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#//we both suck at this
egophiliac · 6 months
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like mother, like son, but less wholesome this time?
(I couldn't decide whether or not to put them together, so have them in all the different ways!)
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payasita · 7 months
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hi go read this
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leans into the mic. "saying all men are trash in response to the various ccs getting outed as abusers is the wrong move and will harm male victims of abuse and sa" and "the reason these male ccs were able to abuse people and cover it up for so long is because of rampant misogyny in the content creating space and it's important to listen to the women coming out with their stories right now" are statements that coexist. btw
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mugentakeda · 7 months
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not even harvards top scientists could understand the complexities of the azula-iroh beef lore that i made up in my head
(silly bonus under the cut)
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natalievoncatte · 2 months
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Kara knew something was wrong from Lena’s heartbeat. That alone, the barely detectable change in rhythm and tempo, was enough, but her breathing was erratic and as Kara drew nearer, drifting through the afternoon air, she could hear the soft sobs.
A bad feeling had come over Kara. Things had been quiet between the two of them ever since the wedding; there had been a strange tension between them on that happy day and Kara couldn’t say why
(she knew what she wanted it to be but didn’t dare hope)
and with Alex and Kelly away on their honeymoon, Kara had mostly been on her own. Nia was spending most of her free time with Brainy and Kara sensed a proposal coming, and she was busy preparing for her public interview with Cat Grant. She was going to rip the bandages off and reveal her identity. There was a great deal of work involved, and Kara had spent a lot of time fretting over the details, and in the back of her head she was worried about the ramifications of years spent reporting on Supergirl and using “her” as a source. It was a massive ethical dilemma, and thought it always made sense at the time…
Right now all that mattered was the heartbeat. Kara had been giving Lena the space she sensed she needed, but Jess had called Kara from the Foundation and told her that Lena hadn’t come to work in three days, and no one had heard from her. It was uncharacteristic of someone who ran her life with almost military precision. Kara had even asked Alex to text Lena, but they’d gotten the same single word replies.
Kara pulled in a big breath, feeling her stomach churn as she lighted on the balcony and slid open the door, knowing it would be unlocked. She wished Lena would stop doing that, but also felt a little tilt in her chest from knowing Lena hadn’t locked her out.
She was on the sofa, curled up on her side and asleep. She’d probably had the same pajamas on for two days and there were empty bottles of wine in a neat row on the table in front of her. Her eyes were puffy from crying and her cheeks a little raw. Kara felt an instant pang and reached for her, before stopping to deactivate her suit.
Kneeling next to the sofa, Kara touched her fingers to Lena’s shoulders. Lena woke instantly with a start, head jolting up as she sucked in a reedy breath and her heart raced explosively, sending a shock of terror up Kara’s spine.
“Oh fuck,” Lena blurted, kicking out her legs as she bolted upright. “Oh God, Kara what…”
“Hey,” Kara said softly. “I was… I’m sorry. Are you okay? I came in through the balcony. I didn’t mean to scare you.”
Lena’s chest heaved as she gasped for breath, staring at Kara with watery eyes. “Are you real?”
“What? Yes, of course I’m real.”
“I must have been dreaming. It was a dream. Just a dream. I was dreaming,” Lena muttered.
Kara rose from her knees and sat down on the couch.
“Come here.”
Lena almost crashed into her, wrapping her arms tightly around Kara and squeezing hard. She smoothed her fingers over the soft dark waves of Lena’s hair and pulled her in as she began to sob into Kara’s shoulder.
“I dreamed he killed you,” Lena choked out. “He came back again and he killed you and I couldn’t stop it. It felt so real.”
“I’m fine. I’m right here.”
Lena continued to sob, her entire body shaking with the force of it. Kara wrapped her in a fierce hug, trembling as she did.
“Every time I close my eyes he’s there, and when I’m awake all I can think about is that I killed my brother.”
“That didn’t happen in this timeline.”
Lena choked out an angry, frustrated sob. “It happened for me. I aimed a gun at my own brother’s chest and I pulled the trigger. And he came back! He came back and he almost killed you two or three fucking times, I can’t count.”
“He’s gone. He’s not coming back.”
“You can’t just say that!” Lena screamed into Kara’s throat.
