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#what i want to know is where this is
artkaninchenbau · 1 month
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A h-heartfelt reunion..?
Bonus
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rileyclaw · 1 year
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bunch of silly doodles of these guys from the past week or so
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will-of-dumpsterfire · 5 months
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sleepyrogues · 7 months
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amanda young, the jigslay killer
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triptych-of-voids · 17 days
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quick draw and trigonometry
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puppyeared · 10 months
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Wyrm on a string
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uncanny-tranny · 2 months
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I recall saying this before, but it bears repeating:
There could be a billion trans people in the world and it still wouldn't be a bad thing because being trans is not a bad thing. Even if the rate of people discovering they are trans is "disproportionate" to trends from decades ago, that is not a bad thing. In fact, it's a natural consequence for there being more trans people being able to stay alive, and, overall, being able to live in a slightly more tolerant world. You'd only see that as a bad thing if you actively didn't want trans people to either live or live a life that facilitates wellness.
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lilybug-02 · 26 days
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Patience and responsibility....that's a promise....right?
Part 27 First || Previous || Next
--Full Series--
An exorcism? In my family-friendly Deltarune? It's more likely than you may think. The backgrounds here were very interesting! Much more complex than how I usually do them (especially that computer).
Player POV:
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Feral energy.
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spam-extemporal · 11 days
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Dcxdp where Danny has been working with a hero team (did Bruce adopt him? Did he help the teen titans and got told to join them? Idk) for less than a year, maybe they knew eachother for longer, but Danny has been living with them for some months.
Now, I imagined this as a "Danny has to flee to a different dimension after a giw attack/reveal gone wrong" but it can work with other scenarios, the important thing is, death days are important for a ghost's wellbeing, but nobody knows/remembers Danny's deathday or that it's important to commemorate the dead. Maybe he hasn't told anyone yet cause he doesn't want to be a bother, or doesn't trust them enough yet.
So Danny takes the matter on his own hands, each year he goes to a quiet corner of the local graveyard, where he has a piece of marble and a small vase, he usually buys some flowers for his memorial grave and makes some fudge as an offering.
This year wasn't gonna be different, he told his team/family that he was gonna spend the day out, he chose an elegant but comfortable outfit, made some fudge, and saved it on the fridge with a note that said "phantom, do not eat".
The next part might work better with a young hero team, cause despite the note, someone took a bite of the fudge for breakfast.
Danny clearly gets mad, they didn't know, but they just ate an offering, a great offense to the dead it was offered to.
It all ends in a big fight, Danny doesn't want to admit that it was an offering for himself (it just hurts to admit that nobody remembers his death), and the other person thinks he's just having a tantrum over some fudge, like, c'mon, they can make you some if it's SO important to you 😒
And I don't know how to end it cause it came to me while falling asleep and don't remember more T-T
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turtleblogatlast · 2 months
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I’ve remembered that colors exist
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confessedlyfannish · 29 days
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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lazylittledragon · 3 months
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do any other artists feel like. yeah you're a 'good artist' because you draw things that look nice, but like. TECHNICALLY? you're really not great
i really hate that i can recognise that yes, my art is good, but is it VARIED? is it dynamic?? is my anatomy good? is it full of texture and colour theory? do i know how to do This? can i do That? no, not really. and that's quite painful actually
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egophiliac · 2 months
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CROWLEY SSR THOUGHTS
there is zero basis for this, but I can't get this thought of my head
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I don't know why I decided to draw it this way
#art#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland book 7 spoilers#(these will be relevant in a moment)#this isn't going to happen. but WHAT IF.#anyway i didn't get him (damnit birdman come home) so i had to look up his story#and let me tell you friends my findings were SHOCKING#crowley canonically likes vegetables which means that the crowley is revaan theory = BUSTED#crowley is sailor venus = CONFIRMED#(i know 'whip of love' is a saying but that's where my mind always goes)#DISCLAIMER: this is (mostly) a joke please continue to hold whatever theories and headcanons you want#but look. c'mon. look over here at this whiteboard i've covered in red yarn.#revaan being a picky eater has come up multiple times and there is an entire whole bit about how much he hated jerky and refused to eat it#and now they've made a point of talking about how crowley will eat almost anything and loOoOoves wild game meat especially#it's SO stupid but i can't help but read way too much into it#(this is tumblr if you don't want to see incredibly stupid overanalysis of anime guys then why are you HERE)#and i gotta hold on to something because otherwise whenever malleus and crowley are onscreen together i just keep going 'same hair color...#unless this is like. some kind of deep cover thing.#lilia doesn't recognize him because he saw him eat a green bean once and revaan would NEVER#crowley's secret is safe for another day#(serious hat on: i do think they're probably connected in some way)#(but there's something deeper going on that we're just not clued into yet that will hopefully explain things)#man forget revaan what if crowley whips off his mask and it turns out he was meleanor this whole time#wait hold on meleanor loves jerky. IT ALL FITS...
