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#John Lennon x you
givemequeen · 8 months
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got-ticket-to-ride · 3 months
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Mclennon x Saltburn
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ssl0t · 1 year
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If you don’t let me suck your dick I’m gonna kms
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warnersister · 8 months
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Gonna give you a baby (smut)
The Beatles x Reader, Paul McCartney x Wife! Reader
Summary: you and Paul have fertility issues, the three men with a thing for you see this as a great opportunity to lend a helping hand. -> hate this one didn’t write it well🤧
Warnings: mentions of infertility, pregnancy, filthy smut, five-some, degrading (slut, whore, etc), hand-jobs, oral (f+m receiving), just a lot.
Requested by: @jill-smith-123
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You and Paul had met in the early 50’s. Your family had moved in just down the street from him and the 10 year old McCartney was awestruck from the moment he laid eyes on you. The next day, he’d showed up at your house, to which your less-than-pleased father had answered the door, with a bow-tie and bouquets of flowers he’d taken from your mother’s new garden, to ask you to accompany him to the local youth centre for disco night.
He’d bought you a sherbet straw while he puffed on candy cigarettes before pecking your lips with tight-shut eyes mid way through you dining along to The Andrews Sisters’ song your mother had on vinyl.
When you were each a bit older, you’d accompanied Paul to the cavern club sitting in the front row as you’d hummed along with him, his eyes never drawing away from your own. Then he’d take you for dinner, a real fancy restaurant that his uncle owned, and he said that he’d pay - but it was always on the house.
Eventually, another three boys had somehow weaselled their way into your life and the product was an up and coming band: The Beatles. John Lennon, George Harrison, Pete- (scratch that) Richard Starkey and your boy Paul McCartney. And it was no secret that the three also had a thing for you - between the constant bickering and playful flirtations, Paul brushed it off because he always knew in the end that you were always his, and he was always yours.
Especially when he proposed on your twentieth birthday in 1962. Beatlemania crazed the nation and it wasn’t long before scandalous magazines began to accuse the boys of unruly acts and Paul was no different. And realistically, Paul saw the only way fit to prove his innocence to you was to ask for your hand in marriage. With your father’s approval of course… (?)
The fame never concerned you, nor did it necessarily appeal to you either - so you’d had a small ceremony in the local church, doors locked for a healthy gathering of your closest family and friends and an after party conjoined with a reception in the Cavern Club into the early hours of the morning.
“Y’know love, I never read a rule that said your first night had to be with your actual husband.” George had whispered into your ear, smirking at you after seeing the look on your face. “Not her first night.” Paul responded, hints of jealously in his tone as he threw you over his shoulder and off to his car.
That was also the night you’d discovered Paul’s intense breeding kink. His hips pushing into you at a bruising rate, lips failing him as he stuttered out his desire to see you full with his children.
But that was the problem.
“Am I the problem?” You’d asked Paul as you buried your face in his neck, crying after umpteen times, you still weren’t pregnant. “No, no, not at all dove.” He caressed your back gently. “We’re just going to have to be moved patient and keep trying. You’re perfect.” He said softy, cupping your puffy face between his hands, looking you over with a concerned gaze.
“Hey, woah woah woah what’s up lovey?” John asked as the other band members entered the room. They all ran to your side, helplessly watching the tears roll down your cheeks. “I can’t get pregnant.” You sniffed, hiccuping as the tears continued to flow. Ringo’s hands cupped yours as his sad eyes looked into yours. “Maybe there’s just not enough.” He said and your brows creased.
“Y’know our offer is always on the table.” George’s continued. “What offer?” You asked, confused. “Y’ mean you never told her, paulie boy?” John cocked his head. “No, cause I know what you lot are like.” “What y’ on about?” You ask again. “All of us.” George said. “Y’ mean-” “all of us at once.” John took your chin between his fingers and squatted down to where you were sat. “Wrecking y’ can handle us, dovey?” Shocked, you look from John to Paul who had a knowing smirk frowning on his lips. Without thinking, you nod at them. Suddenly, you were swept off of your feet and into the arms of John. “Let’s make you a baby.”
A king size bed was certainly not big enough to support the five of you, but in the boys’ desperation, you certainly managed. You were placed down gently on the bed, soft covers enveloping you as the four starved men looked down at you with lustful eyes. Your clothes were practically torn from your body, apparently them being to impatient to allow you to get undressed properly.
Paul caressed your hair gently before leaning into kiss you, as you begin to feel light kisses and licks on your breasts. You look down to see John staring back at you, a cheeky grin on his lips. He bit your nipple harshly and you hissed, screwing your eyes tight and throwing your head back. “Better get used to that if y’ want a baby.” George said, tracing his hand up and down the sensitive skin on your inner thigh.
Then all the delicious contact went again and you groaned, searching for the friction they were giving you. “Y’ want a baby? Y’ gonna have to let us get undressed first.” George chuckled. When they were undressed, John situated himself between your legs. “Oi, shift she’s my missus I’m having the first go.” Paul grumbled. “And the reason she can’t get pregnant.” John replied smugly, but was shoved out of the way by your husband. “Y’ gonna show em what a good slut y’ are for me, hmm?” He asked, fingers wandering down your thigh and towards your heat, beginning to pump them at an agonisingly slow pace.
George yanked your hair back and forced you to look at him, your mouth falling agape in the process. “Y’ gonna be good for us? Gonna give old Paulie a baby?” He taunted, rubbing himself a few times before forcing his length into your mouth. Gagging slightly, you tried your best to open your throat in the position you were in.
A heat built up inside of you, warmth rushing as you chased your high but it was soon stripped from you. Unable to complain, the disheartenment was soon replaced by something much larger - you and Paul groaned simultaneously, George doing the same as you sent vibrations flying through his cock.
After a while of Paul’s bruising pace, you rest his unwavering hips stutter as he released into you, you doing the same and realising all over him. George pulled out of your mouth and thrust himself into his hand a few times before also cumming. “Such a filthy whore.” Paul taunted, enamoured by the drool leaking from your lips.
