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osaemu · 8 months

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GOJO SATORU: ❛❛ SOME THINGS NEVER CHANGE ❜❜

.ೃ࿐ staying the night at your ex-husband's house was a mistake. NSFW

contents: fem!reader. you and gojo have a daughter. oral (m. and f. recieving), satoru calls you a slut + whore, degradation mixed with praise, mocking, dacryphilia.

author's note: edit—crying bcs an irl read this and alluded to it in one of our convos pls actually kill me /hj

"hey, sweetheart," the man holding your daughter's hand says casually, as if he doesn't know how much you hate the pet name. "you took your sweet time."

a familiar scowl makes its way onto your face and you cross your arms. "satoru, will you ever stop calling me that?" you ask exasperatedly, pressing two of your fingers into your temples.

six years.

you've known satoru for six years, and you were his wife for four of them. now, after a long, painful road, you two were finally divorcées.

it's been a year since you and satoru ended things, and sure, it was hard for all of you, but life moved on. your daughter, to her delight, still gets to see her father on weekends. and unfortunately, you usually tagged along.

"mommy, can we stay for the night?" your four year old asks, looking up at you with big, shiny eyes. "please?"

you hesitate — if it were up to you, you wouldn't stay in this house, the one you once lived in any longer. "sorry, pumpkin. i think we should go. wouldn't wanna intrude on daddy's space any longer."

you hate the look on satoru's face when you refer to him in the same way your daughter does. fucking pervert.

"you two can stay as long as you want," satoru interjects smoothly. he smiles lazily, kneeling down to your daughter's height and ruffling her hair. "it's kinda late, isn't it? i'd hate for you to have to drive all the way back in the dark."

"yeah, mummy!" your daughter says, nodding along to satoru's words. "i'm tired."

you wince and ignore the smug grin on satoru's face as he stands back up with a soft grunt. "we should head home, kiddo. i bet your dad has work to do, and we have our own house."

satoru frowns slightly at the last statement, but he doesn't even consider shooting back — not in front of his daughter. "sweetheart," he says to you, voice coated in that sickeningly sweet tone that you hated, "it's late. and i don't have any work."

when satoru sees the way you scowl at him, a smile tugs at the corners of his mouth. "you have any other reasons why you wanna leave?"

none that you need to know.

both your ex-husband and your daughter, who takes after her dad more, take your silence as grudging agreement.

"hey, kid, d'you want to go to bed?" satoru fondly asks your daughter, ruffling her hair again. when she nods, sleepiness evident in her eyes, satoru scoops her up and carries her off to her room without looking back.

when they turn the corner into your daughter's room, you sigh and plop down on satoru's couch. your ex-husband was an infuriatingly good father, and it pissed you off.

a couple minutes later, satoru strolls out of the room, closing the door gently behind him.

"so, babe, you dating anyone?" satoru says conversationally as he plops down on the couch next to you. he's close enough to make you tense, but stays just out of your personal space.

"what's it to you if i am?" you mutter, ignoring the pet name. you know that if you tell him to stop, he'll just say it more, so you don't bother.

he scoffs and faces you, resting his back against the arm of the couch. "what's up your ass today?"

"fuck off, satoru."

satoru whistles and tsks at you, shaking his head. "language, sweetheart. you kiss our daughter with that mouth?"

after a couple seconds, his expression softens and he studies your face carefully. "what's on your mind?"

and just like that, you're back to the times when the two of you were happy. back when satoru wasn't such a dipshit and actually cared about how you felt.

unfortunately, those times were over.

long over, you remind yourself as you dig your nails into the palm of your hand. "nothing you need to be concerned about," you reply. your tone is clipped, and the words come out harsher than you meant them to.

satoru doesn't seem to mind. in fact, he has a lopsided grin on his face as he scoots closer to you, a mischievous glimmer in his eyes.

"you wanna fuck it out?"

his words are so unexpected that your mouth almost drops open. thankfully, it doesn't, but a couple minutes later, your legs do.

"fuckkk," you moan, tilting your head back as satoru's tongue trails a stripe up your slit.

"keep it down, sweetheart," satoru says without looking up. "don't wan' to wake up our daughter, do ya?"

you hum in response, physically covering your mouth with one of your hands to muffle the sounds escaping the confines of your lips.

in the year that you and satoru had ended things until now, you'd slept with a couple guys. you'd even dated one or two of them, but god, none of them could use their mouth like satoru could.

satoru can't help but smile as he eats you out, pulling away momentarily to shake his head at you. "tsk, you were so mean to me earlier. and now look at you." he dips his head to nip at your clit and grins when he feels you flinch.

"i've barely even started and you're already drippin' all over my sheets," he mutters, lips brushing against your inner thigh. "fuck, takin' my tongue so good, you little slut."

"satoru, i w-wanna cum," you mewl, shuddering when his tongue re-enters your folds. "wan' you inside me."

"i already am, dummy."

you feebly attempt to swat his head in response before scowling and insisting that he knew what you meant.

satoru scoffs as he pulls himself up to face level to you. he readjusts his position over you so your back is pressed into the mattress underneath him before pressing his lips to your ear.

"let's put that mouth of yours to use, yeah?" he mumbles, slipping two fingers underneath his sweatpants' waistband and tugging him off.

it's been years since you last fucked with satoru, and in that time you had forgotten just how pretty he was. you'd never admit it out loud, but you really didn't mind the reminder. setting into a comfortable position, you wrap your lips around his cock, relishing the way his moans get louder and louder.

you hum slightly, resisting the urge to smile when you feel satoru shake from the vibration. but god, his reaction when you run your tongue over his tip? priceless.

"fuck, baby, it's been too long since you've sucked me off. forgot how good you were- aah," he cuts himself off with a breathy moan. "fuckkk."

you briefly stop to look up at him with a cheeky smile. "you still moan like a girl, satoru."

"and you're as much of a slut for me as ever," he grumbles, reaching down and pushing your head into his painfully hard cock again. "d-don't stop, baby. feels s' good."

satoru's moans only get louder from there, until you have to be the one reminding him that your daughter's asleep two doors down.

"m' gonna cum," he whines, grabbing a handful of your hair and tangling his long fingers in it. "swallow all of it, yeah? don't waste a drop."

you nod your head obiediently, using your tongue just the way you know he's always liked to push him closer and closer to the edge until–

"fuckin' whore," satoru gasps, groaning loudly as he cums in your mouth, hips grinding against your face. "aah, missed your s-slutty tongue, baby, fuck."

"missed your girly moans," you manage to gasp before his tip hits the back of your throat, painfully so.

"shut up and swallow," satoru commands, tugging on your hair just enough to make you cry out. "yeah, who's moaning like a slut now, hmm?"

after you swallow all his cum and lick your now-swollen lips, satoru has you open your mouth so he can check.

"good girl, looks like there's at least one thing you can do right, even if it is just sucking me off. c'mere," he mutters, pinning you down on the mattress and making the bedsprings creak loudly. "m' gonna fuck you, m'kay?"

you nod, reaching out to stroke his saliva-covered cock. "y-yes, please, satoru."

your ex-husband, who you should really not be fucking with, looks down at you with a smirk and takes your hand, bringing it up to his lips. "you look so pretty, baby. all covered in my cum, never looked hotter."

he nudges your legs apart with his knee before pushing himself into you, gritting his teeth through a smug grin when you cry out in pain. "careful, baby. wouldn't wanna wake up our daughter with your slutty moans, would ya?"

"s-satoru, hurts s' much," you whine, pawing at his chest. "you're too big, i can't-"

"you're too big, i can't," satoru mocks, rolling his eyes. "how do you think our daughter was made, baby? did the storks just drop her off?"

his next thrust is particularly harsh, and something about your pained cry almost makes him cum again on the spot. "fuck, we should do this more often," satoru cooes, reaching up and stroking your cheek. "wait, you cryin'?"

yes, you were crying. your cheeks were wet with a mixture of your tears and the remainder of his cum from earlier, and fuck, all you could think about was satoru's cock. so much for being so over him.

satoru laughs, shaking his head and slowing his pace to give you a kiss. "just when i thought you couldn't get any prettier, you gotta go and prove me wrong," he mumbles, licking his lips. "god, you're fucking beautiful."

he presses his lips to yours again, this time letting his tongue slip into your mouth. "i missed you so much, baby. i still do," he mutters in between kisses. he's controlling the pace, purposefully making each kiss's ending sudden as to not allow you to talk — only him.

"you know how many times i've jacked off to you?" satoru breaths, reaching down to grab your thighs and push you impossibly deeper into him. "you know how fuckin' much i want to put a ring on your finger?"

"satoru, i-" you try to say, but his mouth is on yours before you can finish your sentence. and a couple seconds later, more words are waterfalling out of him.

"fuck, baby, you have no idea. i fucked up, but i swear i've changed. c'mon, give me one chance, i-"

"mummy? daddy?"

you and satoru both flinch and whip your heads towards the door when you hear your daughter's voice, preparing to make up some far-fetched story to tell her besides we were fucking.

thankfully, the universe allows you two seconds to cover yours and satoru's bodies with a blanket before your daughter opens the door and pokes her head inside. "i heard noises."

you look at satoru for help making up an excuse, and thankfully he has one ready to go.

"oh, we were just watching a movie," he lies, running a hand through his hair. "go back to bed, kiddo. we'll tuck you back in in a second, yeah?"

your daughter looks at you before looking back at satoru and nodding.

"close the door, please!" you call as she turns to leave. when the door shuts behind her, you let out a long exhale and bury your head in satoru's chest.

and to your horror, the door opens once more.

your daughter looks at you with shiny, curious eyes. "mommy, are you and daddy back together?"

satoru saves you from having to answer that impossible question with a laugh, wrapping his arm around your shoulders and pulling you closer. "go back to bed, pumpkin. i'll be there to tuck you in."

ten seconds after the door shuts for what you hope is the final time, you turn and glare at satoru. "you're gonna tuck her in?"

satoru scoffs in mock disbelief, raising his eyebrows and pointedly looking you up and down. "if you wanna tuck in our four year old daughter covered in my cum, be my guest."

you nudge his arms off of you and bury your face in a pillow, groaning softly. "fuck you, satoru."

