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mxcottonsocks · 3 months

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Reading Like A Victorian

A while ago, I discovered the website 'Reading Like a Victorian', a digital humanities project from The Ohio State University and collaborators.

Since tumblr's been going through a bit of a serial-literature revival, I thought I would share...

Here are some extracts from the website's 'About Us':

RLV is an interactive timeline of the Victorian period. It focuses on serialized novels [...] and adds volume-format publications for context.

When we read Victorian novels today, we do not read them in the form in which they originally came out. Most Victorian novels appeared either as “triple deckers,” three volumes released at one time, or as serials published monthly or weekly in periodicals or in pamphlet form. Serialized novels’ regularly timed, intermittent appearance made for a reading experience resembling what we do when we are awaiting the next weekly episode of Game of Thrones, watching installments of other TV serials in the meantime. Whenever we pick up a Penguin or Oxford paperback of a Victorian novel today, we are engaged in the equivalent of binge-watching a series that has already reached its broadcast ending [and is] a very different experience from what Victorian audiences were doing with novels. Reading Like a Victorian reproduces the “serial moment” experienced by Victorian readers [...]

More info and screenshots and so on below the cut:

[...] if reading serial installments at their original pace is valuable, it is even more valuable to read them alongside parts of novels and of other kinds of texts that Victorian readers could have been following at the same time [...] [...] a reader who, in 1847, had been following the part issues of both Dickens’s Dombey and Son and Thackeray’s Vanity Fair and then picked up Jane Eyre, published in volume form in October of that year, might notice in Florence Dombey, Becky Sharp, and Jane Eyre a pattern of motherless or orphaned girls trying to negotiate a hostile world on their own. While this figure is well known to be a character type in Victorian fiction perfectly embodied by Jane Eyre and Florence Dombey, Becky Sharp does not often emerge among the heroines who fit that type; reading the novels simultaneously foregrounds parallels between Becky, Florence, and Jane that are not at all obvious if their storylines are experienced separately

I find that, for browsing, the website is easier to use on a computer or tablet than a phone, but it's ok on phone to search for something specific.

The timeline:

Here's what the timeline looks like:

It shows 12 months at a time, and using the left and right arrows will move you back or forward by a month. You can use the 'Jump To Date' function to navigate to a different twelve-month period. Or you can use the 'Author Search' function to navigate to particular works if you know the author's name.

In the above screenshot of the timeline, which shows the period January to December 1852, there are several works shown, including:

ongoing serialised works which had at least one installment published prior to 1852;

works which began serialisation during 1852;

works published in three-volume format during 1852;

other works published during 1852

Details about each work:

You can click on the bar that represents a book's publication to get a drop-down that provides information about that book, its publication, and links to help you read the relevant serial parts.

Here's what happens if you click on Elizabeth Gaskell's Cranford:

On the left of the drop-down, there's some general information about the work, its publication history, and how to use the links.

On the right, there's information and links to help you experience the book in its serial parts: it separates out the parts, indicates the month and the year they were published, and what chapters of the work were published in that part. It also provides notes on each part where helpful. There is a scroll-bar at the right of the drop-down, so you can scroll down to the later installments of the work.

[I chose Cranford as an example as it helps demonstrate the value of the Reading Like a Victorian website... From what I understand, Gaskell initially wrote 'Our Society at Cranford' as a standalone piece of short fiction, but was encouraged to write more, so further pieces also set in the fictional town of Cranford were published intermittently in the same magazine over the next year or so. While a particularly dedicated Gaskell fan who wanted to 'read along' with Cranford following the original publication could probably search 1.5-years-worth of a weekly magazine to find the 9 issues which included the material which would later be published as Cranford, the Reading Like a Victorian website has already done that work for them... and also for anyone else who might be interested, but not quite that interested.]

The links

You can then click on an individual chapter to get links to various places to read it online:

When available / where possible, the website tends to include links to:

a facsimile copy of either the relevant serial part in the original publication, or in an 'annual' or similar volume collecting together the content of that publication, or a volume-form edition of that work if the work was not published serially or if facsimile copies of the original serialised publication are not available. [Most of the facsimiles are hosted by either the Internet Archive or the Hathi Trust Digital Library, but some are hosted as part of smaller, more specific collections, such as - in the case of Cranford - Dickens Journals Online which provides online access to the journals/magazines edited by Charles Dickens);

the text, usually on Project Gutenberg (this is usually the volume-form text, so the exact content and chapter breaks and so on may be different than originally published in serial parts; the Reading Like A Victorian website will generally explain when this is the case);

audio recordings, usually volunteer recordings from Librivox (again, the recordings are usually based on the volume-form text, so the exact content and chapter breaks and so on may be slightly different than originally published in the serial parts).

So yeah, I just thought it was a cool website and worth sharing. I believe the website is already used as a resource by some University courses and for academic research, but it can also be used by book clubs and to aid personal reading, etc. I'm using it to inform a personal reading project for 2024-26 where I follow along with six or seven novels serialised in 1864-66.

To save a scroll to the top, here's the link to the RLV website again: Reading Like A Victorian (osu.edu)

[If you want to join an already-planned read-along based on the original serialisation schedule, @dickensdaily will be doing Charles Dickens's historical novel Barnaby Rudge: A Tale of the Riots of 'Eighty from mid-February 2024 to late-November 2024, to follow along with the original weekly publication of the novel in Master Humphreys Clock from February 1841 to November 1841. I personally found Barnaby Rudge a really engaging, thought-provoking read, and I'm really looking forward to reading it again. (Anyone with particular triggers or other reasons to be wary of the content or language used in older books may find it helpful to look up content warnings for the book before making a decision to read it.)]

#reading like a victorian #victorian literature #victorian era #serial reading #serialisation #digital humanities #tumblr book club

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itscherrylipsforme · 2 months

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A love story yet to be written: Jason Todd x Vigilante!bookworm!fem!reader

Summary: The mysterious Red Hood has been your loyal teammate since you became another one of Gotham's vigilantes. Many literature puns and "subtle" flirty comments later, he has decided that it's time to meet you when you two are not covered by the city's darkness and your secret identities

Warnings: Just dozens of references to my fave classic lit authors and novels

Requested: yes

Words: About 1570

Author rambles: God, this has been on my drafts for so long. Glad I was finally able to publish it. Thanks to the anon who sent the request, hope you like it 🫶🏼

Masterlist Characters I write for

Likes and reblogs are appreciated ღ

I do not authorize any of my works to be copied, translated or plagiarized ✗

Gotham’s skies were pitch black when you submerged, like every twilight, in its streets and roofs. Masked face, combat boots, dark sweater and jeans paired with a black leather jacket and a bulletproof vest under all of it. Pointed daggers on your belt, a pair of guns attached to your back harness just in case. Being a vigilante was not an easy side job, but you needed to do it.

Some people simply can’t watch their whole world fall apart and stare blankly. And you would certainly not stay back when your beloved city was drowning in corruption and crime. Growing up you had always been aware that they were others protecting you. Batman, Robin, and the other peculiar crime fighters that had joined them with the pass of time. But being honest, Gotham was a criminals dump, and all the help they could get counted.

So, you decided to do you your bit. Trained hard, learned how to hide in the shadows and started to feel that what you did matter to your people. Recognition was not long in coming, although fame was not what you were after anyway. One night a camera caught you beating up one bastard who was trying to assault a young girl, next day you were on the news. Dusk they called you and you were not annoyed by the nickname, it suited you in a certain way.

You soon became another no-faced admired warrior to your neighbours. Not bad for the girl who used to be bookworm theatre kid back in High School. Becoming one of Gotham’s saviours was not one of your dreams job as a child, but life has surprising turns waiting for us. What was even more unexpected is that you ended up meeting one of the other vigilantes and that he had become an interesting fellow during the otherwise solitaire superhero’s nights.

“Nice to see you here in the dead vast and middle of the night, darling” He greeted you, after hearing your feet landing in the same rooftop he was in. Didn’t matter if he was backwards, you had started to think he had developed a sixth sense to notice your presence. You could almost bet he was smiling bellow his metallic helmet.

“Good night, Hodd” You answered coming by his side. “Shakespeare, wasn’t it?”

“Smart girl. Hamlet, more precisely” You agreeded “You arrived later than you use to”

“Missed me, geekie boy?” A little chuckle broke the silence of Gotham.

“Of course I did! I would not wish any companion in the world but you” He crossed his arms in front of his chest, his gaze locked in the city’s sky. “And admit it, you are as much a nerd as I am”

“The Tempest? Have you been rereading Uncle Willy’s plays again?” The question ended up sounding like a half-joke half-teasing “And you are right, bookworm and proud. We wouldn’t get along so easily if I weren’t. I declare after all that there is no enjoyment like reading”

A slow nod was the only answer you received. You were certain that a smile was decorating his face at the moment. But not in a million of years you could have imagined that his usual smirk was now followed by a pinkish tone in his cheeks. How long he had been like this around you? He couldn’t recall exactly. This flirting slightly hided between book quotes and glances had been part of your friendship for quite sometime now.