“My turn now, birdie?” Ringo asked and you hummed, still dazed and coming off of your high. “He asked you a question. You being a disobedient slut for him?” John asked and you shook your head no. “Y-yes, your turn Richie.” You managed to stutter out.
His dick hardened at his routine nickname, needing no time to prepare you so without warning, sliding himself straight in. He let out a big breath of air at the feeling of your soft wall enveloping him. He began thrusting at an agonisingly slow pace, you in turn, crying out in desperation. “Patience now, doll.” Ringo told you. “Good things come to those who wait.” He took his time with you, not knowing when an opportunity like this one would come again.
Your head fell to the side and your eyes connected with John’s, who looked down at you with a small shit-eating grin. He leant down and licked your ear love, whispering gently “gonna give me a hand job while you let your husband’s friend take you?” You moaned at his question but nodded at him, raising your hand to rub up and down his hardening cock, swiping the tip a few times to use his pre-cum as some sort of lubricant. You pulled away and spat saliva into your palm, beginning to jerk him off at a faster rare. “Isn’t your first rodeo, is it dove?” John asked with a chuckle. “Got you well trained, haven’t I chick?” Paul said, leaning down to latch his lips onto yours.
Your high came excruciatingly slow, Richard building up the pace to the point he could no longer take it and took you animalistically, only stopping to release his seed deep into your womb and felt you cum over him. Waiting long enough for some of it to sink in, he slowly pulled out and kissed at the cold air attaching his sensitive member.
John released into your hand and felt his cock re-stiffen at the sight of you licking your hand clean. “Fuck. Me next.” He said, walking around the bed to your feet and positioning himself between your legs, feeling yourself being manoeuvred like some inhuman marionette. He moved you until your face was in the sheets and back arched for him, arse and sweet warmth on display for him. “Can’t let any of their cum get out, can we love?” He’d asked tauntingly, nails digging painfully rough into your hips.
He slipped in quickly, cock twitching at the sound you made, sensitive from the numerous rounds you had been put through. “Can’t believe Paul gets to keep you all to himself. A little slut all for him.” He said, staring to pepper kissed down your back while his hands found your breasts. Your arse was unquestionably bruised, as was your neck from the way Ringo and George were sucking at either side of it. John let out his load deep inside of you, full ovaries feeling themself being stuffed by the liquid trickling down into them.
George had waited so patiently for his turn, so patient with a so painful hard-on that he was going to make you regret giving him. Seeing himself torture you would be enough of a reason to make himself wait a few more moments. He spun you around and returned you into your back, kneeling down to kiss and worship the skin of your inner thighs, yet never close enough to provide the friction you so-desperately needed.
He kissed and sucked at your clit, thumb coming up to rub it as his tongue delved deep into your walls, making you cry out at the sight of their cum on his tongue. He thrust it into you a half a dozen more times before standing up and forcing his elongated cock into you. You hissed, pained by the repetitive beatings your intestines were receiving.
“Such a good little brat for us aren’t you?’ Paul asked, staring down at you as if a predator staring at its helpless pray. “Yes, ‘m good.” You repeated, doing as you were told as he tapped your chin to tell you to open it. You parted your lips and allowed your husband to force his dick into your already sore and throbbing throat.
George’s hips snapped at a consistent and quick pace, eyes not deferring from yours as he watched you take his bandmate’s cock so well. “Take him so well, don’t you dove?” He asked, praising you as you hummed and Macca moaned. George put his thumb onto your overstimulated clit and pressed down harshly. You cried out but tried your best to keep your throat open. “That’s if, keep it open.” Your husband taunted. And with a few more final thrusts, George cummed inside of you as you did the same, Paul releasing deep down your throat and you refrained from coughing - instead harshly swallowing and wiping the remaining resales from your mouth with your tongue and the back of your head.
“You were such a good girl.” John said, petting your hair gently and pecking your forehead. “Y’ alright, princess?” Ringo asked and you looked up at him and smiled with a nod. “Definitely gonna give Paulie boy a baby for being so good.” George added as he strolled your leg comfortingly. You enjoyed the praise you were receiving, letting the men manoeuvre you so you were in Paul’s lap. With your eyes shut, you felt yourself being lowered onto his cock and you hissed in both oversensitivity and surprise. You looked at your husband with tired eyes. “Don’t want any of it to go to waste.” He said with a wink and cheeky little smile. “Thank you.” You mumbled, drifting to sleep on his chest their quiet conversation turning into distant white noise.
A week or two later, your head was in the toilet bowl as Paul pulled your hair back into a make-shift pony tail and caressed your back at seven in the morning to let you be sick. “It’s alright love, think you’re coming down with something.” He said, pressing the back of his hand against your forehead to check for a fever. It was winter after all and your unreliable immune system was no match for England winters. “I’ll take you to the pharmacy, yeah?” And you’d nodded, wiping your mouth and letting him lead you out to the car.
You weren’t sick, unless your count baby fever. You were pregnant. Pregnant with a child. Pregnant with Paul’s(?) baby. The two of you were overjoyed and as were the rest of the boys when they found out, although offering if you wanted to have two in there just to ask, not minding the sight of you naked and belly swelling with a child.
And eight and a half months later, two weeks premature, your water broke at midnight. Paul sped to the hospital, mentally timing the distance between your contractions to tell the midwife when you got there. After a while of pushing, swearing, breaking Paul’s fingers, and him nearly dainton at the sight of the head coming out of such a small area, at seven minutes past 8, your son was born.
The boys all crowed around, in awe at the new baby in your arms. “He has his mother’s chin.” Paul notes, grinning from ear to ear. “And his fathers face.” The lads then piped up. “And Ringo’s droopy eyes-” George stated but was Vito off by the man himself “oi, oh yeah actually he does. And John’s nose.” John hummed. “And George’s eye colour and ears.” You all began laughing.
Whoever’s paternal child this may be, he was certainly a gift you yourself, your husband, and the three men who tagged along with you.
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swaying--daisies · 6 months
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Reminding myself of the existence of this ABSOLUTE MASTERPIECE that came out around this time last year for absolutely no reason whatsoever 🙃 it just fills me with so much love and joy 🥰
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wheresthebus · 10 months
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Why does George look like he’s about to jump in an X-Wing and blow up the Death Star?
