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blossom-tonic · 3 years

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Don't leave me too~

-> Kaeya x GN!reader

Credit's for the pic: 優雨 on pixiv

It was a warm sunny day in Mondstadt. The sun was brightly shining in the clear sky on the Plaza as the famous Calvery Captain of the knights of Favonius was through Mondstadt. His destination? Angel Share.

As usual Kaeya Alberich is going to his favorite and only one bar in Mondstadt on his free day. One of the reasons was to go and see his "dear" brother Diluc Ragenvindr and purposely annoy him but also he wanted to have taste of dandelion wine.

As he opens the door if the bar he expected to see Diluc, scrowling at the sight of him but instead he saw (y/n).

A very dear person to him.

But still it's unusual for them to be sitting in angel share in the middle of the day and especially with a wine glass in their hand. (y/n) was never a drinker they always accompany Kaeya and Rosaria to the bar but never has seen Kaeya the young traveller drinking.

This thought concerns him a little bit which made him go to the said person having his charming smile as he began talking

"what's the famous traveller from (your region) doing on a sunny day in angel share with a wine glass in hand?" He said with a smile putting his weight in his left hand as he put it in the table where (y/n) was sitting.

They heard the familiar voice if a good friend if theirs which put a major smile on their face

"well... original i wanted to go see Diluc and talk to him for the last time but unfortunately he was absent today so now I'm enjoying my first and last dandelion wine. Which i must say it's the only alcohol that actually is tasty in my opinion" they explained rather jokingly while giving the cryo vision Bearer their typical closed eyed smile which would lighten the Calvery Captains day anytime but the fact that (y/n) wanted to go see Diluc was itching him but it wasn't the main thing that's bothering him

"wait, what do you mean by "talking to Diluc the last time,, or "my first and last wine,,?" He asked while having a puzzled expression on his way, which was rare to be honest since all of the Mondstadt knows him as the "calm and charming Calvery Captains,,.

"oh so Master Jean didn't told you? I'm leaving Mondstadt for a little while. I want to go home and see how things are there... You could say i got a little homesick. I was planning on leaving tomorrow so i wanted to at least try the famous dandelion wine from dawn winery" they explained while slowly circulating her glass and looking at the red substance.

Kaeya didn't know which fact hurted more... The fact that (y/n) is gonna leave or the fact that they didn't even wanted to tell him in person but trusted the Acting Grand Master.

"but... you're coming back right?" He asked not letting his upset aura showing and hope they say yes

"well...to be honest, i don't know."

This answer made his heart stop. It was like one arrow was shot directly at his heart.

"i was planning on staying in (your region) for awhile but the maybe continue to travel" they explained while still looking at the wine glass. They weren't keen on leaving either especially since they already felt like home in Mondstadt but they wanted to see the family again to make sure they're alright.

The Calvery Captain was not a dumb man, he knew what his was feeling towards them was and he hated himself for getting this kind of connection towards somebody but still... (Y/n) made his life not seem dull anymore, and the fact that another Person is leaving him again is making him feel devastated.

"well... It was nice seeing you Kaeya but i have to go now. I need some money and the commissions aren't doing them by themselves" (y/n) said joyful as they put the glass on the table and was standing up to go out if the bar.

Instantly Kaeya wanted them to stop walking or making them stop, to convince them to stay here in Mondstadt, to stay with him but he held himself back. Deep down he knows that this is what is right for them, being in a close relationship with him was dangerous and he knows how family is important to them.

So he just let go, watching their frame getting closed by the door.

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The sky was getting darker as the traveller was walking to their home while surpassing a yawn. They took a lot of commissions, each one harder then the lady but the amount of Mora was worth it.

As they opened their House door they immediately took off their shoes, and made their way to the bath to get some dirt of their body. As the water ran slowly into the tub, (y/n) took of their clothes and began slowing getting in the tub. They sigh in bliss as the warm water was in contact with their body.

As they relaxed in the tub, the conversation with Kaeya came into their mind. It was wrong for them not telling him in person and they knew that but honestly deep down (y/n) didn't want leave Mondstadt, they didn't want leave their new home, their knew friends and most importantly they don't want to leave Kaeya but even tho Mondstadt became their new home (y/n) could never abandoned their original home.

After some time, the traveller was out of the tub and already in their sleeping chambers, changing out if their dirty clothes to something comfortable as they heard a loud but damp knock. They immediately got of the room and made their way to the front door. With a puzzled expression on their face, since they weren't expecting anyone, they slowly open the door just to see Diluc infront of the door with a passed out Kaeya on his back.

"come in and lay him on the couch." (Y/n) just said calmly, thinking that Kaeya's just passed out bc he drunk a lot like always.

Diluc just nodded as thank you and made his way to the couch and put his brother on it while sighing

"i assume that he just drank a lot and passed out and because your such a good brother you decided to drag him to his dear friend so they can take care of him" (y/n) talked with some joking sarcasm in her tone if voice but Diluc could only sigh. He didn't show it but he was worried about Kaeya.

"he was mumbling some nonsense, while sulking around so...just take care if him please" he said without emotion what was typical but this time the hint if worry was heard in his voice but before (y/n) could ask what he meant he already got out of the house.

(y/n) was now more clueless then before, usually they saw Kaeya as joyful drunk, always laughing, enjoying his time and also shamelessly letting his charm out but to hear him sulking while being drunk was something the traveller couldn't imagine.

As they trying to think about what Diluc said, they were also filling a glass full of water to give for the cryo user. They put the glass down on the little table which was beside the couch and slowly shaking the Calvery Captain. The said man was slowly waking up, tiredly open the one eye that was visible slowly adjusting to the light. He was trying to get up but a soft hand was lightly pushing him down again while also spoking in a soft voice

"lay down. You need the rest." Said (y/n) while also handing him the glass of water which Kaeya gladly took and also began drinking it. The cold water that was slowly going down his throat was helping with burning sensation from the alcohol and made his head pain a little bit bearable.

"what am I doing here?" He asked after putting the glass down but he refused to look into (y/n) eyes

"well diluc said-" she couldn't continue her sentence as Kaeya sighed in annoyance

"Diluc should mind his own business."

"well you know that he doesn't like passed out costumers in his bar but that's not the point. He said you where "sulking around"...so what wrong? I kinda felt that you were off since our conversation in angels share..." The (your vision) user asked with worry. It was rare that they showed they worry about anything really but it's about Kaeya.

"it's nothing really, i shouldn't be hear in the first place. You need the rest so I'll just leave you be." He shortly explained already sitting up and standing up which leads to him wobbling a bit since he still feel the alcohol in his body.

(y/n), worried that he might hurt himself, wrapped one arm around his waist to steady hin and also taking one if his hands and sitting him down again.

"No. You're staying here for to night, i know that you are capable of walking but I don't trust your drunk self." They calmly explained still holding his hand but letting go of his waist.

Kaeya now looking at the their hands while turning his and and wrapping it around (y/n)'s while slowly stroking it with his thumb. It felt nice holding their hand. It made him feel warm and calm and made him forgot that this person who was bringing him happiness for change is gonna leave him soon.

"(y/n), it's maybe the drunk me talking right now but...can I ask you something?"

"of course. You can ask me anything." She answered truthfully, the fact that he sounds so vulnerable made them worry even more.

"Can you stay? I mean stay here in Mondstadt....stay with me...." He asked. Now was (y/n) sure that he was completely drunk. He didn't sound like the Kaeya they knew, he sounded like sad little boy who was in pain.

"Kaeya...I..."

"Please don't leave..." he said and suddenly the traveler felt themselves being pulled into his chest. His arms wrapping around their frame pulling the close in fear that they would suddenly disappear.

"Please don't leave me too. My father left me, the person who took me in died and my brother hates my guts... you're the only who didn't abandoned me yet...so please don't let me loose another Person i love"

He whispered the words into the crook of their neck, (y/n) could now clearly smell the alcohol but this time she didn't mind it. The Kaeya they saw know was the real one. A broken boy who is afraid to loose again and doesn't know what to do about that.

(y/n) wrapped their arm around the man's body pulling him closer, it was the first time both of them was so close to each other.

"I'm not leaving Kaeya...at least not tonight. We can talk about it tomorrow if you want...let us just stay like this for the night ok?" They whispered, trying to calm the man while softly playing with his blue locks.

Kaeya just nodded closing his eyes and savoring this moment. He would clearly be embarrassed tomorrow of showing this side of him especially infront of you but that didn't matter now. He was just enjoying being closed to you and that's everything he could ask for.

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Ok so kaeya could be a little ooc and the ending could be a bit rushed since once again i wrote this in the middle of night bc my sleep schedule is trash c:

Anyways i hope you guys like it and don't forget you can always leave request if you want me to write something :)

Have a good day/night :3

#scenarios #genshin impact #genshin impact x gender neutral reader #genshin impact kaeya #kaeya x gender neutral reader #kaeya alberich #kaeyagenshinimpact #kaeya imagines #kaeya angst #angst fluff

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jsio · 3 years

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EVERYTHING YOU NEED TO KNOW ABOUT

MILES PROWER, ANTI-TAILS

Moebius' true king.

Art by Arealscrog

Archie's wasted character

Who is Miles?

Miles Prower is the Anti equivalent of Tails, from Mobius Prime. He is afew years older, being 11 instead of 8 and much more mature. He still appears to possess Tails' youthful tenacity and desire for independence, but he has a violent rebellious attitude and shows no interest in holding himself to childish things, even though he's only 11 years old himself, hating the nickname "Tails" being an example.

Miles holds his younger counterpart in utter contempt for traits Miles sees as weaknesses, especially how Tails went down the path of Science and technology instead of his magical Chaos force heritage, implying that Miles went down a more mystical path instead of Science, but from what we see in the comic Miles is more in the political field, by that I mean he manipulates all the political aspects of Moebius.

His actions throughout the comic run make him out to be smart, picky, but also cold, calculating and always 5 steps ahead of his own team and Adversaries, this leading to Alicia making him the Suppression Squads leader behind the scenes, while she is the figurehead "ruler."

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That's Anti-Tails, Who throughout this I'll be reffering to as "Miles." Now you may be thinking, "Why make a post on an extremely obscure and hardly used Archie character? Why not someone Like Tails, Shadow or a more popular Archie character?"

Well, it's because I believe that Miles had the potential to be one of Archie's most intresting original characters, I believe he could've easily held his own "Suppression Squad" comic run, but Archie Unfortunately really underused him and wasted his potential, but hey...

That's where us fans come in!

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This post is All about Miles Canonical self, every canon fact I can find about him and his full story in his short run during Pre-Reboot Archie Sonic, and my own personal headcanons in the later post.

But...before I get into any the headcanons, I need to teach those who don't know him about him, I need to talk about his Canonical self..so, let's get into it. Headcanons will be in the follow up post.

Canonical Apprearnces.

(Reworded from the wiki)

First appearance

The first appearance of Anti-Tails was back when the character was just "Evil Tails" and it was of him joining the Anti Freedom fighters in an attempt to take over Mobius Prime, prior to the downfall of Eggman.