The only problem? He couldn’t bear with being just a friend anymore. When it had all started? He didn’t know. Maybe the night he met you. And when the two of you started patrolling together like every other night, he couldn’t help coming back to those sweet memories still fresh on his mind.

“Another superhero wannabe” that’s what he thought when he first saw you moving from celling to celling without the grace and rhythm that only years of practice can give you. And he was not wrong, you were an amateur, one who still need to practice, but you definitely were determinate enough for that. Jason was not aware of this, therefore he decided to have some fun.

“What are you doing here?” He asked jumping to your side with a voice tone much deeper than his usual one.

“Patrolling” You managed to say in a whisper, rising your head to look at him directly. Shivers run through your spine, not knowing what to do. But you would not allow him to notice your fear.

“Scared of me darling?” He leaned a little so he could be nearer to your face.

“Not even a little, I know who you are” You answered and somehow the most daring and wittiest part of your mind chose to add the next sentence “And also there is a stubbornness about me that never can bear to be frightened at the will of others.”

“My courage always rises at every attempt to intimidate me.” He finishes almost instinctively.

He stared at your for some instants, not believed the words that had just come out of your lips. Another vigilante? Who quoted Austen? The night was turning up to be quite interesting.

“You are a sharp girl, with a good book taste” He resolved. “Red Hodd, at your service” He offered you his hand and his presentation, although it was no needed.

And that’s how all started, now a few months later you two keep protecting Gotham from whoever and whatever treats it. This night had been tranquil, a seldom occurrence, and Jason hadn’t talked to much, his mind was focused on a matter which had been troubling him for weeks. When the first rays of light threaten to appear, it’s time to farewell. Not without cracking some bad puns first of course.

“But soft! What light through yonder window breaks? It is the east, and Dusk is the sun.” He smirked once again.

“First, that’s contradictory. Second, you seriously have to get over your Shakespeare era”.

“Does that mean I don’t get a proper goodbye?” Even with his voice modulator you could hear the teasing edge on the question.”

“Of course, you do” You tried to come up with something silly, yet sweet. “Good night, sweet prince, and flights and angels sing thee to thy rest!”

With that you made a small joking bow and left the rooftop to go back home. It had been enough; Jason had made out his mind. He was going to look for you. He needed to see the unmasked face who had been able to be the first one to win his heart. Luckily, one of his many siblings is a professional hacker.

A bookstore, somehow, he was not surprised at all when Tim found your worked there. In his jean’s pocket there was a small piece of paper with dozens of cheesy books lines that made him think of you. "You are part of my existence, part of myself. You have been in every line I have ever read." "We would be together and have our books and at night be warm in bed together with the windows open and the stars bright." “You should be kissed and often, and by someone who knows how” … And those were only the first ones. There were not enough words in the books from your bookstore to describe how nervous he was and how much he wanted to tell you he loved you. But he could at least try.

Your elbows were resting on the counter, another novel laying in front of you. When the doorbell rang announcing another client, you immediately smiled and looked at Jason. You left your seat to meat him by the door, the book long forgotten.

“Took you long enough to find me, geekie boy” You gritted him.

All his speech and quotes banished in the air with just a single sentence of yours. He finally came to himself.

“Wait, were you waiting for me?”

“Of course, I did” You chuckle, God he loved that sound “For almost two months, after all your bad pick-up lines I thought you would be ready to come and met me in person”.

“But… How have you recognized me?” Confusion was still seen on his face.

“Easy. Looked for the libraries and bookstores that had your favourite tittle. Cheeked the names of all the men who borrowed or bought them. Looked for their photos on the internet and compared them with the physical description I had from your” You shrug your shoulders as that work was nothing to you “I am a vigilante after all”.

“I have a brother who would love to meet you, you know?”

“Maybe later, but I guess you came here because you had something to tell me”.

He took a deep breath. Just a few hours, that was all he needed to win you over this time. "In vain have I struggled. It will not do. My feelings will not be repressed.” He said softly, but determinate “You must allow me to tell you how ardently I love and admire you.”

Just after he finished your lips were meeting his in a soft and sweet kiss, like the ones written in romance novels.

“You have bewitched me, body and soul” You whispered to his ear.

“Actually, that’s from the movie, not the book”.

You had to kiss him again, this time with more passion, to shut him up.

#jason todd x y/n #jason todd x reader

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imagination-mess · 6 months

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You could read this (Izuku) before this post for it to make sense since it's different timelines and are connected to each other post-wise.

Imagine the Pro Hero Dynamight at the Hero Expo signing, taking pictures, and talking to fans. He continually keeps seeing the same book repeatedly when fans are asking him to sign it for them. He attempted to find it at the plaza and discovered they had sold all the books out. There were a limited amount of books that were available early in the day. He will stay with curiosity.

After the long weekend at the Expo, he was just dying to go home after the long weekend he had. He needs to not socialize for a week.

He was carrying duffle bags filled with gifts from his fans. He gets stopped by Kirishima who was delivering a gift from a fan who was too scared to give it to him which is a book with a dragon behind a blond man on the cover. The same one that he saw early among the fans.

When he finally gets home, he immediately drops the duffle bags and goes to freshen up before going to bed. It was exhausting to socialize with his fans. He loves his fans, but he needs his breaks between them.

This is the only Hero Expo he would do because they are the only ones who would follow his accommodation. He hates being in tight, crowded places. They didn’t overbook him, unlike other places that he never went back to. They would put his section on one of the higher floors to have more room. The staff majority of the time are fans of him, but treated him professionally and showed respect for his boundaries. He gives them a picture and signature at the end of the day to show his appreciation to them.

Due to him only doing it at this expo specifically, his VIP tickets would always be sold out within an hour after the tickets opened. The combo tickets get posted later that day after an announcement, to be sold out within less than an hour.

It was the next day that he organized his fans' gifts and put them in a room filled with them. He takes some back to his office at his hero agency.

When it was the end of the week, he was finally free from his duties as a hero. He took a seat in his recliner to give the book a try. The book has been mocking him for the past week.

If it doesn’t get his attention within 2 chapters, he is dropping it. That’s what he told himself, only to be glued to the book.

Bakugou has a physical and verbal reaction while reading it, especially the betrayal and backstabbing section of the book. He was cursing the fictional character hell and back. He had to put the book down for a bit because he was getting heated.

There was a coincidence that parallels his life, especially feeling guilty over something that was out of their control. The main character in the book, their mentor, loses their abilities in the process of bringing more time for the main character to escape for safety. The character blamed himself, but the mentor wanted him to live. It was like things like that.

Within a few hours, he finished the book and just stared at the wall where there was a portrait of his friends at a bar. His mind just progressed what he read because, damn, it was a rollercoaster of emotions.

He went online to see if there were other books from the same author. This book came from a fanfiction website and got published without the other's permission. The author's accounts were already deleted when he went and tried to look up their account.

He could see the fans cursing each other because some fans were harassing the author on posting the books back online because they took it down for fear of getting sued. It was trending on social media.

There is a bunch of fan art floating through the internet that was reposted by the deleted original author account who was an artist as well. They were a bunch of fan art that was reposted. There are a variety of alternative universes of himself throughout the fanart that he found himself scrolling through. The author drew portraits related to the stories they wrote.

He may or may not have saved the Dragon King fanart from his phone to his home screen. Now he was left curious about the other books, if they were as good as The Dragon King.

He may or may not have demanded Izuku to let him borrow the Demon Prince and The Mage when Bakugou saw them in the other Pro Heroes Office bookshelf.

Next Pro Hero Shoto

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simpcityy · 1 month

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My Little Spawn Pt.6 (Dadstarion X Child!Reader)

Summary: Astarion was finally free from Cazador after being kidnapped by a mindflayer but he was stuck with one annoying task, you.

Disclaimer: I do not own Baldur's Gate 3 or any of its characters.

Word Count: 960

Warnings: Use of (Y/N), Cazador, language, violence, spoilers for those who haven't gone far in the game, mentions of blood, animal death...Uhhh...I think that is all. MAJOR SPOILERS IF YOU AREN'T IN ACT 2 YET.

Author Notes: Hello everyone, another short chapter for this week but next week I am going to focus on the new story I want to publish soon while. Thank you so much for the support! I should be updating the master list with all the links of each chapter. Remember to Reblog and like if you enjoy this series.

