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#Theme: Parental Love
crimescrimson · 10 months
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Johnny Cage & Unconditionally Protecting His Family: Nobody, Threatens My Family. | This? This Is For My Family.
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theoldkyokodied · 1 year
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One wedding and three funerals
Background paintings under the cut
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#tomgreg#succession#tom wambsgans#greg hirsch#shiv roy#roman roy#kendall roy#yeah no im not tagging everyone thats too much#this is me going 'how much implications themes and symbolism can i fit in one painting'#yes i gave rose shivs haircolor. if we ever find out how she looks like and its not like this im just gonna pass away i guess#but yeah i hope yall connect the dots#i put waaay too much thought and work into this. i was googling pictures of all the actors as kids just for reference (sigh)#honestly kinda wanted to make tom and greg link pinkies as like. a pinkie promise. but that was too hard to draw in this angle#at least not without obstructing the view of the ring which is important to see so ya#my fave is actually the tomshiv wedding pic i went off with that. i love them... they should have run away to become sheep farmers fr fr#anyway im so glad im done with this UGH!! finally i can draw smth else without being like oh noooo i need to finish this#i see a lot of you wondering why there is no portrait of logan but one of ewan#it's bc the placement of the painting represent their standing. logans portray would not hang next to the stairs#his present portrait hangs at the end of it. all the way up at the top. alone and withering away#basically the picture you see underneath ewan to the right? its where toms parents would be. the right side of the wall is tom and gregs#and the left one is the roy siblings theirs. since they grew up rich rich. and tom and greg didn't#but ya thats why ewan hangs here and logan does not :)
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getosugurusbangs · 3 months
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bleaching the bathtub puts me at ease.
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lottieurl · 11 months
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thinking about jackie's room being covered in roses. roses on the sheets and on the nightstand
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and shauna telling jeff jackie likes poppies. did jackie actually like poppies? did shauna lie to jeff because she didn't want him to get jackie something she actually likes?
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fuedalreesespieces · 7 months
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i know this episode is dumb filler but:
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and what pisses me off is that we could've had THIS with him and moroha. we could've had him helping her train, taking care of her when she's ill, and just...being the father figure he wished he could've had in his life. there's this repeating theme of him seeing himself in other youkai children and taking care of them, or at least emphasizing with them. he relates. he gets it. he doesn't want them suffering the way he did. and yashahime was like "hm...what if...amazing idea incoming...he didn't get to raise his daughter? lol."
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Just can’t keep track of that pesky body count in The Dragon Prince? Don’t worry, do I have a guide for you!
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alexanderpearce · 8 months
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queenlucythevaliant · 3 months
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Tell Your Dad You Love Him
A retelling of "Meat Loves Salt"/"Cap O'Rushes" for the @inklings-challenge Four Loves event
An old king had three daughters. When his health began to fail, he summoned them, and they came.
Gordonia and Rowan were already waiting in the hallway when Coriander arrived. They were leaned up against the wall opposite the king’s office with an air of affected casualness. “I wonder what the old war horse wants today?” Rowan was saying. “More about next year’s political appointments, I shouldn’t wonder.”
“The older he gets, the more he micromanages,” Gordonia groused fondly. “A thousand dollars says this meeting could’ve been an email.”
They filed in single-file like they’d so often done as children: Gordonia first, then Rowan, and Coriander last of all. The king had placed three chairs in front of his desk all in a row. His daughters murmured their greetings, and one by one they sat down. 
“I have divided everything I have in three,” the king said. “I am old now, and it’s time. Today, I will pass my kingdom on to you, my daughters.”
A short gasp came from Gordonia. None of them could have imagined that their father would give up running his kingdom while he still lived. 
The king went on. “I know you will deal wisely with that which I leave in your care. But before we begin, I have one request.”
“Yes father?” said Rowan.
“Tell me how much you love me.”
An awkward silence fell. Although there was no shortage of love between the king and his daughters, theirs was not a family which spoke of such things. They were rich and blue-blooded: a soldier and the daughters of a soldier, a king and his three court-reared princesses. The royal family had always shown their affection through double meanings and hot cups of coffee.
Gordonia recovered herself first. She leaned forward over the desk and clasped her father’s hands in her own. “Father,” she said, “I love you more than I can say.” A pause. “I don’t think there’s ever been a family so happy in love as we have been. You’re a good dad.”
