise cameo as he takes over Rachel’s piano solo halfway through the story.

Speaking of, my family used to compare me to Rachel because at that point in my young life I was doing or already did the same mandatory activities as she – swimming, ballet, music, sports, all with the same amount of speed and varying degrees of success.

No one can argue that art is where we both excelled, however.

The physical timing of Rhapsody in Blue’s animation is hilarious, though it doesn’t rely wholly on slapstick for its humor. The sight gags and clever character dynamics all weaved into the music milk plenty of laughs, and envelop you in this living, breathing island that is Manhattan.

I speak from experience, this is the most accurate depiction of commuting on the 1 train that there ever was.

Even with such a premise and two masters of combining comedy and art, there is still enough pathos to keep the story rooted. Take when all four characters are at their lowest point. They look down on some skaters in Rockefeller Center and picture themselves in their place fulfilling their deepest desires. Seeing their dreams so close in their minds and yet so far away while paired with the most stirring part of the score is heartwrenching.

In the end, things pick up as the characters unwittingly solve each other’s problems. Duke quits the construction site, leaving an opening for Joe to fill. Joe accidentally snags John’s wife on a hook and hauls her screaming into the air, allowing him one night of uninhibited fun at the club where Duke performs.

“Anyone hear something? Nah, it’s probably just me.”

Rachel loses her ball while fighting with her nanny, which Duke bounces off the window of her parents’ office, which in turn gets them to notice their daughter about to run into traffic and they save her. Everyone gets their happy ending and it ends on a spectacularly glamorous shot of Time Square lit up in all its frenetic neon glory.

And not a single knockoff costumed character hitting up tourists for photos. Those were the days, my friend.

If you haven’t guessed by now, I adore Rhapsody in Blue. It’s easily my favorite part of the movie; a blissful ménage-a-trois of art style, music and storytelling, and it’s so New York that the only New York things I could think of that are missing are Central Park and amazing bagels. This sequence is gut-busting, energized, emotional, and mesmerizing in its form. I don’t often say I love a piece of animation so much that I’d marry it, but when I do, it’s often directed at Rhapsody in Blue.

Piano Concerto #2 – Dmitri Shostakovich (aka The One With The Steadfast Tin Soldier)

This piece has an interesting history attached to it. Disney wanted to do an animated film surrounding Hans Christian Andersen’s fairy tales – including The Little Mermaid and The Steadfast Tin Soldier – as far back as the 30’s, but the project fell by the wayside. During Fantasia 2000’s production, Roy E. Disney asked if they could do something with Shostakovich’s Piano Concerto #2 since he and his daughter were attached to that piece. He looked over sketches and storyboards made for the unrealized Tin Soldier sequence and discovered the music matched in perfect time with the story.

This is the second sequence that features CGI at the forefront. Unlike Pines of Rome, though, it works because the main characters are toys, and you can get away with your early CGI looking shiny and metallic and plastic-like when you’re animating toys.

Hell, it worked for Pixar.

The story centers on a tin soldier cast with only one leg who is shunned by his comrades for routinely throwing off their groove. He falls in love with a porcelain ballerina when he mistakes her standing en pointe as her also missing a limb. Despite his embarrassment when he learns the truth, the ballerina is enamored with him as well. This rouses the jealousy of an evil jack-in-the-box who I swear is a caricature of Jeffrey Katzenberg minus the glasses but with a goatee and Lord Farquaad wig.

“MUST. CHOP. EVERYTHING!!!”

The jack-in-the-box and the soldier duke it out for a bit before the former sends the latter flying out the window in a little wooden boat. The boat floats the soldier into the sewers and attracts a horde of angry rats who attack him, because animated rodents seem to have a natural hatred towards toy soldiers.

Case in point.

The soldier hurtles into the sea where he’s eaten by a fish – which is caught the following morning, packed up to be sold at market, bought by the cook who works at the very house he came from, and he falls out of the fish’s mouth on the floor where his owner finds him and places him back with the rest of the toys. Now the story this is based on hints that the jack-in-the-box is really a goblin who orchestrates the soldier’s misfortunes with his malicious magic. But based the extremely coincidental circumstances of his return home, I’d say the soldier’s the one who’s got some reality-warping tricks up his sleeve.

The soldier and jack-in-the-box duel again that evening, but this time the harlequin harasser falls into the fireplace and burns up. Our hero gets the girl and lives happily ever after. A nice conclusion, though a far cry from what happened in the original tale: the ballerina is knocked into the fire, the soldier jumps in after her, and all that remains of them by morning is some melted tin in the shape of a heart. I gotta say, for all my love of classic fairytales, Disney made the right call. Andersen’s life was far from magical and it reflected in his stories, making many of them depressing for no good reason. The triumphant note the music ends on also would have clashed horribly if they stuck with the original. Even the Queen of Denmark agreed with Disney’s decision to soften their adaptations of Andersen’s work. I don’t know if I’d call The Steadfast Tin Soldier one of my very favorite parts of Fantasia 2000, but in the end, s’all right.

Carnival of the Animals: Finale – Camille Sant-Saëns

This shortest of shorts (clocking in at less than two minutes) kicks off with James Earl Jones asking with as much seriousness as he can muster from the situation, what would happen if you gave a yo-yo to a flock of flamingos?

The answer –

Good answer!

Fie on those who dismiss this part as a silly one-off that doesn’t belong here. Fie, I say! It’s a pure delight full of fun expressions and fluid fast-paced action. Once again we have my man Eric Goldberg to thank for this, though this time he animated it entirely by himself. I’d call it a one-man show except for the fact that his wife Susan handpainted the entire thing with watercolor, making it look like it sprung to life straight from a paintbrush. It’s a simple diversion about a flamingo who wants to play with his yo-yo while the other snooty members of his flock try to force him to conform. As you can see from the still, they fail quite epically. Nothing beats the power of nonconformity and yo-yos (also every yo-yo move featured here is authentic; I love when animators go that extra mile).

The Sorcerer’s Apprentice plays next, but since I already touched on that in the first Fantasia review, I’m skipping over it. The segment ends with Mickey congratulating Leopold Stokowski (again), then crossing the barriers of time and space to inform the conductor, James Levine, that he needs to track down the star of the next segment, Donald Duck. Levine stalls by explaining a bit about what’s to come while Mickey frantically searches for his errant costar. The surround sound sells the notion of him moving around the back of the theater accidentally causing mischief all the while. Thankfully, Donald is found and the sequence commences.

