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insomniacowl · 3 years

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Neon Genesis Evangelion analysis chapter 22: Katsuragi Misato Part 1 The cross in her hand

Kaji's final gift

The three characters representing the "Second impact generation" are Kaji, Masato, and Ritsuko. They are respectively entwined with Asuka, Shinji, and Rei throughout the characters' developments. Both Kaji and Misato self-reflect on their own pain and suffering while observing Shinji's growth and passes on their "Will" to Shinji. This "Will," shared by Kaji and Misato, refers to the desire to understand the "Truth" and the motivation to overcome any adversities standing in the way. Misato climbed up the ranks to become a high-ranked official of Nerv. Kaji became a spy acting for multiple agencies and organizations.

Due to having chosen the more dangerous route, Kaji lost his life much earlier than Misato. Knowing his impending death, Kaji passed on the pieces of information to his unanswered questions to Misato through 'Physical intimacy.' In this chapter and next, we shall discuss Misato as a character and as a person who Kaji trusted solely and lovingly.

"Until the very end, Service, Service."

Katsuragi Misato

29 years old

Blood type: AB

Height: 163cm

Weight: 47Kg

Three Size: 33-23-32

Considering her diet and drinking habits, it is a wonder how she manages to maintain such weight and proportions. As the Nerv operations bureau's leader, she was a Captain at the start of the series and was later promoted to a Major. From her rank insignia and the information from Evangelion development documents, we can see that she is from the "Japanese self-defense force." As a young girl, she was caught in the Second Impact, and this incident left a large scar under her right breast; she seems to associate the scar with painful memories. She is the daughter of Dr. Katsuragi, who lost his life in the same second impact while saving her life. This act of sacrifice indirectly provided the reason for Misato's eventual employment at Nerv; the need to find the "Truth" and revenge against those that caused her father's death.

She moved into the third Tokyo city shortly before Sakiel's advance against the city. She became the Ikari Shinji's guardian after the battle. To her, it could have been a fulfillment of a desire to build an ideal family life, one she never had as a child. For the same reason, she takes in Asuka and, along with Penpen, forms a happy cohabitating unit of 3 human 1 bird family.

The house that she lives in was provided for her by Nerv and is large enough for three people to live together without much contestation for space. To touch on Penpen for a moment, he is an animal mascot sketched out by Sadamoto following Anno's request for an animal character to brighten up the show's atmosphere. The concept of a "Hot spring Penguin" is fictional. He eats human foods and drinks beer. Inferring from his human-like diet and ability to view TV or read the newspaper, we can guess that he was born from a mutation or a lab experiment. The backpack he wears on his bag is theorized by some to be a miniaturized fridge to keep him cooled. Due to security reason, he is sent off to live with Hikari (Shinji and Asuka's classmate) and makes his final appearance in the "Omedeto" Scene,

Katsuragi Misato in the development phase.

Misato is one of the rare characters whose design has not changed from the planning phase of the series, and on a side note, Anno was a big fan of the sailor moon series. Rei's name was inspired by Hino Rei (Sailor Mars). The design of Misato was based on the image Anno had of Usagi (Sailor Moon) as an adult. Adding to this point is the employment of the same voice actress (Mitsuishi Kotono) and Sadamoto designing their hairstyles to be identical. Furthermore, according to Sadamoto, Misato is a car enthusiast, and her room is full of related magazines and newsletters.

Returning to the topic, just like Shinji, Misato is a character who was designed with careful detail. According to Anno's production declaration (What is it that we are trying to make?) Similar in vain to Shinji being the child at the center of the Third impact, Misato was conceptualized to be the adult who was once at the center of the Second impact. Furthermore, both are inept at creating meaningful social bonds and are afraid of being hurt by the other. Lastly, they are both not used to communicating their needs to the people in their lives.

The difference between the two is that while Shinji feared interaction and ran away from the other, Misato made surface-level interaction with the largest number of people while hiding her true self under a mask. While Shinji's actions are understandable as he is only fourteen and made to shoulder an adult's responsibility, Misato is presented as a juxtaposition. Misato is presented as a child putting up an adult's veneer, showing her immaturity even as she is nearing her thirties. Asuka, who was acquainted with Misato during her service in Germany, described her lifestyle as 'Hypocritical.'

As we have discussed in the previous chapter, Kaji wore an irresponsible adult's mask to hide his serious side in pursuit of the Truth. In contrast, Misato wears a serious and bright adult mask to hide her cowardice and weakness. This would have worked against those that interacted with her on a surface level. However, it would have had to come off eventually, making it impossible to hide from people she lived with. This gave Shinji the perception of Misato as a 'hypocrite,' making it easy for him to reject her kindness and run away from her house.

Furthermore, when she lost Kaji and lost all willpower to put up that front, she could not care for the children physically nor care for their mental wellbeing. Concerning this, Asuka began closing herself up from Misato due to her jealousy for Kaji. Asuka also loved Kaji to the point she attempted sex appeal but was rejected for being "too young."

In episode 15, Asuka learns of Kaji's true feelings and begins feeling defeated, resulting in her bearing fangs against Misato. When her synchronization levels dipped below Shinji's in the following episode, her confidence in herself began to bottom, and Misato was in no position to offer help.

When Kaji began a more intimate relationship with Misato, whom Asuka perceived as mentally immature, Asuka was lost and began to distance her feelings from Kaji. Asuka's heart was broken, and there was no adult she could rely on. This point about Asuka will be covered more in later chapters.

Dr. Katsuragi

Before diving deeper into the character analysis of Misato, we need to understand her father, Dr. Katsuragi, more. He was a member of the Gehrin and the first person to theorize the working of the fruit of life; the S2 engine. The 'Super Solenoid theory (S2 theory)' first theorized in 1999 attempts to explain the mysterious energy source: the 'infinite spiral energy.' This being a fictitious theory, we can not go in-depth here. Still, for the sake of explanation, it is explained as a potential source of infinite energy that Dr. Katsuragi desired to use for humanity's good. Ironically and unfortunately, it was this theory that resulted in the tragedy of the second impact.

In the year 2000, the Doctor receives Seele's funding to form the Katsuragi expedition team. He leaves for Antarctica to prove his theory and perform the 'contact experiment' with Adam. While his theory was proven to be accurate, he losses his life from the 'eventual second impact. Our dear old Keel described the Doctor demeaningly, to quote, "The type of man who was blinded by his passion and unable to see reality," this statement is accurate, according to Misato. This makes him a figure similar in character to Gendou, someone whose work always came before all else, even his family. Causing Misato's mother to always cry tears of loneliness.

Misato understood the impact her father's absence had on the household. This resulting in the pressure to be a good child to please her mother. This leads her to refute others' descriptions of him as 'Kind and sensitive,' calling him 'weak and childish'; as someone who was irresponsible to his family and ran away from responsibilities. Misato's mother eventually divorces him, and she welcomed this separation. It seems that Dr. Katsuragi was shocked by this incident; Misato described it as getting his 'just desert.'

The cross: Dr Katsuragi’s memento

But of course, we have to answer one question regarding Dr. Katsuragi's affection towards his daughter; why did he bring Misato along to Antarctica in 2000? Since there is no mention of her mother in the series, we can infer that he gained custody of Misato after the divorce, thus being her only guardian. Yet to bring a young child to Antarctica was nothing more than putting her in danger. While he did not know of his impending death, bringing his daughter to such a place was downright irresponsible. While there is not enough detail about this, bringing Misato for the expedition might have been his way of showing affection. An imperfect way to express his love for her.

Here, we can draw a parallel with Ikari Yui's actions during her contact experiment. Perhaps the reason why the Doctor wanted to show Misato the contact experiment was the same as the answer Yui gave to Fuyutsuki; "To show this child the possibility for a bright future." And like the Ikaris, Katsuragis also separated in a tragedy. A tragedy for everyone involved.

Looking at the second impact scene, we can observe the Doctor covered in more injuries than Misato. This is likely due to him shielding her from harm using his own body.

With all of his remaining strength, he hoists Misato into an evacuation capsule. His face is covered in blood, and tears roll down his cheeks as he put his cross necklace around her neck. He draws his last breath. This necklace symbolizes the Doctor's love. The love for his family. And the love for humanity. He instills it in the cross and passes on all that he held dear to Misato. She now has to protect herself. But with the cross, the Doctor's desire to protect humanity also gets passed onto her. A burden too big for a little girl to bear.

Even though she claims to dislike her father, Misato is to be confused about what to feel about him; he risked his life to protect her after all. The biggest reason she is at Nerv and fighting the angels is likely to remember him and continue his legacy. Thus, the necklace is a protection charm and emotional support for Misato. We can see this when she desperately grasps the cross as Zeruel is about to shoot its laser.

The cross in her hand

To Misato, the reason for her battle against the angels has less to do with the desire to protect humanity. She fights, as Ritsuko points out in episode 12, as a form of revenge. She admits to this fact in episode 15 during her conversation with Kaji. This is the reason why she takes on near-improbable strategies based on her 'gut feelings.' Especially in episode 12's battle against Sahaquel, the likelihood of success was 0.00001%. The subtitle for this episode is 'Don't make others suffer for your personal hatred.' This perhaps was something Ritsuko (or even Misato herself) was thinking deep down.

Yet to chalk all of this up to a simple desire for revenge is reductionistic at best. The cross in her hand was concurrently the unfulfilled love Dr. Katsuragi had for his family and also the hope for a brighter future for mankind. It was also a Cross, the symbol of the weight of responsibility, and it was what she stood for.

Various iconographies of crosses in Evangelion

The beginning of the universe?

Touching on the cross as we conclude this chapter, we are bombarded with its iconographies across the series. The most notable being the flash of light produced when the angels die. Seeing that this is observable during the third impact, it perhaps symbolizes the soul exiting the body. Another memorable cross is the one we see flashing during the opening sequence.

In the production commentary, the blue dot at the very start of the opening, which expends out in a circle and into a "red gas," is revealed to represent the big bang and the start of the universe. This is followed by the crosses that make up the transition into the title screen, the same kind of visual directions used for the in-episode eye-catch.

Beyond the surface-level representations listed, there are many more hidden references to this iconography. In episode 21, after Yui's absorption into Unit – 01's core, Gendou's shadow carries a gigantic cross. The object casting this shadow is not shown as it is only a symbolic representation. It represents the responsibility that he will carry, One that Yui used to carry and Gendou perverts. The responsibility to forgive humankind's original sin. In episode 4, when Shinji runs away from NERV, he walks down a long path shaped like a cross. This symbolizes the heavy responsibility that he is Fated to carry. That he is destined to be burdened with.

As Anno has put it, Evangelion is like a puzzle to be pieced together. There are many more such scenes, but I will leave it as it is for your enjoyment of discovery.

TBC Chapter 23 Katsuragi Misato Part 2 Dear Shinji, this is my Truth.

#Neon genesis evangelion #Evangelion #Eva #End of Evangelion #Nge #Nagisa Kaworu #Lilith #Sci-fi #Ikari Shinji #Soryu Asuka Langley #Asuka #Ayanami Rei #rei #Anno Hideaki #Katsuragi Misato #Kaji Ryoji #Anime #Analysis #Review

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jokertrap-ran · 3 years

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(光与夜之恋 Light and Night) Main Story Chapter 1-12: 命运的拐点 Destiny’s Turning Point Translation

“Destiny is like a gust of wind… Red leaves flutter, flying away in the face of it. And it is when the winds pick up ― That you meet once more…”

“I think fashion has no bounds, so you do you, anything goes.”

*Light and Night Master-list *Spoiler free: Translations will remain under cut *Join the Light & Night Discord (＾▽＾)~ ♪ *Main story tag will be #For Light and Night

The night of the Warson Prize Finals arrived in a blink of an eye.

All contestants were in a race against time to complete their final adjustments. It was the epitome of the peak of nervousness and high morale.

The sound that denoted the start of the contest sounded. Everyone placed everything they were doing back down, watching with relief as the fashion choreographer took away the works before them. The competition of art and fashion was about to start shortly.

❖☆———————————★❖

Dun dun dun~

Upbeat music played as lights flashed extravagantly all-around before converging in one spot.

Host: Welcome! To the finals night of the 3rd Warson Prize!

Host: Next, let us give a grand round of applause to our dear esteemed guests tonight!

Host: First, we have Mr. Lu Ting, the Director of the Warson Group!

A middle-aged man decked in a grey-coloured suit walked up to the stage. He stood tall and upright, with defined features and looked terrifyingly imposing.

Lu Ting briefly exchanged a few words with the host. The next guests to take the stage were celebrities from all walks of life who have collaborated with Warson.