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tshortik · 8 months
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I love you messy artstyle i love you visible brush strokes I love you textures and rough edges I love you imperfections I love you roughness and colour blobs I love you scratchy sketches and bold stylisation and dirt and imperfections I love you ugly and raw emotion!!!!! ❤️
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puppetmaster13u · 4 months
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Prompt 169
Danny is from a world where everyone has wings, even if most have long since lost the ability to fly. Something about loading and aspect ratio, wings being too small, body too heavy, now mostly used as display, whatever. 
It doesn’t matter even if he had blueprints from when he was like six of a jetpack to help fly. It won’t work anyway and hey, he has his ghost form! Which uh, might be perhaps, affecting his wings which were maybe sort of scorched black and practically down to the bone thanks to the accident. 
It doesn’t matter, he swears. Though he’s admittedly relieved to see the new feathers growing in are different from Dan’s angry sunset. Even if they’re not even supposed to be able to grow back. Alright, this is fine, no one is going to notice! It’s not like everyone knows about the poor Fenton kid whose wings were absolutely destroyed thanks to an accident! It’s fine. 
He’s not flying in a half-panic towards the Far Frozen while crying because his wings are coming back and he’s so scared. He didn’t panic and instantly fled the moment Jazz pointed them out while changing the bandages. 
He definitely didn’t trip over something while wiping away said tears and blacking out from all the stress and all of his problems that he definitely mentioned to someone and isn’t keeping a secret. Definitely. 
Hawkwoman and Hawkman would like everyone to know that neither of them were expecting a very small child to be spat out of the villain of that week’s machine that should definitely not be a portal. A very small child, maybe nine or ten, with a multitude of concerning wounds both old and fresh. Which isn’t even beginning to touch on the wings. 
Feathered, like baby down despite the gnarled scars, unlike their own metallic, with the beginning of tiny specklings like stars amidst the darker fuzz peeking from the wounded flesh. 
Who?! Who dared?! It’s (at least to the forever reincarnating duo) a literal baby! They still have down! Tiny baby fuzz! Was it the portal?! Oh this villain is going to taste their maces for causing this if that’s the case! 
The rest of the Justice League would honestly like to know what just happened and are honestly unsure on if they should stop the two…
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inkskinned · 1 year
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i keep thinking about hobbies and how i often spill over myself to pick up new ones. i have adhd, i end up trying something for like a month and then just getting far enough in it that i move on, satisfied.
and that should be fine; but it's never fine.
i am a pretty decent artist; but i can't just make art for my dnd campaign, i should be selling dnd maps and character designs and scene setting pieces. i can't just make my friends matching earrings, i need to get an etsy and ship them internationally and take bulk orders. i make pretty good props and decorations and use them to throw my friends parties - but i should be running a party planning business and start taking paying clients and networking and putting my skills to actual use.
for some reason, i never figured out the specifics of pottery. it was a fun class and i enjoyed myself - and still, i'm embarrassed, years later, that i put in all that useless effort. everything i make has to be stunning. stellar. i should have applied myself more. maybe i'm too lazy. maybe i'm broken and selfish and needy. actually creative people would have kept going; they would be bettering themselves at every possible opportunity.
we find ourselves in this trap, even accidentally: we need to commodify our time, because it is a commodity. if we spend our efforts and our time not earning, isn't that the same thing as burning free money? and god forbid you ever take up a hobby that ends up being more expensive than you thought. you sit in your car and you look at the receipt and in your head you hear a conversation that isn't even happening - your mom or your friend or your partner all saying oh great. not this shit again. it's always something with you, and it never actually means anything.
i have realized this horrible thing, recently - i'll get excited to start a project, pick up a new hobby. and then i just... stop myself. i start thinking about the amount of time it will take, and how it'll look in my monthly budget. what if i can't even produce a good enough final product. sure, it's exciting to think about how i could make my friend her own custom dice. but i'm just polluting the earth if i don't get it right. better not bother. better not try.
restless, i get caught in the negative space. the feeling that oh god, i want to create. and that horrible sense - yeah, but i don't have the time to just put to waste.
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