Pomp and Circumstance – Edward Elgar

This famous piece of music was included at the insistence of Michael Eisner after he attended his son’s graduation ceremony. He wanted to feature a song that everyone was already familiar with. Of course, since this was after Frank Well’s untimely passing and no one was bold enough to temper Eisner’s worst instincts with common sense, his original pitch had every animated couple Disney created up to that point marching on to Noah’s Ark – and then marching out with their babies.

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Okay, A: Unless you’re doing a groin hit joke or are Ralph Bakshi or R. Crum, cartoon characters don’t have junk as a rule. And B, one of the unwritten rules of Disney animation is that barring kids that already exist like the titular 101 Dalmatians or Duchess’ kittens, the established canon couples do not in any official capacity have children.

To which Eisner laughed maniacally and vowed that they would.

But in order to placate Eisner’s desire to turn every branch of the Disney corporation into a commercial for itself, the animators compromised and agreed to do Pomp and Circumstance with the Noah’s Ark theme, BUT with only one couple – Donald and Daisy Duck. In this retelling of the biblical tale, Donald acts as Noah’s beleaguered assistant (I guess Shem, Ham, and Japheth were too busy rounding up the endangered species). Daisy provides emotional support while preparing to move on to the ark as well. It’s refreshing to see these two not losing their temper at each other for a change. I wish we got to see this side of their relationship more often. Donald returns Daisy’s easily lost plot device locket to her and as the rain rain rain comes down down down, he starts directing the animals on board; the lions, the tigers, the bears, the…ducks?

Anyway, all the animals and Donald get on board – well, most of them do.

The world’s first climate change deniers.

Donald realizes Daisy hasn’t arrived yet and runs out to look for her, unaware that she’s already boarded. Daisy sees Donald leaving but is too late to stop him before the first floodwaters hit their home. Donald made it back to the ark in time, however, though both of them believe that the other is forever lost to them. I find it astounding that they never run into each other not even once during the forty days and forty nights they’re cooped up on that boat. It’s the American Tail cliche all over again, and well, at least it’s happening in a short and not the entire movie.

Soon the ark lands atop Mount Ararat and the animals depart in greater numbers than when they embarked on their singles cruise. Daisy realizes halfway down the mountain that she’s lost her locket again, which Donald finds at that very moment while sweeping up, and the two are joyously reunited.

“I thought you were dead!” “I thought YOU were dead!”

I kid around, but I truly enjoy this short a lot. There’s so much warmth to Donald and Daisy’s relationship that makes their reunion at the end all the sweeter, and there’s plenty of great slapstick to offset the drama in the meantime. I will admit it’s nice to hear there’s more to Pomp And Circumstance than just the famous march, and the entire suite matches flawlessly with the visuals, though the main theme itself is so ingrained into the public consciousness that it’s difficult to extricate it from that what we’ve seen accompany it countless times.

Come on, you all know what I’m talking about.

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“What? Don’t tell me YOU don’t think of heads exploding like fireworks when you hear Pomp and Circumstance! Name one other life-changing moment could you possibly associate it with…you weirdo.”

The Firebird Suite – Igor Stravinsky

Fantasia 2000 comes to a close with a piece that has some emotional resonance if you know your history. You might remember from my first Fantasia review that Igor Stravinsky was disappointed with how Rite of Spring turned out, especially since he was a big admirer of Walt Disney and really wanted to do more projects with him beforehand. I don’t think it’s a coincidence that they picked his premiere ballet to end the movie on decades later. After all these years, Disney worked hard to do right by Stravinsky – with a few twists, though. Instead of a balletic retelling of Russian folktales involving kidnapped princesses and immortal sorcerers, we have a fantastical allegory for the circle of life.

No, not that circle of life.

A lone elk who I’m fairly convinced is the Great Prince of the Forest walks through the forest in the dead of winter. With his breath, he awakens the spirit of the woods and one of the most beautiful characters Disney has ever created, the Spring Sprite.

I. Love. This character. Her design is gorgeous, shifting from a shimmery opalescent blue as she steps out of the water into an eternally flowing fount of live greenery spreading from her hair in her wake. Wherever she moves, grass, flowers, and trees blossom, fulfilling the idea of a springtime goddess more than Disney’s own Goddess of Spring ever did. The Sprite was a massive influence in developing my art style, particularly in her face and expressive eyes, and I used to draw her a lot. Visit any relative of mine and chances are you’ll find a picture of her by me hanging up on a wall somewhere in their house. Yet there’s far more to her character than just a pretty representation of nature; there’s plenty of curiosity, spunk, determination, and a drive for creativity. I love her frustrated expression when she’s dissatisfied with the tiny flower she sculpts out of the ground and how her face lights up when she morphs it into a buttercup as tall as she is.

The Sprite paints the forest with all the colors of the wind (mostly green) until she reaches a mountain that isn’t affected by her magic. Perplexed, she climbs it until she finds a large hunched over rock figure – or is it an egg? – standing inside. She reaches out to touch it and…

The Sprite has awakened her counterpart, the wrathful and deadly Firebird. Think giant evil phoenix made of smoke, flame and lava. And it goes without saying that seeing this on the biggest screen left quite the terrifying impact. One of the biggest inspirations for this sequence was the eruption of Mount St. Helens (though the shot of the Sprite surveying the breadth of the Firebird’s destruction reminds me far too much of the Australian bushfires going on) and the sheer horror of nature’s irrepressible chaos is fully captured here. But the Firebird refuses to settle for merely destroying the Sprite’s handiwork, oh no. It won’t rest until creation itself is consumed, and the Sprite is reduced to a powerless mite as she scrabbles to escape the Firebird’s relentless pursuit of her. Try as she might, however, the towering monster corners and devours her in one fell swoop.