The old king smiled and patted her hand. “Thank you, Gordonia. We have been very happy, haven’t we? Here is your inheritance. Cherish it, as I cherish you.”
Rowan spoke next; the words came tumbling out.  “Father! There’s not a thing in my life which you didn’t give me, and all the joy in the world beside. Come now, Gordonia, there’s no need to understate the matter. I love you more than—why, more than life itself!”
The king laughed, and rose to embrace his second daughter. “How you delight me, Rowan. All of this will be yours.”
Only Coriander remained. As her sisters had spoken, she’d wrung her hands in her lap, unsure of what to say. Did her father really mean for flattery to be the price of her inheritance? That just wasn’t like him. For all that he was a politician, he’d been a soldier first. He liked it when people told the truth.
When the king’s eyes came to rest on her, Coriander raised her own to meet them. “Do you really want to hear what you already know?” 
“I do.”
She searched for a metaphor that could carry the weight of her love without unnecessary adornment. At last she found one, and nodded, satisfied. “Dad, you’re like—like salt in my food.”
“Like salt?”
“Well—yes.”
The king’s broad shoulders seemed to droop. For a moment, Coriander almost took back her words. Her father was the strongest man in the world, even now, at eighty. She’d watched him argue with foreign rulers and wage wars all her life. Nothing could hurt him. Could he really be upset? 
But no. Coriander held her father’s gaze. She had spoken true. What harm could be in that?
“I don’t know why you’re even here, Cor,” her father said.
Now, Coriander shifted slightly in her seat, unnerved. “What? Father—”
“It would be best if—you should go,” said the old king.
“Father, you can’t really mean–”
“Leave us, Coriander.”
So she left the king’s court that very hour.
 .
It had been a long time since she’d gone anywhere without a chauffeur to drive her, but Coriander’s thoughts were flying apart too fast for her to be afraid. She didn’t know where she would go, but she would make do, and maybe someday her father would puzzle out her metaphor and call her home to him. Coriander had to hope for that, at least. The loss of her inheritance didn’t feel real yet, but her father—how could he not know that she loved him? She’d said it every day.
She’d played in the hall outside that same office as a child. She’d told him her secrets and her fears and sent him pictures on random Tuesdays when they were in different cities just because. She had watched him triumph in conference rooms and on the battlefield and she’d wanted so badly to be like him. 
If her father doubted her love, then maybe he’d never noticed any of it. Maybe the love had been an unnoticed phantasm, a shadow, a song sung to a deaf man. Maybe all that love had been nothing at all.  
A storm was on the horizon, and it reached her just as she made it onto the highway. Lightning flashed and thunder rolled. Rain poured down and flooded the road. Before long, Coriander was hydroplaning. Frantically, she tried to remember what you were supposed to do when that happened. Pump the brakes? She tried. No use. Wasn’t there something different you did if the car had antilock brakes? Or was that for snow? What else, what else–
With a sickening crunch, her car hit the guardrail. No matter. Coriander’s thoughts were all frenzied and distant. She climbed out of the car and just started walking.
Coriander wandered beneath an angry sky on the great white plains of her father’s kingdom. The rain beat down hard, and within seconds she was soaked to the skin. The storm buffeted her long hair around her head. It tangled together into long, matted cords that hung limp down her back. Mud soiled her fine dress and splattered onto her face and hands. There was water in her lungs and it hurt to breathe. Oh, let me die here, Coriander thought. There’s nothing left for me, nothing at all. She kept walking.
 .
When she opened her eyes, Coriander found herself in a dank gray loft. She was lying on a strange feather mattress.
She remained there a while, looking up at the rafters and wondering where she could be. She thought and felt, as it seemed, through a heavy and impenetrable mist; she was aware only of hunger and weakness and a dreadful chill (though she was all wrapped in blankets). She knew that a long time must have passed since she was fully aware, though she had a confused memory of wandering beside the highway in a thunderstorm, slowly going mad because—because— oh, there’d been something terrible in her dreams. Her father, shoulders drooping at his desk, and her sisters happily come into their inheritance, and she cast into exile—
She shuddered and sat up dizzily. “Oh, mercy,” she murmured. She hadn’t been dreaming.