The popular youthful and beautiful Actor, Lin Yao, the Pop Star Martin… Familiar names flashed across the screen one by one. It could be said that the line-up was akin to a vast starry sky of shining stars, at this point.

Host: Next, we have Warson’s new friend!

Host: He’s one of the champion racers of the Glitter Bullet Team― Osborn!

MC: !

The familiar name made me freeze.

❖☆———————————★❖

Osborn’s silhouette appeared at the end of the stage.

He was wearing a specially tailored three-dimensional cut suit, with several shades of black as the main tone. The three-piece suit layered on well, and there was a smattering of gold on its intricate designs.

Paired with Osborn’s stern features, the full image of him decked out in a suit presented itself nicely; a hint of danger, and a tinge of mystery.

MC: Black… really does suit him well.

❖☆———————————★❖

The Host held his mic and made some simple small talk with him.

Host: This is the first time we’ve ever invited a star of the Sports World for the Warson Prize.

Host: I wonder if you have any unique views about fashion, Mr. Osborn?

Facing the cameras, the sides of Osborn’s lips slightly quirk upwards.

Osborn: It’s not really unique or anything. I think fashion has no bounds, so you do you, anything goes.

Host: Oh, okay. Well then… Have you seen any of our previous contests?

Osborn: But of course. Some of the contestants are also pretty interesting.

I recalled the huge misunderstanding that had transpired back when I met him up on the roof that day. Contestants? …Is it… me, by any chance?

The contest only officially begins after all the judges and guests have been introduced. The background music for the catwalk plays as ten models walk down the lane, one by one, each dressed in clothes designed by a contestant.

I stood behind the side curtains of the stage, mentally reciting my speech regarding the thought process that went into my design over and over again.

MC: No feeling nervous. Just keep calm and be steady.

Staff: Next person, please get ready.

I took a deep breath before turning and heading out to stage.

The scorchingly blinding lights surround me. I saw the model standing in front of me, dressed in the dress of my design, looking as beautiful as a painting.

I took big strides, coming up to the model’s side and bowing deeply at the sea of applause. I started to calmly explain my creative ideas and thought processes that brought this design to life.

MC: Hello, everyone. I am (Y/n). The design I present to everyone today is called “Starry Key”.

I only felt the slight sheen of sweat at the back of my neck only after I’d finished my explanatory speech.

Soon, all 10 dresses had been displayed. All contestants stood in a row, side-by-side, as they awaited the results from the judges.

Host: I now have in my hands, the scores of each participant as decided by the judges!

I silently clenched my fist, my heart raced, thumping loudly as if it housed a snare drum within.

Host: The top 3 scorers of this round will be qualified to enter the next round, where only one will win the championship. Now, let’s see who they are!

Ba-thump, ba-thump.

The sound of my heartbeat rings in my ears.

Host: They are: Wu Yue, the designer of “Memory Tunnel”, Gao Cheng, the designer of “The Last Orange Blossom”, and lastly—

Host: (Y/n), the designer of “Starry Key”!

My name…

A wave of applause engulfs the stage. For a moment, I couldn’t quite register it in my brain, only looking up at the big screen. My name. It’s really being displayed up there.

MC: It’s real! I’ve gotten into the Top 3!

Gao Cheng: We got in!

Host: Let us congratulate the three contestants and welcome them up to the centre of the stage.

Although we’ve gotten into the Top 3, this also means to say that we’re only going to face much fiercer competition within our midst from now on.

Host: As we all know, the Warson Prize is one of the top-tiered competitions in the industry.

Host: To reflect Watson’s spirit of innovation and enterprise, improvisation is always the main theme for the championships.

Host: And now, just what theme awaits these 3 finalists in this round’s championship?

Making an impromptu design. That was the biggest challenge all fashion designers could ever face. With no chance to prepare or seek help, a challenge of this calibre is like a reflective mirror that tests the designer’s understanding and experience.

I put the joy of being promoted to the next round away, listening intently to the Host.

Host: The theme for the improvisation round will be announced soon. Now, let us reveal the judges, Watson’s very own in-house Designers!

Host: They are, respectively: The famous Designer, Yan Xiao, and the Deputy Director of Warson Design Hub, Mya!

❖☆———————————★❖

However, the centre seat was left empty.

Drumrolls sound, stage lights flashed, and the spotlights converged, the beam of light illuminating the end of the runway.

Host: Lastly, let us welcome the new Design Director of the Warson Brand: The internationally famous and renowned, we have— Mr. Sariel!

❖☆————— ⊹ For Light & Night⊹ —————★❖

Previous Part: (Chapter 1-9) | Next Part: (Chapter 1-14)

#光与夜之恋 #Light and Night #Otome #Translations #Tencent #萧逸 #Osborn #齐司礼 #Sariel #陆沉 #Evan #查理苏 #Charlie #夏鸣星 #Jesse #For Light and Night

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zalrin · 3 years

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Dream SMP x Detroit: Become Human AU

DSMP x DBH AU Part 2

Background Information: I was inspired to do this after watching Tubbo's play-through of Detroit: Become Human. At first, I was planning on posting art with descriptions, but I'm over flowing with ideas and not enough artistic talent to hurry along...

Author's Note: Okay, I'm going to be completely honest. Both part 1 and part 2 are pretty much posted on impulse. I should be going to sleep because I have work in the morning, and I started on this post early with that thought in mind, but for some reason my computer is glitching... I've written this out almost three times T-T Everything was deleted at one point, with NOTHING SAVED, so I was nearly about to rage quit... Pray for me. My patience is not unlimited.

Aside from all that, please enjoy! I worked REALLY hard on this (even excluding all the technical issues) so I really do hope you enjoy!

Character Plots:

1. Technoblade

Technoblade, notoriously known as the rogue deviant, was always a mystery due to the fact that no one, not even CyberLife, knew what model android he was. This was due to the fact that Techno was actually not even an android, but a human. This all began at a young age of thirteen, when Techno started to question the set rules of society and how he fit into its rigid hierarchy. Although it was just a budding curiosity, one he didn’t expect to go anywhere, it soon took a drastic turn. After pretending to be an android, just for fun, he was appalled by how he was treated by his fellow humans. More so than the random civilians, he was more disgusted by the inaction of the police. As an act of rebellion for the present corruption of authority, he committed small acts of violence and destruction of public property. He promoted equality and spoke out against the tyrannical attitude of those in power. Due to him indiscriminately acting out against both humans and androids alike, fighting against anyone in power who became physical and bullied those weaker than them, public opinion slowly began to shift. He eventually went from a crazy anarchist to a modern-day robin hood, much to the government’s dismay. Even those that flocked to his side, joining his cause, were a good mix of both androids and humans. His growing popularity began to raise the urgency of his capture, making his name slowly climb up the Most Wanted list. Eventually, while on his many brushes and runs from the police, he met with Detective Kristin (before she was promoted to Lieutenant) and her android partner, Philza. After many encounters, Techno and Phil surprisingly became close friends. In fact, they became so inseparable that their relationship was more akin to family than just friends. Though Phil didn’t particularly condone Techno’s more violent methods, he still supported his cause from behind. Willing to dirty his hands and become the mole, Phil secretly fed Techno intel from classified files as well as supplying Techno with android fuel, aka. Blue Blood. It was only later that Techno revealed to Phil his human identity, Phil being the only one he ever disclosed that information to, but Phil swore to never reveal his secret. Besides, the fuel was necessary for Techno’s growing followers, eventually taking on the name of The Syndicate. Techno understood the reason Phil never openly supported him, even though the android was more than willing to. It was to protect his loved one, Kristin, who would eventually become his wife. Techno understood, even supported Phil, and worked harder to never be a burden to his closest friend. Suddenly, Techno’s reputation exploded when a video clip of him went viral on social media. Though the government tried to spin the story in their favor, the video captured the full extent of the event. Techno had fought off several CyberLife security officers and police forces, exhibiting exceptional fighting prowess, while also making off with a ton of android fuel. He and his team had tried to hijack the vehicle loaded with the goods mid-route but was caught and almost apprehended. However, the thing that raised his public opinion to his favor was not just his fighting capabilities, but also how little he endangered the civilians around him. Instead, it was the government officials who had unintentionally dragged innocent people into this chaotic fight, suspecting them to be on Techno’s side. Then, not long after his growing popularity, Techno and Dream teamed up, officially marking Technoblade’s name as number one on the FBI’s Most Wanted Fugitives list.

2. Dream

Clay, or better known as Dream, was once a star employee at CyberLife. He was actually one of the many brilliant minds that helped make CyberLife into the giant company that it is. However, Dream soon gave up his employment due to the many restrictions they had placed on his creative vigor. Instead, he pursued his own android business, taking on the name Dream for both branding purposes and to embody his own "dreams." Teaming up with fellow ex-employees, Sapnap and George, the three were an ambitious trio that were talented enough to eventually become a threat to CyberLife’s growing industry and monopoly over the android market. When Dream realized that his life was being targeted by CyberLife, even being threatened to either come back into their company or give up on his current business, he became more determined to grow his industry. This even propelled him to start designing his most prized creation, DreamXD. However, his unbending will soon began to falter. CyberLife took a different approach when they realized that Dream did not hold his life more dear than his company. They began to threaten not just his life but also the lives of his most trusted partners and friends. This finally forced Dream to worry, eventually driving his friends away. Dream knew Sapnap and George like the back of his hand. He knew that the two would stick by him, through thick and thin, so he didn’t even give them that choice. Instead, his attitude towards them got worse and worse, until they eventually cut all ties with him. That was the only way he believed he could protect them. However, Dream underestimated the effects his friends had on his mental stability. Eventually, without their presence, he became more insane from the combined pressure, stress, and loneliness. Soon, he realized that it was getting too dangerous to stay still and was forced into hiding. With little time, Dream only took the incomplete DreamXD with him and shook off those tailing him. Then, he left his most prized possession to his dear ex-partner and friend, George. Dream intentionally left DreamXD incomplete. He had created the android in his image and left him unfinished to gather experience and human emotions on his own. This was the only android in existence that had been designed not only to be a deviant, but to be a human. Even with high expectations for his own future, Dream never could shake off the feeling of death following close at his heels. DreamXD was created to be his contingency plan. In the event that Dream died before his goals were achieved, DreamXD was programmed to take over Dream’s human life, or the life of Clay. Of course, Dream knew that free will was a part of humanity. That’s why he left DreamXD with a choice. While forced into hiding by CyberLife, the company spread rumors about his capture and imprisonment. CyberLife hoped that it could lure out his loved ones, baiting Dream to come out of hiding, but they had underestimated him. They had failed to realize just how severely Dream had cut out all his friends and loved ones from his life, leaving no one behind. No one to look back for him, or so the two thought... Surprisingly, even on the run Dream was fairly rich. He had planned out many things in the event CyberLife truly carried out their threats, and hidden many resources to one day come back to. However, he could not leave the city. Not while his goal was still left unfinished. So this left him with no place to stay for long periods of time, leaving him essentially homeless. That’s when he reached out to Technoblade, whose infamy had grown exponentially. The two had similar goals and so easily agreed to a partnership. Technoblade wanted to take down the tyranny of the government, while Dream wanted to end CyberLife’s influence over the android market and quiet down his chaotic life. Since CyberLife was a large reason for the power corruption, the two found working together to be simple. Techno would help Dream by providing him a place to stay, as well as offering man power when available and needed. Dream, on the other hand, would assist with supplies and android repairs, using his expertise in androids to even upgrade their parts. However, outside of these agreements they wouldn’t get in one another's way. They would only provide assistance if their plans overlapped. The two had a good understanding of the nature of their relationship. They were neither friends nor enemies. Just partners. Nothing more, nothing less.

PREVIOUS PARTS: 1

Note: I'm sorry, but after writing all this over again, nearly from scratch, three times... I really can't be bothered to go back and fix anything. I know I could have done better, but I'm kind of defeated right now and a bit tired. Please understand and I really do hope you enjoyed the read! Feel free to leave a comment on what you thought of it or maybe ways to improve the story! I'm all ears (when I have free time) ^^ And thank you so much for all the likes on my previous post! I'm really happy that you all enjoyed it <3

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aitaikimochi · 4 years

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Here is the full translation of Nomura, Kitase, and Toriyama, and Hamaguchi’s interview from the FF7R Famitsu feature! Nomura talks about Jessie's popularity, the decision to include the Masssage Parlour scene, comments about the next installment's release, and more! Kitase discusses how it’s like working with a new generation of game developers, explains a bit more about the scene with Sephiroth and Cloud at the Edge of Creation, and refers to the Remake as the “New FFVII Story.” Toriyama mentions that the staff who worked on the original game wanted to create a completely new game while younger staff wanted to stay true to the original. Hamaguchi explains more about the development process as well as how they came up with the battle system, what type of system they have planned for Part 2, and more!

