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william-shakespeare-official · 1 year

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Here's THE masterpost of free and full adaptations, by which I mean that it's a post made by the master.

Anthony and Cleopatra: here's the BBC version, here's a 2017 version.

As you like it: you'll find here an outdoor stage adaptation and here the BBC version. Here's Kenneth Brannagh's 2006 one.

Coriolanus: Here's a college play, here's the 1984 telefilm, here's the 2014 one with tom hiddleston. Here's the Ralph Fiennes 2011 one.

Cymbelline: Here's the 2014 one.

Hamlet: the 1948 Laurence Olivier one is here. The 1964 russian version is here and the 1964 american version is here. The 1964 Broadway production is here, the 1969 Williamson-Parfitt-Hopkins one is there, and the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation, the Kenneth Branagh 1996 Hamlet is here, the 2000 Ethan Hawke one is here. 2009 Tennant's here. And have the 2018 Almeida version here. On a sidenote, here's A Midwinter's Tale, about a man trying to make Hamlet. Andrew Scott's Hamlet is here.

Henry IV: part 1 and part 2 of the BBC 1989 version. And here's part 1 of a corwall school version.

Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.

Julius Caesar: here's the 1979 BBC adaptation, here the 1970 John Gielgud one. A theater Live from the late 2010's here.

King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here. The 1974 version with James Earl Jones is here. The 1953 Orson Wells one is here.

Macbeth: Here's the 1948 one, there the 1955 Joe McBeth. Here's the 1961 one with Sean Connery, and the 1966 BBC version is here. The 1969 radio one with Ian McKellen and Judi Dench is here, here's the 1971 by Roman Polanski, with spanish subtitles. The 1988 BBC one with portugese subtitles, and here the 2001 one). Here's Scotland, PA, the 2001 modern retelling. Rave Macbeth for anyone interested is here. And 2017 brings you this.

Measure for Measure: BBC version here. Hugo Weaving here.

The Merchant of Venice: here's a stage version, here's the 1980 movie, here the 1973 Lawrence Olivier movie, here's the 2004 movie with Al Pacino. The 2001 movie is here.

The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.

A Midsummer Night's Dream: have this sponsored by the City of Columbia, and here the BBC version. Have the 1986 Duncan-Jennings version here. 2019 Live Theater version? Have it here!

Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here's the 1984 version.

Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you've got the BBC version here and there.

Richard II: here is the BBC version. If you want a more meta approach, here's the commentary for the Tennant version. 1997 one here.

Richard III: here's the 1955 one with Laurence Olivier. The 1995 one with Ian McKellen is no longer available at the previous link but I found it HERE.

Romeo and Juliet: here's the 1988 BBC version. Here's a stage production. 1954 brings you this. The french musical with english subtitles is here!

The Taming of the Shrew: the 1980 BBC version here and the 1988 one is here, sorry for the prior confusion. The 1929 version here, some Ontario stuff here, and here is the 1967 one with Richard Burton and Elizabeth Taylor. This one is the Shakespeare Retold modern retelling.

The Tempest: the 1979 one is here, the 2010 is here. Here is the 1988 one. Theater Live did a show of it in the late 2010's too.

Timon of Athens: here is the 1981 movie with Jonathan Pryce,

Troilus and Cressida can be found here

Titus Andronicus: the 1999 movie with Anthony Hopkins here

Twelfth night: here for the BBC, here for the 1970 version with Alec Guinness, Joan Plowright and Ralph Richardson.

Two Gentlemen of Verona: have the 2018 one here. The BBC version is here.

The Winter's Tale: the BBC version is here

Please do contribute if you find more. This is far from exhaustive.

(also look up the original post from time to time for more plays)

#adaptations #macbeth #hamlet #king lear #twelfth night #much ado about nothing #henry iv #henry v #richard iii #julius caesar #timon of athens #troilus and cressida

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homunculus-argument · 4 months

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I think if we all had infinite amount of time and resources, theatres would do some sort of "wrong answers only" production challenges, where the director and everybody involved goes out of their way to perform the play in a way where all the dialogue and cues are technically correct, but performed as incorrectly as possible. If the script simply says "they fight" and you know that these characters are supposed to have an epic dramatic battle of some sort - if we're talking Shakespeare, probably originally swordfighting, though modern adaptations have gone with everything from guns to kung fu - but instead you've got them both intensely nipping at each other with these:

The character who's supposed to die in this battle does, naturally, still die. By being somehow nipped to death.

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cuddlytogas · 2 months

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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

#everyone say 'thank you togas' for not including a long tangent about evil rimmer in red dwarf 5x05 #Our Flag Means Death #Togas does meta #and yes these principles DO fall apart slightly in s2 and i DON'T like those costumes as much #don't get me wrong they're fun and gorgeous - but generally a bit less deep and more inaccurate. so. :(#I'm not sure this really says anything new about Our Flag but I just needed to get my thoughts out #i hate hate hate Gritty Period Drama costumes they're so boring and so ugly and so wrong #god bless OFMD for using more than 3 muted colours and actually putting men in heels (and not as a shorthand for rich/foppish villainy) <3 #looking at that Tudors still is insane like they really will go to any lengths to not make men feel like they've got bare legs XD #image descriptions in alt text #and yes i DID just sink about two hours into those so you'd better appreciate them

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fuckyeahgoodomens · 10 months

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ABSOLUTELY DELICIOUS S2 BTS VIDEO! :)❤ 🐍😊

David: Good Omens 2 will be once more unto the breach...

Michael: The kind of world that Neil and Terry Pratchett created here. It's... it seems to be expanding out into the world in all kinds of unexpected and and truly joyful ways.

Douglas Mackinnon (the directior): If Season one was a comedy about the End of the World, Season Two is a comedy about the beginning of everything else.

Miranda Richardson (demon Shax): The Bromance is continuing.

Doon Mackichan (Archangel Michael): What a cast, is all I can say, incredible, incredible cast.

Liz Carr (angel Saraqael): But of course a script of Good Omens is a whole different thing because anything can happen.

Shelley Con (Prince of Hell Beelzebub): There's always a smirk somewhere around the corner in a Good Omens script.

Quelin Sepulveda (angel Muriel): I had no idea what to expect, where this character was gonna go...

Liz: I feel quite honored that when they were thinking of the realms of sarcasm they thought of me.

Gloria Obianyo (angel Uriel): Seven-year-old me is like, 'Oh my God! This is the stuff of dreams!'

Maggie Service (human Maggie): A whole Fantastical Universe of joy that we just get to playing and you'll get to watch.

Tim Downie (Mr Brown): I am immeasurably, immeasurably excited.

Jon Hamm (Archangel Gabriel / Jim): You know I was very pleased when when I was brought back to be a part of that story.

Neil Gaiman: Ppeople are excited and I'm working so hard to tell them absolutely nothing. I'm very lucky because Michael Sheen and David Tennant love Crowley and Aziraphale. I think the first moment that I saw David and Michael acting together... all of a sudden there was Crowley and there was Aziraphale, it was like seeing two friends who I hadn't seen for years.

David: There's something about the way Neil sees the mundane that is extraordinary and there's something about the way things filter through his imagination and of course in this world it also sprinkled with the imagination of Terry Pratchett and those two together created this cocktail that is it's unlike anything you've seen anywhere else and yet it feels utterly familiar.

Michael: And they both have a sense of the absurdity of what it is to be a human.

Rob Wilkins: When you've got David and Michael in front of the camera David and Michael evaporate and you have Crowley in Aziraphale and that relationship it needed it needed interrogating more and of course we all know that Terry and Neil had conversations about what the sequel would be and Neil has taken that and he's blown it up in a way that the viewers are just going to love so what would Terry think? Terry would pat Neil on the back and he would push Good Omens forward, he would break a bottle of champagne over its bows and be absolutely delighted and I know that, I'm the one person on Earth who's been entrusted to know that for certain and I promise you Terry would be absolutely delighted.

David: We've got some cast members coming back, returning but playing different parts which is a lovely little addition to things isn't it, so Miranda Richardson is back not playing the same role as Season One, she's now Shax, my replacement - Crowley's replacement on Earth.

Neil: Shelley Conn came in as Beelzebub and it feels in a weird way kind of like a Doctor Who Regeneration. We have a new demon called Furfur played by Rheece Shearsmith who was our Shakespeare in Season One.

David: Nina and Maggie were two of the Sisters in Season One, The nunnery of Doom, and now they are two characters imaginatively called Nina and Maggie.

Maggie: In season one really it was just me and the nuns, it was the nun gang, so to actually get to meet Aziraphale and Crowley... I hadn't been prepared for how delightful Aziraphale is.

Neil: Season Two begins about threem four years after the events of Season One.

Michael: Aziraphale and Crowley now are, you know, out on their own, they're.. they're a team to themselves.

Neil: Everything changes when Aziraphale gets an unexpected visitor.

Michael: A familiar face comes along with a mystery that needs solving and as Aziraphale and Crowley attempt to solve that mystery they realize that there are much more terrifying things ahead than they've had to deal with in the past. That involves having to go back through history as well to get clues as to what might be going on.

David: When we go back into these stories set within Aziraphale and Crowley's personal history there are moments within those stories where where their relationships sort of pivots or develops in some way. Himself and Aziraphale I think rely on each other even more in season two than they did in Season One because they are by necessity and by circumstance they're a they're a double act that nobody else can join.

Michael: It's extraordinary to see how important these characters and this story have become to a lot of people and how much people enjoy expressing themselves through art, through fan fiction.