She stumbled out of the loft down a narrow flight of stairs and came into a strange little room with a single window and a few shabby chairs. Still clinging to the rail, she heard a ruckus from nearby and then footsteps. A plump woman came running to her from the kitchen, wiping her hands on her apron and softly clucking at the state of her guest’s matted, tangled hair.
“Dear, dear,” said the woman. “Here’s my hand, if you’re still unsteady. That’s good, good. Don’t be afraid, child. I’m Katherine, and my husband is Folke. He found you collapsed by the goose-pond night before last. I’m she who dressed you—your fine gown was ruined, I’m afraid. Would you like some breakfast? There’s coffee on the counter, and we’ll have porridge in a minute if you’re patient.”
“Thank you,” Coriander rasped.
“Will you tell me your name, my dear?”
“I have no name. There’s nothing to tell.”
Katherine clicked her tongue. “That’s alright, no need to worry. Folke and I’ve been calling you Rush on account of your poor hair. I don’t know if you’ve seen yourself, but it looks a lot like river rushes. No, don’t get up. Here’s your breakfast, dear.”
There was indeed porridge, as Katherine had promised, served with cream and berries from the garden. Coriander ate hungrily and tasted very little. Then, when she was finished, the goodwife ushered her over to a sofa by the window and put a pillow beneath her head. Coriander thanked her, and promptly fell asleep.
 .
She woke again around noon, with the pounding in her head much subsided. She woke feeling herself again, to visions of her father inches away and the sound of his voice cracking across her name.
Katherine was outside in the garden; Coriander could see her through the clouded window above her. She rose and, upon finding herself still in a borrowed nightgown, wrapped herself in a blanket to venture outside.
“Feeling better?” Katherine was kneeling in a patch of lavender, but she half rose when she heard the cottage door open.
“Much. Thank you, ma’am.
“No thanks necessary. Folke and I are ministers, of a kind. We keep this cottage for lost and wandering souls. You’re free to remain here with us for as long as you need.”
“Oh,” was all Coriander could think to say. 
“You’ve been through a tempest, haven’t you? Are you well enough to tell me where you came from?”
Coriander shifted uncomfortably. “I’m from nowhere,” she said. “I have nothing.”
“You don’t owe me your story, child. I should like to hear it, but it will keep till you’re ready. Now, why don’t you put on some proper clothes and come help me with this weeding.”
 .
Coriander remained at the cottage with Katherine and her husband Folke for a week, then a fortnight. She slept in the loft and rose with the sun to help Folke herd the geese to the pond. After, Coriander would return and see what needed doing around the cottage. She liked helping Katherine in the garden.
The grass turned gold and the geese’s thick winter down began to come in. Coriander’s river-rush hair proved itself unsalvageable. She spent hours trying to untangle it, first with a hairbrush, then with a fine-tooth comb and a bottle of conditioner, and eventually even with honey and olive oil (a home remedy that Folke said his mother used to use). So, at last, Coriander surrendered to the inevitable and gave Katherine permission to cut it off. One night, by the yellow light of the bare bulb that hung over the kitchen table, Katherine draped a towel over Coriander’s shoulders and tufts of gold went falling to the floor all round her.
“I’m here because I failed at love,” she managed to tell the couple at last, when her sorrows began to feel more distant. “I loved my father, and he knew it not.”
Folke and Katherine still called her Rush. She didn’t correct them. Coriander was the name her parents gave her. It was the name her father had called her when she was six and racing down the stairs to meet him when he came home from Europe, and at ten when she showed him the new song she’d learned to play on the harp. She’d been Cor when she brought her first boyfriend home and Cori the first time she shadowed him at court. Coriander, Coriander, when she came home from college the first time and he’d hugged her with bruising strength. Her strong, powerful father.
As she seasoned a pot of soup for supper, she wondered if he understood yet what she’d meant when she called him salt in her food. 
 .
Coriander had been living with Katherine and Folke for two years, and it was a morning just like any other. She was in the kitchen brewing a pot of coffee when Folke tossed the newspaper on the table and started rummaging in the fridge for his orange juice. “Looks like the old king’s sick again,” he commented casually. Coriander froze.
She raced to the table and seized hold of the paper. There, above the fold, big black letters said, KING ADMITTED TO HOSPITAL FOR EMERGENCY TREATMENT. There was a picture of her father, looking older than she’d ever seen him. Her knees went wobbly and then suddenly the room was sideways.