You looked at Astarion as the group was having a meeting of what they have done so far. “So we slayed an old hag, killed a Gur, defeated some Gnolls, met a devil and killed other creatures we came across and you still want us to rescue this Halsin guy?” He complained, crossing his arms. “He can be our ticket to curing this tadpole.” Tav stubbornly kept the same plan, recusing Halsin. You tugged at his arm “ Astarion, if we save the mister, we won’t have that yucky worm.” You tried to cheer him up. “See, that’s the spirit little soldier!” Kalarch smiles, “You should listen to them Fangs.” Astarion only mutters looking down at you before picking you up “ I guess you are right but I won’t be happy if this Halsin can’t do anything. Just wasted time is all. We could’ve been in Baldur’s Gate by now.” He walks off to his tent with you in his arms.

How Astarion hated that he was right, after a long brutal battle, Halsin wasn’t any help. He stood at his tent sipping the cheap and awful wine. He wasn’t even in the mood for a celebration. He scanned the camp seeing the tieflings and his odd companions celebrating for taking down the leaders. He turns his head hearing your giggles as Scratch is chasing you around. He turns over to Tav as they walk over. He smirks and puts on an act “You know, I never picture myself as a hero.”

You were by the lake looking out to the moon. Scratch was long gone resting after playing with you. You boredly threw rocks into the lake before looking over hearing something shuffle in the bushes. You walked off into the woods that surround the campsite. There is a sweet scent in the air and you wanted to find out what it is. Getting closer and closer to the sweet smell before a gloved hand grabbed you from behind. Your tadpole was squirming. “Let me go! Astarion” You yelled before the headache got worse before going to a deep sleep. Someone else has had a wiggly worm like yours and made you go into a deep sleep.

The following morning, Astarion walked back to camp watching Tav head back to their own tent because anyone else wakes up. He walked into his but stopped seeing it empty “Oh Little spawn, where are you?” He hums “Having a sleepover without telling me?” He hums to himself and lays down on the bedroll. He pulls back out the book and continues reading till everyone else wakes up.A couple minutes passed and he heard the shuffling of everyone stirring away. He lets out a chuckle knowing some of them might be hungover. He gets himself changed and walks out seeing everyone but he keeps looking for his little spawn. “Have you seen (Y/N)?” He walks over to the Wizard. Gale looks up “No…last time I saw them was last night playing with Scratch.” He looks around “Maybe she stayed with Shadowheart?” He goes back to cooking breakfast. The pale elf walks over to the Cleric. “No, I haven’t seen her since last night.” Shadowheart says “but maybe that gith might know” She was already pointing fingers. Astarion was slowly panicking, no one knows where the hells you were. He quickly downs a potion of animal speaking and walks over to Scratch. “Where is (Y/N)?” He stood in front of the dog. Scratch tilts his head “(Y/N) was last seen by the lake before I went off to rest?” He begins to sniff the ground and runs into the woods. Astarion follows quickly, and looks around seeing your small footsteps along with larger ones. “No….” He whispers. Scratch barks looking up at him “The scent goes through this path.” He walks off sniffing the ground. Astarion only stood still, his mind wondering who took you. Was there a goblin that they didn’t kill, did another Gur hunter found you? He was brought back down to earth hearing someone calling his name. “Astarion what’s the matter.” Tav walks over with the rest of the group. “(Y/N)...they…they were taken…” He whispers before stabbing his dagger to the tree frowning. “ This…this..is all your fault.” He looks at tav refusing to believe it was his own fault. Pulling back the dagger, he walks off following Scratch who was on your trail. Everyone else watching him walk off, seeing how a few days together alone, you have impacted greatly on his life.

You were placed in a dark jail cell, the trip was a long one. When you woke up, all you could do was wail and hug yourself. “I wanna go home!” You cried. You quickly kept quiet as the big door opens and hear heavy footsteps. “What’s this general?” You only push yourself closer to the corner scared. “ My soldiers told me about this young one with a tadpole. I had to see myself.” You look over whimpering and flinch as the door to your cell opens. “So young and tell me why are they here? When this isn’t part of our plan Ketheric.” Ketheric looks over “ Someone did some digging into her tadpole, they aren’t just a human child with a tadpole but a dhampir Gortash.” This puts a smile on Gortash's face, “Such a beautiful creature” He looks down at you. “Bring them with you to the city when your part of the plan is done…we can use them as part of our plan.” He added before walking off. Both men walk off locking the cell once again. You only whimper crying out softly “I wanna go home” You whisper “Astarion” You cried out in the empty cell.

#dadstarion #baldurs gate 3 fic #baldurs gate astarion #baldurs gate 3 #bg3 fanfiction #bg3 astarion #bg3 fic #dadstarion x child reader #fatherfigure astarion #child reader

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david-talks-sw · 1 year

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An argument I hear from time to time is the following:

"I don't care that this novel is considered Legends, if it was canon when George Lucas was in charge of Lucasfilm, it's still canon to me now. Whatever George says is what counts, I don't care what Disney says."

Putting the Expanded Universe's Star Wars and George Lucas' Star Wars in the same basket. And that's, uh... inaccurate.

So without further ado, let's explore:

George Lucas’ involvement in the Expanded Universe

Early years of the EU...

When the first bit of EU content came out in the form of the novel Splinter of the Mind's Eye, Lucas was too busy working on the films, so Alan Dean Foster wrote it by himself (which explains why Luke and Leia's relationship plays out romantically).

After the movies came out, when new material was going to be created, George told Lucas Licensing and other authors that the Prequel era was off-limits to write about, because he might tell that story one day.

Beyond that, they could go to town and write sequels, for instance. After all, part of why Star Wars was created was to let people's imagination run wild and George was happy to let other artists play in the sandbox he created.

That said, things were very clear from the get-go.

These weren't his stories.

The Thrawn books, Dark Empire, all this material was explicitly just Tom Veitch and Timothy Zahn and whoever else's creation. Not George's, who was described by Lucas Licensing's Lucy Autrey Wilson as "not very involved".

The most he did was answers "OK/Not OK" questionnaires about what the EU writers could or couldn't write.

Telling Yoda's backstory? Not OK.

Telling Han's backstory, between the Prequel and Ep. 4? OK.

Having someone wear Vader's suit after his death? Not OK.

The Emperor returning in a clone body? OK.

So that's it. That was his involvement in the 90s.

Him saying "don't write something set during this/that period".

"OK/Not OK" questionnaires.

It's also worth mentioning he didn't approve of Mara Jade, Luke's wife in the EU. In his mind, "Jedi don't marry".

Rather, the character herself wasn't an issue... until she married Luke. When Timothy Zahn asked for Luke and Mara to be married or engaged, back in 1993, Lucasfilm initially vetoed the idea.

According to Brian Jay Jones (author of "A Life", George Lucas' biography), in 1995 George convened a 'Star Wars Summit' wherein he gathered licensees and international agents to Skywalker Ranch to reinforce "the need for him to maintain quality control, especially in the areas of publishing, where some characters—such as Luke Skywalker, who’d been given a love interest in a fiery smuggler named Mara Jade—were living lives far beyond the ones he had written for them in the original trilogy".

Sources:

During the Prequels...

George Lucas was writing and directing three movies with large themes, shot almost back-to-back, commuting between Australia and California. That's hard enough as it is.

Also, in the 90s, most movies were still shot on film. During the making of Phantom Menace, Lucas shot parts of the film by combining prototype digital Sony cameras and using them in combination with videotapes, rather than shooting on film.

For Attack of the Clones, George worked with Panavision and Sony to develop fully digital cameras, which eventually became the standard.

As if that wasn't enough, by making the Prequels, Lucas and ILM were also creating fully-digitized worlds (Coruscant, Geonosis) and characters (Jar Jar, Yoda) and laying the groundwork for the CGI technology that has now become essential for today's blockbusters.

Having established all this...

Do you really think he had the time or the patience to read through a bunch of novels and guidebooks?!

Simply put: George Lucas was too busy revolutionizing cinema to be involved in the development of the EU.

So if you ask George who Tahl or Vitiate are, or what the Stark Hyperspace War or a vapor manifold are, if you ask him to recite you the Sith Code... he'll grumble and say "heck if I know".

He outright admitted that fans know more Star Wars lore than him.

Because SOMEBODY ELSE wrote that stuff.

And he let them do it because:

It made money. A lot of money, especially after TPM came out. Money that could fund his next films. You don't mess with licensing. Hell, it's why he was so cool with there being all those Star Wars parodies.

He didn't see those stories as canon anyway, so it couldn't hurt. He saw them as a separate universe, an alternate timeline wherein the films happened ALONG with all these other tales.

So associating the EU content with Lucas is unreasonable. He was too busy, so he just let Howard Roffman, Lucy Autrey Wilson, Sue Rostoni and Lucas Licensing do their thing and crank out new stories and transmedia content for the fans.

