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#POEM: War of the Foxes
sikenarthistory · 2 years
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Jean-Baptiste-Camille Corot, cropped viewing of Orpheus Leading Eurydice from the Underworld (1861) / Richard Siken, War of the Foxes (2015)
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luthienne · 1 year
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jack gilbert, “islands and figs” / richard siken, “the worm king’s lullaby”
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metamorphesque · 2 years
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Portrait of Fryderyk in Shifting Light, Richard Siken
[text ID: How much can you change / and get away with it, / before you turn into / something else, / before it's some kind of / murder?]
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asoftepiloguemylove · 7 months
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Violet Piper Twenty-Four, Candidly (via @voicedwords) // Richard Siken in an interview with Green Linden Press
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myfakeplasticlove13 · 6 months
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newvision · 10 months
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— Richard Siken, from ‘Birds Hover the Trampled Field’ in War of the Foxes
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You Believe You're Guiltless
Cut - Catherine Lacey / Father - The Front Bottoms / It Lingers For Your Whole Life - Katie Maria (@heavensghost) / Jenny Holzer / Jenny Holzer / War Of The Foxes - Richard Siken
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richard siken; war of the foxes
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reachthezeneth · 8 months
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I follow you
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three proofs - richard siken // night time in wyoming- frank tenney johnson
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beaft · 7 months
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Richard Siken, The Language of the Birds
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aemperatrix · 1 year
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Richard Siken
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kaycassians · 1 year
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History is written by the winners. Everyone knows this. It’s an old story, one that’s as long as the Empire’s shadow. There is no point in telling a different story. They all end the same.
Let me tell you a story about losing:
On a toxic, abandoned mining planet, a group of children burn bodies. The youngest of them take the clothes to wash and the oldest of them take the weapons to keep and they all burn the rest. While the fire burns, most children cry. A boy, still stuck in the middle between too young and not old enough learns a trick to stop. He curls his fingers into fists and grits his teeth. He hides his eyes behind his forearm and stays very still.
This boy has a sister, a young sister. She washes soot from clothes that are too big for her and watches the oldest take up the weapons and burn the rest. She does not understand, so she does not cry. When her brother stays very still and covers his eyes, she holds his hand.
“This is not a new story,” says one pilot to another.
“No,” agrees the other. “But it’s only the beginning.” 
History is written by the winners. Everyone knows this. Everyone also knows by winners, they mean survivors. It’s an old story, one that’s as long as the Empire’s shadow. There is no point in telling a different story. All different stories are buried with the dead.
Let me tell you a story about survivors:
An imperial ship crashes on a toxic, abandoned mining planet, and a scavenger and her husband find an intact starpath-unit and a frightened boy. The boy wears clothes that are too big for him and holds a weapon that he doesn’t know how to use. The scavenger knows that the intact starpath-unit is worth more than anything she’s ever owned. The scavenger also knows that the frightened boy is worth no more than the food it’ll cost her to feed him. 
Neither is hers to take. 
The scavenger is selfish. She steals both.  
“This is the same story,” says one pilot to the other.  
“No,” says the other. “This is the rest of the story.”  
History is written by the survivors. Everyone knows this. Everyone also knows by written, they mean the ones who wrote it down, not who witnessed it. Witnesses are easy to silence, especially when under the Empire’s long, dark shadow. There is no point in telling a different story. Not unless you want to be silenced too. 
Let me tell you a story about fear: 
A man on Morlana One kills two corporate security guards looking for his sister, his missing sister. This is not a new story. The man knows how this will end. The long, dark shadow of the Empire looms over him. He is the next witness to be silenced, and he knows it. His life will end as it began-- silently, with no one around to care that he was there in the first place. 
His life will end as it began-- already forgotten. 
The man tries to run. Tries to get his affairs in order. He gets an alibi from a friend, but it’s useless. He still needs credits for his mother. He has time to sell something, he has to. He needs something to leave his mother when he’s gone. 
In an abandoned warehouse, a man out of options meets a buyer with a way out. 