"love you too, sweetheart."

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messylustt · 11 months

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౨ৎ ‧˚

𝐞𝐥 𝐭𝐫𝐚𝐭𝐨 (𝐭𝐡𝐞 𝐝𝐞𝐚𝐥) — 𝐬𝐩𝐚𝐧𝐢𝐬𝐡 𝐥𝐞𝐬𝐬𝐨𝐧𝐬

miguel o’hara x fem!reader. 1.3k words

fic masterlist pt one next part

i’ve gotten some help with my spanish and have approved/fixed accordingly (if you have any suggestions on the spanish please speak up!); enemies to lovers trope; not obvious, but subtle jealous miguel; human(not spider-person)!reader; spanish term of endearment ‘chaparrita’ — miguel o’hara has never liked you—a human—joining the team as the ‘person in the chair’. he’s made his distaste for you clear. but when he speaks certain spanish words you don’t understand, he reveals that his annoyance of you is by the fact that you make him feel ‘hot’. soon, a deal surfaces, his promotion benefitting you both.

Miguel watches as you fiddled with the different tech machines, tapping with a focused gaze. He tilted his head, staying by the large spider, having spread out screens filled with the many mission's info.

He had a slight scowl on his face, his expression usually one considered moody. But this time he had a reason for it. You.

You were a pain to Miguel, far too nice to every spider-person. He hadn't liked having you here the moment a few of them recommended you. They described you as the 'person in the chair'. You were smart, sure, but Miguel didn't think you belonged here. You weren't a spider-person like the rest of them, you were human.

He jumped down, landing beside you. You look to your left, having to tilt your head up at his sheer height. You gulp. You've always been nervous around Miguel O'hara. You didn't think he once smiled, his gaze only seeming to harden, especially when you would speak.

So, you kept it minimal. Only talking to him when it was required. "O'hara." You nod, turning quickly back to your work. "Anything I can help you with?"

"Nothing you can help with, y/l/n." His small jab at your inability in many areas, such as swinging from buildings with web, made you straighten your spine.

You ignore his tone, again not daring to meet his gaze. "Then, I'm sure Jessica will be here soon to help with anything."

Miguel's eyes wander your stiff posture. He could tell that he made you nervous, and part of him relished in that. It helped him think that you knew your place.

When you noticed that he wasn't leaving, you go to say something else, when Hobie and Peter burst into the room. Both yours and Miguel's attentions shift. Hobie easily moves towards you, making you smile. He reached his hand out as you did what many would call a typical 'bro handshake'. But Hobie instead chose to call something far from normality, in his prominent british accent.

Hobie was one of the ones who recommended you for this job. And you've been beyond grateful since.

"How's ya bloody borin’ shit goin’?" Hobie asks, leaning down to see whatever nonsense you had typed up.

"Describe 'boring shit'." You say, your tone turning smug.

He scoffs, eyeing the screen again, before giving up and grabbing your chin to turn back to the tech. "Keep working."

You chuckle, just as Miguel speaks. "Aren't you supposed to be out?"

Hobie looks to Miguel, straightening his guitar strap. "What—should I start callin’ ya boss, and kissin’ ya boots?"

Hobie has always been one to 'do his own thing' and completely bypass the rules. Miguel looks unimpressed, as Hobie holds his hands up in fake innocence. Peter chimes in. "He doesn't wear boots."

Hobie glances at him. "Thanks Peter. I didn't know."

Peter doesn't have time to respond before he's running after his swinging daughter. "Just get back to work." Miguel says. "That includes you, Peter. And didn't I say not bring her here?" He sounds exasperated, as he pinches the bridge between his nose.

You spin in your seat watching as Peter sends back a 'sorry', as he disappears, running through the large exit door. Hobie is quick to follow sending you a nod and a smile.

You wave them off, feeling the tension flood back into the room now that it's just you and Miguel again. You swiftly spin back in your chair, your fingers going back to tapping, as your legs spread comfortably.

Miguel looks back at you, before running his hand down his face, muttering. "No abras las piernas como una invitación." (Don't open your legs like an invitation.)

You pause, glancing at him. "What was that?"

He glances back at you, eyeing your confused expression. You, of course, didn't know spanish.

He places his hands against the desk, leaning a fraction closer to you, his gaze fluttering across your features. "Podría decirte cualquier cosa en español y no sabrías lo que quiero decir." (I could say anything to you in Spanish and you wouldn't know what I mean.)

"You know I don't know spanish." You mutter.

"I know. And the thought of you being so unaware, makes me want to tell you..." He leans closer to your ear, making your pulse beat rapidly. "....cuanto me haces arder, cariño. (how much you make me burn inside.) And it’s beyond annoying.”

You sigh, pushing slightly away from him. "Look, I know you find me annoying." You begin. "That's fine. But just...can you at least give me somewhat of a chance?"

"Do to what?" He asks, crossing his arms, as he leans back against the desk.

"To prove I'm helpful."

"Helpful?" Miguel asks, tilting his head. "You want to be helpful?"

"Of course."

"Then find a more suitable job." He stands to walk away.

"If you want me gone, then why don't you fire me?"

He pauses for a moment. "Sadly, I need a proper reason for that. So, if you want to be helpful to me. Then fuck something up."

"But while you're here being useless you should probably learn spanish." Miguel says as he walks out the door.

You huff, staring after him, watching as his back muscles contracted in a way that made you look away, gulping. Fucking Miguel O'hara.

;;

You sit, feet up by the tech, as you tapped away on your phone. You got a congratulatory 'ding' whenever you got a word or sentence right, and a rather loud 'booing' sound when you got a word or sentence wrong.

Yes, you're trying to learn Spanish. You sadly hadn't remembered word for word what Miguel had said to you, so you couldn't put it through translation. He must have purposefully spoken fast so you wouldn't have time to catch each word and remember.

'Me gusta ir al museo.' Your phone spoke. It translated to 'I like going to the museum' You had gotten it wrong, putting ‘park’ instead.

You groan, your head knocking back as your eyes shut in annoyance. You were only smart in certain areas. You let your phone drop to the desk, as you stretch, keeping your eyes shut tight, as if you could find the Spanish language hidden behind them.

"Spanish?" A deep voice spoke, making you jump, swiftly getting to your feet and spinning.

Miguel stands in his signature spider suit, your phone in his grasp. "I didn't think you'd actually listen to me."

You snatch it back, switching it off, as you scratch the back of your neck. "I was just..." You drift off sighing. "I like this job."

Miguel watches you closely. "You're committed, I'll give you that."

You smile, the word 'progress' swirling in your brain. "I learnt a sentence." You say, brows creasing in remembrance. "Me gusta...ir al...musio?" (I like going...to the...musio?) You say this more so as a question as you meet the amused gaze of Miguel.

"Ir al museo." (To the museum) He corrects, knowing the generic 'hobbies' sentences most kids learn.

"…I was close." You say, smiling, before you realise who you're talking to, your nerves returning.

Miguel nearly kicked himself for feeling warm at the small smile that you gave. You were trying to learn spanish—loosely—for him. "Can I make you a deal?" He suddenly asks.

You narrow your eyes a fraction. "What kinda deal?"

"One where we can help each other." He mutters, stepping closer. "You want to stay, correct?"

You nod.

"Then you're gonna have to convince me that you'd do anything for a mission."

You straighten, eyes widening at the chance to prove your worth. "I lead most missions, so loosely, you'd have to do anything for me."

He's much, much closer, eyeing you. "But we can make this a ‘give and take’. Let me teach you Spanish—something you'll need working here, close by me, and in return for every lesson, you have to do something for me."

You eye him. "Like what?"

"Anything." He answers. "Because you'll have to do anything that's required for those missions. Call it practice, or proving your worth, chaparrita."

You lick your lips thinking. You can't see anything inherently wrong with this 'deal', so you nod. And that earns you the very first smile you've seen from Miguel O’hara.

i know this is short, but I just wanted to see if any of you guys would be interested in a full fic like this…

also if you would like to be in a taglist for this story — just comment

#the miguel effect #miguel o’hara #miguel o’hara x reader #miguel o’hara x you #miguel o’hara x y/n #miguel o’hara fic #miguel o’hara across the spider-verse #miguel o'hara #across the spider-verse #across the spiderverse #spiderman atsv #atsv #miguel o’hara smut #miguel o’hara one shot #Spider-Man-2099 #spiderman 2099 #marvel #miguel ohara #miguel ohara x reader

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inkskinned · 4 months

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yesterday while feverish i wrote about how boats can moor next to each other like pigeons, cooing with the gentle rap of water against their hull. you once said that that the way i see things - birds in the water, feathers in marina paint - was "childish and naive." you said i'd been misdiagnosed - "it can't all be adhd. you might be just kind of stupid and lazy."

i still do certain things like how you taught me - turn the pillow case inside out before putting it on. drive defensively. hate myself entirely.

the prompt for this poem is "mahler's fifth." i wish it wasn't, but mahler's fifth was our song. it ended up in my book. every person that knows your name has promised me they'll give you one swift rabbit punch, right to the face. dean read the book and showed up on my front porch, drenched in sweat from running the 8 miles at 4 in the morning. he was shaking. pacifist and gentle - he works with children - i'd never seen him furious. a punch isn't going to do it, he said, and then said i'm sorry. i had to come to see if you were okay.

mahler's fifth was mine first, like my girlhood. i like the way each movement piles onto the next movement, each instrument bleeding into the next. i like the horn version the best. before i met you, i danced to it on grass still-wet from sprinklers.

later you would tell me that the way you heard it was somehow better. you understood something in it that i couldn't quite wrap my fingers into. once, on our anniversary, you asked the classical music radio station to play it for us. we missed hearing it because we were fighting. one of the things people get wrong about abuse is that sometimes victims are, like, brutally aware of the stupidity of our situation. what do you mean that you thought i wasn't good enough for you? you? you're just... nothing.

sometimes people can pull the poetry out of your life. i watched my words become clothesline, and then thin out into kite twine. i watched you chew through every good syllable of me. so many good songs and places and moments were ruined. i am glad you didn't like most of my music - less to tie back to you.