Stunned, Kara softened her grip on Lena, only for Lena to pull her in harder, like she was trying to climb inside her.
“Why can’t I stop mourning him? He ruined my life. He was the person I trusted most and he turned out to be a monster. He used me my whole life and my emotions were just a game to him. He tried to to kill the woman I… tortured you, took you away for months and I thought I’d never see you again. I just wanted to tell you how sorry I was and how much…”
Lena cut herself off with a sob.
“I know it’s not the same,” Kara murmured, “but when I was a little girl I worshipped my father. I wanted to grow up like him and do what he did. I was going to be a scientist too.”
“You’d have been a good one.”
Kara shook her head. “My father was responsible for the Medusa virus. A bioweapon designed to eradicate non-Kryptonian life. A weapon of genocide.”
Lena shuddered.
Kara swallowed, hard.
“My world wasn’t a paradise. It felt that way because it was simple for me. There wasn’t all the pain of learning alien ways and an alien language and controlling superpowers and everything else. My father taught and protected me and my mom maintained order. But it was wasn’t a paradise. My people were… Krypton was… I think in a lot of worlds out there, we were the bad guys. Okay, the Daxamites were slavers, but on Krypton people were born into the labor guild and did menial jobs their whole lives, while people like me were born into privilege. Is that much better?”
“I don’t understand.”
“I don’t judge you for mourning Lex, Lena. He was your protector and your friend, and it was real to you. If there’s anything I hate him for, it’s hurting you.” Kara swallowed. “The one thing I can’t abide is anyone hurting you. I’ll break all my rules to keep you safe.”
Lena’s breathing eased and Kara could feel her relax.
“I’ve been avoiding you.”
“I figured you needed space. I wasn’t sure why but I trusted you to tell me if you need to.”
There was a long, heavy pause, and then Lena said.
“Kara, I can’t do this. I can’t share you.”
“Share me?”
“When you reveal your identity,” Lena pulled back, “you’re going to be the most famous person in the word. Everyone is going to be all over you. The press, politicians, everybody, and everyone who has a grudge against you or your cousin is going to know exactly where to find you, all the time.”
“I’ll keep you safe, no one will…”
“I didn’t say anything about me. You, Kara. What about you?”
“I’m Supergirl. I’ll be fine.”
“And what about me?” said Lena.
“I told you…”
“No. What about me when I have to watch you getting beaten to a pulp by another alien? What about me when you’re in a coma on the sun bed? What about me when I see on the news that a bomb went off in your apartment and I have to wonder if it was laced with Kryptonite shrapnel? I’m not worried about people coming after me. I’m a billionaire with magic powers. I could put on a goofy costume and join the club if I wanted. I’ve already lost you so many times and I can’t do it again.”
Stunned, Kara sat with her eyes wide, not sure when exactly she’d lifted Lena into her lap.
“It’s so selfish of me,” Lena went on. “You don’t belong to me. I don’t get to make demands of you. But don’t want you to out yourself. I don’t want to lose you again. As soon as you do this you’re going to be hounded by the whole world and they’ll claw you away from me again.”
Kara’s own heart raced now, hammering in her chest. Lena sounded so desperate and so sure, clinging to a Kara like she might disappear.
“I’m so sorry.”
“It’s okay. It’s your choice and I have to respect it. It’s okay,” she was clearly telling herself.
“No,” Kara choked out, “no it’s not. I can’t believe how stupid I’ve been.”
“Kara,” said Lena.
“No. I have been. I can’t believe I said what I said to you at the wedding, about not being my authentic self. To you, of all people.”
Lena swallowed hard. Kara drew back and looked at her, really looked at her, drinking in the soft beauty of her eyes as she swept back a tear with a brush of her thumb. Lena’s eyes were huge, her lips trembling, and Kara felt an almost painful pang of sorrow and regret and a powerful stirring, long thrust down and buried and now clawing its way forth as Lena stared back, the deep sadness and loss in her own eyes tinged by a hint of forlorn hope.
“I can’t believe that I can see through walls and I’m so blind.”
“Kara?” Lena whispered.
“I’m calling it off. I’ll keep my secret.”
“You don’t have to do that just to please me.”
“I don’t need them. I need you. I’m yours, if you’ll have me.”