He and his evil allies pretended to be the good Mobius Prime versions, and struck knothole with acts of mayhem, vandalism and overall mischief, a common thing on moebius. The real Freedom Fighters soon returned to set things straight, but their initial attempts to defeat the Anti-Freedom Fighters failed as their Anti-Mobius selves knew their moves as well as they did. Sally Acorn came upon the solution: switching combat partners. When he faced Rotor, Evil Tails proved unable to overcome the larger and stronger Mobian. Defeated along with the other Anti-Freedom Fighters, he was sent back to Anti-Mobius, where they continued to cause mayhem despite the efforts of the kindly Dr. Ivo Kintobor (Anti-Robotnik) to stop them.

This was the last we saw Evil Tails for awhile, however we did see a cameo of him along with every other tails when they all came together and formed Titan Tails.

The Suppression Squad

Art by Pota on Pixiv

Some time passed before his next appearance, and in that time "Anti-Mobius" went through changes in its name, now "Moebius." And all the characters changed alongside it.

Miles had assisted Boomer in stealing Dr Kintober's goal posts in order to allow the Suppression Squad to have access to inter-dimensional travel. Scourge obviously took this opportunity and went straight to Mobius Prime, along with a few other members of the SS, Miles being one of them, and they attempted an assult on the Freedom HQ, where we see Miles' and Tails face off, with Miles declaring to not be referrd to as Tails or Anti-Tails, but instead just "Miles".

He also indicated his disgust at Tails for having chosen a path of Science and study, despite having a strong connection to "Chaos force", aka magic. This has led to people believing Miles himself is a magic user.

When Metal Sonic attacked Scourge, believing him to be the real Sonic, Miles stayed back and observed instead of helping his king. Now, you may think that's betrayal, but in reality Miles didn't help because he did not wish to undermine Scourges strength, so instead he observed. Soon after Sonic came onto the scene he showed his willingness to help anyone, even his enimies, and this gave Miles an idea:

Let's team up with the freedom fighters to betray Scourge, that's the new plan.

Miles later met up with Sally, Bunnie, Antonie and Tails to offer an alliance, but didn't let Tails speak and showed his contempt to the original version, telling him, "Please don't talk, little boy, We're trying to have an intelligent conversation." Sally accepted the offer, knowing she needed all the help she could get for taking down Scourge.

Upon returning to Scourge, pretending to be running from the freedom fighters, Scourge asked for a summary on his mission, that being "bomb New Metropolis" but Miles ignored him however, instead reporting to Alicia (Anti-Sally) that his mission was a success. Immediately thereafter, Alicia told the Suppression Squad to, "Show our King just what we think of him", with Boomer and Patch clearly readying for battle

However, Miles was doubling up his betrayal, blasting both Sonic and Scourge back into Moebius for them to Duke it out there, with Boomer sealing the portal behind them. An ethical debate followed this, between Sally, Alicia and Miles, the trio being ordered to get the goal posts ready to be able to return the freedom fighters to Mobius after both groups agreed to make sure Scourge was defeated on Moebius by Sonic

Miles was as shocked as the rest of the group to find Scourge had defeated all of his opponents as Super Scourge. When the rest of the Knothole Freedom Fighters and Suppression Squad were quickly defeated, Scourge turned his sights on Miles, identifying him as the mastermind behind the betrayal.

Miles, cowering in fear, denied his role in betraying Scourge, who was threatening to beat him for his betrayal. However, Miles was saved by Silver the Hedgehog and unlike the rest of his allies, wasn't even hurt. Following Scourge's defeat and Miles' attempt to recruit Buns Rabbot into the Suppression Squad, Miles spoke to Alicia about who would be their new leader. Alicia explained that while she may be the figurehead ruler, they both knew Miles held the real authority at this point, to which Miles grinned.

That was the last we see of Miles in the Archie comics, he unfortunately isn't in the post reboot because he's now owned by Ken Penders, so we'll never see him again. Below is all of his official designs, and after that is my final thoughts on the character.

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My overview of Miles as a character.

I'm no Character analysist so I'll make this short and sweet, my review of Miles is that he's a Character with alot of potential, but he went wasted, not on purpose, but thanks to the lawsuit.

I believe that if that lawsuit never happened, and that arc was closed up nicely Anti-Tails would of became a far more realistic and grounded Character, and probably pretty popular too. Miles to me is a kid who was manipulated into a life of crime and now believes that's what is right, and I think that could of been an arc for him, mellowing out and becoming a true king for the people of Moebius. I also like how when Scourge goes Super and goes to Miles to confront him, he dosent stand up to him, he dosent become strong, but instead he cowers in fear, hes terrified and tries to lie, to me, that makes him feel more grounded, and I like that.

Personally I wish Miles was more popular, I wish he got more spotlight than he did and I wish his story got concluded, but with what we got, I think he's pretty good, and pretty interesting too! I've seen alot of ideas float around for this dude, all of them making sense in they're on way, and to be honest? His lack of story kinda helps make him more accessible.

Tl:Dr: I like Miles alot, and I hope this post helps you lot learn more about him and overall, gets more people down to write with him, draw with him and explore him!

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Would I change him in any way?

Yeah, there's one key part of Miles (from what we got) that I think was wasted. Now, what is that? What would I change about a Character I've mostly praised? Well...

I wish he was magical. In the Archie comics Tails is actually strongly connected to the "Chaos Force", not as connected as Shadow, but still VERY connected, and guess what? Miles and Tails ARE biologically the same, same DNA, and in that bit of the comic, Miles calls Tails out on something he should have no idea about if he himself isn't connected to the same thing (or Moebius equivalent). To me at least this kind of implies Miles is magical too.

Basically, I'd give Miles' moveset a touch of magical abilities, connecting him to Moebius' "Anarchy force". I think it would help separate him abit more from Tails, while also connecting them, because whenever you have science and magic together...they clash.

But yea that's all I'd change in what we got, just hints of magic, some magic attacks here and there. I think it'd be pretty neat, and it'd have the science Vs magic aspect with him and Tails relationship.

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Lets finally wrap this up! At least, for now.

Thank you so much for reading all this If you did, it, this took me alot of hours, and I, I think it's over 2000 words now you madman. Why not spend your time doing something more worthwhile? Why not...have fun? meet someone? Go on a date? Live your life? Why read a post on an obscure Character, mainac.

But in all seriousness thank you for reading my post, I really like this character (clearly) and I want to teach people about him, and I hope this post has done that! Post 2. There's going to be a sequel post going over all of my personal headcanons, and possibly a 3rd going over community ones. Keep ya eyes out~

But yea, big read, now you lot know about an obscure Character, and this was fun to write! But now I'm gonna end this post with a fun fact:

Miles and the Suppression Squad were going to have one more arc, it was teased at the end of issue 196, but unfortunately it never got written. That would of been really neat but unfortunately it never got to happen.

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BON'VOYAGE, HEDGEHOGS!

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sarahwaraor · 2 years

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As already informed in Twitter and Instagram story (this one is full of my fury mind you), I am sadden to inform you that I have fallen ill. Positive covid. It’s the 4th day of ill (while 2nd day after knowing it is positive). Thankfully with vaccine, I only feel extremely sick till yesterday. But I couldn’t do my normal physical activity such as drawing, or anything that requires my hand to move until I fully recovered. And with this unfortunate event happening, I couldn’t resume as planned especially an MMZ fancomic I slowly make. I already put the 1st three pages in @tyfloscomic in progress, and in my pixiv. Below is one WIP.

Below one next is Serenade Slur Forte that I want to finish but I couldn’t finish because…. Forte is hard to draw! Well! My new polyship crackship. Sad I have difficult time to draw Forte….

And the Four Guardians Origin project (uhhh the word “project” sounds heavy but that’s all I able to describe), only Harpuia and Leviathan finished. They’re in my Megaman-only Twitter @sarahwaraor if you desire to see. Phantom had to stop, and Fefnir is yet to exist. I wanted to complete 4 of them before post them here.

But throughout the darkest road, at least I tried my best to entertain myself up in any ways possible. Even as simple as… looking back at this HarpuiaAxlLumine sketch I did not too long ago below; yes the one in the header! (and shockingly it got many attention in Twitter at that day. I was scared-) At least these beauts made me smile, while terribly coughing for dear life.

Hopefully after I fully recovered, I able to catch up. Like. A lot. IRL stuff. Work stuff. Sighs…. Stay safe out there, peeps.

#note from me #sketch #megaman zero #sage harpuia #harpuia #fairy leviathan #leviathan #hidden phantom #phantom #Axl #lumine #november2021 #forteserenadeslur #harpuialumineaxl #polyship #crackship #I think that’s it for the tag

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shihalyfie · 3 years

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A meta and analysis on Hurricane Touchdown

Hurricane Touchdown sure is one of the Digimon entries that’s really difficult to describe. Often said to be “confusing” and “like an acid trip” (for pretty good reason, honestly), it somehow also manages to have a lot of hold in public memory, partially due to being one of the three movies that got widespread international distribution via Digimon: The Movie. Moreover, its relevance has started to re-emerge thanks to Kizuna, the director of which has stated Hurricane Touchdown to be his favorite movie (multiple times). Rather recently, there was even an editorial written by a journalist who had been covering Kizuna, professing that he had watched Hurricane Touchdown as a kid and hated it, only to rewatch it as an adult and appreciate it much better.

With all that, plus the fact that the movie recently got a new translation, it’s probably a good time to go back over the movie and analyze it! Despite what popular sentiment may have you believe, the plot of the movie isn’t that fundamentally incomprehensible, just buried under some rather unusual production and execution decisions. But there’s a lot to be said about the themes and story of the movie, so let’s dig in!

(All screenshots and quotations from the movie are based off the Hudie translation.)

Hurricane Touchdown in meta franchise terms

The full title of the movie isn’t technically Hurricane Touchdown by itself, but rather “Digimon Hurricane Touchdown!!/Transcendent Evolution!! The Golden Digimentals”. (The Japanese fanbase tends to shorten it to “Digimon Hurricane”, or, for even more shortening, “dejihari”.) The double-titling there is because of how it was originally screened; it was the 02 “summer movie”, screening in July (between the airings of 02 episodes 14 and 15). Functionally, the franchise has thereafter treated it like a single movie, but at the time, the fact it was technically “two” movies gave it the longest running time of any Digimon theatrical movie, clocking in at a little over an hour. (The tri. movies are officially considered OVAs and not theatrical movies due to their limited-screening nature, so as of this writing Kizuna, at 95 minutes, is the only theatrical movie to break this record.)

The movie itself has a pretty fascinating development history – for one, Akiyama Ryou was originally planned to be the starring character instead of Wallace. It’s also the first Digimon movie to be in “questionable canonicity” territory – this is very normal for Toei tie-in movies, since development for these kinds of movies usually starts at the same time or even before the TV series itself, making it hard to reconcile canon, but unusual at the time for Adventure, which had both its first and second movies be plot-relevant to Adventure and 02 respectively. It is generally understood that the movie takes place in “summer” – possibly between episodes 14 and 15, at the same position it screened in real-life – but, interestingly, the Western and Japanese fanbases’ opinions on why it’s questionably canon tend to differ: in the West it’s usually based on the appearance of Tailmon and Patamon’s higher-level evolutionary forms (which shouldn’t be possible as per 02 episode 27), but in the Japanese fanbase it’s based on Wallace’s existence posing a timeline contradiction (according to Adventure episode 45, there shouldn’t be any Chosen Children before 1995, but the movie states that Wallace had been one before then). Add to that The Door to Summer, which seemingly contradicts the ending of the movie (in which Wallace and Gumimon find what’s implied to be Chocomon’s egg, whereas The Door to Summer has the line “Chocomon isn’t here anymore”), and everything is just a tangled mess.