but still mahler's fifth. the music swells, and i am 21 and throwing up in a bathroom on my birthday. a woman i will later refer to as lesbian jesus runs a cool hand down my back, her perfect pantsuit starch-pressed. she told me to leave you. she said - and this is true, and not an invention of rhyme or fantasy - i'm you from the future.

i am 22, and i got home from an award ceremony, and i remember you telling me - you act so proud of yourself when you're actually so fucking embarrassing. i took you to disney world. you took my virginity. i gave up visiting spain for a week with my family - i instead choose you, to spend the time just-cuddling. you called it "our fuck week." the music swells. it probably should have been a red flag that for about 3 years - i just gave up on crying. my grandfather died and you said nothing. my uncle died and you ghosted me for 3 weeks. you said i need to protect myself from your ongoing tragedy.

every so often i come back to the memory of one of our last afternoons in person. i had just told you that i wasn't going to law school, despite the free ride - i was going to join a creative writing program. master's in fine arts. i was going to finally do it - i was going to follow my dreams. this blog was already internet-famous. however reluctantly, i would occasionally refer to myself as a poet. i got into umass amherst's writing program for fiction authors. it is one of the the top 5 programs in the country.

wait are you seriously considering actually attending that? dumbfounded, you turned completely towards me in your seat. for the 3rd time in our relationship, you almost crashed the car. you actually want to be a writer?

the first time i went viral, it was for a poem i wrote about you:

he wants to say i love you but keeps it to goodnight because love will take some falling and she's afraid of heights.

every time i see that, i want to throw up. you weren't in love with me, you were in love with the control you had over me. a little truth though: i am afraid of heights. you caught a rabbitgirl and skinned her alive.

mahler's fifth still makes me sick.

give me that back. give me back music. give me back everything i had before you. give me back fearlessness. give me back bravery. give me back a scarless body.

give me back what you took from me.

#nosebleed club #sorry stephen not ur fault #just like. thinking #writeblr #spilled ink #warm up #every time nat is like - oh let me get that for u #im like .... this is a trick right like ur gonna be mean now bc u did something nice rn #so obviously if ur being nice now either u did something mean and im about to learn about it #or you're going to BE mean #or ur gonna hold this over my head forever and i'll never get a nice thing ever again?#and every time nat is like .... babe i just actually like u #lesbian jesus story is 100% real btw. she also told me not to be an event planner #literally changed the shape of my life

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raynewolfegirl · 10 days

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Meta Jazz, the Arkham Intern Therapist

I'm going to go ahead and apologize for how OOC Bane is in this. It originally was Joker but I couldn't see Jazz tolerating his proximity for more than a single millisecond so Bane it is.

~*~*~

The hardest thing about being a Meta in Gotham was responding appropriately during a Rouge's attack, Jazz mused to herself. Or perhaps that was just the hardest part about being a Meta intern at Arkham while studying psychology at Gotham University. Or maybe it was just her, she considered watching the guards and Dr. Rylie whom she'd been shadowing for the past 2 weeks wide eyed, pale, and shaking as theybstared at Bane behind her. It must just be her, Jazz decided, newbie guard Kyle Jennings was definitely a Meta after all. She should probably give him some tips on hiding his enhanced strength considering how often he broke mugs, door handles, and other delicate items used in daily life.

"Weapons down or I'll snap her skinny little neck." Bane growled out, shaking her slightly for emphasis. She very much doubted that. Liminials were built different than the standard Meta, stronger, faster, better endurance, and senses even if they could mostly appear to be standard humans on the outside. As such, their bones and muscles were much were much denser than regular humans or even Meta humans. Technically, she could be considered "invulnerable" much like the Kryptonians are.

"Back up! Let him through!" Dr. Rylie shouted at the guards. "She's my student! Let him through!" His voice was higher pitched than she could recall hearing it before.

Ah. That was panic.

Jazz sighed involuntarily and glanced over her shoulder at Bane. Why the man had grabbed the only person close to his own height nearby was a mystery to her - no, nevermind, he clearly meant to use her as a shield - but it made looking him in the eye more difficult than necessary.

"Mr. Bane, remove your hands from my person, please." Jazz stated calmly, channeling what Danny called her inner mom as she spoke. "I will give you to one to comply."

Bane looked stunned for a moment then laughed.

"Five."

The laughing continued. Jazz could sense a stir of uncertainty through her colleagues as they looked on.

"Four."

"Did you really think that would work?" Bane snorted out, arms tensing more around her.

"Three." She continued, indifferent to his words from her experiences raising her brother. Once the count down starts you mustn't respond to anything the kids do or say until they comply or the count is done.

"What cab you even do if I don't?" Bane asked darkly breathing directly in her ear. She kept her face expressionless despite the urge to express disgust.

"Two."

"Jasmine..." Kyle whispered halfway across the hall from her looking on with a pained and horrified expression. Gun tilting towards the floor. Sloppy.

"One." She finished and Bane gave a derisive snort.

Then she was moving. Hauling the enormous man up and over her shoulder using the arm that had been wrapped around her neck. Bane hit the cold tile hard enough that the tiles, subfloor, structural supports, and part of the concrete foundation buckled beneath him. His shoulder popped out of joint, his wrist cracked - a hairline fracture by the sound of it - and his breath was punched out of him from the force of impact. She released his arm as soon as his was embedded in the tiles and moved forward. Kneeling over him, support most of her weight on her left foot resting on the broken ground, her right knees pressed firmly across his throat without supporting any of her weight. The position put more strain on her muscles than she would've liked but at least Bane couldn't risk fighting back without crushing his own neck in the process. He could hardly throw her while flat on his back with a mangled arm.

"Now," Jazz began, looking directly into the behemoth's pained eyes. "Do you know what you've done wrong?" She asked like she would have done with Danny as a child.

"Yes, Ma'am." Bane choked out. Jazz heard movement and murmuring behind her. She didn't turn to look.

"What did you do wrong?" She asked. It was important to make sure children correctly understood why they were in trouble after all. There was a long pause as Bane appeared to cast around for the exact right answer as if he feared getting it wrong. A bad habit Danny still uses as well, Jazz thought to herself.

"I tried to hold you hostage," He choked out in a rush, words tumbling over one another as he tried to get them all out. "I scared you coworkers and it was very disrespectful."

So he'd gone for the grab-bag response. It wasn't wrong per sey but it did indicate a past history of abuse. The type of answer given by someone who expected to be harmed or ignored if they gave the "wrong" answer. Danny tended to use that method also and their parents had always been negligent at best.

"And are you going to do it again?" She asked giving him a Look as she did. Bane's eyes widened and he tried to frantically shake his head as much as possible with the pressure on his neck.

"No, Ma'am." He promised fervently.

"Alright then," Jazz said giving him a warm smile. She gestured vaguely towards the guards without turning to look at them. "Kyle here is going to take you to see the nurse and then back to your room then. I'm sure you'll behave for him?"

"Yes, Ma'am. I'll behave." Bane said. Jazz stood slowly asking sure not to put any additional pressure on his neck as she did. Kyle came and stood next to her as the giant of a man slowly pulled himself to his feet then led him away with 5 other guards.

Jazz heaved a sigh. Well, time to find out whether or not she could play all that off as normal, non-Meta human behavior.

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a-hazbin-reader · 3 months

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Hii I love your work!

Could you do a (romantic but.. crush stage) headcanon of Alastor helping the reader and the reader gives him a kiss as a thank you and Alastor is like "what the hell was that?" Reader genuinely feeling bad for kissing him and Alastor says "you should be sorry" but then Alastor starts to constantly help the reader (even more than before) and everyone in the hotel knows what he's doing but reader is dense. Then eventually alastor just bursts into her bedroom shouting "FOR FUCK SAKE WHY WONT YOU KISS ME" (maybe not that but same energy)

Please and thank you :>

I'm just gonna...combine these two...

Alastor X Reader Headcanons

✅️Romantic

❌️Platonic

TW: Alastor being jealous, DOORS, Saucy?

Description: ☝️��️

You gave affection freely to those around you, everyone got a hug or a small peck on the cheek

So when you're struggling with something and Alastor helps you out? It's only natural for you to give him a quick kiss on the cheek

It's his reaction to it that makes you think you made a mistake in doing so, his body going stiff and gaze dark

You step back as you start to notice a green haze around him and the glass on his monocle cracking

"Don't you ever do that again, my dear."

"I'm-I'm sorry, Alastor-"

"You should be."

And just like that, he's back to normal, carrying on like nothing had happened and humming a jolly tune

But you still feel so guilty for making him so uncomfortable, that was the last thing you wanted

So you work hard to do better, to respect his boundaries and keep a respectful distance

It's not until later when Alastor has time to think about it that he actually realizes that he kinda enjoyed it

And that he's envious of the others who now freely get to soak up your attention and affection for doing little tasks

Like Husk getting scritches and scratches under his chin because he carried a box for you

Angel getting a warm hug with lots of nuzzling and cooing, all because he used his multiple arms to help you cook

Vaggie sheepishly accepting a thank you kiss because she caught you when you almost took a dive down the stairs

Charlie and Niffty are the worst offenders, always helping you and just eating up your praise and hugs

And now whenever Alastor helps you... you just give him a meek thank you and dash off

He's left there waiting for his hug and kiss that won't ever happen

He's not jealous, he told you not to thank him with physical affection

He just didn't realize that he was shooting himself in the foot when he snapped at you

So he starts trying to tempt you into it, taking every opportunity to help you out with every little thing

Alastor will physically shove the others out of the way in order to be the person who helps you out

And he never gets the proper thank you that he's looking for

It's getting to the point where you're driving him insane with those kissy lips and warm embraces

Why won't you just fucking give him some attention!? Oh yeah. Because he ruined it for himself

You do tell him that you're grateful for him and his help, sweetly smiling at him but keeping yourself at a distance

But it's not enough, he wants what everyone else is getting and then some

He hates being excluded or not being special and it's even worse when it comes to you

Alastor's thin patience suddenly snaps when one day while he's out running errands with you

The two of you bump into Zestial and the great overlord opens a door for you, earning a soft kiss on his cheek

It would almost be cute watching you struggle to do that, considering Zestial's height

But instead...Alastor is fucking irritated 😤

Zestial takes it well and you continue to run errands with Alastor for the rest of the day even though he's visibly sulky

His ears are bent back and his eyes are furious

You wonder what you did wrong

He's a bit distant from you for a couple days after that and you miss having him around

Even if you couldn't be with him, you still liked hanging around him and spending time with him

Just when you're starting to feel sorry for yourself and thinking you did something to offend him, wandering the hotel

He shows up by your side and grabs you, miraculously stopping you from almost falling into a fucking hole in the floor that wasn't there yesterday

Charlie is to blame somehow

You're just so happy to see him hanging out with you again that you hug him out instinct

Only to realize you fucked up and try to pull away-

But Alastor's firm grip on you stops you from moving, and he's looking at you in a way that makes your face heat up

"U-uh...um...thank you...Alastor..."