The forest is reduced to gray ashes in the wake of the Firebird’s rampage, but the Great Prince has survived. Once again he brings the Sprite to life with his breath, only this time she is tiny and weak (the animation of her slowly developing from the ash into her huddled ragged form is breathtaking). Now, I didn’t think I’d get emotional revisiting a small part of a single movie I’ve rewatched countless times before but viewing this through a mature eye combined with the beauty of the Firebird Suite’s climax and its timely message has caused me to see it in a new light:

The Sprite is utterly broken by what she’s been through and the destruction she carelessly caused. She’s lost all faith in herself and in the idea of returning the forest to what it once was. Even so, the Prince gently insists on carrying her on his antlers to the remains of their favorite cherry blossom tree. Where her tears fall, grass shoots begin to sprout. This fills the Sprite with hope, and she soars into the air becoming one with the sky and rains life down on the forest. New trees burst from the earth. The air is filled with leaves and pollen and new life flowing from her essence. The Sprite’s joy and power grow so strong that she even encircles the Firebird’s mountain in all her verdant glory. Life and creation overcome death and destruction. It’s not Night on Bald Mountain/Ave Maria, but it’s close.

And unfortunately, that’s the biggest problem Fantasia 2000 has.

While working on the original Fantasia, a storyman made the mistake of referring to the work they were doing in “the cartoon medium” in Walt’s presence. Walt turned on him and snapped “This is NOT ‘the cartoon medium’. It should not be limited to cartoons. We have worlds to conquer.”

And conquer they did…just not the way Walt intended.

The point I’m trying to make is Walt was breaking new ground and experimenting with things nobody ever tried when it came to Fantasia. While those risks were initially deemed a failure, it eventually gained the recognition it deserved from the animation and filmmaking community. Any attempt to recreate the magic of Fantasia is no small feat. But rather than taking new risks that not even the first film dared, the studio opted to adhere to Fantasia’s formula with pieces that recall if not flat out copy from the original segments. I hesitate to call it a pale imitation or cash grab however because this was done for the art much more than the money (though Eisner was probably hoping it would bring in some bank). There’s even a little bit of depth to it: while the first Fantasia had themes of differing natures in conflict – light vs. dark, fire vs. water, etc. – Fantasia 2000’s theme is accidental but brilliantly meta: CGI vs. traditional animation, a conflict Disney would become very familiar with in the decade following the film’s release. In some ways, it reminds me of Epcot’s genesis. The driving force behind it was long gone, but the attempt to bring it to life as close to the original vision as possible is still much appreciated.

For all my gripes, I really do enjoy Fantasia 2000. Perhaps not on the same level as its predecessor, but it has its moments, oh yes. And believe me, as far as Disney sequels go, you could do far, far, far worse than this one. Fantasia 2000 is Fantasia’s kid sister mimicking its beloved older sibling in an attempt to show it can be cool like the big kids too. But hey, imitation is the sincerest form of flattery.

Thank you for reading! If you enjoyed this review, please consider supporting this misfit on Patreon. Patreon supporters receive great perks such as extra votes for movie reviews, movie requests, early sneak-peeks and more! If I can hit my goal of $100 a month, I can go back to weekly tv series reviews. As of now, I’m only $20 away! Special thanks to Amelia Jones, Gordhan Rajani and Sam Minden for their contributions! I’ll see you in a few weeks when I and review the 1959 Disney animated classic, Sleeping Beauty!

Artwork by Charles Moss.

Screencaps from animationscreencaps.com

Yes, I know The Lion King and Lady and the Tramp ended with the titular characters having babies, but was there anyone out there apart from Eisner who demanded there be sequels to those films that focused on their offspring?

January Review: Fantasia 2000 Last year I talked about Fantasia, which is not just one of my favorite Disney movies, but one of my favorite movies in general.

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spectral-musette · 5 years

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So I saw the new live-action Aladdin last night.

Like Beauty and the Beast (2017), this was a direct remake of the animated musical from the Disney Renaissance, songs and all, with a new script following the same storyline. BatB (2017) worked a little better for me, personally, I think, but that’s quite subjective, and I can definitely see people preferring Aladdin (2019).

This movie faces the similar trouble of BatB in that Aladdin (1992) is such a beautiful film that it would be very difficult to improve on it without just making a unique film rather than a remake (more in the style of Cinderella (2015), for instance). But the degree to which we follow the storyline of Aladdin (1992) and faithfully re-stage those songs makes direct comparisons inevitable, and, in terms of my own preference, Aladdin (1992) is usually coming out on top.

Visually speaking, it’s very colorful and appealing, but it doesn’t quite have the same distinctive palette that Aladdin (1992) does. A lot of the settings (while beautiful) seemed to be CG, so while having a sense of not occupying the real world wasn’t necessarily bad for this type of over the top fantasy film, I think I could’ve used a little more grounding.

The one thing that 2019 has over 1992 is casting people of color. I thought the cast was great, and any nitpicks I have with characterization come down to the script, not the performances, which were excellent.

I’ve marked any plot points that significantly differ from Aladdin (1992) as (SPOILERS) and with a strikethrough.

By musical number:

Arabian Nights:

I actually quite liked this. The friend that I was in the theatre with said she was a bit thrown by the recognition of Will Smith’s voice, but it didn’t bother me. The new lyrics were good, and I loved the use of the verse from the old animated tv series (“take off and take flight/may shock and amaze” etc.).

One Jump Ahead:

This was the song I struggled the most with. The slow down of the tempo absolutely didn’t work. To me, this needs to be a fast-paced song to convey the adrenaline and momentum of the scene. By tying it to a slower, heavy beat, it felt positively plodding. The singing was certainly fine and I liked Aladdin’s voice a lot, but the tempo was killing me.

Jasmine’s New Song (Speechless):

Jasmine absolutely needed at least one more song. This one was fine; it sounded a bit pop, but I’m sure the original songs sounded pop at the time too. I think I’d have to give it another listen to see how it fits with the musical themes of the new score and with the other songs.

Friend Like Me:

Not much change in content from the original song, but different delivery, of course. If you are able to like Will Smith’s take on the Genie despite it not being the same as Robin Williams’, you’ll probably be okay with this.

Prince Ali:

Somehow felt very stagey, not in a bad way? Again, pretty similar to the original song, though I did note the “correction” from “brush up your Sunday salaam” to “Friday salaam”.

A Whole New World:

Pretty singing of a pretty song, no major lyric changes. The friend I was with complained about the slow tempo of this one, but it didn’t bother me the way that One Jump Ahead did.

Prince Ali (reprise): DIDN’T HAPPEN D: and I missed it a lot. Reprised “Speechless” instead, which was certainly dramatic, but the lyrics seemed lackluster here. A big feature of the classic Aladdin songs is that they tend to be wordy and eloquent (Howard Ashman’s touch, I guess, and no doubt Tim Rice too), so it felt a little out of place.