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cielo-chii · 2 years
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Hello everyone!
Here we are ! Enjoy my pathetic entry for @macca-is-art Mclennon NSFW story based on our mental omegaverse fan fic
In less of thirty minutes online
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eyeswithoutafqce · 1 year
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a blurb i wrote about my john inspired by this pic <3
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He watches me, wordlessly, as I take his gentle hand in my own, equally as gentle, like a cradle to a baby. I flatten his hand to relax him, bringing the ripped, calloused skin of his fingertips to my rosy lips and kiss each one, a kiss as tender as the moon kisses the sky at the fall of night. He watches, his brown eyes shining the brightest light that can only be the light of love, only the left corner of his lip quirked upwards into fond smile. I take every one of those fingertips to my lips- the kiss of compassion and love placed onto the hardworking hands of John Lennon, a kiss he deserved all along. “I love you.” John whispers, both corners of his mouth raised upwards into an affectionate smile, kissing me gently on the cheek. A kiss of love and compassion. What he needed all along to return it.
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loafmom · 1 year
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War is over
Izuku and Hitoshi sittin on the roof of an abandoned building surrounded by old blankets. Small tree limb propped up in front of them full of tiny paper ornaments.
Izu: Happy Christmas Hito
Hito: Happy Christmas Zuku
Izuku:
So this is Christmas And what have you done? Another year over And a new one just begun
And so this is Christmas I hope you have fun The near and the dear one The old and the young
Hito: *adjusting his voice changer mask* A very merry Christmas And a happy New Year Let's hope it's a good one Without any fear~
Izu &Hito: So this is Christmas (war is over~) For weak and for strong (if you want it) For rich and the poor ones (war is over) the world is so wrong (nooow~)
*they huddle closer together to preserve warmth and continue to sing*
And so happy Christmas! (War is over!) For blank and for white! (if you want it!) For yellow and red ones! ( war is over!) let’s stop all the fight! (Noooow~)
A very merry Christmas And a happy New Year Let's hope it's a good one Without any fear
Together: So this is Christmas! War is over! And what have we done? If you want it. Another year over! War is over. And a new ones just begun! NooOow~ *they look at each other and whisper* And so happy Christmas. Was is over. We know we’ve had fun. If you want it. The near and the dear ones. *eraser head jumps onto the roof as they sang this and they both look to him at the sing ‘dear ones’ (fatherly)* The old and the young. Noooow~.
Erasedhead: a very merry Christmas. And a happy new year. Let’s hope it’s a good one without any fear. *Izu and Hito hum the rest of the song while eraser brings out some gifts he brought*
Aizawa: Happy Christmas you problem children. *sigh* one of these years you will be spending Christmas with me and Hizashi. Izu: Over my dead body ‘Raser. We ain’t leaving this place any time soon.
Hito: noPe. This is home. Aizawa: a run down abandoned building? Is Not a suitable home for kids.
Izu: heeyyy ima legal adult. *hump* Aizawa: Sure you are problem CHILD, sure you are…
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starlettescarlet · 1 year
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i’m only sleeping rehearsal fragment you will always be famous
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johns-prince · 5 months
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“I’m sure that if [Paul] had been a woman or something, he would have been a great threat, because there’s something definitely very strong with me, John, and Paul.”
— Yoko Ono, Revolution Tape, June 4th 1968. [x]
“. . . I mean, I think really what it was, really all that happened was that John fell in love. With Yoko. And so, with such a powerful alliance like that, it was difficult for him to still be seeing me. It was as if I was another girlfriend, almost. Our relationship was a strong relationship. And if he was to start a new relationship, he had to put this other one away. And I understood that. I mean, I couldn’t stand in the way of someone who’d fallen in love. You can’t say, “Who’s this?” You can’t really do that. If I was a girl, maybe I could go out and… But you know I mean in this case I just sort of said, right – I mean, I didn’t say anything, but I could see that was the way it was going to go, and that Yoko would be very sort of powerful for him. So um, we all had to get out the way.”
— Paul McCartney, interview with German tv program Exclusiv, April 1985. [x]
“It’s just handy to fuck your best friend… and once I resolved the fact that it was a woman as well, it’s all right. I liked her cause she was like a bloke in drag… like a mate.”
— John Lennon talking about Yoko Ono - Powers of Two by Joshua Wolf Shenk. [x]
“I still think at the back of John’s mind was this fascination of wanting to get back with the first girlfriend, if you like, and that was to get back with Paul, who he had so much history with.”
— Tony Barrow, The Beatles’ press officer, on the Lennon/McCartney reunion that was never to be. [x]
“My “simplest, most logical” reason that Yoko treated Paul as her main rival for John’s affections was… he was the main rival for John’s affections… How many books have been written about Lennon and McCartney, and on that period specifically, and not one of them has seriously suggested that John might be a bisexual man in love with his songwriting partner and closest adult companion? Now, we have writers timidly peeking out and saying, “Gee, it’s almost as if John was in love with Paul.” Has the evidence changed? Not much. Have we as a society become more educated and tolerant? Yes.”
— Michael Gerber, Hey Dullblog. [x]
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gardenschedule · 2 months
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Mclennon pigtail pulling
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“What were the Beatles really like? She’s asked this every day. “Very irreverent, very flirty,” she says, “just like my own boys growing up. That John Lennon was a very naughty boy. He preferred men. He was very shy with women, you know, trying to get confidence in himself with that naughty schoolboy humour, that catch-the-girl, kiss-the-girl thing. If you came on as a siren, he’d run a mile.””
Cilla Black, interview in the Telegraph, August, 1997
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swimmpantyz · 3 months
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: ̗̀STEP BY STEP (pt 1)
stepdad!gojo satoru x fem!reader
part 2>>
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summary: It was a hot summer, the hottest you ever experienced... From the 40 degree heat, to the new man your mom brought home; so suffocatingly hot that he took your breath away.
tw: daddy kink, age gap, affairs, dub-con, stepcest, harassment, rough sex, breeding kink, degradation, porn w/ plot, pervert!satoru, +
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The summer holidays started in a very intense way.