He tuts at you while shaking his head, pulling you flush against him as he leans in closer

"Words won't suffice anymore, my dear~ I'll only accept one thing as payment for my heroic services~"

You definitely don't melt when he suddenly kisses you and if your arms find their way around his neck then...

Who are you to deny him his payment? Kiss that bastard until he's crawling away and begging for mercy

Me hoping I didn't just shoot myself in the foot by bringing up the door thing again..

#hazbin hotel x reader #alastor hazbin hotel x reader #alastor hazbin x reader #alastor x reader #hazbin x reader

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elumish · 3 months

Text

In the wake of what's going on in the world, I see a lot of rhetoric that basically boils down to the idea that everyone has a responsibility to watch every bad thing that's going on in the world all the time. That awareness itself is a responsibility that everyone has always.

I'm not going to say that people do or don't have a responsibility to be aware of things, but I want to talk about how to take care of yourself and others while doing so.

For some context, I spent close to a year and a half reading about every terrorist attack in the world as part of my work on the Global Terrorism Database. It was 2015/2016, so this was the height of ISIS/Daesh, it was a major time for Boko Haram, and it was when there was a lot of political violence that we weren't sure how to classify in places like Yemen, Crimea, and Libya (stuff the GTD didn't know how to classify had all of is information recorded, and then it went into purgatory until someone above my paygrade decided what to do with it). What this means is that I was spending 10-20 hours a week reading about hundreds or thousands of attacks a month and, in my case, recording infomation about the type of attack and the type of weapon. Much of my life was reading terrible things.

Limit what you do in isolation. One of the worst changes for me during that time, mental health-wise (even though it was great for my commute) was when I went from working in-person to working remotely. With other people, there are ways to diffuse the pain. A burden shared is a burden halved and all that. That may mean talking about it, or joking about it, or finding some other way to engage with it that isn't just reading about the most horrible things in the world and then stewing in your own thoughts about them.

Find something to do that's totally unrelated. I highly recommend finding something to do with your hands, if you can (knitting, Lego, cooking, whatever), but regardless of what it is, you should have some time when you entirely switch away to something different. During a fair amount of my time with the GTD, I was also doing my undergrad thesis about terrorism on TV, so a huge amount of my life was about terrorism in some way. The only other thing I watched was Great British Bake Off, and I would just rewatch the episodes, over and over.

Be compassionate about how you share information and with whom. Use trigger warnings, and consider using consistent tagging on places like Tumblr so people can blacklist it if they need to. Also consider whether it's appropriate or necessary to share photos of bodies or other results of horrible violence. What is it accomplishing, to show that? Can that goal be accomplished other ways that don't require the equivalent of jumpscares of unexpected photos of dead or brutalized people? Are you just showing it because you think that everyone should have to see it? If you are showing it, are there ways to mitigate against harm it may do?

Do what you can to avoid an echo chamber. Sometimes, when everyone around you is upset or angry about the same thing, it just amplifies itself, and you all get angrier and more upset in perpetuity without accomplishing anything.

Work towards action. Watching terrible things happen for the sake of saying that you haven't looked away isn't as meaningful as taking action in some way. Write to your Congressperson. Donate. Do whatever is appropriate for the thing you want to stop. But penance via watching terrible things happen doesn't accomplish anything.

Recognize compassion fatigue and do what you can to mitigate it. If you spend long enough doing this, you start to lose context, and you start to become less able to have compassion about things. If you're reading about attacks with dozens or hundreds of deaths regularly, five can start to not seem like that many. If you're reading only about the worst suffering in the world, "lesser" suffering of those around you can start to seem unimportant and petty. Do what you can to mitigate that.

Be kind to yourself. You do nobody any good if you burn out. Look away, if you need to. Take a break. Do things so you can enjoy life, because otherwise you are just another person suffering in the world. Other people's pain isn't a hair shirt for you to wear.

#elumish blogs #compassion fatigue #activism

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theprissythumbelina · 4 months

Text

So you want to write about horses.

Part 2 now out!

Or you're writing and horses show up. Or its a pre-industrial fantasy and your characters have to get somewhere. Or you have a faint idea of your MC's love interest showing up on a white stallion.

Whatever the cause, you're writing, and a horse appears. But you know nothing about horses. I can help.

This is a horse. Horses come in many sizes.

^ Big Jake, a Belgian Draft horse, and a roughly 5 foot woman for scale.

1 hand = 4 inches = 10.16 cm

Once a horse is smaller than about 14.2hh, it is generally considered a pony. In the modern day, ponies are not considered suitable for adult riders due to weight and height issues. Some pony breeds, such as Welsh, Fjords, ect. are known for being sturdy, and can more easily carry adult sized humans. Miniature horses should never be ridden by adults.

^The only suitable 'riding' a miniature horse should do

The above graphic mentions that horses are measured from the top of the withers, not the top of the head. But, what are withers?

The withers are where the horse's shoulders meet the spine, and the neck becomes the back. Withers are incredibly important for saddle placement, as a badly placed saddle in this area can prevent a horse from moving its legs properly, cause a large amount of pain, and even damage a horse's spine. Speaking of spines, this is a horse skeleton, with the withers pointed out.

Horses have four legs. Horses cannot have any fewer than four legs. They are obligate quadrupeds. This is, in part, due to their weight, as well as the construction of their legs and hooves. This is to say, that while cats, dogs, and other animals can be amputees, a horse, short of some incredible magic solution, cannot. Even a broken leg bone will cause a huge amount of problems, as all of the weight that leg would usually hold must be shifted to the other feet, and this causes a condition called laminitis, where the tissue that holds together the hoof and the toe bone becomes inflamed, and begins to separate. Once this happens, the hoof tissue dies from lack of blood, and the bone begins to rotate. This is extremely painful for the horse, and so often the best solution for a horse with a broken leg is to be spared that pain. Famous American racehorse Barbaro experienced a complex broken bone, which began to heal fine, but complications from laminitis in two of his other legs caused him to be put down. This is why media will almost always show a horse with a broken or injured leg being 'taken care of'.

^Barbaro, in his prime. Even the best veterinary medicine couldn't save him.

Now, racehorses like Barbaro are moving at the fastest speed and the fastest gait of the horse, the gallop. The patterns that horses move their feet are referred to as gaits, with most horses having four, with some breeds having five or more.

The first gait and the slowest is the walk. In the walk, all four feet move independently, which leads it to be called a four-beat gait, as the footfalls make a sort of drumbeat on the ground.

The next gait is the trot, a two beat gait with diagonal pairs of legs moving together.

^Diagonal pairs marked in red and blue

The trot is a very bouncy experience for the rider, and can be uncomfortable. Some riders will rise and fall with a pair of diagonal legs, called a posting trot, some will stand in their stirrups, called a two-point or jump position, and some will sit the trot, which requires a lot of core strength (seriously, if you want a strong core, screw the gym)

The third gait is the canter, a three-beat gait with a single diagonal pair. This gait is ridden sitting, and feels a lot like going over waves on a jetski. There is a rise, a scoop, and a fall feeling. The canter is also called a lope in Western riding, they are the same gait.

^diagonal pair marked in red

A gallop is sometimes considered a variation on canter, as it is similar save for the legs actually moving in a four-beat pattern. As you can see with the image of Barbaro, all four of his feet are moving in different patterns, at different times, even though the gallop is really a four beat version of the canter. Riders in the gallop rise off the horse's back into a raised position, which allows the horse to use the full length of its spine and musculature to get as much reach and speed as possible. It feels like riding on top of a train barreling down the tracks, at least until your horse takes an unexpected turn and the ground is suddenly the only thing you're riding.

^ I've been there. The trick is to push away and hit the ground rolling, it hurts less that way. And don't land on your head.

That's all for this post. I'll have more when I feel like it, and send me questions if you want to know more about specific things or need a writing question answered

Reblogs welcome and encouraged

@jacqueswriteblrlibrary for wider reach

#writing #writing horses #writer advice #how to write #writing advice #writing help #writeblr #creative writing #writers on tumblr #writeblr community #writers #writerscommunity #horses #basic horse things

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bumblequinn · 7 months

Text

hi @sourpatchsquids! thank you for your question.

as an artist with ADHD, i know this struggle very well. unfortunately offering advice on this kind of thing can be tricky, because what works for me may not work for you (and vice versa!). nonetheless, i can try; take whatever works for you, forget the rest, or reshape any part of it as you see fit. :)

but before i offer any actual tools, i have one caveat. i want you to take a moment to reflect and consider if you should be:

changing expectations

the timing of this question seems fated, because just the other day i had a therapy session wherein i expressed my grief and frustration over struggling to work lately due to my seasonal depression. it's not fair that i'm struggling just because it got a little darker outside! i just want the spark i had in the summer! i was so much more consistent!

my therapist's response: nothing about human beings is consistent. we get sick, we get tired, we get hungry and thirsty (and thirsty) and sad and lonely and restless and stressed and overwhelmed. this all gets amplified for folks who are atypical in some way or another.

when my therapist compared our seasonal cycles to those of plants and other animals, who wilt and slow down and hibernate, i protested aloud that i wanted to be a perennial instead. at this she said: even perennials change with the seasons. rose bushes have to be pruned, sometimes down to half their height! it was a dose of perspective i didn't particularly want, but really needed.