Surprisingly, we didn’t even have a pop cover of Speechless for the end credits. Maybe I was spoiled by three new songs that I liked in BatB (2017), but I felt like there was room for more additions in this film.

By major character:

Aladdin: Mena Massoud was excellent, loved the boy. Adorable as heck (the eyes and the smile), and very charming. His singing was good, though I felt like he could’ve used a little more of a chance to impress. The physicality of the role was amazing, both in his parkour scenes in Agrabah, and with the (SPOILERS) dance number in which the Genie is controlling Aladdin’s movements. The performance of doing complex dance steps while selling that he wasn’t in control of his own body was superbly done.

The thing I missed most about the animated version of the character was that this Aladdin didn’t quite seem to be quite the quick-thinking trickster that Animated Aladdin is. There’s an element there, but it didn’t come across as strongly to me. Animated Aladdin takes to the role of Prince Ali pretty handily, and his missteps are when he overacts it, being too much like how he thinks a prince should be. In contrast, New Aladdin is pretty paralyzed by nerves, which was charming in its way, just different. There’s also a change that we see New Aladdin stealing valuables to make a living, (though clearly not a great one) as a pickpocket, compared to Animated Aladdin who we only ever see steal food for himself and others (despite his klepto monkey). The dynamic with Genie is different too, less openly affectionate, but that’s also a factor of Genie’s change in characterization. I think it also is factor in inter-character dynamics that Animated Aladdin skews a bit younger, still a teenager, while New Aladdin is more grown up, a young man.

Abu: Abu’s CG face was a little uncanny valley to me. I think I would’ve preferred to see something more like the performance of Jack the Monkey in the PotC films, even if it wouldn’t have been quite as expressive and human-like as animated Abu. However, I do get that working with animals is pretty tough, and I see why the choices were made.

The Genie: Will Smith was doing his thing, and I didn’t really expect anything else. I warmed pretty well to his take on the character. He absolutely doesn’t do the quick-quippy motor-mouthed slapstick style of Robin Williams’ Genie, and it’s probably better that way. His performances of the iconic songs were solid, I think, striking a balance of nostalgia and novelty. How an individual viewer might want that balance to lean is going to vary, though.

I thought the film might’ve undersold the Genie’s longing to be free of the lamp. This was especially noticeable in the scene where Aladdin tells him that he can’t use his third wish to free him. Original Genie reacts with hurt and betrayal, New Genie redirects the conversation to be about Aladdin continuing to lie to Jasmine about his identity, buying his own con, as it were. Part of it is that New Genie is a little more emotionally reserved, plays things a bit closer to the (absent) vest. I think the case could’ve been made that Genie never really expected Aladdin to follow through on that promise, but as it was, it just didn’t quite ring true.

(SPOILERS)

I did really like the storytelling framing of the beginning of the film, but I thought it was underused! It would have been charming to Princess Bride the whole narrative, with the kids interjecting occasionally, and seeing the story through their eyes with their father playing the role of the Genie. Let the audience buy the storytelling device, and at the end when the kids are expressing their incredulity that such a story could be true, the reveal to the audience that their mother is the princess’s handmaiden would’ve been enough to leave the ambiguity – is the Mariner really truly the Genie, or is it just a story? I think that could’ve been lovely.

Princess Jasmine: Naomi Scott is beautiful, has a lovely voice, and gave a charming performance. I do wish they had cast someone who looks a little more like Animated Jasmine, but I don’t dislike New Jasmine. Giving Jasmine a strong motivation to become a leader, be her father’s successor, and make a positive difference in the lives of the people in her city was nice.

Jafar: While still menacing, Jafar lost some of the gleeful mustache twirling evil of Animated Jafar. I missed that high, cruel laughter and the disdainful aristocratic bearing. I do understand avoiding some of the iconic lines, but unfortunately the replacements weren’t… as good. New Jafar had interesting aspects, but it seemed like some of his story arc might’ve gotten left on the cutting room floor. It really seemed at first that we were implying that Jafar had actually murdered Jasmine’s late mother, but the movie just never picked up that thread. It wasn’t a bad performance, just a different character.

Iago: Iago seemed sort of in limbo between being a true magicians familiar, a fully realized character as in the animated film, and just being a parrot. I think going entirely in either direction would’ve been an improvement over what we got (mostly parrot behavior with occasional phrases that seemed to show independent thought). I think Jafar suffered a bit from this reduction of Iago’s role too– is it harder to have a dark comedy double act with an actual realistic parrot? (Parrot owners probably disagree)

Dahlia: An original character, and an interesting addition: Jasmine’s handmaiden (allowing Jasmine to pull some Padme-style who-is-the-real-princess shenanigans early in the film). She was charming, sweetly awkward at times, and (SPOILERS) though the b-plot romance between her and the Genie wasn’t quite pulled off with the panache it could’ve been (it’s no Lumiere/Plumette, okay?), it was cute and I liked it okay. Interestingly, her features were probably a closer match to animated Princess Jasmine.

Carpet: Probably the most faithful to the characterization in (1992). I have always adored Carpet, and I thought the gestures and movements of the CG version nicely captured the spirit of the original, though I think with comparatively less screentime? I genuinely reacted with anxiety every time Carpet was in danger even though I obviously knew everything was going to be all right in the end. #I can’t believe it, I’m losing (my heart) to a rug

There were definitely moments that I felt like a sequel was being set up, which is an interesting choice considering how notoriously bad The Return of Jafar is. That said, I do think you could absolutely pull some story elements from that hot mess and Aladdin and The King of Thieves (which is charming in its way but still direct to video quality) and actually make a film that would be able to flesh out this new version of the story and blossom outside the shadow of the original animated film. I’m not sure that’s going to actually happen, but it would be interesting to see.

#spoilers #long post #tl;dr #I liked it #I didn't adore it #but I enjoyed it

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thehollowprince · 5 years

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Endgame - Steve Rogers

WARNING: MAJOR ENDGAME SPOILERS BEYOND THIS POINT!!!

Oh, Steve… you deserved so much better. But, then again, hasn’t that been our calling card in this franchise for the last three years?

Like my other posts, we’ll be going over what I did and didn’t like regarding Steve’s character in Avengers: Endgame, and then my overall opinion of the character from the perspective of the entire MCU. Also like the other five main Avengers, this post will have a lot to do with the fan service that took over most of the film.