DIRECTOR TETSUYA NOMURA INTERVIEW —Now that the game has been released, how are you feeling?

Nomura: Well first off, I feel very relieved. Although there’s still a long way to go on the road to completing the entire story, we are now able to see exactly which direction we will be heading.

—From the game’s battle system to its story to the elaborate details of Midgar’s various environments, including songs that sometimes only play in one scene, the game is full of a richness that has been carefully crafted, which shows that a lot of time and effort was spent creating this game. The staff must have been very enthusiastic, right?

Nomura: I think it’s due to the staff’s love for FFVII. The enthusiasm from the fans also helped propel us forward.

—Are there any elements from either the Original game or part of the compilation that you wanted to make a reality or something that you wanted to have in the past game that then added into this game?

Nomura: Definitely the world itself as well as how richly the people are portrayed. With all the different compilations gathered, it was rather easy to create the world. I think we were able to convey the importance of the areas seamlessly.

—FF7R really digs deep into the Original Game’s story, but there is a surprising development towards the end of the game. With Remakes, there’s always a faction of people who don’t want anything changed, but there are also those who actually want things to be changed. Were there discussions among the creators on whether or not you should change things?

Nomura: Since the concept of FF7R was already decided from the beginning, there wasn’t that much discussion. However, since each individual had different ways of perceiving things, we did discuss exactly how far we will change the story. I believe that I was the one who actually put a stop on several ideas towards the latter half of development (laughs).

—The Remake contains the “Whispers of Fate” that are not present in the original story, but what was the intent of having this presence? In English, they’re called the Whispers, but in Japanese they’re called the “Feelers.” Is there a specific reason for this difference, for example if the word “Feeler” was the origin of the name?

Nomura: Nojima-san actually requested us to give the Whispers an eerie aura. Initially, the Whispers were designed to be made out of small particles of sand that crumbled while still maintaining its shape, but also unclear in form. We then created an image of them wearing a robe, but more so than that, when we had to make a lot of them appear together, that’s when their form took a clear shape. The word “feeler” means to sense and to touch, but at the moment I cannot say anymore than that.

—Those who come into contact with Aerith can see the Whispers, right? Also, was Aerith able to see them from the beginning?

Nomura: People can see the Whispers when they come into contact with Aerith. However, at the moment I am unable to tell you when Aerith started seeing them.

—Instead of always being on edge, Cloud seems to behave more cooly but instead comes off as uncool to those around him. Aerith also seems a bit more mature than the original’s portrayal of her, and Barret seems a more unhinged and tense. The characters all seem to have a new side of them now. What kind of concepts did you use to add to the characters in this game?

Nomura: I personally think that the characters still have the same image as they did before, but with much more expressions now, and adding voices also created a large impact. This was my interpretation of the characters at the start, but since the original game required the player to imagine the type of reactions the characters would have, I think that this caused there to be different images of the characters. As time passed, I’m sure that those images of the characters had changed as well. I think that the errors in each individual player’s interpretation is in itself an interesting part of the game.

—Jessie has a lot of scenes in the Remake and has become quite a popular character. Were her scenes planned from the beginning, or were they something that was added midway through development?

Nomura: It was planned from the beginning. However, I did not expect her to be this popular though!

—The three new characters in Wall Market, Andrea Rhodea, Madam M, and Chocobo Sam, left quite an impression. What was created first, the characters’ personalities or their designs? Also, how did the concept of the Massage Parlour come about?

Nomura: At first, the characters’ personalities weren’t that detailed. We didn’t plan for their designs to be that rich either. However, I think that the voices and acting played a great role for them. In regards to the hand massage, in a city like that, well, the maturity rating would probably go up, so we couldn’t go further with what we had.

—Characters such as Leslie and Kyrie appeared in the light novels, but what was the background on bringing them into the Remake? For example, was it for fan service or something else?

Nomura: Since the stories are part of the Compilation, Nojima-san and myself had plans for them to be included from the beginning. We thought that it would be natural for them to appear in that time and place within the story, so we decided to leave them there. In regards to what happens to them after the events in the Remake, I recommend that players read the light novel “Final Fantasy 7 TURKS: The Kids Are All Right.”

—In regards to the battle system, it contains a fusion of both command and action elements, and each character has a different fighting style. By choosing different character moves, players are able to form various effective strategies, making for a very refreshing experience. Also, the acting and conversations that the characters have during battle also gives a fresh spin on each battle. I’m sure that this was made possible by trial and error, but what was the most difficult part in doing all of this?

Nomura: A real time action battle requires a sense of nervousness and realism, but we couldn’t discard the form and battle of the original game’s command RPG style. As a result, we went through a lot of trial and error to find a perfect harmony for the two. We decided early on to allow for a slow motion sequence to take place to allow players the advantage of being able to select their actions, but there was a long period of time that we couldn’t do it properly. It was largely thanks to the staff for tying in the ATB system to perfect this as well.

—Lastly, is there anything you would like to say to the readers?

Nomura: We know that everyone wants the next installment to be released quickly. We would also like to deliver it as soon as possible. Since we were able to see the line of quality from the first installment, we hope to make the next installment even better in quality that will make for an even greater experience. We hope to release it as soon as possible, so please wait a bit more. I think we can clearly convey the direction when we officially announce the next installment, so we hope you can look forward to it!

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PRODUCER YOSHINORI KITASE INTERVIEW

—From the time that the game was announced at E3 during 2015, the world focused their attention on the game, and after releasing footage of the game’s progress through a promotional video at E3 during 2019, the expectations from the fans has only increased. I’m sure you felt quite a lot of pressure at that time, but now that the game is finally released, how do you feel?

Kitase: I feel relieved that we were able to successfully approach both veteran fans who have been there since the beginning as well as new fans. I feel like right now, the expectations are even higher than before the game was released, and that gives us a lot of motivation to develop the next installment.

—Before the game was released, you mentioned that the hurdle that you needed to overcome was that of the player’s imagination that they have constructed in their minds for the Remake. After seeing the reception from the players post-release, do you feel that you have overcome that hurdle?

Kitase: Well, not just for me, but the power of the entire development staff combined was great. Most of them were fans from the beginning who also played the original game when it first came out. Thanks to that, they knew what kind of image fans probably had for the Remake, and I think we were able to overcome the hurdles that way.

—The game was released worldwide during a time when COVID-19 was affecting the entire world, but did that have any impacts on the game’s development? Also, before the game was released, promotional events were cancelled and the distribution of the game was also shipped ahead of schedule. There seemed to have been a lot of hard decisions to make depending on the situation…

Kitase: In terms of development, we only had the debugging phase left, which meant that the game was pretty much already complete, so there was not much impact from the virus. However, it was a pity that many promotional events were cancelled, and people were not able to really celebrate the release of the game. Luckily, through the means of the downloadable version, we were able to deliver some fun during a very stressful time where it was hard for people to even leave their homes. I hope that we were able to give them at least a moment of reprieve through the game.

—In regards to the FFVII Remake production, was there anything you were particular about?

Kitase: In the latter half of the story, there’s a scene where Cloud and Sephiroth have a confrontation. I wanted the scenery of that segment to show a starry sky that represents the overall themes of FFVII, and the art design team was able to bring that image to life.

Kitase: That’s all thanks to the careful attention that the Co-Directors Hamaguchi and Toriyama as well as the development staff put in making this game. I started game development ever since the Super Famicom console, so I’m used to the type of “cut” and “reuse” way of production. However, the new generation of games require a sense of reality, so that former way of developing games has become obsolete. The current generation of game development staff have that new type of conscience when creating games, so it’s thanks to their enthusiasm that we were able to make this possible.

—I’m sure that there are several younger development staff who never played the original FFVII, so were there any instances where there was a bit of a generation gap?

Kitase: Not really. But I guess when we wanted to give an example from a movie or something, we wouldn’t bring up a reference from an old movie that they probably wouldn’t know (laughs).

—Are there any elements from either the Original game or part of the Compilation that you wanted to make a reality or something that you wanted to have in the past game that was then added into this game?

Kitase: I suppose that would be making everything in 3D with a 360 degree scope of the world. Especially when you’re looking up into the sky of Midgar or looking down towards the slums, I’m really glad that we were able to give the city a sense of realism.

—As a gamer, was there anything in particular from FF7R that surprised or impressed you?

Kitase: This is connected with my answer to the previous question, but yes, being able to look above towards the sky from the slums, thinking “wow, you can see the sky after all!” For 23 years, I imagined the slums to be under a lot of pressure and cloaked in darkness. In the Remake, you can see a different side of the city during the day that you could not see in the original game, and I thought that was really fun.

—You were involved with the initial level design of the Sector 5 Mako Reactor from when the characters infiltrate the reactor to their escape, but were there any other parts that you also were involved in?

Kitase: I was also in charge of the initial stage level design for the scene at the top of the Shinra Building. The scene where Cloud is about to fall off the rooftop but is saved by Tifa is a callback and answer to the Sector 5 Mako Reactor scene where Tifa couldn’t save Cloud from falling.

Kitase: Director Nomura as well as Co-Director Hamaguchi and Toriyama hoped to be able to keep all the parts of the original that fans have come to love. However, we also wanted to add several surprises that would balance out the story too. I’m sure there are people who wish to experience the exact same story and relive memories. However, if we were to do that, then all we would be doing is just adding to the original experience, which would cause the Remake to lose its significance. I think that we were able to successfully revive the story by adding new elements for the new generation of a “New FFVII.”

—Lastly, is there anything you would like to say to the readers?

Kitase: The new FFVII’s story has only just begun. Please look forward to the story from here on out! --------- CO-DIRECTOR TORIYAMA MOTOMU INTERVIEW

—Now that the game has been released, how are you feeling?

Toriyama: I’m really glad that despite the abrupt change in lifestyle [due to COVID-19], this game is able to deliver entertainment to people around the world in the comfort of their own homes. There was some skeptism from fans when we announced before the release of the game that the FF7 Remake will only take place in Midgar, but because the game dug so deeply into the world of FF7, I was relieved to hear that a lot of people were extremely satisfied with the game.

Toriyama: We thought about how we can revive the entity of FFVII using the latest technology as well as capturing the richness of the original. The time it took to oversee one scene or area was great, and in order to do so, we needed much more staff than what we had back in the day. Each and every staff had their own things they were particular about, and we were able to find a balance and successfully craft this game.

—Since you were involved with the development of the game, was there anything you were concerned about?

Toriyama: Since we had to replace many things with a new portrayal, I was quite particular that the essence of FFVII still remained true throughout. I think that if you had played the original game too, you would know which parts were changed and which parts were left in. However, I wanted to make sure that the events of the Remake flowed in a natural way with both new and familiar elements that you can enjoy. I’m happy to know that the Remake is able to add an even more vivid experience to go along with your memories of FFVII.

—I’m sure that there are several younger development staff who never played the original FFVII, so were there any instances where there was a bit of a generation gap?

Toriyama: There are actually a lot of staff who have played the original FFVII and got the opportunity to work in this industry. There are also staff who are more versed in the original game than even the members of staff who worked on the original game, and many of those staff wanted to make an adaptation that kept faithful to the original. In terms of keeping things as traditional as possible, the staff who worked on the original game, myself included, had the notion of “making a new game that no one has ever seen before.” With that conscience in mind, we were able to decide the type of direction we wanted to go in the Remake.

Toriyama: In terms of music, FFVII is a rather cinematic series, but in the original game due to disc space and time restraints, we weren’t able to include a movie-worthy soundtrack. However, we were able to challenge ourselves with the Remake. We wanted to have specific songs that played throughout the entire game that would also go along with the scenes, so the Remake gave us a chance to be able to try this out. With this type of composing, we didn’t really have a specific detailed list, so we didn’t count exactly how many songs we created until we realized that the soundtrack itself would span to seven discs, making it a huge volume of songs (laughs).

—As a gamer, was there anything in particular from FF7R that surprised or impressed you?

Toriyama: After the game was released, I saw a gaming review website capture all the little details of various landscapes in the game, from the posters and billboards to the train time schedules, close inspections of the buildings, pretty much everything that showed the lifestyles of people living in Midgar. Although I’m glad that people were able to deeply observe the details we put in, I can’t help but see some flaws, so it kind of gives me pressure to make sure that the next installment will have even more perfected details (laughs).

—Compared to 23 years ago, from the addition of voices in conversations to a change of design, trends have changed. Was it difficult to achieve a balance of retaining the essence of the original game but still representing it for a new generation?

Toriyama: We wanted to have the game be fully voiced including the NPC within the city, so we were careful when putting in dialogue that would sound natural. We left in some funny lines spoken from the original game’s NPC too, but since there were way more NPCs in the Remake compared to the original, we made sure to find a good balance where those lines wouldn’t be buried among the other spoken dialogue.