In an abandoned warehouse, a spymaster finds the perfect recruit. 
History is written by the controllers. Everyone knows this. Control the story and you control what everyone thinks about the story. This is an old practice, one utilized again and again to keep the shadow of the Empire standing tall. There is no point in telling a different story. They’ll all be forgotten anyway. 
Let me tell you a story about stories: 
The Dhani people have always told legends. Oral traditions, passed down from generation to generation. Never written down, and never forgotten. 
Recently, the Dhanis have a new legend to tell. It’s the story of the ship that flew into the centre of the Eye. As it goes, the crew were valiant fighters set on chasing away the Darkness that had laid claim to the land. But alas, the Dark’s grip was strong. It poisoned the minds of the invaders, and bid them to build a wall around the planet’s Light, trapping it under metal and steel. 
It was said that nothing could escape the Dark’s sinister fort. But the fighters were sneaky. They crept their way into the Dark’s ranks, feigning to be just like the invaders, and stole the Light right from under the Dark’s nose, and let it free back into the sky. 
Fleeing the wicked grasp of the Dark, the fighters called out to the Eye for help. The Eye, overjoyed to be reunited with the Light, saw them. 
It granted their wish, and turned the fighters into shooting stars.  
It’s said you can still see them up there, when the light is right. Always running, always slipping out of the grasp of the Dark, forever immortalized in the sky. 
History is written by the controllers. Everyone knows this. Control the story and you control what everyone thinks about the story. This is an old practice, one utilized again and again to keep the shadow of the Empire standing tall. There is a problem with this thinking, and the problem that arises is this: 
The controllers can only control the stories they can hear. 
“Eighty million credits,” marvels one imperial officer to the other. “That’s not true. It can’t be.”
“It is,” says the other. She carefully keeps her smile off her face. “I was there.”
Let me tell you a story about rumors: 
They have to start somewhere.
Let me tell you a story that is true: 
Eighty million galactic credits were stolen from the Imperial garrison on Aldhani, right under the officers’ noses. No one knows who it was or how they did it. 
But they did it.  
“Eighty million credits,” marvels a retired scavenger with a smile. “Imagine that.” 
Let me tell you a story about change: 
It starts small. Only whispered about in small dark rooms between people without faces. Like a flower it blooms in the minds of men, women and even children-- all of whom dream of breaking free of the dark. All of whom dream of looking up to see a sky full of stars instead of a black, long shadow. 
But, then again, it's not a problem if you don't look up.  
Let me tell you a story about beginnings:
The story of the rebels who were both mad enough and brave enough to stand up against the Empire spreads like wildfire. And one day, someone decides to look up at the sky instead of at their shoes, and sees them. 
Seven tiny, insignificant shooting stars, fighting back against the Dark. 
Let me tell you a story about seeds:  
Once they’re planted, they’ll never do anything but grow. 
Let me tell you a story about inspiration: 
It gets people standing up. 
Let me tell you a story that is true: 
We are stronger together. 
Let me tell you a story that is true: 
This is our chance to make a real difference. 
Let me tell you a story that is true:
The time to fight is now.
Let me tell you a story about hope: 
It’s what rebellions are built on. 
“Now we’re getting somewhere,” says one pilot to the other. 
“Yes,” says the other. He carefully keeps his smile off his face. “Yes we are.” 
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metamorphesque · 1 year
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— Birds Hover The Trampled Field, Richard Siken
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asoftepiloguemylove · 9 months
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Cameron Awkward-Rich THEORY OF MOTION (4): ANOTHER MIDDLE-CLASS BLACK KID TRIES TO NAME IT (via @sweatermuppet) // Wayne Koestenbaum "Figure;" My 1980s and Other Essays // Mary Lambert "Why I Slept With Makeup on for Five Years;" Shame Is an Ocean I Swim Across // Keaton St. James DYSPHORIA CREEK // Richard Siken "Birds Hover the Trampled Field;" War of the Foxes (via @newvision) // Greta Moran Slow First
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myfakeplasticlove13 · 6 months
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Love as religion
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