With that out of the way, let’s get started.

LIKES

Steve being the bigger man

His support group

His friendship with Natasha

The testing of the Time Travel device

Steve vs Steve

“America’s Ass”

Captain Stevens

Peggy Carter

He is worthy!

“On your left.”

Avengers Assemble

"Stupid"

Sam getting the shield

One of the things I always loved about Steve in these movies, especially in regards to his relationship with Tony, is that he never holds a grudge. He is what most of us, what I especially, wish we could be. I’m sad to say I’m more like Tony in that I hold a grudge for an unreasonable amount of time, but Steve… Steve is always willing to put his personal feelings aside and look at the bigger picture, and that’s something to be admired. The fact that he kept that through all of this is astounding.

I loved the fact that he did something his own. A support group dealing with loss and grief, something he has a lot of experience with, is exactly up his alley and I’m glad they gave it to him, though there is an aspect of the support group I didn’t like that I’ll discuss in the “DISLIKES” section.

His friendship with Natasha, him coming in to check on her after his support group and finding her crying and him not making a big deal about it was nice. I loved their friendship in TWS and I’m glad that it was something that was continued, even if that friendship was left on the wayside in Civil War.

Steve’s reactions to Scott becoming a teenager, then an old man, then a baby were a nice touch of humor in an otherwise very serious movie.

Once they spit up and go their separate ways to gather up the Infinity Stones and Steve gets the Mind Stone before running into his 2012 self. That whole thing was great. Especially the whole “I can do this all day” from young!Steve and our Steve’s “yeah, I know.” Must be annoying to have you’re own lines used against you.

“That is America’s ass” - ‘nough said.

When he and Tony go back to 1970 to the original SHIELD base and infiltrate it - seriously? Who gave these two men permission to come up with their own aliases? Especially when you remember how intelligent both of them are. I mean… Captain Stevens? Really?

More on the Peggy situation later, but it was nice that he got to see her. It was also nice to see the word “DIRECTOR” on her office door. Peggy Carter deserved that.

Once the big fight started and Thanos was about to kill Thor and Mjölnir hit him from behind. Then we saw it fly back to Steve's hand. Let me tell you that the entire theater screamed at that moment. This is something that we have known since Age of Ultron when he moved it then. He's worthy. He's always been worthy and he will always be worthy.

After putting a hurt on Thanos for a bit and after the purple menace knocked him down and broke the shield, and then summons his entire army... all while monologuing, of course. But then you hear that crackle over the radio and Sam's voice. The iconic, "On your left" and then a portal opens. I felt that in my soul. The portals opening and releasing all of the dusted to fight was amazing.

We waited how long for Steve to say the iconic line, and let me say, it was worth the wait.

Once the big fight was over and everything was said and done, with Steve about to take the stones back to their proper times, his goodbye with Bucky was great. The last line they share being the first line they share but in reverse was a nice throwback to The First Avenger.

While I don't at all approve of how it happened, I approve with my whole ass heart that Sam get the shield. He's earned it and he'll do great things with it.

DISLIKES

His support group

That damn compass/watch

“Hail Hydra”

His ending

As much as I loved the support group, I didn't appreciate Joe Russo being in it. If that was what they meant by "gay representation" in the MCU, then they can fucking keep it. I mean, it was nice to hear it said so easily and openly, but to use one of the directors and to make it a character we don't even have a name for is insulting.

I am so sick of that damn compass/watch thing with Peggy's picture in it. As if he hasn't been in the modern world for over ten years, adapting and building a life of his own. Let's suddenly point out how he's unable to let go of the past.

I understand the elevator scene and what Steve said was necessary to get the stone, but I did not like that. Not. One. Bit.

While I'm so happy that Steve didn't die after everything that happened, I do not at all like the fact that they erased the life he built in the modern world, as well as the life Peggy made for herself after Steve's "death". Its insulting to both characters and the journey that they went on. Especially when you factor in how Steve, once he was in the past and having his "happily ever after" just let SHIELD be infiltrated and taken over by Hydra. That Bucky was being tortured and experimented on. I'm expected to believe that Steve Rogers - the same Steve Rogers who could never let injustice stand - was just okay with letting those horrible things happen.

OVERALL OPINION

I’ve said it before and I’ll say it again: Steve Rogers deserved so much better. He was never given the same respect that Tony or even Thor were given in this franchise, and despite the fact that he was a titular character, he was treated more like a secondary character in the same vein as Clint, Natasha or Bruce.

I wish good things for Chris in the future and I hope that this Falcon & Winter Soldier show lives up to the hype.

#just my thoughts #steve rogers #avengers: endgame #endgame spoilers

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phdna · 5 years

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*arriving a month late with Starbucks and an uninteresting Endgame review*

This took me forever to write because work has been very intense lately, but I have thoughts I want to write down, for my own future reference when I’m an old woman looking back on my life, if for nothing else.

SPOILERS AHEAD, of course!

From whatever little I’ve been online since Endgame came out, it seems like the internet has been on fire swearing undying love, eternal hate and everything in between. I’m used to that because the MCU fandom has a tendency to be like that, but it feels like this time is more intense, which puzzled me a little bit, as it mostly adheres to the Marvel rules of storytelling, and people tend to not fuss over movies that do that as much as they do over movies that break the established MCU patterns. And then I did some reading and watching and talking and it just hit me that people aren’t reacting to Endgame itself, they’re reacting to the MCU. Both people who think it’s the best movie ever and people who think it’s absolute trash aren’t talking a lot about the movie, they’re talking about how the movie handled the end of this long journey that was the MCU. (Exception: time travel. I’ll get back to it in a moment!) I know I’m having a Captain Obvious moment here, but bear with me for a moment, I’m going somewhere with this.