The heat was almost extreme, too overwhelming, you felt yourself melting little by little.
Your mom was a paranoic maniac, afraid that all the apartment would burn because of the air conditioner... So turning it on when she was around was like pulling a gun in front of a cop.
The only remedy for that torture of heat, was to be almost naked and sit in front of the fan that was in the living room.
You were watching the TV while lying on your stomach on the floor, eating strawberry ice cream, which melted incredibly fast.
Luckily, you weren't supposed to go to college... You sighed at that, wiping a few drops of sweat that ran behind your back.
"I'm home!" Your mom screamed from the door, calling your name, you heard some steps too.
You didn't answer, in the middle of a tantrum because she hid the air conditioner remote.
Hearing footsteps approaching, you didn't even turn around, the fan blowing on your face.
But your mom was still calling you out. You let out a small groan as you turned with a frown.
You were about to claim that you almost died of overheating, ready to blame her for your almost death, but a young man with white hair and John Lennon glasses caught all your attention: He kept his head tilted with a smile, standing next to your mom.
You didn't know where he was looking through that dark glasses, but it seemed like he was looking at your... back?
You immediately sat down. Maybe it was someone from college who came to ask for some class note? Although he looked a few years older than you.
He was incredibly hot.
Looking at your mother and the guest in confusion, you slowly got up.
"Who's this?" You asked curiously, sounding somewhat rude, which was not intentional.
The tall guy smiled, your mom making a horrified expression.
"Don't be rude!" She scolded you.
"She's my daughter." Your mom said to the guy with a strangely kind and sweet voice...
"I didn't know you have a kid." He said, mockingly. You frowned at his words.
"I'm not a kid." He nodded still smiling.
"Sure." He scoffed.
You glared at him and then at your mother.
You approached her so only she would hear what you wanted to say.
"Mom, seriously, who's this?" Your mother laughed softly, then shook her head.
"I wanted to introduce you to my boyfriend, Gojo Satoru." You tried to hide your surprise as much as you could. Everything was spinning in your mind. A tight fake smile showing in your face.
"Ah... Hahaha..." A shiver ran down your spine.
Well... You mom was young, but the boy looked like he was in his mid-twenties.
"I know what you're thinking, but Satoru is thirty eight too, I'm not dating a man ten years younger." She laughed with rosy cheeks.
Your mother's 'boyfriend' smiled almost falsely.
You didn't know what to say, looking at them a few times, tilting your head to a side.
"Come on, let's drink something and talk more calmly." You all went to the dining room and sat down at the table.
Your mom began to prepare some lemonade.
"Do you want something do drink too?" She asked you strangely too kindly.
"Uhm... Sure." You heard a chuckle coming next to you when your mom handed you your pink Hello Kitty themed mug.
You looked at the man with a frown, he was covering his mouth with one of his hands, trying to hold back a laugh..
Your mother saw her boyfriend, confused. Your cheeks flushed with embarrassment
"Sorry, I remembered a joke." He shrugged and eased himself into the seat.
"So… How did you two meet?" You spoke, breaking the silence.
"Well, Satoru is a teacher at an academy that I had to go to a couple of months ago to check their conditions." Your mom answered, you nodded softly. "The place was huge, I got lost and asked him for help with directions." She glanced sideways at the man who had his head resting on one hand.
"And then, I won her with my charms." He spoke, your mom smiling sheepishly.
"How... Nice, I guess?" You played with a cookie in your hand.
"If you believe Gojo is decent, I trust you, you know what you do." Your mom laughed softly, the man next to her didn't say anything, just took a sip of his drink. "Wich school was it?"
"The one near your old school." Gojo raised an eyebrow, curious.
"You went to that institute?" You nodded at his question.
"...Well, I'm not saying that Satoru is going to live here, but I wanted to know if you don't mind him coming more often, what do you think?" You slowly shook your head, shrugging.
"It doesn't bother me, it's your house mom." You answered.
Although the idea of a stranger hanging around your house didn't sound pleasant at all.
"Great! I have to do the shopping, we'll be back later, okay?" You nodded, she glanced at Satoru.
"Buy something for me too." You got up and quickly took your things to the kitchen.
Then trotted off to the living room.
"Don't run barefoot, you're going to fall." Her childish scolding made you groan.
You could already hear Satoru's irritating laugh echoing in your head...
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next part>>
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verysium · 5 months
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blu lock top artists on Spotify??? i need your thoughts on it
anon you had me pulling up my spotify playlists and browsing through the entirety of genius.com for three hours straight. i'm going to tweak this prompt a little bit and include specific songs that best represent them since it's easier for me to explain that way.
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RIN
the fanon answer for this is chase atlantic. while their songs do encapsulate parts of his personality (mostly the edgy teenager and disillusioned youth persona), i feel like this choice does not do his full character justice.
the canon answer for this is king gnu, more specifically the song "prayer x." i can picture this since rin seems like the type to enjoy alternative rock/indie, but the fact that it's the ending theme to banana fish is what gets to me. like...do you see yourself in ash or something? i hope you don't cus it doesn't end well. that anime had me bawling my eyes out for months, and i still can't think about it without breaking down again.
furthermore, the lyrics and music video to this song are very cryptic and borderline nihilistic. for example, "hiding behind this nonchalant smile" and "my life's spark will wink out of existence." i feel like this speaks volumes about rin's mental health and internal thought process. he obviously does not process his emotions normally and instead represses them. he also struggles with the idea of finding a purpose in what is otherwise a cyclical routine with no end. he's worried and, quite frankly, afraid that if he ever stops pursuing his dream, everything will come crumbling down, and he will have to face all the demons he's avoided for so long. the main theme here is that he cannot face his reality (the fact that sae's dream is not his own.) so he does everything in order to escape this fact even if it ultimately destroys him.
from my own playlists, i'd assign him the following songs/artists:
"beautiful boy" by john lennon
this is a love letter to baby rin. i feel like he would've enjoyed this song as either a lullaby or something he listened to on car rides to the beach during summer vacations. he probably still listens to this when it's raining outside or he's had a bad day. reminds him of his childhood and the good parts of it.