It was a one-way relationship. The licensing parallel universe needed to have some internal consistency AND adhere to what Lucas established in the new films movies (which was difficult because they weren't involved in the production process), but he didn't need to be in line or consistent with anything they established.

Now, George did set some guidelines/boundaries and there were obviously do's and don'ts. But once those boundaries were set and the brief was established, the authors had a lot of freedom and, like, 99% of their interaction was with their editors from the respective publishing houses (Scholastic, Del Rey, Dark Horse) and the folks at Lucas Licensing.

George was only really brought in to sign off on, like, some of the major plot points only once in a blue moon. Stuff like:

"Let's make a Maul novel". George would go "fine, just keep him mysterious."

"What species should Plagueis be?" George: "he could be a Muun, here's concept art."

Nothing more than that. Again: the Expanded Universe was other storyteller's interpretation of what Lucas had created.

Sometimes, it was spot on and it aligned with George's vision.

Other times, this additional lore was created by writers who didn't know what he was doing with the Prequels, so they were in the dark regarding certain plot points.

And then you have the authors who absolutely disagreed with George's vision of the Prequels, or of Star Wars, in general, but wanted to engage with the material nonetheless.

Which is why, whilst sometimes the EU fixed some plot-holes, sometimes the EU had inconsistencies.

Inconsistencies such as Ki-Adi Mundi being a Knight on the Council, who is married and has kids (when the Jedi being prohibited from marrying is a major plot point in the Prequels)...

… or the Jedi being essentially superhuman (when one of the narrative reasons Qui-Gon is killed is to show that the Jedi are mortals, not supermen)…

... or other stuff like Mace having a blue lightsaber for a period (because who the hell knew purple was an option?!) or some Jedi having red lightsabers, or Sith Lords being able to become ghosts after death, when that's a feat you can only achieve by being selfless.

It's also why you get conflicting definitions of what the Jedi call "attachment" or conflicting narratives trying to reframe midi-chlorians as a cold, intentionally-flawed way of seeing the Force (when they're meant to be a beautiful metaphor for symbiosis and how the Force works).

And it makes sense that some of this stuff wouldn't track, considering how Lucas stated multiple times that he didn't have anything to do with it, that it was a separate universe from his own...

Safe to say that if George had any involvement in the EU, it was so minimal that he, himself, didn't count it as "involvement".

Additional sources:

Later years of the EU...

After the Prequels were over and done with, Lucas created The Clone Wars with Dave Filoni. At first, he'd just suggest a few storylines, but he quickly got VERY involved in the whole process. Far more involved than he ever was with EU content.

And y'know... Dave Filoni is a massive Star Wars fan and an avid EU reader. So, from time to time, Filoni would bring up EU material for Lucas to consider during the story conferences, and they'd look at what was out there together.

But it's important to note that George's stance toward the EU didn't change and became a rule for everyone on the writing staff: the EU content was nothing more than a pool of "fun what-if ideas" that they could draw inspiration from.

If they could, they'd try to not mess with continuity... but if the story called for it, they could retcon anything without batting an eye. Because it wasn't canon to them.

It's why author Karen Traviss quit working with Lucasfilm after the Mandalorians were retconned into pacifists in The Clone Wars.

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The only things that were truly canon were:

George Lucas' own word.

The movies.

Previously established The Clone Wars lore.

And that's it.

Everything else was somebody's else's concern. Not George's.

Sources:

This way of seeing the EU continued all the way to the time shortly before George sold the company to Disney as his drafts for the Sequels featured:

no Jacen, Jaina or Anakin Solo (Han and Leia's kids from the EU),

a still-alive Chewbacca (who died, later in the EU),

no "New Jedi Order".

Every version of George's Sequels ignored the EU.

Which would explain why the EU reboot was planned in the summer of 2012 (when Lucas was in charge)!

I'll repeat: the EU reboot was planned months BEFORE George Lucas sold the company to Disney.

Because of course it was! It's a natural result of 30 years' worth of content that's so intermeshed that it would stop future artists - namely George himself - from creating anything else.

Sources:

Exceptions to the rule:

1. Comics (kinda)

He did read the comics. Or at least, he gave them a glance.

Aside from the fact that he grew up reading comics, understand that George Lucas is a visual artist, first and foremost.

That's what he's about and that's what he loves, that's what speaks to him. There's a reason his upcoming Museum of Narrative Art will feature comic panels and pages of all kind.

During pre-production on Attack of the Clones and Revenge of the Sith, Lucas had the art team draw concept art before a script had ever been written so he'd have ideas for set-pieces.

Later on, J.W. Rinzler pitched him the idea of adapting his early drafts for Star Wars into comic form. Lucas' initial reaction was going "hell no". Rinzler had concept art made…

… and George took one look and was on board.

So it's not a stretch to assume that a book telling a story through beautiful drawings would catch his attention more than a novel.

Case in point: He knew who Quinlan Vos was and was enamored with the character. He knew Aayla enough to put her in Attack of the Clones after seeing a cover of Republic by John Forster featuring her (below, left).

(although, it's worth pointing out that he doesn't call her out by name a single time, in the director's commentary of the Attack of the Clones, she's just the "Twi'Lek Jedi" and her inclusion was done mainly to add more diversity to the Jedi fighting in the arena)

Over a decade later, when the comic Star Wars #7 came out in 2015, Lucasfilm acquired artist Simone Bianchi's original 20 pages and cover art for George, so he could feature it in his the Museum of Narrative Art:

So at the very least, he looked at the comics and admired the visuals.

Whether he actually read the comics in detail or just skimmed through most of them because he liked the pretty pictures (likelier, imo) is an entirely different matter.

Sources:

2. Video-Games (kinda)

Lucas would periodically check in on the status of LucasArts games, lending creative input and advice.

Sometimes, his advice ranged from "weird" to "he's gotta be fucking with us, right?"

Apparently, he advised the team developing Star Wars: The Force Unleashed that they dub Starkiller "Darth Insanius" or "Darth Icky".

And you know what? I have no trouble believing it.

Firstly because if you're going by the idea that he gave no fucks about the EU, then of course he'll come up with "meh" names. But also, this is the same guy who created "Winkie" in 2012/2013, the character who'd go on to be named "Rey".

He also told the team creating Star Wars: 1313 that he wanted a fresh face as the main character, then only weeks before the game was announced he went "let's make it Boba Fett".

Finally... the cancelled Darth Maul game by Red Fly.

Codenamed “Damage”, then “Battle of the Sith Lords”. Think Batman: Arkham City meets Star Wars.

Red Fly pitched it as a coming of age story where we see Maul be kidnapped, tortured, eventually joining the Dark Side, and ending in TPM. Then they had interactions with LucasArts and found out Maul survived his fight with Obi-Wan.

The game went through several iterations, partly because the people at Red Fly were kept in the dark about the developments in The Clone Wars (Season 4 wasn't out yet), and even when some tidbits came out and they knew characters like Savage Oppress and Death Watch would be included, they didn't get more details.

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Whatever. They do their best to make something from what they're told. Then they have a meeting with George. As this GameInformer article explains:

“A friendly George Lucas entered the room and was eager to hear the pitch from Red Fly’s creatives. “Before they could finish their spiel, Lucas cut them off, stood up, walked over to [two Sideshow Collectibles statues of Darth Maul and Darth Talon], rotated them to be facing the same direction, pushed them together, and said ‘They’re friends!’” adds the source. “He wanted these characters to be friends, and to play off of each other. […] The problem with the idea of Maul and Talon teaming up for a buddy cop-like experience was that they were separated by over 170 years […] When this vast time divide was brought up to Lucas’ attention, he brushed off the notion of it not working, and said that it could instead be a descendant of Darth Maul or a clone of him.”

So now the game is about a descendant of Maul, guided by his ancestor and fighting a redesigned Darth Krayt, etc?

The game was eventually cancelled when George sold the company.

Worth pointing out that this was circa 2010/2011... around the time that George started working on his Sequels, according to Jett Lucas. And we know that the treatment for the Sequels that Lucas presented to Bob Iger featured old man Maul and Darth Talon as the villains of the trilogy... take from that what you will.

3. The Prequel novelizations (kinda)

They were all given a copy of Lucas' screenplay.

While most of their work was with Sue Rostoni, Lucy Autrey Wilson, and Howard Roffman on the Lucasfilm team (like some of the other authors), Terry Brooks, R.A. Salvatore and Matthew Stover all spent a bit of time with George before writing their respective novels.

George told Terry Brooks to write some additional material for Anakin Skywalker because there wasn't enough of that in the movie. He was shown rushes from the set, they "opened the safe" for him. When Terry had further questions re: midi-chlorians and the history of the Sith, George goes on a 30-minute monologue about all that.

R.A. Salvatore had a 45-minute interview with him that turned into a 3-hour chat. He was able to go back to the Ranch a few times during the writing process, and one of those times George chatted with him and his wife during lunch. He was shown various cuts of the film and concept art.

Matthew Stover and George talked for a whole afternoon (I'm gonna go out on a limb and assume he was also shown the other stuff like some cuts/deleted scenes, concept art, etc etc).

Was there a line-edit of the ROTS novel from Lucas? Regarding the Revenge of the Sith novelization, some people bring up the idea that George Lucas did a line-edit on the book because Stover wrote this statement on theforce.net:

That said...

Stover, also stated that Lucas told him to write whatever he wanted as long as it was good,

he also said he didn't actually see Lucas type the edits,

an anonymous Del Rey editor stated on theforce.net that the notion that George edited the novel himself is "extremely incorrect".

There's enough "reasonable doubt" for the argument to be made that the Revenge of the Sith novelization was edited the same way as any other Star Wars novel, rather than by George himself.

The fact remains, though, that it was a novel written by someone who understood the source material, as it was explained to him in detail by George Lucas himself (a luxury many SW authors never got).

Lucas' backstory for the Sith in the TPM novel: If Pablo Hidalgo is to be believed, the backstory of the Sith, as detailed in the Phantom Menace novelization, came from Lucas.

(Obviously, I'd allow for the very likely possibility that there was some embellishment by Terry Brooks)

20 years later, however, it seems George decided to stick to the idea that there was no war between the Jedi and the Sith.

Final thought:

A lot of people will insist that George was involved in spite of all the above-posted evidence. Saying stuff like:

"But [X person] said that it was canon..."

Sometimes, they’ll link you to this whole website collecting quotes of other people saying "the EU was canon" (never George Lucas except for, like, one/two quotes where he acknowledges the existence of Sequel books which MUST mean he saw them as canon, right?) and...

On the one hand... of course they'll all vaguely say he's "involved" and tip-toe around the subject; it's technically true and, again, they're trying to make money. It's a business, folks.

On the other... yeah? Duh. Of course it was canon to Lucas Licensing and the authors who wrote for the EU. But it wasn't canon to George. And I just gave you a whole bunch of quotes directly from him and/or the same people quoted on that website, all confirming that he didn't see them as canon and he wasn't involved (or barely was).

Other times, we're straight-up approaching "burying head in the sand/lalalala I'm not listening!" levels of justifications.

Like, we just talked about the Sith's origins, right?

I remember a while ago, this Star Wars YouTuber was reviewing this quote from Lucas, in The Star Wars Archives: 1999-1995:

The YouTuber's reaction the second after reading the quote is saying:

"And of course, what George is referring to, here, is the Battle of Ruusan and the Brotherhood of Darkness using the Thought Bomb created by Lord Khan to kill the Jedi Lord Hoth and…"

My guy! You read a whole excerpt that started with "there was never a war between the Jedi and the Sith" and the words "Ruusan" or "Thought Bomb" never being mentioned once in the passage (or in the TPM novelization)... and concluded that George was referring to the Jedi/Sith Battle of Ruusan? And all that other EU stuff?

See what I mean, folks?

Now, look, I grew up with these stories (heck, I grew up with these stories in three different languages). So I get it. I know they're awesome.

And, yes, there is a difference between the kind of content we used to get and the content we're getting now (for one, lightsabers used to be lightsabers, in video-games, not baseball bats).

But if you're trying to prop up the EU, the facts show that the "George Lucas signed off on them" authority argument isn't a valid one. Because he clearly wasn't very interested or involved in it.

And why would you want to use this authority argument, anyway?

You shouldn't need to say "this came from Lucas" to like those stories. They don't need to be George Lucas Approved™ to matter and to be validated as "worthy of appreciation". They're valid on their own, they're great stories. And if you like them better than the Sequels, go to town. I know I do.

The only thing you can't do (with a straight face, at least) is hold them up as "the True Lucas-Approved Canon™ as opposed to the Disney Trash" in a rant, because you'd be wrong and/or lying. Neither had Lucas' hand in them in any meaningful way.

Finally... I was devastated when the EU was officially made non-canon, in 2014. And for a few years, I saw the new Star Wars continuity through this lens:

"Any EU content is still canon unless it's directly retconned...!"

Trust me, when I say that only pain lies that way. Because that's not how a lot of Star Wars creators, including the Flanelled One himself, see it. The way they saw/see it is:

"Unless it's been shown in a movie or TCW... it's a legend, it might have happened."

This line of thought seems to be increasingly applied to the new Disney canon too, by the way. "If it's not shown on a screen, then it's probably canon yet also up for grabs to be retconned."

And the sooner you accept that this is how it's being treated, the sooner you accept that the EU was never canon to Lucas or Filoni...

... the less painful it'll be when, I dunno, you watch The Acolyte and it's nothing like the Darth Plagueis novel or Plagueis himself is absent, or he's there, but as an Ithorian instead of a Muun.

(note how I didn't use the word "painless")

#Lucas Canon & EU Canon & Disney Canon are all different things.#the only downside to this notion is that you can't use Lucas' name in conjunction with the EU to win a debate or rant about LF.#or use Lucas' name to validate a headcanon that came from the EU #Aside from being glad he got to create a universe that inspired so many artists and creators to let their imagination go wild #he barely gave a crap about what other writers did in a parallel universe that he didn't even see as canon.#and that's FINE #collection of quotes #89 quotes I think #this may be the longest or second post I've written yet #meta #sw meta #expanded universe #george lucas #lucas quotes #dave filoni #youtube #star wars #star wars analysis #TCW #star wars comics #star wars novels #lucasfilm #EU #Legends #star wars legends #sw legends #supplementary material #long post

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valeriefauxnom · 1 month

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Unintentional Comedy - Dragalia and Feh Artwork Edition

So, remember Alfonse, from FEH?

Y'know, this dude?

For an okay crutch for those without Gala Euden or Albert or other handy light swords they didn't want to invest in, he was rather popular, only partly owed to any pre-established fondness FEH players had since they already knew him. People liked the more expanded personality we got than FEH's bare-bones story, additionally before they started trying to spice Alfonse up in more recent books.

In his story, however, one of the events that happening is Euden falling off a cliff, shortly followed by Alfonse.

Miraculously, cliff-falling isn't quite as dangerous in Dragalia Lost as in real life (also demonstrated by Leonidas in Stranded Scions, etc...), and the two survive. Alfonse has some sort of injury to his foot, however, conveniently hampering his ability to move but not much else.

Euden, being Euden and unwilling to throw anyone to the wolves, comes up with this idea:

Nothing atypical here, right?

...Well, as it was revealed in a book published two years later than his debut in Dragalia, Fire Emblem Heroes Character Illustrations, Volume 1...

Alfonse is 180cm tall, AKA 5'11.

...Is it any surprise coming from 195cm/6'5 and 180cm/5'11 parents? Someone check the Askran royal food for steroids that Sharena has apparently not been consuming, presumably because she's instead dining with heroes in the barracks.

I digress.

Now, as I've gone over before here, here's where it gets hilarious in retrospect.

In short, Ranzal, the resident big buff burly dude of Dragalia...is stated to be 6'1/185 in the joke comics.

...And while literally nobody else got an even vaguely-official number to their height, Dragalia instead opting for a 'comparison heights' to keep track of who's shorter and who's taller in a pair... Euden often seems to wind up in the 150-155cm/5'0-5'1 range or even shorter when in illustrations with Ranzal:

At most, I've seen him crack about 5'9/175cm in the comics, which aren't exactly a stable source of art, as demonstrated by these two panels, in which both seem to be on flat ground and standing pretty straight:

I need to stop before I mindlessly repeat the other post, but my point remains:

Euden, by most depictions, is tiny. A literal short prince/king.

And yet, no matter what way you slice it, he's trying to carry a dude that seems to be quite a bit taller, let's say. How much, we'll never know, but the fact remains he'd likely need to pull out a dragon phone to search 'how to carry people much taller than you?' just in case and hurriedly read a wikihow 10-step article explaining some strats, were it not for the fact that dragons would have destroyed smartphones in Dragalia a long time ago (good move, dragons....?).

I will admit that there are a few arts that frame them as the 'same height' but I would more point to the fact Euden, when drawn with crossover characters for promotional art, is usually portrayed on an 'equal footing', so as not to have one take up more space/attention. Also, the Feh team might not have even decided on a height for Alfy boy before!

Even then, he's still portrayed as shorter than 5'9/175cm Joker in some art:

So yeah. Crossover art is not exactly consistent, and all I can do is look to the general trend in the 'canon game' of him being absolutely dwarfed by Ranzal.

Now, it's one thing for Euden to be lugging about Alfonse for a while.

The idea he might have done so with such a potential height disparity is pure comedy.

No wonder he's so tired after a while, lugging about another human who is both taller, heavier, and also wearing armor!

Not only that, he later tries and partly succeeds in fighting heavily armored soldiers (who are admittedly aiming to capture him and kill Alfonse) with Alfonse 'draped across his back like a sack of potatoes'. Talk about determination, adrenaline, and/or the simple principle of 'small but mighty'!

Maybe that's why Alfonse was saying "I don't think that's wise" at the start there before he quickly found other rationale besides 'you sure you can give a piggyback without my feet dragging along the ground the whole way?'

My case rests, Your Honor: they unintentionally made part four of Alfonse's personal story a lot funnier to envision by publishing an art book 2 years after he first existed in Dragalia Lost!

#dragalia lost #fire emblem heroes

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arcadekitten · 4 months

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With the new year on the horizon and 10 completed games under my belt, I thought it might be fun to go through some projects that didn't make the cut and I ended up shelving for one reason or another! (It's only like, 2 of 'em but still)

The first is a game about Theodore and Zapara. While Tricks N Treats was my first finished + published RPGmaker game, I originally started testing things out with RPGM shortly after Cemetery Mary's release. The following game was meant to take place in the CM universe.

It was my first time using RPGMaker & it shows. It was also being made in VXAce, hence why proportions are so different from all my current projects. VXace uses 32x32 tiles whereas MV + above use 48x48. Trying to work within these limitations was a bit tricky for me

The (gif) footage you see above is all that exists of the game now(I didn't even screen record LOL). Back when my old laptop kicked it the files for this game went with it and I never cared to back them up. I don't consider it a hard loss though as by that point I had already moved on to bigger more polished projects and I didn't see myself returning to it any time soon(or at all).

The plot of the game was that Theo woke up in the night to hear Zapara leaving their apartment. When he goes to look for and finds her, she seems to want to avoid going back to the apartment for reasons she won't share. By the end of the game she confesses that she had a really realistic nightmare and she's scared if she goes back it will come true. Theo reassures her that he would never let her nightmare happen in reality, and so the two go back together. In the morning, we see Crowven texting them. They're making plans to go out to a club, when Crowven asks if his cousin can come along--tying it into CM.

I think if I made this game, it would've been cute, and maybe I'll even do something with the premise for a larger game, but I don't see myself trying to start this as a solo project again.

The next game that was shelved from when I was learning Unity & Adventure Creator. Patrons had seen previews it! I started this game as a tool to help me learn the programs, and it got shelved when I felt it was no longer teaching me but instead adding weight to my back.

Unlike the previous game, this is a game I COULD see myself starting again--probably using the same method I'm using for WISHMAKER in RPGM. This game is called "Dreary Elaine", and it's a bit interesting!

(ignore the reference PNG of Elaine here HAHA) This game, like WISHMAKER, is a point-and-click adventure game, where you play as the titular Elaine as she delivers party invitations to her neighbors.

The thing that makes Dreary Elaine interesting is that it is actually an offshoot of my other work! Mary Anta is a character that exists in the fictional world of Noisrev. Dreary Elaine is Mary's favorite childhood book series. A fictional world within a fictional world!

As I said above, this is a game that has the potential to come back one day--I'm just not currently sure when. But exploring the Elaine-verse is something that always appeals to me and who knows! Maybe I'll represent it more in my work going forward.

I think that's all for now? I hope it was fun to read through and I'm excited to have more (finished) games and art for you soon! ❤️

#cemetery mary #?#theo #theodore #zapara #elaine #arcadekitten #arcadekitt3n #art #my art #cain

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weaselle · 6 months

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i'm not the kind of person who pays much attention to the personal lives of the artists i like

C. J. Cherryh has a large selection of sci-fi/fantasy to read from (she's been publishing books forever and she just had one come out this month (book number 22 in a series, out of 80 published books) and even though i've loved her work and been reading her books for years and years, i didn't know that much about her

but i just looked her up a little bit ago, and it turns out that she lives with her wife :) who is a sci-fi and fantasy artist with a few published books of her own! which really warms the heart.

She got her start writing fanfic of Flash Gordon as a young girl and was first published in the late seventies and i really like her as an author

Some books written by C. J. Cherryh that i particularly enjoy:

Cyteen and Regenesis

These two books together tell one story from her Alliance - Union universe, in which she has set 18 novels, so there will be interesting cross overs if reading the rest.

The story itself follows a girl in a big space lab that genetically designs humans, who discovers that not only is she the clone of the Top Lab Director Super Genius Lady, but TLDSG Lady's pet project is to recreate not just her own body but also her mind, by closely controlling how her clone is raised, trying to mimic the same basic childhood, matched to a computer tutor program written by her, so her clone can grow up to continue the super genius work of TLDSG Lady... but also, not everyone on the space lab is happy about the project, and there have been murders

i personally love this story even more than the other 18 Alliance - Union universe books, all of which are worth a read

The Morgaine Cycle, 4 books

Imagine if Sauron and the one ring never existed and Legolas and Aragorn were combined into one character who discovered his realm was one of many realms that were linked by a sort of Ancient Alien Stonehenge Star Gate system, because on the worst night of his life he meets a woman from the legends of his people riding out from the stones and acting as if the Big Battle she disappeared from happened only minutes before. Her armor is in the old style, her sword is deeply cursed, and he'll have to learn how to pronounce "laser pistol" because there's no translation for it in his language

chefs kiss

The Chanur Series, 5 books

listen to me very carefully:

Cat Alien Space Pirates

okay? but if you need more, it's told entirely from their point of view, and they find the only human anyone has ever seen

wait actually, i should tell you a small running gag that slowly becomes an examination of social themes is the human keeps thinking the cat aliens are "he" because they go shirtless and there's no obvious breasts, but they keep offhandedly correcting the human, telling him "she" because actually the cat alien men aren't legally allowed off planet at all because they are too emotional and prone to fits of rage, and generally thought to not be cut out for complex math. Also (because the cat aliens are based on lions) the cat alien men are alarmingly huge.

there is also a sort of gorilla alien species, but don't worry there are a few really wild and out there alien species too

read up friends!

#books #scifi science fiction #authors #book recommendations #reading recommendations #fantasy #writing #reading #lesbian authors #women writing scifi

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em-dash-press · 2 years

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Why Originality in Writing Isn't Always Possible

I was writing for years before I encountered a problem with writing as a whole—that most ideas have already been published.

When someone first told me that though, they said it like, "You'll never think of something that hasn't already been written."

The phrasing makes it sound like all story ideas are a waste of your time. I began spiraling. I researched every short story I'd ever written. I looked up books similar or identical to other books I loved.

Turns out, that person was right.

Sort of.

New Ideas Are Old News

Think about how long humanity has existed. Think about the many experiences that generations have shared—love, loss, happiness, adventure, self-growth, your coming-of-age years.

Story ideas inspired by whatever you go through in life have likely already been lived or thought of, given the trillions of people who have walked this planet and interacted with each other.

BUT

Originality Doesn't Only Come From Ideas

This is what I wish someone had told me back when I was spiraling.

I'll say it again for those in the back—

Originality Doesn't Only Come From Ideas

It also comes from your voice and your perspective!

Voice can feel tricky to grasp when you're starting out as a writer. Everyone can throw a few words on a page. How do you know what your voice sounds like and if readers will respond well to it?

Imagine two friends going on a trip. They do everything together. They sit on the beach, they eat lunch at a restaurant, and watch a movie before heading home. Then they each journal about their day in notebooks.

Those entries would look nothing alike! One friend might relax on the beach and feel so at peace that they take a nap, while another gets sunburned easily and hides under their umbrella with a scowl. Both ultimately enjoyed their day for different reasons. The beach lover got time by the ocean and the other friend who liked the beach much less fell in love with a new dish at the restaurant because they're a foodie.

You'll also frame your stories differently than any other writer. Like accents change the way every person speaks out loud, writers structure sentences and describe things/events/emotions very differently.

These may seem like insignificant details that set stories apart, but they make all the difference.

Think about Homer’s Odyssey. Circe is a minor character in the long tale and basically gets about a minute of the reader's time before Odysseus moves on to the next phase of his journey home. In Madeline Miller's Circe, the goddess becomes the main character and the ultimate portrayal of fear, rage, hurt and healing that are universally experienced but are especially true to the female experience.

Both stories follow the same timeline, so readers don't pick them up to necessarily get surprised by something Brand New to Literature™. Instead, they read direct retellings to learn from the characters in new ways, live momentarily through someone else's eyes, and bond over another aspect of the human experience.

Circe is an incredible work of art. Your idea—whether it's a direct retelling, indirect retelling, or full of literary devices from previous works—can be incredible too.

How Do You Know Which Ideas Are Worth Writing?

If a story idea doesn't immediately make you jump for your computer or a pen/paper, is it worth writing? My best advice is to sit with it.

Some of my best work has come from stories that got to marinate. I put them in the back of my mind and thought about the characters or themes or plot when something sparked another idea. By the time I started typing, the story was more vivid than when I first though of it.

But also, I have probably twenty failed ideas for every story I've written.

Give yourself time to get to know your ideas. If they're worth your time, they'll sit with you too.

#writeblr #writing advice #story ideas #originality #writing tips #writers of tumblr #writing #creative writing #writing community #writing help #creativity

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the-alliance-maker · 2 months

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More art from my younger sister, yay!

Mask (Baby Hero of Time) looks like that because he's worn the Fierce Deity Mask too many times for extremely long periods, and now it's started to stain/scar his skin.

I'm also putting her little doodle she made me bellow too.

Mask (Baby Hero of Time) has a/his shadow following him around. This is apparently my sister's view of their relationship.

(She was nervous about letting me post the gif and required that I clarified that it's a low effort, quick animation she only made to get a laugh out of me, lol. She was correct about making me laugh. I was in tears for, like, an hour.)

More explanations (And lack there of?) about it under the cut.

These pieces of art are both from an AU of mine that we roleplay a lot.

I'd explain more, but it's built off an alternate timeline/universe of @wutheringmights story "Call them brothers". And I'm not sure what her rules are about fanart or fanfics, mostly because I never asked or looked into it and I never intended to.

I make AUs for the fanfics I read, write fanfics for those fanfics with thousands upon thousands of words in them and then never post them or do anything other than hand them to my sister to read. She does the same with her art.

...Fandoms are messy enough without me accidentally stepping on someone's toes. (I think my sister doesn't post her art because she's too unconfident though.)

That aside, Call them brothers is literally my favorite fic I've ever read. I know we like to throw that phrase around in the fandom a lot, but I have every intention of getting that sucker printed and bound once it's finished. I've been reading Fanfiction for nearly a decade and this is the first one I've wanted to do that for.

If you're a person who enjoys darker stories and want a story line with some actual consequences for the characters, I'd totally recommend it. The last time I was this gut punched over characters and their development was Red Rising by Peirce Brown (My favorite published book series ever), and Wuthering's descriptions of a war ravaged country and all it's horrors is fucking immaculate.

I found Call them brothers through my desire to see a longer fic that had Spirit Tracks Link, and it did. not. disappoint.

Wuthering's takes on what Spirit's abilities, character traits, and game culture/lore are currently my favorite I've seen from anyone in the fandom, and I would doubly recommend the fic just for that.

That said, it's not a story for the faint of heart. It's Dark. With a capital 'd' for a reason. Wuthering doesn't add all those tag warnings for no reason. Also, if you can't stand to see one of the Link bois written as anything other than what the mainstream interpretation for them is, this isn't for you. War isn't out of character, but he's certainly a bold take. A fantastic one, but bold none the less.

Plus there's mild mentions of Links being interested in other character's that aren't their Zeldas or their typical love interests. There is NO shipping of the Jojo's characters amongst each other, but if you're the kind of person who can't stand alluding to characters having crushes that aren't Link x Zelda, it isn't for you.

I know there's some people in the fandom who don't like that kind of thing, so I thought I'd mention it. Also, you've been warned so no being mean to Wutheringmights about it!

If you're okay with the things I've listed, please, please, please give it a read. @wutheringmights deserves all the love for writing something so good.

(Anyway, I could ramble for hours about all the reasons Wutheringmights is my favorite Author in the LOZ fandom, but this was supposed to just be a post about my lil sis's art that got waaaaay away from me.)

#My sister's art #Little alliance Art #time linked universe #majora's mask link #loz link #time lu #linked universe time #It's only Lu because it's an AU of a LU Fic but the character concept all on it's own isn't???#So I'm tagging both #Sorry if that's confusing

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katherynefromphilly · 1 year

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After taking a recent writing class, I wanted to let the fan fiction story writers know the following:

1. Fanfic writing problems are writing problems! Full stop! The things we discussed in class around writing habits, character, plot, language, etc., are exactly the same as we discuss in fanfic circles. Same things!

2. Fanfic writing is a wonderful way to freely explore your preferred storytelling style. Because there’s no word counts (unless a specific fest is asking for them) you don’t have to worry about the end product of your story. You can meander and wander and tell whatever story you want. Writing for trad/indie publishing tends to make you think of end product before story. I’ve learned not to do that. I need to pretend I’m never going to publish when I’m writing that first draft. Otherwise I get in my own way.

3. Fanfic writing gives us all an amazing gift — a Built In Writer and Reader Community! People who only want to write for publishing really need to work hard to get other people to read their stuff AT ALL because it’s in some unfinished form. When you’re writing for publishing, you have no choice but to find a writer’s circle, or a class for finishing your works in progress, or a mentor, or something. Fanfic has community built right in!

4. Writing fanfic is EXCELLENT WRITING PRACTICE. I’ve gotten better at writing by writing (shock!) and these classes are just increasing the focus of what I’ve been learning already. I had conversations with other students about “what process do they use to plot a story”, and I was able to tell them that I keep varying what I do, and that for me it seems to depend on the story I’m telling. I only know this because I’ve finished so many stories already. I wouldn’t have known that if I had one single book in progress.

5. Writing fanfic can make you a HECK of a romance writer. For my class, I wrote a few different things: a personal essay, a WLW fantasy story, and then a hetero romance meet-cute scene set in a public place. The people in the class, and the teacher, all really enjoyed it. There was no sex, but the language I used was full of innuendo and slow burn… all of which I learned by reading, and writing — guess what? — fan fiction.

TL;DR: Fanfic writers are writers. So the nxt time you want to say “fic” say “story” instead. And the next time you want to say “fanfic writer” say “story writer”. That’s who you are, friends. And thank you to everyone out there writing, and who inspires me to write!

#writing #fanfic writing #fan fiction

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jadejedi · 8 months

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Fantasy Book Review: A Taste of Gold and Iron by Alexandra Rowland

JJ's rating: 5/5

How feral did it make me: 5/5

My book reviews

I’ve been reading (or listening) to a lot more books this year than normal, and I have realized that I need an outlet to talk about them. I considered making a goodreads account, but hey I already have this! So I will be reviewing the books I’ve read this year, and depending on how long it takes me, I might just start reviewing all my favorite reads. I'm probably going to add links to my blog to make them easier to find.

Let’s get into it. This book is so good. SO GOOD. I listened to it on audiobook, which normally means while I’m at work, driving, or at home doing chores, but I literally listened to the last 2 hours of this book at home doing absolutely nothing, just on the edge of my damn seat!

Here’s a quick summary: the very anxious Prince Kadou accidentally causes a serious incident that leaves multiple of his personal guards dead or injured. In the aftermath, he is assigned a new guard by the sultan who is known for being an uptight rule follower. As their personalities clash, they have to solve a mystery and learn to work together…

I want to preface this review by saying that this is definitely a romance novel with a fantasy setting. The world building, especially for the main country this novel takes place in, is great and extremely vivid without unnecessary info dumps. The main plot of the story is perfectly serviceable, if a tad predictable, but it 1000% does what it needs to do for the romance.

But, the romance. THE ROMANCE. This book was advertised as an “enemies to lovers slow burn romance” and it 100% delivers on both. Now, when some people think “enemies to lovers” or (even better imo) “enemies to friends to lovers”, they imagine that at least one of the parties involved is a horrible villain and the relationship is probably abusive in some way. I’m sure there are plenty of books out there where that is absolutely the case, but Rowland gets what makes that trope so good. It’s about two characters who are both good people, but initially clash. It’s the mutual hatred born out of a fundamental misunderstanding of the other’s character, it’s the eventual begrudging respect, it’s THE YEARNING. THE PINING.

Both of these characters are so wonderful. We get both POV’s throughout: Kadou’s anxious desire to do what’s best for his country and not fuck anything up, and Evemere’s steadfast, noble determination to understand what makes the prince the way he is.

I don’t want to give too much more away, but this book is filled with ALL the delightful romance tropes you could ever desire.

Can we talk about pacing?? Pacing is so, so important, especially when writing a slow burn romance, and this author GETS. IT. Sometimes if the romance is resolved too early, all the tension goes out of the story, because if it’s a romance novel, we’re here for the romance, not the plot. But in this story the whole novel is centered around the romance, and the pacing just works so, so well.

Also, the way that queerness is written into this story is wonderful. Third gender pronouns abound and same sex attraction is fully accepted, and it’s really refreshing. Also, there are multiple female characters who play significant roles in the story who are fleshed out characters, which I feel is sometimes lacking in M/M romances.

I have not been able to stop thinking about this book since I finished it like four days ago. I listened to the audio book, which had an excellent narrator, but have also ordered the paperback with my favorite version of the cover. Please, do yourself the favor and read this one. Also, if you do read it, the author published a 10,000 word fanfic epilogue on AO3. It’s called What spring does with the cherry trees, and it’s a goddamn delight.

#a taste of gold and iron #book review #fantasy book review #mlm #slowww burn #meet ugly #romantasy

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redgoldsparks · 6 months

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I've never won National Novel Writing Month, but I am participating for my 7th time (not consecutively) this year. In the past I've always enjoyed receiving the Pep Talks from published authors, which are essentially like letters of encouragement to all of the writers trying to pour out the first draft of a novel in a month. A few of the ones I read, especially in my first year of doing NaNo, really stuck with me so I was very delighted to be asked to contribute one this year. You can read my Pep Talk here on the NaNo site but I will also post the full text below the cut. And to anyone doing NaNo this year-- good luck and keep writing!

instagram / patreon / portfolio / etsy / my book / redbubble

I wanted to be a writer long before I knew I had anything to say.

I had a childhood immersed in stories. My parents took me to the local library every week, where I checked out stacks of fantasy novels. I would pick up any book with a dragon, elf, sword, castle, wizard, or spaceship on the cover and my heroes were the authors and illustrators of these magical worlds.

At some point I started to wonder about these writers. Who were they? What were their lives like? I began to pay more attention to author’s notes and was astonished to discover that many authors I loved mentioned each other in their acknowledgements. In The Ladies of Grace Adieu, Susanna Clarke thanked Neil Gaimen, Terri Windling, Ellen Datlow, and Charles Vess. In Stardust, Gaimen thanked Clarke in return, and also Diana Wynne Jones. Ursula K Le Guin and Robin Hobb wrote blurbs for Patrick Rothfuss’ Name of the Wind. In Finder, Emma Bull thanked Terri Windling, Steven Brust, and her husband, Will Shetterly. Tamora Pierce, George RR Martin, Peter S Beagle and Kelly Link all blurbed books by Ellen Kushner, who thanked more people than I have space to name.

Holy shit, I realized. All of these authors know each other! They’re friends! This was followed by a second thought: If I want to meet them, and especially if I want to be friends with them, maybe I should publish a fantasy novel myself.

That realization gave me a new goal, but no specific pointers on how to pursue it. I started out as many young authors do: I began writing long fantasy narratives with orphaned protagonists, extremely derivative of the fantasy I’d read as a teen. During multiple successive NaNoWriMos I chipped away at a YA novel about a boy and a dragon. I started drawing a webcomic about a thief who tried to rob a monastery only to be foiled by a witch with the same plan. These stories had characters, settings, and some plot but what they didn’t have was themes. They didn’t ask any questions about what it means to be human, and they didn’t touch on any of the big concerns I was wrestling with in my personal life: gender, sexuality, and identity.

It took the rather painful experience of a literary agent telling me my fantasy work was unpublishable before I set my early stories aside, stepped back, and changed the direction of my writing towards exploring the big, vulnerable themes I had been shying away from.

What I discovered is that instead of making writing harder, facing these themes head-on made writing easier. In my earlier work I had frequently hit writing blocks, places in my outlining process where I felt like I was wading through mud. When I didn’t know what I was trying to say on a meta level with my story it was often hard to decide what should happen next at the plot level. I would send my characters from location to location, but I’d be unsure of what they should do there, because I was unclear on how their actions added up to a larger picture. That feeling of being stuck and uncertain over what should come next fell away when I started focusing more clearly on expressing my bigger themes. Suddenly the path forward felt smooth. All it took to follow it was bravery and persistence.

I also achieved my initial goal in wanting to be a writer. I have now met and befriended many other authors, not the same set that I idolized as a teen, but different writers who are exploring many of the same themes and questions in their work as I do in mine. I have friends, colleagues, co-authors, and writing partners to thank in my acknowledgements– often more than I have space to name.

During this month, I know many of you are focused solely on pouring out the words. That is very important, but I recommend you take some time to think about the larger themes of your story as well. What message, hope, fear, question, or truth are you trying to communicate to the world through your writing? I promise that clearly articulating your themes will help you tell your story and find the friends and writers who will become your community.

Good luck, and know that I am writing alongside you, and rooting for you!

Maia Kobabe, Fall 2023

#maia kobabe #nanowrimo #nano 2023 #national novel writing month #writing

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pjo-gaysofgreeks · 5 months

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I wrote this silly little thing for a graded final and I figured I’d share…

Allied Authordom: Rowling vs. Riordan

By Serena Martinez

Allyship does not demand perfection, but rather desire to grow. We are all unlearning internalized -phobias and -isms which have been normalized in society. The key to true allyship is recognizing you have the capacity to cause harm, do the work to be better, and consciously avoid hurting someone that way again.

Given the upcoming television adaptations of both J.K. Rowling and Rick Riordan’s popular series, I am going to use them as a case study example. The hoards of Millennials and Gen Zers that grew up with either or both series are now young adults with the ability to think critically and set their own moral principles. I am not sure I know someone in my age range who hasn’t at least watched a Harry Potter movie and most of my friends are eagerly following the new release of the Percy Jackson Series (December 20th!!!). As much as I wish people would turn towards new POC authors who are trailblazing their own paths of authordom, I know many are still tied to the nostalgia of the past.

When first published, neither series included diversity up to today’s standards. Both trios were completely composed of white cisgender people: a male protagonist, a male best friend and sidekick, and a female friend and potential love interest. Although Riordan intentionally made Percy neurodivergent to depict the experiences of his real life son and Rowling crafted the entire series to support species equality, the core representation remained the same. That doesn’t even include Rowling’s problematic stereotyping of the werewolves and goblins who were based on people with HIV/AIDS and Jewish communities respectively. Riordan and Rowling’s subsequent elaboration (or lack thereof) on their respective universes showcases the difference between them as authors and allies.

Rowling has essentially never budged from her original position on representation in her series. To her, making Hermione Black in the theatrical adaptation of the series and retroactively admitting Dumbledore is gay was enough to show she is a proper liberal ally. Many would deem this too little too late, especially given the stereotypes used to describe people of color in the series like Kingsley Shacklebolt and Cho Chang. Rowling showcases prime examples of tokenization without ever addressing such simplistic character depth over two decades after the series’ publication.

Then, of course, there is the significant harm caused by Rowling’s unapologetic transphobia. She has only doubled down since her first transphobic tweet in 2020 by publishing a book about a cisgender man dressing as a woman to murder people (emboldening the false and harmful narrative of the trans predator), donating to anti-trans companies and legislatures, and claiming that continued support of the Harry Potter Universe is proof that people are in support of her transphobia views.

I think Rowling could have come out of this unscathed had she admitted her books were a product of her time and apologized for her wrongdoing to the trans community. Instead, she has only chosen to dig her heels into hatred. Suffice it to say Rowling is the bad example of allyship amongst these two authors.

Riordan, on the other hand, heard readers’ criticism of his predominantly white and straight series and returned with a sequel including complex characters not defined by their racial, gendered, and sexual diversity. Riordan’s central characters in subsequent series were Latini, Creole, Chinese, Native American, Muslim, bisexual, and genderfluid. His newest book that follows a gay couple from the original Percy Jackson universe is co-authored with a queer writer because Riordan did not want to attempt to portray an experience so distinct from his own. When Leah Jeffries who plays Annabeth Chase in the new TV series experienced racism from fans online, Riordan published a statement calling out the behavior. Since interviews have started he has continued to ensure she is supported. Rick Riordan is certainly imperfect but has continued to use his privileged platform to uplift voices rather than misrepresent or silence them.

While Rowling uses Twitter to corral an army of transphobes that dox anyone who looks gender non conforming in their profile picture, Riordan uses his platforms to vocally confront hatred. The same year Rowling mocked gender inclusive language for people who menstruate, Riordan was staunchly calling out transphobes criticizing genderfluidity in his series.

It is not enough to just magically make characters different identities because doing so erases the complexity of each experience and makes representation a farce.

Onto the question everyone has been waiting for: what does this mean for the T.V. series?

This is not just about allyship. This is about how Rowling continues to harm trans communities during a time where they are already experiencing heightened levels of violence.

Do NOT watch the HBO Harry Potter series or anything where Rowling gets streams and thus money! Illegally stream it. Watch the old movies on DVDs you already own. But every view pads her wallet and her ego, emboldening her to fund and support transphobia globally.

Reread the Percy Jackson series in preparation for the much awaited television show. Delve into Harry Potter fanfiction which doesn’t line the pockets of the Author Who Shall Not Be Named. Try new series from queer authors of color who deserve to be platformed far more than Rowling ever did.

#fuck jkr #percy jackson #percy pjo #allyship #trans ally #rick riordan #jk rowling #article #opinion

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