so when you're struggling to work through executive dysfunction, burnout, or brain fog, it can help to first check in with yourself about a few things. what do you have the capacity for right now? do you need any accommodation? and if so, what changes you might make to accommodate yourself?

with practice and self reflection, i've learned a handful of specific routines that help me when i'm struggling with creative work, which i'll detail next. note that while your question is specifically about music and i am specifically a musician, i believe that all of these suggestions can apply to most any form of digital creative work.

with that in mind:

#1: work slower

when i'm at the top of my game, i can get a LOT done in a day. but when i'm depressed, fatigued, or distracted, i just can't go full steam. sometimes i'll try to convince myself that i can if i just push harder, but what actually ends up happening is that i'm just fiddling with settings and going in circles rather than moving forward.

instead of that, when i want to work a lot but can't, i try to work slow. how slow? however slow i need to. take four hours to figure out the melody for a single verse. take all day to figure out that drum groove. yeah, i take a lot of breaks in between. who says i have to be my Absolute Most Productive Every Day Or Else? that's the puritan work ethic talking. kill it. be kind to yourself.

i'm reminded of advice i once read about some super successful and prolific author (gaiman? king? pratchett?) who said they wrote only four hundred words every weekday. that's already less than the word count of this post, and i'm only—[travels into the future to check my final word count]... 22.8% of the way through writing it!

now, i don't think i could function that way, because ADHD means some days i'm hyperfocused like crazy, and other days i just have no steam at all (more on that in #4-6). but it seems to me that if even someone highly respected in their profession can achieve what they have with only a little bit of work on a regular basis, maybe i don't have to punish myself for not pumping out a finished work every single week.

doing less work per day means you're much less likely to burn out, which does a lot for working more consistently. if that consistency still doesn't look like a five-day work week, that's okay! as long as it helps you work even a little more often when you want to, it's something worth doing.

however, if you're still feeling truly stuck, all hope isn't lost. you can still try:

#2: switch projects

sometimes the reason i'm moving slow is because of a bad brain day, but sometimes the reason is that i just cannot muster the motivation to do the specific task i'm trying to do right now. ADHD is fueled by novelty and interest, and if i'm not interested in what i'm doing, or it's feeling stale, that's a sign that i need to switch gears.

this is why first it's helpful for me to have more than one project going at a time. this might mean completely unrelated works, or it might just mean related tracks as with the music for a game like SLARPG or susan taxpayer.

the idea here is not to start a dozen different projects and bounce around them like i'm playing whac-a-mole—though i have done that. (i don't recommend it.) the idea here is to have a manageable number of different projects i can be working on so that if i get bored or stuck on something, i have fallback options.

what that number of projects is depends entirely on the week. maybe right now it's two, maybe another time it's three. i would probably be getting carried away if i tried more than that, but that's just my own limit. maybe yours is different. that's something for you to think about.

but it doesn't have to stop there.

#3: switch focus

maybe there is this one project that i just HAVE to work on, but the task i'm trying to do at this stage just isn't coming to me. okay, well, why don't i try working on a different task?

let's say i can't figure out what i want to do with the melody in one part of the song:

what if i try jumping ahead to a different part of the melody? ...no, i'm stumped on melodies today. okay, how about working on the drums instead? ...hmm no, i think i'm just completely tapped out on writing parts right now. alright, what if i organized my tracks, making sure they're all grouped and named in a way that i can work with easily? what if i did a rough volume balance for the mix?

and so on. if that's not enough to shake the off stuckness, i might consider: what can i do to make this project more interesting to me?

what happens if i try using an instrument or effect that i almost never reach for? what if i try sampling something obscure? what if i bang out the drums using my midi keyboard instead of drawing it in on the piano roll?

any approach that breaks me out of my usual habits is bound to get that feeling of novelty and fun back when i need it.

or maybe i can't do any of that right now, and so i take the time to answer a question from a fellow musician instead. i consider that part of my work, too, in a broader sense. check in with yourself and figure out what you can do right now. the rest will still be there later.

but okay, let's say you try switching gears, and switching again, and again, and nothing is moving. you try new approaches, but that wall of awful is insurmountable in this moment. it happens! the next thing you might try is:

#4: learn something new

when you aren't able to make progress on your projects, you can still make progress on your knowledge and craft. i often find this stokes a flame of inspiration in me where there wasn't one before. and even when it doesn't, it still gets my brain out of that feeling of stuckness and dread and into one of thought and action. learning also benefits in the long term because it adds to the well of knowledge from which you draw for all your future works.

for all the awfulness that exists on the internet, it remains an absolute treasure trove of teaching. there's an endless ocean of videos, blog posts, and articles from which you might learn something about your craft. (and if you sail the seven seas, plenty of book PDFs as well. 🦜🏴‍☠️)

it's true that the quality and depth of information out there can vary wildly, but in my experience most resources get at least some things right. and the more you research, practice, and figure out what works for you, the better you will learn to differentiate between the advice worth keeping, and the advice to forget. (that goes for all of what i'm saying here, too!)

that said, since our shared focus is music, a few resources i would highly recommend are:

music theory and composition music matters, 12tone, charles cornell, music with myles, 8-bit music theory, and this introduction by andrew huang

mixing and production dan worrall (especially this series for fabfilter), kush after hours, red means recording, andrew huang, alice yalcin efe, in the mix

general inspiration nahre sol, ben levin, david hilowitz, game score fanfare, posy, jerobeam fenderson, open reel ensemble, and ELECTRONICOS FANTASTICOS!

(if any readers have their own helpful resources for creating music or any other media, feel free to share in the replies & reblogs! 💓)

of course, on an especially bad day, it might be a challenge to seek out information, let alone retain it. that can feel pretty bad, but remember: be kind to yourself. the next thing you might consider trying is:

#5: consume art you love

not just music. books. shows. movies. games. illustration. animation. whatever moves and inspires you.

but do it intentionally. don't just pull up some random thing the algorithm suggested! check in with yourself about what you want (or are able) to engage with right now. choose accordingly. if you get a little way into it and realize it's not scratching that itch, hit the bricks. check in with yourself again. wash, rinse, repeat, until you find whatever it is that speaks to you right now.

and do it actively, if you can. don't just let it go in one eye and out the other! really pay attention to the work. what do you like about it? what are its themes and motifs? what makes it work so well? what are its flaws, and how much do they matter? what might you do differently? you can write notes as you do this if it helps, but even simply noticing and thinking goes a long way.

what you don't want to do is come at this with a lens of shame or envy. you're not here just to say to yourself, "ugh, if only i could do THAT." it's okay if it happens. use that thought as a springboard for curiosity: "well okay, how DID they do that? do i have the resources for it? if so, how could i apply that to my own work? if not, how can i adapt it, or what do i need to learn?" keep your mind open and approach the work with a sense of wonder.

as a creative person, it's very easy to think, "i should be making something right now, not watching a movie!" but that thought forgets something vital: your art is a response in a conversation. of course the "language" you use is your own, and maybe if you're lucky you'll invent a new word. but most of the words you use have been around long before you were born. you're just one voice in a dialogue that spans continents and generations, and that's okay. it's even the whole point.

none of us is an island. we are profoundly social animals. just as we can't live without eating, we can't make without learning. so half of making art is consuming it. consider this part of the process as well.

and finally,

#6: rest, and live your life

let's say you're in really dire straits. you've tried working slower. you tried changing focus, you tried changing projects. you want to take in new information or actively engage with your favorite art, but you're not in the headspace for it. what now?

take a nap. take a walk. take a shower. eat a nice meal, or an okay one. talk to a friend. maybe even do that chore you've been putting off (you know the one).

it's human to always crave making, but you're not a machine—and even if you were, machines need regular maintenance, too! you wouldn't drive a car that's completely out of gas, and you won't do yourself any favors treating your body that way either.

i know that when you take a break it feels as though you're not accomplishing anything, but you are: you're taking care of your animal self. and while you do that, your creative brain doesn't stop working! much like windows, it has countless background processes running at any given moment, with inscrutable names like "cbdhsvc_692da" or "Microsoft Edge Update Service." it's true, i checked.

when you're stuck on a project and you step away to rest, your brain is still chipping away at your ideas unconsciously. i like to tell people, "it's percolating." much like waiting for a pot of water to boil, that idea is still heating up, even when you take a step away. just be sure to check in on it once in a while. the time will pass, and it'll be boiling again before long. :)

before i go, i'll leave you with one last thing to keep in mind as you try all of these strategies:

be kind to yourself.

being human is just about one of the hardest things you can do. let alone being a human trying to survive capitalism while living with disabilities! the last thing you need on top of that is to overwork yourself, talk to yourself negatively, or treat yourself harshly. there are plenty of other people in the world who do that to you—don't be one of them.

i'm not saying that you shouldn't try to challenge yourself, to test your limits and go above and beyond your ambitions, if that's what you want to do. just remember that hard work and self compassion are not mutually exclusive. so be careful not to bully yourself. take pride in the progress you make, even when it seems small. encourage yourself like you would a friend who's going through a hard time. and when you challenge yourself, be your own cheerleader.

i hope you find this advice helpful! remember, this is just what helps me, so don't feel like you have to follow any of it exactly. maybe taking time to learn new information helps break you out of your rut more than working slowly, so you reach for that tool first. maybe having multiple projects going at once is too distracting for you, so you prefer to stick to one at a time. whatever your needs are, feel free to alter and adapt these ideas to fit you.

thank you for reading, and i wish you the best of luck in your creating.

with care, bee 🐦

#adhd #advice #asks #from #sourpatchsquids

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brnesblogposts · 2 months

Text

Stuck

bucky barnes x reader

a/n miscommunication & close proximity trope is all i’m gonna say, it’s very fluffy once well- read it and find out reblogs appreciated!!!

“You’ve gotta be shitting me” Bucky speaks under his breath, frustration evident in his body language and tone. A feedback sound started on the speakers on the ferris wheel.

“Ladies and gentlemen there seems to be some technical issues with the ferris wheel, remain calm and stay seated and we should have it back up and running soon”

You heard a heavy sigh escape from Bucky as his head hung back in defeat.

“They said it’ll be fixed soon, won’t have to be stuck with me for long Buck” Trying to cut the tension that sat between him and yourself only earned a side glance from the man beside you.