Strong arms caught her and hauled her upright. “What’s wrong, Rush?”
“What if he dies,” she choked out. “What if he dies and I never got to tell him?”
She looked up into Folke’s puzzled face, and then the whole sorry story came tumbling out.
When she was through, Katherine (who had come downstairs sometime between salt and the storm) took hold of her hand and kissed it. “Bless you, dear,” she said. “I never would have guessed. Maybe it’s best that you’ve both had some time to think things over.”
Katherine shook her head. “But don’t you think…?”
“Yes?”
“Well, don’t you think he should have known that I loved him? I shouldn’t have needed to say it. He’s my father. He’s the king.”
Katherine replied briskly, as though the answer should have been obvious. “He’s only human, child, for all that he might wear a crown; he’s not omniscient. Why didn’t you tell your father what he wanted to hear?”
“I didn’t want to flatter him,” said Coriander. “That was all. I wanted to be right in what I said.”
The goodwife clucked softly. “Oh dear. Don’t you know that sometimes, it’s more important to be kind than to be right?”
.
In her leave-taking, Coriander tried to tell Katherine and Folke how grateful she was to them, but they wouldn’t let her. They bought her a bus ticket and sent her on her way towards King’s City with plenty of provisions. Two days later, Coriander stood on the back steps of one of the palace outbuildings with her little carpetbag clutched in her hands. 
Stuffing down the fear of being recognized, Coriander squared her shoulders and hoped they looked as strong as her father’s. She rapped on the door, and presently a maid came and opened it. The maid glanced Coriander up and down, but after a moment it was clear that her disguise held. With all her long hair shorn off, she must have looked like any other girl come in off the street.
“I’m here about a job,” said Coriander. “My name’s Rush.”
 .
The king's chambers were half-lit when Coriander brought him his supper, dressed in her servants’ apparel. He grunted when she knocked and gestured with a cane towards his bedside table. His hair was snow-white and he was sitting in bed with his work spread across a lap-desk. His motions were very slow.
Coriander wanted to cry, seeing her father like that. Yet somehow, she managed to school her face. Like he would, she kept telling herself. Stoically, she put down the supper tray, then stepped back out into the hallway. 
It was several minutes more before the king was ready to eat. Coriander heard papers being shuffled, probably filed in those same manilla folders her father had always used. In the hall, Coriander felt the seconds lengthen. She steeled herself for the moment she knew was coming, when the king would call out in irritation, “Girl! What's the matter with my food? Why hasn’t it got any taste?”
When that moment came, all would be made right. Coriander would go into the room and taste his food. “Why,” she would say, with a look of complete innocence, “It seems the kitchen forgot to salt it!” She imagined how her father’s face would change when he finally understood. My daughter always loved me, he would say. 
Soon, soon. It would happen soon. Any second now. 
The moment never came. Instead, the floor creaked, followed by the rough sound of a cane striking the floor. The door opened, and then the king was there, his mighty shoulders shaking. “Coriander,” he whispered. 
“Dad. You know me?”
“Of course.”
“Then you understand now?”
The king’s wrinkled brow knit. “Understand about the salt? Of course, I do. It wasn't such a clever riddle. There was surely no need to ruin my supper with a demonstration.”
Coriander gaped at him. She'd expected questions, explanations, maybe apologies for sending her away. She'd never imagined this.
She wanted very badly to seize her father and demand answers, but then she looked, really looked, at the way he was leaning on his cane. The king was barely upright; his white head was bent low. Her questions would hold until she'd helped her father back into his room. 
“If you knew what I meant–by saying you were like salt in my food– then why did you tell me to go?” she asked once they were situated back in the royal quarters. 
Idly, the king picked at his unseasoned food. “I shouldn’t have done that. Forgive me, Coriander. My anger and hurt got the better of me, and it has brought me much grief. I never expected you to stay away for so long.”
Coriander nodded slowly. Her father's words had always carried such fierce authority. She'd never thought to question if he really meant what he’d said to her. 
“As for the salt,” continued the king, "Is it so wrong that an old man should want to hear his daughters say ‘I love you' before he dies?” 
Coriander rolled the words around in her head, trying to make sense of them. Then, with a sudden mewling sound from her throat, she managed to say, “That's really all you wanted?”  
