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#(and one of them is aromantic so the other isn't even getting what he's doing this wretched thing for)
randomwriteronline · 2 years
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Klavier Gavin has his eyes on the man and a smile on his lips.
“Fancy seeing you here,” he smiles and it looks sweet and nice and fake beyond recognition but he is honest when he speaks. “I thought you were busy defending every single accused of an entire country.”
Apollo Justice has his eyes on the man and does not smile.
His shoulders shift in some kind of uncoordinated shrug, he avoids the other’s gaze for a moment: “Law schools are booming,” he explains in that way that he speaks, so matter-of-factly and dry. “I’ve gotten some time off to come back.”
Klavier Gavin hums and nods: “A little vacation must be nice.”
Apollo Justice is not in his screaming red suit, which is jarring but makes sense since he is not working. It’s still an insane amount of whiplash, because they are colleagues so to speak, and it feels like he is either naked or a completely different person who was mistaken for the screaming attorney. It feels like it’s not a state a colleague is supposed to see him in.
Apollo Justice looks back at Klavier Gavin in the eyes.
“How are you?”
Klavier Gavin turns his smile bitter and tilts his head.
“You know I do not like this game of yours, Herr Justice.”
Before Apollo Justice can unfurl from his own shoulders where he has recoiled defensively and argue about the statement, Klavier Gavin gives a vague wave at the large golden bracelet on his wrist.
“I cannot be honest with you and I cannot lie to you. So when you decide you want to play your little spot-the-differences game you get me in a nice little cage where no matter what I do you get your pie and you eat it too, and I don’t like that in the slightest.” he says.
“It’s not a game,” Apollo Justice replies.
“And what is it then, worry? Concern? I know you’re a clever boy who reads his news of the legal world, you know enough. Didn’t you even call me? Yes you did, I remember that.”
Klavier Gavin has a voice like ice and a stare that’s like slowly pushing nails into the hands of his interlocutor. He wants him to feel uncomfortable.
He wants him to leave.
“It’s been a while since then,” Apollo Justice mutters.
“And what do you care?” Klavier Gavin gives him the most beautiful smile he’s ever given a man and tilts his head to the other side with a practiced airy laugh, looking as charming as a prince. “What have we got in common, hm? Aside from a few cases? Verdammtes Nichts, as far as I remember. Oh, but you are sweet.”
Now the words drip molasses, but Klavier Gavin doesn’t bend down teasingly.
“Getting worried for me. Is it Fraulein Wright who sent you? Is it Herr Edgeworth? Is it Herr Wright? Is it that friend of your co-worker, that judge-in-training? Woods, was it?”
“I came here by my own volition.”
“Of course you did.”
Apollo Justice glares at him angrily.
“Would it kill you to believe I really did come just to check on you?”
“Interesting choice of words.”
Apollo Justice bites his tongue and glares harder.
“I’m fine,” Klavier Gavin laughs, hands in the air, “I’m not fine at all, but considering I used to think of killing myself thrice a day I suppose that just once weekly is far better, ja? Wouldn’t you agree?”
“Don’t say things like that,” Apollo Justice mutters.
“Why not? Is it not the truth? What does your bracelet say, am I lying? Will you have to press on and cross-examine me?”
The bracelet is perfectly unresponsive.
Klavier Gavin smiles.
Apollo Justice glares.
“I don’t like you at all, you know,” Klavier says suddenly.
His smile drops.
“I don’t like you in the slightest. I truly cannot stand you.”
Now he looks at Apollo like he’s some kind of specimen to study, with a face like death, and the younger man seems to make himself smaller.
“I have nothing against you and I don’t like you at all,” Klavier continues remaining perfectly still.
Apollo doesn’t reply.
“Did you know I tried to kill myself four times?” Klavier asks. Of course he doesn’t know. Even Herr Edgeworth only knows of one. “The first time I wanted to bleed out in a bathtub after Kristoph got convicted.”
Apollo sinks in his shoulders, uncomfortable.
“The second I tried to defenestrate myself,” Klavier continues, looking at him to see how far he can go to make him shrivel and leave. “For Daryan. Because I couldn’t stand getting reminded of all that. You remember Daryan, don’t you. Don’t you? You were right there. I bet you remember him.”
Apollo does but says nothing.
“The third time I tried to… Well, the third time was pathetic.” Klavier notes. “Hanging myself with a tie. Not even hanging. I tried choking myself with a tie. Can you believe that I thought tying the loose ends to a door handle and kicking the door away from me would have just snapped my neck in half?”
Apollo recoils.
“I was so certain of that. But it came undone and I just knocked myself out on the floor. Must have been hilarious to look at. Absolutely pathetic. It was Miss Corte’s tie, my teacher, the one who got murdered? She got it for me. You can piece this one together yourself, can’t you? You’re so clever. So verdammt clever. Ein verdammt klug Kaninchen, bist du nicht, Herr Justice. Doch du bist.”
Apollo doesn’t even look at him in the eyes anymore.
Klavier wants to kick him in the stomach and ask him what is taking so long for him to fucking leave.
“Do you know for who I wanted to kill myself the fourth time?” Klavier asks. Apollo shakes his head slowly. “Guess. Come on, guess. I bet you can’t. Guess.”
Apollo doesn’t guess. Klavier keeps himself from slamming his fist against his shoulder with all his might.
”Guess, I said. We did your little bracelet game, now do mine. Guess.”
Apollo doesn’t guess.
Klavier takes one step forward, watches him close a little tighter in his shoulders.
“For you.”
Neither speak. Both just wait.
“For you,” Klavier repeats slowly. “I tried to kill myself for you.”
Apollo looks at his own feet. He can catch the tip of another pair of shoes about to enter his field of vision.
“Don’t you think that’s weird?” Klavier muses. “That all these people I loved couldn’t get me to die, but you almost did?”
Apollo bites his lower lip.
“It might have been the time it happened, du wisst. I would have split my head right open, the ambulance would have been there in fifteen minutes to get me to the morgue… All nice and clean. My only mistake was calling Herr Edgeworth to send the ambulance instead of my manager, or the Paynes. Or Blackquill, even. They don’t have the same power over me that the chief does, you understand…”
Klavier trails a moment. Takes him in.
“And I would have died because you were never coming back.”
He listens to his own words as they leave him slowly.
Apollo listens to them as well.
He looks back up, eyes pointed directly into the ones before him.
Klavier looks so fucking tired.
“You wanna sit for a while?” Apollo just says, also suddenly tired. He gestures vaguely to a nearby wall, to the pavement near it.
Klavier follows his hand with his gaze: he leans against the wall and drops so heavily there’s no way he didn’t get hurt. Apollo crouches before sitting next to him, elbows on his knees, and looks far away from him.
For a minute or so they don’t speak.
“Who gave you the right,” Klavier says, toneless. “Who gave you the right to do that to me. To make me like that.”
Apollo knows he turned his face to look at his, but holds his stare away onto the end of the corridor.
“I don’t even like you.”
Well.
“I think you’re fine.” Apollo says. “As a person.”
Klavier still looks at him: “Was ist das,” he mutters, “Ein Lob? Eine Art Liebeserklärung? Tu mir ein Gefallen und geh dich ficken. Ich habe keine Lust, diese Scheisse zu hören. Du denkst sowieso das nichts.”
“I think you’re fine.” Apollo repeats a little louder. “As a person.”
“Ja, sag das.” Klavier hisses. “Sag das lauter. Dann können alles hören, wie echt das ist. Bessischene Kaninchen vom meinem Arsch.”
“I think you’re fine,” Apollo says much louder over his insult. “As a person.”
Klavier desists and looks into nothingness with him.
They don’t talk.
For a long, long while, they don’t talk.
Thank anything and everything that those who do see them sitting miserably like that make no comment or barely even register them.
Klavier slams a fist into the wall.
“Why you?” he croaks. “Why was it you?”
He sounds in pain.
Apollo thinks it’s pretty clear. He convicted his brother; he convicted his friend.
He didn’t kill his teacher, but he was there for the trial and for the investigation, and he played courthouse with him in the same school the body had been found, with the same fucking script, forcing him to feel everything longer.
Somehow, if something horrendous happens to Klavier Gavin’s social sphere, Apollo Justice is always there.
“Did you talk to anybody?” Apollo asks. “About… The people?”
“No,” Klavier answers.
Ah.
That explains it.
Apollo Justice is the only person who knows Klavier Gavin barely has a social sphere anymore.
And once Apollo Justice flies to a fuck-off country on the literal other side of the world and just does not come back, Klavier Gavin feels the weight tenfold and lets his knees buckle horrendously and cracks his head open on the cement.
And you don’t call some guy who has worked with you a couple times for help with something like whatever all of that can be called.
Apollo Justice has people he can talk to about losses.
Klavier Gavin doesn’t, and he goes to therapy, and it’s not working that well it would seem. Or maybe he never got to consider the possibility of the last person because of whom he tried to die coming back and so his first response was vitriol and anger and some kind of something else that Athena Cykes would pick up in a moment if she could just hear him speak now once.
(Apollo might ask her if she wants to check on Klavier. She could help.)
“We can be friends,” Apollo says gently.
Klavier doesn’t look at him: “So I have a better reason to kill myself?”
“So you can call someone who cares about you to say ‘hey I feel like fucking garbage do you want to talk about how you’re the only person who knows I’m completely alone in this bitch of a world’ instead of just some fucker from work,” Apollo snaps. “And next time you say that I’ll beat you in the head. Don’t even joke about that.”
Klavier pulls his upper lip up in a snarl until his face doesn’t even look like it’s his anymore, like any moment he will turn around and tear him apart with his teeth, make him a bloody mess of gore, cannibalize his corpse.
“I hate you,” he says, and the bracelet tightens.
“That’s a strong word.”
Apollo watches him huff and bare his teeth first, then hide them.
“It is.” Klavier concedes.
Now Klavier fidgets. It’s not something visible like a physical tell or other stuff like that. There’s just a tension about him that fucks him up, it’s plain to see.
“I don’t like you,” he repeats. “I don’t even like you.”
He yields; his body leans to the side heavily, his head falls to rest on brown hair.
“I don’t even like you,” he sobs.
Apollo listens to him breathe.
He leans into him as well.
God.
“Do you want to be friends?” he asks like he’s fucking three years old and they’re kindergartners at the park or something.
The answer comes weak and honest and frankly tearful: “Yes please.”
Apollo swings an arm behind the tanned neck and over the shoulders and gives him a half hug, tugging a couple times to get him a little closer, to make him feel welcome and held enough. His mouth presses flat on blond hair and neither of them makes a deal out of it or out of the fingers combing through the wires of gold, not even a sound or a strangled cry.
“I’ve got you,” he just says against the prosecutor’s head.
Klavier believes him and feels like puking his guts out on the floor.
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leidensygdom · 1 month
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The ways in which being asexual feels isolating
I've been pondering whether to post this or not, but I figured out I wanted to explain a bit of this experience.