Toriyama: For the Remake, the voice acting was added after we had finished creating the cutscenes, and I think that the character’s performance really shined through from the work that the actors and actresses have done that brought out each character’s charm. During recording, Barret had an unexpected continuity that we pushed further, and the results really brought out his character very well.

—In regards to seeing a brand new side of Cloud, the peak of it would probably be the dance sequence at the Honey Bee Inn. Was this scene planned from the beginning?

Toriyama: We strongly did not want to leave out Cloud’s crossdressing scene but instead wanted to create a concept that would make it stand out even more in the Remake. We decided to make Wall Market a huge entertainment district, and we were very enthusiastic in making the Honey Bee Inn even more of an entertainment hotspot in the Remake. I actually helped create the Honey Bee Inn for the original game, so it was easy for me to reimagine the place for the Remake. While still retaining some elements from the original, we were able to give it a huge makeover.

—The Shinra Mascot dog “Stamp” appears in various locations, even on a snack package blowing in the wind in towards the ending with Zack. Was the character of Stamp originally created in the beginning stages of development?

Toriyama: The dog Stamp is a very important symbol that was planned since the beginning. Stamp’s use was determined along with the game design. AVALANCHE also uses him as their symbol, so there is a good meaning to him that we included to have him stand out. However, the Stamp that appears in the scene with Zack is a different breed, so please pay attention to that.

—I was quite surprised that Chadley turned out to be what he was in the story, but who’s idea was it to create this character?

Toriyama: Chadley is a new character that was not in the original game, so it was the scenario team who decided on creating this character. There are a lot of contents regarding the game’s difficulty levels and clearing the battle reports, so we decided to have Cloud be able to encounter Chadley throughout the entire game. I haven’t finished clearing the HARD mode yet, but I hope that those who haven’t cleared everything yet can challenge themselves with this!

—The new character Roche left quite an impact, but he’s an eccentric one that only appears in Chapter 4 and nowhere else. What was the purpose of his character, and will he appear in the next installment?

Toriyama: We had initially drawn up a concept of having Roche appear at the last battle on the Midgar Highway, but we thought that he might ruin the serious mood of the ending sequence, so we scrapped that idea. We also thought to put him in as a boss battle in the Chapter 14 slums, but since you can’t really race around on a motorbike in the slums, we unfortunately could not make it work. Roche’s spontaneity is one of his character traits that stands out though, so there’s a high chance that he’ll appear in the next installment (laughs).

—In the Remake, the characters have a lot of banter when they’re walking around or fighting battles, and the dialogue is not always the same either. Did you oversee the types of conversations that were put in?

Toriyama: All scenarios were checked and supervised by me and Nojima-san. We actually had a lot more lines prepared in the script for dialogue spoken by characters in boss battles, but somewhere around the middle of production, we eventually cut out the frequency of giving out hints and instead left it to the players to think about what to do. This in turn caused us to cut a lot of dialogue out.

—Are there any specific episodes, scenes, or dialogue that you were interested in or wanted to include?

Toriyama: The AVALANCHE base at the bottom of Seventh Heaven in the original game was an interesting area that left an impression on me, but since Cloud is not very close with AVALANCHE in the Remake, we wanted to show that distance between them, which made us leave out that scene. Although I really wanted to have Barret punching that sandbag in the Remake, I had to restrain myself (laughs).

—Lastly, is there anything you would like to say to the readers?

Toriyama: Even though the first installment of the “FFVII Remake” has ended, the story has only just begun. While listening to the voices of the fans, we also hope to make the next installments something that would exceed your expectations. I personally also played the original game again after finishing the Remake. While waiting for the next installment, I hope you can enjoy the differences in the Remake’s portrayal of Midgar and also have fun imagining what kinds of things lie ahead in the next game too!

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CO-DIRECTOR HAMAGUCHI NAOKI INTERVIEW

—Now that the game has been released, how are you feeling?

Hamaguchi: I felt very relieved after seeing the user feedback after the game was released. I fully joined the development team for FF7R in 2017 when the fans had been waiting for this game for quite some time already. So I made it my mission to ensure that fans do not wait longer than 3 years for the completion of the game. FF7 is a game that many people have come to love, so there was a real sense of responsibility to carry, but even so, the development team staff is composed of people who are extremely passionate about FF7, so we were able to enjoy making this game while progressing on its development.

—Since you were involved with the development of the game, was there anything you were concerned about?

Hamaguchi: What was constantly said to the team was that we must “respect the original game.” We were not creating a new game that is only inspired by the characters and world of FFVII, but we strove to create a game where the elements of the original are remade using the latest game design and graphics, making it feel “nostalgic yet new.” If we were to stray far away from the source material, then people might think “this is not the FFVII that I know,” so we tried to follow the original story but added details that we could not add 20 years ago using the latest technology. With that, we were able to focus on enriching the story to create an experience that is still “the FFVII that l know, but with a lot more new things waiting to be discovered.”

Hamaguchi: The Remake was made possible by the enthusiasm from the entire staff. During the production of this game, the task division between the development staff was even more than another Final Fantasy numbered game. For example, a person in charge of location would usually be a level designer that would spend 2-3 years on a single location’s design, execution, and then implementation, and we had specific staff designated to work on all the locations as well. For battle parts, we had a single person in charge of 2-3 bosses at a time, and a level designers also oversaw everything from design to implementation. With this scheme, we were able to have each game designer focus on only the parts that they are designated with, which allowed them to be enthusiastic and particular with the production of their areas. However, because of this, each game designer felt very strongly of their work that they poured their all into, so in order to not lose satisfaction, wemade it a priority to view the contents as a whole within the team. By doing this, we were able to combine everyone’s vision into the end product.

—Without having the battle system be solely either a Command RPG or Action style, it must have been challenging to fuse the two together. During development, there must have been some trial and error to get it right, but was there any part that was specifically concerning or challenging?

Hamaguchi: One of the most particular parts was how we were going to incorporate the ATB Battle System. We didn’t want to incorporate a completely new battle style that was different than the original, so we were inspired by the original FF7’s ATB battle system to create a new and improved one that also works in real time. Of course, I’m sure that the action elements we added gives off a very fresh impression, but the root of the system is from the ATB battle system, allowing us to incorporate a sense of nostalgia to the battle system. The part we worked extremely hard on was how to fuse together action and command style elements. Many of the development team staff including myself have a long history working with command RPGs, so we are very confident with that type of battle style in that field. However, when we tried adding action elements in, there was a sense of discord within the battle system we had.

The part we were stuck on was that implementing a command system will cause the the user to have too much information in regards to fighting strategy, and that would only cause issues if we were also going to add real time action options too. When we were doing trial and error to figure out how to draw the line between how many action and command elements we could add, Battle Director Endou Teruki was able to join our team. He is extremely versed with action battle systems and how to develop them, so as soon as he saw what we had created, he immediately pointed out that we were lacking features in regards to the action elements of the battle system. Since we were having trouble figuring out a balance between the action and command elements, we couldn’t really answer what we were lacking since we just simply added in action elements, so we were not able to create a very refreshing experience. Luckily, Endou was able to concentrate on the action parts and balanced out the battle system with fast paced command RPG strategy as well as action elements, which is what you see in the finished product.

—In terms of creating an action battle system, I’m sure there were concerns about the increasing difficulty of that fighting style. For those who are not fond of action battle systems, there’s also the option of “CLASSIC Mode,” but was there anything else you were particularly conscious about?

Hamaguchi: For those who only wanted to enjoy the game’s story, we implemented EASY Mode, for those who wanted to enjoy the command RPG style of fighting, we also created the CLASSIC mode, so there are different play styles you can choose from. Since the “CLASSIC mode” was something we tried for the first time, we were excited to hear the reactions of the players, and I think the reviews have been favorable. We heard comments from users who enjoyed the Normal mode’s difficulty level but in the CLASSIC mode style, so we will refer to their feedback in the future as well.

—Since the game’s release, I’m sure that most people have viewed the battle system in a very favorable light. What do you think about the reactions that you have seen thus far?

Hamaguchi: We feel that we have delivered the exact type of battle experience that users can accept. I think this is thanks to the way we were able to create a system that not only reimagines the ATB battle system in real time form, but we also pays homage to the Command RPG style, which leaves a sense of nostalgia while giving a fresh new experience to the battle style. I’m sure there are a lot of people who are interested in what kind of battle system we have in store for the next installment too. We would like the battle system to be even more customizable with more action and command strategies that users can curate into their own playing style, giving an even newer experience, so please look forward to that!

—It seems that the level cap at 50 has some limitations in regards to your status attributes and range, and since various weapons have their own strengths, it seems like you put thought into balancing out battles. In regular RPGs, characters grow and their weapons become stronger, but it feels like this was done in moderation. Was this balance something that the development team had planned from the beginning?

Hamaguchi: When we were stuck on how to create the battle system, we made changes to optimize the balance of the battle system. We wanted a balance that also incorporated the original FF7’s customizable options with materia, and Battle Director Endou also had the same thoughts. However, if we allowed players to get as many materia as they would like, then they could technically give the same set of materia to each character, which would defeat the purpose of giving each character their own unique abilities. Thus, we decided to put limits on the amount of attributes you can have. Moreso than putting a moderation on gaining strength, we wanted players to have fun with the strategies that they could incorporate by using different materia or weapons. If you were to redo a battle, you could try other ways of setting up your weapons and materia to create a stress free battle, and I thought that was an important function to have.

—Boss battles within the game have different stages where the attacks or field changes, such as the Sword Dance battle that splits between two parties during the fight. Was this concept of having battles be set up in different stages as the fight progressed something that was decided during the beginning of production?

Hamaguchi: That’s right. I told the team during the beginning that boss battles would be executed out in phases. Many of the bosses within each chapter contain some of the most exciting reveals, so we wanted players to be able to feel immersed within the story even through the boss battles. In order to do that, we constructed each boss battle to have several different phases where the battle strategy changes and also focuses on the story at the same time. We also paid attention to the party structure. In particular, we spent a lot of time and effort to solidify the party structure during the battle with Sephiroth. The battle with the Whisper Harbinger that leads to the climax fight with Sephiroth is one that changes automatically as does the structure of the party you are fighting with, so the protagonists need to work together in order to challenge their own fate.

However, we felt that if we were to do the same type of structure during Sephiroth’s battle, then it might become tedious to the player. For example, if we were to take away one of the protagonists out of the four, then the fans of that protagonist might feel let down. Because of that, we decided that the characters who join you during the Sephiroth battle will depend on how you fought during the Whisper Harbinger battle. However, in order to do this, we would have to create a ton of cutscenes depending on the order that the characters appear in, and even now I remember the look on the cutscene team member’s faces when I proposed the idea and the blank stares that I received (laughs). Because the Final Fantasy Series is one that is known for having a large amount of cutscenes, I am really grateful for the cutscene team member’s assistance in not just the Sephiroth battle scene, but for working so hard on all cutscenes within the series too.

—There are weapons, accessories, materia, and items that were added into the Remake that were not present in the original game, but was there any particular reason for doing this?

Hamaguchi: Right before the game went gold, I actually made an absurd request to the team to add the “Pedometer” materia. You get this materia at the start of Chapter 14, and since you’re there to help people out with odds and ends within the Sector 5 and Sector 6 slums, you would need to walk around the areas a lot. Since you had visited these areas within Chapter 8 and Chapter 9 already, there wouldn’t be many changes, so I thought to give players a reason for walking around these places again by adding in this materia. I actually originally called the materia the “Step” materia, but I noticed that Toriyama changed the name to the “Pedometer” materia instead (laughs). I was reminded of it again when I saw the strategy book refer to that name.

—Is there any specific monster enemy or battle (whether it be within the Colosseum or Battle Simulator) that piqued your interest?

Hamaguchi: The “Level 7 Top Secret Battle” has quite a shock factor. The person in charge of battle planning asked me, “Does it make sense for Bahamut to summon Ifrit?” Since they are fighting in a virtual reality, it wouldn’t be a problem, so I answered “Yeah, go for it!” without thinking too much about it. However, when I was doing a play check for the difficulty level of the battle, I remember being shocked (laughs). When that happens, you’d probably panic and think that you should defeat Ifrit first, but it’s actually more advantageous to focus on attacking Bahamut instead. This battle was the most difficult one for me and left quite an impression.

—I’m sure that there are several younger development staff who never played the original FFVII, so were there any instances where there was a bit of a generation gap?

Hamaguchi: Since the original game was so widely loved by fans everywhere, there were a lot of younger staff members who were scared of making changes. On the other hand, Producer Kitase wanted big changes (laughs). Nomura and I saw the Remake as an homage to the original game, so if we were to change anything, we made sure that it would be something planned with a specific reason that fans could accept.

