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#Author’s Intent
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Listen, you should never film strangers in public without their consent, but I swear there need to be fines or something for people who do that shit in some spaces. For example: I had to go to the ER last night, and some jerk filmed a woman who just came in and was clearly having an asthma attack. She immediately got to go back, and he was unhappy about that. Believe me, I get that it sucks having to wait when you're in pain, but you don't get to pick who deserves care when. The medical system in the US is a nightmare, and the ER could be the worst moment of someone's life. No one deserves to be recorded because some jack ass believes someone doesn't look like they need care.
This is fine to reblog. People who film strangers should be shamed if nothing else.
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guardianspirits13 · 5 months
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➖♦️➖♦️➖♦️➖♦️➖♦️➖♦️➖♦️➖
dear lord y'all should learn to tell the difference between a gag in writing and an actual instance of harmful behavior... news flash but kids find mild violence funny and- shocker- can tell the difference between something that was the in-universe equivalent of roughhousing and actual physical assault with the intent of harm.
so much of the younger generation is caught up in the lack of nuance perpetuated by the internet that in trying to analyze a piece of text they read so far into it that they miss the point entirely.
this person also cites that because Percy (who is KNOWN for his sarcastic and often exaggerated narration) says that he's "scared" of Annabeth at times that means he is in an abusive relationship. Have you considered that in the context of the way the narration and the surrounding universe is constructed, this is a compliment?? Of her ability to kill monsters and survive?? or in some of the context they cite he's intimidated by her because he's a TEENAGER WITH A CRUSH.
For the love of the greek gods stop taking everything so literally!!!!!!
And I want to clarify, this is not about shipping. I couldn't care less if you like Percabeth or not. Heck- if you want to interpret the text in the way that makes you personally believe that they're toxic or whatever I'm not gonna stop you, but I draw the line at using your warped perception of the narrative to lash out against people who enjoy it, let alone calling them "abuse apologists".
no reading comprehension-ass website for real 😩
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danothan · 2 years
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caitlyn’s little sister privilege
edit: new art blog is @toytle
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benkyoutobentou · 7 months
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astranauticus · 2 months
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reading orv in the semester im doing a class on intro theatre studies is one hell of an experience. prof said ‘the death of the author is the liberation of the reader’ and i went through the psychological equivalent of getting hit in the head with a baseball bat
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pinksilvace · 1 year
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listen. LISTEN. The original Cats poems have SUCH an interesting historical context because on one hand it's "haha funny cat poem" and on the other it's "these were written by a royalist fascist that was every kind of bigoted imaginable" and being able to read them through both lenses is an EXCELLENT practice in media analysis, like
Me: Awww, Jennyanydots is a motherly figure to the mice and cockroaches, who are like misbehaving little boys and girls :) how sweet :)
Also Me: The "cockroaches" just need employment, you say? To prevent them from idle and wanton destroyment, you say?
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n0brainjustvibes · 3 months
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"she's not gonna update the fic bro" she will. she will if I comment good
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chamerionwrites · 1 year
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See I honestly do find the prequels-era Jedi an interesting (and at times painfully recognizable) portrait of institutional violence in that...they aren't cackling villains. They're mostly sympathetic well-intentioned individuals who via a combo of traditionalist inertia, ideological blinders, proximity to power, a dash of plain old arrogance and a liberal seasoning of end-justifies-the-means compromise end up being at best indifferent to and at worst deeply complicit in some pretty heinous injustice. I don't even think this is a completely against-the-grain reading on my part. At the end of the day it's a pretty mild critique, but it's hard to argue that the PT is entirely uncritical of the Jedi imo.