Despite that, it’s pretty remarkable how lasting the movie has been in public memory. Even with all of the factors working against it – the fact it’s often accused of being confusing (or, by many a Japanese kid, boring and slow) or an acid trip – Wallace is a very popular character, more so than you’d expect for a “guest” character in a one-off movie, especially one so controversial. 02 fans often even consider him an honorary seventh member of the 02 group. His article on the Pixiv dictionary wiki is pretty surprisingly thorough, at that. Questionable canonicity aside, the fact The Door to Summer even exists is pretty significant – how many one-off questionably canon movies have you seen getting an actual sequel?

As an aside, Hurricane Touchdown has a bit of an interesting relationship with Ojamajo Doremi, which is in some sense classic Digimon’s sister series (it aired at around the same time as Adventure through Frontier, and was also headed by their producer, Seki Hiromi). Wallace was voiced by Miyahara Nami, a voice actress who grew up in an international school in Austria and thus speaks fluent German and English, thus often putting her in roles that require speaking one of those. (If you listen to Wallace’s Japanese speech through the movie, it has a very heavy accent, which is deliberately affected on Miyahara’s part.) A year later, Miyahara would be cast as major character Momoko in Motto! Ojamajo Doremi, and The Door to Summer would prominently feature Nat-chan, a girl voiced by Shishido Rumi, who voiced Ojamajo’s Onpu (who is generally agreed to be Doremi’s most popular character, and Shishido’s most famous role). Coincidence? Opportunistic casting? Who knows.

The movie itself

But that’s enough beating around the bush. Let’s get to the movie itself!

I’m not going to dwell on this too much because I’m going to be going more in detail about it below, but our story starts off in Wallace’s hometown of Summer Memory, a fictional rural village in Colorado, in 1995. (As mentioned earlier, this is a bit of a timeline contradiction; Adventure episode 45 establishes that “the one who wishes for stability” and the Agents didn’t get the idea of human Chosen Children until 1995, whereas the events of Hurricane Touchdown imply he’d been one before then.) Chocomon suddenly vanishes, and a gust of wind is left behind, implying that he must have been kidnapped. It’s not exactly said by what he was taken by (Digimon: The Movie ties it into Our War Game! by having both be traced to a “virus”, but no mention of such is made in the original Japanese version).

The mystery of what it is that took Chocomon away is never fully elaborated in the course of the movie, but as it goes on, it becomes increasingly apparent that it doesn’t actually matter. Why? Well, stay tuned.

So, timeskip to 2002!

As Takeru and Hikari are visiting Mimi in New York, Hikari, who is known to have a bit of an empathic connection to Digimon, senses that there’s a “crying Digimon” (this will be important later), and Mimi suddenly vanishes – as do the other Chosen Children.

I think part of the reason this movie is often pinned as feeling like an acid trip is that the demeanor and attitude the 02 kids express in this movie feels a little too laid-back for the very urgent situation of their seniors having suddenly up and vanished (which is also not helped by the movie’s overall soundtrack being a lot more laid-back than the events on screen should suggest). This is especially odd because it’s absolutely not like the kids aren’t worried about their seniors at all! Rather to the contrary; “getting Taichi and the others back” is the major motive driving the whole group for the rest of it, and it’s constantly brought up as their goal in dialogue, shaping their actions throughout the rest of the movie. The execution of the dialogue and the overall direction create a bit of a tonal mismatch, but on its face, the actual storytelling checks.

Shortly after, Chocomon – now evolved and corrupted into something – appears, and Wallace and Gumimon confront him.

The fact that Wallace refers to his partners by their Baby-level names (Chocomon and Gumimon) even after they’ve clearly evolved brings up a lot of interesting implications. One is that, not having been privy to any great adventure in the Digital World before, Wallace doesn’t have a lot of awareness of names changing after evolution the same way his Japanese peers do. But another important thing that comes out here is that, through the course of this movie, Wallace primarily sees his partners the same way he did as a young child. A lot of this movie’s story centers around Wallace’s difficulty in moving on from the past and accepting that things aren’t the same way that they are anymore – and so, just like how he has a hard time swallowing that the circumstances have changed, he has difficulty seeing his own partners as having changed, and calls them by the same names despite everything.

Takeru and Hikari catch on, and Hikari’s psychic sense catches on that something’s happened to her brother, too.

Oh, and incidentally, said seniors aren’t in a pleasant place to be in at all.

The fact that the older kids are clearly Not Having a Good Time in the realm they’ve been kidnapped to – it’s depicted as cold, lonely, full of negative emotions, and eating away at their ability to even bodily function – is very heavily connected to what we later learn about what’s been going on with Chocomon through the last seven years. Moreover, the one truly coherent thing Taichi and Yamato can spit out at this stage is concern for their siblings – i.e., love. Keep that in mind for later!

Wallace drops a line to his family (”Amy” presumably being his sister) saying that he’s going to head to Summer Memory, and skips town. Repeat: Summer Memory is in Colorado – he’s doing something as drastic as going out of state to follow Chocomon, which naturally does not amuse his mom very much (as we find out later in the movie). Patamon eavesdrops on the conversation and relays the information to Takeru and Hikari, who contact Daisuke in turn.

So the remaining three kids nyoom all the way to the US using frequent flyer miles (which makes you really wonder whose those are, or what on earth they told their parents to allow three elementary school kids go around unassisted in another country) to go save their seniors, which apparently doesn’t fund their trip all the way to Colorado, forcing them to hitchhike from New York.

(We also get a quick scene implying that Daisuke has better proficiency in English than Iori and Miyako, as he translates some of the statements for the guy they take a ride from. This is pretty surprising, given that Daisuke hasn’t really been portrayed as particularly book smart…but then again, language skills sometimes just happen to come naturally to some people regardless of skill in books, and hey, it might just come in useful for his future ramen chef career in New York…)

We get our first major scene of dialogue between Gumimon and Wallace, and we learn quite a bit about their characters in the process. Gumimon has a similar laid-back attitude to the more prominent Terriermon in Tamers, but beyond that (and a shared voice actress), it’s important to note that they have very different personalities otherwise. In this scene, Wallace and Gumimon get in an argument over how to handle Chocomon, with Wallace insisting that they shouldn’t have attacked him and that they should have just “talked” about it – even though, as Gumimon correctly points out, he was pretty obviously trying to physically attack Wallace.

In fact, at this part of the story, Wallace is being extremely irrational and in denial. You don’t even have to watch the rest of the movie to see that Gumimon’s very practical stance on the matter is reasonable – Chocomon was very much trying to attack Wallace, and getting caught in the fight was pretty much all he could do for Wallace’s safety. But Wallace, still stuck in the past, can’t accept that at this point in the movie, and, honestly, is being a bit of a brat about it too – he’s engaging in progressively more self-destructive behavior over the course of the movie (ditching his family to set off by himself in order to hitchhike to Colorado, for one). We later find out that Wallace is specifically obsessed with going back to the flower field where he lost Chocomon, having independently come up with the idea that this would somehow let everything go back to what it was before – even though there was really no sign this would actually fix anything.

The Adventure universe generally runs on a concept that a Digimon partner is representative of part of the self, and so, tying that into Wallace and his two partners, it can be taken that Gumimon and Chocomon reflect the duality of Wallace as a character – Chocomon representing his desire to latch onto the past and hope that everything can be the same that it was before, and Gumimon as Wallace’s sense of reason, advising him about the reality of the situation and how to practically get through it (and, thus, to move on). In fact, Gumimon is the one constantly advising him about said self-destructive behavior (reminding him that his mom is probably worried about him, but also berating him for just ditching the train as a result instead of thinking about how that’d leave them without reliable transportation for the rest of it).

The symbolism is driven in even further when the only thing Gumimon has to say, in response to Wallace clinging further onto the idea that going to the flower field will fix things…is a cryptic statement that Chocomon didn’t like the heat, then suddenly offering to be a hat to provide Wallace shade. Because right now, Wallace and Chocomon are the same: clinging hopelessly to shards of the past.

The other 02 kids make their way to meet up in Colorado, but run into some snags when Daisuke, Miyako, and Iori end up missing the exit to Denver (Takeru is not amused), and Hikari and Takeru’s train ends up stranded thanks to Chocomon’s interference…

…and, making things worse, Daisuke, Miyako, and Iori try to take a plane back to Denver, only to overshoot it again. (Sorry, Taichi…your juniors are idiots.)

Fortunately, they get lucky by running into the very same boy they’re indirectly looking for on their way to hitchhiking. We learn that Wallace has never had exposure to other Chosen Children before to the extent of knowing there were any Digimon in Japan, nor has he ever been to the Digital World, so for all intents and purposes, his experiences with Chocomon and Gumimon are all he knows (i.e. he has no awareness of large-scale Digital World affairs). He also apparently speaks Japanese, which is convenient for this movie so that they don’t have to have a language barrier, but, amusingly, Wallace claims that it’s because he “had a Japanese girlfriend once”. (Gumimon, who is much more reliable of a source, says that he’d apparently put an honest effort into studying, so an interpretation that Wallace really likes anime or something is not out of the question.)

It’s also interesting to see how the others react to him, especially considering that it’s becoming increasingly apparent that he’s involved with the disappearance of their seniors. Miyako is as openly friendly as she generally always is, Iori presses him very calmly about questions relevant to the disappearances and Chocomon without even batting an eyelid (future lawyer in training here), and Daisuke is suspicious from the get-go…which is exacerbated when Wallace starts flirting with Miyako. The running gag of Daisuke getting angry about Wallace flirting with Miyako has a lot to unpack here – the most obvious standby is the shipping interpretation (or, at least, that Daisuke may be as protective of Miyako as he is Hikari), but there are other points to observe as well. Firstly, Daisuke is a rather abruptly straightforward and overly honest person, and it makes sense that he’d play badly with people who seem dishonest – after all, his suspicions of Wallace started even before he started flirting, and he also shows similar hostility around Takeru (also not a very straightforward person) when he suspects he’s being made fun of. But also, the Pixiv dictionary entry takes the interpretation that Wallace’s personality had gotten a bit “warped” by his experiences – or, in other words, he’d developed this penchant for acting like a flirt, wandering off on his own, and altogether being incredibly wishy-washy because of the trauma of losing Chocomon and his inability to get over it.

And as much as Daisuke’s being a prick about it (to the point that mocking Wallace for it gets him left there stranded with him), he’s absolutely right about the contradiction Wallace’s posing – he’s acting all high and mighty about trying to become an “adult” (meaning that going off on his own and flirting with girls presumably are part of his perception of what Mature Guys do), yet he’s being a total mama’s boy by constantly dropping everything to call her repeatedly through his trip. (It’s even worse than the subs here suggest; he calls her “mama”, the kind of super-affectionate language used by Mimi and Ken.) As Gumimon says, Wallace thinks he’s actually right, but he doesn’t actually have it together at all.

Another interesting thing to note here is that at this point of the movie, Wallace calls Daisuke “Daisuke-kun” (with honorific attached, slight distance). Remember this for later.

Chocomon appears to confront them again, but he seems to not properly recognize Wallace – because, as we later find out, he doesn’t see the current Wallace as “Wallace”, and will accept nothing less than a younger Wallace from exactly the way he was when they were separated. (It is later stated in the movie that this is why he kidnapped the seniors and turned them younger; since he can’t recognize “Wallace” the way he is now, he’s taking anyone he can find with a Digivice and de-aging them in the hopes that he’ll find “Wallace” among them.) Gumimon recognizes that Chocomon is beyond recognition, and tells Wallace to not see him as Chocomon, but Wallace refuses to accept this and continues to intervene in the fight, telling Chocomon that they’ll meet again in the flower field. Again, Wallace’s mentality isn’t that different from Chocomon’s at this point – he may not be delusional to the point he wants to literally turn back time, but he still thinks that reproducing the conditions of seven years prior will fix everything and make it all better again.

During this whole time, the older(?) kids are getting progressively younger, and it’s turning out to impact not only their physical bodies but also their mentalities. At this point, they’re starting to lose awareness of what’s happening to them, as they become more and more connected to Chocomon’s emotions.

Daisuke is smart enough to catch on that Wallace definitely knows what’s going on, and starts to interrogate him. Recall that Daisuke is completely within his rights to do so at this point – Wallace is not only acting incredibly shady, he’s also being dismissive and refusing to give Daisuke any concrete answers about something that most certainly involves him at this point. As the 02 kids keep reiterating, their seniors have been kidnapped, and it’s pretty clear to anyone that Wallace knows something about this, but he continues to blow them off.

Wallace also doesn’t seem to be very happy about the fact Gumimon had evolved during the battle – remember, Wallace is very resistant to changes in his status quo, and especially when it involves Gumimon evolving in a similar way to Chocomon.

Daisuke continues to pry into what’s going on with Wallace and Chocomon, and Gumimon, who understands that there’s no use in denying that this is a problem, tries to be straightforward about it – but Wallace, still stubbornly refusing to open up about it, won’t even let Gumimon tell Daisuke about the truth.

Daisuke realizes that they’re not going to make any territory as it is, so he decides to have Lighdramon take them to Summer Memory for the time being, bonding a bit more with Wallace in the process.

Once they reach Summer Memory, the kids learn about Takeru and Hikari getting stalled by Chocomon on the train, and the fact everyone else on it had disappeared – meaning that the responsibility that Wallace is carrying for not taking care of this problem begins to weigh further on him. Daisuke, Miyako, and Iori continue to interrogate him about what he knows.

But Wallace, still stubbornly, refuses to talk, and being in Summer Memory only drowns him in further memories of his past with Chocomon and Gumimon. We learn a bit more about Gumimon’s past, too – apparently, he was quite the crybaby…

And when Gumimon finally begins to spill the details of what’s going on – that Chocomon wants to see the younger Wallace and is kidnapping kids with his Digivice and turning them younger as a result – Wallace still continues to double down on his denial. Notice his wording – his specific insistence that things will go back to “how they used to be,” because it’s not just about getting Chocomon back, but also a fixation on recreating that happy childhood he had with him.

(There’s also a bit of a cute moment around here where Daisuke asks Wallace if he needs to call his mom – after having teased him for being a mama’s boy earlier, Daisuke really is starting to care about his welfare. It’s also amusingly mentioned that Daisuke, Miyako, and Iori are broke out of money until they meet up with Takeru and Hikari again…)

That night, Wallace tries to go off by himself to the flower field, not even bringing Gumimon with him – as he implies later, he doesn’t even want to get Gumimon involved with this because he was the closest to Chocomon – but Daisuke, having finally caught on to his suspicion that Chocomon is not only relevant to Wallace but also Wallace’s partner, confronts him about it. Wallace thus finally spills the details – that Gumimon and Chocomon were born from the same egg, that Wallace kept them from his mother and stuck with them during childhood, and that, seven years prior, Chocomon suddenly vanished while they were playing at the flower field.

Wallace: I’ve never been able to forget about Chocomon since then. Not even after moving to New York, not even once. We were such good friends…So why did Chocomon have to end up like that? Does he hate me for not being able to save him? Daisuke: So the enemy we’re fighting is actually your Digimon? Your most important friend?! Daisuke: Of course you’d never be okay with that…

Daisuke is in shock, even though he’d already started to suspect this.

I said, earlier, that Wallace is being extremely irrational and in denial. I did not say that his feelings aren’t valid. Wallace’s situation sucks, and Daisuke recognizes why this hurts for him so much, especially after putting himself in Wallace’s shoes (and in fact it’s even worse for Wallace; Daisuke’s only known V-mon for less than half a year, whereas Wallace is talking about his formative childhood friend).

Daisuke: I’d never be able to do it. If V-mon were to turn into something completely different…Even if he went on a horrible rampage…There’s no way I’d ever be able to bring V-mon down. Wallace: Daisuke… Daisuke: So then, what are we supposed to do? Wallace: It’s not something you need to be crying over. Daisuke: But…

This entire scene is an interesting one for many reasons, especially because of the position in which it aired – this was in the middle of the arc in 02 when everyone was getting their second Digimentals. Daisuke had, only a few episodes prior, expressed trepidation over “friendly fire” – fighting any friend who had become controlled by the Digimon Kaiser. This is consistent with that (and the 02 kids’ general bleeding hearts and difficulty with fighting friends), and it’s even worse – unlike before, when we were talking about evil mind control, Chocomon is pretty obviously a victim of his own madness. And although Wallace continues to insist that this isn’t Daisuke’s problem, Daisuke, for all he’s rough around the edges, is a genuinely kind person who thinks of others to the point he breaks down in genuine tears over the problem, and it’s consistent with not only his prior characterization of thinking about others’ feelings in 02 episode 8, but also how this eventually ties into his indignation over seeing others being hurt (episode 20) or their feelings being trampled on (episode 49).

Another interesting thing here is that at no point in the movie is “killing” ever brought up, but rather the word used is taosu, which literally means “defeat”. In 02 proper, its use is somewhat euphemistic – most famously, it was used in episode 44, when Miyako and Hawkmon have a crisis over killing LadyDevimon (so in short, there’s no illusions about the fact killing is in play here). But in this context, it’s not even really about killing. Wallace doesn’t even want to fight in the first place. The sheer action of physically beating up a beloved friend is painful, with killing as the ultimate unwanted outcome. Everything about this sucks. But Daisuke correctly points out that Taichi and the others’ welfare is on the line here, and everything feels like the wrong thing to do. “What are we supposed to do?”, indeed.

So that’s why Daisuke momentarily indulges in Wallace’s denial-induced pattern of thought, because it really does seem like the only out here. (Especially because, from Daisuke’s perspective, Wallace seems to understands this situation better than he does – even if he doesn’t actually.) If they go to the flower field, they won’t have to fight and everyone will be saved and it’ll be fine! Wallace is irrational and in denial, but you can’t blame him and Daisuke for really, really wanting to believe this.

And Daisuke drops this zinger of a line, too:

Daisuke: So don’t say you’re gonna go alone.

Daisuke’s characterization really is important here, because, again, this movie came out during the first arc of the series, before episode 21 and the second half that centered around Ichijouji Ken’s redemption. At this point in the series, Daisuke was still being extremely deferential to others, especially his seniors, in almost all cases, and although episode 8 was a momentary glimpse into the kind of resolve Daisuke could have when it involved something he really cared about, this movie is really the first major sneak peek into how supportive of a person Daisuke is going to develop into, especially when it comes to Ken.

And Gumimon reaffirms that he’s going to stick by Wallace no matter what – filling the traditional role of a partner that Chocomon won’t anymore.

So they go to the flower field, and everything…fails spectacularly.

Well, before that, we get a glimpse of how the older kids are doing (they’re barely even conscious now), and we finally get to see Chocomon “in his element” and not as a rampaging monster. Things really, really aren’t going great for Chocomon either. He desperately and sadly jumps among the kids, trying to find Wallace among them, and what he really, really wants is just to be with his partner again. But they’re all “wrong”…

At first it seems like Wallace is making headway – for a second, Chocomon even recognizes him as Wallace! – but he continues to insist that he wants Wallace to come “with him”, to where it’s “cold and lonely and no one is there”. The way he starts chanting that he wants to go back is represented by the young Chocomon’s voice getting progressively lost in the monster’s voice, and Wallace, starting to grasp how futile Chocomon’s clinging to the past is, makes his first statement of the movie’s core theme: you can’t go back to the past, the only thing you can do is look forward and think about what you can do from there.

So after witnessing very clearly, in front of his eyes, how Chocomon is not going to listen to reason and will accept nothing less than something he can’t have, to the point of evolving and distorting everything around him, Wallace’s denial finally hits its limits, and he accepts that fighting him will be the only option out. (Again, note the use of “defeat” here – it’s not really about beelining straight to euthanizing him as much as Wallace has finally gotten over his refusal to fight Chocomon at all.) And considering that the situation is clearly rapidly escalating, and that Chocomon himself is clearly not in sound mind and having a terrible time himself, it doesn’t take much to see why the bleeding-heart Daisuke would also end up conceding so quickly. There’s a limit to how much you can hold out with pacifism when that just happened right in front of you!

(Also, Wallace no longer uses the honorific on Daisuke. Friendship level up!)

Chocomon evolves further and further, and his personality starts to actually take a turn for the cruel as he starts toying with the Digimon. In fact, it’s made pretty apparent that they’re no match for him from the get-go – he keeps toying with reality and forcing the Digimon back and forth between forms. He ends up “altering the world” into something reflective of his own heart, and it’s repeatedly pointed out that it’s “cold and lonely” – in short, Chocomon is subjecting the world to feel the same pain and loneliness that he felt, the pain that was enough to drive him mad.

And Wallace finally has this to say:

Wallace: Like Daisuke said, I’m a big baby. But you’re not Chocomon anymore. No, you’re the one who did this to Chocomon…Chocomon was all by himself and lonely, and in that loneliness, he tried so hard…But you took his heart and locked it away somewhere! I’m going to fight. If I defeat you…If that means I can free Chocomon from you…Then I want to fight, too! I need strength…

Firstly, Wallace acknowledges that he’s been a brat – that he’s been philandering around and acting spoiled and stringing everyone around (character development!!). And secondly, Wallace finally acknowledges the truth of Chocomon no longer being recognizable anymore. The ending quarter of this movie focuses heavily on the idea that Chocomon has now become so distorted that he can no longer even be considered the same thing anymore – it’s ambiguous as to whether that “you” that Wallace refers to having taken Chocomon away is actually a separate supernatural entity, or whether Chocomon was drowning in his own loneliness to the point those negative feelings became their own entity and consumed him.

In actuality, though – it doesn’t really matter! 02 as a series would also go on to blur the boundaries between external interference and internal forces – Ken having the Dark Seed as an influence but also being personally responsible for his own emotions driving him over the edge, and having to take responsibility regardless, and Oikawa technically being possessed by Vamdemon but still being goaded on by his own fixation with the past (in fact, notice how all three of these cases have to do with a fixation on things that can’t be brought back). Right now, the only thing that matters is that Chocomon is no longer recognizable, the thing in front of Wallace is no longer the same friend he knew, and even being able to bring back Chocomon’s sense of self is something Wallace wants.

(Daisuke also throws in a more charitable interpretation of Wallace’s actions even when he’s being hard on himself, pointing out that he can’t really be called a “baby” when he also did have genuine determination to come all the way there to find Chocomon despite his age.)

Hikari and Takeru arrive on the scene, and after Daisuke loses his marbles a bit over his happiness at seeing Hikari-chan there, Hikari points out the same thing: “You’re not the Digimon that was crying.”

Chocomon starts turning the 02 kids younger too – and remember, it was established earlier that he was using the Digivice as a guide. That meant it made sense for him to target the older kids, since they had the same model of Digivice Wallace did. But Daisuke and the others have D-3s, and there’s no way to really mistake them for Wallace – so in other words, Chocomon has devolved to inflicting cruelty for no good reason, with the original motive having completely vanished.

In increasing desperation, Angewomon and Angemon decide to evolve, and…look, I don’t have an explanation either, but I have to admit I’m somewhat amused by the fact that even they don’t really seem to have an explanation beyond “well, we’re desperate and hopefully it’ll do something!”

So they evolve, and Chocomon oneshots them. But that’s okay, because they released some golden Digimentals for Daisuke and Wallace to use! So V-mon and Gumimon get shiny new golden forms –

– and Chocomon pretty much oneshots them, too. More specifically, he eats them…and within his body, Magnamon and Gumimon’s consciousness gets eaten apart to the point they start forgetting their partners. Wow, this situation just got worse.

Yeah, so, despite the movie being named after the golden Digimentals, the actual point being here is that power means absolutely nothing in this situation. Remember, I pointed out that even from the beginning Chocomon was straight-out warping reality – they really didn’t have a chance.

So basically, everything devolves into complete chaos. Everyone’s being turned into little kids, with the mentality to match. All the Digimon are being oneshotted and being tossed around like tissues. But the one constant through all of this is that the kids are constantly running after their partners.

Remember how, back when the older kids were first getting sucked into Chocomon’s world, the one thing that seemed to remain intact at first was “love”? That “love” is what reaches out to Magnamon and Gumimon inside Chocomon, and makes them remember their partners again.

And, more importantly, that “love” is what awakens Chocomon – the real Chocomon – inside his consciousness, and he wordlessly makes a gesture begging Magnamon and Gumimon to kill him. And so they do – with understanding and consent from all three involved.

So in the end, the most extreme conclusion was reached. Chocomon died, at the hands of Daisuke and Wallace’s partners. But in that moment before he died, Chocomon’s pain was relieved, and he was himself again – Gumimon says that “Chocomon was smiling”, even in spite of his usual personality being that of a crybaby. They may have failed in their struggle to prevent the inevitable conclusion of having to kill Chocomon, but they did, to some degree, “save” him – so all of it did mean something in the end. And Daisuke promises that this still doesn’t mean the end of everything – they may have not been able to bring back Chocomon, and especially not in the exact way that would make things “the way they were before”, but the future is still there for him to return someday.

So, we clean up loose ends. Taichi and the others are returned safely, and in the end, Wallace decides to still be a vagrant for a bit longer – and to flirt with Hikari and Miyako a bit before he leaves. In the end, Wallace still has a long way to go if he wants to really grow as a person. But as Miyako points out, he’s gotten a bit bolder than he was before – and he’s greeted with an egg in the end, as if opening up new possibilities.

The Door to Summer contradicts the finding of this egg, or at least opens up the possibility that this wasn’t actually Chocomon’s, so it’s ambiguous as to whether the frame of Terriermon and Lopmon at the end of the credits is meant to be taken literally, or if it’s just symbolic. But even in the case of the latter, Chocomon is seen as Lopmon, a form he never got to have in Wallace’s childhood – so, in the end, it’s about different possibilities opening up in the future, rather than replicating that of the past.

All right, let’s recap this movie for those doing a tl;dr! Or, more specifically, let’s recap the events in chronological order:

Sometime before 1995, an egg emerges from Wallace’s mother’s computer, and hatches into twin Digimon, Chocomon and Gumimon.

In 1995, while playing in a flower field in Summer Memory with Wallace and Gumimon, Chocomon disappears for unknown reasons.

For the next seven years, Chocomon is trapped in delirium, full of loneliness and pain from being unable to see Wallace, and starts to become obsessed with the idea of reuniting with him, but, in his madness, accepts only a version of that reunion that involves him being the same young child he was when they parted, as if nothing had changed since.

Wallace, likewise, develops a fixation with getting Chocomon back so that things can be like “the way they were before”, even after moving to New York.

In 2002, Chocomon begins to kidnap kids with the same model of Digivice that Wallace has, and starts to forcibly turn them younger and send them into delirium like his own, hoping that this will bring the “Wallace” he wants back. Wallace starts to chase after him and decides that returning to the flower field in Summer Memory will allow him to communicate with Chocomon and make him go back to the way he was before.

Takeru and Hikari, hoping to find a lead on their seniors’ disappearance, drop a line to Daisuke, Miyako, and Iori, who head to the United States, also hoping to find a lead in Summer Memory. On the way, they run into Wallace, who is evasive about his connection to Chocomon and the kidnapping incidents.

At Summer Memory, Daisuke confronts Wallace and learns about his story, emphasizing deeply with the difficulty in killing an important friend, and agreeing that they should reach out to Chocomon at the flower field.

Chocomon continues to fall deeper into madness at the flower field, and Wallace and the others realize that they have no choice but to fight him. As Chocomon becomes so distorted he’s no longer recognizable, Wallace declares an intent to at least save his consciousness.

As the fight carries on, the kids are de-aged by Chocomon in his madness, and Magnamon (V-mon) and Gumimon are swallowed by Chocomon. However, the kids’ love for their partners awakens Chocomon’s consciousness again, and he asks Magnamon and Gumimon to end his pain.

With everything settled, Wallace and Gumimon are able to face forward into the future in the hopes of meeting Chocomon again and starting anew from scratch.

The Door to Summer

Actually, there’s not much to really be said about Hurricane Touchdown’s spiritual sequel The Door to Summer, except that it revisits similar territory to the movie, observing it more in Daisuke’s context than it does Wallace’s. (The story is very much more Daisuke’s than it is Wallace or Mimi’s.) The short synopsis is that Daisuke, having had a pretty bad time recently, finds himself in contact with a mysterious “winter” (in the middle of summer!) that seems to reflect his own heart…and a mysterious amnesiac girl whom Mimi names Onpu “Nat-chan”, who immediately latches onto Daisuke. In the end, “Nat-chan” turns out to be “a Digimon who’s taken in a lot of evil data,” who goes on a rampage and forces the others to fight and eventually kill her.

Although the reason for Nat-chan going on a rampage is more concrete than what was given in Hurricane Touchdown (it’s portrayed as “data chips” that seem like fireflies), The Door to Summer also makes it very clear that it wasn’t just supernatural influence, but also Nat-chan’s loneliness, desire for a human partner, and jealousy of Daisuke and V-mon’s relationship. Daisuke, while showing immense hesitation about fighting her when she had befriended them, still manages to “save” her in some way, to the point she actually verbally thanks him as she dies. And in the end, Daisuke and the others decide to take her egg and find a partner for her – even if she can’t be Daisuke’s partner like she wanted, she can still start anew with someone else.

Wallace in Kizuna

Warning: The rest of this post contains spoilers for Kizuna.

As said before, Hurricane Touchdown has been said to be the favorite Digimon movie of the director of Kizuna – and certainly, while Kizuna references all four Adventure-series theatrical movies, Hurricane Touchdown’s references are the least subtle, with the plot point of de-aging kids lifted directly from it. (Except, in this case, it’s in the context of trapping oneself in blissful memories rather than being portrayed as the upfront listless torture it is in Hurricane Touchdown.) Moreover, the theme of warning against being fixated on the past is just as present in Kizuna as it was in Hurricane Touchdown, especially when Kizuna’s main antagonist (Menoa) also falls victim to something that’s part supernatural influence and part getting swallowed by her own negative feelings…so it’s only fitting that Wallace himself makes a cameo in the movie. Two cameos, in fact.

The fact that Wallace is established as canonically existing within the Adventure main timeline has thrown a lot of people for a loop, especially since recent franchise events have made it questionable as to how it’s possible for canon to even make sense anymore because consistency has just gone out the window, but the Pixiv dictionary’s chosen rationalization for this is that, at the very least, “(some version of) Wallace exists in the timeline of the main story”. I’m inclined to agree with this evaluation; the fact that people around the globe can agree that the movie is questionably canonical but can’t even agree on how, and the fact that certain franchise entries considered canon (Tag Tamers) have their own contradictions, plus the fact that it’s not like Hurricane Touchdown takes a complete knife to timeline and lore common sense and more that it has some contradictory minutiae that are really easy to sidestep, it’s not actually that hard to say that some timeline of events that reasonably resembled Hurricane Touchdown (with maybe only some minor timeline or evolution differences) happened during the summer of 2002, and thus that Wallace exists.

Assuming that the story of our canonical Wallace is mostly the same or similar to that of the story presented in Hurricane Touchdown, Kizuna provides us with quite a bit of interesting information. We’re treated to two shots relevant to him: one in the form of his name at the top of Koushirou’s list of kidnapping victims, and one where he appears in person at the very end. It’s hard to miss him; he’s wearing similar colors to the clothes he wore in Hurricane Touchdown so you can identify him even at a distance, and he’s also the only loser around here with two partners. That’s right, two! Two!! Chocomon is back – and as Lopmon, exactly like the end credits card of Hurricane Touchdown depicted him!

So it looks like that, one way or another (after Hurricane Touchdown, after The Door to Summer, whatever, make up your own story), Wallace did manage to reunite with Chocomon and start a new life with him. It looks like not all of his habits have died – he’s depicted in a place with palm trees, meaning he’s definitely not in New York or Colorado, so either he’s moved again, is still maintaining the vagrant lifestyle, or just happens to be on vacation.

The other interesting thing here is that Wallace is depicted as one of the Eosmon kidnapping victims. According to Menoa, kidnapping victims were ones who were entertaining thoughts of wanting to go back to the past and remain a child forever – something that should intuitively be against everything Wallace learned in Hurricane Touchdown. But it’s important to point out that Eosmon’s lure is depicted as working on a subconscious level – certainly, if the kidnapping victims in Kizuna were to be outright asked if they wanted to be kidnapped and de-aged and trapped in their childhoods forever, most of them would probably say “no!”, and Wallace is likely no exception! But even if he’s starting his life anew with Chocomon now, it’s not hard to believe that there would still be lingering subconscious regrets about everything he’d lost with Chocomon and the childhood they could never spend together, ones that Eosmon’s allure would end up connecting with, even if the events of Hurricane Touchdown had consciously taught him better. Alas, being a human is hard.

#digimon #digimon adventure 02 #hurricane touchdown #shihameta #digimon adventure last evolution kizuna #kizuna spoilers

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wakaoujisenhime · 4 years

Note

Being best friends with Takao headcanons, please!

A/N: omg anon you just made my day with that request! Back in the days (when KnB was almost everybody’s favorite) I used to imagine that so often, since Takao seemed to be the perfect best friend material (or maybe that was just me xD)...

ANYWAY I hope you’ll enjoy this! (*´꒳`*)

Tags: Takao x reader ✅ SFW ✅ friendship ✅ fluff ✅ slight angst ✅

image/art source: ① Pixiv (by もいさま)

━━━━☆ ━━━━☆ ━━━━☆

fun fact: you guys were neighbors

and that’s how your relationship started...

I’m sure some of you guys are familiar with what Japanese people do when they move into an apartment (to those who aren’t: it’s customary to bring a small gift to your neighbors upon moving in)

out of courtesy you decided to be the one who brought the gift over

guess who opened the door?

Takao of course

he grinned through your whole introduction

in the end Takao just chuckled and introduced himself as well

after exchanging greetings the two of you casually began talking

his character was so bubbly and straightforward that the two of you instantly got along well

your parents even had to separate you guys before your talk lasted till the next day

since then the two of you talked to each other on a daily basis and it didn’t take you long to find out about his passion for basketball

he’d occasionally invite you to play streetball together so that he could teach you some moves you found cool/impressive

hanging out at each other’s houses was so natural for you guys that Takao as well as you left something at the others home (be it toothbrush, mug, clothing, book, ...)

the moment you guys found out that you’ll go to the same school it was heaven for both of you

and imagine the reaction as the two of you saw the classlist with both your names on it

“No way! (Y/N)-chan?!”

“Takao we’re in the same class?!”

oh boy...

...the looks you guys got because of your sudden and passionate embrace

your life couldn’t be better at the moment

your best friend was your neighbor as well as your classmate

your grades were good enough (even if you had problems with a certain subject, Takao was there to help)

of course Takao played a BIG role in your happiness

the moment you even muttered something like: ‘am I too chubby/thin?’ or ‘does this shirt even suit me?’ that boy would just glare at you and begin screaming motivational quotes at you

“Now listen up here (Y/N) I don’t want to hear you say something like that ever again!“

“You’re beautiful just the way you are.“

“What? You don’t believe me?“

he’ll then hug or tickle you (or he’ll do something you like and are weak to in general, just so he could see that cute and beautiful smile of yours)

Takao was always there for you when you needed him

you were sad?

that boy would climb over from his balcony to yours in order to hear you out and cheer you up

you were mad?

he’d take you out for some streetball and leave you alone with the ball to do whatever you’d like

he was basically your constant emotional support

but what would a true friendship be when you’re the only one receiving such love and support?

whenever his team had a match, you’d always prepare a bag full of supplies such as: a spare uniform, a mini first aid kit, some of his favorite snacks/drinks, ... just in case he forgot or needed anything

he’d always thank you for it multiple times while almost hugging the soul out of your body

he had a rough day?

you’d always prepare a small sleepover party just to lift his spirits

BUT

what is a friendship with UPs only?

of course you guys had your downs as well

it was actually quite the rare sight to see Takao without you by his side (and vice versa)

you once got upset over something he did without asking you first and that made you feel kinda betrayed by him (since he’d usually consult matters with you beforehand)

“(Y/N) why are you being so upset over nothing?“

“Nothing...? You call this nothing Takao?!“

the two of you would then argue back and forth until one of you calls quits and leaves the other alone (the leaving person being mostly you)

after some minutes (or hours depending on the gravity of the argument) you’ll realize just how pointless your ‘fight’ was

you’d then either call Takao while waiting in front of his apartment’s door or just straight out use the spare key he gave you to enter and apologize

when that happened he’d always greet you with open arms waiting to give you a big and tight bear hug

during all years of your friendship there was only ONE big fight you guys had and it was during the time when Shutoku was about to face off against Rakuzan

Takao was so nervous and stressed out about it that he had lashed out at you

that was the first time you’d seen him that angry and loud and it scared you, but it hurt you way more

“Can’t you leave me alone for once (Y/N)?!“

oh boy...that statement broke your heart

after that the two of you were (as expected) not talking to each other

you even considered not going to the match, but something inside of you just couldn’t take that step

....so you went

the moment the referee whistled three times signalizing the end of the match, you cried (earning a LOT of worried/suspicious/questioning gazes from the people who sat around you)

you couldn’t stand staying in there even a second longer, so you left without even looking back at your best friend or his team

back home you threw yourself on your bed and began crying in your pillow until you had no more tears left to cry

suddenly you heard somebody ringing the doorbell and since your parents were still at work, you went ahead to greet whoever disturbed your peace

“T-Takao...?“

you definitely didn’t expect him

the conversation that followed was pure sadness..

your best friend had first greeted you with a rather forced smile

“Hey (Y/N)...how are you doing?“

he tried to make some small talk with you, but the more he talked the sadder his expression grew...until the façade he tried to maintain for so long began breaking apart

“I-I just wanted to ask you if y-you came to...watch o-our game today..“

tears slowly began rolling down his cheeks

“S-Scratch that....(Y/N) I....I’m so....sorry..“

the breaks between his words grew longer and before you knew it, Takao was crying, sobbing and apologizing at the same time

wanna know how it all looked like?

here you go:

it didn’t take long for you to start crying as well

that night was something special (and painful) for you guys, but it straightened your relationship even further

now the two of you were living together

..at least until one of you found his significant other

or were you already with them...?

#knb headcanons #knb x reader #takao x reader #knb angst #knb fluff #━𝙺𝙽𝙱 #━𝙰𝙽𝙾𝙽'𝚂 𝙴𝙲𝙷𝙾

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earthbovndmisfit · 3 years

Note

I hope this isn't too weird of a message to send, but doesn't it seem like Jonawagon doujinshi are pretty uncommon? I've only seen maybe 3 posted online & I have a copy of a SpeedJona doujin but aside from those I haven't come across any. Is it like a rare pairing or something? I thought they were fairly popular

It isn’t weird at all, anon! All the opposite actually, cause I love getting asks even if i'm not always around or it sometimes takes me a hot minute to get to them gfjhkjh

This is gonna be long and probs gonna have bits that might sound rant-ish to some, but I hope that’s alright! :'D

For starters, sadly, jonawagon/jonaspeed/speedjona or however you call the ship is quite an underrated ship. This has to do partly with the wrong perceptions some folks have built around it and around the characters as well (that them both and the couple itself are the epitome of "purity" and "innocence", sometimes even labelling them as "boring" as a result even though both characters are far from that, that "it could only be a one-sided thing" on Spw's end despite both showing and sharing a certain bond/closeness towards each other -closeness that sometimes Jonathan didn't show towards anyone else-, etc), partly because of the many timeskips in PB and all the scenes the anime cut out and people wrongly assuming that the main events happened in the span of a few days and thus people dropping the ball on the ship/characters when Jonathan and Speedwagon actually knew each other for as long -sometimes even longer- than other more popular characters/ships in jjba did, partly because neither Jonathan or Speedwagon are as popular as other characters in the franchise as a whole, and also partly because, as sad as it is to say this, the ship lacks a LOT of support, especially from it's own fanbase. While jonawagon is a popular and well liked ship overall (in the sense that even general fans who don't care much about shipping, or those who are still on the fence about mlm ships, or those who just don't actively ship jonawagon actually like and support the ship or the idea of it upon seeing the actual dynamics between the characters and their potential and the fact that the ship can actually coexist with jonaeri without altering the characters/making them ooc, nor altering the story and so on), it still lacks a lot of support from it's fans. I often see most other ships/characters get lots of reblogs and exposure from their fans on literally any and all platforms, helping those ships/characters reach new audiences and gaining more popularity and drawing interest from potential new fans, while jonawagon stuff as well as solo Jonathan or Speedwagon stuff usually only get likes and a few reblogs at most from their fans, which is nice and all, but it doesn't give the artists/writers any exposure nor get those works or the ship any farther than that and just keeps them within part of the already existing fanbase at best, which often times makes the artists/content creators lose interest in continuing to create stuff for the ship/characters. This is also why I always strongly ask -almost beg at this point ngl- for people to support the artists/writers/etc via reblogs!! The ship having a bunch of different names also might have an impact on all of this, as it's not always as 'easy' to tag/find contents if you don't know how to tag/search for it. Jonawagon (normally used in the western parts of the fandom), JonaSpeed/SpeedJona (Western version of the ship's most popular names in Japanese: ジョナスピ/スピジョナ or JonaSupi/SupiJona respectively], SpeedStar (a name that became a bit more popular more recently after a mini jonawagon event in 2019), being the most common ones afaik, asides from the standard JonathanxSpeedwagon/SpeedwagonxJonathan ie and others. In short, Jonathan and Speedwagon as well as jonawagon are quite well liked and even popular to an extent, but they lack a massive amount of support from the fans, which also usually translates into artists and content creators for this ship losing interest in continuing to create new material for it and thus end up not making any more contents.

In regards to doujinshi more specifically, I’m a bit disconnected when it comes to Jojo doujinshi in general, but it seems to be a bit like that for most of the non "crazy popular" Jojo ships if you ask me, which is kinda normal considering the massive amount of characters in the whole series. Putting my experience as example, if it helps, I used to collect doujinshi from one of my previous fandoms, which had a shit ton of them for plenty of it’s ships and it was somewhat easy to acquire hard copies of despite it being an “old anime” basically while most Jojo doujinshi (especially anything that is not parts 3, 4 and 5) seems to be a bit hard to come across regardless of the ship(s) in them, even in auction sites or places like pixiv that sell digital copies if the author puts them up on sale, which is understandable since the aforementioned parts are some of the most popular parts in Japan, where most doujinshi is created, and thus take most of the fandom's interest -authors’ and readers’ alike-, as well as the hype for parts like Phantom Blood being long dead (with it being dead/dormant since the original airing of the anime ended in 2013, and it coming back ocassionally whenever there's a 'special' re-airing of PB in Japan or when events such as the Joestar Radio take place), so maybe my parameters on the whole subject are somewhat disproportionate?

This is also gonna sound all boomer-like, but I’ve also noticed, or it seems to me at least (still in comparison to the doujinshi from my previous fandom), that doujinshi books as we knew them aren’t /as/ common nowadays as they used to be a while back. Even the works themselves don’t seem to be much that way either. For example, doujinshi anthologies used to be a big thing a while back and, while they still exist, they don’t seem to be too common anymore (these worked as "promo books" of sorts for all the artists featured and they also helped lesser known/popular artists and ships to get some exposure to newer audiences). Nowadays such thing still exists, and I actually recall seeing a Jonaspeed/Speedjona anthology being made “recently” (recently as in 2019, if I’m not mistaken? it was published and sold during the mini Jonaspeed event they held at a Jojo con in Japan that year), but they aren’t nearly as common as they used to be, since now most artists can post any samples they want (much more reduced tho, cause you normally get a few pages instead of a full mini story) in places like Twitter or Pixiv. And it’s kinda the same with regular doujinshi. Before, most doujinkas had to publish a book in order to get their stuff out and get some exposure, so they were always working on new stories and making new books to sell and promoing their stuff, sometimes one after the other and even creating multi-volume stories in some cases. Now, thanks to how "easy" it is to get some exposure on social media, it’s much more common to see doujinkas for any ships/characters making short stories (1-4 pages, sometimes more) or just 1 page illustrations instead and posting them on their social media every now and then as a promo for their works. They also still make and sell their books (a few jonawagon artists on twitter do, at least), and these short stories/illustrations serve to boost their works instead, which is not a complain at all cause I think it's amazing tbqh! But this also translates into less stories/doujinshi being created as many of these artists often opt for leaving those stories that years ago would have been their own book or a mini story in a book as a prompt or a short story only.

As for actual jonawagon doujinshi, while it is not as common as say pt 3 doujinshi, there is quite a bunch of it. Some date from 2012-2013 (when the PB anime was originally aired), some are much older than that and some others are much more recent (as there are still some active jonawagon doujinkas around). There are also "fanfic books" that are also considered doujinshi and that seem to be a thing sometimes, but these contain little to no art at all and are usually written 100% in Japanese. The problem here is that not many of them have been scanlated/translated yet, sometimes because they aren't easy to find on sale online, sometimes because re-sellers who do have them set high prices for them plus shipping costs, sometimes because the artists/online shops won't sell stuff overseas, sometimes because those who do own doujinshi copies don't always know how to properly share them (since scanning a doujinshi in high or decent quality without destroying the book can be hard af) among other reasons.

All that said, there is a bunch of jonawagon doujinshi that has been scanned and is available online! but it can be tricky to get sometimes due to the different names this ship can go by and because of the "translations" of said names into different languages (as some doujinshi can only be found in Chinese sites, or Russian ones, and so on for example, so it can take some serious time to figure that out and have a successful search).

In all honesty, anon, I'm a dumdum and I had never thought about doing so in a more public manner until now, since I've already shared my entire jonawagon collection (pics, doujins, etc) with friends who have requested it more privately, but I can upload the doujins I have scans of if anyone's interested?? (I’d post the links where I found most of them but since my hd is pretty much dead and I can’t access Windows or my windows/mozilla profile, I’ve p much lost all my old bookmarks). They were only like... 8 last time I checked (9/10 if you count the Japanese and English versions of the "Joestarsaaaaan" one), but it's something :D Just be aware that some of them are nsfw! and that a couple are either part of a book that has stories from other ships in them (I only have the jonawagon parts tho) or contain other ships implied or openly shown in the jonawagon story.

I also have about 4 more, but the scanlator of one of them openly requested for the file to not be reuploaded, so Idk if it'd be alright to share it? (and they also deactivated their blog, so there's no way to ask them for permission). The other 3 are scans a friend sent to me of their own doujinshi copies, so I also don't know if it would be okay for me to post them?? (i haven't seen this friend in over a year so idk gfhgjkjlkñ). 2 of those 3 are nsfw.

#long post #super long actually oof #sorry about that #i tried to make this shorter #i swear #orz #anonymous

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teefa85 · 4 years

Text

Posting some shipping headcanons since I’ve been working on them for weeks! Hawkeye/Riesz and Duran/Angela.

Just romance headcanons tonight. I want to post some wedding ones tomorrow or Tuesday because I can’t draw but want to do something related to weddings (as so many great artists are drawing beautiful wedding pics on pixiv and twitter for June Bride).

At first, Hawkeye flirted with Riesz to get her off guard, because he saw how uptight she could be. He just wanted her to relax a bit since being miserable wasn’t helping her issues. Over time, as he saw the sweet girl underneath all the walls she built up, he found himself falling in love.

Riesz, for her part, was annoyed by Hawkeye at first. She put up with him because he knew more about Nevarl and the one who had taken control of it. Yet over time, she did start feeling comfortable around him and enjoyed the relaxed atmosphere he brought. Though it took a bit of time for this to turn into love, as she wasn’t exactly able to understand her feelings.

During their adventure, when camping, Hawkeye would instinctively pull Riesz close to his body. She was completely embarrassed the first time, waking him up in a panic and making him promise not to do that again. However, the second time it happened she took comfort in it and just let things be. It added to the “everyone not them knows they want each other” aspect too.

As Hawkeye is used to flirting with girls, the second he and Riesz enter a relationship he becomes laser focused on being romantic towards her in order to control his urges…which aren’t helped by being around so many cute Amazons all the time! This includes flowers and chocolates on any important days (her birthday, the anniversary of them meeting, the anniversary of them getting together, their wedding anniversary, Mother’s Day once they become parents). He tends to just scale up and down the mountain to get this stuff in Palo.

Speaking of scaling things…Hawkeye has been known to give Riesz her presents by scaling the citadel walls and surprising her in their bedroom once he gets back from town. Alma, Liza, and Elliot have pretty much automated the response they give new recruits after so long of this (yes, he’s climbing the citadel, no he’s not trying to invade, it’s the queen’s consort).

Elliot was pretty apprehensive about his sister taking a lover from Nevarl at first, considering the whole manipulation and kidnapping thing. However, he does come around as he sees just how well Hawkeye treats her. Eventually, Hawkeye becomes his cool big brother!

Flamekhan is actually VERY supportive of Hawkeye’s choice in partners. Not only is it another way to strengthen Nevarl’s ties with Laurent, with his ward marrying into the royal family, but it means that the closeness Hawkeye has for Jessica wouldn’t go further than “like siblings.” Saves him the trouble of having to explain the reason why he’d veto any romantic relationships between them…

Likewise, Alma knows damn well who Hawkeye is and finds the whole thing cute!

---

Duran/Angela

Probably involves the most supportive parents ever! Valda and Richard are constantly making excuses to leave Duran and Angela alone together. They’re too responsible to spy on the pair, but they do hope that they do something soon…something that’s not arguing or storming out in a huff! This also involves making Duran her bodyguard whenever she visits Valsena.

Of course, some of the conflict above relates to the fact that Angela knows full well she wants Duran (and has commiserated with Riesz on this at world summits while trying not to be jealous over the young queen’s quite affectionate paramour). Meanwhile, Duran is just clueless as to why she’s reacting the way she does (both when she acts forward to him and when he does something to piss her off). He does like her back…a lot…but just doesn’t realize what he’s feeling!

Duran also grumbles about the situation with the other guys. Usually on why she’s always yelling at him or why she can’t just tell him what she wants to say because he sure as hell can’t figure it out! Of course, he gets little help on this because A) Hawkeye knows what’s going on but knows that it’s more important for Duran to figure it out on his own and B) poor Kevin is just confused because Angela’s belligerence should mean she wants to fight, but she hates fighting. At least Duran can get his feelings off his chest without being laughed at…

Finally, one day during one of these arguments, Angela outright screamed, “Why the hell do I love you when you’re like this?!” That shut Duran up real fast and made him actually think about what was going on…allowing him to sort through his feelings. He made up with Angela by pulling her close and giving her a huge kiss.

Duran tends to get very blushy and embarrassed when he does something affectionate for Angela. The whole, “red-faced, stuttering through his words as he hands her a box of chocolates” thing. It annoyed her at first in the “why can’t he just say it” way, but soon turned to Angela finding it cute! And usually ends with her giving him a peck on the cheek just to make him blush more!

#trials of mana #hawkeye/riesz #duran/angela #shipping #Headcanon

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tinytanpopo · 4 years

Note

Now that Gegege no Kitaro 2018 is over, and I remember it's one of your favorite Gegege no Kitaro iteration, what's your overall and concluding thoughts about it? What are your favorite episodes of all 97 (or each season) episodes? The positive and negative? Characterization of Sawashiro Kitaro and the other Kitaro family (including Mana)? I would love to know your opinion of the sixth remake!

This is going to be a long answer. And full of spoilers, for those of you looking at this who haven’t watched the 2018 version of Kitaro. Here goes!

What are your favorite episodes of all 97?

I watched all 97 episodes 3 times over the course of its run. I started out watching on my own, then eventually my friend wanted to watch with me. But the crappy Crunchyroll subs got in the way of his enjoyment, so I polished them for him, and then we started watching together.

So for each episode, I’ve…

1.) Watched for my own enjoyment when the raw came out

2.) Fixed the subs

3.) Watched and enjoyed again with my best friend.

Before my friend and I started watching together, I also did a rewatch of the series up to the middle of the Backbeard arc, so, 3.3 times? And it only made me like each episode more, and notice more tiny fun details about it. Sawashiro actually smiles a lot, u guys

Anyways, here are my stand-out favorites. Titles may be self-translated or shortened, as I’m looking at the Japanese wikipedia entry for the episodes, and my opinions are mostly disorganized gushing:

1: The Day the Youkai Awoke. Kitaro, Eyeball Dad, and Mana are all very cutely introduced, as well as their dynamics with each other. Great action, ends with the apparent death of the hero. (I was new to Kitaro.) Got me to watch the next week, that’s for sure! Also, world full of weird freaky monsters, already suited to my tastes.

3: Tantanbo’s Youkai Castle. The episode that earned Sawashiro Kitaro his “Gorilla” nickname from the fandom. Also Mana asked to be friends and made Kitaro bashful and the whole latter half is so sweet. FRIENDSHIP

6: Sunekosuri. This is the first Kitaro episode that made me cry, like I really wasn’t expecting that kind of emotional impact. Another thing that kept me watching was that, even though Kitaro has its formulas (as does everything), I still didn’t know what to expect.

7: Ghost Train. Ah, my first experience with the Ghost Train story. Y'know this is the only one where the human passenger pair are both already dead? I’ve seen many other renditions of this story, but this one’s the darkest.

11-12: The 808 Tanuki arc. The whole Kitaro Family shows off their skills in a big cool battle, and Mana overcomes an intense struggle to save the day (with some credit to Murder Momen Rollo Cloth). As my friend often says, Mana is too good for this world.

13: Wanyuudo. Got some insight to Kitaro and Ratman’s odd, long-lasting friendship. When I first watched this, I didn’t really understand why they were still friends. But over the next 2 years, I would.

The meta reason? Ratman was Shigeru Mizuki’s favorite out of all his characters.

14: Makura-gaeshi. The second episode that made me cry. (not hard for a show to do that, but still) Also shot my already-present respect for Eyeball Dad through the roof.

I’m pretty sure this is the episode that changed GeGeGe no Kitaro from “one of the shows I watch once a week” to “I must find and learn about the rest of this franchise.” I’d looked up characters and little facts here and there on wikis, and occasionally browsed the Kitaro tag on Pixiv before this point, but this was the tipping point.

The door to the unseen world was open, and I jumped through.

18: Kawauso’s Lie. haha, Mana’s a city girl who’s scared of bugs

22: Gyuuki. Body horror, despair, and a really good Catgirl episode.

27-37: The Backbeard arc, or 6th Kitaro’s version of the “Great Youkai War” story. For a refreshing twist, the designated “Witch” isn’t evil in this retelling. In fact, Agnes quickly became one of my most favorite and relatable characters.

She definitely had a rocky start with the Japanese youkai, and watching her develop friendships with Mana and Kitaro was great to see, and even better on the rewatch. My friend likes Agnes a lot, too. Just assume I cried at the Mana/Agnes friendship stuff, I’m sure it happened on the rewatch, too.

Also Kitaro finally invites Mana into GeGeGe Forest! She fucking earned it!!

38: Kasha. I had already seen Reverse Mochi Murder 3 different times by this point, but it’s best whenever freaky ghost-eyeballs are involved.

Also Mana punched Kasha in the face. Well, Kitaro’s face.

39: bang. I lost it.

40: This is the darkest version of Sara-kozo! And I like it. His song was best put to use in the 4th Kitaro series, and even had a callback in one of my most favorite episodes of that series. The song, of course, is terribly catchy.

42: The Great Youkai Trial. Having seen the other versions of this story, I’m glad the writers made the 6th series version stand on its own, weaving it into the overarching Nanashi plot.

43: Odoro-Odoro. This isn’t the first Odoro-Odoro retelling where Kitaro’s efforts are thankless and reviled, but it is the one that shows it the most intensely.