—Did you have any ideas or wishes that you were entertaining by yourself that was then made a reality in this game?

Hamaguchi: It’s not something I was entertaining for a while, but having an automatic weapon growth system was something that I focused on before working on FF7R since I was on the development team for the “Mobius Final Fantasy” game, which left a strong impression on me. Since a smartphone game operates in a way that you return to it on a daily basis, lots of things are automated as much as possible to create a smooth experience. There’s also a card synthesis system within the game that allows for an automated way to synthesize your cards, so that was a point that I thought would be nice to have in FF7R where weapons could automatically level up as well. I’m always thinking about the consumer side when developing games, and being able to see customer reactions in real time, such as when I was developing smartphone games, gave me an environment to try out a lot of ideas I had. I think that was a great experience for me.

—As a gamer, was there anything in particular from FF7R that surprised or impressed you?

Hamaguchi: Although I myself was involved too, I’m still very impressed that we were able to successfully create a game from start to finish without making compromises to any of the large amount of data we had. This is all thanks to not only Nomura, Toriyama, and other directors such as me, but also to the game designers, graphics team, sound team, system staff, and more. All of us had various responsibilities as creators, and it’s because of the best efforts of everyone that we were able to make this game possible. I’m personally very excited to make the next game with the same team members again!

—FFVII Remake is highly praised as a game with amazing quality with the latest technology, but was there anything that was challenging or something that you did not personally oversee but was still impressed with the outcome?

Hamaguchi: Seeing the world of FFVII open up through its story is one of the highlights that makes the game so enjoyable, but the user experience and story immersion could be greatly impacted with too many loading screens and wait times. We therefore kept a technical eye on the loading system since the beginning. In order to do this, we aligned the data with each situation so that it could simultaneously load, which allowed us to not have the loading screen appear during the middle of the chapter. During the last cutscene of each chapter, the next chapter’s data would already be loading in the background, which allowed for the load screen between chapters to also be as short as possible. We also added tips to read on the load screen, but because the loading times are so short, it’s also difficult to read all of them. It made me cry out with joy!

—Lastly, is there anything you would like to say to the readers?

Hamaguchi: The first installment of the “FFVII Remake Project” was centered around Midgar, and we strived to recreate a Midgar that you could not experience in the original story, showcasing the hustle and bustle of the lives of the people there as well as the environment. The next installment will then shift to the other parts of the world since the characters have escaped from Midgar in the story. We hope to create a game that allows you to experience the charm and allure of the world of FFVII from the various lives of the people as well as the environments that will be present. Production for the next installment is already under way, and our team is putting their all into the advancement of the game. Although there is still a wait, we hope that you can look forward to what we have in store!

#final fantasy 7 #ff7r #final fantasy 7 remake #ff7 #final fantasy vii remake #ffvii #final fantasy #cloud #aerith #tifa #barret #red xiii #reno #rude #tseng #rufus #my translations

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cutest-bug · 3 years

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Interview with Adrien Agreste! Subject: The Oxygen Project.

Conducted by Alya Cesaire

Ok so I haven’t been able to stop thinking about this addition to a post I made on my main blog about Adrien low key trashing the Agreste brand the way Robert Pattinson does Twilight. I know it was meant to be more of a goofy idea but my head is full of angst and this is what I came up with at 4 a.m. lol.

Alya smiles warmly as Adrien settles into the seat across from her.

“Are you ready?” She asks. He gives her a slightly nervous smile but nods. She nods to Nino who hits record and Adriens face immediately smoothes over into a pleasant and unreadable mask. It’s actually a little freaky to watch.

It’s a Monday afternoon and they’re set up in the art room during their lunch period. Adrien looks as perfectly neutral as always. Non flashy designer labels and tousled hair that probably took 20 minutes to style. For once though, his actions will be a little less perfect and easy to swallow.

“Hi Adrien, thanks for agreeing to an interview on the Ladyblog, I’m glad we could finally do this.”

He smiles and considers for a moment before answering, tiling his head a degree, “The pleasure is mine Alya, especially since I’m the one who approached you about doing this.”

That’s true. Right after the class joined Mylene and Ivan for their protest of the Oxygen Project Adrien asked to speak with her. He was upset that he had been tricked into modeling for the project without knowing what it was for. While most of his die hard fans had gotten wind he didn’t support it, he wanted to farther remedy the situation and use his position to reach a wider audience. Of course there weren’t many platforms he could do that on behind his fathers back, hence asking for Alya’s help.

“Still, I know interviews aren’t your favorite. Otherwise I probably would have asked you a while ago.”

Adrien smiled again, a little more genuinely (the one she knew Marinette was so fond of), “I don’t really like probing questions from journalists about my personal life. The fact that you’ve never asked or taken advantage of knowing me means a lot. I trust you.”

“Personally I think it’s a little crazy you have to do all of those interviews at all. You’re only 15, your life shouldn’t be so public.”

Adrien lets the smile fall several degrees. It’s deliberate, he’s letting people see his discomfort, “Well, it kind of goes hand and hand with all of the modeling. I’m the face of the Agreste brand.”

Alya nods and looks down at the papers in her lap, “Which is the point of our interview today, really.” They had agreed on what was and wasn’t to be talked about before hand, however they don’t have a planned out dialogue. They agreed that they both do well with more organic conversation, and it’s important the interview comes off as very genuine.

Adrien nods in agreement and Alya continues, “Now that the plan for the Oxygen Project is officially canceled, it’s time to clear up what your involvement with the promotion of it was. Nearly everyone in Paris saw the ads that ran.” Unfortunately it had been to late for Mayor Bourgeois to cancel the first few days of ads. For nearly a week Adriens face played on every television in the city, telling everyone about what a great breath of fresh air the project would be.

Alya hands him the first photo in her lap. It’s of him with the class after they first arrived at the protest, looking interested but not particularly emotional yet. It’s from the video that she filmed, but there was a pretty low view rate on the protest coverage. The interview with Adrien will probably get anywhere from 3 to 5 times as many.

“What not everyone realizes is that you were present during the planned tree cutting ceremony and following protest. So what was going on for you at this point in the day Adrien?”

“Our whole class had just gone to the park to support Mylene and Ivan, our friends who lead the protest. Right after we arrived Mylene started arguing with the Mayor about whether the project was good for the environment or not.”

“That girl has a hidden fire!” Alya adds, “I have a section dedicated to activism on the blog now. The video from the whole day is there but I also posted some smaller segments explaining the conflict and a few more that Mylene recommended on how to get involved.”

Adrien gave his most genuine smile yet, “I watched those! I hope your viewers take the time to check them out. I know the super hero fights are exciting, I mean I’ve been glued to your blog from the start, but I’m glad people like Mylene and Ivan are reminding us to keep our eyes on the big picture too.”

Alya nods, “So am I. Ok, it was during this argument that the ad was first shown correct?”

Adrien lets the smile fall completely this time, “Yes. Apparently the plan was always to air it for the first time during the tree cutting ceremony. It was also the first time I’d seen it.”

“I’m sure most of our viewers have seen it already, so I’m not going to play it now,” Adrien shoots her a grateful look, “Adrien, she says kindly, “I remember how surprised you were when the ad played. Do you want to tell everyone why?”

Adrien looks down at his hands, “I hadn’t known what the ad was for when I filmed it. I thought it was another one of those silly perfume commercials.” Alya isn’t sure if him saying “silly” was a slip up or on purpose but she struggles not to laugh.

“Did someone tell you it was a perfume commercial or did you just assume when you were given the script?”

“I was told it was for perfume.”

“Can I ask who by?”

She thinks the discomfort is genuine this time. Everything else is the video isn’t that bad, but this line could bring hell for him.

“My father told me it was.”

This isn’t news for Nino or Alya but she pauses for a long moment to let viewers digest that before asking her next question, “Do you know why he lied to you?”

“I suppose he thought I wouldn’t be ok with doing it otherwise.”

Alya smiles, a little proud, before handing him another picture. She’ll edit them into the screen for viewers to see later, “Well he thought correctly. Here’s a picture of you standing with Mylene and our friend Marinette, forming a physical barrier so the trees wouldn’t be cut down,” she pauses for a moment while Adrien examines the picture, “I gotta say, I don’t think I’ve ever seen you so angry.”

“I had just found out my image was going to be used to promote an anti-ecological plan that would harm our city. My friends had spent months trying to prevent it. I was furious.”

And Bam! As soon as she posts this video Adrien’s empty head, pretty face, good boy persona is shattered. He just admitted to having feelings. Angry ones. Directed at his father. Not to mention opinions on political matters. That is not the pretty face most of Paris is familiar with and fawns over.

“I’d be angry too,” Alya sympathizes.

Adrien puts the photo down and looks at her with a serious expression, “That’s the main reason I wanted to do this interview. For better or worse I have a lot of sway with my fans and public opinion. There’s still some controversy about the Oxygen Project being canceled so I want to be very clear that I do not stand with it,” he looks directly into the camera, “The oxygen project would have only helped the people profiting from it. The only ethical solutions for our city, and the whole world, are complicated, long term, sustainable options that will protect and rejuvenate our planet. No one has said it better than Mylene and Ivan so please go check out those videos under the activism section. Help if you can, and spread the word about the truth. It’s important that people know when they’re being lied to by a corporate campaign.”

Alya realized she stopped breathing for a moment because oh my god that was so good. She manages to quietly clear her throat and thank Adrien for the interview again. He plasters back on his polite smile and they give a brief hug before she gestures to Nino to stop filming.

“OH MAN! That was awesome!” Nino pulls Adrien into a one armed hug and doesn’t let go.

Adrien smiles a little bashfully, “You think? It wasn’t to much?”

“No way Adrien,” Alya cuts in, “the whole thing was great but that bit at the end? Amazing. Mylene will be thrilled.”

Nino pulls away from their friend a bit and clasps his shoulder, “Are you going to be ok though? Your old man is not going to be cool with like, any of that, is he?”

Adrien purses his lips and shrugs, “Don’t worry about my dad, I can handle him.”

Alya can see the fake nonchalance a mile away. Marinette is the queen of it after all, so she tells him, “Adrien this is really brave of you but I just want to make sure you know you’re in charge of this narrative. I probably won’t finish editing everything until tomorrow because I have a project to finish tonight. If you change your mind there’s no hard feelings. Or if there’s something you decide you want left out I’ll work some editing magic.”

Adrien smiles but her words don’t seem to relieve any tension, “Thanks Alya, it means a lot. By the way, where’s Marinette? I thought she was coming?”

“She’s probably just got caught up with something but I’ll see if she messaged me.” Alya checks her phone and realizes she left it on silent after the test last period. No texts from Marinette, but there is an akuma alert which explains her absence. She tries to ignore the immediate twinge of worry.

Adrien suddenly looks up from his own phone and rushes to grab his bag, “I actually got to go, my dad wants me home until the akuma attack is over. Best keep my head down until the bomb drops tomorrow right?” He rushes out before Alya or Nino can respond.

Nino sighs after his best friend runs out, “It’s so unfair he’s having to rectify his dad’s bad choices.”

Alya takes his hand, “I know. Something tells me this won’t be the last time he does so either. We’ll be there to support him though.” Her boyfriend gives her a soft smile and she kisses him on the cheek, “Come on, I want footage of that akuma fight.”

Nino glances down at his phone, “Actually it looks like the fight just ended a minute ago.”

“Wow that was short. It couldn’t have gone longer than the ten minutes we did the interview with Adrien for.”

“You’ll catch the next one,” he grins at her, “one way or another.”

She laughs, “okay turtle boy, let’s go get some lunch before we have to head back to class.”

They run into a slightly dejected Adrien on the way. He gives them an interview smile. They all find Marinette and get lunch. They keep the conversation light and avoid talking about the bomb Alya’s going to post tomorrow.

This is self indulgent. I really need Adrien taking some control of his life and standing up to his dad. Yes it’s painful but it’s so important that Adrien puts some distance between them in the public eye before Gabriel is revealed as Hawkmoth. I’m just hoping that can actually happen in canon but I have many fears this season.