“That's all. I am old, Cor, and we've spoken too little of love in our house.” He took another bite of his unsalted supper. His hand shook. “That was my failing, I suppose. Perhaps if I’d said it, you girls would have thought to say it back.”
“But father!” gasped Coriander, “That’s not right. We've always known we loved one another! We've shown it a thousand ways. Why, I've spent the last year cataloging them in my head, and I've still not even scratched the surface!”
The king sighed. “Perhaps you will understand when your time comes. I knew, and yet I didn't. What can you really call a thing you’ve never named? How do you know it exists? Perhaps all the love I thought I knew was only a figment.”
“But that’s what I’ve been afraid of all this time,” Coriander bit back. “How could you doubt? If it was real at all– how could you doubt?”
The king’s weathered face grew still. His eyes fell shut and he squeezed them. “Death is close to me, child. A small measure of reassurance is not so very much to ask.”
.
Coriander slept in her old rooms that night. None of it had changed. When she woke the next morning, for a moment she remembered nothing of the last two years. 
She breakfasted in the garden with her father, who came down the steps in a chair-lift. “Coriander,” he murmured. “I half-thought I dreamed you last night.”
“I’m here, Dad,” she replied. “I’m not going anywhere.”
Slowly, the king reached out with one withered hand and caressed Coriander's cheek. Then, his fingers drifted up to what remained of her hair. He ruffled it, then gently tugged on a tuft the way he'd used to playfully tug her long braid when she was a girl. 
“I love you,” he said.
“That was always an I love you, wasn’t it?” replied Coriander. “My hair.”
The king nodded. “Yes, I think it was.”
So Coriander reached out and gently tugged the white hairs of his beard. “You too,” she whispered.
.
“Why salt?” The king was sitting by the fire in his rooms wrapped in two blankets. Coriander was with him, enduring the sweltering heat of the room without complaint. 
She frowned. “You like honesty. We have that in common. I was trying to be honest–accurate–to avoid false flattery.”
The king tugged at the outer blanket, saying nothing. His lips thinned and his eyes dropped to his lap. Coriander wished they wouldn’t. She wished they would hold to hers, steely and ready for combat as they always used to be.
“Would it really have been false?” the king said at last. “Was there no other honest way to say it? Only salt?”
Coriander wanted to deny it, to give speech to the depth and breadth of her love, but once again words failed her. “It was my fault,” she said. “I didn’t know how to heave my heart into my throat.” She still didn’t, for all she wanted to. 
.
When the doctor left, the king was almost too tired to talk. His words came slowly, slurred at the edges and disconnected, like drops of water from a leaky faucet. 
Still, Coriander could tell that he had something to say. She waited patiently as his lips and tongue struggled to form the words. “Love you… so… much… You… and… your sisters… Don’t… worry… if you… can’t…say…how…much. I… know.” 
It was all effort. The king sat back when he was finished. Something was still spasming in his throat, and Coriander wanted to cry.
“I’m glad you know,” she said. “I’m glad. But I still want to tell you.”
Love was effort. If her father wanted words, she would give him words. True words. Kind words. She would try… 
“I love you like salt in my food. You're desperately important to me, and you've always been there, and I don't know what I'll do without you. I don’t want to lose you. And I love you like the soil in a garden. Like rain in the spring. Like a hero. You have the strongest shoulders of anyone I know, and all I ever wanted was to be like you…”
A warm smile spread across the old king’s face. His eyes drifted shut.
