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#What if it's All a Big Lie?
poorly-drawn-mdzs · 3 months
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Laios's three Boy Best Friends. And yes, they hate him.
#dungeon meshi#laios touden#toshiro nakamoto#chilchuck tims#kabru#BF in this context could be boyfriend or best friend. The line is so blurry.#Chilchuck less so but whatever is going on between Shuro and Laios & Kabru and Laios is giving strong:#“dude if you were a girl I'd date the hell out of you”. And from the genderswap extra's that sentiment is canon for BOTH.#This was made prior to the translation of the Laios & Kabru & Shuro restaurant date comic and honestly I am just feeling vindicated.#I don't even know what to call this dynamic other than a situationship. There is so much going on between all of them.#Even on a purely platonic reading - the miscommunication and male yearning for friendship hurt so bad.#When we got the Big Hug scene in the epilogue arc I was whooping and hollering! Pure catharsis moment!#I also don't like hugs very much so I really felt it went Shuro ('hates being touched') went in for the bear hug.#Do not get me started on the agony of 'always lying' Kabru telling the truth (I just wanted to be friends)#and 'always believes' Laios thinking it's another lie and brushing him off.#I am once again supporting dungeon meshi day by posting art. Please watch dungeon meshi.#obligatory edit because I’m tired: YES. Chilchuck cares for Laios and him admitting it was a huge part of his arc#YES he is more just fed up with him that actually hating him.#I needed a third guy to be canonically done with his ass for the THREE WEED SMOKING GIRLFRIENDS reference
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lemongogo · 10 months
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maybe this is my curtains are blue moment, but its so fascinating to me that we are withheld from seeing wolfwood’s likeness again (from the moment he dies) until vash kills legato. after which, we see him multiple times in the closing act of the manga, as is . complete and all.
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surely nightow drew that last panel the way he did bc it was aesthetically pleasing, easier to draw, or perhaps more relevant/emotional for the situation, but i reaally really like what it accomplishes in portraying vash’s grieving process . by remembering him through inanimate objects like his gravesite , through the punisher, or through unmentionables (constantly referring to wolfwood as He, or Him) as opposed to his own Body or Self, you feel a sense of distance and detachment . its something vash doesnt really unpack until that critical moment where he has to, as wolfwood says, make an important and complicated choice . & by that point, having honored his sacrifice and finally Answered wolfwood’s dilemma, we see ww again. in full. CRAZYYYYYYYYYYY literally so cool and awesome 2 me
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shepscapades · 3 months
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Hey! i’m really into the dbch story and i was wondering if doc and xisuma ever tell bdubs the specifics of why etho lost his memories, cause if they do that is prime self blaming angst for bdubs
I’m inclined to believe they don’t. Actually (and maybe I should do a small comic for this so more people see it) I imagine, once a month or a few pass and they finally return etho to bdubs as reset, I imagine they are VERY serious about warning bdubs not to try to force Etho to re-deviate— they don’t go into specifics, but they probably tell bdubs that whatever happened had to do with something that was emotionally overwhelming, and that forcing him to redeviate/not letting it happen naturally could trigger the same error. They have no idea what could happen so bdubs needs to be very careful and let Etho find himself again on his own.
Whether or not bdubs gets impatient or can only go so long before he doubts it would be that bad if he tried pushing Etho in the right direction is another story.
But yeah. I don’t think Xisuma or Doc really… tell anyone that this happened. Etho’s error seemed like a very specific one-off scenario, so it’s not something the other hermits should be trying to avoid or be careful about happening to their own android friends, and the only thing telling people would do is make them worried about the situation. All they need to know is that etho was broken and that they need to be careful with him. I don’t agree with their decision to keep what happened to themselves but I understand it I think. Xisuma “i don’t want to worry the hermits” Void and Docm “eh this isn’t the first time I’ve replaced this arm, people won’t question it” 77
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chirpsythismorning · 3 months
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Can we talk about how Jonathan might've been able to clock Mike simply because of what happened with him and Nancy in season two?
This will be a long post, so you might want to strap in or save it for later.
In Will and Mike's case, it would obviously be much different from Jonathan and Nancy's situation, given that you know, they're gay. But we still have Jonathan arguably going through a similar experience as Will, while Mike is going through a similar experience as Nancy.
In s2, we see Nancy confront Jonathan about how she waited for him before getting back with Steve, which is a revelation to him. Then they're at Murray's and she's struggling to say she loves Steve, after a handful of moments between them that felt like she might return Jonathan’s feelings. And you can clearly see it in his eyes, listening to Murray imply that they have feelings for each other, with him looking back and forth sort of in awe of what's happening, like he's starting to question if she might actually like him back.
Will doesn't have that same affordance as Jonathan to really hope, at least not anymore. Which is why these relationships in s2 and s4 end differently for these two brothers.
Based on all the signs he was seeing that Nancy felt the same, Jonathan decided to take the plunge to admit to Nancy how he felt, and at that same moment Nancy had the courage to show how she felt. In Will and Mike's case, Will wasn't ready to take the plunge to admit to Mike how he felt, at the same moment Mike didn't have the courage to show how he felt.
What's so painfully hilarious to me about all of this though, is that Jonathan arguably starts the season in the same shoes as most of the audience, where from his perspective, it's becoming obvious to him now that Will like's Mike, but that Mike does not feel the same way.
First at Rink-O-Mania, Mike appears a little uncomfortable upon hugging Will. Then as the happy couple continues on their adventure into Rink-O-Mania, he watches Will lagging behind moping. And then unfortunately he's out of commission for the rest of the evening...
But once he's sober and back to being an attentive brother the following morning, we see him watching them at breakfast, with Mike barely sparing Will a glance, all while Will is blatantly staring, almost like he's waiting for Mike to look back, only for Mike to get up and walk away.
All of these instances gotta be SCREAMING unrequited gay love to Jonathan. He's already gotten signs for years that Will is gay, these are now just the signs that are instilling his suspicions that Will has feelings for Mike. He could have easily interpreted their relationship in the early seasons as young best friends, with Will seeming to have a crush on Mike, and with them growing up and that potentially including Will's straight friend distancing himself from him because he doesn't feel the same. It's not the most unexpected thing in the world considering.
But then there's a shift.
Suddenly he's creeping up on them talking in his room. And we know he was listening in on the conversation because he brings up Owens when he sits down. As he's eavesdropping, he's probably thinking something innocent like Aww they're making up! And like, hey! Even if Mike doesn't feel the same, which is okay and entirely expected honestly, at least he still cares about Will enough to make things right after acting so out of character. Still, I'm not gonna lie, that sounded a lot like flirting to me--
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Then he's knocking on Will's door like 30 minutes or less later only to find Mike and Will back on their bullshit. Mike suddenly isn't going out of his way to ignore or put Will on the back burner. In fact, he's on his bed and they're talking, again! The door is even closed this time, which is interesting. This has gotta be a good sign in Jon's eyes. Nothing to worry about! Right? Right...?
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But then suddenly this shift continues, going in a direction he probably didn't expect.
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I mean, this is literally an identical jancy parallel we have here with byler on the hood of the car, with Jonathan right there to witness it. Despite him maybe only now subconsciously picking up on the similarities between Will and Mike to him and Nancy here, he's at least taking note (I mean he's even got his gay map out and everything).
It isn't until the van scene happens, that I think Jonathan starts to genuinely consider his suspicions, which is that Mike might actually like Will back.
EVERY time we get a shot of Jonathan looking back at Will and Mike in the van, followed by a shot of his POV from the rearview mirror, we're faced with Mike looking at Will while Will is looking away.
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As Jonathan is hearing Will confirm his suspicions about his feelings for Mike, he's simultaneously witnessing Mike not looking at Will with disgust, but something more akin to reverence. All of those moments in the van that we witnessed, including all the ways Mike looked at Will and everything that was said, Jonathan was right there.
And what's even more insane about this scene, is that it circles back to Jonathan as a character himself.
I remember when people were talking about how odd it was that we never saw Jonathan with a camera in s4. After 3 seasons in a row of making his passion for photography a big part of his identity, that part of him was apparently absent entirely this time around... But was it really?
This is the same guy that said, "Sometimes, people don't really say what they're really thinking. But you capture the right moment, it says more."
Jonathan might not have had his camera in s4, but this was without a doubt one of those moments where he captured something more.
Something that I also think get's highly overlooked about this scene, especially when it comes to Jonathan looking back at them, being followed by a shot of Mike staring at Will, is that he could see both of their reactions the whole time, from beginning to end. Will nor the audience had the affordance of knowing because Will was facing the other way at the end, while we on the other-hand were blurred from even having the chance, despite Mike literally being in the frame. But not Jonathan. He even lets us see what he sees, a few times, but not at the very end, which would have been nice after they didn't let us see Mike's reaction seconds before this.
Let's just stop right there for a second though and circle back to what I consider to be the first time Jonathan really picked up on Will's feelings for Mike, which was at the end of s3, in a sequence that is a little too relevant to the van scene if you ask me, given that they are almost direct parallels.
While these parallels are pretty spot on visually, they are also near spot on narratively when it comes to the evolution each of these characters are experiencing.
For Will in the first scene, it's sadness that he's moving away from his friends in Hawkins and also feeling like he's losing Mike, after what looks like him and El making up, which makes him scared he'll distance himself again. For Jonathan, it's sympathy for his brother who appears to have some very deep feelings for his friend, feelings he can't quite grasp yet but soon enough will.
For Will in the second scene, it's heartbreak that he has to accept that Mike will never feel the same, knowing that supporting his relationship with El (encouraging it honestly) will likely turn out just as it did last time, with him losing Mike all over again, for the last time. For Jonathan it's sympathy for his brother who has now confirmed his suspicions that the feelings he has for Mike are more than just that of a friend.
Given that this parallel reinforces the same feelings Will and Jonathan had in s3 to now, why would this not also reinforce those same feelings that Mike had in s3 to now?
In the first scene, Mike was visibly distraught, with dialogue from Hopper in the background applying a little too perfectly with what he was feeling in that moment, which was scared. He’s apparently back together with El now, despite them doing just fine as friends for the last 3 months, as well as him and Will just having finally gone back to them being on good terms again. But now, it’s like he’s right back where he started at the beginning of s3, feeling obligated to be the perfect boyfriend to El, and as a result, having no choice in his eyes but to distance himself from Will. Mike then walks into his house looking like a zombie, almost emotionless stepping into his mother's embrace.
Now, I say almost emotionless because it looks like Mike was trying to hold back showing how he truly felt in this moment. He's not crying like he did in s1 when he lost Will that first time. Time has passed and things have changed (he doesn't want things to change). And he's trying his best to keep it together. But the in-focus close-ups make it clear that he is definitely not okay.
What's so impactful about these parallels is that it presents the inner struggle both of these characters are having, both queer and experiencing doubts, but in different ways and for different reasons.
Will is the one who covers it all up with lies, hiding the tears in his eyes, because boys don't cry.
Mike is the one who has never cried to them, just to his soul (RUN AWAY! TURN AWAY! RUN AWAY! TURN AWAY! RUN AWAY!!!).
If you actually try to get a gage on Mike's in-focus emotions in that first scene vs. his out-of-focus emotions in that second scene, well they're not that far off from each other.
We go from Mike smiling vibrantly at Will, to him now slowly turning away to look back down at the painting, with whatever the hell emotion this is...
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It's near impossible to catch because of how out-of-focus it is, but looking a lot closer, it honestly appears like Mike is feeling something akin to sadness that he's trying to mask. For a moment it even looks like he turns his head to wince emotionally, only to correct himself.
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And call me crazy, but these shots also low-key parallel each other. Mike looking down trying to keep his emotions in check and failing miserably, only to look up and meet eyes with someone whose witnessing it.
With each shot before this of Jonathan observing Mike looking at Will, with him showing all the emotions Will never got to see and everything else in between, I wonder what Jon saw this time? Probably another thing he didn't expect.
Can you just try to imagine the silence in this van, accompanied by Will's muffled sobs, and then try to imagine Mike turning to look down at the painting, only to sneak a glance, and then go right back to looking at the painting, IN SILENCE, and then try to tell me how the assumption that Mike didn’t notice Will crying makes any sense, like realistically?
Yeah me and Jonathan are confused too.
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Right now, Jonathan's probably wondering why Mike was acting a little fruity and repressed during the painting reveal. And that although he may have a penchant for being able to 'capture the right moment', Mike is sticking with his story (despite all the stalling and doubt). He is 100% straight!
And so maybe this is where Jonathan tries to accept what is being presented to him as the truth, despite the contradictions in front of him. It's likely that despite the way Mike looks at Will and acts around him, in ways he would have assumed coming from Nancy in s2 would've been evidence that she felt the same, it probably doesn't apply to Mike.
Maybe Jonathan's ready to accept that it's a lot more likely Will is experiencing unrequited love as a gay kid growing up in a small town, the most predictable experience a gay kid could go through, and in contrast Mike just feels too bad to let Will down easy.
Or who knows, maybe Mike could still be a little bit gay too...
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But it doesn't matter anyways. Mike seems to be adamant about this and so there's really nothing else Jonathan can he do besides tell his brother he'll be there for him no matter what. And so he does just that.
But then Mike just has to surprise him one last time.
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For those that don't know, the line Mike gives here in his monologue was in part pulled from Will's monologue in the van. Most don't know this because this line didn't make the final cut for the van scene, but in the official script the writers posted, what we find is an almost a direct parallel.
Which makes the reaction shots of Will and Jonathan directly after Mike says this all the more epic.
From Will's end he was probably hearing Mike say this and just thinking 'Damn. Well, that's what you get for using your feelings to inspire Mike to profess his love to El.'
But from Jonathan's end, I don't think his outside POV of these events overlapping was nearly as naive as his brothers understanding of the events. Because why the fuck would Mike need to use Will's feelings to inspire him to profess his love to El in the first place? Is this what Mike has been struggling with? Really? Why before every moment Mike takes action in this scene, is Will's hand literally pushing him into it? Why is Mike being so dramatic about saying I love you, stuttering and rambling about her being a superhero, not saying nearly as meaningful of things as what Will said in the van?
And then it hits him.
Mike is reminding him a little too much of another Wheeler right now...
Nancy Wheeler, who was afraid of what would happen if she accepted herself for who she really was, leading her to retreat back to the safety of Steve. Because Nancy liked Steve, but she didn't love Steve.
And now here is Mike Wheeler, who has went from being incredibly distant with Will after reuniting with El, something that is very unlike the Mike he knew in previous seasons, to something more himself again after they make up, with him looking at Will with adoration after hearing his words in the van, only to turn away and look heartbroken. Mike who is now struggling to simply tell El he loves her with Will right behind him literally yelling at him to do it.
And now it's like all those little moments are starting to add up to Jonathan.
Suddenly all those signs he picked up on from Will when he was younger are now blending in with moments Will shared with Mike. It was Mike who jumped in after him and his mom's speech to Will in the shed in s2, with tears in his eyes recalling the day that they met (without being asked, let alone pushed to). And it's Mike who is now looking like he's at war with himself as he attempts to give encouragement to El, just like he did with Will in s2, but this time he needs someone to push him to do it, and that person just so happens to be Will. After just finding out about Will's feelings and also while assuming El wants him to love her that way still, