I often do think it is important to call myself a woman. In past I've had kids ask me "are you a man or a girl" and in hindsight I think these kids were quite perceptive of the world. Especially when you're in your 20s it's men and girls, I've seen students write pieces describing themselves as men, but their female peers of the same age they call girls, but I have also heard bisexual women say they like both men and girls. In past I've fallen into that myself and said that yeah I'm a lesbian I like girls, but do I? No I am in my twenties and I am actually only attracted to my fellow adults - women. It does feel more serious, less trivial, both to be and be attracted to women as opposed to girls, and that can be a bit uncomfortable to be faced with. It is also important to me as a butch. I am no longer a tomboy I am a butch I am no longer a girl I am a woman. I am a woman and women can be like me. I don't feel like I've succeeded enough at adulting to call myself a woman, but that doesn't matter. I am 25, and if the word bears other connotations so be it, that's not my problem.
it's SO funny that when asked what he had to do to prepare for his role in IWTV Sam Reid says he had to learn how to play the piano, learn to speak French, Italian, and English with a French accent. Bailey read IWTV religiously and added her own comments, and kept an actual fucking journal she wrote entirely as Claudia. meanwhile Jacob Anderson, when asked the same question, just responds with “oh nothing, i was already emo”. icons and legends only
Hugo, two hours after joining QSMP, being so immersed in the qlobal translator's existence that he tried to use it irl to thank his McDonald's deliveryperson
Hugo: Ich hab... Ich hab grade zum Lieferanten "dankeschön" gesagt weil ich dacht'—ich hab mich so dran gewöhnt Deutsch zu reden, weil das automatisch übersetzt wird in QSMP, dass ich dachte, dass—dass meinem Lieferant das dann auch übersetzt wird. Bro!
[cut] Digga das—ich erklär's nochmal ganz kurz. Also ich wohn' ja auf Madeira. Und die reden ja hier kein Deutsch. Digga, 'n Lieferant kommt hier hin, ich sag so "hello", ne, da hab—da wusst' ich irgendwie noch ok, Englisch. Bruder auf einmal sie gibt mir ne Tüte und ich sag "danke!" Weil ich— weil ich mit QSMP dachte dass das automatisch übersetzt wird—wird. Ich wa—ich—digga, das is' halt, das triggert dein Gehirn halt komplett.
(translation: I just... I just said "dankeschön" ("thank you" in German) to the deliveryperson because I thought—I'm so used to speaking German, because it's automatically translated in QSMP, that I thought that it would be automatically translated to my deliveryperson. Bro!
[cut] Bro that—I'm gonna explain it again for a sec. So I live in Madeira. And they don't speak German here. Bro, a deliveryperson comes here, I said "hello", like, at that point I still knew okay, English. And brother suddenly they give me a bag and I say "danke!" Because I—because with QSMP I thought it would be automatically translated. I—bro, that's just, that just fully triggers your brain.)
bound to want (part two) /// part one
rest of pages under READ MORE after ID
[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.
It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."
Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.
A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.
A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.
A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.
A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."
"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.
If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."
Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.
"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues, "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."
A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.
The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.
The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.
Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."
With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.
"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.
This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."
The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.
Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."
In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."
The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you." The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.
The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...
That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."
The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]
thinking about painsluts with a dom that purposefully doesnt hurt them. instead, treats them with the utmost care, gently caressing their pretty face and murmuring out the sweetest praise. everytime they watch your hand raise they brace themselves for a familar slap that makes them lose their minds, but it never comes and they are left with tense muscles and a loss for words. it was nearly impossible to casually beg for someone to grant them their dirtiest desires, but you know exactly what they need, and just taunt them with it, because you want to hear their pathetic cry. and eventually after too many soft kisses and too many gently caresses, they let out the rawest noise, as if it just tumbled out of them against their will: "please hurt me.", "break me.", "ruin me."
im not sure if youve answered this before, but im really curious about how you decide which contrasting colors to add where! i know about adding a reflected color of something next to it (idk how to explain that sorry) but i always find when i try to add little splashes of color while shading a piece, they look out of place!!
heres a rough general explanation feat. Beato + some extra stuff!
What I focus on with making a color feel cohesive is seeing where exactly i can use that color again through out the piece that way it balances everything out. To choose the colors themselves i normally just take the base color and saturate it in my preferred direction (i.e. parts of her blonde hair becoming green, her headpiece becoming hot pink)
for something with a Lot of added/different pops of color I tend to unify the whole thing by throwing a layer of overlayed color jitter on like 10% or less which helps those colors not feel so out of place (also this piece you can see more of where im adding color at overlaps or areas of interest instead of just the shadows)
something that can also help if you are going a more painterly route is having a base layer of a bright color and then laying down your flats lightly over top allowing the under layer to peak through which is what i showed in this breakdown (which you can also see me adding a complimentary color to areas of visual interest)
And lastly a lot of this is just kinda trial and error! as I said before i tend to work on one layer but for these final embellishment type things (added pops of color, halftone, patterns, etc.) i mostly save that for last and keep them on a layer above the piece because a part of the process is just messing around with a bunch of stuff and seeing what looks good
i've seen figure skater sanji and hockey player zoro before. idk if its been explored but i'd love to put it out there:
hockey player sanji (specifically goalie bc he desperately wants to avoid being checked) and then pairs skater zoro.