#inklingschallenge#theme: storge#story: complete#inklings challenge#leah stories#OKAY. SO#i spend so much time thinking about king lear. i think i've said before that it's my favorite shakespeare play. it is not close#and one of the hills i will die on is that cordelia was not in the right when she refused to flatter her dad#like. obviously he's definitely not in the right either. the love test was a screwed up way to make sure his kids loved him#he shouldn't have tied their inheritances into it. he DEFINITELY shouldn't have kicked cordelia out when she refused to play#but like. Cordelia. there is no good reason not to tell your elderly dad how much you love him#and okay obviously lear is my starting point but the same applies to the meat loves salt princess#your dad wants you to tell him you love him. there is no good reason to turn it into a riddle. you had other options#and honestly it kinda bothers me when people read cordelia/the princess as though she's perfectly virtuous#she's very human and definitely beats out the cruel sisters but she's definitely not aspirational. she's not to be emulated#at the end of the day both the fairytale and the play are about failures in storge#at happens when it's there and you can't tell. when it's not and you think it is. when you think you know someone's heart and you just don'#hey! that's a thing that happens all the time between parents and children. especially loving past each other and speaking different langua#so the challenge i set myself with this story was: can i retell the fairytale in such a way that the princess is unambiguously in the wrong#and in service of that the king has to get softened so his errors don't overshadow hers#anyway. thank you for coming to my TED talk#i've been thinking about this story since the challenge was announced but i wrote the whole thing last night after the super bowl#got it in under the wire! yay!#also! the whole 'modern setting that conflicts with the fairytale language' is supposed to be in the style of modern shakespeare adaptation#no idea if it worked but i had a lot of fun with it#pontifications and creations
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blockgamepirate · 4 months
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I need Missa to officially adopt Tallulah too so she can have two absent fathers instead of just one — I mean, feel fully that she's part of the Death Family
(I would also actually really love her to have a Mexican parent, it would be very nice)
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kaladinkholins · 3 months
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i know I've mentioned my interpretation of mizu's gender a million times on here but i don't think i ever fully elaborated on it.
so on that note i just wanna ramble about that for a bit. basically, it's my reading of the show that mizu is nonbinary, so let me dig into that.
putting the rest under the cut because it ended being pretty long lol. also here have a cute mizu pic of her being happy and most at ease with herself, symbolised by her letting her hair down. <3 ok let's proceed.
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okay note that nonbinary is an umbrella term, and applies to a vast range of gender identities, but it's my personal preference to use it as is, simply because i'm not a fan of microlabels. more power to you if you are though, but anyway.
essentially when i refer to mizu as nonbinary it means that i interpret mizu as a woman, but not ONLY a woman. not strictly a woman. she is also a man. she is also neither of these things, she is something in between, while at the same time she is none of these at all. i've said as much many times, but i just don't want people to think that by nonbinary it inherently means a "third androgynous gender" that essentially turns the gender binary into a gender trinary. not only is that going against what the term nonbinary was crafted for (to go against rigid boxes and categorisation of gender identities), but also, not all nonbinary people fall under that category or definition, and that's definitely not the way i interpret mizu.
also, before anyone fights me on this, let me clarify further that gender means something different to everyone. it's not your biological sex or physical characteristics. but at the same time, gender is not mere presentation. you can be a trans woman and still present masculine—either because you're closeted and forced to, or because you just want to—and either way, that doesn't take away from your identity as a woman. same goes for trans men. if you're a trans man but you wear skirts and don't bind or don't get top surgery, that doesn't make you any less of a man. because gender non-conformity exists, and does not only apply to cis people! some lesbians are nonbinary and prefer using he/him pronouns while dressing masculinely, but that doesn't mean they're a man, or that they're any less of a lesbian. neither does this mean that they're a cis woman.
the thing about queer identities in general is that, like i said, they mean something different to everyone, because how you identify—regardless of your biological attributes and fashion or pronouns—is an extremely personal experience. so a nonbinary person and a gnc cis woman's experiences might have plenty of overlap, but what distinguishes between the two is up to the individual. there's no set requirements to distinguish you as one or the other, but it's up to you to decide what you identify as, based on what you feel. either way, by simply identifying yourself as anything under the LGBTQ+ umbrella, you are already communicating to the world that you are not what a conservative, cisheteronormative society wants you to be.
which is why i find all this queer infighting on labels to be so ridiculous. because we're all fighting the same fight; the common enemy is a societal structure that divides us into set roles and expectations purely based on our biological parts. that's why biological essentialism in the queer community is a fucking disease. because by arguing that women are inherently weak and fragile and soft and gentle and must be protected from evil ugly men, while men are inherently strong and angry and violent and exploitative of women, these people are advocating for the same fucked up system that marginalises and abuses women as well as effeminate and/or gay men.
anyway. i'm going on a tangent. this was meant to be a blue eye samurai post. so yeah back to that— the point i'm trying to make is that there's no one way to identify as anything, and everyone views gender in a specific way.
so with that being said, yes you can definitely interpret mizu as a gnc cis woman and that's a totally valid reading. however, interpreting her as nonbinary or transmasc also doesn't take away from her experiences with misogyny and female oppression, because nonbinary and transmasc folks also experience these things.