Here’s the thing: as long as there are more movies coming, we can all overlook things we dislike about the MCU really well – “they’ll just fix it later,” right? Or we can fix it ourselves, even if we don’t write/read fics – the endless theories about what the next movies are gonna be about are in large part wish-fulfillment. Maybe next time Marvel will have more representation of all kinds, maybe next time Marvel will develop their female characters as much as their male counterparts, maybe next time Marvel will focus on this particular relationship that is either underdeveloped or so developed that it should get more attention, maybe next time Marvel will direct a character arc towards where I think it should go. But when the end arrives, we have to face that we aren’t in charge of the MCU and have sometimes wildly different expectations that what the Powers That Be have in mind. We have been emotionally invested in this universe for a long time – we bring the MCU with us in our lives even away from screens – and it sucks a little to realize that, ultimately, we are powerless to impact it. If Endgame was 100% everything you’ve always wanted for every single character and for the universe as whole, great! You’re still gonna mourn the end a little bit, but it’s cool! But if you feel like even one character of the dozens in the cast got the short end of the stick, you’re gonna be upset because don’t we all wish we could sit down with Marvel and teach them Why They Are Wrong About This Character?

I hope I’m not sounding holier-than-thou, like I’m being absolutely cool and adult about the whole thing. Hell no. I’d fight Kevin Feige in a parking lot any time, and have been ready to do that since huh… the MCU started. (Especially because the MCU has taken over the comics and I like 616 more than I like the MCU, so I’ve got beef with Marvel for that.)

So yeah, I have plenty of “What? No! Whose idea was that, that’s terrible!” moments, but I always try to focus on what I enjoyed more than on what I hated. Sometimes it doesn’t work and I get forever bitter, but most of the time, I make an active effort to 1) be grateful that WE EVEN HAVE GOOD SUPERHERO MOVIES AT ALL and 2) watch the movies I’m actually watching instead of watching the movies I think I should watch. For instance, I want to set myself on fire whenever I think about how un-family-like the Avengers are in the MCU, but since being a family isn’t a story the MCU is trying to tell, I consciously try to find something I enjoy about the constant conflicts, such as what they tell us about what each character believes, and how they keep coming back together to do the right thing despite their differences.

Arguably, that’s too much effort, and I get why some people want to be entertained and get upset if the MCU doesn’t deliver that entertainment – I mean, movies are supposed to be fun. But since I was a kid, I’ve always been a fan of imperfect things I have no control over, and I muddle through what I don’t enjoy to get to the shiny bits that give me goosebumps and keep me up at night feeling giddy over how good something was. It’s part of how I react to stuff I like by now. I don’t know, maybe it’s my History degree talking, but I don’t see what the big deal is with saying “Some of it sucks, some of it is brilliant, some of it has to be challenged on the ground of human rights, but overall I’m interested in learning more about it.”

Why the essay on how to engage with the MCU?

Because no matter how I think about it, my primary opinion about Endgame isn’t “I think it’s good” or “I think it’s bad” but just “I’m thankful.” That’s it. I can’t look at Endgame and see it as an isolated movie. I look at it and think “God, I was just out of school when Tony said I am Iron Man and now I’m a teacher and the MCU has always been there helping me keep track of the passage of time all these years.” Here, have a bad analogy: Endgame is when you finish a long travel and there’s nothing home to eat and you have to unpack and you’re exhausted and normal life is depressing and you have a headache and you’re frustrated that holidays are over and you didn’t do everything you wanted…. but that doesn’t make the entire travel a waste of time, does it? It’s actually the opposite. If the travel sucks, getting home is great. And very, very, very few people walk out of Endgame saying “Thank god this MCU saga is over, ugh, I was following it just out of obligation and I’m glad I’m free now” – I mean, there are people like that, and I can see why, but I also never finish things just out of obligation so I can’t relate. Anyway, mostly, people either expected more because the MCU is good enough to do better or thought this was the perfect ending. I’m both. Some things I loved, some things I really wish would be different, but mostly, I’m, like I said, grateful that the journey was so good that no ending would’ve fully satisfied me.

My biggest problem is with time travel. I’ve never liked the trope (not huge on alternate universes, either!), so I knew this would be a pet peeve even before I watched Endgame. I’m also surprised that apparently nobody involved in the movie can agree on how aforementioned time travel works. Fans certainly can’t. And I don’t think it’s a good thing if your audience is confused by a major part of your movie, even if there is a perfectly good explanation and the audience just didn’t get it. (Which isn’t the case, as apparently there isn’t a perfect explanation.) But you know what? I’m hand-waving it. It’s a convoluted plot device but it made a good movie, so like, whatever. Let it work in ABC way unless XYZ needs to happen, in which case, XYZ is how it’s always worked regardless of how ABC was used before. I don’t care. I’m taking what they say happened and saying “Okay, that’s how it happened” and ignoring the hows and the whys. It’s just bad comic book logic on the big screen, I’ve been rolling with this kind of thing since I was a literal child. Having said that, I don’t know what year it is in the MCU, I don’t know how Spider-Man will work, I’m not touching Cap’s time paradox with a ten-foot pole, and I’m not even gonna try to understand any of the timeline charts going around online.

My other major problems have to do with real life more than with the movie. The only original female Avenger dies in the same way the only original female Guardian of the Galaxy died, and neither of them get funerals but we do get the men in their lives suffering over it (which switches the focus from mourning the women to the men’s journeys.) Not sure if the joke was that Thor was clinically depressed or if the joke was that Thor was fat, but haha hilarious. The first openly queer character is omg a nameless cameo talking about someone we never see, isn’t the MCU so progressive? (The bar was so low that Marvel had to dig a ditch so they could somehow get lower than that.) Not loving the idea of “Thanos treated Gamora like shit but the Soul Stone recognizes he loved her” and “Tony’s dad was awful but Tony can Forgive Him” being presented as touching – it’s creepy af and makes me wonder if the MCU will end up saying Alexander Pierce actually cared about Bucky somewhat or something of that sort. Female hero team up: unironically loved it and want it projected on my tombstone (it was one of my favorite part), but it’s a little disturbing that almost none of them had much of a storyline in the movie because they don’t have much of a storyline in the MCU – it really highlights that Marvel has a boy’s club problem still. Now, none of these things make for a bad movie, it just reminds me that Marvel has a long way to go with they want to become inclusive.