So, I could go on a very long tangent on how being asexual is usually a lonely experience, and how much I've been otherized here and there- Specially in real life. How the same people that claimed to be queer (or allies) had been much weirder about my asexuality than they were about me being bi/pan or whatever.
But I think I wanna talk about how something like that bleeds in every aspect of socializing, even down to something like fandom. I stay away from fandom usually- I like to look at cool fanart and that's about it. I hate discourse, I hate drama, I hate reading people getting worked up because they're treating fanon as canon. But there's one thing I've noticed, over and over, that just sends me off my rails.
And it's how fandom tends to treat asexuality (or aromanticism). So, you get a character in some piece of media that explicitly, unequivocally, states they're either ace, aro, or both. "I do not have interest in a partner", "I don't desire to have sex nor do I enjoy the topic", whatever. And as an ace person, I do appreciate being able to see myself in media- There isn't many chases where something is established that bluntly.
Now, you decide you want to check some fanart for that. Fandoms have this tendency to make absolutely everything about shipping, even when the media they're basing it in does not revolve about that (and it's annoying, because a lot of times people aren't interested in the actual themes- It's all reduced to shipping). Suddenly, you notice people treating the aforementioned character as anything but aro or ace. It's all about shipping. "This person interacted with this other person in a way two friends would, but we gotta make this their entire personality now". Some people may instead go for "well, maybe the character is not having sex, but they're probably an absolute freak about it, studies it extensively, has encyclopedic knowledge about it-"
Now, there's of course sex-favourable aces, and that's completely valid, but it's already straying from what, canonically, the character had mentioned. Asexual or aromantic characters aren't really allowed to exist as themselves. People often see them as a blank slate to fill, to change, to fix. I could talk forever about how people react to real life aces like that. I've had people asking me incredibly invasive questions because they saw my lack of sexual attraction as something broken, something they could fix.
And I hate that! I think I'm allowed to say that I hate that! It's hard and unusual for media to cement an aro/ace character, because they're defined by the lack of interest for something, which is often hard to show. But when it does- No one seems to care. It's all shipping, it's all "well, he's gay in denial", "well, she's probably super repressed". If you took a canonically gay character and made them straight on a fanfic, you'd get angry people. Which is bound to happen when you erase representation that people identify with. But aro/ace characters are NOT even seen as queer, they're not even seen as "representation" by most people. You can erase that bit of it, put some god awful shipping on top, and people will applaud you. And it sucks!
I wish people would see being aro or ace as an identity worth respecting, not an identity that needs overwriting. It feels a bit too close to how people often treat aro/aces irl, and it sucks. It reeks of this sort of exclusionism, where "aro/aces are technically queer but it's queer lite at best, it's less interesting than being gay, and we kinda don't want them near us anyhow". Again, I've had far worse experiences about being ace than I have about not being straight.
Sorry if the post got long, but I hope this experience may at least resonate with other people who have been struggling with this, too. It has always felt just kind of lonely to be ace, and see how little people do even consider it an identity, even when it comes down to something like fandom.
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alastors-antlers · 3 months
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Being someone who sees a lot of talk about shipping Alastor (sexually, romantically) in fanworks, I just want to take some time to talk about both sides of the issue. It's long, I know - please, please bear with me until the end, and I hope you'll understand what I mean in a bit.
I hope this helps someone, but as an aroace person who understands the frustration and hurt, this is often how it feels to me:
Alastor, being one of the limited cases of aspec rep that I've seen and one of even fewer which I actually enjoyed, means a lot to me.
That being said, his canon rep establishes that he's aroace but not much about how this factors into his life or relationships at all -- and when there's a gap in canon, I turn to fanfiction, which tends to spotlight characters' queerness even when the source material doesn't or can't. Don't we all want to see ourselves in the media we engage with?
When I pull up AO3, there are already a good number of fics about him. Great! Some of them are definitely incredible; but as I read on, it starts to seem like a lot of fics I see acknowledge that he's asexual or aromantic in some way but don't really factor that into the story. It reads like you could have written the story without keeping his queer identity in mind, and it would've come out the same.
Even when representation that does resonate with me exists, it starts to be exhausting to pick through the slash tags to see which ones are written in an aspec-coded way, so I wonder if it would be easier to not read anything with slash at all. On the other hand, when you filter ships out completely, only a tiny fraction of the fanworks are left.
People often respond that aspec people can have relationships, and I think we tend to know that. They can have sex, some can experience sexual attraction in select situations, they can romance others beyond romantic attraction -- any combination of things. But some aroace people don't want either, and sometimes we're struggling to see ourselves in how Alastor is typically portrayed.
Out of all of the fics, sex-repulsed, totally aromantic Alastor isn't seen much. And when Alastor's limited canon seems to be pretty supportive of a reading where he is those things...
Sometimes, you start to feel lost. If fics were evenly distributed along the aroace spectrum of experiences, wouldn't you expect more fics of him being the "totally uninterested" brand of aroace? But there aren't. People seem to have a preference toward seeing him in relationships. Even if they mean well, it can make you think: what does that say about how we view asexuality/aromanticism as a whole?
Is there something less interesting about Alastor, when romance is taken out of the picture? Do others find him less appealing as a character if they can't see him dating, or in love, or having sex or wanting it? Why do we need romance, when romance is already everywhere else, when it doesn't even feel like he was originally really interested? It brings to mind a struggle to be societally accepted, even today.
Even when it's not technically wrong to write Alastor as you see him, being told that we should all be able to ship him however we want can feel like this:
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It brings to mind people who try to swing in with misinformed good intentions, telling us "oh, you're aromantic? but you can still have romantic relationships, right? so you can still be normal." when all we want is to be okay outside of the normal.
Or trying to find a partner who can be with us, out of everyone who tells us "I know you don't enjoy sex, and that's okay, but I can't have a romantic relationship with you without it." and being so tired of hoping for someone who gets it.
Or talking with peers, and hearing them all commiserate and fawn over their experiences with love, then telling them about someone you like non-romantically and getting "aww, it sounds like somebody's got a crush!" but not being believed when you tell them it's not like that at all.
Alastor is not a big deal, not really, not in the grand scheme of things. But in an allonormative world, it can feel like a sudden splash of cold water when we were expecting a warm fire to sit around. Even within this ecosystem, we squint to see ourselves reflected.
Society isn't built for us. It can be exhausting to be reminded of that.
~~~
I hope to support people writing Alastor as any variation of aspec, or not even aspec at all. At the end of the day, I think that fanon is really whatever you want it to be, and everyone has their own reasons for writing what they find enjoyable. They should be allowed to do so, and I want to believe that people do what they do with good intentions.
They want to imagine scenarios with the templates of characters they love, and that's okay; even beyond sexuality/queer identities/etc., fan interpretations of characters can be incredibly, wildly different from who they really are in the story anyway, and that's what I try to remind myself. But still, I also can't help feeling disappointed about the aroace representation we could have seen.
(Is Alastor canonically sex-repulsed? Uhh, maybe. If I had to guess, that'd be my top guess, but this might be a hot take: I wouldn't really say there's enough to go off of considering that this view is supported by Angel propositioning him both times, and it's not like Alastor is a particularly big fan of Angel at those points anyway lol)
To my fellow aroaces struggling with Alastor's fandom rep: if you need a break from it all; if you need to block the tags that you hate; if you need to talk to someone about how you're feeling; that's okay. It makes sense that you'd want more representation in a way that helps you feel seen and validated and less alone. I can't speak for everyone, but I think I get it.
I don't have any solutions for how you're feeling, because sometimes I'm feeling the same way. I understand that you want others to get your position and you have the right to express your feelings, but even if you're correct, often being angry or frustrated won't help change others' minds, so let's try to save our energy and take care of ourselves.
Something that helps me to think about is that even now, asexuality is gaining more visibility. We're gaining support. Real change is happening in the world that's helping incredible amounts of aspec people feel freer to be themselves. And maybe one day, we won't be reaching to protect our scraps of representation.
Let's fight until that day together <3
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aromantic-diaries · 2 months
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Yknow I feel more represented by characters who aren't confirmed to be aro/ace or even written as such, but can still be interpreted that way because of how they're characterized, rather than characters who are confirmed to be aro/ace through word of god while the actual story has no implications of that character being aro/ace beyond them not having a love interest. The latter kind of waters it down to not wanting to date or have sex which isn't really all there is to it. I get that not all representation has to be a 100% accurate, deep and touching depiction of the aro/ace experience, but that doesn't mean completely ignoring the character's identity beyond not giving them a love interest.
I will elaborate with two examples under the cut
So for the word of god representation, let's take Lilith Clawthorne from the owl house as an example. I think she's a great character, I liked her, and I think the owl house is a fantastic show that deserved better. However I don't think of Lilith as good representation because the only real confirmation we have is outside of the actual show. It's not in the canon material, she doesn't have a love interest but she's not even the only character who stays single so that doesn't mean much. She isn't shown to be any different from anyone, her being aroace isn't really relevant in any way. I'd say the best word for describing this type of representation is Passive. We know she's aroace because it was confirmed outside of the show, she doesn't have a love interest, but it doesn't really go beyond that. I get that the show was cut short and maybe it would have been elaborated on more but that's just a generous assumption on my part. My point is, I don't really see any real aro or ace experiences reflected in her character, neither mine or anyone else's. She doesn't really represent any actual aspec experiences at all which is why I don't consider her to be good representation. I still understand the community's attachment to her though, we take what we can get and what we get is very little. So while I love the owl house, the aroace representation is pretty dissapointing compared to the great representation of other queer identities and I'm kinda bummed that the aroace character still gets sidelined in an otherwise very queer friendly show
For another example I'll bring up my all time favorite, Rudy Waltz, protagonist of the book Deadeye Dick by Kurt Vonnegut. Deadeye Dick is not a feel good story. The story is dark, bitter and the conclusion is no different. Still, I would describe it as oddly comforting and pretty funny at times. So what does that have to do with anything? Well, our Rudy can very well be interpreted as asexual and probably aromantic as well. He isn't referred to as such, he describes himself as a neuter, the author states in the preface that the protagonist's disinterest is a metaphor for his own declining sexuality, and the book was written before the term aromantic was even coined. However, as an aromantic asexual reading the book, I could not help but deeply relate to Rudy's lack of interest in ever having sex or finding a romantic partner. I felt kinship with him as he described knowing how many people there are who are just like him and yet they go unnoticed by most people, because I was one of those people. I related to him and the way his disinterest in sex was met with such confusion from another character. Despite not being described as such, Deadeye Dick is very much in part an asexual and an aromantic story because the protagonist's experiences line up with that of someone on those spectrums. You could argue that calling him aroace is problematic due to him fitting a negative stereotype due to his emotional detachment, or that he only fits the label because of said detachment, but that does not change the fact that he is still better representation than a character who was confirmed outside of the story with no real implications. I see myself in Rudy more than I do in Lilith because Rudy actually feels like an aroace character
Anyways, rant over. Feel free to disagree with me
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anistarrose · 2 months
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The thing about the Heart Attack segment in Wonderland is that they put so much aromantic subtext in it. They accidentally put SO much aromantic subtext in it, on behalf of multiple characters, and I'm thinking about it constantly. Let me tell you all about it.