You looked down to the car just beneath you “STEVE, NAT!! ARE YOU GUYS OKAY??!” Their heads whipping towards you as you spoke at a far too loud volume.

“WE’RE OKAY! YOU?” Natasha replied back and you gave her a thumbs up, her and Steve getting back to bickering and giggling about whatever they were talking about. Meanwhile you were sat next to Mr Grumpy-

“Can you stop moving,” he spat out without looking at you. Bold of you to assume you were getting somewhere with him, even on the brink of considering him a ‘friend’ but that idea was shot down quickly.

“I’m not moving, it’s probably the wind or maybe it’s you and you don’t realise” Tapping your fingers on the barrier that held you in place, he turned to you and gave you a bitter look which only made the situation more awkward and tense.

“How’d i get dragged onto the ferris wheel anyway” He huffs.

“Because, Steve and Nat are your best friends and also Nat is really scary and saying yes was easier than saying no” You looked down at the two as you spoke, their flirting ever so obvious even from your height.

A few minutes passed where nobody said anything, you both avoided eye contact and it gave you time to reflect on what you could’ve done to make Bucky so impassive to you, you’d barely talked to him because if you tried he disregarded you or made an excuse to leave as soon as possible. You really wanted to be his friend too. It’s awkward when the four of you go out and Steve and Nat obviously want to do things together as a couple making you stuck with Bucky and him with you. At least being civil is all you want, for Bucky to be able to hold a conversation with you longer than a few seconds.

“Are you cold?” His voice broke you from your thoughts, you were shivering and you hadn’t realised as you were so deep in your head. You looked at the goosebumps on your arms and turned to him,

“I guess I am, yeah.” you laughed at your ignorance for not noticing your body temperature drop. Out of the corner of your eye you saw Bucky starting to take his jumper off.

“What are you doing?” You furrowed your brows at his action, there’s no way he was about to give that to you, he doesn’t even like you, you don’t think so anyway based on every interaction you’ve had with him ever.

“I’m giving you my sweater?” Now he was confused, it was quite obvious to him what he was doing, why else would he take off the jumper and sacrifice himself so you could be warm? He’s a gentleman first if anything. He got it over is head and handed it you, you took a second to take it as you were flabbergasted at his sudden kindness towards you.

“Oh.” You broke your gaze from him down to the jumper “Thank you,” you smiled gratefully and put the jumper on. The sleeves swallowed your hands, which helped because they were freezing before. Then you looked back at Bucky who now sat next to you in nothing but a black t-shirt “Are you not cold?” Once again furrowing your brows in his direction.

“Not as cold as you” He was looking straight ahead at the city view from your spot at the top of the ferris wheel. Reading his expression was impossible and you were really trying to—

“Okay well uh— thanks again.” You repeated your thanks as you snuggled into the jumper that now enveloped you, “So.. kinda awkward, huh?” You tried cracking a joke laughing a little as you did so which made Bucky turn to face you, analysing his features which you didn’t notice softened as he saw you smiling.

Bucky coughed awkwardly “Uh-“ He let out a small laugh too “Looks like Steve and Nat aren’t bothered by this disruption at all” His tone was lighter.

“Those two wouldn’t notice the world ending while they’re gazing at each other like that” You laughed again, Bucky liked that sound.

“So in love, it’s sickening” He retorted with a shake of his head and a smile which earned a glance from you, just a brief one before you looked back down at your sweater paws as they rested on the barrier, Bucky has noticed and he found it endearing, he felt warm whenever he saw you smile or heard you laugh and every time your thigh accidentally touched his due to your close proximity he swears a bolt of electricity travelled through him making his heart beat faster.

“I think it’s cute” You had a small pout on your face as you spoke, still looking down towards your two friends “imagine being stuck on a ferris wheel with someone you love, not the worst thing in the world in my opinion, it’s kind of like an impromptu date where you have no choice but to talk because the other option is incredibly awkward silence” You fiddled with the sleeves of the jumper.

“I guess, but what if you were trapped on a ferris wheel with someone you liked who you knew didn’t feel the same, that’s awkward all on its own” He was playing with a thread on his jeans as he spoke, you noticed.

“How would they know if the other person didn’t feel the same? Had they asked?” You inquired as the tension between you grew once again because the situation was too close to home.

“Isn’t asking embarrassing though?” Bucky asked breathily, like he was nervous.

“I don’t think so.”

“You don’t?” He looked at you.

“I mean the worst that can happen is they say no and you’re sad for a bit but you’d move on eventually” You smiled but you weren’t looking at him.

“Right, yeah” He coughed awkwardly again and the silence resumed until he broke it about a minute later “Uhm” clearing his throat again Bucky decided it was now or never “Are you doing anything Friday night?” He closed his eyes for a brief second because there was no going back now.

“No, why?” You looked at him and smiled, maybe he’d finally be your friend, that was progress and you could work with that.

“Would you uh- like to get dinner with me? Like a date..?” He avoided your gaze as he asked.

“What” It caught you off guard and you responded without thinking.

“Fuck” He swore to himself “sorry forget I said anything, I don’t know what was going through my-“ He began to ramble.

“Bucky no I mean, I thought you didn’t like me” His head turned to face you as he thought about your words.

“What? No I do like you” He furrowed his brows thinking back on the interactions you’d had where he hadn’t realised he’d been so nervous it came off as rude. “Shit i’m sorry, i’ve been an ass to you now that I think about it, I wasn’t trying to though, I thought I was uh- I thought i was disguising my attraction to you well because i didn’t want to make you feel uncomfortable, but I guess it came off dickish” He internally slapped himself at his mistake

“Oh, OH” The realisation and his admission hit you “Awe, Bucky,” you laughed at how silly it all was, if you’d have just talked to each other sooner this could’ve been avoided “Bucky I would love to go to dinner with you” You smiled at the man.

The ferris wheel suddenly began again and you were on your way down, both smiling like idiots and laughing whenever you’d glance at each other, two idiots that had liked each other this whole time who didn’t know it. You both stepped off the car and down the stairs smiling and giggling still and approached Natasha and Steve,

“What the hell happened up there?” Natasha laughed because she had never seen the two of you so cosy before, Steve raised a brow but you two only burst out laughing again and started walking ahead of them and snickering as they both stared in confusion and disbelief.

#avengers #writerblr #bucky barnes #bucky barnes fluff #bucky barnes x reader #bucky barnes x fluff #bucky barnes x y/n #bucky barnes x you #bucky barnes fic #bucky barnes headcanon #bucky barnes fanfiction #bucky barnes x female reader

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room-surprise · 3 months

Text

How Old Is Thistle?

(EDIT: I've made a follow-up post to this one that goes deeper into the math and additional evidence that the 5:1 ratio is correct. You can read it here!)

I've seen people debating this and a lot of folks insisting that Thistle is a child, and since Thistle just debuted in the anime, I wanted to do a full write-up to help myself and others figure this out.

We don't know how old any of the Merini family members are exactly, so the best we can do is guess based on the information we have, but after carefully studying the manga, I think Thistle is at least a teenager, but much more likely a young adult, and definitely not a prepubescent child.

Here's what we know:

EDIT: Depending on what translation you read of some of the extra materials, Freinag implies that Thistle is the same age as some of his advisors.

Here's a detailed translation of this panel from my friend Fumi:

Elves age 5 times slower than tall-men.

16 year old tall-men in Dungeon Meshi's medieval time period are adults, they commonly join the military, get married, have children, etc.

An 80 year old elf is an adult. Pattadol is 82 and she's a lieutenant in a military unit. It's her first job and she's obviously a rookie, but Captain Flamela tells Pattadol to accomplish her mission or die trying.

Many fully adult elves look like what we might consider children or young teens, because they're short, petite, and have androgynous features.

An average elven adult is around 150-155cm tall (5 ft), meaning some are shorter than that, and some are taller. Thistle is 130 cm, which is short, but not unheard of.

Fleki is 130 (26) years old and she's 140 cm tall (4'7")

Otta is 137 (27) years old and she's 130 cm (4'5") tall, the same height as Thistle!

They are both women, but there's probably plenty of elven men in their height range.

Just so we can compare Thistle to some adult elven men, Mithrun and his brother are probably adults (or close to it) in the panel on the left.

Mithrun (in this image) is somewhere between 75 and 144 (probably in his 80's), and his brother is older than him (so he could be in his late 80s or 90s). As you can see, they don't look that different from Thistle, Otta or Fleki.

So, how old is Thistle?

(Spoilers below the cut)

Thistle was brought to the royal court as a child (found on the street, stolen or purchased, we don't know how they got him). At the absolute youngest I'd guess Thistle is 25 years old here (so about 5 years old for a tall-man.) He can already play the flute, and possibly the lute, and most children that aren't prodigies can't handle playing an instrument (physically or mentally) until they're around 5.

EDIT: We now know that Thistle is the same age as Freinag, the king that takes him in! So Thistle must be at least 25 years old in this comic, though realistically he could be anywhere from 25 to 40 based on how Kui drew Freinag.

He lived in the court for an unknown amount of time, Freinag hasn't changed much but Thistle appears to have aged a little, so let's say it's been 5 years and Thistle is 30 (6) when Delgal is born. More than 5 years could have passed, but I'm trying to keep the numbers low.

Delgal gets married and has a child. Delgal should be at least 15 at this point, but since he has a full mustache before his wedding, I think he's in his 20's, since teenagers tend to not be the best at growing robust facial hair.

(He has a full beard by the time Eodio's a young child.)

Thistle puts the kingdom inside the dungeon around this point, however, people are still aging: Delgal's grandson Yaad is born, and Eodio is clearly a young adult here, probably in his 20's. Therefore, there is NO REASON to assume Thistle stopped aging. "The dungeon lords don't age" is a common fan headcanon I've seen people spreading, but it has no clear canon basis.

Yaad ages until he looks about 13-15 years old, and at this point all of the people of the kingdom and Thistle appear to stop aging, and 1,000 years pass.

So, the youngest Thistle could possibly be, if he was 30 (6) when Delgal was born, if Delgal was 15 when he had Eodio, and Eodio was 15 when he had Yaad, and Yaad is 13 years old...