Lena’s heart raced so fast that Kara briefly thought she might have to fly her to the hospital. Instinctively, she slipped one arm under her knees and the other around her shoulders and stood, lifting Lena as if she weighed nothing.
Eyes wide, Lena bit her lip.
“What do you mean?”
“What do you mean when you say you’re mine? I need you to say it, Kara. I was too scared at the wedding. I can’t do this. I need you to.”
Oh.
Kara shifted her Lena’s weight in her arms, bring them closer together. She’d danced this dance before; she thought of the day she came back from the Phantom Zone, when she held Lena in her arms and felt the sun again and she almost did it, she almost just fucking did it…
And she did it.
She kissed Lena, already ready to sputter an apology and find a way out of this, but her words were lost when Lena’s soft lips met hers and Lena was ready to devour her, happily rocketing past chaste first kiss as she grabbed Kara with both hands and pulled her in.
Kara’s stomach flipped. She didn’t know what to do. She’d been kissed, she thought she’d been intimate, but she could see now that those things had been mere stimulation and nothing more. Something soared inside her as she had soared in the sky the very first time she flew. Joy unbridled swelled in her chest and she could feel Lena laughing exultantly into her mouth and even as tears mingled on her cheeks.
She wanted this. She wanted this. It was right here all along.
“Kara,” Lena whispered. “I…”
“Should I put you down?”
“On the bed.”
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nattikay · 6 months
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cat people playing with cat people :)
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homewrecking-lore · 1 year
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The thing about the fandom’s interpretation of Data and Pulaski is that it makes both characters extremely flat and boring while also erasing their whole relationship. Data’s made into this flawless, naive baby that can’t defend himself (when he does - when Pulaski mispronounces his name, he tells her exactly why she should pronounce it correctly), while Pulaski is an ugly bitch-hag who is morally reprehensible. Most fanfics portray Data as being uncomfortable or scared of her, while Pulaski’s chomping at the bit to break him into parts. Their whole relationship in season two is based around the fact they both have flaws, and that Data is still learning about what exactly he is capable of as an android.
In “Elementary, My Dear Data”, the big question of the episode is if Data can solve a narrative mystery without it being based on his knowledge of the original stories. Geordi doesn’t know the answer. Pulaski doesn’t. Data doesn’t. From what they know of Data, Pulaski outright dismisses the possibility that Data can, which sparks the episode’s plot.
So when Geordi goes back later and prompts the computer to alter the program to be more challenging, both Data and Pulaski are excited! They want to see where this goes! They are openly having fun with this.
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In her first episode, Pulaski dismissed Data when he tried to stay during Troi’s labour, and only relented when Troi said she wanted him there. But by “Penpals”, she assures Sarjenka that Data will be at her side the whole time. When Data expresses doubts, she assures him that this is what’s best for Sarjenka, but that his memories of her will still be important. This is also the same episode where Pulaski defends both her and Data’s personal involvement in the situation to Worf.
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In “Measure of A Man”, the game opens with some of the crew playing a poker game. Data and Pulaski are obviously friendly and comfortable enough to socialize together outside of professional circumstances. And again, the scene shows Data calling the game simplistic and assuming he will win, but he turns out to be wrong.
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Later in “Peak Performance”, Pulaski sets up Data to compete in Strategema, only for him to end up losing, to everyone’s surprise. The reason why Data’s confidence falls is because he had the exact same assumption about his computational abilities as Pulaski. They were both wrong! When she sees how much losing has affected him, she apologizes:
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Data says that he must be malfunctioning. It’s not until Picard tells him that failure can happen even when you do everything right that Data accepts he can make mistakes - and that making mistakes is okay! By the end of the episode, they both know that Data is not infallible, and that he can be affected by failure as much as any human.
Pulaski makes assumptions and mistakes, and so does Data. They learn and grow from them, and their relationship is overall a very positive one despite their very different personalities. It’s an interesting dynamic that gets rewritten by fans entirely, despite the fact that it’s weirdly one of the more developed dynamics in the show.
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uncanny-tranny · 5 months
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I think such a big reason my trans manhood feels almost... bigendered is simply because in the eyes of most people (specifically cis people with whom I interact with most), I straddle this weird line wherein I am a man and often am seen as one, but I am also clearly undefinable insofar as cis theory goes, clearly queer, clearly outside of manhood if one only accepts cishet, patriarchal manhood. This definitely used to be a source of dysphoria for me, but I think now that I've transitioned, it's been interesting to explore this more. Am I wholly a man? Yes. Am I a man of multitudes? Yes. Do these multitudes contradict? Well, that depends on your definition of "contradiction"
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poorly-drawn-mdzs · 1 year
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We can’t keep doing this.
[First] Prev <–-> Next
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the-valiant-valkyrie · 9 months
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"-mimicking can be a cat's robot's way of trying to bond with you!"
me and @f3arow having very important discussions abt robutler picking up prism's stims. hes so supportive.
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aquickstart · 5 months
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ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
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another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
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but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
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but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
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farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
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the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
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but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
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to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
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and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
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sharpth1ng · 1 year
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It's not a fic but here! @ln-ofx
He took to colouring a plain white shirt he had because he was too embarrassed to ask Danny for one of his.
I like to think Lancer just needs some glasses cause there ain't no way he's that blind lmao.
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sleepy-kittyx · 4 months
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Being in a relationship for 7 years without being touched by my partner fucking destroyed me. I want a boy that's clingy and not scared to show his affection, I need someone that can't keep there hands off me.
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autumn-may · 3 months
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If shadow defines form then what are you.
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mydearchoso · 8 days
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Haunted Hearts
-gojo satoru
//angsty. devoted reader. depressed! gojo because i can fix him </3
A/N: haunted hearts, we melt over the fabric of your floorrrr (couch, but ptv reference ehehe). i wrote this in like an hour?? i don't really write for fun like this often, so idk how this turned out 😫 it's been like 4 years since i've written anything like this. ALSO, i didn't proofread it 🤭. dunno why its so angsty but i was just churning it out... sorry? divider by cafekitsune
wc- 550ish
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coming home after a long day. walking down the seemingly endless hallway to your apartment as your chest heaves and your heels drag. your day isn't over yet though, as you're greeted by a cluster of white hair and a long, lanky body shrivels against your door. who know's how long he had been there, how long he would have waited. with one final sigh, you exhume as much of your fatigue — physical as well as mental, before pushing your key in the door, unlocking it.
before twisting the knob, you shove the bag hanging off your shoulder behind you, and squat down in front of the grown man at your door. a soft smile graces you lips as you push a tuft of his messy, unkempt hair back and whisper, "what am i to do with you, huh?"
the same heavy silence that usually permeated your hallway became more dense as the man greets your question with silence. as your smile turns weary and your voice softens, you implore him, "come on, satoru. i can't pick you up all myself. help me get you on your feet."
as you wrap your arms around his torso, you bring one to the handle in preparation. under your breath and into his ear, you count, "one... two... three." he comes up surprisingly easy for as dead as he had first appeared. shuffling inside the dimly lit apartment, you first slide off your own shoes, before leaning gojo against the wall to help him take off his own.
once all shoes were properly discarded in the entryway, and coats were dismissed, you lead him to the couch (what could also be recognized as the the lounging area closest to the door). you let him situate himself, before joining him on the opposite side of the couch.
almost as soon as you settle, gojo is leaning towards you. twisting his body to allow his face to rest between your hips and waist, while his arms snaked themselves around you. he held you tight, the pressure catching you off guard. despite his unusual behavior, your hands naturally assumed their position, the left carding through his hair and the right rubbing his back. a shuddering breath racked his body as you did so, his face pushing deeper into your belly.
a new, but familiar silence hung itself in the air as everything fell into place. the damp, sticky one that clings to every fiber of your being. the one you can't manage to wash off no matter how hard you scrub, that stains your skin and maims the soul. the one that gojo would never be rid of.
over time, this same silence started clinging to you, much like a scent or habit does. you didn't mind it. you never would. if sharing even an ounce of it would take any of the weight off his shoulders, you would take it on gladly.
for as long as he was the strongest, as long as death continued to follow him, he would never be able to rid himself of this silence. soap and water could do wonders for the blood he's had on his hands, but only time (and perhaps some love) can work to chip away at the guilt harbored deep in his heart.
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