"the love club" by lorde
this is something pre-teen rin listened to. the irony is spot-on, and i feel like the lyrics would be relevant during a time when he was going through his rebellious phase and fully fleshing out his place in society. in this instance, the club would metaphorically be wherever his brother is at, whether that's the guys sae meets in spain or the group of football players considered "top-notch" in japan. everything is about finding a place in this club/clique in an effort to become free and differentiate himself from others. the only problem is that rin ironically loses his freedom because he tries so hard to be among the best. he signs his life away in pursuit of a dream, and it's something that now defines him.
"the only problem i got with the club / is how you're severed from the people / who watched you grow up"
this lyric in particular could apply to either one of the itoshi brothers. it's one of the caveats that comes with fame. you gain everything, but you lose everything before that. both of the itoshis likely experienced some amount of separation from their loved ones, including each other. also lorde's vocals are beautiful as always, so there's no reason not to include this song.
"howlin' 404" by DEAN
the production for this song is on point. the intro has a segment from a 1930s american horror radio program which is fitting because rin canonically watches horror movies. i think this song is something rin might listen to during cold autumns or midnights when he just can't sleep.
lyrically, there is the motif of a time loop which is also present in "prayer x." rin's character itself just has this connection with the raw grittiness of existentialism and this idea of repeating days without purpose. (in fact, he would make a great psychological thriller lead.) rin is also a control freak. if he lets one loose end go, it will unravel the entire thing. that matches up with the idea of "killing me softly." rin would rather prolong his pain than have it ripped from him all at once and leave him with nothing. i find this in a lot of people in real life too. even if your trauma wasn't good for you, it sometimes becomes the only thing you truly own. it's like that one quote from bojack horseman. "if i don't, that means that all the damage i got isn't good damage, it's just damage." rin feels like he has something to prove, and if he fails, all his suffering would've been for nothing.
"moonchild" by RM
i may be a bit biased since i love the mono mixtape, and i've written a rin fic about celestial bodies, but....this song just fits him. there's also a remarkable similarity with the lyrics of the previous songs i've listed. i'm just going to list a few:
"smiling in endless pain / you know / there's no freedom when you say freedom out loud"
one thing i love about RM is that he doesn't shy away from character flaws. he writes songs specifically for those who are always picked last, who aren't remarkable in any way, who feel weighed down by their normality. he gives them their spotlight and due diligence. for example, the entirety of the chorus is a repeat of "moonchild, you shine." i find this interesting since it's usually the sun that shines. but the sun is already sae, and rin is relegated to being the moon. yet even though the moon doesn't have its own light (it merely reflects the sun), it still shines bright in the darkness. rin doesn't know it yet, but he himself is a big role model for others such as isagi, his fans, and people just like him. so yeah....i'd take this song as a message of hope for future rin.
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SAE
the fanon answer is lana del rey, and i would agree to a certain extent. under the right circumstances, he could become one of those dreamy, emotionally stunted, and tired men you guys all lust over. if y/n ever wrote a romantic song about him, it would be either "west coast" (for the spanish influences) or "art deco" (for the vibes.)
the headcanon answer is nothing. i don't think he listens to music much. even if he did, it would be probably classical/instrumental or just white noise for his long flights. i imagine him listening to erik satie's "gymnopédie no. 3" on a train ride or something.
from my own playlists, i'm going to give him these songs/artists:
"remind me" by röyksopp
i don't know how to explain this, but this song gives a bittersweet sense of nostalgia. think early 2000s when the TV footage was still grainy and had retro graphics. you're carrying around your mini mp3 player whilst wandering through the airport and wondering how the hell you even ended up there. that's the general ambience of this song.
lyrically, the song also matches well with sae. i'm going to give you a few examples:
"it's only been a week / the rush of being home in rapid fading"
again, this is a tribute to the disconnection sae feels from his home. he goes everywhere, but he belongs nowhere. when he finally returns to japan, he finds himself missing spain. when he's in madrid, he thinks about the ocean back in kamakura. there never is a place that truly fills that gaping hole in his chest. i also feel like sae experiences FOMO on a whole other level. he constantly feels like something is wrong/missing and he's not doing enough.
"brave men tell the truth / the wise man's tools are analogies and puzzles"
the idea here is that though sae is blunt with his words, he is a coward with his intentions/true feelings. he can brutally call out someone without hesitation, but to actually reveal his own truths and motives? he'd rather shrivel up in a hole and die. this is especially applicable to love. to him, a wise man is someone who doesn't open his heart up easily. instead, he hints at his feelings, and whether or not you can figure that out is on you. sae hates it when others play games with him. it's where his hypocrisy lies. he demands straightforward honesty from others, but he himself will unintentionally play games with you if it means he can hide himself behind his walls.
"a woman holds her tongue / knowing silence will speak for her"
this is the closest you guys are ever going to get to sae itoshi's ideal type. he loves people who don't need to say something for him to believe it. they just get it. your silence is automatically enough for him to know that you love him. similarly, you don't even need to speak a word to understand what he's feeling.
"night shift" by lucy dacus
this song is sae if he was that one ex-boyfriend who really fucked you up emotionally, and you never got over him even though you said you did. now that i think about it, the story could be told from either POV. this could be sae trying to erase you from his mind, or it could also be you post-breakup.
"you've got a 9 to 5 / so i'll take the night shift / and i'll never see you again / if i can help it"
i know this one lyric caused controversy all over tiktok, so i'm going to add my own interpretation. at face value, this is exactly what it says it is. sae doesn't want to see you again, nor do you. he's willing to go out of his way just to avoid you, and truthfully he would. when sae finds himself in trouble, he doesn't look for something new to fix him. instead, he cuts everything off and subtracts anything that is deadweight. if you're out of his life, then you're out of his life. he's not coming back for you (or at least that's what he says to convince himself). same thing with rin. he knows he hurt rin, but he's not going to go back and try to make it right. he's going to move on and try to justify his actions every step of the way. one day, rin will move on too, and then sae would have been right all along. (unfortunately, that is not the way things work, but that's a lesson for another time.)
the alternative interpretation is that y/n is the other woman. this could be literal as in sae already has someone else in his life, and he only sees you at night. you're only ever going to be the night shift. it could also be metaphorical as in you're merely a distraction in the grand scheme of things. you're the mistress, but football is his wife if that makes sense. his career will always take precedence.