Magnus is dropped into a dating game and literally leads with "I cannot stress enough how uninterested I am in this." Now, it's perfectly valid to read this as due to him waiting for Julia, or just him being plain old uncomfortable with having his love life put in the spotlight. However! I cannot stress enough the exchange that happens just a minute or two after that line:
Magnus (describing his ideal date): ... and we don't see each other again, ‘cause I'm really not interested in dating. Audience: [exaggerated] Oooooh! (cheers) Griffin: The silhouette is like, fanning itself. Lydia: Playing hard to get, huh? It seems like our contestant is into that.
And I just have to say: unfortunately, this is one of the most aromantic fucking experiences I've seen represented in fiction in my life. I mean — saying you're not interested in romance, then having those words twisted on you, like they're some secret coded way of saying that you are interested in romance? Not having a single way to express your disinterest that'll actually be believed? That's some aro shit right there. God. Fuck.
As an aside, it's enough to really tell that Heart Attack is not designed to be a reprieve from the pain, even though it's the "good outcome" of Trust or Forsake. It's designed to be uncomfortable. To funnel suffering to Edward and Lydia, just like all the other games do. (More on that later, in fact.) But in summary:
Magnus is a character who can be read as uncomfortable with romance for either aro-spec reasons or unrelated reasons. But in either case, his discomfort attracts reactions that reek of amatonormativity — and therefore, resonate with aromantic experiences. (Psst, I did recently write a gray-aro Magnus fic!)
Two more analyses below the cut (and only one of them is for another Horny Boy):
Obviously the next character I need to talk about is Merle. I've found aroallo readings of his character to be compelling for a long time (having sex with plants so you don't have to worry about romantic commitment, am I right?), but the way he describes his "ideal date" is another factor:
Merle: I volunteer to drive her vehicle, and tell her it's filthy, and so we go through the uh- drive through vehicle wash and she pays for that too. Um, and then I take her to have dinner with my family, and- Magnus: Wait, like your wife and stuff? Merle: She meets my ex-wife.
Merle's probably exaggerating as a joke, continuing on about both him and his partner being miserable, but I think the fact that Merle's mind goes here is genuinely drawing from a lot of poor romantic experiences in the past. He didn't get a choice about being on Heart Attack, and his marriage with Hecuba was similarly "arranged".
It's also worth noting that at this point in time, Merle is putting in the work to be part of Mavis and Mookie's lives again, but is not interested in doing the same for Hecuba — he instead just asks Mavis how Hecuba's doing. That said, given that Magnus is the one to put the focus on Merle's ex-wife, I think it's fair to read the "family" comment as Merle actually expressing that he'd rather spend time with his kids than give any special romantic attention to his date. Moving on to the rest of the "joke":
Merle: She's having a miserable time and she's really mad, she can't wait to get outta there. I take her back to her house, and so I lean up against the door jam and say, 'Sure you don't want me to come in for a few minutes?' and she slams the door in my face.
It's possible Merle just has a more roundabout, self-deprecating way of expressing a similar thing to what Magnus did: Merle just isn't interested in dating. To me, the last line implies he might not say no to sex, if offered — but overall, it reads as if Merle is putting minimal effort in because he's looking for an excuse to get out of this relationship anyway.
It's also possible that Merle's "rejection" of a suitor being so disguised as humor could point to him still coming to terms with his disinterest in dating. Particularly, in comparison to Magnus, who is so vocal and unashamed about it, while Merle might still be figuring this all out.
(Honestly, the self-deprecation Merle turns to here is actually kind of sad, when viewed in that light — he already lets himself be the butt of jokes so often, and now he feels like the way romance doesn't click for him has to be a joke, too? Oof. Someone give him a hug and tell him he's not broken this instant!) But regardless:
Merle views dates, and perhaps romance in general, as things that will inevitably turn disastrous for him and any party involved with him, and he would rather spend time with his children than repairing a relationship with an ex, or cultivating a relationship with a new partner. This is not an experience exclusive to the aro-spec umbrella, but you can't say that an aromantic reading of his character doesn't fit him like a gardening glove...
...which he wears while fucking his plants. Because plants don't demand emotional intimacy, nor take too much time away from the platonic relationships that matter more to him. And you know what? He's fucking valid for that! Fly your flag, nasty grandpa!
But moving on: I promised you aromantic analysis of characters outside of our protagonists, and henceforth, that analysis I will provide. And not just because I admittedly see Taako as the token alloromantic (though clearly an aro ally; if he hadn't chosen Forsake we wouldn't have gotten all this incredible characterization!)
I digress. So let's go on to addressing the lich twins in the room: Edward and Lydia.
Remember my argument earlier that Heart Attack serves the purpose of collecting suffering just like the rest of Wonderland does? How it's just a subtler way of making Wonderland's victims fundamentally uncomfortable?
...Using, of all things, romance?
How the vogue twins, for whatever reason, felt inspired to make people uncomfortable with matchmaking and adoration? How, some way or another, they noticed how much potential romance had to induce suffering? Being pressured into a relationship, being told that no matter how firmly you say you're uninterested, you're not really uninterested?
...Relatedly, I have always gotten the sense that Edward and Lydia projected relentlessly onto their victims.
Edward: This resolve, this desire to do whatever it takes no matter the cost to save yourselves — do you know who you three remind me of? Magnus: No? Merle: Who? Edward: Us!
I'm even going to go a step further and say that on top of projection, they want their victims to go through things they went through. Swallowing the guilt of having fucked someone else over to survive, of course — that's basically self-admitted. But possibly also... the feeling of not being able to get back what you lost (Keats). The feeling of being able to heal (Keats).
So, where does that leave Heart Attack?
Lydia: It was the three of us, surviving against all odds. The world against us.
Their family of three was (is) indescribably important to them. I'm not necessarily saying that societal expectations of romance, especially of romance as a priority above that of family, left a bad taste in their mouths — if not downright contributing to their trauma — but, okay, I wrote the rest of this post and now that I'm back, I can no longer deny it. I'm definitely, absolutely saying that.
At the time of the podcast, we know Edward and Lydia's own relationship is heavily strained. Until the end, they are lying to themselves and to each other about the fact that they continue to be emotionally and magically reliant on each other. After all, Lydia wouldn't say "I guess we really needed each other after all" in her dying moments with such surprise otherwise.
This is the second reason that I... well, I wouldn't quite call it a "theory," but I find it most impactful to read Edward and Lydia as characters for whom the concept of Love has baggage. And always has, from their origins as youth in a tough spot in an already amatonormative world.
Maybe the constant societal devaluing of platonic, familial bonds left them with serious emotional scars. Maybe the constant conflation of Love and morality just weighed on them and weighed on them and weighed on them until they decided: well, we don't love the way people expect us to, so we might as well give up on being the good people they expect us to be. We might as well embrace this new fuel of suffering.
...And you know, I hope this gets across what I mean when I always say I headcanon villains as aromantic to make them more sympathetic.
Edward and Lydia, textually, are already tragic villains. As twins and liches, they're also textually foil characters to several of the Seven Birds. But I also like to think that they have a lot in common with Magnus and Merle, and the possibility that tugs at my heartstrings the most is the possibility of them all falling under the aromantic umbrella.
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lovelybrooke · 3 months
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I'm really tired of seeing people use the "AroAce is a spectrum" argument when it comes to Alastor, especially now that the show is getting more popular. I just want to talk it about it a bit, since y'know, I'm AroAce and have a lot of opinions on it.
For reference, I've been a on and off fan on Hazbin Hotel for a long time. The pilot came out around the time I was in middle school and it was a large part of my personality for my younger years. Obviously I fell off it as I got older, but my point still stands.
Alastor was the first time I ever saw a canon AroAce character (that I knew off, I wasn't aware peridot was AroAce), and It was amazing for me. I never got to see myself be represented in a show like that, and even if he wasn't explicitly AroAce, having the creator say he was was amazing, since a lot of the AroAce characters at the time were just popular headcanons.
So you could understand my disappointment when I'd go into fandom spaces and see him be shipped with other characters, be drawn in suggestive ways, and overall his canon sexuality be ignored. Now before you comment and say "Well, Aromanticism and Asexuality are spectrums, so there's a chance he's romance and sex favorable" I want to ask you a genuine question.
Do you think that Alastor is romance and sex favorable because in the show, pilot, or any other official media he is depicted to be that way? OR, do you just think he's romance and sex favorable because it gives you an excuse to write fanfic of him where he's in romantic and sexual relationships?
I have a feeling a lot of you believe it's the second one, but would never admit it. I haven't watched the pilot in a while, but after watching through the show, there hasn't been a single point where he is shown to be romance or sex favorable. Nothing hints to that or points to that in any way.
Because ultimately this isn't about making sure you are representing his character correctly, this is about you guys disillusioning yourself into believing he's romance and sex favorable to that you guys can put him as close to allonormativity without being called out for it. You do not care about real life AroAce people who are romance and sex favorable, you care about your own comfort. And it's easier to imagine Alastor as romance and sex favorable when in reality, he's only been depicted as the exact opposite.
Do you know how I know most of ya'll don't care about real life sex and romance favorable AroAce people? Because AroAce discourse is never ending on this platform. Not too long ago there was a poll going around that had people arguing on whether or not cishet Aromantic men were valid. Aromantic people are constantly villainized and treated like monsters for having consensual loveless relationships. Asexual people constantly have their own experienced denied to their faces, and are told time and time again that they don't actually exist. AroAce people are constantly having to prove that they deserve to be in the LGBTQ+ community, and every few months there is some stupid fucking person who created discourse about a what type of AroAce gets to be in the community, just to divide us and make us feel like shit. And you know what?
You don't care.
You completely ignore or are oblivious to real life discourse surrounding the identity you claim to be an expert on. You ignore real life AroAce people who tell you you're wrong, all while going to war over your right erase an identity you really know nothing about. You would never go this hard for real life sex and romance favorable AroAce people who are constantly told they don't exist, they don't belong in the community that supposed to except them, and that they are either mentally ill or damaged. You don't care about real life AroAce people, because unless they're Tumblr sexy men, they don't matter to you.
I acknowledge that romance and sex favorable AroAce people don't get represented enough, but at some point you have to acknowledge that it less about accurately representing the character, and more about changing characters who are canonically sex/romance repulsed so that allonormative people can be more comfortable with them. If you're someone who's AroAce, and you whole heartedly believe he's romance and sex favorable, good for you, I'm not gonna argue with you.
But if you are not AroAce, and you believe he's romance and sex favorable, I want you to reevaluate why that is. I'm not saying you can't ship him, or write your fanfic, or draw your art. I'm not the police. But please try and see it from a point of view of someone other than your own. Please try and understand why taking one of the very few canonically AroAce characters and weaponizing our own identity against us so you can justify the continuous eraser of said identity is kinda annoying.
Also please don't get heated in the comments, at the end of the day this is about a fictional cannibal, I just have too many opinions.