me, personally, i view her as nonbinary but not necessarily or always transmasc because i still believe femininity and womanhood is an inherent part of who mizu is. for example, from what we've seen, she does not like binding. it does not give her gender euphoria, but is instead very uncomfortable for her both physically and mentally, and represents her suppressing her true self. which is why when she "invites the whole" of herself, she stands completely bare in front of the fire, breasts unbound and hair untied. when she is on the ship heading to a new land in the ending scene, she is no longer hiding her neck and the lack of an adam's apple. we can thus infer that mizu does not have body dysmorphia. she is, in fact, comfortable in her body, and relies on it extremely, because her body is a weapon. instead, what mizu hates about herself is her face—her blue eyes. she hates herself for her hybridised identity, hates herself for being a racial Other. hates that she has no home in her homeland. these are not queer or feminist themes, but postcolonial ones.*
* and as a tiny aside on this subject, i really do wish more of the fandom discussion would talk about this more. it's just such an essential part to reading her character. like someone who's read homi k bhabha's location of culture and has watched this show, PLEASE talk to me so we can ramble all about how the show is all about home and alienation from community. please. okay anyway—
nevertheless, queer and feminist themes (which are not mutually exclusive by the way!) are still prevalent in her story, though they are not the main issue that she is struggling with. but she does struggle with it to some extent, and we see this especially during her marriage with mikio, where we see her struggle in women's domestic spaces.
on the other hand, though, she finds no trouble or discomfort in being a man or being around other men—even naked ones—and does not seem stifled by living as one, does not seem all that bothered or uncomfortable navigating through men's spaces. contrast this to something like disney's mulan (1998), where we do see mulan struggle in navigating through men's spaces, as she feels uncomfortable being around so many men, always feeling like she doesn't belong and that she's inherently different from them. mizu has no such experiences like this, as her very personality and approach to life is what can be categorised as typically "masculine". she is straightforward and blunt. her first meeting with mikio, she tells him straight to his face that he's old while frowning and raising a brow at him. she approaches problems with her muscles and fists (or swords), rather than with her words or mind. compare this with mulan, who, while well-trained by the end of the movie, still uses her sharp wits rather than brute strength. this is a typically "feminine" approach. it's also the approach akemi relies on throughout the show—through her intelligence and persuasive tongue, she navigates the brothel with ease. mizu, in contrast to someone like mulan and akemi, struggles with womanhood and femininity, and feels detached from it.
thus, in my opinion, mizu is not simply a man, nor is she simply a woman. she is both. man and woman. masculine and feminine. she has to accept both, rather than suppress one or the other. her name means water. fluid.
as a side note, while i do believe mizu is nonbinary, i also primarily use she/her pronouns but this is a personal preference. i find it's easier, plus it's what the creators use, and because, in general, being nonbinary simply doesn't necessitate the use of they/them pronouns. nonbinary is not just a third gender. it's about breaking the binary, in any which way, and that's exactly what mizu does.
also, i'd also like to mention that one of show's head of story even referred to her with the term "nonbinary", rather than simply "androgynous" (see pic below). and it's possible this could be a slip up on his part, in which he believes the terms are interchangeable (they're not btw), but regardless i find it a very interesting word choice, and one that supports my stance.
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so anyway yeah that's my incredibly long rambling post.
TL;DR nonbinary mizu rights 👍🏻👍🏻👍🏻 congrats if you reached the end of this btw. also ily. unless you're a TERF in which case fuck off. ok i'm done.
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₊ ⊹ Adult WLW Manga ⊹ ₊
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How Do We Relationship - Set in college - Band lesbians - Angsty
Run Away With Me Girl - Maki fell in love with her girlfriend in high school, but when graduation came their relationship went. Years later, they meet again with the love never having faded - Maki's love interest is now married and pregnant! Is she really happy though?
Days of Love at Seagull Villa - Mayumi runs away from her ex fiancé and asshole bff to the countryside - At first, she refuses to open up to anyone. However, she eventually grows to accept the manager of her housing complex and her little sister - Found lgbt family!