Is 73 years old, which would make Thistle about 14.6 years old by tall-man standards.

HOWEVER, I think it's VERY unlikely that all the characters are that young.

I think it's clear from Kui's drawings that Delgal and Eodio are not 15 years old when they become fathers, and that Freinag is at least 25 when he takes in Thistle.

If we assume Thistle was 30 when Delgal was born, and Delgal and Eodio were both at least 20 when they had children, even if Yaad is only 13 years old, that makes Thistle at least 83 years old (16.6), and makes him older than Pattadol, who is an adult at 82.

However, I think it's entirely possible that Thistle was anywhere from 40-50 when Delgal was born, and Delgal could have been anywhere from 20 to 30 when he had Eodio, and Eodio could have been anywhere from 20-25 when he had Yaad. If you use the maximum ages, and assume Yaad is 15, then Thistle could be as old as 120 (24).

I think a reasonable middle ground is assuming Thistle was 30 (6) when Delgal was born, Delgal had Eodio at 25, Eodio had Yaad at 20, and Yaad is 15... Which would make Thistle 90 (18) years old.

This of course says nothing about Thistle's emotional maturity or sanity, he's obviously stunted in some ways, but the point I want to make here is:

Thistle's age could be anywhere from 14.6 to 24 at the most extreme, but more realistically he's somewhere between 16.6 and 18.

And that's not even counting the thousand years that he's lived since then!

And that's all I've got to say about that 🙏🙏🙏🙏

(EDIT: Follow-up post with additional evidence here.) EDIT 2: I've seen a lot of people talking about the page Kui drew talking about elven earmuffs. It's considered just barely okay for Pattadol to wear them, but it's ok for Thistle to wear them... In which case I'd say Thistle could be any age younger than 83. That's handy as it knocks out some of the older ages!

So in that case Thistle's age is between 73 years old and 82, which makes him developmentally between 14.6 and 16.4!

#dungeon meshi #delicious in dungeon #dunmeshi #dungeon meshi spoilers #Thistle #Thistle Merini #thistle dungeon meshi #thistle delicious in dungeon #sissel #spoilers #theories

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dilatorywriting · 8 months

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“I will love you forever and when ‘forever’ ends, I’ll love you some more.”

For the event, can I request Malleus for this? I need to send ALL my love to him ASAP. Although for this, feel free to have him being the one saying it to reader.

Gender Neutral Reader x Malleus Draconia Word Count: 1.2k

Prompt 51: "I will love you forever and when ‘forever’ ends, I’ll love you some more."

[EVENT MASTERLIST]

There was something about being in love with a fae that would always be at least a little intimidating.

No, it wasn’t the unearthly powers that could literally rip through the fabric of time and space with a snap of his fingers. No, it wasn’t the cold, serpentine stare or the sharp fangs in his mouth that shined like well-polished knives under the right light. It wasn’t even the horns. Even though they added an extra foot onto the dragon’s already stupidly impressive height.

But there were other things, sometimes. Less tangiblethings.

You tried not to think about it too much, because you loved Tsunotarou. Really, you did. And you didn’t want some… some creeping thing at the fringes of your consciousness to ruin that.

It was cold tonight, and you puffed warm breath onto your fingers. Normally Malleus was the one waiting for you to arrive at your usual Gargoyle Filled haunts, but he’d had a meeting with his retainers today. And you weren’t surprised he was running a bit late in the aftermath.

‘Man, I’m surprised Draconia is ever on time for anything,’ Ace had complained, during some mandatory assembly or other. Watching as Malleus floated into the room a solid two hours after scheduled.

‘He’s usually very punctual,’ you’d answered, confused.

‘Sure, sure. But don’t fae have, like, super fucked up senses of time?’ the redhead mused. ‘Like I bet you could tell him to meet you in an hour and he’d show up a week later or something.’

“Child of man,” a familiar timbre called out over the snow, and you perked up immediately, hopping from foot to foot to get your circulation going again before trotting out to meet him halfway.

“Tsunotarou!” you chirped. “How was your day?”

“Dreadful,” he answered, deadpan, and bent his arm neatly so that you could tuck your fingers into the crook of his elbow and snuggle yourself into his side. He was like a walking furnace, what with the roaring, emerald fires in his belly. And the snowflakes seemed to melt before they’d even touched his skin. “Nothing but paperwork. Perhaps I should turn them all into enchanted quills, and then they might finally be fit for their positions.”

You snorted into your glove. “You’d need to turn some of them into ink then, too.”

“Ah, of course,” he intoned. And then shot you a smirk that was just on the right side of besotted. “Whatever would I do without your wise guidance?”

“Hmm, I don’t know,” you teased, and then smiled right back in that stupidly, soppy way. “But you seemed more than smart enough to manage on your own before I came along. And I’m sure you’ll go back to being brilliant when I’m gone,” you added on a laugh.

But Malleus didn’t join in your giggling.

The fae stopped in place, and you were dragged to a halt with him. You blinked up at him, confused. His expression was… complicated.

“You are leaving?” he asked, each word sounding like it had to be pried out of his mouth with a crowbar.

“What?” you blinked. “Of course not.” Crowley never having bothered to lift a feathery finger to find you a way home aside, you had more than enough reasons to stay here for as long as your meager, mortal life would allow. Going home… it soured something in your stomach that you didn’t even want to consider. So you just tightened your fingers around his arm and shot him as reassuring of a smile as you could muster. “Even if I had the choice, I’d be staying right here.”

But that just made Malleus’s brow pinch up tighter.

“Then what did you mean?” he questioned, perplexed. “When you said ‘when I’m gone.’”

Ah.

You fought a guilty wince. You hadn’t wanted to drag your own little terrors into his worries as well. You really needed to get a better leash on the poor quips that managed to tumble out of your mouth.

“Well, just that, uhm…” You waved your free hand awkwardly. “You know.”

More furrowing.

“I do not,” he said, sounding grumpy. It was a bit adorable, seeing an almighty prince and near God pout at you. But you fought off the urge to coo over his pursed lips and scrunched nose. Time and place, self. Time and place.

“I’m mortal,” you said finally, hoping that would cover it.

“And?”

Ugh. Come on, dude. Give me something here.

You shrugged, tight and awkward. “Just that, well, you know. Your lifespan is near infinite right? And mine is sort of set to be…” You held up your fingers and pinched them close together. “Uhm. Not that.”

“And you think that such an inconsequential factor means that you will be leaving me?” he asked, and you blinked at him in outright confusion.

“It’s pretty consequential,” you squeaked out, and averted your gaze. “And.. and besides. I knew that from the beginning. And I just want to be able to make the best out of the time with you that I have,” you said, hoping it sounded properly reassuring and not like the start of a particularly peppy obituary.

“…I see,” the Prince said, low. “But that doesn’t mean you’ll be gone, I’m sure.”

You blinked again, owlish and slow.

“Pardon?”

“What is the human expression…?” he hummed, tucking your arm back tightly against his side and starting up your leisurely stroll once more. “Distance makes the heart grow fonder? Almost so much as time itself.”

Yeah, you wanted to amend. But not from beyond the grave.

“I guess so,” you shrugged.

“Can you imagine then,” he hummed. “How much I’ll love you in a thousand years?”

“I—” you swallowed, feeling tears prick at the back of your eyes.

But rather than give your poor, fluttering soul a chance to recover, he just pushed onwards.

“I will love you forever, and when ‘forever’ ends, I suppose that I’ll just love you even more,” he said, perfectly level and serious, like he hadn’t just absolutely pulled your heart out of your chest and set the whole of you on fire.

You stared up at his regal, handsome face from beneath a soft veil of falling snow. With those cold, emerald eyes, the pointed fangs, the horns. You felt like your stomach had fallen out at your toes, like the whole of you was bound to float away like a balloon lost in the breeze. Because he’d said—he’d really—

“And of course,” the dragon shrugged. “I’ve always intended to extend your lifespan to begin with.”

You gaped at him wordlessly for a moment, before letting out a hideously embarrassed squawk and pounding at his chest with your gloved hands.

“You could’ve told me that!” you shrieked, practically steaming in the cold with the heat pulsing off your cheeks.

“I suppose,” he smirked, catching your flailing fists easily in one of his own large hands. “But then I wouldn’t have been able to see your reaction to my declarations, would I?” he cooed, all smooth, dark chocolate and smoky embers. “And I had to work so hard to memorize those lines. Fitting as they are, I was told that the moment to use them would have to be perfect, and—"

“Did Lilia set you up for this?” you choked.

Malleus snorted and turned to tug you further down the path. “Only a little.”

#4k Event #twisted wonderland imagines #twst x reader #Malleus Draconia x Reader #Malleus x Reader #Malleus Draconia #My Writing #Writing Prompts

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gremlingottoosilly · 3 months

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Poor reader 😭 her cubs don’t recognize her and only recognize Price as their father. But I wonder if reader also asked or begged Monster Gaz and Monster Soap to see their children!! Will they recognize her as their mother??!

Price never thought that being a parent would be so important to his dumb little pet...he has plenty of cubs and, honestly, he couldn't care less about most of them - they are good as soldier resources, as a means to enhance the monster society...and yet you look so sad over them not recognizing you, our papa bear really considers just...stealing some human kids from the pet shop, so you could have something nice to dot on. Something helpless and weak, like all human kids are - this, or allowing you to keep weird, weak hybrids with you instead of getting rid of them Roman style. Gaz would be more lenient with allowing you to see little birdies! He wouldn't really care about them, but he loves to make you laugh, and he likes your smile, so he would drag you over to the heights where little harpies are getting trained. Baby birds already sprawled their wings - and he would point at your kids to make you see that they, in fact, don't need you as their doting mommy...it's really an asshole move from his side, but he wants you to just see this once and understand that, no, monster babies don't need their mommies constantly. You're still heartbroken over this, so Gaz could make you feel better with filling you with new eggs! Soap is...well, he means well and this is what counts, right? He is excited to allow you to meet the wolves, his pack instincts are way more coddling with babies - he believes in true love and that the kids should fight with crocodiles for the right to live, but he also likes to play with his pups and usually visits them often in the training sector, establishing himself as their leader. Your fragile human self would probably be horrified at the games that involve maiming a dead human and dragging them across the training area - but Soap and the pups are so excited to bring you things they got from the human, you're forcing the bile down your throat and smile. You wanted to see how puppies are doing, after all.