"you get me so high" by the neighborhood
this song is all the words sae wished he said to rin but never did. it made me cry because everything would have been so different if they had just set aside their pride and truthfully sought each other out.
"hope you don't regret it / i pushed a lot back but i can't forget it"
repressing feelings seems to be a recurring issue with the itoshi brothers. like....maybe if i just push it out of sight, it will also go out of mind. and at its core, this all stems from fear. fear of facing the consequences, the hypotheticals, the terrifying realization that you did something you regret and there really is no turning back from it. but realistically, if you think about it, a lot of this is the byproduct of overthinking. sometimes the situation isn't as complicated as we might make it out to be. sometimes an apology doesn't fix everything, but it's a proposition to be something more, an attempt at a solution. but sae and rin are so blindsided by their own internal turmoil that they cannot see this.
"for a long time i took it all for granted / i really thought we had it / but at the time it was more than i could manage"
ah....the "taking for granted" part. i could ramble on about that for hours. i think it really is some sort of self-fulfilling prophecy that we never miss something until it's gone. and in a way, it's not something that we can always control. the value you assign to a person/object when you have it is going to be fundamentally different from the value you assign to it when it's no longer in your grasp. that's how scarcity works. something with a limited supply is always going to be worth more. the vice versa works as well. you might yearn after something but then throw it away the moment you finally have it and grow tired of it. this sort of dilemma that comes with appreciation is so common i really wouldn't blame the itoshi brothers for what they did. it is immensely difficult to know when you're going to lose something or when you need to let it go. and sometimes it's hard to be constantly grateful for what you have because many of us are wired to want something more. tbh that's what makes the itoshis relatable.
"if we can leave it all behind us / and meet in between"
now sae would never say this unless he himself had actually reflected on what happened and fully processed it. but maybe in the future, they could set aside their differences and reach out to each other. (this is how i cope)
"but i just had to let you know / i never meant to hurt you, though / i had all my motives / i didn't know they wouldn't mix with your emotions / i just had to reach my goals / never knew i'd meet you though"
that's the thing with personal ambition. sometimes you get so caught up in yourself, you forget all about others. and this isn't really selfishness, or at least intentional selfishness. it just sort of happened that way. you never meant to hurt them, but you still somehow did.
"we should stick together / you're my best friend / i'll love you forever"
yeah....this line was the one that did it for me. something about the dysfunctional sibling dynamic just eats away at my insides. like....i could've loved you, we could've been so much together, but why aren't we? what we have isn't hate, but it isn't the love i know and crave either.
"we could be the greatest / it doesn't matter if we're never rich or famous"
ok but if rin ever heard this leave sae's lips, i think all of his trauma would just be magically healed. he just wants his brother to see him. like fully see him and love him. but alas, what is blue lock without angst, am i right?
"love in the dark" by adele
now i don't think sae would ever listen to adele, but the lyrics are just too fitting. i was going to write a fic on this, but it's going to have to ferment a bit in the drafts for now. basically this is the entire rin/sae traumatic scene but as a melodramatic torch song with adele's heavenly vocals.
"take your eyes off of me so i can leave / i'm far too ashamed to do it with you watching me"
um...this is literally sae's internal monologue??? i feel like letting go of things is something both the itoshi brothers struggle with. their lives are constantly pulling them in different directions, and eventually they become numb to it all. they don't form any strong attachment to anything besides football because that's the one thing that won't change for them. in a way, this is necessary for their character development (in the sense that they need to discern for themselves what to keep and what to let go), but it also destroys any sense of belonging they might have (hence why they feel lonely.)
"don't try to change my mind / i'm being cruel to be kind"
sae would definitely say this. like word for word. if only he wasn't a vague dumbass with no communication skills.
"i can't love you in the dark / it feels like we're oceans apart"
this is literally their dynamic in one lyric. there is the physical distance, and then there's the emotional distance.
"we're not the only ones, / i don't regret a thing / every word i've said, / you know i'll always mean"
this sort of reminds me when sae said that the world is huge, and there's so many players way better than him out there. i think spain really gave him a reality check, and he grew angry at rin when rin couldn't understand his disillusionment.
"everything changed me / and i don't think you can save me"
adele sort of echoes this softly at the end of the song. i feel like sae would do that too. he wouldn't admit his own insecurities until the very end, and only then does the truth come out.
"i'll sleep when i'm older" by bruno major
this is sae when he's older and fully mature, preferably after he meets you. he finally decides to damn it all and do what he wants.
"conversations with elders and the wisdom they bring ... / the view from an aeroplane at twelve thousand feet"
sae views things that previously annoyed him in a new light. he used to hate his elders, but he visited you and your mother once, and something changed within him. now he calls his parents more often, and his eyes linger on the old couples near the park benches. sometimes, his gaze softens just a bit when he imagines the two of you growing old just like them.
flights used to be a mundane part of his routine, but now he finds himself leaning over your window seat to see the mountains down below. the clouds and sunny weather set him aglow. and you just look so pretty when you fall asleep on his shoulder. he doesn't ever want this change.
"meet god on a mountain top along with the stars / find love somewhere, anywhere / fall deep from the start"
sae used to avoid love, but now he's running at it full-force. people tend to shy away from making sae a romantic because it seems too ooc. however, in the right situation, i think sae could entirely abandon his previous ideals and become someone else entirely. (that's why it's called a character evolution guys.)
"misplace my mind and follow my heart"
again, if you're able to make sae lose all rationality and let his heart guide him instead, then you've really done something. kudos to you for penetrating the walls of the coldest asshole known to mankind.
"i'll be a firework, not a flickering flame / treat life all around me like a one-player game"
this one lyric applies both to younger and older sae. younger sae is someone unafraid of risking it all if it means he can achieve something worthwhile. it doesn't matter how many players he has to defeat, how many people he has to leave behind. in this world, it is just him and the goal he has to accomplish.
however, after he's mellowed out after a few years (i'd say around middle age), he probably reinterprets this as something else. he's not going to constrain himself to his tunnel vision anymore. there's so much more to life than that.