#miraculous ladybug #adrien agreste #mega leech #alya cesaire #nino lahiffe #theres adrienette is you squint lol #im going to be honest i don't think there's anywhere this is a perfect fit chronologically in the season #it's just inspired by mega leech and the general trend of the season #with adrien becoming more and more frustrated #and that hopefully leading to him taking more action in his personal life #i hope i hope #my post #my fic

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stuffedeggplants · 3 years

Note

hullo pls can you tell me about your clone ocs?? any and all of them would be just lovely :D

Lieutenant Six! He’s a supply officer in Coruscant Guard Aviation Support Squadron 66. (They handle logistics and are also an OC squadron! So they don’t have pilots but deal with maintenance, parts, ordnance, etc..) Conveniently he’s CT-60-3102 which also adds up to six- twice. He likes making the kind of jokes that are usually way too obvious for most people to actually make, indulging in clone humor, and has a very optimistic personality. He’s creative with language (and chewing people out lol), but does not excel at lateral thinking and is routinely defeated by bureaucracy and his inability to think outside the box, (but that’s what he has friends for.) Very nice guy, will absolutely go out of his way to help you, but struggles with coming up with creative solutions on his own.

Trooper Eyes-up! He’s on the younger side and also in the Coruscant Guard where he works at the detention center. He got his nickname in very unfortunate and embarrassing circumstances wherein commanders Fox and Thorn caught him doing something he absolutely should not have been doing and told him to bring his “eyes up here, shiny!” So they gave him his name which he’ll never live down. He’s curious, enjoys reading, and is prone to pushing boundaries when he shouldn’t. But he’s also honest and owns up to his screw-ups and is kind of resigned to routinely getting shit for the nonsense he gets himself into, but people love him for it because the fallout is amusing. He was unfairly blamed for bringing granite slugs into one of the barracks (which then proceeded to eat the duracrete walls and cause a problem that only flame troopers could ultimately fix.) He’s good at reading people emotionally but his risk vs reward calibration is a little off. In worlds where Order 66 happens, Eyes-up never participates though the rest of his unit does- this is because his latest screw-up put him on SUFR duty (”sweeping up the fucking rain”), Fox telling him to stay outside in the rain and keep sweeping until it was completely dry. Well the ground was still wet when Order 66 was activated, and Eyes-up’s visceral fear of upsetting the commanding officer of the entire Coruscant Guard overrode his in-built compliance with Order 66, so he stayed and swept up the rain while his brothers went on to worse and darker things. :(

Corporal Corr: the Coruscant Guard Corpsman who ‘mysteriously’ has not managed to promote to sergeant (and likely never will....👀) He works under Thorn in the Diplomatic Service, is a great connoisseur of alcohol, and goes extremely hard for the Coruscant Guard (and nurtures a rivalry with 501st guys whenever they go planet-side for whatever.) He’s very serious about the concept of CG brotherhood and becomes a fixture in Diplomatic Service initiation rites (where shinies are ‘officially’ inducted into the group after their first milestone) to the point where he pretty much leads them. Part of this involves shinies mixing a drop of their blood into red paint, and then their older brothers in the CG mix in their own blood as well. The ex-shinies then use the paint for their armor. Corr has been implicated in brewing his own barracks moonshine which Fox and Thorn let him get away with just long enough to let him finish the process so they could see how good the final product actually was when they confiscated it. Corr also has an agreement with Toast clone, where he trades alcohol for the bread that Toast makes in a crematorium oven that’s non-operational on official records but which is very much operational in a hushed, practical sense. (He also has Toast score the bread surface with the pattern of the CG symbol because he can’t help himself, and has tattoos of the CG armor armbands and legbands actually over his arms and legs. Some might describe Corr as overzealous, but he believes you need passion and strong bonds in life or you have nothing. [This guy is also kind of a joint OC with my friend who runs a Coruscant Guard blog here!]

Are you sick of the Coruscant Guard yet? Well I have 12 more guardsmen alone where this came from and 13 if you count this next guy; I wasn’t kidding when I said I had half a platoon worth of OCs.

Kov, rank to be determined, pronounced like “cove.” (I might change the spelling to better reflect that.) He’s in one of the Special Tactics Groups of the Coruscant Guard, a unit which I made up to work kind of like a SWAT team. He and his STG are also part of a designated force that can respond extremely quickly to developing situations and get there first to deal with the trouble before anybody else comes in. His STG’s motto is “made to kill, decanted to die” and he has a target tattooed over the side of his face to go with it. (They get shit from non-CG and units that think all they do is give out parking tickets and stand around looking pretty in the Senate building- these guys very much do not do that.) His face is very expressive, and he’s decisive, straightforward, and unfortunately comes off as kind of low on empathy. He wants people to see him as very pragmatic though he’s actually rather idealistic and kind of naive about certain things. He and his best friend are very interested in plants- Kamino didn’t have any, and they’re generally rare on Coruscant. There’s something calming and ‘constant’ about them that he enjoys. He likes taking photos of the ones they find together and looking them up later to learn about nature/biology. Kov learns he really likes children, but is uncertain/a little afraid to let himself interact with them because he’s worried about what sort of influence he’d have on them (and on a deeper level whether he’d learn from them that he’s not actually the person he thinks he is or tries to be.) He and a Twi’lek woman who immigrated from Ryloth sort of fall into a relationship without meaning to, and they both learn a lot from each other and grow as people. (I’m planning on having her take him to a botanical garden that he had no idea existed, and sometime during their visit he realizes he loves her even. He has trouble putting it into words in his mind, but he definitely knows.)

Okay last one, I’m sorry! :(

Lieutenant Rakia of the 212th, part of Slick’s direct chain of command. He goes through Geonosis with his best friend and batchmate Arak. When they were cadets on Kamino, and Arak’s helmet saved his life during a training accident but was partially shattered, and Rakia’s random compulsion to bend down and pick up a shard of the helmet inadvertently saved his life too during this incident. Arak and Rakia kept the small plastoid chunk, carved designs over its surface, and exchanged custody of it for years. Before Geonosis Arak gave it to Rakia. Rakia survives but somehow can’t find the chunk where it’s supposed to be in his utility belt, like it just disappeared, and Arak goes missing and is presumed KIA during the battle. On a deep internal level, Rakia has similar realizations to Slick, but because his personality is different he takes that in another direction. He doubles down on a deep trust and faith in the Republic and the Jedi because he’s subconsciously afraid of what it means about his life and purpose if those things are not the things he should believe in. He sees that they’re all cogs in a machine, but his response is that that’s a good thing. He finds something very personally significant about the idea that all those tiny cogs come together to become something much bigger. So his own internal tendencies towards a collective approach and trusting the leadership he was instructed to trust all his life just get kicked up to higher levels after Geonosis in the face of his anxieties.

In normal speech he’s casual and kind of playful, but when he gets angry he becomes overly explicit/didactic about things and snaps a lot to the point where he can be condescending even without meaning to be. Rakia has an artistic side but doesn’t get to explore it much at first. He’s clean-shaven and lets his curls grow out a bit because he likes how he looks that way, but otherwise looks like everyone else and doesn’t want to visually distinguish himself from his brothers too much besides the slightly longer hair. He wants to be someone others look up to and tries to ignore/deny parts of himself that he doesn’t feel fit that ideal image he wants others to see. Part of that ties into him really struggling with grief but not even allowing himself to contend with it and find closure, stuffing it back down and ignoring it to negative effect. It also ties in to him resisting discovering himself as an individual beyond a certain point/his comfort zone because he’s afraid that will isolate himself from his brothers, but resisting that (and continuing to deny his grief/keep it bottled down) ends up doing that exactly, leading him to feel cut off and alone in certain ways that compound the problem in a bad spiral. (He gets out of it, I promise.) So because Slick is busy developing his own radical ideas and solutions which he can tell no one about (on top of feeling like he’s the only one who’s cottoned on to something nobody else can see,) that’s isolating too, and he and Rakia understand each other a lot better than they think they do in some respects, regardless of their disagreements.

I know you didn’t ask for a six paragraph essay. Sorry I just really love these guys.😅

#my stuff #my writing #asks #Rakia is an alcohol from the Balkans and Central Europe #Arak is an alcohol from the Near East/nearby regions #I don't really even drink but I liked those names so I made them into clone names #and made them batchmates #I love Rakia so much

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sophistopheles · 4 years

Text

Where’s Ace Attorney 7?

A few days ago it was the third anniversary of the most recent Ace Attorney game, Dai Gyakuten Saiban 2- which means we’re going through a 36-month hiatus; longer than any we’ve had before, excluding the gap between Trials & Tribulations and Apollo Justice.

So what gives? Why haven’t we seen AA7 yet? Will we ever see it in the future, or is the franchise dead?

Well, I have a few theories for the first question, and some evidence concerning the second. This will probably get long, so I’ll put it under a cut.

Why is this hiatus so long?

Theory #1: Difficulties in porting the franchise to Switch

Ace Attorney has been on handhelds for its whole lifespan, so the sudden change to consoles may be slightly problematic in terms of gameplay- forensic evidence mechanics, the loss of a touchscreen, etc. The problem with this theory is that by all (w)rights, it should already be resolved; a port of the Trilogy already came to consoles last year, fingerprinting and all, and it worked just fine. It’s possible that creating a new AA game from scratch is difficult in its own way, and/or producing games for multiple platforms takes longer, but it doesn’t account for such a long delay.

Then again, Switch games might just take longer to make. I’d rather have a well-crafted AA game every three years than a rushed/poorly-made one every year.

Theory #2: Difficulties in finding a new director for the franchise

As most people know, Yamazaki, the director for the AAI duology, AA5, and AA6, left Capcom about a month ago. However, he said all the way back when SoJ was released that he only really stayed as AA’s director because of the fans, and also had Fuse, the games’ artist, step up as co-director for SoJ.

Takumi, the original trilogy/Apollo Justice/DGS writer and director, should theoretically have been available since 2018, but he has stated that he’s done with Phoenix’s story, and given that his last games haven’t sold very well (more because of marketing and bad timing than any flaws in the games, but I digress) it’s not guaranteed that he will return for AA7. Maybe if he does, we’ll get some answers to the many loose ends and questions left by AA4, but given that Apollo’s relocated to Khura’in as of the end of AA6, that’s not guaranteed either.

This leaves the only other candidate, co-director of SoJ Takuro Fuse. Personally I think his involvement as a full-on director in the future is quite likely, for reasons I’ll explain later.

Theory #3: We were supposed to get a game in 2019

This is just a pet theory of mine, but hear me out.

Dai Gyakuten Saiban was originally supposed to be a trilogy of games, until the Switch absolutely flattened the 3DS as the definitive Nintendo handheld, and Takumi decided to compress the remaining two games into just DGS2. This is why the third-case culprit and twists in DGS2 feel so sudden; the culprit was supposed to appear all throughout DGS2, and be arrested at the end, with DGS2-3’s big twist as a finale cliffhanger. DGS3 would have then completed the story.

My point is that DGS3 was likely slated for a 2019 release, given the release pattern of DGS (2015) and DGS2 (2017). That would have lessened the current three-year hiatus to just a two-year one, more standard for the AA franchise.

Theory #4: The franchise is dead, there are no plans for more games.

I find this difficult to believe given that Capcom is still creating content, running café promotions, releasing ports, and has stated plans for more AA games in the past, but I have to acknowledge the possibility.

Is Ace Attorney 7 coming soon?

After the 2018 Kotaku UK rumour (suggesting that ports of all six games and a new game were going to be released on the Switch by the end of 2018’s fiscal year) was disproven, I almost lost hope for any future AA games- but this year, there’s been a lot to suggest something’s coming soon.

1. The July 2020 Café

This one pretty much explains itself. If Capcom has decided to put money towards a café feature that promotes both the Trilogy and Apollo Justice- with Klavier and Apollo both featuring prominently on the café’s menu and in its merchandise- it stands to reason that they’re doing something with it. You don’t promote a franchise if there’s nothing to promote, after all.

2. The Café Art

So, remember two months ago when Ace Attorney dropped this new official art of Phoenix, Edgeworth, Maya, Apollo and Klavier, and the fandom lost their shit to the point of Ace Attorney trending on tumblr for about half an hour? Well, what I personally found most interesting was the style of the piece- because it was new. A quick scroll through Capcom Café’s twitter proved that as far as I can tell, when non-chibi art is called for, the official artists of the brand in question are the ones to draw the art. So who drew this one?! I could rule out Iwamoto, Fuse, Suekane and Nuri by their styles (Apollo especially looks quite unfamiliar)- so unless there’s someone I’ve forgotten, it seems like there’s a new Ace Attorney official artist.

And, well… they don’t hire new artists for fun. This artist, whoever they are, probably weren’t hired for a one-time café promotion either; as far as I know, most of the old AA artists are still working at Capcom. They’re probably doing something for the franchise.

Remember when I said Fuse, AA5/6’s art director, was a candidate for full time director? My personal theory is that he’s become the main director, and this new artist has taken his role as art director. It’s all speculation, of course, but it stands up to scrutiny.

3. Capcom X B-Side Label Maya Acrylic

Capcom have also had a recent merch collab with B-Side Label, and a certain merch image of Maya stood out to me… because it’s an entirely new design.

I could understand if it was only a discrepancy in the fact that she has four necklace beads while appearing to be an adult, or that she has arm guards but lacks an under-robe; they’re minor details. But to leave out her topknot, one of the most distinctive parts of her design?! Either the artist made a major mistake and no one called them up on it, or it was intentional- that this is a design meant to be an older and wiser Maya, who we’ll see in an upcoming game. I wouldn’t be surprised.

4. The 20th Anniversary

This is more of a meta point than anything else, but it’ll soon be 2021, the twentieth anniversary of Ace Attorney. AA is usually very good with anniversaries; in 2011 (10th anniversary) we got Investigations 2, and in 2016 (15th anniversary) we got both SoJ and an AA anime. I think if they’re ever going to release AA7, they’ll do it next year: at the very least, we’ll have another orchestra and more official art. And with TGS 2020 hosted online and fast approaching, I’m hoping for news very soon!

Either way, the future of Ace Attorney isn’t as dark as it seems! Keep your hopes up!

#ace attorney #aa7 #speculation #phoenix wright #soph's meta #this will either age like wine or milk #mine

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efewtges · 3 years

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ihknkm · 3 years

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As is typical with scoring, high score wins

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rosethornewrites · 4 years

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Fic: The Rebellion of Adrien Agreste, ch. 10

Characters: Adrien Agreste | Chat Noir, Gabriel Agreste | Papillon | Hawk Moth, Lila Rossi, Jagged Stone, Plagg, Marinette Dupain-Cheng | Ladybug, Luka Couffaine, Penny Rolling, Anarka Couffaine, Rose Lavillant, Juleka Couffaine, Kagami Tsurugi, Alya Césaire, Chloé Bourgeois, Wayhem, Nadja Chamack, Nathalie Sancoeur, Sabine Cheng, Tom Dupain, Tikki, Fang, Principal Damocles, Caline Bustier, Ms. Mendeleiev, original minor character, Alec Cataldi, Lila Rossi’s Mother, Sabrina Raincomprix, Roger Raincomprix, Mylène Haprèle, Le Gorille | Adrien Agreste’s Bodyguard, Nino Lahiffe, Nooroo

Tags: Lila Rossi salt, Fake/Pretend Relationship, Teenage Rebellion, Swearing, Bad Parent Gabriel Agreste, Crack Treated Seriously, Lila Rossi’s Lies Are Exposed, Cuddling & Snuggling, Luka Couffaine Needs a Hug, Paparazzi, Parentification, Marinette Dupain-Cheng Needs a Hug, Gabriel Agreste Needs an Aneurism, Uncle Jagged Stone, we’re all queer here, the spirit of punk is sometimes just being allowed to be yourself, Kagami Finds Her Groove, punk rock fashion, Savage Kagami, Marinette protection squad, Good Parent Sabine Cheng, Good Parent Tom Dupain, Protective Kagami Tsurugi, Protective Luka Couffaine, Bisexual Marinette Dupain-Cheng, Pansexual Luka Couffaine, Sharing a Bed, Pet Names, LGBTQ Character, LGBTQ Themes, Instagram, Bullying, Social Media, Anxiety, Makeover, Hugs, will cure your acne, Face Punching, Bad Ass Juleka Couffaine, Rumors, Protective Juleka Couffaine, Protective Adrien Agreste, Lawyers, Hijinks & Shenanigans, Holding Hands, accountability, mental health, Jagged Stone’s well-paid pet shark, How to Make the Evening News, Sexy eyeliner for days, one fish two fish Lila is a screwed fish, How to have fun and piss Gabriel off, Fuckery, sweet litigious karma, Alya sugar, lawyer shark doo doo doo doo doo doo, Schadenfreude, Bad Ass Alya Césaire, Gaslighting, abuse denormalization, Jagged likes his lawyers like he likes his pets: toothy af, Blood in the Water, Everything you didn’t know you wanted and some things you did, Gabriel Agreste is shark bait, Denial, Consequences, Principal Damocles salt, caline bustier salt, the impotence of Gabriel Agreste, snarky Nooroo, lies and the lying liars who tell them, Lila’s brain is a narcissistic hellscape, Lila’s mind is built like an Escher piece, Alec Cataldi salt, Adrien Sugar, wholesome salt, Fu Salt, Kwami Shenanigans, Nooroo is a little shit

Summary: How to Piss Off Gabriel Agreste

AO3 link

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Gabriel Agreste was displeased.

Honestly, that was an understatement.

Gabriel Agreste was infuriated.

He had allowed Adrien his little temper tantrum, the slamming of the door and stomping to his bedroom, expecting to let the boy stew for a bit until he had calmed enough to be reasonable. In the meantime, he had assured Mlle. Rossi things would progress as planned.

That had been a miscalculation. Adrien’s behavior had only escalated, as he somehow managed to escape the mansion—something Gabriel had only discovered later, when Nathalie had brought the tablet to him, with that picture on the Instagram social media account that was meant largely for Adrien to promote the brand. He had been permitted to use it for additional reasons, but clearly that had been a mistake.

Gabriel had been struck by the smile on Adrien’s face, though, carefree and happy… and alongside that of a boy he’d never seen as they cuddled in an intimate way that was wholly inappropriate for the brand. He never would have allowed such a picture with Mlle. Rossi.

But his hands were also tied by Adrien’s move—if he were seen to disapprove, many of his employees would be livid, not to mention critics. The LGBTQ+ community was well represented in the fashion industry. At this point, Gabriel would be seen as homophobic.

Furthermore, a third party had taken those pictures, meaning Adrien had found allies.

Nathalie had attempted to regain control of the account, to no avail. Hopefully the furor would die down quickly; Gabriel had the Gorilla out searching for his wayward son so they could nip this in the bud. But he’d come up empty thus far.

Mlle. Rossi had called, raging, and had required a lecture about tone and entitlement. She had been seething by the time he hung up on her, but Gabriel didn’t particularly care. She was outliving her use with her childish assumption he’d give in to her demands.

He had used the roiling emotions of a jealous fan to create an Akuma, but it had been defeated far too quickly for his liking,

Nathalie had returned with the tablet shortly thereafter, with a new photo and that hair. His hair had been pristine, never adulterated with anything so aggressive as dye. And now—! He matched his ‘boyfriend’—Gabriel was certain this was a fake relationship, but if he said such a thing publicly it would receive backlash—and they were feeding each other ice cream and laughing. Another picture taken by a third party.

Gabriel hadn’t even noticed the caption, or the following post essentially accusing the company of forcing him to work, until Nathalie pointed them out. Worse, there were comments from fans angry that Adrien was not permitted to play with that ridiculous band.

theofficialchloebourgeois: I didn’t know it was that bad, Adrikins. I’ll talk to Daddy.

alya.ladyblogger: @theofficialchloebourgeois Pretty sure this violates child labor laws, too. #LetAdrienGoToSchool

theofficialchloebourgeois: @alya.ladyblogger Will bring that up.

The Instagram tag the Ladyblogger had created had started going viral, even spreading to Twitter.

The TVi news was even using it. Curious, Gabriel clicked on the article they’d linked to.

Model Adrien Agreste Comes Out, Alleges Being Forced to Date New Gabriel Muse, Lila Rossi

Leaked Rossi text messages include threats

When he saw the image of the text messages, he hurled the tablet against the wall.

Nathalie gave him a reproachful look and he glowered at her. “You were due for an upgrade anyway,” he hissed, still trying to contain his rage.

Clearly Mlle. Rossi had become more than an inconvenience.

“Inform Mlle. Rossi that her association with Gabriel has ended, as she has provided an unsavory image for the brand. Announce that on the official social media. Make sure the announcement planned for tomorrow is stopped.”

A stress headache, perhaps even a migraine, was coming on.

Marinette returned home with freshly painted pink fingernails, and Jagged loudly praising her nonexistent design ideas.

“Marinette Dupain-Chang, would you care to comment on your relationship with former Gabriel model Lila Rossi?”

Oh, that had been tempting. ‘Former’? They hadn’t seen that bit of information before she’d left—she’d have to text that to Kagami and Luka, who would share it with Adrien. They’d agreed that he’d need to keep his cell phone off to avoid the GPS locater, until they’d gotten enough done.

Jagged posed for the camera, hugging her one-armed. “That horrid girl has been bullying my niece here. Kept her too afraid to say anything. But Uncle Jagged’s here to take care of his Marinette.”

Then he pushed past Nadja Chamack to enter the bakery—let in by her parents despite it being after hours. They presented him with a large box of macrons to thank him, and asked if he would be free to join the family for dinner the next night—specifying that ‘the team’ was welcome, too.

Adrien, Luka, and Kagami had been insistent that she should bring them in on the plan, that they have some adults they could lean on aside from Jagged, whose stay in Paris would only be so long.

Marinette hadn’t been certain about letting them in on the fake relationship details, but they had been appropriately horrified at Adrien’s treatment and had immediately been on board. Everything had fallen into place, and maman had insisted after tomorrow she would take her break from the bakery to coincide with Marinette’s walk to school, so she could escort her for her protection.

They had a plan, a script, for Luka and Adrien’s relationship. She just had to be ready early tomorrow to be escorted to school, and be ready for any media attention.

And they had decided that Luka should be seen with Adrien, saying goodbye before the school day with appropriate closeness. They hadn’t specified what it should be, but that part could be ad-libbed. Regardless, the media would eat it up.

She updated her parents over dessert fruit tarts, then pleaded exhaustion and headed up to her room to get ready for bed. On her way up, she texted Luka and Kagami the news about Lila.

Tikki looked a bit exasperated when she was finally able to leave Marinette’s purse, and for a moment she was worried the kwami disagreed with what they were doing, that she’d be disappointed.

“I didn’t realize Adrien had it so bad,” Tikki said instead. “That poor boy. I’m glad you came to his side; I know it might be hard to watch him in a pretend relationship with Luka.”

Marinette relaxed. Tikki was on her side.

“I knew his father was awful, but I didn’t know it was this bad, either. If we do this right, M. Agreste will be under enough scrutiny to give Adrien some freedom.”

“He deserves better,” the kwami commented, taking the cookie Marinette offered her.

Marinette nodded. “Do you think I’m doing enough?”

“You’re doing everything you can.” Tikki set down the cookie and put one tiny hand on Marinette’s. “And… I think Luka was right. You expect too much of yourself. I know you’re Ladybug, but you’re also Marinette. You don’t need to bottle things up. You don’t need to be perfect.”

Marinette was silent for a bit, thinking about that. She’d always tried to stay strong on her own—even during the worst of Chloé’s bullying, she hadn’t reached out. Part of it was learning that Chloé could get away with a lot because of her status; teachers were rarely willing to punish the daughter of the mayor, so instead Marinette had been told she was being too sensitive, or that she needed to be the bigger person and be an example. All she’d wound up being is an example of a doormat.

In the past year, she’d learned that what her teachers had done was considered gaslighting. She’d managed to let them convince her that her feelings weren’t important. Marinette had been afraid to tell her parents everything, because if they told her the same thing…

Ever since Alya had come, she’d been able to start growing out of that—all it had taken was someone standing up for her.

“Thanks, Tikki.”

The kwami sighed. “Honestly, I should have helped you take care of this Lila situation earlier. It’s gone on too long. I let you flounder, even after you were almost Akumatized. I didn’t even think about how this was effecting you. I’m sorry, Marinette.”

Marinette brought Tikki up to her face and kissed her cheek. “I was doing what Luka said—putting on a front. I need to trust you and my parents and my friends more.”

“We’ll learn together,” Tikki told her with a smile. “I’m so proud of you, Marinette!”

They snuggled cheek to cheek for a moment, and then Marinette went to the bathroom to prepare for bed, leaving Tikki to her cookie.

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jokertrap-ran · 3 years

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(光与夜之恋 Light and Night) Main Story Chapter 1-12: 命运的拐点 Destiny’s Turning Point Translation [3rd Beta Test]

*Light and Night Master-list is under WIP *Spoiler free: Translations will remain under cut *Game is slated for release this summer! (Estimated to be 8/8/21) *Beta Test’s main story tag will be #Dreams of Light and Night

The night of the Warson Prize Finals arrived in a blink of an eye.

All contestants were in a race against time to complete their final adjustments. It was the epitome of the peak of nervousness and high morale.

❖☆———————————★❖

Dun dun dun~

Upbeat music played as lights flashed extravagantly all-around before converging in one spot.

Host: Welcome! To the finals night of the 3rd Warson Prize!

Host: Next, let us give a grand round of applause to our dear esteemed guests tonight!

Host: First, we have Mr. Lupin, the Director of the Warson Group!

A middle-aged man decked in a grey-coloured suit walked up to the stage. He stood tall and upright, with defined features and looked terrifyingly imposing.

Lupin briefly exchanged a few words with the host. The next guests to take the stage were celebrities from all walks of life who have collaborated with Warson.

Host: Next, we have Warson’s new friend!

Host: He’s one of the champion racers of the Glitter Bullet Team― Osborn!

MC: !

The familiar name made me freeze.

❖☆———————————★❖

Osborn’s silhouette appeared at the end of the stage.

Paired with Osborn's stern features, the full image of him decked out in a suit presented itself nicely; a hint of danger, and a tinge of mystery.

MC: Black… really does suit him well.

❖☆———————————★❖

The Host held his mic and made some simple small talk with him.

Host: This is the first time we’ve ever invited a star of the Sports World for the Warson Prize.

Host: I wonder if you have any unique views about fashion, Mr. Osborn?

Facing the cameras, the sides of Osborn’s lips slightly quirk upwards.

Osborn: It’s not really unique or anything. I think fashion has no bounds, so you do you, anything goes.

Host: Oh, okay. Well then… Have you seen any of our previous contests?

Osborn: But of course. Some of the contestants are also pretty interesting.

I recalled the huge misunderstanding that had transpired back when I met him up on the roof that day. Contestants? ...Is it… me, by any chance?

I stood behind the side curtains of the stage, mentally reciting my speech regarding the thought process that went into my design over and over again.

MC: No feeling nervous. Just keep calm and be steady.

Staff: Next person, please get ready.

I took a deep breath before turning and heading out to stage.

The scorchingly blinding lights surround me. I saw the model standing in front of me, dressed in the dress of my design, looking as beautiful as a painting.

I took big strides, coming up to the model's side and bowing deeply at the sea of applause. I started to calmly explain my creative ideas and thought processes that brought this design to life.

MC: Hello, everyone. I am (Y/n). The design I present to everyone today is called "Starry Key".

I only felt the slight sheen of sweat at the back of my neck only after I'd finished my explanatory speech.

Soon, all 10 dresses had been displayed. All contestants stood in a row, side-by-side, as they awaited the results from the judges.

Host: I now have in my hands, the scores of each participant as decided by the judges!

I silently clenched my fist, my heart raced, thumping loudly as if it housed a snare drum within.

Host: The top 3 scorers of this round will be qualified to enter the next round, where only one will win the championship. Now, let's see who they are!

Ba-thump, ba-thump.

The sound of my heartbeat rings in my ears.

Host: They are: Wu Yue, the designer of "Memory Tunnel", Gao Cheng, the designer of "The Last Orange Blossom", and lastly—

Host: (Y/n), the designer of "Starry Key"!

My name…

A wave of applause engulfs the stage. For a moment, I couldn't quite register it in my brain, only looking up at the big screen. My name. It's really being displayed up there.

MC: It's real! I've gotten into the Top 3!

Gao Cheng: We got in!

Host: Let us congratulate the three contestants and welcome them up to the centre of the stage.

Although we've gotten into the Top 3, this also means to say that we're only going to face much fiercer competition within our midst from now on.

Host: As we all know, the Warson Prize is one of the top-tiered competitions in the industry.

Host: To reflect Watson's spirit of innovation and enterprise, improvisation is always the main theme for the championships.

Host: And now, just what theme awaits these 3 finalists in this round's championship?

I put the joy of being promoted to the next round away, listening intently to the Host.

Host: The theme for the improvisation round will be announced soon. Now, let us reveal the judges, Watson's very own in-house Designers!

Host: They are, respectively: The famous Designer, Yan Xiao, and the Deputy Director of Warson Design Hub, Mya!

❖☆———————————★❖

The lights above the judges lit up. Two of the seats were already taken.

However, the centre seat was left empty.

Drumrolls sound, stage lights flashed, and the spotlights converged, the beam of light illuminating the end of the runway.

Host: Lastly, let us welcome the new Design Director of the Warson Brand: The internationally famous and renowned, we have— Mr. Sariel!

❖☆————— ⊹ Dreams of Light & Night⊹ —————★❖

Previous Part: (Chapter 1-9) | Next Part: (Chapter 1-14)

#光与夜之恋 #Light and Night #Otome #Translations #Tencent #萧逸 #Osborn #齐司礼 #Sariel #陆沉 #Evan #查理苏 #Charlie #夏鸣星 #Jesse #Dreams of Light and Night

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xtruss · 3 years

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Philip, In Role With No Job Description, Was Queen’s Bedrock

— By Jill Lawless And Gregory Katz | AP | Friday April 04, 2021

LONDON (AP) — When Prince Philip married the heir to the British throne, he knew he was stepping into virtually uncharted territory.

There was no official role for the husband of a sovereign queen, no constitutional duty or legal responsibility.

“There was no precedent,” he said when he turned 90. “If I asked somebody, ‘What do you expect me to do?’ They all looked blank. They had no idea.”

His wife Elizabeth knew exactly what she had to do when she became queen in 1952 after the premature death of her father, King George VI. For Philip, though, her ascension to the throne marked the end of his career as a naval officer and a plunge into uncertainty.

But at that crucial moment, he carved out the part he would carry through the decades: the queen’s honest and unwavering bedrock of support through a turbulent reign in which the thousand-year-old monarchy was forced to reinvent itself for the 21st century. It was a role the Duke of Edinburgh played until his death Friday at age 99.

His marriage both defined and constricted his life, placing the irascible, tough-minded Philip three steps behind the queen in public, even if he played a significant role at home, including in raising four children.

His life spanned nearly a century of European history, starting with his birth as a member of the Greek royal family and ending with him as the longest serving consort in British history, surpassing Queen Charlotte, wife of King George III.

He was known for his occasionally deeply offensive remarks — and for gamely fulfilling more than 20,000 royal engagements to boost British interests home and abroad. He headed hundreds of charities, founded programs that helped British schoolchildren participate in challenging outdoor adventures.

Philip saw his sole role as providing support for his wife as she confronted the changing demands placed on a constitutional monarch who began her reign as Britain retreated from empire and steered the monarchy through decades of declining social deference and U.K. power into a modern world where people demand intimacy from their icons.

In the 1970s, Michael Parker, an old navy friend and former private secretary of the prince, said of him: “He told me the first day he offered me my job, that his job — first, second and last — was never to let her down.”

The queen — a very private person not given to extravagant displays of affections — once called him “her rock” in public.

In private, Philip called his wife Lilibet; but he referred to her in conversation with others as “The Queen.”

Over the course of the decades, Philip’s image changed from that of handsome, dashing athlete to arrogant and insensitive curmudgeon. In his later years, the image finally settled into that of droll and philosophical observer of the times, an elderly, craggy-faced man who maintained his military bearing in public despite a host of ailments.

Not content to stay on the sidelines, he promoted British industry and science, espoused environmental preservation long before it became fashionable, and traveled widely and frequently in support of his many charities.

In those frequent public appearances, Philip developed a reputation for being impatient and demanding and was sometimes blunt to the point of rudeness.

Many Britons appreciated what they saw as his propensity to speak his mind, while others criticized behavior they labeled as racist, sexist or out of touch.

In 1995, for example, he asked a Scottish driving instructor, “How do you keep the natives off the booze long enough to pass the test?” Seven years later in Australia, when visiting Aboriginal people with the queen, he asked: “Do you still throw spears at each other?” On one visit to a military barracks, he asked a sea cadet instructor if she worked in a strip club.

Many believe his propensity to speak his mind meant he provided needed, unvarnished advice to the queen.

“The way that he survived in the British monarchy system was to be his own man, and that was a source of support to the queen,” said royal historian Robert Lacey. “All her life she was surrounded by men who said, ‘yes ma’am,’ and he was one man who always told her how it really was, or at least how he saw it.”

Lacey said that during the royal family’s difficult times with Diana, Philip spoke for the family with authority, showing that he did not automatically defer to the queen despite her position as monarch and head of state.

Philip’s relationship with Diana became complicated as her separation from Charles and their eventual divorce played out in a series of public battles that damaged the monarchy’s standing. It was widely assumed that he was critical of Diana’s use of broadcast interviews, including to accuse Charles of infidelity.

But letters between Philip and Diana released after her death showed that the older man was at times supportive of his daughter-in-law.

After Diana’s death in a car crash in Paris in 1997, Philip had to endure allegations by former Harrods owner Mohamed Al Fayed that he had plotted the princess’s death. Al Fayed’s son, Dodi, also died in the crash.

During a lengthy inquest into their deaths, a senior judge acting as coroner instructed the jury that there was no evidence to support the allegations against Philip, who did not publicly respond to Al Fayed’s charges.

Philip’s final years were clouded by controversy and fissures in the royal family.

His third child, Prince Andrew, was embroiled in controversy over his friendship with Jeffrey Epstein, an American financier who died in a New York prison in 2019 while awaiting trial on sex trafficking charges.

U.S. authorities accused Andrew of rebuffing their request to interview him as a witness, and Andrew faced accusations from a woman who said that she had several sexual encounters with the prince at Epstein’s behest. He denied the claim but withdrew from public royal duties amid the scandal.

At the start of 2020, Philip’s grandson Prince Harry and his wife, the American former actress Meghan Markle, announced they were quitting royal duties and moving to North America to escape intense media scrutiny that they found unbearable.

Britain’s Prince Harry talks to Prince Philip as members of the Royal family appear on the balcony of Buckingham Palace, during the Trooping The Colour parade, in central London on June 14, 2014. (AP Photo/Lefteris Pitarakis)

Last month, they gave an explosive interview to Oprah Winfrey, saying that Meghan had suffered neglect and racist attitudes while a working member of the family, though Winfrey later said Harry told her one particularly hurtful remark did not come from either of his grandparents. The palace called the issues raised by the couple “concerning” and said they would be “addressed by the family privately.”

Born June 10, 1921, on the dining room table at his parents’ home on the Greek island of Corfu, Philip was the fifth child and only son of Prince Andrew, younger brother of the king of Greece. His grandfather had come from Denmark during the 1860s to be adopted by Greece as the country’s monarch.

Philip’s mother was Princess Alice of Battenberg, a descendant of German princes. Like his future wife, Elizabeth, Philip was also a great-great-grandchild of Queen Victoria.

When Philip was 18 months old, his parents fled into exile in France. His father, an army commander, had been tried after a devastating military defeat by the Turks. After British intervention, the Greek junta agreed not to sentence Andrew to death if he left the country.

Philip went to school in Britain and entered Dartmouth Naval College as a cadet in 1939. He got his first posting in 1940 but was not allowed near the main war zone because he was a foreign prince of a neutral nation. When the Italian invasion of Greece ended that neutrality, he joined the war, serving on battleships in the Indian Ocean, the Mediterranean and the Pacific.

On leave in Britain, he visited his royal cousins and, by the end of war, it was clear he was courting Princess Elizabeth, eldest child and heir of King George VI. Their engagement was announced July 10, 1947, and they were married Nov. 20.

Then, in 1952, King George VI died of cancer at age 56.

Philip had to give up his naval career and his subservient status was formally sealed at the coronation, when he knelt before his wife and pledged to become “her liege man of life and limb, and of earthly worship.”

The change in Philip’s life was dramatic.

“Within the house, and whatever we did, it was together,” Philip told biographer Basil Boothroyd of the years before Elizabeth became queen. “People used to come to me and ask me what to do. In 1952, the whole thing changed, very, very considerably.”

Said Boothroyd: “He had a choice between just tagging along, the second handshake in the receiving line, or finding other outlets for his bursting energies.”

So Philip took over management of the royal estates and expanded his travels to all corners of the world, building a role for himself.

Since 1956 he had been Patron and Chairman of Trustees for the largest youth activity program in Britain, the Duke of Edinburgh’s Award, a voluntary, non-competitive program of practical, cultural and adventurous activities for young people that exists in over 100 countries worldwide.

He painted, collected modern art, was interested in industrial design and planned a garden at Windsor Castle. But, he once said, “the arts world thinks of me as an uncultured, polo-playing clot.”

In time, the famous blond hair thinned and the long, fine-boned face acquired a few lines. He gave up polo but remained trim and vigorous.

To a friend’s suggestion that he ease up a bit, the prince is said to have replied, “Well, what would I do? Sit around and knit?”

But when he turned 90 in 2011, Philip told the BBC he was “winding down” his workload and he reckoned he had “done my bit.”

The next few years saw occasional hospital stays as Philip’s health flagged. He announced in May 2017 that he planned to step back from royal duties — after roughly 22,000 royal engagements since his wife’s coronation.

Philip is survived by the queen and their four children as well as eight grandchildren and 10 great-grandchildren.

— Katz and Associated Press writer Robert Barr contributed to this report before their deaths.

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