#cod #cod x reader #john price x you #price x reader #john price #captain price #gaz x reader #gaz cod #yandere gaz #yandere price #monster!gaz #monster!price #monster!141 #yandere soap #soap #soap x reader #soap mw2 #john soap mactavish #monster!soap

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comfortless · 15 days

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i have been thinking about this for a while and i love how you write, so what do you think of biker!könig with a gf that studies in uni? how did they meet? does he get jealous easily of her classmates? what is the aftermath of his jealousy (😏)?

thank you so much 🩷

-🌵

content/warnings: 18+. minors do not interact. fem (afab) reader, suggestive, but mostly just two sillies attempting to flirt.

They first cross paths at a gas station. Sundown and desolate apart from the woman who approaches the tiny shop on foot whilst he straddles his bike at the pump.

She doesn’t notice him, and that’s just fine. More often than not, people do but for the wrong reasons. It’s always the height or the face only his mother could love. This is a good thing, shows she’s not hasty with her judgment, shows she’s just unaware enough to let something like him in.

It’s stupid, completely ridiculous at how he feels his heart thump to life, ribcage squeezing and stomach a whirl with butterflies at the mere sight. The furthest thing from love comes to mind at the sight: plush thighs peeking out against the hem of shorts that cut off just below her bum, the tight tanktop that displays her cleavage in a way so enticing. But that’s what he immediately thinks of, that word that seems foreign to him even in his mother tongue.

Love.

König could be a gentleman, lie her down in his bed instead of fucking her over the bike, if she were kind enough to follow him home. That offer feels heavy as lead on his tongue, lost someplace in his throat when he really gets a good view of her.

He’s never been good with talking to women, anyway. Especially not an angel so far out of his league she would surely only scoff with her sweet drink in hand, turn away from him with her nose held high and dark circles under her eyes as she suffers through another paper back at her dorm or wherever she came from.

So, he leaves her be as much as he can and should, only watches her with his helmet in place and that dark visor masking where his eyes wander from her face down to the retreating view of her legs as she walks.

The next time time is during the rain.

König is good at refraining from acting on base instinct. There’s a lot to consider before stealing away some miserable dove on the sidewalk, the light drizzle from above soaking into her dress and battering her lashes as she sits and waits for a ride that just doesn’t seem to be coming. He’s got his military background, keeps his house tidy and rarely muddles in the affairs of other people.

It’s just that she’s cold.

He tells himself that the only reason he stops his bike some meters away is because she will get sick if he doesn’t offer her a ride. He’s just being a gentleman. There’s nothing more to it.

So he does. Keeps his helmet on and masks his face as well as the weird excitement and nervousness in his voice when the muffled offer taints the wet air.

It doesn’t matter that he wouldn’t have never considered any of this if she weren’t so cute. If she didn’t look so fragile and sweet. She smiles and nods immediately, fusses with her dress a bit when she climbs onto the bike behind him when she tells him that she’s only just been on a date. It just hadn’t turned out well and whoever the bastard had been had dipped before even the entree was served.

It sends his mind spiraling when it shouldn’t.

It’s deranged to think of her misfortune as fate when it isn’t.

“I’m sorry… I don’t know where to put my hands,” she laughs someplace against his shoulder, chin just slightly tilted up to bump his damp t-shirt. It’s the nicest thing he’s ever heard, not mocking at all, only shy.

“Around me.”

He sounds like an old pervert, feels just like one when he takes her hands into his own and guides them around his middle. Presses in a bit too tight, because it’s been a long time since he’s had a woman so close and it feels good to be held like this.

She makes some quiet noise, a soft gasp, then presses her face into the darkness of his shirt to hide away from the rain or maybe…

“You can come home with me. It’s close.”

She laughs again, and he’s reminded of just how little tact that he has with the fairer sex. She must think him an idiot, some hopeful vigilante that scoops women up from the street after nightmare dates with bad food or bad dick. It sounds so stupid to his own ears, he knows he’s burning crimson beneath the black helmet.

Until she squeezes him a bit, gives what must be her best attempt at a hug from their positioning. Again, too, maybe out of surprise that there’s muscle there. Something a woman like her might like.

“I’ve got nothing to lose, huh?” and then “You seem a lot nicer than he was, anyway.”

The air gets stolen from his lungs and his jaw grows loose. She had only told him yes to maybe sitting on his couch, watching some miserable war film until he brought her back to her academic wasteland, but not a part of him had expected that.

It takes a moment for him to realize he hasn’t said a word, that he’s sat panting like some stay being offered a meaty bone. He takes a moment to reposition her grip around him, too ashamed of the way his cock springs to life at her closeness and the ridiculous fantasy playing out in his head.

“Right… you can dry off there.”

He doesn’t immediately remove the helmet when she steps into his abode, just guides her over to the washroom when she asks if he would mind if she used his shower and lets her be. That room has never known a woman’s touch, and the shirt he gives her to change into isn’t comparable to the cute, floral thing she was wearing.

He takes her dress to the dryer to distract himself from the fact that she’s naked in there, just a flimsy door away. Changes out of his own sopping wet clothes after considering that maybe she would want to touch him again. Maybe it felt nice for her too, just to hold someone. He could hold her too, if she wanted that, bring her right to his bed and keep her safe and warm.

“You’re out of conditioner,” she peeps as she steps back out of the bathroom. “Just thought you would want to…”

Her eyes trail over him for a time as her words taper off to nothing. Then, they’re locked to his face and any hope goes up in an inferno. The scars are probably scary, the dark circles from weeks of minimal sleep are probably even worse. She probably thinks him some sort of monster or a demon, something no girl should be left alone with.

Then, she smiles.

“Wow…”

“What…?”

He expects the worst and instinctively casts a sideways glance toward the helmet sat by the door. The perfect covering to avoid situations like this. It’s not that he’s dependent on it, but… maybe he would have had some sort of chance had he not taken it off.

“I’m sorry for staring, you’re just really…”

Ugly. Scary. Whatever words she’s considering, he doesn’t care to hear them. She could just ask to go home, save herself some fear and save him from another rejection.

“… cute.”

“Okay.”

Scheisse.

That wasn’t a “thank you” or anything of substance, but this is more mortifying than anything prior. Even the women who had pitied him with a date before had never called him something so endearing, never likened him to some adorable little thing or stared up at him like she does now. She only seems giddy, a fire burning behind her eyes like she’s just discovered some secret treasure.

“… cuter than your date?,” he hazards, rolls his shoulders and tilts his head at her. His attempt at sounding confident only comes across bitter and jealous. Maybe he is, but that fucker blew his chance, and she’s blessing König with far too many.

“Definitely.”

The tension feels tangible, despite the absurdity of all of this. He’s not sure what to do with his hands, where to look, what to say or how long to take between breaths.

She’s stood there in his shirt, looking as if she’s already his and he’s the one left feeling ashamed and embarrassed.

“I think you’re pretty.”

“Yeah?”

“Ever since I first saw you, I…” He’s babbling too much, losing any composure because she just keeps her eyes trained on him, that adorable smile curling at her lips. If he sounded creepy, like he’s been following her, she doesn’t even seem to notice.

“Maybe you could take me on a date sometime,” she suggests, her voice coming as a breathy little whisper. Maybe she is shy, but she’s giving him the OK to push and prod and see just how far he can go, to expend all of his luck on this very night.

The rain outside only grows louder, threatening to cut the power and leave this docile angel in some dark pit with a mad king. He wishes it would, it grows harder to keep the prominent excitement in his crotch concealed the more that she talks and bats her eyelashes at him.

Being over-eager was a turn-off, right? He weighs his next words the best he can, considers playing it safe for just half a moment before they escape him anyway.

“Come here.”

There’s a darker storm brewing in his eyes when she takes those first, fragile steps toward him. But she graces him with the light of a spark when her hand finds his chest and presses there, feels his heart beating like it’s a normal thing to search for, like she’s just as mesmerized and surprised as she is now.

She’s snared in an instant with a face buried into her damp hair, lifted up with her legs guided to wrap around his waist. A decade worth of luck spent just like that, but he’s always been greedy.

The demand for more comes with a callused hand guiding her chin up. Her lips part immediately, eyelashes fluttering until they rest atop her cheeks, already warmed with the anticipation of what’s to come. His kissing begins gentle, soft for a second as he tries to memorize the plushness and curvature of her lips with his mouth alone.

Then, it’s only punishing.

He tries to hold himself back, but knowing he could have had this weeks ago while she was wandering about barely dressed drives him insane. The moment she gasps against his mouth, his tongue slips inside to find hers, rolls over it with such a ferocity that the corner of her mouth begins to glisten with their shared drool. She whines, then moans as her hands curl over his neck, petting at the short hair at the base of his skull.

His hands fall to her ass to keep her in place, gives her a pinch and then a grope when he realizes she’s not wearing underwear at all.

And that’s where the well must have run dry, because she tilts her face away with a series of soft pants, squeezes her trembling thighs around him as if to make a silent demand to stop, or maybe not. Everything she does makes him feel both hot and crazy; she doesn’t even attempt to wind out of his grip here, only looks up at him sultry and helpless. She must be wet, he can smell it, practically taste her already, but he doesn’t persist when she halts this dance.

“Wait… waitwait. I don’t even know your name.”

“König.”

She laughs breathlessly, then dips her head to press against his shoulder. His hand immediately rises to pet at her hair, twirling a few strands between his fingers as she tells him her name in turn.

“I don’t really want this to just be… one night, you know?,” she says, and that intrigues him.

“That so..?”

“Mhm…”

He slowly lowers her back down until her feet meet the carpeted floor, then takes her face into both hands while she gives him a cute pout. He could be sympathetic, could make her love him even… she’s left the door open for him already, after all.

“I could just hold you,” he mutters, tracing a circle into her cheek, savoring in the way her eyes seem to light up at that.

“I would like that.”

#könig x reader #konig x reader #being gifted this ask after that one anon put the thought in my head to begin with? you all are a godsend actually

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