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chubs-deuce · 2 months
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Charlastor brainworms anon here again. I was reading your reply to a recent ask and i have to say I agree, and also it's really silly to me that some people act like charlastor is some kind of morally dubious ship.
I don't think anyone's here to ship this because they want it to be canon, it's honestly just for fun! There's nothing wrong with it being non-canon compliant.
As an aroace lesbian, charlie isn't even lesbian herself, just in a lesbian relationship. So many ships split up canon pairings anyway, it's not something new. And i think people tend to forget aromanticism and asexuality are broad spectrums, it's not a black and white one or the other. The aroace label can encompass a lot of different identities, and there are many ways to pair alastor and charlie while still respecting his identity. He could be romance favorable, or they could be queer platonic, or people could just generally have different headcanons for him. It's also very telling that I don't see people bringing up how he's aroace nearly as much with radioapple or other ships. Fan works don't have to be an exact mirror of whatever's canon, and that's not the serious issue that some people act like it is.
Right?
I've generally noticed in recent years that people act so much more viciously towards non-canon ships when they're het-presenting.... :')
I think a lot of it has to do with how fandoms generally tend to assign more inherent moral value towards more visibly queer pairings... Combine that with the bs that is twitter's infestation of performative activism and morality policing in modern age fandom culture and this is the result lol
What gets me is the sheer fucking hypocrisy of it all tbh?
People keep conflating Aromantic and Asexual and confusing them with one another in their anti posting about this ship and it will never not be the bane of my goddamn existence tbh, especially because they're not even consistent with what ships they apply this criticism to, as you've also pointed out.
I will personally assume that anyone who can't tell these two labels apart and acts like they're one and the same yet whines about shippers not respecting Alastor's canon sexuality is probably nobody worth listening to anyways.
Charlie btw is canonically bisexual, and the amount of blatant fucking bi erasure I keep seeing people do just to feel morally superior for calling her a lesbian like it's a clever argument against a non-canon ship is so tiring...
Ultimately the best course of action is to silently block and ignore them.
Can we go back to that era of the internet where people would explore shipping two characters just because they stood next to each other for three frames or because their color schemes match or something equally insignificant?
We had so much more fun getting creative with how we just made random dolls kiss for fun back then :(
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transmascutena · 3 months
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what do you think about the incestuous relationships in revolutionary girl utena, and the root causes of the abuse? one of my favorite analyses I've read so far talked about how rape and incest aren't deviant, they are an extension of the patriarchal family unit. And do you have any thoughts/analysis about how it specifically manifests in RGU and the way the narrative communicates these themes?
It's so annoying the way some people act like the incest is just regular brother and sister complexes that's common in a lot of anime, and not an integral part of the show's themes about the Family fostering an environment ripe for abuse. The show treats these heavy themes seriously, and I wish I was smart enough to articulate my thoughts about Miki and Kozue, Anthy and Akio, etcetera. Hence, this ask.
Jsjsksks I know I sent an ask just yesterday about Revolutionary Girl Utena, but your analysis is so cohesive, and I really appreciate you bringing family/marriage abolition and amato-normativity into your analysis posts. It's very affirming to me as an aromantic asexual.
thank you so much! i will admit i also have a hard time putting my thoughts about these themes into words, because they are . a lot, so forgive me if this is a little rambl-y. but they are a huge and very important part of the show, so they're important to talk about.
i think i know the analysis you're talking about, and it's spot on. every kind of abuse we see in the show is a product of The System (patriarchy, the school system, the nuclear family, etc.) that's not to say that the abuse isn't purposeful, or that it doesn't often come from people choosing to do harm, but their ability to cause that harm is facilitated by these systems. for example, the system is not forcing akio to do what he does (although it is the reason he knows it will get him what he wants) it is just giving him the tools to do it effectively. abuse does come from people, but the systems are what makes the abuse so effective, and that's why we need to dismantle them.
this is something i've mentioned before, but a big part of why anthy was so trapped in her situation until the end, is because of the expectation to value family above all else, and to always love and forgive them no matter how they hurt us. and that is the reason why incest is so inherently toxic and abusive. it's not that it's "gross and unnatural" (such rhetoric really only serves to hurt and alienate victims anyway) it's that you cannot ever have a healthy relationship in a framework that tells you that you always have to stay with someone, and forgive someone, and love someone, no matter what. it doesn't matter if there's no age gap (seen in the kaoru twins) to create other kinds of power imbalances and it doesn't matter if they're not actually related by blood (seen in nanami thinking touga isn't her "real" brother, and in touga trying to use that against her.)
i've talked about how all this affects utena as well, and how even the state of not having a family makes you vulnerable to it, here.
it's not that siblings (or other family members) are more likely to be abusive people, but when they are, it is a lot harder to escape said abuse. leaving a regular abusive relationship is already incredibly difficult, but if they're you're family, it's even easier to fall into the mindset of "oh, but they really just want the best for me." when you've been taught that family is the most important thing in the world, leaving them is a huge decision. especially if you rely on them for material needs as well, like housing and food (which also happens a lot in romantic relationships and marriages.) there's also the way that with sibling incest in particular, especially if there isn't a big age gap, the victim will often be made to feel complicit in the abuse, either by their abuser or by society at large. like it's something "weird and taboo" that two people are doing together, rather than the abuse it really is.
that last part definitely manifests in the show, with the victim-blaming anthy recieves. from nanami especially. her desire to prove that she's "not like anthy" comes from an understandable place. she's dealing with figuring out that her feelings for her brother weren't what she thought they were, but it ends up with her putting equal amounts of blame on akio and anthy for the abuse she witnessed, even though there is a clear perpetrator (not helped by nanami already disliking and distrusting anthy.) it's clearest, i think, when she refers to them as "those perverted siblings" to utena.
it's funny (it's not) that this kind of thinking even manages to happen in the fandom itself. anthy is obviously not a perfect passive victim, and it's reductive of her character to say so, but the idea that she is as much an active participant in the abuse as akio is, is a take i have seen too many times for comfort. like, congrats, you fell for the exact kind of thinking that the show was trying to critique!
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nyxsealia · 3 months
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An example of why LGBTQ+ representation in media matters, especially children's media.
As a child I didn't know LGBTQ+ people existed. There were no queer people in my family, or in family friends. (At least, that I was aware of) I remember one time we went to the library and there was an educational table set up outside with information about pride. I asked my mom what all the rainbows were for. I don't remember what she said, other than I remember her mentioning one of my older brother's friends who apparently had two moms. I was very little. I forgot about that conversation and was no more aware of queer people.
I don't remember seeing queer characters in media. The first time I can remember seeing LGBTQ+ people depicted in anything was in the music video for Avichii's "Addicted to You" the plot of the music video follows a pair of female robbers who are explicitly in a romantic relationship. I was absolutely fascinated by this music video when I saw my brother watching it. I was eleven. This music video follows a lot of the common queer TV tropes. The women are criminals, the "bad guys" and they die in the end. But this was the first time I can remember seeing lesbians.
Even as a teenager, I don't remember seeing much LGBTQ+ characters in media. I was intrigued when the token gay side character would show up in a TV show, but that wasn't really representation. I still knew nothing about queer people. A boy in my art class came out to me as trans. The exact words he used were "I'm a trans guy." and I legitimately didn't know if that meant ftm or mtf. I accidentally misgendered him once because of it.
In my early teens, I said some pretty ignorant things. Luckily just to my family, but still. It wasn't until I started questioning my sexuality in my late teens that I actually started to learn anything about the LGBTQ+ community. I did a lot of research, not all related to figuring out my sexuality, just about LGBTQ+ experiences and identities. I watched videos by LGBTQ+ YouTubers, listened to podcasts, read articles, all by queer creators.
I especially made a point of understanding transgender people, because that was something at the time that greatly confused me. So I looked for videos, podcasts, articles etc, made by transgender people themselves where they talked about their feelings and experiences. It made a huge difference. I wasn't confused anymore, I couldn't relate to how they felt, but I had understanding and empathy. I went from confused and unaware, to understanding and supportive. Just from a bit of research.
But even at this point, there was still little to no LGBTQ+ media representation. When I came out at 18 and felt comfortable picking movies focused on queer characters, I had a heck of a time finding any. I did find some, and while a lot of them weren't great, I did find a few really good ones. (Saving Face and Late Bloomers are two of my favourites)
Things are getting better, slowly. We're starting to see more media focused around LGBTQ+ characters, and children's media including the topic. It's long overdue and we're still not quite there yet. You're gonna have a hard time finding media focused on LGBTQ+ characters that aren't white, able bodied gay, lesbian, or bisexual characters. Representation for trans, non binary, asexual and aromantic identifies, queer people of different ethnic and cultural backgrounds, religious queer people, and disabled queer people, and any combination of the above, is still lacking. We still have more work to do.
Having these kinds of shows and movies would have made a big difference for me growing up, and it will make a big difference for thousands of other kids who are growing up right now.
This isn't a negative post to complain about the lack of media, it's an example of it's importance and optimism for the future. I do believe this will continue to get better, however slow that may be. This is just my little reminder of why it needs to.
I hope anyone who reads this is having a good day. You're valid and loved, no matter who you are. Stay safe.
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vellichorom · 3 months
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HATOFUL BOYFRIEND PRIDE HEADCANONS! ✨ a bit early in the year for it? NEVER !!!!