Okay, now on to storylines…

Tony. Loved it. I love how the Russos direct Tony (I do have a problem with how M&M write Tony, sometimes, though, and always have) because they love to highlight how soft Tony’s heart is. Part of what makes the character interesting in any universe is that he’s willing to do morally shady stuff when he thinks he’s justified and he tends to think he’s justified because he knows exactly how smart he is, but if you explore this borderline antihero behavior without a deep commitment to reminding the audience that Tony is emotional and gentle, you end up with Reed Richards. 616!Tony will always be sweeter than MCU!Tony (even though 616!Tony’s dad literally tried to beat emotions out of him, while MCU!Tony’s dad more ignored him than actively tried to make him colder, but that’s besides the point) but Tony was so openly loving in this movie, and it helps make his death hit home, why so many people will miss Iron Man and Tony I pity Morgan a lot because she won’t remember her dad, but the only way to feel like the torch has truly been passed to other heroes was to kill Tony – keep him alive in any way and characters are gonna want his advice even if he stops fighting. I want to see how other heroes will protect a world without Iron Man. It’s exciting and brand new and feels a bit like when Fury said in 2008 that Tony isn’t the only superhero.

Steve. Let’s take the time paradox at face value and say everything goes well in every possible timeline and nobody suffers more than they would if he hadn’t done his time-heist thing, because I think that’s what the movie wanted to imply. I’m actually happy he got to be with Peggy. It’s not how I’d write him, mind you, but I always knew MCU Steve was being written as someone who is inherently out of place in the modern world. In the comics, Steve has a culture shock and he mourns people, but he finds a new family in the Avengers and truly becomes part of this century. MCU Steve was never that guy. And that’s okay, it’s a valid take! Not what I’d do, but given his storyline throughout the other movies, I think it’s a very satisfying ending that feels very organic. Saying “screw everything, I’ll do what I think it’s important” has been Steve’s constant in all movies, and it’s nice that he learned that he is important too, not just everybody else. Handing the shield was also very important – no “I think he’d want you to have it” to fuel conspiracy theories in the future: Steve made a good decision and that’s fine. (And I’ll cut a bitch if y’all keep saying “maybe Bucky had the shield before” because Sam can be a first choice fgs!!!)

Professor Hulk is a thing and I liked it more than I thought I would. Hopefully we’ll see more of him. I liked Bruce and I liked the Hulk, but somehow this version of him made me go from “Yeah, they’re nice” to “PLEASE TELL ME HE’LL HAVE A SOLO MOVIE” so good job in redeeming the Hulk franchise, Marvel! It only took you 10 years to get the right tone, but hey, what matters is that you did it!

Thor…….. Um. Hard. I liked his character arc but hated how it was handled. I’m not even a huge fan of Ragnarok because comedy isn’t my thing, but watching Ragnarok, I could see why the movie worked and the humor didn’t come at the expense of being fair to the character. Endgame felt more like the movie itself was bullying him. They’re laughing at his pain, basically, and it’s just not funny. It bothers me for the same reason it bothers me when people say pre-serum Steve should never leave home – just… no. But then, we got Thor and Frigga and I’d sell a kidney for more Frigga, so, it wasn’t completely awful. Just like, 90%?

Natasha!!! I hope everybody who said Scarjo can’t act paid attention to this movie, because she gave Nat a depth that we haven’t seen since CATWS, and even then, because it was Steve’s story, she was sidelined. That’s the Nat I’ve always wanted in the MCU. …and of course, she’s dead. Luckily, we don’t know anything about MCU!Nat, so we can still get prequels even if they don’t want to bring her back to life. It’s a little shady that she dies (why is it that the randomly decided death always seem to be randomly assigned to whatever the minority in a team is, huh?) but I love that she sacrificed herself for the greater good. It’s a heroic end to a woman who thought she was gonna be a villain her entire life. Oh, oh, oh, I have to say this: Natasha leading the remaining Avengers? Godtier. I’m not much of a fic person but I desperately want fics of that off-screen period where she’s being a boss.

Clint. MCU!Clint never did much for me, so I was impressed that I was rooting so much for him during the movie. I don’t know if he’ll just retire completely, but I’m hoping he doesn’t so we can see more of him in the MCU.

Okay, that’s the original Avengers and I’ve already written……. Too much. So I’ll stop – sort of – here.

But first, other random comments.

Fight choreography? On point, 10/10, would let Marvel beat me up to experience these sequences myself

“I am inevitable.” “I am Iron Man.” I cried so much the screen got blurry and I almost missed the snap. Thank you for this exchange.

I love and support Morgan, but I’m dreading the idea that in a near future, the MCU will get Riri’s entire story and give it to Morgan. Please, MCU, I’m counting on you, have Morgan grow up to befriend Riri, not to steal her role.

Nebula needs a solo movie. Nebula needs a whole cinematic universe, actually. What a character.

Speaking of which, GotG 3 is shaping up to be very cool

Sam being the one to say “On your left” in the movie where he becomes Captain America? Poetic cinema. Also! Sam Wilson is Captain America and both the human being who wants children to grow up in a better world and the geek who wants to see flying Cap in me are equally over the moon with joy

Bucky, my darling, the MCU hasn’t known what to make of you since 2011. It’s okay, Sebastian Stan will always do his magic and make you be Bucky even when Marvel doesn’t fully understand anything about your character

Pepper’s character development in 10 years is protagonist-worthy, I can’t believe how she always only has a couple of scenes every movie

Tom Holland should not be allowed to have crying scenes, they make my heart hurt

The movie feels a lot shorter than it is

There’s a lot more I could say, but I’m writing it on Word (tumblr sometimes eat my text posts as I’m writing them) and the wordcount is nearing 3k, so I better shut up. If you’ve read all of this, please treat yourself to a milkshake, you’re awesome. If there’s anything you want to talk about that I didn’t address (or just… you know, about Marvel in general), my ask and my direct messages are always open. I’ll probably take forever to get back to you (I NEED A VACATION ASAP) but I will eventually answer you and I don’t bite, so please go ahead if you’re curious about my not-so-very-interesting thoughts :)

TL;DR: Endgame isn’t my favorite movie (IM, IM3, CATFA, CATWS and BP all come first, sorry) but it’s up there in the “I can watch this movie a thousand times and I won’t get tired of it” list, and I think it does a fairly good job in ending the Infinity Saga, so I’m basically pleased!

#avengers endgame spoilers

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ruinedbynegan · 5 years

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Closer: Chapter 30

Much to my (and Negan’s) dismay, Monday arrived, effectively separating us for the majority of the day. But we would see each other again tonight. After our night at the lookout spot, I took Negan back to the house, where we went our separate ways. He seemed to take my rejection well, although he did adjust his pants quite a few times, but I pretended I didn’t notice. I think in his eyes, our “courtship” was more of a test to see who would lose their resolve first. He promised me thirty days of his company in order for me to realize that I wanted him. But after last night...I didn’t need thirty days. I knew I wanted him. Badly. But I’d be damned if I was going to give into him that easily.

