I felt that post of yours about the Dracula fandom and the way it talks about adaptations tbh, like, I'm someone who was very involved in DD last year and I've written critique myself about Dracula adaptations bc I love comparative analysis and really thinking about the choices adaptations make, for good or for ill, but from my personal experience, a lot of fandom commentary on adaptations isn't really thoughtful analysis, and don't get me wrong, I'm a hater sometimes too and enjoying venting, but I noticed that this year, there were so many posts that started out as thoughtful commentary on the book, then launched into bitching about the evils of adaptations out of nowhere, and people can write what they want, but it got tiring after awhile to be in a fandom with so much angry energy, not to mention the divergence in canon vs fanon that was much starker this year that made me feel like I had read a different book.
Also, every time I see people point at re: Dracula to be like, see, it's so easy to do a perfect 1:1 adaptation of the novel, why can't other adaptations do it?, it's like, it's an audiobook, a movie can't be that long, even a television mini-series would have to make cuts. And I might dislike a lot of choices adaptations make, but creatives absolutely have the right to take a public domain work and put their own spin on things beyond book accuracy as the number one goal - and like, do we truly want a 100% accurate adaptation when the novel is still ultimately a xenophobic reverse invasion story? Like, I would hope modern directors would seriously grapple with those aspects of the original story instead of reproducing Victorian bigotry unquestioned.
Hi, thank you for your response! I'm glad that my post resonated with a few people!
I definitely also felt a shift in energy with this season of Dracula Daily, and I'm pretty sure it is a direct result of the phenomena that is Re: Dracula. Don't get me wrong, I am a HUGE supporter of RE: Dracula, and I found it to be absolutely delightful specifically because it was a 1:1 adaptation of the book, but I also think that it has skewed the way people engage with all the other adaptations of Dracula. You are so right when you say that Re: Dracula's media as audiobook is what allowed it to be so authentic. Even if it was a long-form series, there would have to be creative liberties taken to account for visualising certain aspects of the text. I am 100% sure someone would be able to do it, but it would undoubtedly be a labour of love and expense.
I think the biggest thing that got lost in translation in my post is that I was speaking specifically on the rhetoric of "bad adaptation = bad media." I don't even like to use the term "bad adaptation" because it feels inaccurate and gives the connotation of being holistically terrible; "failed adaptation" or "inauthentic adaptation" seems more apt when discussing how close an adaptation relates to the source material. I think it is unfair for any adaptation to be written off solely on the fact that it does not strictly adhere to the original text. This can be in way of narrative, characterization, theme, etc. I don't think it's fair to say "x adaptation is bad because it ignores x from the text" because that fundamentally dismisses all the other attributes that contribute to whether or not a piece of media is subjectively good (because honestly that's all it is-- subjectivity). Media, especially film and stage, has so many dynamic and moving parts. There are so many attributes that contribute to the success of any one given thing, especially adaptations (which can claim the title with even the loosest references to the source material). I feel like the black and white thinking when it comes to this doesn't really allow for a dialogue to exist between people who enjoy Dracula adaptations for what they are and, forgive me for saying this, book purists.
Understandably, there is criticism against some adaptations that have claimed to follow the source text closely, but very distinctly did not (Ahum, Cappola). However, I think it does everyone a disservice to deny the impact of a lot of these (mostly) films. Someone in the reblogs of my original post did a good breakdown of the origins of the Dracula genre itself, and I think it goes to show that the story of Dracula has a life of its own outside of the pages of Bram Stoker's book.
The most annoying thing about the responses to my initial post was the refusal to believe that anyone was making these comparisons. I really would not have gone out on a limb to rant about this if I hadn't been consistently seeing vent posts in the main tag with mostly negative responses to a lot of different adaptations of Dracula based on the authenticity of them to the text. I admit I was frustrated when I wrote it, but it really was meant to just address the black and white thinking re: failed adaptations making bad media. This is not to say that criticism of adaptations isn't valid, but I think there should be more nuance to this conversation and that's what I wasn't seeing. It's not fun to dive into the broad Dracula tag and find post after post shitting on your favourite media because it isn't like the book.