just a silly set that took WAY too long to do for being a blip of a thought this afternoon
USING SOME SPRITES FROM THE HATO PARABLE because my ass could NOT be asked to dedicate myself to editing on ties & accessories COUGH;;
( flag glossary / few extra details under the cut for anyone that doesn't recognize the flags or just wants to soak up every inch of this post; )
ryouta kawara - open to all pronouns // genderqueer / demiromantic / bi-curious; ( the dressing up + playing up femme characters really got him thinking... ) hiyoko tosaka - uses she/her primarily but anything goes // aroace / pansexual / genderqueer; ( she does not give a FUCK but if she HAD to label herself... wild & free... ) nageki fujishiro - he / they(?) // questioning; ( feels stifled as a ghost & likely forgoes thinking of anything like that, but in an AU where he lives, he's questioning a bit of everything; likely queer ) sakuya le bel shirogane - he / him // demiromantic / queer; ( he's not gotten that far to figure it all out yet, redemption comes first after all! probably into guys ??? ) okosan - he/him primarily but i don't think he cares // aroace; ( i admit i really didn't know what to give him but i don't think he gives a shit about romance OR gender, even if pudding wasn't his ultimate goal - & yet, okosan loves everyone! ) yuuya sakazaki - he/him // omniromantic / demromantic/sexual; ( a massive flirt toward anything that moves, but you're not getting dinner without him getting to know you some! ) kazuaki nanaki - he/him // queer / demiromantic/sexual; ( romance & beyond is the Furthest from his mind at any given time (( like most here )), but hey ) shuu iwamine - he/him // homosexual / aroace; ( this is possibly buried beneath emotional setback after emotional setback, buried underneath research first & foremost ) anghel higure - he/it but he probably goes by all KINDS of pronouns & genders, especially holy ones but... / unlabelled; ( bisexual energy, but i can't begin to summarize all of that in any one label & he DEFINITELY couldn't, so we won't! ) azami koshiba - she/her // pansexual / demiromantic/sexual; ( recently realized pre-love ★ blaster! congratulations azami! ) rabu/hosokawa blaster ★ - he/him // bisexual; ( ALSO recently realized pre-love ★ blaster, during his parting from azami; whoopee! ) kenzaburou urushihara - he/him // homosexual; ( ready to form his own coffee shop au at any given time /silly ) tohri nishikikiouji - he/him // demiromantic/sexual / queer; ( the gayest possible man alive, & yet... still figuring a few things out; ) ryuuji kawara - he/him // bisexual / aromantic; ( he's just. do you understand me. & the bastard died before he could resolve anything this revelation sparked, ) miru & kaku - they/them(???) // christmasgender &/or agender; ( i'm right ) the king - he/him & probably king/kingself pronouns lbr // homosexual; ( moreso explored in another life... but i had to include him for the sake of prohibiting bigger spoilers; ) leone JB - he/him // unlabelled or aroace; ( ESPECIALLY could not care less about any of it, & maybe aroace wasn't the right flag to put here but i feel it also holds true; ) mino ichijou - he/him // homosexual; ( to the one other mino enjoyer out there, isn't he so very gay to you as he is me. gives me hopeless romantic vibes as well; )
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beanghostprincess · 6 months
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well since you asked so nicely, what are all your straw hats sexuality (and gender identity?) headcanons :D
ps you dont have to explain them all if it's too much for you ^^
I love you so much for this mwah mwah /p I love when people send me asks like this <33
: ̗̀➛ [Luffy] Sexuality: Aspec. I'm very, very specific with this so I would have to write a whole paragraph to explain it well, but I'll try to do it in fewer words. I used to headcanon Luffy as asexual but the demi-sexual headcanon is growing on me. Only sexual with Zoro, though. Like- I ship Luffy with more people but imo he only feels sexually attracted to Zoro. Something something 'the bond between a captain and his first mate'. Romantic attraction: I can see him being demi-romantic (once again only romantic with Zoro. Or Sanji, even) but I personally see their relationship very Aroaspec QPR. Aromantic and Demi-sexual with a very deep bond with his first mate and his cook. Gender: Transmasc. Demi-boy. He/They. I think he, like, resonates more with being a boy but still doesn't fit the binary enough to be one. And transmasc because. Well. Have you seen him?
: ̗̀➛ [Zoro] Sexuality: Homosexual. Gay. The gayest man you've ever seen. I think he's demi-sexual too in the sense that only Luffy or Sanji would make him go insane and aroused, but he would sleep with other men just because. Like fr, just because he can. Idk. Homosexual behavior everywhere. He's so fucking gay. If there was a gay contest between OP characters he would probably win or end up in a tie with Nami, Law, and Kid. Romantic attraction: Demi-romantic. This dude is obsessed with his captain only. First mate things. I seriously believe that being a first mate makes you inherently unable to fall in love with somebody else. Well, perhaps Sanji too, but I'm not that much of a Zosan so I don't think about how they would work. And still, he'd be Demiro anyway. Gender: Transmasc guy because, once again, have you seen him? Dude even has a scar on his chest. Man tits. Love him. He/Him.
: ̗̀➛ [Nami] Sexuality: Graysexual Lesbian. Some might argue with me on this because she has a different girlfriend every arc, but I honestly think that she only feels genuine sexual attraction sometimes and it's not often. Playfully flirting doesn't equal genuine sexual attraction. Romantic attraction: Grayromantic Lesbian. Because, once again, people might not agree with me, but I think she doesn't have crushes often and she falls into more of a romantic gray area. Never with men, though. God forbid. Never with men. That much is clear, I hope. Gender: Demi-girl. She/They. My babygirl. My girlboss. Like I said with Luffy, I think she embraces being a girl but still doesn't fall into that term exactly and doesn't mind They/Them or more androgynous looks/terms at all. In fact, she loves them.
: ̗̀➛ [Usopp] Sexuality: Bisexual. I love him. He be pulling blonde bitches everywhere and by blonde bitches I mean Kaya and Sanji. Something that always makes me and my BFF laugh is the fact that he's canonically very normal about women's bodies, unlike Brook or Sanji or even Franky. Like, he's pretty decent and respectful and he's, well, a normal human being. I appreciate the bare minimum when half of the characters are perverts sometimes. Romantic attraction: Birromantic. Pretty much the same thing I just said. Simple guy. So true, king. Although I like the Demi-romantic headcanon and I think he doesn't really get love at first sight and would be bothered by Sanji's view on this. I think Usopp is somebody who needs intimacy to develop a romantic crush on someone. So, yeah, I also like the demi-romantic thing but this could be just me trying to make everyone Arospec for no reason other than projecting. Gender: Non-binary. He/They but prefers They/Them, he just doesn't expect people to use those pronouns, and it isn't that big of a deal. Also transmasc. I'm obsessed with that, honestly. However, I think he wouldn't use the term Non-binary? I think he'd just use Unlabeled, perhaps.
: ̗̀➛ [Sanji] Sexuality: Bisexual with a high preference for girls. For obvious reasons. Romantic attraction: Birromantic too. He's a hopeless romantic. Believes in love at first sight and everything. Gender: Transfem. Genderfluid. Any pronouns. I love you, Sanji. You're real to me. And I'm not explaining my reasons for these headcanons because watching the show is enough for you to understand this, but between his trauma and Momoiro Island... Like... I know what you are, girly pop. The closet is glass and the egg is hatching and you need to come out. Oda, please, let her ou-
: ̗̀➛ [Chopper] This one's just, like, Chopper. Chopper is Chopper. I don't think about this much. He canonically likes female reindeer. I have nothing else to say. Gender? Little guy. Sexuality? Honestly, if somebody gives him a reindeer boyfriend I support that. So bisexual and birromantic, I guess. I don't know how it works for him. I don't think he cares. It's not that he's too young because he's canonically a teenager already, I just don't think they've encountered enough reindeer for me to form an opinion on this. Why the hell am I writing so much to say something so fucking stupid. I'm sorry. Let's move on.
: ̗̀➛ [Vivi] Sexuality: Demi-sexual Lesbian. I don't think she's ever thought about sex as something she wants or feels attracted to. At least not until Nami shows up. Romantic attraction: Lesbiab. Lebanese. Dyke. Bollera in Spanish. Girl kisser. Woman liker. Homosexual. No men allowed between her legs and her heart. Friend of Ellen, as Annie Edison would say. Gender: I think she's a cis girl. She/Her. Would literally punch violently anyone who misgendered somebody from the crew. My princess. My girlfriend, actually. Her pronouns are loveof/mylife.
: ̗̀➛ [Robin] Sexuality: Bisexual but also probably Graysexual because I don't think she feels attraction often and doesn't really get aroused if it doesn't come with other emotions. Preference for big, and gentle men. By big, gentle men I mean Franky and Jinbe. And by gentle I mean Brook. The four of them together, btw. Romantic attraction: Birromantic. I think she's just, like, vibing. Learning to love. She has so much trauma she deserves to be in a tender relationship and she just happens to be with four men but she knows how to appreciate a woman. Gender: Transfem. She/Her. You know those older trans women who give the most comforting, calm, mature energy in the world? That's Nico Robin. Gonna keep it SFW but she tops Franky 100%. And also helped Sanji with her transition. I love this. Please adopt me, Robin. She's perfect.
: ̗̀➛ [Franky] Sexuality: Bisexual. If a man doesn't know how to appreciate another man's beauty, then he isn't manly enough. Women are perfect. Men are perfect. He's wonderful. I love him. Romantic attraction: Birromantic. I swear to fucking god he has something going on with Jinbe and Brook and Robin. I am so not normal about them- Gender: Cis man but he'd probably consider being a cyborg a third, secret gender, so I'm gonna let him have that too. He/Him.
: ̗̀➛ [Brook] Sexuality: Bisexual classy grandpa. The fact that he's a gentle grandpa has a lot to do with his sexuality (no it doesn't). He might be a pervert around women but at least he supports consent, so, he's better than Sanji here. Romantic attraction: Grayromantic because I feel he doesn't get real crushes easily. Especially since his boyfriend (his former captain) died. The trauma he probably has around romance now, damn. Gender: Hear me out he's the most Unlabeled thing ever. He/They. He's just bones and most people don't even know how to tell the difference between sexes when it comes to bones. Robin is actually the only one who knows his AGAB and she doesn't care anyway, so. Gender norms are bullshit and he's just the Soul King.
: ̗̀➛ [Jinbe] Sexuality: Graysexual and Bi. He's somewhere there in the Ace spectrum. I just don't know where. I think he's, like, not that interested in bodies and sex? He would only have sex with somebody he loves and it wouldn't even be for the arousal and the attraction. Romantic attraction: Demi-romantic, which is not the same as gray. Because I think he'd need, like, to spend time with Robin/Franky/Brook to form a deep bond and then he'd slowly and gently start falling for them individually. I swear I am so normal. Please, they should adopt me. I want the four of them to be my parents. Gender: Cis man. He/Him. Biggest trans supporter in the whole fucking world.
The Going Merry is actually called the Going Liberal and the Thousand Sunny is technically the Theysand Sunny and with the help of their ships the straw hats are trying to find the Woke Piece.
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slenderboo · 3 months
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putting in my two cents as an aroace hazbin fan to the whole alastor shipping debate (adding a cut below because this got long-)
before I start, it's important to remind everyone:
alastor is canonically ace and (semi)canonically aro, and that should be respected the same way we'd respect angel dust's identity as a gay man, or vaggie's as a sapphic woman.
"ace" and "aro", while also functioning as labels unto themselves, are umbrella terms for a lottt of identities. Some of which do include the ability to experience sexual and romantic attraction, in different ways and at different levels (demi, cupio, lith/lithro, grey, aro-and aceflux, the list goes on).
So, given all that, is it possible to interpret alastor as experiencing some level of romantic attraction, or sexual attraction? Of course, identities like the ones I listed above are just as valid as any other acespec and arospec identity.
So, what's the issue then? Right now, a lot of fans are using the breadth of aspec identities and experiences as a shield, to excuse them shipping him like they would an allosexual/alloromantic character.
Just to make it clear, that in itself is erasure. And I know that's a strong statement, and that there being such a broad aroace experience adds nuance to any statement you can make on that, but we have to acknowledge as a fandom that there are objectively wrong ways to handle aspec characters, both in the way we discuss them and in the way we portray them in fan works.
And before anyone says it, saying "alastor isn't real" or "fanon content won't change his canon sexuality" doesn't work when real life aspec people can't even look in a tag of a character that's supposed to represent them without seeing their identity erased. It's the way I feel attempting to engage with a lot of hazbin content, and I know a lot of my fellow aspec hazbin fans are feeling it as well.