pairs skater zoro's long time partner has been nami. though many people ship them together a Lot, they just know each other super well. Well enough to try dating and both of them realized they don't swing that way. in fact, it makes them a really good team. they fought long and hard to claim top spots in competitions because they portray a chemistry that's separate from the rest. plus zoro can carry nami like she weighs fucking nothing. so their lifts are so much more dynamic. they even have a whole next to impossible combination that they're trying to get the ISU to name after them officially.
sanji plays for the East Blue Straw Hats in the Grand Line Hockey League – a formidable rookie group that took down lots of big names in the preseason. they want to make it all the way to the postseason playoff finals but always seem to fall short. but theyre so determined. they reignited a lot of old sparks that were no longer there for old fans and brought in new and curious fans. sanji is the starter goalie and a damn good one at that. it makes sense bc goalies are often doing splits on the ice just to make a save. he's perfected the technique that utilizes just his legs to make saves that make the crowd go fuckin insane.
we have the usual "i booked the rink to practice before you did" trope but a little more spice. in actuality, sanji loves watching pairs skating competitions. his favorite pair rn is franky and robin (mostly for robin). and he adamantly does not want to admit to anyone that he watches zoro and nami's routines much more frequently. (and if anyone asks, he always says its bc of nami. its never just bc of nami.) and zoro's besties with luffy so he always watches their matches even if he barely understands the rules. and he definitely does not stare at a certain blond starter goalie most of the match thats fucking ridiculous
one day zoro and sanji are invited to do one of those comparison videos between hockey players and figure skaters. both get to laugh at the other even Attempting to do their sport. zoro frankly looks ridiculous in all of sanji's usual goalie get-up. and sanji couldn't land an euler to save his life. the video producer suggests they try a simple pairs skating routine. sanji is like "oh i couldn't do that–hEY WHAT THE FUCK MOSSHEAD PUT ME DOWN" because zoro lifted sanji and had him sat on his shoulder like it was normal.
zoro smirks, "you might be lighter than nami, actually. wanna be my new partner?"
sanji knees him in the stomach before skating away while blushing so hard he could melt the ice beneath him.
It’s just… it is everything that Cardan thought Jude would notice his “SO OBVIOUS” exile riddle and thinks Jude to not hesitate to come back. Beside his certainty of her cleverness to piece the riddle together, he believed he was that clear about his feelings toward her; he had thought she absolutely ought to know how he feels for her.
Like oh buddy. BUDDY. Your wife had thought of the answer to your little riddle like you thought she would. But guess what? She has detrimental TRUST ISSUES. (Like… Ur super mean and hot, I can’t blame her.) Anyway.. it’s SUPER adorable of him to so wholeheartedly believe she wouldn’t question his trust. It reveals so much about his pov of thier relationship.
Jude thought Cardan’s (silly) trick was a (vile) trick, when it was simply a: “Im trying to impress/pay you back in kind with our romantic metaphorical sparring and eventually get you out of political drama for a bit,” trick.
I’m fucking laughing wow these delusional ass children I fucking love them.
Thinking about the KaeyaJeanDiluc friendship where they grew up together and they were CLOSE & sure maybe Jean felt like Diluc & Kaeya were closer since they were brothers & sure maybe Kaeya felt like he had to keep secrets from the two of them bc they would never understand but they were like. A trio! A team!
& then Diluc’s 18th birthday comes around and everything goes to shit and Diluc LEAVES so they’re no longer KaeyaJeanDiluc but just Kaeya & Jean & in some ways Kaeya and Jean get closer because of it but there’s also a pronounced DISTANCE where Jean doesn’t know how to reach Kaeya anymore & Kaeya is even more determined not to tell Jean anything & they both lose themselves in their duties to Mondstadt while also missing Diluc and ALSO, despite everything, offering each other unconditional support
& then Diluc comes BACK & in addition to Kaeya & Jean there’s the shaky reestablishment of Jean & Diluc and Diluc & Kaeya but it’s not THE SAME. they’re no longer KaeyaJeanDiluc; Jean & Kaeya are knights and Diluc will never be a knight again & they all changed while Diluc was away & none of them know how to talk to each other anymore AND YET there’s still an undercurrent of trust!! Not fully, especially between Kaeya & Diluc, but Diluc still calls on Jean during the archon quest, trusting that she will keep their secrets even though as the acting grandmaster she should probably not. Jean says in her about Diluc voiceline that she understands why Diluc hates the knights & is working hard to make them an organization he can trust again. Kaeya covers for Diluc’s darknight hero escapades & fondly reminisces about their childhood in front of him. Diluc invited Kaeya to dinner at the winery & (afaik) never told anyone about Kaeya’s origins. Kaeya tells the traveler that they need to give Jean their full support and planned a birthday party for her. Jean left Kaeya in charge of Mondstadt when she went to the golden apple archipelago! On some level they recognize that their goals still align!! There’s still trust and love there but there’s also this gap between them that none of them know how to cross and I just!!!