"i'll go to the party and forget all the names / should it climb back to haunt me, / it ends all the same"
sae finally lets himself live the life he never thought he'd have. he does stupid things like get drunk and make a fool of himself. but you're there for him, so he doesn't really care. in fact, he can finally say that for the first time in a long time....he's having fun.
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KAISER
the fanon answer is the weeknd. i'm not going to lie, i completely agree with this one. i saw this one edit of him to "party monster," and i can say i have been fully enlightened and converted. however, this is not just about a toxic male manipulator anthem. it's much more than that.
this is about running away from the ugliest parts of yourself, becoming a slave to your vices, knowing you're broken somewhere and you can never fix it. i would say his character is most similar to "starboy" in the fact that he literally flaunts everything he has to hide the fact that deep down inside, he really has nothing else to hold onto. "starboy" is all about the status symbol (money, red lamborghinis, glass table girls turning into ebony table girls lol). but at the end of the day, he doesn't really have anything except an empty heart and a satirical quip for all those who made him famous. the same theme applies to "the morning" and "house of balloons."
in the romantic sense, i think "don't break my heart" would represent kaiser. and no, this is not a justification for him being an f-boy. it's more so an exploration of why people might think he is an f-boy. i do not condone his actions, but i do try to understand them. in particular, i feel like the lyrics of "sacrifice" also fit him well.
"i was born in a city / where the winter nights don't ever sleep / so this life's always with me / the ice inside my veins will never bleed"
i headcanon kaiser as being born in either berlin or munich. and if you don't know anything about those two places, just know that you freeze your ass off during wintertime. i think it's interesting how his past could be intrinsically tied with a place, and he takes a piece of his past self with him wherever he goes. the ice in veins part also made me think about how kaiser would rather freeze up every weakness within himself than let them run free and make him human.
"every time you try to fix me / i know you'll never find that missing piece"
guys...did you hear that? to all you delusional people out there, this is your service announcement. you cannot fix someone who does not want to be fixed. write that down and memorize it. all meaningful change starts with a shift in mindset, and if they themselves are not in the right headspace to recognize that something is wrong and actively want to change, you're not going to get anywhere. so yeah....kaiser is not going to change unless HE starts doing the changing.
"i hold you through the toughest parts / when you feel like it's the end / 'cause life is still worth living"
i think this lyric sort of explores kaiser's dynamic with ness. on one front, he is the one picking ness up from his miserable past and instilling a sense of hope into him (intentionally or not.) but on another front, this could also be a problem. kaiser is almost forcefully optimistic in the way that he believes anything is possible. it has to be possible because there can be no other way. but the thing is.....you have to know your limits sometimes. blind optimism is, ironically, similar to cornering yourself.
"i can break you down and pick you up / and fuck like we are friends / but don't be catching feelings"
this is definitely the type of bullshit kaiser would spew. i could picture a fwb or situationship with him where y/n just constantly receives the short end of the stick. now this may be reaching, but i also feel like this is how kaiser projects his own trauma onto others. he himself clawed his way up to the top and put himself back together every time he fell down. the problem is that he also expects you to be that resilient. he's going to treat you badly because you're supposed to be like him: someone who can overcome everything and strive towards the impossible.
the headcanon answer to his top artist would be keshi. in particular, i think kaiser would fit the vibe of "2 soon" and "drunk." long story short, you finally broke up with him, and he's still reeling from the impact.
within my fics, i envision a dialogue between kaiser and y/n from each one of their perspectives. so based on that, i'm going to assign him the following songs/artists:
"gibson girl" by ethel cain
i know i said earlier that kaiser's character is not solely about toxic manipulation, but you have to understand that all bad habits originate from somewhere. kaiser is innately self-destructive, and he brings you down along with him. this song is about that but from y/n's perspective. there's this idea of trying to find agency in a situation where you have none. i don't have the word count to explain ethel cain lore in all of its naked glory, but all i can say is that this song is a banger and deals with themes like femininity as a performance, finding power in pain, religious motifs, etc.
"glory box" by portishead
this song is y/n's last plea to kaiser before they fully give up on him and leave. i'm also a sucker for anything that involves an exploration of gender dynamics and what it means to be a woman, and this song is riddled with it.
"suffocation" by crystal castles
this is kaiser post-isagi defeat (cue that one scene where he was trying to choke himself.) similar to sae, it's all or nothing with him. he suffers from this feeling of inferiority. everyone made him out to be this great figure of impossible dreams and legends, but look at him now. he's nothing. aren't you disappointed? he had you fooled, but he also fooled himself. so yeah....kaiser is definitely the most self-deprecating out of all of the boys at blue lock.
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ISAGI
the fanon answer is laufey, and i also agree. he's so sweet, and laufey's music just makes me feel all warm and fuzzy inside. he would also be that one love that came creeping up on you when you least expected it. "valentine" would be the song for that. i picture a reader who's had a series of unfortunate breakups and is right on the edge of giving up entirely. but then isagi comes along, and it's just so easy to love him. as easy as breathing. and then you think maybe it wasn't so bad after all. you just never found the right one until he came into your life. furthermore, isagi is a jazz pop princess, and you can't convince me otherwise.
the headcanon answer is IU. more specifically, i would say "troll" from her lilac album. i feel like even if you and isagi broke up, it would still be like you two never broke up at all. you're both on good terms, and even though you know it's counterproductive to keep cycling back to each other, you do it anyways. and it's okay because you're both still in love.
from my own playlists, i would assign the following songs/artists:
"winter bear" by v
this is my comfort song. it feels like those big sherpa blankets you tuck yourself under when you're lying next to the heater in winter. isagi would kiss your forehead and nuzzle your nose before you two drifted off to sleep.
"a boy named pluto" by hailey knox
this one is so romantic lol. i also like the dynamic where one party is afraid to love, but the other person loves them unconditionally. that would be isagi. he'd respect your decision and wait for you as long as you need it. but if you're ever ready to give him a chance, just know that he's going to treasure all of you.