So, what's the solution to all this? That's unfortunately kinda complicated. Everyone has a different opinion on what constitutes as erasure, what is good rep, how much benefit of the doubt we should give people, et cetera, and so everyone's solutions look different. In a way there also isn't a way to solve it, since aroace erasure is so normalized in fandom culture (not just the hazbin fandom; fandom culture as a whole) that there will always be a significant portion of fans who will ignore, erase, or otherwise deny alastor's or any other aroace character's sexuality.
So, to put my two cents on it:
My philosophy is that if you're going to ship alastor (or any aspec character for that matter), it's best to have an identity in mind for him to use as reference. For example, I think of alastor as sex-repulsed aroace, and I write him with that in mind. Whatever you pick can be a steadfast headcanon, an identity tailored to the story you want to tell, or one you want to explore in your fanwork, whether for fun or to educate yourself on it better.
What's better is that you don't even need to mention the sexuality itself in the work! Show don't tell is a great writing tool, and for alastor specifically, who canonically isn't aware of his sexuality, it works perfectly. Just simply creating with it in mind, asking yourself, "how would someone with [insert identity] experience this?" and going from there, makes a world of difference.
Just in terms of good fanfic etiquette, I'd also make sure to include it in the tags if you're posting it on ao3, just to make sure your readers know what's up and to help with filtering (I personally don't read any alastor ship fics that don't include the asexual or aromantic tag at this point). Bada bing bada boom, that's representation right there!
Since Alastor is one of very, very few ace characters in mainstream media, and even less aro characters in media period, us as a fandom creating good representation with him is really important, especially in terms of the breadth of aspec identities. We don't get much representation, so claiming he's definitively one label or another isn't productive, and hurts the community in the long run. Fanfiction is first and foremost an exploration of canon, so why not play around with what "aro" and "ace" can look like for him?
Case and point, I've seen some incredible ship fics that headcanon him as demisexual and/or demiromantic, and do a great job representing those identities. I've also seen some really good fics that portray him as sex-repulsed, and others that portray him as sex-neutral or positive. All of that is great, and again, even if it isn't directly mentioned: adding subtext, putting it in the tags, and even simply writing the fic with the sexuality in mind does wonders.
Me personally, I headcanon Alastor with the same identity as me; sex- and romance-repulsed aroace, but open to queerplatonic relationships. That doesn't mean fics that interpret him with a different aspec identity are less valid, or are interpreting him wrong. All of it is valid representation.
And that's not even getting into queerplatonic relationships, which is what I put Alastor into for my own headcanons (queerplatonic radioapple fic when). For that, please do your own research, but remember that queerplatonic relationships tend to look different for every couple. They can be poly, include kissing and physical intimacy, or look just like what most people would consider a regular friendship or regular romance.
So, can you ship aroace characters? Sure you can, as long as it isn't at the expense of their sexuality, or more accurately, the representation their sexuality gives to a historically underrepresented group.
That's pretty much it from me, please remember to support aspec fanartists and fanfic writers, and happy (early) aromantic spectrum awareness week for all my fellow arospecs!!
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percyssunlithope · 1 month
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Question. do you think Percy should have stayed Single? Or ended up with somebody other than Annabeth? I Really think he should have stayed Single. Because I personally don't Like Percabeth, I don't Ship Percabeth and I don't Like Annabeth at all because of the way the Shippers act, or The way the characters themselves in Canon Act, like how Percy just does whatever Annabeth says, or how Percy is scared of Annabeth, Or how fans make it seem like Percy would become an Emo Edge Lord if something happened to Annabeth, Or How much she Belittles and Degrades him (I hate the nickname Seaweed brain), Especially since she acts like Percy cant do anything without her That moment when She and Reyna were talking about how ("Percy Couldn't find his way out of a Paper Bag without you")Made me SO mad it made me Dislike Annabeth even more and Dislike the Percabeth Ship as a Whole, I even hated when she Pretty much Restricted percy of using his powers You Know? "The sea doesn't like to be Restrained" well here it is.. being restrained...Exactly what it hates, and I hate how the Fandom makes Percabeth a Godly Ship saying they are the "It Couple" which they aren't and how They treat anyone who doesn't like Percabeth or Ships Percy with someone else other then Annabeth, but the one thing I HATE the most is how they make EVERYTHING percy Does Romantic for Annabeth like she's the only person who matters to him (Percy Only Remembering Annabeth (a Girl he's Known for only a couple years) Instead of The woman Who RAISED him by a goddess who isn't even the goddess of Love Made me SO MAD and Even when Annabeth made Percy remember when he was in the River Styx when it should have been his Mom made me mad) which is why I mostly believe that Percy Should have just stayed Single (I'm all for an Aromantic Percy) or At least Give him a Love interest who he can be Comfortable around and doesn't have to Constantly walk on Eggshells around her (I wished he Dated Rachel) or Hell Even make him Gay i've saw characters who have Better chemistry with Percy then Annabeth IMO but this all just my opinion.
@famousblazeperfection
A little bit of context on whether I do or don't ship Percabeth:
when I read the book for the first time, I was fourteen and knew nothing about healthy and unhealthy relationships, so I shipped them. Percabeth shippers influenced everything I found cute about Percabeth on the internet. I was horrified when I found out that Percabeth was toxic, but it was relatively easy to believe. Because I always had this nagging feeling about it, and it felt like I was forcing myself to like something that was mainstream even though I subconsciously did not like it.
I'm gonna cut the post here!
And I agree with all of those points you made about Percabeth in your question.
“(Percy Only Remembering Annabeth (a Girl he's Known for only a couple years) Instead of The woman Who RAISED him by a goddess who isn't even the goddess of Love Made me SO MAD and Even when Annabeth made Percy remember when he was in the River Styx when it should have been his Mom made me mad)”
YES! However, I saw a specific post that argued that Hera only made Percy remember Annabeth to manipulate him. So this point is weird for me. But I do agree with your side. And the River Styx thing—preach. You're so right about that. It should have been His mom that was his mortal spot. Because she was mortal and the first person who consistently cared for him.
So back to the original question, this is a talk I had with my friend in real life. She believed that Percabeth was one of those couples that get together but break up. And I agree with it.
I feel like some couples get together for the heck of it—even if they're not compatible. But then they break up because they are not what the other needs. And Percabeth falls under this category. I feel like Perachel had a much more logical reason to get together. In this context, Percy would take a while to realize that it is toxic (I doubt Rick would even make him realize that because of how popular Percabeth is).
Why Perachel?
Percy is a demigod. Rachel is a mortal. They do give each other what they need (and there's a lot of potential for angst, but I digress).
Percy never wanted to be a demigod. He's always wanted to be safe and happy. He didn't want to go on any more quests. He just wanted to stay with his mom and not worry about the world ending. And I think if he wanted to get into a relationship, he’d want to get together with someone who is not overly involved with the demigod side of him. Right before the Titan War, Rachel provided that escape from the demigod side. And he thought about her a lot, too. He thought she looked like a million drachmas, and he felt at ease talking to her. Percy gives her a way to find her purpose and introduces her to the demigod world which reassures her that she isn't going insane.
Next point:
If he did not find someone who is disconnected from the demigod world—either because people are too scared to approach him because of his intimidating aura, or he couldn't get with Rachel because she was the oracle (which is bullshit because why the fuck should an oracle, not date anyone?), or they are scared of what getting involved with him would entail—and has to end up finding someone in the demigod world,
For that situation, I'd argue that Nico would be a very good potential partner (and angs—WHO’S TALKING?). Nico liked him (a lot) and didn't get scared of him when he was at his scariest when he saw it (the kidnapping thing in TLO). Nico didn't try to stop him either (but then again, he could have been too shocked to react, but I don't think he would've stopped Percy even if he wasn't shocked). And Percy cares about him a lot, too. I don't think I need to underline what Percy did for Nico over PJO (but tell me if you need it because I know (a) pretty good post(s) about it, albeit I need to search for it). Although, I would argue that they'd get together when they're older.
I don't know what bullshit that HoO made them into because it's very ooc for Percy not to care and trust Nico and for Nico to go, “You're not my type.” (Percy was very ooc for the entirety of HoO except in a few select places and CotG; I should have realized that when I couldn't connect to the series as consistently I did with PJO; that's a topic for another day).
To conclude, Percy should have either gotten together with Rachel/Nico or Percabeth is the type of relationship that doesn't last long.
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vidavalor · 8 months
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hey I just came upon your meta about crowley's oh moment after talking to nina and I'm intrigued but don't quite understand. I always thought it was about realizing he's in love because he literally mouths 'love' to himself. so could you expand a little? like what scenes do you think wouldn't make sense if he wasn't aware it was love he was feeling? thanks :)
hi! :) thanks for the ask. hope you're having a great day so far today!
to me, the "oh"-looking moments in the series-- 1941's books moment for aziraphale and this scene with crowley & nina that we're talking about-- aren't "oh... i'm in love with him"... they're "oh... *he's* in love with *me*..."
this matters b/c crowley & aziraphale have always had reasons to try to pretend that what they felt wasn't love and they've been pretending for a long time. they mainly do because they are afraid of losing one another or getting one another hurt. but they also have a lot of conflict around whether one another is capable of loving them. crowley knows that aziraphale is an angel so he's a being of love and loves all god's creations, right, but that's very different from loving someone romantically and even if aziraphale can do that... could he love a demon? a literal fallen angel? meanwhile, aziraphale has proof for days that crowley isn't evil but he's a demon so, by nature, can't really totally be *good* and what would it say about him (aziraphale) if he, an angel, was in love with a demon-- a being that is literally the opposite of what angels are supposed to be? this is all while not even yet getting into the idea that angels and demons alike have been socialized to believe that they are above humans and different from them when it comes to things they consider pedestrian and human-- love, sex, sleeping... food is the one that is used as an example the most in the series. The show subtly suggests that while angels and demons are different in the sense that they're magic-- that they don't expressly need to breathe, sleep, eat, etc.. to stay alive-- that they do *need* these things the way that humans do. (I want to emphasize here that I mean "the way humans do" in the sense that not all humans needs sex or need a romantic relationship. They do need to sleep and eat but mah point is dolphins mah point is lol that there is plenty of room here for asexual and/or aromantic interpretations of Crowley & Aziraphale if that's the way you want to go. I, personally, don't see it but I can see where there is room for it. The canon/Gaiman has angels and demons as asexual but it's asexual unless they wish to make an Effort-- which is to say that there are those who do. Crowley & Aziraphale strike me as those who do wish to but that's my opinion and my interpretation of the show, which comes from a lot of the parallels and symbolism they've set up.)
so then ok say they both want to do as the humans do and the things they feel are things they identify as being like what humans feel... they're still pushing up against conflicts here to being together. it's too dangerous, for once. they could get each other hurt. they're each other's only friends so what if it all goes wrong? one of them could end up alone. are they each other's type? these idiots are honestly worried about that lol. aziraphale is insecure about crowley's penchant for the beautiful-- lucifer, stars, gabriel-- and thinks for a long time that he doesn't catch crowley's eyes as much. (he's an idiot lol.) crowley can sense lust but he can't sense love and how could a pure of heart being like aziraphale ever really love a demon like him like that? befriend him, love him in that generalized angel way, sure. want him, ok, yeah. but be *in love* with him? crowley's never been totally sure. he thinks they are. he's almost sure aziraphale loves him but there's then yet another issue, which is will aziraphale *allow* himself to love him? because aziraphale's an angel and this would go against everything he is and crowley isn't sure that aziraphale would.
the scene with crowley and nina is off of nina seeing crowley and aziraphale together for the second time and it's really the first time there's been a human that crowley likes and respects who has been able to see them interact openly in public together... and what that human-- who is smart and observant-- thinks is that he and aziraphale are lovers. while crowley knows he's utterly besotted with the angel and has been for millennia and while he knows that, deep down, aziraphale is in love with him, the idea that aziraphale is now in a place of just acting like that in front of the humans, of not trying to hide what they are, of being more open about it... that's new. that's an 'oh' for crowley because now he's thinking, like...