Sorry this was a bit long! I am just really passionate about Dracula okay!! And I really really really like all the shitty little shows and movies and plays and comics and all other media that comes out of his name (because YES, a lot of adaptations really make vampire synonymous with Dracula and ROLL WITH IT). Vampires are really neat and the Dracula genre of film has been a huge influence on horror media. I think there is a lot to be said when analysing adaptations, but none of it can come from blanket statements against them.
@spider-xan
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This is a random post but like I’m listening to songs from Grease rn and I’m like “what if it’s about Bilbo and Thorin instead??” and now I’ve just replaced the characters in Grease with the hobbit characters and it’s actually entertaining, and I now can’t concentrate on my college work ;-;
Like Thorin would be the dude (can’t remember his name) and Bilbo Sandy, but like not genderbending anyone- so ye
(Probs delete later idk)
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I know that in the hobbit group the main duos are Merry and Pippin and Sam and Frodo but I really like reading fanfics or watching edits that switch it up a bit or highlight other friendships.
Like I love seeing fanfics or edits to show Frodo’s relationship with Merry or Pippin as their older cousin and how much they love each other as family and how they protect each other and I also love seeing Merry and Pippin’s relationship with Sam and how much they care for each other despite sometimes annoying each other in the beginning.
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the hobbit movie(s) needed to be like rogue one was for star wars. a one-off tragic prequel, had some nostalgia but ultimately it was a different story than the other movies. i mean obviously we could go on about the decision to make it into 3 separate movies and still managed to leave out a shit ton of source material but ultimately i think the biggest failure was that it tried to tell the same story as the lotr movies. the hobbit (book) is about courage but it's a different courage than lotr, and it's about pettiness and silliness and stagnation and ego and rot and gold. you lose something when you try to tell a story that isn't there. it's much more of a children's story than lotr, probably better contrasted with a classic knight-dragon-quest story than anything. with a tragic end for some, but also a healing end for others. and i wish that the adaptation had been allowed to be its own thing rather than just lotr 2.0 but with more cgi.
to me the hobbit is about fighting for something that you know isn't going to save the world but you weren't trying to save the world! it's about stumbling through a ridiculous set of scenarios with a bunch of dudes who sing mean songs about you and along the way you learn the power of leadership and craftiness and having a fun time even when you're hungry. and you do it because the weird old guy who used to sell your mom weed fireworks pointed out that your life is kind of boring and wouldn't it be cool to take a little trip and burgle a dragon. it's a smaller story, sure, but it still says interesting things. and pj lost the plot (literally) in the middle. also why were there so many beheadings.
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📽 action!: rank all six of the films (or three if you're a hater)
Answers for this LotR ask-game.
Ahh okay so at this point I have to confess something terrible: I still have not seen the third Hobbit movie. I'm sorry! I just couldn't do it. The fuckery of it all, especially in the second movie with Mirkwood and Thranduil and Legolas ("a lowly Silvan elf" what the FUCK what the fuck PJ WHAT THE FUCK), was just too much for me. Character-assassination is one thing, and I thought after Denethor I knew what I was going to be getting with Thranduil but NOPE! It was literal world building assassination and I just CANNOT.
Don't get me wrong, Lee Pace did an amazing job and actually seeing Mirkwood was amazing and it was genuinely delightful to see Orlando put those ears on again; but the OuTrAgE that filled my heart at the yeet-ing of what minimal canon we even have for the Mirkwood elves was just intolerable, and while I did mean to go see it, really I did, I just...couldn't actually get the motivation to go before it was out of theatres. I've heard the EE are better (less studio fuckery) so I'll watch them someday! Honest! I just...haven't. yet.
And as to the Lord of the Rings trilogy...man, I don't even know how to do this. In terms of which is the best film, or in terms of which one I enjoy watching most, or in terms of which on hits me in the heart hardest or...? I don't know if I can objectively rank my feelings about these movies even in my own brain because RotK ends with Into the West and I have FeelingsTM about the Undying Lands and Sea Longing okay. So the last scene of RotK at the Grey Havens is a fucking spear through the heart every time and I can't even describe the knot of feelings it engenders, and I think overall TTT may be my favorite but also it has Plot Issues that piss me off even more than the Plot Issues in RotK I think,...yeah, we're going to do this in terms of Film Crafting rather than personal favorites because I'm having too many feelings lmao. So! In order of most-well-done-movie to least:
Fellowship of the Ring
The Two Towers
Return Of The King
The Desolation of Smaug
An Unexpected Journey
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