Due to my constant thoughts revolving around Negan, my day at work flew by and I felt myself driving home just a little faster. I was excited to see him again. More so, now that a barrier had been lifted, now that he truly knew who I was and who I had been, I felt like I could truly be myself. I could tease him and openly flirt with him. All without my tragic backstory and a sense of guilt looming over my head.

When I got home, I found him sitting in the living room with Cameron. Negan was turned with his back towards me, but I noticed the change in posture, the breath that he released when he sensed me in the room. And then he turned around, looking at me over his shoulder, and gave me the most charming smile I had ever seen. There was so much conveyed in his expression. So much promise in what the future might hold for us.

For the first time in a while, it felt like I had something to look forward to, this new and uncharted territory of companionship and intimacy that I had never known before. In the beginning, my depression had gotten the best of me. I had found myself falling into these toxic thinking traps where there was nothing but darkness and no sign of light. But somewhere along the way, light began to shine through, and I stopped falling into those traps that had once consumed me. Instead, I continued on. I began to see alternatives and considered them all with a sense of excitement.

Negan and I began to fall into a routine. I would spend the majority of my day at work and when I got home, he’d be there waiting for me. With some direction from my brother on my part, I’d make us dinner, Negan accepting his role as my helper in the kitchen. He would move around the kitchen, gathering ingredients and putting them away after I used them. We would all sit at the table, Cameron included, and eat. And we laughed about anything and everything. Negan’s bravado was infectious, even to my brother. One night in particular, I had gazed at the two of them fondly, glad that they were getting along, and for a moment, I realized that I considered them both mine in different ways.

After the laughter subsided, Cameron would dismiss himself to his room and Negan and I would do the dishes, him occasionally splashing me with the water to elicit a round or two of giggling from me. And then, we’d find ourselves lounging on the couch, getting lost in the familiarity that came with being with each other. We’d watch movies together, Negan laughing at my profound love for horror movies, good and bad, and conspiracy theory videos. I discovered that he, like most other guys, liked action movies, specifically because he “loved to see shit blow up.” And we’d talk, our conversations more intimate than the ones at the dinner table. I talked openly about myself, feeling comfortable sharing my likes and dislikes with him. Negan seemed intrigued by getting to know me, prodding me for details on my opinions and my past experiences. I learned a few things about him too, like his love for baseball and classic rock music. He also talked about his job as a coach, helping those kids that he felt were lost and needed a sense of direction. The things he told me about himself were superficial, not talking about the details of his past or transformation. I understood and respected that, trusting that he would tell me when he was ready, just as I had. It seemed like with each passing day, Negan would grow more comfortable with me. His eyes twinkled and shined brighter when I’d enter the room and his smirk was always present on his face, annoyingly adorable dimples and all. Things were progressing between us.

Well, kind of.

We hadn’t done anything physical. There were embraces that lingered every night when he left. And I found myself often intertwining my fingers with his just because it felt right. It was all so PG, which I knew wasn’t Negan, given his past polygamous tendencies. But he didn’t say anything, which to me, was surprising. Even more surprising was that he allowed me to be the one to initiate all physical contact with him. There was some comfort in that and it reiterated his point of not forcing me into this and waiting for the moment where I would admit to him that I wanted him.

And I knew I did. I felt it every time I was with him, the way my body would respond to his. But a part of me was afraid to tell him. Not out of fear of rejection, but fear of disappointment. My past sexual experiences had been lackluster to say the least, and I truly didn’t understand what I liked in the bedroom. I had a vague idea of what I would like, but had never experienced it. I feared that my inexperience would clash with Negan’s sexual prowess.

Before I knew it, the work week was over. Negan and I would have the entirety of the weekend to spend with each other and further explore our relationship. As I drove home Friday evening, I found myself rather nervous at the prospect, the feelings of inadequacy taking over and clouding my mind.

Cameron had dismissed himself for the weekend, probably thinking that I needed to get laid. And god, did I. But right now, it felt like being intimate with someone was beyond my comprehension. Especially when that someone was Negan.

I wasn’t surprised when I walked through the back door and found Negan lounging on the couch, feet up and a beer in hand. The sight of him so comfortable in my house made me feel a little more at ease. When he felt me in the room, he turned his head to look at me and stood, putting his drink down and making his way over to me for our usual embrace. He gave me one of my favorite smiles and as usual, waited for me to come to him. And I did. Like a moth drawn to a flame, I couldn’t resist.

“Doll, you are a goddamn sight for sore eyes!” He said.

I smiled widely at him as I closed the distance between us, my arms moving to wrap around his torso as usual. But before I could lock my arms around him, I felt myself in the air and squealed at the sudden action. Negan laughed at my response as he picked me up and pulled my body up to his, gently swinging me around in a circle. It absolutely melted my heart.

I couldn’t help but giggle as his stubble met the crook of my neck and tickled me as he inhaled my scent. I wrapped my arms around his neck, which was a first given our height difference. I breathed him in and damn if it wasn’t the best smell in the world. The smells of leather and spice that lingered on his skin, along with a scent I couldn’t quite describe because it was pure Negan. He pulled his head back and I did the same, our faces hovering closely as he still held me flush against his body. I found myself becoming extremely aware of his body pressed against mine, the firmness and heat of it making me dizzy.

“Hi,” I said. “Good day?”

He smirked at me. “It is now.”

I smiled back at him. “Mmm. You’re in a good mood,” I said commenting on his playful demeanor.

Negan shrugged his eyebrows. “Can’t a man be happy that his girl is home?”

I giggled, deciding to return his flirting. “Your girl, huh? I don’t remember agreeing to that.”

“Shit Carson, you’ve been my girl since the moment I saw you.”

I swooned at his words, taken aback by the sincerity in them. And a part of me knew that he was right. I was his girl.

It hadn’t been thirty days. Hell, it hadn’t even been two weeks. But I knew what I wanted. And I knew what I had to do.

Tags: @haleyea, @wolfangelwings @negan-jdm-winchester

#negan #the walking dead #twd #the walking dead negan #twd negan #jeffrey dean morgan #negans thirst squad #negan x oc #negan x original female character #negan fanfiction #negan x carson

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