...the human saw him speaking French at the restaurant and telling me about how he took the lessons the human way. Why is he insisting on speaking the language of love-- oh. He's... trying to woo me. Me. Aziraphale is trying to court me...
Notice how after the conversation with Nina, where Crowley wound back up? He got a table at the French restaurant and ordered a bottle of red and waited for Aziraphale to come back around from his meeting plans. This is a lovely place-- a place for romance. All the ivy and the roses and the little lights and the French menu and Crowley is heavily flirting. He knows the past tense of 'smite'-- this is an excuse to say 'smut' and 'smitten'. Aziraphale does love it (that look on his face when he says "smitten, I believe"-- he knows exactly what Crowley is up to and is into it)... but Aziraphale is distracted by the fact that he's trying to arrange this whole Jane Austen ball so he can dance with Crowley (and get Maggie & Nina to fall in love, yes, also that lol). He misses Crowley clueing in to what he's doing because he's too busy trying to do more of it.
Tumblr media Tumblr media Tumblr media
Just as Aziraphale's "oh" in 1941 in the moment when Crowley saves his books is the realization that Crowley isn't just not evil, isn't just more good than he'll admit, isn't just his friend, but is in love with him-- is *capable* of being in love with him and *is*-- Crowley's "oh" in the moment with Nina is that Aziraphale-- pure of heart angel Aziraphale, just enough of a bastard to be worth knowing-- is in a place where he's capable now of letting himself be in love with Crowley. He always has been-- just like how Crowley always had been before 1941-- but now he's saying he wants the romance Crowley has been trying to give him, more overtly, since the 1800s. He hasn't yet said as much but he's steering towards it and when Nina said "other people's love lives always seem so much simpler than your own", Crowley realizes how she sees them and that she's *not wrong about it*-- he mouths "love", thinking like... "love"... he's really in love with me? Did I not notice because I'm just so... oh yeah, ok great apparently I'm so used to seeing Aziraphale being in love with me that I didn't notice he's decided he's *openly* in love with me now. We look like a couple to the humans and we were just acting like ourselves in public, for once. Nina looks at us and she doesn't know we're supernatural entities, sure, but maybe what she sees isn't too far off from the truth: two older gay guys, used to hiding and secrets, a little unused to being together openly but working on it, who are in love with each other. A couple. With a lot of chemistry, which only happens if *both* people are interested in one another. Aziraphale is trying to romance me. That's what the French and the wanting to drive the car and all of this is. If we can just get rid of this Gabriel mess, we can have more us time and pursue that and...
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an-obsessed-cactus · 15 days
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I think i may be asexual?!
(okay this got longer than expected and i wanted to stop talking cuz ppl won't read it if it's so long and then i realized I'm not here to please anybody and i just wanna process some stuff so. yeah. also i come to realizations farther down that contradict some stuff from the beginning but I'll just leave my whole thought process here)
fun. um. I've realized I'm not straight two years ago and then started learning more about all things LGBT related and think myself educated enough on this topic but.
I've been pondering my sexuality and gender identity again more in recent days and. today i randomly stumbled across a yt video where the author (are you an author on yt? my brain is glitching rn)(also the 'author' in question is @jaidenanimationsofficial wonderful videos love the animation and the humor) talks about being aroace. few hours pass, my stomach hurts like hell so i go to lay down and sleep a bit, wake up and have a realization.
i googled again what asexuality is and read some more on this. i did this before and i guess i didn't see myself in it? so i kinda crossed it off the list of possible identities. i guess because i do want to have sex. i think. I'm not opposed to it and i get horny lmao. but that's only with fictional characters and works? like i just think: that was very sexy of you. but in a platonic way?! sex doesn't cross my mind. (also can you get aroused by music? or a good written work? or movie? like not even the characters but the work itself?) sorry i dunno I'm confused.
anyway i got a bit off track. what i wanted to say was that i suddenly remembered a convo i had with my sister a while ago where we talked about what is the difference between friendship and a romantic relationship. and she said it's that u wanna have sex with them and i was like ... i don't really think that's it...
and like. i get crushes i think. but I've never experienced this want to have sex with a particular person at least that i could remember. like a want to have sex? i guess yeah i mean not rlly sth i think about much but it's not unprecedented(see: i get horny)
honestly I'm not even sure anymore if im not aromantic as well. cuz queerplatonic sounds more like my jam?
like i felt(feel?) like omnisexual described me well because i think I'd be attracted to who the person is at their core. what if ur straight as a girl, date a boy, and then it turns out he's trans? i dunno i feel like gender isn't this fixed thing which then kinda creates problems when labeling urself with a certain sexuality. aaaa people came irl and i lost my train of thought. um. i feel like labeling myself anything other than omnisexual would feel limiting. even if i never developed a crush on a girl for example (i did), i still feel like i could potentially. like there's nothing stopping me. why shouldn't I?
OKAY SO
that was written yesterday. it is now today and i have a whole lot of new thoughts and realizations.
I had a bit of a marathon with @jaidenanimationsofficial videos and i came across an older one she mentioned in the previous one i watched about being aroace(ik it's a mess) about how she couldn't understand why when romantic feelings are not mutual people don't just continue being friends. and i was like EXACTLY WHAT IS UP WITH THAT?! and um. ahem. do u really see it as a problem? I guess if everyone does. but I'm starting to seriously consider if I'm aroace as well which woah there. this happened in a span of a day and I'm not sure it's real and it doesn't feel real? some time will have to pass for me to check out this theory cuz. ppl often say they felt like there was sth wrong with them and then they discovered these terms and were like aHA that's it! that explains everything! and I didn't... have that? and I'm not sure to what extent i identify with aroace because reasons(ill talk about some of it below). and I'm not saying that not having this realization moment or not feeling like sth is wrong with me through my life devalidates my orientation and stuff but it makes me doubt i guess?
i also came to an important discovery that aroused and horny are not the same. who would have thought?! I said above i get horny but apparently being horny means to want to have sex. and i just get the physical part aka arousal. fun. someone help pls im so confused.
okay for the last part(which prolly won't be the last part but one can hope right?)
i said i realized i wasn't straight two years ago. that was when i realized i like my best friend as more than i friend. well it wasn't exactly that simple. tbh i think Lucifer(the series i am NOT a satanist) helped a lot with that? like i knew about some lgbt stuff before because I'm alive on this planet but it kinda made me think about a lot of stuff, and between that stuff was my sexuality as well. idk. it's not like i had a crush on any of the female characters. just got me thinking for some reason. like why is having sex with people you're not romantically involved with wrong? why is prostitution wrong if u enjoy it and get money for it and it's well managed and secure? but that's beside the point.
well anyway I didn't know what i felt towards my bff(I'll say bff cuz bf also stands for boyfriend so it feels weird) but it felt like more than friendship. didn't feel like sth romantic tho. then i discovered queerplatonic relationships exist and i was like i think that's it! and then new school year came i saw her again and doubts flared up. again there was never i wanna have sex with her, but there was an occasional i wanna kiss her. and she was so important to me so it has to be romantic love right?! romance is the highest form of love one can experience afterall! nothing whatsoever can compare to it!! it feels ✨magical✨ when you find you will finally be completed!!! anyways.
it felt like romantic love was the only thing that could justify me feeling this way. i won't go deeper into this because i already have a draft where i do(i have like 16 drafts with uncompleted rambles so...) I'll try to post it but. i told her and we're still good friends! it actually made me closer to the rest of my friend group(which i was only a part of on the paper before)(i was so focused on my bff before I didn't really do group) because i felt a bit distanced from her for a while(she's a people pleaser like me and even tho i think i can read her well im paranoid and i thought she may feel weird?). anyways i got close with 3 other amazing ppl in the meantime and my friendship with my bff hasn't suffered!
but between my feelings being kinda realized and me telling her a whole year has passed and in the end i wasn't even sure what i was feeling anymore just that i didn't want her not to know. idk.
now im wondering what it was. even back then half year pre confession i was thinking if it was just because someone was finally paying attention to me. i didn't really do friends before (i kinda had them but there were no deep convos or shared secrets) and then there was suddenly this person who genuinely enjoys spending time with me! and listens to my problems! and weird obsessions! this sounds kinda sad put like this ngl lmao. but this was the first time I had that deep connection with someone. two years in my confused feelings came. geez i got off track again. point is i thought i was straight up until then and then had a crisis cuz i thought i only liked her cuz she was giving me attention cuz i was straight goddamit! ANYWAYS.
this post has lost all direction. it is a frustrated ramble of a very confused person. let us continue
i will just sum up how i feel about genders and people because I'm a chronic oversharer. oops doops.
men: find them aesthetically pleasing, all celebrity crushes are in this category (there's only one really but if i found a celebrity attractive like not objectively but to me it was a man), i would also get kinda crushes on boys my age when i spent 5 minutes with them. don't ask. i think it's dopamine mining(i suspect i have adhd). im not used to male company and i kinda don't like it that much but the the ?butterflies? are still there. tbh i don't really know what to do with men. doesn't stop me from having crushes tho. i don't have any real desire to be in a romantic relationship with men. i don't exclude the possibility but i haven't found one i would want it with. i also don't know now to interact with them. let alone flirt. actually flirt in general. it feels like it would be cringe and belongs in bad movies.
women: freaking amazing!! love them! no celebrity crushes, one irl crush which might have moved beyond crush(i suspected the L word for a while) to friends or it might have never been a crush in the first place! help! now there's another friend outside of my friend group who i may like. or i just enjoy her company? im not used to this yet. i forgot i think im aroace. this is killing me.
nonbinary/other genders: I haven't met any yet. there are some on discord servers im a part of but I don't really interact much just lurk there. i think irl experience would be different anyway.
someone please explain sth to me. you have sexual attraction okay get that(not really but that's not the point). but then there's romantic attraction. how do you separate that from friendship? just this intense feelings of wanting to be with them at all times? okay myb myb let's say u can separate them from friendship. what about queerplatonic? guys??
i am starting to dislike labels. this is confusing.
also i gotta figure this romantic thing out cuz im writing a fantasy series and there's romance involved lol.
okay so i guess i am at least asexual cuz i don't see ppl and go 'i wanna have sex with them'. i am not yet thoroughly convinced im aromantic as well but we'll see about that ig. because i still don't understand what the difference between romance and deep friendship is. aghhh
although if i can't tell the difference myb that answers the question.
also how does someone who is asexual but romantically attracted to all genders label themselves? like omnisexual ig doesn't work cuz it omnisexual.
i went to google aromantic and.
"demiromantic people have romantic attraction only after forming an emotional bond with another person."
HOW ELSE DO YOU HAVE ROMANTIC ATTRACTION??? Isn't this about who the person is?! Do you just see them and go: oh this must be such a good person. what?
like i understand sexual attraction when you see someone ig. but romantic? i really need someone to explain this to me in depth. i haven't even been asking the right questions.
"Quoiromantic people can't tell the difference between romantic and platonic attractions." Welp i guess i have a new label i can stick on myself. also the name is killing me. (quoi=what in french💀)
(edit: well this thing just posted itself. I DIDN'T HIT POST WTF. but it's out there now. ig it had enough of me adding new and new thoughts. im inclined to agree)
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writing-havoc · 1 year
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could you do Tolya Yul-Bataar x fem!reader
you were going to gala, you felt bit nervous as you walks around and you bump to someone and it was Tolya, he hold your waist to be careful, you apologize, you two look each other, he asked to take you for walk, you two talk about his homeland, you really like to know him more *fluffiness*
(hope you will write it, thanks and have a good day)
The Gala
♡ Summary: Tolya catches you before you fall at a gala, and offers to take you on a walk to calm your nerves. You find he's a rather interesting man.
♡ Pairing: Tolya Yul-Bataar x Fem!Reader (ambiguous, please read indented)
♡ Fandom: King of Scars, Grishaverse
♡ Warning(s): None
♡ WC: 2.1k
Hello!! Thank you for your request!
I wrote this one ambiguous on purpose. It could either be taken romantically or platonically. I personally think Tolya is aromantic due to a line he says in the KoS series, but I know other people don't take it that way. So feel free to take this however you wish <3
Hope you enjoy it and that you have a good day as well!!
Please excuse any grammar and spelling mistakes
∘₊✧──────────────────✧₊∘
To make a long story short, you feel incredibly grateful and attractive. Which is perfect to mask the sheer anxiety you feel.
King Nikolai was in attendance at this gala. And while you had no intention of meeting him, fate could have other plans for you.
It could send you tripping over your own silk gown and into him, his guards mistaking you for an assailant and killing you on the spot. You could make someone else bump into him, throwing the imported wine all over his first army garb. Hell, he could even choose to make conversation with you, to which you'd embarrass yourself by rambling about the intricacies of jewelry making and metalsmithing.
Saints, you need to calm down.
If you're not mistaken, there's a table around here with finger foods and drinks that could help.
The crowd, however, is incredibly unforgiving. People remain where they stand, almost as if they're completely unaware you're trying to make it last them. You put hands on shoulders and backs, apologize when you have to tilt your body to squeeze between groups of people, and all you get are glares and judgemental up-and-down looks.
People really need to be kinder, more considerate. They're not the only people that exist in this room. How are the servers supposed to go around and serve the alcohol? What if there was an emergency? Is it really that hard to consider moving one step to the left?
Your annoyance makes you distracted. You step on someone's shoe, throwing you completely off balance and sending you falling to the floor.
The only thing that could make this more humiliating is falling into someone. Which you do.
You feel yourself flush, embarrassment rushing through your brain as you try and correct yourself.
"Oh saints, please forgive me!" It takes a moment to realize just how big the man who caught you was. His arms are rather large, but he's also just plain tall. He easily stands a good couple centimeters above every person in this room. "I really have to be more careful."
You realize now he's one of the Kings guards, but its more or less irrelevant seeing as he's so far away from said King. The stoic look on his face cracks a little, a small smile forming on his angled face.
"It's alright, It's only right I apologize as well. Forgive me for bumping into you." He slips his arm away from your waist once you get yourself balanced within your heels. "You aren't hurt, are you?"
You fix the gloves around your wrists. "Oh, no. Not at all. For as big as you are you're incredibly gentle."
"That's good to hear."
It takes you a moment to realize the words that slipped past your tongue. Mortification pummels through your system.
"I didnt mean- im so sorry once again. That wasnt the best choice of words."
This is just so wrong. This isn't how anything was supposed to go. And now you feel so hot, face even prickling at the increase in your internal temperature. The man eyes you, squinting when you begin to fan yourself.
"Truly, I dont take offense. Would you like to go on a walk? Its much cooler outside."
It's definitely not a smart to follow a man you just met to a secondary location. But with the way he's dressed, and the way he carries himself, he isn't all that threatening. The Soldat Sol tattoo on his arms also does well to quell any lasting fears.
"That would be lovely, thank you."
He walks through the crowd with you trailing very close behind. People part to make room for him, and make a look of disdain when they see you trailing behind like a duckling.
But the moment that fresh cool evening air reaches your skin, it feels worth it. Like you can breathe.
You allow yourself to walk to the edge of the wrap around patio that surrounds this whole place. The garden has plants beginning to close, no longer needing to open their petals now that the sun is setting.
The flowers are red, and butterflies are making their last rounds to the buds that are still open.
"There's a flower, in Shu Han, that looks similar to this." He takes a step off the porch and approaches the flower.
He's incredibly gentle, fingertips barely grazing the petals and slotting the stem between his fingers. He encourages it up towards his face as he bends down to smell it, a smile adorning this face.
"What's it called?" You ask, picking up your dress and stepping down to join him.
"The one in Shu Han is called Datura Meloxia. It's incredibly poisonous. This one... I'm not sure."
You hook a finger around one of the stems, bringing it toward you.
It seems tropical, which is strange given that summers aren't all that hot here and Ravka has a winter season. The stigma reaches far out beyond the confines of the petals, and almost seems to have a cloud of surrounding the end.
"Do you know a lot about Shu Han?" You ask.
He let's out a chortle. "I should hope so. It's where I grew up."
"Listen, people are everywhere these days. I didn't want to assume you knew everything about there just because you look like you're from there."
"Thats very open minded of you."
You shrug. "Doesnt do us any good to be close minded, does it?"
He let's go of the flower, putting his hands back behind his back. "No. It doesn't."
The air feels a bit tense, weighing on your shoulders. The way he keeps his eyes trained on the flowers makes you feel as if you may have made him uncomfortable.
"Do you know anything about Shu Han you specifically enjoy?"
If there's anything you know about people, is that broad questions are usually the way to go. From there they can get as specific as they want or stay broad.
"Poetry." He says, going specific. "Epic Poetry, specifically. There's quite a few poems from both Ravka and Shu that are quite interesting."
That, ironically, piques your interest. "Like what?"
And it's like you opened up a dam, water spilling out in the form of languages you don't understand but find incredibly alluring. He's like an encyclopedia, citing poems that date back hundreds of years and reciting the lines as of he has the material right in front of him.
In a way you think he does. His eyes will get glossy and it's almost like he's turning the page when he talks with his hands, staring far into the distance at something you can only hope to see.
He does his best to translate the text, but you can tell it pains him that there isn't a direct translation that will allow you to appreciate the beauty of the poem.
But he does his best all the same, and you give as much encouragement as possible, smiling wide when he says something particularly grand. He even cites romance every once in a while, and you feel yourself cataloging the lines to digest later.
Because it really was interesting. You've thought about poetry maybe three, four times in your entire life when your mom brought home a book filled with them for her entertainment. But never did you think it could be this interesting.
Or maybe it's just because he makes it interesting, adding bits of history from both Ravka and Shu Han when he can.
It's also nice to see his face light up just a smidgen when you express your own knowledge, telling him you do actually know about that piece of history and jump into your own session of info dumping.
But as all good things do, they come to an end.
He's in the middle of explaining a poem from liturgical Ravkan (who /knows/ that?) when he becomes distracted.
"Everything alright?" You ask, raising on your toes but staying off the side as you try and capture his attention again.
"I'm fine, yes. However, it's time for us to part ways."
When he looks at you, you swear you see his lips turn down just a bit.
"Ah." You don't bother to hide your sadness. "That's alright. Would you like to pick this up a different day?"
He hums. "Only if you live near the Palace."
"Actually, I do." That gets his attention again. "I work at this little shop in the city just outside the gates in Os Alta in the market area. Its-"
"The bookbinding shop." He interrupts. "I remember now. I see you almost everytime I walk by there with the King."
You smile, wide and feeling better than before. "Yeah. We make journals and restore books."
He's silent for a moment, eyes flickering back and forth between you and whatever has his attention.
When his eyes settle on you, he's kind. Which isn't saying a lot since during this entire interaction he has been nothing but, but still. He's kind. "When I have a moment to spare, I will visit you again."
You clap your hands together, then hold your hand out for him to take. "Ill see you then."
His rough and warm hand shakes your own. And with a nod, he's gone.
You watch him leave, walking briskly past hoards of people who part for him like he's dangerous or purposefully bump into him.
Once he's out of eyesight, you allow yourself to calm your heart.
It's mostly leftover anxiety from before he caught you. When you look at the shadows on the ground you realize you and him hadn't actually talked for that long. You just don't want to make a lasting horrible impression on anyone, and you hope you didn't make him feel awkward talking with you.
But, you think he enjoyed it. He relaxed a little while talking to you, yet still kept to his duty as the Kings guard and never looked away from the mansion.
You feel satisfied.
"Hello there."
A woman's voice gets your attention. She looks similar to Tolya, and you remember she's also a part of the Kings personal guard. Perhaps they're taking turns? That would make sense.
"Hello. How are you?" You ask.
"Splendid. My names Tamar." She wraps an arm around your shoulder, which you immediately grab to steady yourself. "Im Tolya's older sister. I just wanted to take a look at the girl thats got my brother in such a good mood."
You perk up immediately. "Oh, how lovely! Tolya mentioned you a few times while he was talking about poetry."
Immediately she groans, which gets a giggle out of you. "I beg your forgiveness. Once he starts you have to kind of yell at him to get him to stop."
"Oh, don't apologize!" You slip out of her grasp, folding your hands neatly in front of you. "I quite enjoyed our talk. I never knew how much history could be stored in something as simple as a poem."
Her eyebrows nearly shoot into her hair, a look almost like incredulousness passes over her face. She snorts.
"You may just be the only person who can handle that."
That, you have to admit, makes you happy.
"What else are you interested in?"
Tamar was a little harder to talk to for the rest of the night. She's not as straight forward as her brother, but you can find the little similarities that make her feel almost familiar.
Once you have to part ways, the King possibly getting what he came here for, you waved goodbye to Tamar, and began to head to your carriage yourself.
Tonight was remarkably eventful. And as you watch Tolya and Tamar head off into the distance with their King in tow, you hoped that every once in a while they would stop by.
If only to get to know them more.
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