I Married My Best Friend to Shut My Parents Up - Machi is a working woman who doesn't wanna settle down with some man; However, her parents want her to have a traditional life. Instead, she marries her best friend! - Short, fast read
I Don't Know Which One Is Love - Soraike is determined to find a girlfriend in college, but she didn't know she'd have so many options!| - Yuri harem / romance comedy
Doughnuts Under a Crescent Moon - Two asexual women who meet at the office fall for another - Kinda angsty but with doughnuts
Trying Out Marriage With My Female Friend - Don't worry, they gay - Marriage pact
There are definitely more, these are just some I've read! Hope you enjoy <3
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anxietyfrappuccino · 2 months
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i feel pretty secure this valentines so far. multiple people know i'm aromantic asexual. it's ash wednesday, which deviates some of the focus. my parents each bought me a squishmallow, one of which i received the day before. aromantic is trending as we come together in solidarity. i'm wearing a nice green and black outfit. i get to eat one of my favorite foods tonight. it's beautifully gloomy outside.
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doctorwhoarchive · 7 months
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having Sam and Tara Halloween thoughts
Tara was definitely the type of kid that wanted to dress up as the weirdest most niche thing she was interested in for Halloween and no one knew what she was supposed to be
but I could also see her just wanting to be a random ass object like
Sam: Tara what do you want to be for Halloween?
toddler Tara: a cucumber
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shihoerusu · 2 years
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Reevesverse batcat fluff with Dick Greyson because we like happy ending in this household 😌
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I miss Selina’s long curls from the early comics so here it is :)
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splickedylit · 2 months
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Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Kongo Unsui/Hiruma Youichi/Anezaki Mamori, One-Sided Kongo Agon/Hiruma Youichi, Kongo Agon & Kongo Unsui Characters: Kongo Unsui, Hiruma Youichi, Anezaki Mamori, Kongo Agon, Lots of cameo Enma Fires and Saikyou Wizards throughout, …………………………and Musashi Additional Tags: Post-Canon, Bisexual Awakenings, Emotional Repression, Polyamory, Canon-Typical Quarterback (And Manager) Mindgames, these people can't be normal about shit to save their lives, Dysfunctional Family, Agon and Unsui's Convoluted Brother Emotions, And also. parent situation., College is for figuring out you're not straight OR emotionally okay: the fic, …..Unsui deserves to date two people Agon struck out with simultaneously: the fic, It's not exactly hurt/comfort but, Hurt/Validation, isn't a tag
Summary:
“What,” says Unsui, and is keenly, painfully aware that whatever stoic expression his face might have locked itself into in his shock, his cheeks are damningly warm. One part of his mind demands, do something, his plan is working, you’re losing! The other part says, your first kiss was a cackling bastard of a man, because he thought it would make you more likely to lose to him at football. -- Kongo Unsui gets kissed by a man. He's proud to say his performance as a quarterback doesn't suffer at all, in the…extensive aftermath. Hiruma Youichi makes a move, and then does what he does best, which is scramble like a motherfucker and improvise an offense from scratch. Anezaki Mamori analyzes the situation, and politely intervenes. Kongo Agon has a goddamn crisis.
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bumblingbabooshka · 1 year
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Enough perfect mom Amanda Grayson. It’s time for middling mom Amanda Grayson who loved all her kids but was never close enough to any of them and is somewhat idealized in their heads because of it. Amanda Grayson who seems great in comparison to Sarek but is actually, when you look objectively at it, strangely absent: A mother who is always facing away from you, who you have to call but who always has a smile ready for when you do. Amanda Grayson who contrasts Sarek’s overbearing rules and expectations with an almost hands-off approach that felt like a refreshing reprieve at the time but as her children grow they realize was also hurtful in different respects. Amanda Grayson who loves her children almost as much as she loves her husband. A mother who listens when you complain about dad, who agrees and nods and pets your hair and says “I’m sorry, honey” but nothing ever comes of it and at a certain point you both know nothing’s ever going to come of it. Amanda Grayson who pretends she does not see it. Amanda Grayson who is too human for any of her children to let themselves love. And because she’s human maybe she resents them for it a little bit [do you think your mother knows you love her? Did you ever say it? Do you think she ever wanted you to? Do you remember when she held you and repeated it over and over again and told you she wouldn’t tell your dad if you said it just once and you answered her with silence?] And because she’s human she loves them anyway. She knows anyway. She can hear it even in the silence. /pos
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