"put your records on" by ritt momney
the inspiring thing about isagi is that he never lets anyone put him down. he takes rejection as redirection, failure as room for improvement. and in that way, i think this song encapsulates his resilience. he'd be such a good boyfriend not just romantically but in the way that he would literally pick you back up to your feet, dust you off, and make sure everything was alright.
"fairy of shampoo" by dosii
i picture isagi as someone who falls first and falls harder. he just loves you so much, and he doesn't even need a reason why. i saw somewhere that sometimes you don't love someone because they're your soulmate/twin flame/supernaturally fated other. you love them because you consciously made the decision to. isagi is like that. he loves you on purpose.
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helppp why does this sound like an academic paper...i'm sorry anon. i got carried away with this, but i hope u like it.
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creedslove · 3 months
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Hello!! It's been a while since we read an HDC of Joel being a daddy. Imagine that reader has to go out to do some things and Joel stays at home with Sammy and it starts to rain very hard causing lightning and the little one gets very scared. Joel picks him up and cuddle him, rocking him to calm him down. Joel used to be sweeter to Sarah when she was little, he used to pamper his babygirl until she fell asleep, and now that he was spending time with Sammy he wanted to be the same with him so he comforted him and rubbed his little back and rubbed his little boy's hair, while the record player in the background plays. "Beautiful boy (Darling boy) by John Lennon".
Joel had nothing against being an affectionate man with a little boy, so to him he was his baby and he protected him when the lightning scared him and the power went out.
Take your time sweethearth ✨ I hope you're fine and happy. I love you so much! 💕💕💕
No outbreak!Joel Miller x f!reader
A/N: I love this idea very much bestie and the fact you sent me it while it was storming here made it even more special ❤️
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• you and Joel hated when you had a weekend shift, but it was something eventually either of you had to face it, and that weekend, it was your turn, there was no other way
• Sammy also didn't like it, happiness to him was when both mommy and daddy were there with him to play and have fun, so he also had a cute pout on his lips - the same one Joel had and swore he didn't - when you said goodbye to them
• the heat that week was excruciating, high temperatures every single day, which was an indicator a storm could come at any moment
• and you and Joel were already concerned because you knew how scared of storms Sammy was, and it pained the two of you to see your precious baby boy so terrified of something simple
• you left Joel some instructions but it wasn't necessary at all, as your husband was so good to handle everything, including your son, he had a way of making everything alright again
• you pecked Joel's lips and hugged Sammy tight and went to work, and after that, the day went alright between father and son, Joel and Sammy played together, then he took a nap while Joel did some chores
• but it was when Joel was working in the backyard and the sky got darker while the first thunders were heard that Sammy jumped off bed scared and ran to his daddy
• he didn't know why he didn't like storms, but the day would always get so dark and the thunders were too loud for his little ears, the wind made the trees look so scary and he always needed his mommy and daddy with him
• when Joel felt small arms wrapping around his legs, he knew his son was scared; he lifted him up and carried him towards the house
"it's okay buddy, let's get inside"
• Joel said in his soothing voice just as a thunder roared in the sky which caused Sammy to hide his face in the crook of his daddy's neck
• he closed the door behind them and walked to the living room, in hopes of turning on the tv and finding a very colorful cartoon that would keep his son's attention, but much to his dismay, he noticed then they'd run out of power
• as the skies darkened and Joel couldn't turn on the lights, he suggested Sammy to have a nap together, which his son nodded and it broke Joel's heart to see the fear in his innocent face, so he decided to do the best he could in order to calm him down
• Sammy was the kind of kid to cling tighter than glue to him or you in case of fear, so he knew trying to cook him something was out of the picture, just like you, your son only worked with cuddles, which was adorable in Joel's opinion
• so he decided that maybe some music would distract his son from the loud noises of rain and going to his old record player, he decided to put on something to help them go through that
• as father and son sat on the couch, Sammy was all curled up to his daddy, almost like a tiny kitten would, so he couldn't resist pulling him closer, resting him against his chest just as when Sammy was a little baby
• his big hands ran up and down his small back, in a soothing caress, Joel's lips pecked the top of his son's head, feeling how soft his hair was especially now it was starting to curl like his own
• he cuddled Sammy, remembering how he used to do the same with Sarah when she was little, now his beautiful little girl was a beautiful woman and it both pained and excited him to know it would be just a matter of time until she turned him into a grandpa
• but he would always miss his little girl
• and that was why he made sure he would always be around for his little boy, because kids grew up so fast and before he could tell his baby became a toddler and that toddler needed him
• as his hands ran through Sammy's curls, he took a peek at his son's face and saw how hard he was fighting sleep; his daddy's presence was everything he needed
• when the storm finally passed and the sun shone in the sky again, he looked at his precious sleeping Sammy and sighed; he hated to see how bad storms made his son feel, but at the same time it comforted Joel to know Sammy would always look for his daddy for help
• Joel loved his son more than he could even describe and he hoped they would still have many moments like those ahead, where he would be able to fit him in an embrace and cuddle him until he was alright
____
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harrisonarchive · 5 months
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Onstage in Munich, June 1966. Photos by Frank Fischbeck.
Remembering John.
“During Goldmine’s first National Record Show, in September 2000 at The Rock And Roll Hall Of Fame, dealers and the Goldmine staff were given a behind-the-scenes look at some recently acquired items that had not yet been shown publicly. Among the items was the jean jacket Lennon wore during the ‘70s. There were few embellishments on the jacket, but he had sewn a Dark Horse Records patch on it.” - “Letter from the editor” by Greg Loescher, Goldmine, January 25, 2002 “The idea of John not being here doesn’t bother me so much because — he is here, to me. That’s what the whole life of Christ was, to show people, ‘You dug him then — re-dig him now.’ To realize that it’s the spirit, not the body. And I’ve learned whatever the years. In a way, you don’t need a living guru in front of you, because he’s in front of your spiritual eye, every time you close your eyes and go inside. They’re all there, all our friends and loved ones, all our relatives. Everybody is there. So the way he died was tragic. But: ‘If your memory serves you well, we’re gonna meet again…’ [...] They can kill the man, but they can’t kill the spirit. They can’t kill what he meant to you.” - George Harrison, Musician, March 1990 (x)
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