47-49: Nanashi arc conclusion. Each Kitaro anime has its harsh and intense moments (even the relatively gentle 5th series), but 6th is the one that goes hard most consistently. Not just into darkness, but

50-51: complete and utter sweetness KITTENGIRL dgjklfhjlkHFDGKMBHKjl

54: Dorotabo. Sometimes, there is no “right” choice that can make everyone happy. Being a mediator can be hard, frustrating, and sometimes impossible. But despite all the stress, frustration, and repeating the same tragic scenarios, Kitaro keeps on trying.

Also, Kitaro totally carried that frog up to the roof of his house for company at the end of the episode.

56: Vampire Elite. The most sympathetic retelling of Johnny’s story. And a great Kitaro/Ratman friendship episode.

57: La Seine. He doesn’t have a top hat this time. A great retelling of Hand, and a Kitaro/Mana friendship episode. Two vampire episodes in a row, and it didn’t feel repetitive at all.

58: Kamaboko. 6th Kitaro’s crossdressing episode, with Sawashiro Kitaro at his most vindictive. Fun for all sorts of reasons. :3c

59: Ushiro-gami. Also known as the youkai cactus episode, somewhat of a series staple. This one had great horror vibes, and Mana overcoming her fear and risking her life to help Kitaro save the day. Never gets old! Mana’s the best.

62: Kitaro and Ratman fighting like children. Kitaro’s shocked face when Ratman steals his pork. Kitaro’s admiration for Ratman’s persistence to keep on living, and appreciation for yanking him back to reality during the end of Nanashi.

The Kitaro/Ratman friendship dynamic is eternal.

64: Suiko, the Water Tiger. If you find an old jar in a dirty hole somewhere? Don’t open it, don’t drink it, don’t let anyone force you to drink it. And if the jar starts talking, shove some dirt in it.

That town full of assholes totally deserved what they got, though.

66: The Grim Reaper and the Hidden Village. Well, in this context, “hidden village” is more like “Shangri-La,” which is what I changed it to in the fixed subs. The only other version of this I’ve seen is the one from the 2nd Kitaro anime. It’s a well-known trauma episode in the fandom.

In the 2nd anime, Kitaro got the trauma. In the 6th one, Mana did, and Kitaro already knew it was coming.

68: Hell Exile. Yet another one where I wasn’t sure if it’d end cynical or hopeful. One of the fresher takes on the Hell Exile story, too.

69: Ibukimaru. Nicely advances the Four Treasonous Generals arc, and has some interaction between Rei and Mana. Oh yeah, this arc introduced Rei Isurugi, an intense chuuni with Megaman demon powers. It’s neat to watch how Rei and Sawashiro Kitaro bounce off each other as individual characters.

70: Mysterious Footprints. Calls back to another one of 2nd Kitaro’s infamous trauma episodes, incidentally one of my favorites. This was great, but the 2nd anime had more intense face-melting.

72: Iyami. Mana Is Gay. That is all.

73: Yamata-no-Orochi. A great take on Kitaro’s Orochi story, now with more monkey’s paw shenanigans!

74-75: Conclusion of the Four Generals arc. Mana convinces Kitaro not to resign himself to shouldering the heaviest burden alone, as he so often does. Agnes and Adel make an appearance(yay!), and they team up with Mana and Catgirl to help save the day. Rei finally chills out, and gets a new mentor.

77: Neko-sennin. Nurarihyon startles the holy hell out of Kitaro, and further establishes how he’s going to operate this time around, connecting to his previous actions in episode 76.

Also, cats. Kitty Kitaro. Cats are my second-favorite animal, so I appreciate the many Kitaro stories involving cats.

78: Mouryou. This one gets retold in several of the other Kitaro series, with decent variation. This one has its own 6th Kitaro touch, with that fucked-up photographer, and an ending I was positive would be dark.

80: Onmoraki. I’d also consider this story a Kitaro staple, though Onmoraki was way tougher this time. Must have had something to do with Nobuyuki Hiyama. :B This is always the episode where Kitaro puts on his old painter costume, and proves he can’t think up fake names worth a damn. Gets me every time.

81: Hideri-gami the mangaka. I love comics, I translate comics, GeGeGe no Kitaro originated as a comic. This episode’s just a love letter to the medium. And seeing Kitaro genuinely enjoying Hiderin’s Totally Original Comic Do Not Steal was adorable.

83: Houkou. Some kind of disaster usually happens in this story. In the 4th anime version, Kitaro was burned to ashes. This one hit harder. Nobody won. No one was happy. We’re reminded of Dorotabo, and how Kitaro never “gets over” tragic situations like these, no matter how often they repeat. I think it’d be worse if he was desensitized, and gave up trying to make anything better.

84: Mr. Chin. The Japanese dialogue is full of puns involving the word chin and yeah I lost it. Sunday morning changes with the times, and they still get this guy in.

I died at “three rainbows” ghjghjk

89: Te-no-me’s Curse. Te-no-me is a youkai who either shows up in the youkai trial story, or has an episode for himself. Also, we finally get to see that Kitaro can just pop his hands on and off. Well, maybe not as casually as in the comics…

90: Sazae-oni. Normally you’re not “supposed” to do “it was all a dream” endings, but this is the first time they’ve done that with Sazae-oni, and the dream reveal means we just saw inside Sawashiro Kitaro’s mind. The fancy sushi restaurant exterior, the plain sweets shop, the body pillow how does he know about those?! Does he know why they look like that?!!

Kitaro seemed disappointed that he didn’t get to sing on stage. And Rei was in his dream-audience! An adorable episode.

93: The Phantom Train. Catgirl got Homuhomu’d. But KitaNeko is finally canon. This whole episode left the fandom reeling, as usual for 6th Kitaro. Best retelling of the Phantom Train story yet.

94: Hot Springs Trip. Mana carried Kitaro over 90 episodes ago, and Kitaro doing the same for Mana repays that favor, in a way.

Kitaro also admits he has Terminal Kitaro Face.

95-97: The end. I did not think they would poof Kitaro. That’s the deadest I’ve ever seen him, in any version. And the most broken, worse than a giant hate-baby crushing his dad. Kitaro giving Ratman his chashu pork made my heart explode, Mana’s sacrifice made the heart-pieces explode, and Mana reuniting with Kitaro 10 years later made my heart whole again.

Nurarihyon offing himself made sense, especially with this being his most dignified characterization in any version. Glad they let Shu-no-bon live, even if he was an actual hardass this time. Shu-no-bon’s usually a teddy bear in comparison to dual-wielding gatling guns

I’m sure the prime minister didn’t keep her position for much longer.

Episode 97’s subs left out most of Mana’s text to Catgirl at the end, so here it is:

“Cat-Sis! Here’s the pic Nebutori took for us on our recent trip! Also, I found a sweets shop near my workplace. Let’s ask Kitaro to go there with us!”

A very sweet ending, indeed.

The positive and negative?

I wish we’d gotten to see more of Agnes and Rei outside of their own arcs, and the conclusions of other arcs, though they clearly had their own lives to live and paths to take.

We didn’t get Akamata or Shisa or a bunch of other youkai I was hoping to see in the episodes. We didn’t get stories for Jami or Kamanari, both of who showed up as bit characters at the very end. But I can accept this, too, as writers and staff working within limits, and telling the story they wanted to tell as best as they could.

I’m glad they focused more on new stuff than old, though. Maybe they didn’t want to risk a repeat of 5th Kitaro’s non-ending, but they were ready to end the 6th anime with the Nanashi arc. Even with a 2nd year, though, the writers didn’t lose their focused storytelling, and ended the series in a way that left my heart full.

Characterization of Sawashiro Kitaro and the other Kitaro family (including Mana)?

Sawashiro Kitaro continues to be that weird youkai kid, that boy who lives in the woods. He’s chill and has a bunch of comic book youkai powers, a unique sort of superhero, while also not being a cop, thank goodness. Every Kitaro is a bit of a pessimist (except 3rd anime’s Toda Kitaro, I guess), but Sawashiro is especially so. This made his gradual development even more fun to watch. The fact that he never could give up on that dream, not completely, made me appreciate that development even more.

Sawashiro cried the least out of all the Kitaros—twice, and it was only onscreen once. He kept everything in so much, it’s no wonder he imploded and went to Ultra Hell when the prime minister pot-shot him.

And, Sawashiro Kitaro is so pure and cares so much it hurts.

Eyeball Dad. Since Isamu Tanonaka passed away in 2010, the legendary Masako Nozawa (the original voice of Kitaro) took on voicing the role. Like Kitaro, Eye Dad’s characterization changes a bit with each anime, though not as much. Nozawa’s performance made Eye Dad feel more laid-back this time, I think, and more patient. In older series, he had more “Showa dad” tendencies. And we got to see him outside of eyeball or mummy form! 6th series spoiled us!

Ratman. He’s usually the same between every adaptation, save for the voice. Sometimes he’s nicer, sometimes he’s more of a bastard. But he’s always Kitaro’s friend. He may nasty, greedy, and cynical, but he’s usually right about how the world works, and his priorities are hard to disagree with entirely. He knows how to survive, even when treated like dirt for centuries. Ratman’s got a particular brand of wisdom, if you look past the ringworm.

Catgirl. In other versions, she looks like she’s in elementary or middle school, and 6th anime is the most mature she’s ever looked. This is also Catgirl at her most tsundere, but with zero “mean girl” tendencies. All it takes is Mana shooting pure admiration at Catgirl for them to become friends, and that’s cute. I always like Catgirl, and the 6th anime is no exception.

The Kitaro Family. Sandy’s mostly unchanged, except now she doesn’t own the Youkai Apartments, and can use modern technology to make a shitload of money. Old Crybaby is 100% the same, down to his old person banter with Sandy.

Rollo Cloth’s minor interest in finding a girlfriend got turned up to 11. He’d get a lecture from every previous Rollo.

Wally Wall has less vocabulary, no wife and kids, and they thankfully didn’t show his mouth this time. Still a good dude.

Mana Inuyama. The 3rd anime had Yumeko, but even if she wasn’t damseled as often as you’d expect from a typical 80s cartoon, it still happened a lot. In the 6th anime, Mana clearly has more agency from the get-go, and refuses to leave herself out of Kitaro’s business. She’s serious about being his friend, and never stops being serious about it, even when things worse than she could ever imagine happened.

All she has are good memories with Kitaro.

Like my friend said, she’s too good for this world.

What’s your overall and concluding thoughts about the 6th Kitaro anime?

What an emotional roller coaster. The writers pulled no punches with this, and very much managed to make “their own Kitaro” while still firmly being “Kitaro.” With the dark and cynical twists it sometimes took, I often didn’t know if there’s be a happy ending to an episode, or a bitter one. It’s a Sunday morning cartoon at its core, but very good at making the audience forget that.

6th Kitaro was my introduction to Kitaro as a whole, and I was hopelessly obsessed by episode 14. Well, because of episode 14, probably. I downloaded all the other Kitaro anime series, got into the comics (official ones by Mizuki, official ones not by Mizuki, and a shit-ton of doujin), and now my brain is just “kitarokitarokitaro” all the time.

I don’t think it’s going to stop anytime soon.

#gegege no kitaro #ask #books-are-my-life-stuff #long post

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