David: I went to a Comic-Con and the amount of Crowleys and Aziraphales that I saw everywhere, the cosplaying just took off, and always in twos, which was joyous because of course the characters in my mind only exist in relation to each other. They are the Ying and the Yang.

Michael: It's such a... I think it's such a compliment and I think Neil feels the same way as well.

Maggie: Always clever Neil Gaiman, isn't he?

Nina: Yeah yeah, you'd have to sort of admit that at some point, yeah-

Maggie: He's quite good at his job.

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hotvintagepoll · 3 months

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hotvintagepoll Hot Men Tournament rundown thoughts

I promised a final recap post and here it is! I'll try to cover the questions I saw the most as we closed out the bracket, reveal my ✨secret faves✨, and talk about the biggest surprises and turnarounds I saw in the brackets.

Yes, this will get silly.

ROUND 1

As I've mentioned before, I worked off submissions for who to include in the bracket, so if your fave was missing—that's why. I used submitted pics when I could, but many submissions didn't have one, so I tried to find decent ones in the couple of days I had to prep the first round (I didn't always succeed). By decent, I mean pics where 1) I could see the hot man's face, so not too much moody lighting, and 2) hopefully conveyed something about his vibe, even if it was a funny thing (yes, I showed Howard Keel in full Shakespeare get-up—I'm not beyond putting up a pic because I think it's funny). I didn't know all of these hotties going in, so some I had to guess with, but when I could I tried to pick shots that had a touch of the humor, class, or genre of the hot man.

For Round 1 and Round 2, I grouped the hotties by each decade, so only '60s actors ran against '60s actors, '50s against '50s, etc. Male beauty standards shifted pretty dramatically over the sixty years this tournament covers, and I didn't think it was fair to pit dramatically different styles of beauty against each other immediately.

I pitted hot men against each other based on opposing energies—hot vs cold, elegant vs rough, comedy vs drama, etc.. I wanted the polls to be interesting and I've never liked brackets where everyone is clearly in different "lanes" until the finals! I also wanted to make polls where I couldn't tell which way they would swing, so by setting matchups that felt opposite but equal, I got to be surprised by the bracket results too.

The only reason we had any three-way matchups is because the amount of men submitted didn't round to a nice bracket number. I don't like them generally and find them really hard to balance.

Secret faves from Round 1—I am a James Coburn girlie and knew he would die immediately, so that was not a shock but a bummer. I similarly knew Robert Preston is only magical to people who have seen him do His Little Dance Routines in That One Iowa Musical, but it would have been nice for him to last longer.

Surprises—Jeremy Brett was a last-minute add and I didn't think he really had a shot, so I put him in as a third wheel on the Sean Connery/Dean Martin matchup. Little did I count on the Granada girlies. (Always count on the Granada girlies.) The Elvis/Peter Falk poll was the first one to gain any momentum—Elvis was winning for the first 24 hours but then, my god, did Peter fight back. I didn't expect the Tab/Toshiro poll to make that bad a mincemeat out of Tab—people have different tastes, and I thought the people who like blonde sunny All American white boys might turn out for The Blonde Sunny All American White Boy. Sorry, Tab. I hope you've peeled yourself off the sidewalk by now. And, of course, I was SHOCKED and APPALLED that James Cagney would be obliterated by, of all people, Mr. Bing Crosby.

SHADOW BRACKET

The fervor of the Harold Lloyd and Fredric March people inspired the shadow bracket, and I couldn't be happier at the way it's gone. You were right, the original photos I had for them did suck. Cunty Harold Lloyd in his little life guard uniform was a revelation.

ROUND 2

For Round 2 I'd gotten a better sense of who was doing well and who was not, so a little of that came into play, but I mostly paired on vibes again. (I genuinely think this is a good way to make a fun, challenging bracket.)

Secret faves—Noooo not hot dilf Dick Van Dyke don't take my hot inventor dilf away uwu!!! (He was up against Marlon Brando. I would have been shocked if he'd won but for a minute there, a glorious second, it was possible.) I am also a big old softie for David Niven's particular brand of repression to the point of volcanic rupture, but he is one of many hotties who does not look good without moving and speaking so I figured he would be going.

So much beef—hey! hey you. I ran a poll asking if we are horny for dancers. Yes, was the resounding poll response. Where, then, did all the fucking dancers go? This round we lost Donald O'Connor, Fred Astaire, Harold Nicholas; Sammy Davis Jr., Danny Kaye, Frank Sinatra, and Bing Crosby all sneak into this category as well, by token of having been in the kind of big MGM bang-a-pan-and-put-on-a-show beloved bedlams we all watch at Christmastime. Round 2 voters HATED musical matchups. Except for one.

The one—SOUND OF MUSIC, the voters said, WE LOVE SOUND OF MUSIC. we will KILL the man responsible for salad dressing because of the SOUND OF MUSIC. every other dance man can die but THIS man dances a FOLK DANCE with JULIE ANDREWS in a GARDEN. I did not go into this poll with strong opinions about Christopher Plummer or Paul Newman but my god did I leave having heard all of them.

Surprises—James Edwards/Anthony Perkins matchup was a nail biter! Conrad vs Oscar kept me up at nights. Surprised to see Basil Rathbone survive against Sabu Dastagir—both very fetching, but Sabu had some top-tier propaganda. Cesar Romero put up a surprisingly stiff fight against Cary Grant (an omen for things to come).

Oh horrors—horror heroes surprisingly fell all over the place. I was sure either Bela Lugosi or Turhan Bey would sweep their three-way matchup, but Michael Redgrave of all people carried through; Boris Karloff went down against Johnny Weismuller (while holding hands with fellow fallen hottie Fred Astaire), but at least we got his guacamole recipe before he went. Delighted to see that the Venn diagram of the coalitions who support horror hero Vincent Price and funny lil guy Donald O'Connor is a circle.

Secret faves pt 2—oh yeah, I fucking love Danny Kaye and Donald O'Connor. RIP funny lil kings.

ROUND 3

For some reason this was the hardest one to make matchups for. Oh no, all the men are hot.

Secret faves—Michael Redgrave i love you SO much you're SUCH an idiot, how did you make it as far as round 3. I want you to sweep the whole thing but you should NOT be surviving this. I love you, here's a kiss, go home.

Surprises—Marlon Brando is gone! Errol Flynn is gone! Christopher Plummer exhausted himself beating the organic oreos man to death and goes out with a whimper. Beginning to actually see the roots of #mifunesweep as Tyrone Power, a hot man very different from Burt Lancaster, who was in turn very different from Tab Hunter, also gets swept under the wheels of the unbeatable toshirobus. Conrad Veidt finds that no amount of purring svelte eccentricity compares to the people who will fuck a young Lt. Columbo.

SHADOW BRACKET 2

Cannot believe it but Veidt loses this one too. Perkins sweeps and becomes Prince of the Shadow Realm!

ROUND 4

At this point I've set a formal bracket that I'm following.

Secret faves—this isn't secret anymore, but losing Jimmy Stewart hurt.

Surprises—The Gene Kelly/Jeremy Brett matchup was the diciest one all round, moving back and forth between the two by sometimes .01%. Far more surprising, however, was Cary Grant getting eliminated before the quarterfinals. Grant has never been my type, but he is famous for being THE type, so while the writing had been on the wall the whole tournament—how on earth did Michael Redgrave even get 36% in his matchup?!—seeing Grant go down was a SHOCKER. Other fallen hotties included Gregory Peck, James Dean, Harry Belafonte, and Sessue Hayakawa. Peter Falk finally met his match in Omar Sharif.

QUARTERFINALS

Secret faves—I don't know if it counts as a secret fave, tbh, as my horses in the race really went out with Stewart, but I do have a soft spot here worth mentioning. Here's my childhood dog, Keaton.

The resemblance is truly striking, and yes, he was short, fast, and not prone to smiling.

Surprises—I couldn't predict how any of these matchups would go down, but I was most interested in Keaton vs Sharif, as they are both SO hot in SUCH different ways.

SEMIFINALS:

This was such a good batch of semifinalist contestants. By this point I think we could all tell Mifune was unstoppable (though I thought Sharif might give him a run for his money), but I really didn't know which way Robeson vs Poitier would flip.

FINALS:

I wanted Sidney Poitier to pull a last-minute sweep out of nowhere, but alas, Toshiro is just THAT GOOD (maybe. I will admit that I find Toshiro's domination a little hard to believe, given the variety and hotness of all his competitors; the man is hot but all these men are hot). I'm still happy with how the tournament went.

FINAL MEDITATIONS:

Biggest shock of a dropout: the loss of Paul Newman

Biggest "you people have no taste": the loss of James Cagney

Biggest victory: Paul Robeson making it to the semifinals over often-assumed champion Gregory Peck

Biggest coalition who deserve justice: dancing men

Biggest ask character: vents anon (currently eating Laurence Olivier)

Biggest, uhh, anything: how many of you are here! I genuinely thought it would be me and 10 other people voting for the whole tournament. I'm thrilled it took off like this!

I think that's everything, but I'm happy to answer addl asks. And THANK YOU to everyone for your tags, rants, impassioned propaganda, beautiful pics, and love for the hot men! See you for the ladies!

#hotvintagethoughts

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arthenaa · 5 months

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My pookie wookie bear please make the modern! Mizu x reader a series I beg 🙏just the thought of all the possibilities and domestic fluff has me foaming at the mouth. Your writing is literally Shakespeare to me😭

mizu as your roommate — mizu x f! reader

synopsis: you're not sure why and how people got the idea that you and mizu are dating but you're not. she's just your roommate.

context: prequel to blurred lines. pre-relationship. fluff. absolute fluff.

a/n: heyaaa guysss tysm for enjoying blurred lines and nocturne! ive already got an outline on how to continue the series. here's a little contribution to roommate!mizu hehe. prompt is highkey inspired by true events.

pre-roommate!mizu:

being roommates wasn't a decision that the two of you came to right away

it took quite a while and your relationship wasn't something that instantly clicked on the first try

to give you context, you and Mizu met at your freshman orientation afterparty

Mizu majored in industrial design while you studied (course) and was fortunate enough to be placed in the same sector as her

you knew no one and people closest to you were her and Ringo who majored in culinary.

you could tell that Mizu wasn't really into social interaction as much as you and Ringo did (at least on the same level).

although, she did reciprocate some type of conversing, some of it ultimately ended with her drifting away or tucked away into some corner.

you never really bonded with Mizu at first, finding her offhanded nature and cold reciprocation of your tries in interaction a bit too rude for your taste

and it wasn't like you saw her often around campus, your chances of interaction only relied on the fact that she lived in the same dormitory as you

it was around 2nd year, mid 1st semester that you overheard Mizu's problem with her roommate. She had personally reported it to your landlord when you had just returned from a walk break from reviewing for your midterms

apparently Mizu's roommate had been abusing the visitors rule in your dormitory and constantly brought their one night stands in their shared space which infuriated the blue eyed girl.

the landlord was tight on accomodations and so you had stepped in and brought up the opportunity to be roommates

it took some coercing and persuasion on your end as you wished to be on better terms with Mizu and also because well, she really had no other option

and so, on the second half and the rest of your stay (life maybe) in college, you became roommates with Mizu from ID122.

roommate!mizu

living with mizu was something you didn't expect to work so well

you were quite surprised by your shared dynamic, not ever having to deal with the fact that you had to adapt a huge gap between you and your roommate just to be able to coexist in one space

it surprisingly didn't take long for mizu to warm up to you

she was the epitome of a black cat—there are days she prefers silence and days she'd warm up to you with her gentle smiles

she's also pretty accommodating to you as her roommate

opting to go by where you're most comfortable with

she says that its because you've given her so much but she gives you too much credit

not with the way she acts around you

the domesticity that came along with you and mizu's natural chemistry in living together was something that just came

you suppose that mizu's constant gratefulness towards your accepting demeanor in providing her a home eventually led to this dynamic

the gal does housework with ease, has become a close confidant in just a matter of weeks, walks you to your classes when your schedules are aligned, and buys you food whenever you're feeling down

it isn't too long before the distance between the two of you gradually became closer

skinship became a common affair and while mizu's touches evoked a change of cogs in your relationship, the type of skinship that she shares with you is more of genuine appreciation or concern over your well-being

extending her hand as she assist you on going down the stairs, a hand on the small of your back when you're in a crowded place, running her hands mindlessly through your hair when you're having one of those movie nights, gently leaning your head to her shoulder when you're feeling quite sleepy during the commute to school

she also does the most simplest acts of service that often leaves you melting and warming at the thought

placing your favorite food on your plate when you're eating out, having late night drive outs just to clear your mind or hang out, getting you the most random trinkets and claim that she saw it on her way home from work or class and bought it out of impulse bc it reminded her of you

she always either has to be within a meter of your presence or a part of her skin touching against hers

and she isn't the type to be clingy, it just brings her some sort of comfort that you're within her line of vision

it was pretty much safe to say that mizu was your best friend and someone you held pretty close to your heart

your friend group with akemi and taigen came about during the 3rd semester of your 2nd year.

The three of you were placed in one group during a gen-ed class that all students of your college had to take

You were quite surprised to see mizu's hostility towards taigen after he had tried jokingly flirt with you

akemi was the one who apprehended him though

with mizu and taigen's weird rivalry and akemi's naturally captivating personality, soon enough the five of you became close friends

mizu often tells you her regret of letting taigen stick around and that it's causing her headaches from all the pain of having to see his face

most of their fights as well rooted from the fact taigen finds you cute and mizu does not like that

not when there's a weird relationship between him and akemi

you asked akemi once about it and how it doesn't bother her the slightest

she just gave you a smirk and rolled her eyes, "Taigen's a boy, Y/N. I'll never settle for that."

you think she's kinda cool

anyways, the suspicions started during one of the school events that your college was hosting

it was a battle of the bands event and really was a chill night for students to hang out and vibe to music

your previous roommate was performing and so you wanted to show your respect

taigen is a party person, ringo's good for anything, and akemi's part of the event core that's handling the flow of the event

mizu tags along bc she has nothing better to do but we all know she goes anyway bc you're going

anyways, you guys are seated at the front vibing and what not

due to the naturally loud acoustics of the place, mizu has to be leaning close to you to hear you while you're gushing about the performance of the bands

she sits close to you, chair and body angled to your direction while her head is leaned close to you. She smiles softly and replies with a gentle tone of her voice to your musings and taigen can't help but notice your dynamic

He sees you clinging to her arm, hand gently patting the top part of mizu's hand to the beat of the song that rests peacefully on your knee. if anyone saw the two of you right now, people would immediately assume that the two of you were dating and well, while the you were all in a friend group, taigen really hasn't gotten to know the two of you beyond your present selves and so he asks the closest person that got to know them before him and akemi did

"Hey Ringo," Taigen asks as he leans towards the tall man seated on his right—his eyes still trained on the duo absorbed in their own world. "Are they—?"

Ringo glances at the two of you before looking back at Taigen then shrugging with a smile.

Somehow that was the precedent to the on going inside joke within your group

After that night, you often find yourselves in random situations wherein people would be curious what the relationship between the of you is

it was a shock at first and you felt like all these questions were definitely something that these people considered but eventually arose due to Taigen's very loud mouth

the guy had tons of friend groups, blame him.

(Mizu almost decked him if you and Ringo weren't there to stop him)

while the predicament was certainly awkward, your relationship with mizu didn't really falter bc of it

it kind of grew stronger??? for some reason

you think its because you find it amusing when ppl are kind of 'oh wow now I get it' and mizu's nonchalant reaction to it unless they were really being very adamant in getting to know the details

you've since grown to get used to the comments and didn't really bother the jokes casted by akemi and taigen towards the two of you

akemi once joked to mizu if it was okay that she'd steal you from her and mizu just gives her a once over before chuckling at her joke.

you're not sure why her response was like that and eventually curiosity got ahead of you

you asked her about it after akemi had gone to order a set of macarons for her roommate, leaving the two of you alone at your booth

mizu only leans forward across the table and pinches your noise. you let a noise of annoyance before the raven-haired girl chuckles at your reaction.

"She can't." Mizu peers at you from under her lashes. She crosses her arms over her chest, eyes trained on you with an unreadable look in her eyes. There's some sort of confidence with the way that she carries herself. "I would know."

the jokes ranged from ringo calling you mom and dad, taigen cringing at your natural domesticity when they all came over at your dorm, akemi trying to get a rise out of mizu by coddling you

the jokes also came from the two of you

it was just fun getting a rise out of the people around you who were constantly rooting for the two of you to get together

you always joked that the moment you and mizu would be together would be a monumental achievement not to the two of you but to taigen and akemi's constant meddling

you teased mizu with endearments and the gal would only roll her eyes

eventually, that prompted the two of you to call each other bon or bonnie as an endearment. you claim its only for fun but akemi's giving you that side eye that tells a lot of things.

overall, mizu's just a wonderful roommate and someone that you could find a safe space in and be able to fully trust in. her character and personality speaks of direct truth and genuineness that allows you to fully warm and soften around her

so it really wasn't a surprise to you when you've realized that you've fallen in love with her

her existence, the way she talks, listens to you with her undivided attention, her accommodating nature, love for silence, and those eyes that always seem to find its way back to yours

even though your relationship wasn't something that was established until recently

you knew that she was yours as much as you were hers.

a/n: wahhh setting series off mwehehehe, feeling a bit productive tonight after finals so im multitasking comms and mizu requests! expect another one shortly maybe if im feeling it hehe

#arthenaa #mizu x reader #mizu blue eye samurai #mizu x you #the blue eyed samurai #the blue eyed samurai x reader

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sanjisboyfie · 7 months

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-> started more like a crackfic headcanon, but then it got rlly serious at the end??? mb igggg

gojo's definitely the type to slap your ass in public. not even in a nasty way, genuinely (or more like 50% of the time it's not in a sexual way). he just likes slapping your ass??? you've tried asking him why he does it so often, but he just grins and shrugs his shoulders in response. it's always a flirty response, like, "i can't appreciate my beautiful boy's ass?" or, "y'know i can't keep my hands off of you, handsome,"

he's such a fucking annoying boyfriend. like genuinely. could you imagine having a 6'4, lanky man latched to you - literally trying to melt into your skin? no, because you don't have to imagine it, it's your everyday life. you wake up? his arms and legs are tangled with yours that you have no choice but to wake him up. you're cooking? he's hovering behind you with his back hunched and head resting on your neck as he is still working on completely waking up. you need to go to catch your train for your job? oh...but can't you just spend the day in with him? he'll do whatever you want >:) just skip work and stay with him!

he's so needy and clingy. it's actually insane how much a grown man can WHINE. oh my god, you think about doing anything without him - ANYTHING - and he's already complaining overdramatically that you don't love him. he goes from 0-to-100 really quick, meaning you guys could be cuddling and he's nearly knocked out, you gently move him off of you to get up to PEE, and he's suddenly reciting all of the heartbreaking lines shakespeare wrote, claiming, "you!! you heartless man, have driven a stake right through my heart and i shall never recover from such a pain you've brought onto me!!!" as if you're not going to be back in like thirty seconds ??? max.

he's the strongest sorcerer, but if you're around, he's nothing but a man in love with his boyfriend (and hopefully more. he fantasizes a lot of what a married life with you would look like...).

he actually could care less about other people when you're there - you have to verbally remind him of his duties as a jujutsu sorcerer or else he will very easily ignore them in exchange of spending time with you.

another thing that comes with dating this man is that he will do everything, above and beyond, in his power to keep you out of harm's way. let's say you weren't a jujutsu sorcerer, he'll let you in his lifestyle in full confidence nothing will harm you. he's already talked to the higher ups, if they try pulling some bullshit out of their ass in putting you in danger, he's gonna actually slaughter all of them. it was a meeting he had with them when you two just made it official and, comically enough, he was snapped out of his gruesome, detailed rant on what he would do to them by a call from you ringing through his phone.

you have him completely wrapped around your finger and he's not one to shy away from showing that. he thinks public acts of devotion are the best ways to show his loyalty and love for you to other people. it's so hilarious how he will literally fall to his knees begging on a random street, just for you to look at him. just because you're looking at what a vendor's stall is selling doesn't mean you have to look away from him???? hello ??? please be more considerate of his feelings, his heart cannot take this much.

and despite how carefree he always seems with you in public, if you are still in a public area, his senses are actually hightened to their peak. there's absolutely no way he's taking a chance with you getting harmed if he's there, he'll ensure you're safety above anything else. he protects you with his life and will happily exchange his life for your own - if it ever came down to that.

and he's proclaimed that to you several times which has earned him worried scoldings everytime he said anything along the lines of, "i'll risk my life to protect you," but he always pushes your scoldings aside. because then he comforts you saying that: he's the strongest for a reason and he will use all of his strength in protecting the future the two of you will have together. he can't live without you, so obviously you're staying safe. and he'd actually rather step on a thousand legos than imagine you living your life without him. selfishly, he wants to be the center of your universe, like you are for him (alright, eren jaeger headass...)

neither of you have to worry about that though! he is still the strongest ever, there's nothing that could pull him away from you (there was one time his students genuinely tried doing this and it was impossible. physically trying to pull gojo off of your body was impossible). and he wants to spend every waking moment with you. so not only are you being protected 25/8, but you're being affectionately doted on, loved, and cared for for each of those passing seconds.

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bingwriterxo · 9 months

Text

the shakespeare exhibit - part 9

pairing: tara carpenter x reader

summary: in which it's time to celebrate the holidays

warnings: implied smut

word count: 2900+

author's note: long awaited but finally here

previous part | next part

"Seriously?" Tara asked as she stepped into the living room, a mug of hot chocolate in each hand. Her eyes were trained on the television, which was displaying the Elf title screen in all its fluorescent-glory. "We watch this every Christmas Eve!"

"Exactly!" Chad said, twisting around to grab one of the mugs from her hand. His face was alight with joy, his eyes wide and sparkling. "It's a tradition now!"

Tara glanced at Mindy, who shrugged. "Don't look at me. I wanted to watch Krampus," the girl said.

Chad huffed. "And I told you I'm done with horror movies. We already lived through one." He took a sip from his drink, and his eyebrows raised the moment the hot chocolate touched his tongue. "Tara! This is actually pretty good."

Tara frowned. "'Actually'?"

The boy glanced away sheepishly. "Well, you know, you have the tendency to--"

"Burn things," Sam deadpanned from behind as she exited the kitchen, mugs in her own hands. She handed one to Mindy, who immediately started gulping it down, and then turned to Tara. "The last three times you tried to make anything, our fire alarm went off."

Well maybe we shouldn't have such a sensitive alarm, Tara thought, furrowing her eyebrows. "Whatever," she scoffed, rounding the couch to sit between the twins. She pulled the blanket off Chad and covered herself, ignoring his whines. "Let's just watch Elf."

Mindy reached for the remote, and just as she was about to hit play, there was a knock on the front door. Every tensed slightly--an involuntary reaction none of them seemed to be able to shake--and Sam stood, edging toward the door slowly. She looked out through the peephole, and Tara watched as she sighed with relief, her shoulders relaxing. She undid the locks, opened the door, and Danny popped his head into the living room.

"Am I late?" the man asked as he shuffled inside.

"Perfect timing, man," Chad answered, holding his hand out. Danny dapped him up quickly before settling on the armchair, leaving room for Sam to squeeze beside him. "Okay," Chad started, lifting his legs to put his feet on the coffee table, "Elf time."

Almost as soon as Mindy pressed the play button, there was a thud against the front door. Again, everyone sat up a little straighter. Tara swallowed, her eyes trained on the doorknob as it twisted slightly.

This is it, she thought. Ghostface is going to attack us on Christmas Eve, because why the fuck not?

There was another thud, softer this time, and Danny glanced around the room, resolving to open the door. Everyone's attention was on him as he crept up, looked through the peephole, and then chuckled.

"You've got a present outside, Tara," he said, undoing the locks that Sam had redone and opening the door.

A present? she wondered. It's too late for UPS to be here.

There, in the hallway, beneath the flickering yellow light, stood you, your arms weighed down by bags and a small red spot forming on your forehead. You grinned at the group sitting inside.

"Hi!" you greeted, lifting your hands to show off what you had brought. "I have presents!"

Tara scrambled to stand, hastily placing her hot chocolate on the coffee table, and launched herself into you. You stumbled back a few steps before setting the bags on the floor and wrapping your arms around her waist.

"Hey, pretty girl," you muttered into her hair.

She pulled back, staring up at you with a gleaming smile. "What're you doing here? I thought you were stuck in Zoom calls with overseas family members." She had invited you to the Christmas Eve excursions, but you had declined for the aforementioned reason.

You giggled. "I was, but we ended a bit earlier than normal, so I thought I'd come over." You glanced over the top of your head at the others in the living room. "I hope I'm not intruding."

"The more the merrier, buddy!" Chad exclaimed, holding his hand out as Tara twisted around to stand beside you. You simply stared at him for a moment before taking his hand in your own and shaking it.

Tara couldn't help the laugh that escaped her. Stupid, she thought. Chad seemed to be thinking the same thing as he tilted his head yet accepted the handshake.

As you pulled away from Chad, Tara glanced up at you. "Why did you knock so menacingly?" she asked, and then she looked up a little higher at the red mark on your forehead. "Did you use your head?"

You smiled shyly and nodded. "My hands were too full," you admitted. You perked up, whipping around and grabbing the bags you had left by the door. "That reminds me: I have gifts for you guys."

Tara watched you, sighing dreamily. She's so perfect. She'd be such a good mom. She shook her head. No baby thoughts, Tara. Now's not the time.

"This one's for you, Mindy," you said as you handed the girl one of the paper bags. "This is for you, Chad." He greedily accepted the package you held out to him. "Sam, for you." The bag was small and thin, and Tara didn't have to watch to know that it was another bottle of wine. "Uh, Danny, I didn't know you'd be here."

The man shook his head and waved you off. "Don't worry about it."

"Oh!" You reached for your wallet and drew out a few hundred-dollar bills. Tara's eyes widened. Who the hell carries that much cash on them? she thought, before shrugging and thinking, I guess when your parents have as much money as hers do, it doesn't even matter. You held them out to him. "Here! Merry Christmas!"

He simply stared at you, unblinking, for so long that it started to unnerve Tara. Hesitantly, like you would lean down and bite him if he moved too fast, he reached out and took the money from your hands.

"...Thanks," he said. Sam rolled her eyes and leaned toward him, whispering something in his ear. Tara heard the tail-end of the statement: "....family's rich." Danny nodded his head and smiled. "Yeah, thanks. Merry Christmas, kid."

You grinned happily and then turned back to the twins, waiting for them to open their presents. Mindy glanced at Chad, who shrugged and started ripping into the package you had handed him. He pulled out a pristine, red football jersey that had 'Bosa' on the back. Beneath the numbers was a large scribble.

"Holy shit," Chad said, his eyes practically bulging out of his head as he stared at the jersey. "You got this signed by Bosa?! The Bosa?!"

You nodded, giggling. "Yup. Or, well, my dad got him to sign it, but same thing."

Chad leaned back and sighed happily. "Man, you are such a great addition to his family."

Your smile widened at his words, and Tara thought you might start bouncing up and down as she looked at you, a soft smile on her own face. God, I agree with Chad for once, she thought. It's a fucking Christmas miracle.

"Okay," Mindy began, hesitantly opening her own bag. "I don't think you can top that, but let's see what's in here." With careful hands, she pulled out a framed poster, and her jaw dropped so wide that Tara briefly thought it had broken. "No fucking way! Absolutely no fucking way!" She spun it around so that everyone else could see, and even Tara was shocked to see a Stab poster signed by all of the original cast members.

"It was a little difficult tracking everyone down, but we got there eventually," you said, beaming. "I hope you like it."

"Like it? Y/N, this is the best gift I've ever gotten in my entire life!" Mindy practically shouted. Her face fell quickly. "No one tell Anika that. I promised her that the necklace she bought was the best thing ever."

A chorus of laughter erupted throughout the room, and while everyone was distracted, you turned to Tara. "I have something for you," you said, tilting your head in the direction of her bedroom. "Can we...?"

She caught on quickly, nodding fervently, and grabbed your hand, shouting out a, "Watch the movie without me!" to which Sam responded, "Door open, Tara!" Yeah, right, she thought.

Tara pulled you inside and, much to the muttering complaints of her sister, shut the door behind you. She led you to her bed, where you sat on the edge of it and pulled something from your pocket.

"It's just something small," you started, glancing away shyly, "because your real gift is coming tomorrow, but I just...I wanted to give it to you today." She smiled at your nerves, thinking, She's just too cute. Too fucking cute.

She sat beside you. "Okay," she said. "But, just so you know, I only got you one gift."

You giggled and held the gift out. It was a small envelope, tiny enough to have fit in the pocket of your sweatpants, with your scrawl on the front. Tara furrowed her eyebrows as she looked at it and then took it from your hand. With slow and steady fingers, she opened the envelope, shivers running up her back as she realized what it was.

"It's your museum ticket," you said, watching her carefully, "from the day we met. Or, well, it's a copy of your ticket, since, you know, you have--or, had--the original." You shrugged and bit your lip. "I thought it would be a cute memento, but if it's dumb, you can just--"

She leaned in and shut you up with a soft kiss, trying to put all of the love she felt for you into it. When she pulled away, you were a blushing mess, and your words had died on your tongue.

"How did you get this?" she asked, looking back at the ticket.

You scratched at the back of your neck. "After I realized this was something"--you gestured between the two of you--"I scoured through the computer one day after work looking for your last name. There aren't very many Carpenters, so it wasn't too difficult."

That does it. Official. She's the very best thing that's ever happened to me.

"I love you, you know that?" Tara murmured softly.

You grinned. "Yeah, I do." You kissed her. "And I love you, too."

She grinned at you. "Since my door's shut, let me give you part of your Christmas gift," she said, and you blushed at the implication. She kissed you again and pushed you onto your back, easily hovering over you. "Merry Christmas, baby."

* * *

The sun shining in Tara's eyes woke her up. She turned over groggily, pressing her head into your neck, and you grumbled a little, shifting as you were woken up by her movements. Before even saying a word, you leaned down and pressed a kiss to her forehead.

"Morning, pretty," you said, your voice low and scratchy and filled with sleep. Tara melted at the sound, just like she did every time the two of you had a sleepover.

"Merry Christmas, baby," she offered, and your eyes shot open.

"Holy fuck." You sat up quickly, leaving Tara scrambling and confused as you reached for your phone. "Fuck, Tara!" You slipped out of her bed and immediately started getting dressed, stumbling around her room.

She sat up, the sheet pooling around her waist. "What?"

"We're gonna be late!" You pulled your shirt over your head. "Shit, the boys are gonna be so mad that they have to wait to open their presents."

Tara fell onto her back, groaning. This is gonna be a long day, she thought.

* * *

You bursted through the front door of your house, gifts nearly falling from your arms, and were immediately greeted by your brothers.

"Merry Christmas!" you shouted, and the boys swerved around you and headed straight for Tara.

"Tara! Tara!" Eddie cheered. "What'd you get me?"

"Please tell me you didn't get him any cologne. He's been spraying that stuff like mad recently," Nate said, elbowing his brother.

How did I forget how...energetic...they are? Tara wondered. "I'm not telling you," she said to Eddie, and then turned to Nate and said, "But no, it's not cologne."

Eddie frowned. "Darn."

"Oh, thank goodness!" Nate cheered. "Come. Mom and Dad are waiting by the tree. We've been up for hours waiting for you two."

"Hours and hours and hours," Eddie added, grabbing Tara's wrist and tugging her toward the family room.

Hours and hours and hours, she mocked in her head, and then she felt a little bad for mocking a child.

"Why've you guys been up for so long?" you asked as you followed close behind, the gifts blocking your sight slightly. Tara had offered to take some from you, but you had refused.

"Lia woke up early," Nate started.

"So we all woke up early," Eddie finished.

"Plus, grandpa was making pancakes," Nate said.

"And you know how his pancakes are," Eddie added.

When the four of you finally reached the living room, your parents stood.

"The prodigal daughter returns!" your father exclaimed, just as he had when he saw you at Lia's birthday party.

You set the presents down and rushed forward, pulling both of them into a hug. "Hi, guys!" You pulled back and they stepped up, taking Tara into their arms one by one. Even your grandmother offered Tara a hug. "So, presents?"

"Yes!" Nate shouted.

"Finally!" Eddie cheered.

Needless to say, the process of opening presents was chaotic—so much so that, just for a split second, Tara regretted saying yes to coming. You and the adults were calm, carefully unwrapping your presents and ooh-ing and ahh-ing at each one. The boys, on the other hand, left a trail of little pieces of wrapping paper and gift bags and bows, and Lia ended up spitting up everywhere at one point.

This is it, Tara thought at one point as she watched your family. This is every Christmas for the rest of my life. And when the boys opened their presents from her--an edition of an Emily Dickinson book for Nate and a game of COD for Eddie--and basically tackled her as their thank-you's, she thought, Maybe it's not so bad. Yeah, she decided as they cheered and yelled and started bursting out into random Christmas songs, this isn't so bad.

Finally, after everything had finally finished, and there were just two more presents left to give, the rest of the family excused themselves to make lunch in the kitchen. It was you and Tara sitting by the tree alone, neither of you having exchanged your own gifts yet.

"Do you want to go first?" you asked, shifting where you sat, your eyes flickering around.

She's nervous, Tara realized quickly. Awe, she's nervous!

To try to quell your worries, she nodded. "Sure." She grabbed her gift for you, which was neatly wrapped with a little bow on top. Unfortunately for her, she had Chad to thank for the wrapping, but she'd never admit it as you complimented her on how crisp the paper was.

With careful hands, you unwrapped your present, revealing a small ring box. You furrowed your eyebrows as you opened it, and Tara gulped as she watched your eyes widen and your jaw drop.

"Oh my god," you muttered. "Oh. My. God." You pulled the ring from its box. "It's a signet ring! It's Shakspeare's signet ring! I've been looking for one of these for forever!" You slipped it onto your pinky, and Tara sighed with relief when it fit. You brought your hand closer to your face, inspecting the ring. "It even has the heart loop!"

"So, you like it?" Tara asked.

You looked up, a huge grin pulling at your lips and your eyes sparkling with pure joy. "I don't even have the words to describe how much I love it, Tar. Thank you."

She smiled. "Merry Christmas."

You glanced back down at the ring. "Where did you find this?" you asked.

Oh, shit. Should I be honest? God, I should. Damn it. "Uh, I drove up here a few days ago and your brothers and I went shopping. Nate saw it in that antique shop downtown."

You chuckled. "You asked my brothers to help you?" Your voice was light, teasing, and Tara blushed up to her ears.

"...Yes."

You cooed, reaching out to run your thumb along her cheek. 'That's adorable, baby."

"Shut up," she mumbled. "Your turn."

"Okay. Right. My turn." You picked up the little box left beneath the tree and handed it to Tara, breathing out shakily as you did. "I hope you like it."

She was a lot less gentle than you were, eager to know what you had gifted her. She tore through the wrapping paper and tilted her head as a tiny cardboard box revealed itself. When she opened it, she found a gold necklace inside, an emerald pendant dangling from its chain.

"This is beautiful," she said, looking up at you. "Like, seriously beautiful. I don't even know what to say." She lifted it from the box carefully, letting the pendant dangle in the air.

"It was my great grandmother's," you rushed out, and Tara's eyes shot toward you. "It's passed down to each first born in the family on my mom's side, and we're meant to give it to...to the person we want to spend forever with."

Forever. Tara grinned. I like the sound of that.

"I know it's still early in our relationship," you continued, glancing away, "but I'm confident in this." You looked at her, a soft smile playing on your lips. "I'm confident in you."

She shot forward, wrapping her arms around your neck and engulfing you in the tightest hug she could manage. "I'm confident in this, too," she admitted. She pulled back, holding the necklace out to you. "Help me put it on?"

With ease you clasped it around her neck, and when she turned back around, she swore your eyes were sparkling.

"It looks perfect," you said breathlessly. "It's perfect."

You're perfect, she thought. This is perfect. Everything's perfect.

"Hey," she said, calling your attention. "I love you."

You smiled. "I love you, too, Tara. Merry Christmas."

"Merry Christmas, Y/N."

#museum tara #tara carpenter x reader #tara x reader #tara carpenter #jenna ortega x reader #jenna ortega #jenna x reader #scream 5 #scream 6

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mysecretlittlelibrary · 7 months

Text

A Moment's Silence

Pairing: Loki x Reader

Word Count: 3.4k

Warnings: Oral (f receiving). unprotected sex, marking, praise, Loki got a dangerous mouth but this isn't too bad.

Genre: smut & fluff

Summary: Loki hates when you touch him, and you thought you knew exactly why. // A moment's silence when my baby puts her mouth on me ~ Moment's Silence (Common Tongue) by Hozier

***

The first thing Loki learned about you when you moved into the Avengers Tower was that you are touchy. Not in the 'you're too sensitive' way but in the you're very affectionate way. You're always greeting people with hugs and you cuddle whoever sits next to you during movie nights and whenever you're going somewhere with someone you're either holding their hand or linking arms with them. It's pretty different from the rest of the people living here. Except for Thor, no one here shares your affinity for touch but everyone loves you so they take it in stride. Welcoming your hugs and cuddles and hand holds to the point that most of them have become accustomed to it, expecting it more often than they want to admit.

Except Loki. Loki doesn't do touch and no amount of seeing you do it will make him more comfortable with it. You're no fool. You recognized early that although the others complained when you hugged them there was no real fight in their objections, with Loki it's different. He'd go as far as to disappear on you if you tried to hug him so you stopped. You don't hug Loki, or sit by him during movies, or try to grab his arm on the rare occasion that you're going somewhere with him. Honestly, for a while you didn't spend much time with Loki in general, you weren't sure how to. He was clearly a loner and you assumed you didn't have much in common. He didn't seem eager to bond with you either so you left him to his own devices.

Until recently. You've started spending a lot of your free time in the tower library and evidently, Loki is quite fond of the space too. So you kind of just share it. If you find yourself in there at the same time as him you say hello and pick a corner to do your reading. Sometimes you talk to him a bit and other times you just share each other's company. It's becoming a kind of lovely routine, at least in your eyes. You have no idea if Loki enjoys it as much as you actually but he can be pretty conversational on occasion, usually as long as you're not too close to him.

"Hello Loki." You say when he walks into the library. You've already been here a couple of hours, you honestly didn't think you'd see Loki today.

"Hello y/n. How are you today?" He asks.

"Pretty good. How are you?" You set your book face down in your lap as you watch him walk out of sight to one of the shelves.

"I'm alright! What are we reading today?" Loki's voice carries through the room to you.

"I've picked up a romance for now."

"Not legends and myths for once?" You can hear the teasing in his voice at his question.

"Fuck off I read other stuff." You laugh.

"News to me."

"And what will you be reading today god of mischief? Sifting through spells as always?"

"I was thinking poetry actually." Loki finally appears from beyond the stacks with a book in hand.

"You're a poetry fan?"

"Don't sound so surprised." He rolls his eyes as he sits in the armchair across from the couch you're lying on.

"Well, it's not like you use that silver tongue of yours to recite sonnets." You snort picking up your book.

"Some would say this silver tongue of mine has quite a way with words."

"And I'm sure it does but weaving together lies isn't the same as poeticism. No one will be mixing you up with Robert Frost or William Shakespeare." You muse, your attention drifting back to the story you were invested in before he arrived.

"Your midgardian bards are of no competition to a god you know."

"I'm sure Asgard has its own famous poets of which I'm sure no one would compare you to either." You mutter as you read.

"Now that's harsh." Loki says. You mumble an affirmative dismissively as the drama picks up in the chapter you're reading. Loki takes the hint and leaves you alone as he opens his own chosen read for the afternoon and you spend the rest of the day in silence. Until dinner.

"I'm making dinner and it's movie night. Are you joining us or will you stay here?" You ask, standing up.

"Do you want me to join?" Loki asks.

"I mean- not if you're going to be miserable. I'm just headcounting."

"The others aren't usually as welcoming as you can be."

"Well I w-" You stop yourself. You've only just started to form a friendship with Loki, as much as you enjoy spending time with him you can't outwardly say it. Well maybe you could but you have a feeling the skittish animal approach is best. "I wouldn't be... disappointed if you decided to join us."

"I'll think about it." He hums.

"Alright. See you, maybe." You leave with your book intent on finishing it after movie night. You drop it in your room before going to the kitchen to make dinner. Meatballs, mashed potatoes, and broccoli. It takes almost an hour to make enough for everyone and by the time you're done, most everyone's gathered in the living room.

"Dinner's up! Stevie, Bucky come grab the potatoes and broccoli please." You say grabbing the bowl with the meatballs.

"Coming!" Steve says as he and Bucky hop up from their seats and carry the other serving plates to the big table in the living room where the others are waiting.

"And Sam can you get plates for everyone hon." You say.

"Oh sure." Sam says.

"Get the soda from the fridge too! And the solo cups!" Tony calls after him as he heads into the kitchen.

"Man you coulda just got up and helped out like the rest of us." Sam rolls his eyes but he gets the soda and cups anyway in addition to the plates you asked for. You catch movement in the corner of your eye while everyone is serving themselves and your gaze pops up in time to see Loki strolling into the main room.

"Loki!" You smile before you can stop yourself.

"Brother! Will you be joining us for our moving picture night?" Thor asks.

"Yeah sure." Loki says.

"Brilliant!" Thor nods getting up to clap a hand on Loki's back.

"I made meatballs and broccoli and mashed potatoes if you'd like some. We were just getting settled before we start the movie." You tell him. To your surprise, Loki takes the empty seat beside you and you can only hope your shock doesn't show on your face.

"I haven't missed anything then?" Loki asks.

"Not really." You shake your head. Loki nods and serves himself food.

"Whose pick is it tonight?" You ask once everyone has food in front of them and a few of the boys have already started eating.

"The kid." Tony says, shoveling mashed potatoes into his mouth.

"Yeah! I uh decided on Now You See Me." Peter says.

"Nice." Natasha nods.

"What is that?" Loki asks you.

"It's a heist movie." You tell him. "Peter, have you seen it before?" You ask.

"Uh-"

"It's not like the baby spider's gonna be attempting anything like this." Clint scoffs.

"That's not why I asked. I'm just wondering if he picked it because he wants to watch it for the first time or because it's a favorite." You roll your eyes.

"I've seen it once. I just thought it would be a fun watch." Peter says.

"Well let's start it then. Yes?" Wanda prompts. Peter sets up the movie and soon everyone's attention is on the screen as they eat. It's about halfway through the movie that your usual habits kick in and you lean over to place your head on the shoulder beside you- until you remember it's Loki by your side and Loki doesn't like being touched. You lull your head back and around to tilt the other way. Wanda's on your other side but she's cuddled up with Vision so you'll just chill with your head against the back of the couch. No biggie. One movie bleeds to the next though and apparently at some point you start drifting off. Not for long, maybe 5 minutes but when your eyes flutter open again your head has made its way to Loki's damn shoulder. You pull off when you realize, surprised he didn't shove you away whenever you landed there.

Loki had held his breath when he felt your head on his shoulder. He was reluctant to admit the weight felt- oddly comforting. If anyone asked he'd deny it to high heaven but he was pretty content with you leaning against him and when you'd woken up and abruptly moved he almost wanted to protest. Almost.

When the second movie ends, most of the others start cleaning up the living room. Since you made dinner, this part isn't your responsibility so you get up and excuse yourself from the group.

"Goodnight everybody." You say to the room. "And Loki, thank you for coming." You add just for him to hear. Before you can think better of it your hand runs gently through his hair when you speak to him but by the time he's reacting to it you're already disappearing down the hall to your room. Loki spends the rest of the night thinking about your hand in his hair, your head on his shoulder, the way you so casually thanked him at the end as you left- it was something so unfamiliar that he didn't know how to deal with it. And how insufferable to be up all night over this.

The next day when you enter the library after breakfast Loki is already there sitting on the couch in your usual shared space. You're almost done with the novel you picked up yesterday and your plan is to finish it now.

"Hello Loki." You say to him as you take a seat on the opposite couch.

"Hello y/n." He says. You don't notice the way he looks at you over the top of his book for a moment. He's not sure if he should talk to you about the night before or not. How would he even bring it up? The two of you maintain your usual quiet company for a few hours while you finish your book. When you've read the last page you return the book to the shelf you found it on. While walking back to your couch you almost crash into Loki who at some point stood up when you were looking for a new book.

"Oh shit- my bad Lo." You say.

"You dropped your bookmark." Loki says holding up the flat dragon-shaped metal. You gasp and pat your back pocket where you thought you'd put it.

"Fuck- thanks. It was a gift so- would totally suck to lose it." You say, throwing your arms around him. Loki doesn't feel the urge to magically escape your grasp and he almost stops you when you let him go. Almost. "Sorry- impulse." You mutter grabbing your bookmark from his hand.

"You're usually much better at not touching me." He points out.

"I guess we've been spending so much time together that I kind of forg- sorry man. Won't happen again." You mutter.

"I wasn't- I know that's what you're like. It wasn't a complaint. Just an observation."

"You can say it wasn't a complaint but I know what you're like too. You hate being touched." You scoff.

"That's not totally accurate."

"What?"

"Usually you're right- I do hate being touched but with you I don- it's not that I hate it but I still can't stand it just- in a different way than I'm used to." Loki says carefully.

"What does that mean?" You chuckle.

"I'm- not entirely sure." He frowns.

"Well, what if I- do you mind if I touch you now?" You ask carefully.

"That's- fine." Loki says, hesitation clear on his face. You lift your hand to his cheek gently and his eyes close when your skin touches his. You let your thumb graze him softly as his brow furrows. Loki's hand snaps up around your wrist moments later and he moves your hand just enough to break the contact. "I can't-"

"What is it?"

"Too much- it's too much. I feel- entirely too much when you touch me, I can't-"

"Can't what?" You tilt your head curiously.

"I don't know how to handle it. I want- I want more than I can have."

"Say more, please."

"When you... do that. When you touch me it- I don't know how to explain it I just want more from you. Like- like I could devour you whole and it would still not be enough and I- I can't, we can't- so you can't touch me."

"Why can't we?"

"What?" Loki's eyes widen at your calm question.

"You're saying we can't but- why? Is it- is it that this is a desire you have but wish you didn't or-"

"No. That's not it."

"Then- why... can't... we?"

"Please don't say things like that. Not if you don't mean them. I cannot take it."

"I wouldn't say it lightly. I don't understand why you're so adamant that I wouldn't want- that you couldn't have more from me if you asked."

"If I asked?"

"Yes. Tell me what it is you want from me Loki."

"Why would you make such an offer?"

"Why wouldn't I?"

"Nobody wants-" Loki pauses, his gaze dropping as if the floor is more interesting to look at than you. "I just wonder how this is advantageous to you in any way."

"Do you think yourself that undeserving?" You frown and his eyes snap up to yours.

"I never said-"

"You don't always have to. Sometimes it's what we don't say that ends up being the loudest." You say. "I'm going to touch you again Loki. This time when it gets too much just- give into that feeling."

"You have no idea what you're signing up for." Loki's eyes are wide.

"I trust you." You whisper and his features melt into a soft grin, as if your words settled something within him. You place your hand on his cheek again, watching his eyes flutter shut as he leans into your touch. The moment stretches for a while until Loki's hands settle on your waist and pull you against him to bring his lips to yours.

The kiss is soft, hesitant, at first- as if he's expecting you to withdraw, but when you drape your arms loosely over his shoulders and deepen the kiss all manner of shyness seems to leave him. The kiss becomes harsher, more desperate, as if he's trying to devour you and give you all he is at once. You match him moment for moment, tongues dancing, hands roaming as you pour everything into that kiss. Loki lifts you and you wrap your legs around him. You pepper his face with sweet kisses as he carries you to one of the couches.

"Are you sure you want to give yourself to me?" Loki asks quietly.

"Are you sure you want to give yourself to me?" You turn the question back to him and he drops to his knees in front of you.

"I have given myself to you a thousand times over, long before now. I belong to you without question." His eyes pierce yours with their intensity as you allow his words to sink in. You almost can't believe he's said it but there's no denying the truth in his voice when he stares at you so earnestly. You clutch his face in your hands, meeting his gaze with equal candor.

"Then you may have me Loki. I am happy to give myself to you." You tell him and he lets out a deep breath. He says something to himself before tugging at the waist of your shorts. You help him take them off of you along with your panties before he speaks again.

"I have wondered for too long how you would taste on my tongue." Loki mutters as he spreads your legs. Before you can fully process the sentence to come up with a response, Loki buries his face at the apex of your thighs. He licks a stripe along your entrance, collecting the evidence of your arousal, letting out a groan as the essence of you floods his tastebuds. You gasp, threading your fingers into his dark hair as his tongue plunges into you, caressing your inner walls, lapping at your juices.

"Oh- oh god." You breathe out, your back arching towards Loki's eager mouth. He groans against you, the vibrations only adding to your pleasure as you squirm against his face. Loki brings his hands up to your thighs, holding you still and open for him as he switches focus, dragging his tongue against your clit in the most delicious way. His movements are sharp, calculated, his eyes on you as he watches what pulls the strongest reactions from you and focuses on those things until your body tenses beneath his hands. Loki pushes two fingers between your walls and curls them as his mouth latches onto your button. The combination is deadly and you can't stop the cry you let out as your orgasm hits you full force. Loki gently works you through it with his fingers and tongue and only when your breathing goes from harsh pants to shuttering draws does he sit back. He makes a point to link his fingers clean when your eyes flutter open.

"Even better than I expected." He says.

"What?" You ask with a breathless chuckle.

"How you taste, the sight of you in pure pleasure, the feel of your skin against mine- all of it, even better than I imagined." Loki punctuates each item on his list with a trail of kisses until he's hovering over you.

"Yes well, how nice to learn that silver tongue of yours is good for more than smart remarks." You smirk and pull him down into a kiss, tasting yourself on his lips and not caring, you simply want to be connected like this forever. Your hands trail down Loki's abdomen, freeing him from his own pants which he shoves the rest of the way off when you can no longer push them yourself. His kisses drop to your neck as he does so.

"You'll have plenty of time to learn all that my silver tongue is good for." He mutters against your skin. You giggle at his words a bit though it's shortlived as Loki chooses that moment to rock his hips into yours and the stretch of his length turns your giggle to a gasp. He takes his time working himself between your walls, allowing you to feel every single inch of him as he pushes deeper and deeper until he eventually bottoms out with a groan. "Stars above you're so- warm." He pants out. He's not moving, you realize, waiting for you to adjust so you tilt your hips forward, grinding against him impatiently.

"Loki please- move." You mewl and that's all it takes. Loki's hips knock back and he drives into you with full force, setting an even pace of deep thrusts meant for you to feel every drag of his dick against your walls.

"This- I'm sure, is Valahala." Loki pants out as he's fucking into you.

"So good- Loki it feels so good." You slip your hands into his shirt, dragging your nails across his back.

"I know my darling. I know." Loki hisses at the sweet sting from your claws. His rhythm doesn't falter as you cling to him, in fact, the feel of your hands against his skin sets Loki alight. You moan breathily, relishing in the way Loki fucks into you almost wildly. The heat of your walls is dizzying and Loki can already feel his release creeping down his spine. He slips a hand between your bodies and finds your clit, rubbing circles against the bundle of nerves. Your back arches as a whimper falls from your lips, the extra stimulation quickly bringing you closer.

"Loki-" You whine.

"Let go for me love. Show me how good I make you feel. Let your release coat my dick." Loki coaxes as his fingers dance along your clit as if he's already worked out all your right buttons to push.

"Oh my g-" You gasp out as your orgasm hits you like a wave crashing.

"Beautiful." Loki breathes. "I could watch you do that a thousand times and never tire of the face you make in ecstasy."

"Your turn now sweetie, show me what face you make in ecstasy Loki." You say gently, one hand threading into his hair. With your encouragement, it doesn't take much more for Loki's hips to stutter as his orgasm means the flooding of your walls in liquid heat.

You both lie still for some time, Loki only half holding himself up to avoid crushing you on the couch. You really can't believe the grumpy god that would straight up disappear if you so much as tapped his shoulder is currently lying in your arms. He can hardly believe it himself, but it's as soothing as he could have hoped. Not that he'd- ever admit that.

***

#marvel #marvel fanfiction #loki #loki fanfic #loki x reader #loki fluff #loki smut

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slutforln4 · 9 months

Text

libertine — joel miller.

synopsis. you've been having sexual fantasies about the substitute professor at your college. when the opportunity to get a better mark on a shitty essay you wrote arises, you take it. quite literally take it.

pairing. professor!joel x student!reader/fem!reader

warnings. smut, a smidge of fluff at the end, masturbation in a public bathroom, joel's got a southern accent that i tried to make obvious in the fic (if it's crappy, 'm sorry), oral (m receiving), unprotected piv, inexperienced and virgin reader, age gap (reader is in their early 20s and joel's in his late 40s), dom/sub dynamics praise kink, dirty talk. idk what else there is...

goes without saying but this is 18+, MDNI. i'm not responsible for what typa media you consume, but beware for your own good.

word count. 2.6k

author's note. i haven't written smut before so here's my shot at the self-indulgent professor!joel hc that i have... hope you enjoy ❤️ part two in the makings if this does well!!

Classic literature didn't come easy to you, but fucking your professor did.

It started off as every normal day at college did— you flow through your entire schedule, some free time here and there, during which you manage to take a nap or catch up on missing assignments, and at the end of almost every day, you were met with the class you hated, but also loved, the most… Classic literature.

The class itself is fairly easy. All you had to do was read some novels, write essays based on topics from said novels and also write a thorough analysis of it. Easy stuff. But you struggled with the essay writing, it just wasn't your thing.

However, you can't say that you didn't enjoy the class. The most interesting part of it being that substitute professor, Mr. Miller, that just transferred in. Him and that Texan accent of his, those deep, brown eyes, that salt-and-pepper hair trailing down his jaw, those luscious thighs and whatever's hiding behind the zipper of his jeans… You can't stop thinking about it.

It’s been occupying your mind for however long he's been working at your college, and you can't help but have those thoughts when it comes to him. From the way he looks, down to the way he talks about love, he’s attractive inside and out. The way he talks about women, though, was the thing that caught your attention the most. He speaks so highly of them that it almost seems like he worships them, which makes you want to fuck him all the more.

The day you decided to put your mind to rest and have your body do the work, Mr. Miller had put up another assignment.

You dreadfully open up your email at the beginning of class, and groan when the body of it reads “Essay about the importance of expressing love in current youth based on your analysis of Romeo and Juliet due next week Thursday, midnight.”

Turning off your phone, you assert your attention back to your professor. He stood there, in his suit and all, looking more delicious than ever as he reminded your class to check their emails. The stern tone in his voice made your insides flutter, and the way he held onto his waist… God, you can't help but rub your thighs together to hide the throbbing between your legs, already feeling the wetness in your panties.

“Alright, pull out ya laptops and open up that website I told y’all about,” Mr. Miller says, and you’re the first one to obey his order. He gives you a look and when your eyes lock with his, he smiles at you. “As I already mentioned in the emails, we’ll be readin’ and analysin’ Shakespeare’s Romeo and Juliet.”

The more he spoke, the less you could pay attention. Your eyes travelled all over his face, his chest, down to his crotch. Even without a hard-on, there was an imprint in his dress pants. Mr. Miller was the type to speak with his hands, resulting in you ogling at the way his fingers move in the air.

Mr. Miller begins talking about how love is portrayed in the tragedy, his tone changing with each point he makes. You stare at his lips, silently wishing they were on your body, somewhere. Anywhere would be fine as long as all his attention was on you. On all the parts that long for his touch.

You try your best to focus on what he’s saying, writing down what you need to remember. Your thighs are clenching together again when Mr.Miller scratches the back of his head, his bicep visible through the sleeve of his jacket. That’s about as much as you can take.

You hesitantly get up from your seat, mumbling a quiet “excuse me” as you walk out through the doors. It must've looked weird, since you ran out the door in such a rush, but you didn't care. Your main concern was finding a bathroom before all the thoughts about your professor fucking you into oblivion could make you cum on the spot.

You hurry past all the staff that are scattered across the halls and barge into the women’s bathroom. It's quiet and you’re sure you're alone, but you still check. “Hello?” No response. You hurry yourself into a stall and lock the door.

You don't even lift the toilet seat when you sit down on it, your skirt and panties on the floor. You spread your legs and put your fingers into a V shape, spreading your lips open. Using your other hand, you gather some of the arousal that’s been leaking out of you for the past twenty minutes and use it to coat your clit as your finger slowly rubs circles on it.

"That’s it,” you can almost hear Mr. Miller talking in your ear. “That’s my girl.”

“Fuck,” you mumble to yourself, feeling yourself getting more horny with the flood of thoughts that won't stop. Your finger rubs circles on your clit, increasing the pressure from time to time. Subconsciously, your hand unbuttons the shirt you’re wearing to reveal your bare chest and begins twirling your hard nipple. You imagine it's his hands, that he’s the one pleasuring you. Your finger’s now working at a pace you can't keep up with, quietly moaning out your professors last name when you use the hand that was rubbing your clit to finger yourself.

One finger in and you’re already gasping at the image on the back of your eyelids. You’re imagining it's his fingers in you, his cock in his other hand as he jerks himself off. You put a second finger in and start thrusting it in and out, when the image changes to his hips clashing into yours as his dick hits spots your fingers could only dream of. Your hips jolt against your fingers at the image of his veiny cock so vividly throbbing in your imagination.

You bring your other hand down to your clit, rubbing the throbbing nub once again. “Fuck,” you whimper as you feel your climax nearing. Your fingers curl inside you, and you’re about to let go.

“Attagirl,” the voice in the back of your head says and that’s the last push for you to cum all over your own fingers, your juices leaking out onto the toilet seat. You continue rubbing your clit until your climax wears off.

When you’re back in the classroom, everyone's already left, only Mr. Miller’s sat at his desk, typing away. His eyes look up at you when you enter through the door. “Oh, hey. I kept your stuff safe, since ya left in such a rush.” A comforting smile decorates his face. He’s so considerate it makes your clit throb again.

“Uh, thank you, sir.” You mumble shyly, packing your stuff into your bag and getting ready to leave. Mr. Miller’s eyes are on you when you turn back towards him.

He clears his throat. “I also wanted to speak to ya ‘bout somethin’.”

“Oh,” you nod. “Alright, what is it?”

“Listen, sweetheart. Y’know the last essay I assigned you to write?” He asks, eyebrows raised in question. You bite your bottom lip as you think back on what the last assignment was. When you remember, you nod. “Alright, well… You didn't do too good on it.”

“I know,” you laugh awkwardly, trying to hide the shame you feel. “It wasn't my finest work.”

“Yeah.” He laughs with you in an attempt to ease the situation. “But, uh. You can rewrite it and I’ll raise your mark. Whaddya say?”

You think it over for a moment, before shaking your head. “I think I could…” You’re not sure where this confidence is coming from, but you’re suddenly approaching him. “Get my mark up another way…” Your eyes glance down at his crotch and you bite your lip. When Mr. Miller realises what you’re insinuating, he shakes his head, but his eyes say different.

“Honey, it goes against teacher-student policy, you know that.” He reminds you, but you’re already on your knees in front of him and under his desk, batting your long eyelashes at him to get your way. His bulge grows right in front of your face and you don't think anymore, you just do. Your fingers are unclasping his belt, unzipping his pants and pulling them down. “Sweetheart-” he gets cut off by his dick springing up after you pull his boxers down, precum already leaking out of it. “Fuck.”

You look at him, not sure of what to do. You’ve never sucked a dick before, and the one in front of you would surely end up somehow fucking up your throat. You contemplate just sitting down on it, riding it like you did to your pillow when you woke up from a wet dream about him. That is, until he speaks. “You gonna stare at it or suck it like you wanted to?”

The tone in his voice changed from formal and sweet to deep and dominant, and you’re wet again from just the sound of it. “I’ve never, uh… done this before.”

Mr. Miller nods his head towards you. “Put your lips on the tip,” you do as told, your lips wrapping around the tip of his cock. “Just like that,” he says, his voice wavering. “Now put it in your mouth,” you hesitate to do so, instead wrapping your fingers around the base of his large cock. “Don't be shy, you want your mark up, don't ya?”

You nod, slowly opening your mouth to put more of his cock in. When it hits the back of your throat, you gag a bit. “Breathe through your nose, babygirl.” You do as told and the gagging goes away. “Now, slowly bob your head up and down. Yeah, just- just like that, fuck.” You're bobbing your head up and down on his dick, your fingers working at the base of it. His hips buckle and his dick thrusts deeper in your throat. A moan rumbles in your throat and vibrates on Mr. Miller’s dick, and he has to refrain himself from shoving his whole dick down your throat.

“Fuck, just like that,” he moans. “Good girl.” The praise makes you that much more wet, and you moan against his dick again.

Suddenly, the door swings open and Mr. Miller sits up, looking at whoever entered his classroom. Your mouth doesn't leave his cock, you simply thrust it in your mouth harder, using your tongue to caress his shaft. “Good evening,” he greets the janitor who came in to clean the classroom. “I, uh, I still got some,” Mr. Miller balls his fingers into a fist as he holds back a moan, trying his best to focus on the conversation with your mouth still sucking him off. “I’m still workin’, gimme thirty more minutes.”

The door closes behind the janitor and Mr. Miller leans back against his chair, his eyes half-lidded and looking down at you. He feels his orgasm nearing when you begin pumping the base of his cock again, along with thrusting his dick into your mouth. “I’ll be cummin’ in your mouth if you don't pull away right now, sweetheart.”

Your mouth leaves his cock, but your fingers still jerk him off. A deep moan leaves his lips as a string of hot cum shoots out in loads onto your clothed chest and neck. You’re still pumping his dick when he motions for you to get up. You stand up from under his desk and he’s immediately pulling you closer to himself. You're sat on his lap, dick still hard and rubbing on your belly as his lips connect with yours. He can still taste himself in your mouth and he smirks at that.

His hands are on your knees, but with each kiss, they inch closer and closer to where you need him the most. When he reaches the wet spot on your panties, he grins against your mouth. “So ready for me, hm?”

You nod, whimpering at the soft contact of his finger to your clothed clit. “Yes, Mr. Miller, please-”

“Call me Joel,” he mumbles as his fingers wrap around the waistband of your panties and tug them off of you. He slowly grabs you by the waist and aligns his cock with your dripping cunt.

“Wait-” you pause kissing him when you feel the tip brushing up against your folds. “I haven't- Y’know…”

Joel smirks. “You a virgin, baby?” You nod, slowly. “I’ll take care of ya, I promise.” You feel his finger rub over your hole, gathering some of your slick to rub it on his dick.

His hands slowly lower your waist down, his cock slipping past your folds with ease and you gasp at the feeling of him filling you up. It’s everything you’ve been dreaming of. He’s so big that it feels like you’re being split open. “You okay?” He asks you with a kiss to your collarbone. You nod, your bottom lip between your teeth and hands tightly gripping onto his shoulders. “Good, ‘cause this ain't all of it yet,” he says, voice low and taunting, before lowering you all the way down. You whimper as you feel his cock brush against your cervix.

“Fuck,” you whisper, leaning up to kiss his lips as you adjust to the size of him. Joel just holds you there, not moving you until you’re ready. His fingers find your throbbing clit and start rubbing it, your lips still connected. “Mmh,” you moan, your hips jolting towards his fingers and moving his dick deeper inside of you.

You begin pushing yourself up and slipping back down, a string of moans leaving your lips. “Attagirl.”

You’re riding his cock, feeling each and every inch of him filling up your insides. You can feel every throb of his veins pulsing inside of you and you catch all his moans with your lips. His hands are gripping your hips, pulling you down with more force. The classroom is filled with sounds of skin clashing on skin. You’re moaning and whimpering, his cock threatening to tip you over the edge. “I’m… I-” you can't even speak.

“You what, baby?” He asks, his thumbs digging into your hips with the intensity of your thrusts. “You gonna cum for me? You gon’ be a good girl and cum all on my dick?” You can't manage to speak so you nod, tears spilling from your eyes as you feel your climax approaching.

He’s thrusting up at you, now, his climax approaching him again. You're a moaning and whimpering mess, begging him to make you cum with the broken words you’re mumbling. “Ple- Please… Fu-uck, Joel…”

“Let go for me,” he coaxes, his lips right by your ear. “I got you, pretty girl.”

With a loud moan, you’re cumming all over his dick and you feel his hot liquid fill up your insides with a couple more thrusts of his hips. Joel kisses you again. Like a starving man that hasn't eaten for days on end. He kisses you with passion, with more than just lust behind those eyes.

When you both pull away, he makes sure to clean you up. “You were so good for me, sweetheart.” He praises. “So good.”

You’re not sure what to say, so you just kiss him again. And again. And one more time. Until he’s kissing on your neck again, but he inevitably stops and leans into your ear. “I gotta get to work, baby.”

“Okay,” you say with a sigh. “Thanks for helping me with the essay,” your lips pull into a small smirk as you open the door to his classroom.

“All thanks to you.” He returns the same smile. “Couldn’t have finished it without you.”

You shake your head with a laugh. “You’re so unfunny,” and close the door behind yourself.

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