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#was a fun perspective to draw
gooseinsoup · 3 months
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pov: you're a fly in a. z. fell and co
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lazylittledragon · 3 months
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do any other artists feel like. yeah you're a 'good artist' because you draw things that look nice, but like. TECHNICALLY? you're really not great
i really hate that i can recognise that yes, my art is good, but is it VARIED? is it dynamic?? is my anatomy good? is it full of texture and colour theory? do i know how to do This? can i do That? no, not really. and that's quite painful actually
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crescentfool · 2 months
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reunion 🌸
#persona 3#persona 3 spoilers#minato arisato#makoto yuki#ryoji mochizuki#aigis#ryomina#lizzy does art#HELLO EVERYONE!!! march 5th is upon us again so i bring... my contribution for this year. my third year drawing for it!#i made the thumbnail for this a few weeks after last year's graduation day#i thought it would be fun to lean into the ryominaigis angle of graduation day (you could read this as minato/aigis if you like-#but i feel like most people would read it as ryoji/minato)#IN ANY CASE working on this made me very emotional over this game :') (specifically minato)#i really enjoy how p3 ends it's such a nice way of wrapping up the narrative's messages and themes#working on this. minato's kindness was at the forefront of my mind throughout the piece#and i really wanted to capture how. ultimately it was his decision to sacrifice himself- to do the great seal#while to an outsider's perspective it is. sad that minato passes. i think becoming the seal is something that minato-#actively welcomes. in the same way that death (ryoji) is a comfort to him because death was housed in him for Ten YearsTM#AND I ALSO GOT REALLY SAD OVER AIGIS TOO. i still get fucked up over how in fes's animated cutscene for 3/5 they portray-#her as human and not drawing the robot parts so i wanted to do something smilar here...#but also i am very sad on aigis's behalf because she discovers her humanity through minato and realizes what she-#wants to do and then. well. minato is like. he's ready to pass on (even if he's scared) and im like. OH MY GOD THIS TRIO GETS ME MESSED UP#this was more coherent in my head LOL BUT ough i like drawing p3 and working through my feelings about it...#anyway! happy (in quotations) march 5th. i love this game to bits. it's so fun to draw for this day every year and see how i've improved#if you've read all this thank you :) lizzy appreciates you all very much. mwah! <3
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nothingbizzare · 23 days
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Someone is calling
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drawlody · 5 months
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BETTY THE WISHMASTER and SIMON as wtv scarab is in the time room
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Instead of becoming Golb Betty is now a wishmaster in charge of the Ooo universe (while Prismo still in charge of the 1000+ others:))
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Simon and Betty have their cute lil dates in the time room and when Simon bouta bite the dust he uses his wish to join his love
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OLD PEOPLE SLEEPING
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Based on this scene of prismo totally not being gay for jake^^
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And Simon like his drink 90% chocolate syrup 10% milk/icecream with buncha cherries cause i say so:)))
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mochasucculent · 7 months
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Gilf on gilf psychological warfare
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berrysquared · 7 months
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🍞🪜🍞🪜
Here’s my piece for the 4th edition of @trafficzine it was so much fun and I’m so glad I was able to be a part of it <3
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teethkid67 · 2 months
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PAYDAY
aka a valentine for the lovely @itsnotmystic / @corvids-calling - fanart for stars fic of the same name, which you can read here !!! i really enjoyed this concept and wanted to do some art for it :3 hope you like it because i REALLY loved your work & i hope this shows that !!! HAPPY VALENTINES DAY !!!!
this is also a loose love-letter to the wonderful @arginnit 's crazy background-drawing-ability and style/skill at portraying environments . wadds your stuff is insane and i love it
happy @mcyt-valentines exchange !!!!
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sneez · 12 days
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pathologic but it's a lost 1920s german expressionist film [id under cut]
[id:
image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.
images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads: 'Pest', a film by Robert Wiene Alfred Abel as Victor Kain Ernst Busch as Grief Lil Dagover as Katerina Saburova Ernst Deutsch as the Bachelor Carl de Vogt as Vlad the Younger Marlene Dietrich as the Inquisitor Willy Fritsch as Mark Immortell Alexander Granach as Andrey and Peter Stamatin Bernhard Goetzke as General Block Dolly Haas as the Changeling Ludwig Hartau as the Haruspex Brigitte Helm as Anna Angel Brigitte Horney as Maria Kaina Emil Jannings as Big Vlad Gerda Maurus as Yulia Lyuricheva Lothar Menhert as Georgiy Kain Asta Nielsen as Lara Ravel Ossi Oswalda as Eva Yan Fritz Rasp as Stanislas Rubin Conrad Veidt as Alexander Saburov and Tragedian Paul Wegener as Oyun Gertrud Welcker as Aspity
image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).
image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.
end id.]
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jackshiccup · 3 months
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you’re 16 and nothing bad has happened
a lil scene based on my friend @droptoposmosis’ fic can’t smile like you mean it (aaaa childhood friends hijack makes my brain dissolve ;;)
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opashoo · 1 year
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Illustrated for @HT_Black's upcoming TTRPG, Toonpunk Second Edition, and its lore book—coming soon!
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jell-o101 · 4 months
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[START OF ENTIRE COMIC]
Alternate Ending - 14 / END
FINALLY DONE with this damn thing 😮‍💨
If Dimentio looks better here, it’s because I put more effort on his side profile since I hated how he turned out the last time (I will admit, I did rush the last one)
I did not intend for this to end up as long as it did. It should have ended back in November 😭.
As you can see, this one has some open ended implications for what is to come. Peach could be brought back from the Overthere, Luigi submits to the Chaos Heart willingly, yada yada yada. Mario begging Super Dimentio to forgive him and that none of it was his fault, Dimentio using a Floro sprout as a last ditch effort to keep Luigi from fighting back. Funny how I got ideas to keep this one going, like an alternate story for Super Paper Mario. Alas, I would prefer to focus on Luigi’s Escape Plan 😅.
This colour palette will return….hehehe…
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sashimew-the-cat · 2 months
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Trying out more Perspective illustrations with Raph
(Click for better quality)
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nina-scribbles · 5 months
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"Contrary to popular belief, Izuku Midoriya hadn’t actually intended to do anything illegal. Apparently vigilantism actually IS a slippery slope, and the transition from neighborly, helping old ladies with their groceries, to leaving would-be muggers tied up in alley-ways… is rather quick and easy to slip. Who coulda guessed?"
- Serendipitous Encounters on Ao3
(Excerpt from chapter one, art from a scene in the soon-to-be-posted chapter five, bc i just couldn't get it out of my head lol :3 )
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nosieposie · 1 year
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Housewarming party at Mion's first flat (⁠>⁠▽⁠<⁠)⁠ノ*⁠.⁠✧
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egoarc4de · 6 months
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homecoming
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