Unfortunately the narrative is never interested in really sinking its teeth into that. And even more unfortunately, a chunk of the fandom will clutch its pearls in horrified outrage if anybody else is interested in sinking their teeth into that
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benveydraws · 8 months
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i can't love you in this skin
#twittering birds never fly#saezuru tori wa habatakanai#suggestive#<- jic#interpret this as you will#there's A Lot about gender and yashiro's relationship with gender and heteronormativity especially in relation to doumeki#he asks him what type of Women he likes. they only watch m/f stuff together. “i wonder if he's gentle with women”.#the anger and disappointment when he realizes that doumeki is actually attracted to him#unless he's remembering something that happened he only fantasises about doumeki with a woman and not with himself#(same was with kageyama iirc)#except for that kiss in the elevator but that's a whole other conversation. and even then there was a woman present#he even tells kamiya that doumeki is basically straight and he's just a rare exception#yashiro's is so so desperate to push doumeki towards a “normal” life#aka not in yakuza. not with him. in a normal (straight) relationship#just. a lot of self hatred and internalized homophobia#all that being said. i think regardless of the author's intent reading yashiro as a closeted trans person is also valid#the “i could never afford myself to reflect on this and i also don't care enough about living to even bother atp” type of closet#would it contradict some of the things yashiro says? sure. but he contradicts himself all the time#am i projecting as someone who will live and die in the closet? sure#i think it's interesting that the only person who genuinely asks him about gender is ryuzaki#in the same conversation where he asks him about falling in love#and yashiro's response is basically “it wouldn't change much” and “i'm fine with what i have”. are you tho#there's a lot i can say about yashiro and aoi and yashiro and ryuzaki's girlfriend but i can't articulate it well rn so whatever#the way dumeki's lie about dating a woman affects yashiro is also interesting regardless of which interpretation you go with#which is also why i'm using post time-skip for the art. the topic keeps popping up#but yeah uh. take it as you will i just have a lot of feelings about. This#art tag
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cookie-nom-nom · 3 months
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Reading Barrayar I felt trapped in Cordelia’s head. It’s incredibly effective for the dread of war as a civilian. Plans and machinations happening beyond you, with no input. Hearing of things happening that seem far off and like yeah that’s awful but then suddenly it dominoes in a way that destroy your life and it’s not your fault and you could've done nothing at all to prevent it. Especially the tension of being hunted in the Dendarii mountains with no idea how the war is going, if they’ve already lost, if it is already too late. Cordelia is doing actively important things in service of the war by sheltering Gregor, yet there's this pervasive feeling of helpless lack of control. She spends most of the book with this dread of not knowing when the next threat to their family will come, and I don’t think it could’ve been done so effectively if we had access to the information Aral had. I found it frustrating at times, since it felt like Cordelia was swept up in events with little agency (at first; obviously our dear captain didn’t remain there). I wanted so badly to be with Aral seeing and knowing and making the decisions.
But that’s the point! Most people have absolutely zero agency in those situations and little information and it’s terrifying. Barrayar captures the feeling of being a civilian in war where so many narratives narrow in upon the heroes and 'men of history' that control conflicts. That's what readers expect. I think that’s why I loved the ending so much. After so long trapped with Cordelia, just trying to survive the larger machinations of Barrayar’s bloody politics, it felt so, so good to finally be on the offensive, to have information the opponents don’t, to finally have power and the means to control what happens. It's a relief to the constant tension of having no agency in a giant conflict that frankly Cordelia had no business being affect by, yet was swept up in because of her love of Aral.
Which is the second thing I deeply enjoyed in Barrayar. I love how the war is made so human. A messy tangle of human relationships control it. I can’t stop thinking about the hostages. There are just so many children being used because the war holds the future hostage. Tiny precious Miles utterly incapable of comprehending how large a pawn he is. Young grieving Gregor vital to the plans of both sides whether dead or alive. Elena, who should be of no importance but she is because that's the kid of an unimportant soldier, just like every other hostage is another piece in the web of the war. I keep thinking about the relatives of Aral’s men caught in the capital. The hostages that Aral refuses to take. Everyone just trying to take care of those they love, and the points where they must put other priorities over their relationships are heart wrenching.
Barrayar looks dead on at how little people try to survive a civil war. From the mountains where the fighting seems so far, and information is slowed to a trickle of the singular mailman. The invasion of forces that disrupts people who may not even know there’s a war yet. The scientists and the genius lost in a single blast that goes unnoticed. The urban populations trying to sneak in food and people and keep their heads down. Random citizens debating who to sell out, weighing risks and bounties, if it will get them the favor with the occupiers that will help them survive. All so small in the grand scheme of things, and yet they are who Barrayar concerns itself with.
Cordelia’s uncertainty and fear would’ve been undermined if we were allowed to see in the heads of people driving the conflict, because Barrayar isn’t about those people. It is the desperation of two mothers, powerless and kept in the dark, that topples the regime.
Addendum: Cordelia’s relationship to Aral firmly places her in an upper class position that is important to note when discussing the role of civilians/‘little people’ within this analysis. But as a woman on Barrayar she is extremely limited in the power she is allocated, especially compared to someone like Aral, which would be the military leadership POV that novels more focused on the grander scope of war would utilize. Again not to say Cordelia has no agency or power, but it is not to the degree of the people in charge. Thus I place her alongside the average people swept up in a war outside their control. Still, her position as a Vor Lady gives her some access knowledge and connections that she turns into power, which while limited are far more than the average citizen. Her significance to Vordarrian is exclusively viewed as yet another hostage, an underestimation that Cordelia readily exploits, but still afforded only due to her status. Cordelia occupies a position of importance but not power beyond the scope of the people she’s formed direct relationships with, which only further ties into the essay's thesis.
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heph · 4 months
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do you think gale shadowheart and wyll would share smut recommendations with each other? based off that one party banter of wyll and shadowheart sharing lines from a smut novel they read
Yes! I have thoughts about this!
I think Astarion mostly reads non-fiction, books that inform him about the world around him, books about certain types of magic and bits of history. He reads a lot of it, but doesn't remember most of it. I think he reads mostly to forget his miserable existence back in Cazador's Palace.
Wyll and Shadowheart I think love their romance novels, spicy or otherwise. From fictitious Bawdry to fluff friends to lovers ^_^
My boy Gale stays flexy and likes both types! So he can have a book club w the romance girlies talking about the intricacies of the romantic novel of the week as well as a private one with Astarion to discuss stuff like history, where Astarion just listens to Gale info dump and occasionally asks questions or adds on tidbits to keep the conversation going
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blinkpen · 2 months
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i can't handle drawing baby lamarr he is too moomin shaped look at him
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sugar-grigri · 5 months
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i want you to talk about fumikos backwards hand in 148 so bad, it makes me laugh
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Is that what you mean, Anon? Actually, this isn't the first mistake made in part 2. I remember someone once pointing out square overruns, or even Nayuta's hair crossing a dialogue bubble.
Honestly, I don't find it funny. Fujimoto needs a fucking break. Even if the cutting is still excellent, he doesn't have the time to draw as diligently as he did in the first chapters.
To mask this lack, he's enlarged his line, and although the actions and expressions work, he still needs a break.
I'm just waiting for his hiatus
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Cute nicknames they have for each other <3
Giorno: he usually just calls people by the name they introduce themselves to him as. He has tried playful nicknames and it just doesn’t work for him. He will call enemies things like “pieces of shit” or whatever though.
Bruno: a really big fan of calling them all fools. And while this nice nickname is pointed at all of them, it is especially aimed at Mista and Narancia. Like Fugo is a fool but not in the same category as those two buffoons, which is another nickname he has for those two.
Abbacchio: he calls them all dumbasses and idiots, except for Bruno and Trish. He has gotten very close to calling Bruno a dumbass before though. Calls specifically Narancia and Mista annoying. Will call Fugo a smartass if he is losing an argument against him, it’s his way of making himself feel better about losing an argument to a teenager.
Mista: calls them all buddy and punches their shoulder while he does it. He calls specifically Narancia little buddy because he is short. Calls Bruno boss man in a super casual tone. He called Giorno Jojo once and in that moment was given divine knowledge that not even I, the headcanon writer, know the depths of.
Narancia: he called Abbacchio “tall guy” when he first met him and got punched in the gut. He decided that nicknames weren’t a good idea after that moment. Despite his trauma he will still call Mista best buddy. If the nickname “big brother” didn’t make him want to vomit, and he wasn’t so afraid of getting punched in the gut, he would probably call Bruno that.
Fugo: has called Mista and Narancia idiots before, will probably do it again. In his edgy young teenager days (lol as if those are over) he would call Abbacchio a pig. In a fit of rage he called Bruno a “dragonfruit looking weirdo” and Abbacchio will passive-aggressively buy dragonfruit sometimes to remind them both of that scenario.
Trish: calls Mista variations of “stinky” and “smelly” and sometimes just “gross”. Has called Giorno the frog man, like “wow, you’re the frog man”. Which may sound like an insult, but Giorno wasn’t offended because he is the frog man.
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straberryfields · 9 months
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i got this cute book at the National Portrait Gallery and it is so j/p coded
title: “we are the beatles” by Zoë Tucker
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yuridovewing · 3 months
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i know we’ve all ragged on this scene but i really can’t get enough of ivypool openly admitting she shut down the patrol over dovewing and twigpaw’s immediately gotta look directly into the camera to say “remember kids! marrying outsiders is WRONG! ivypool didn’t totally fuck up here, she had good intentions so let’s not hold this against her! everything should be forgiven now :)”
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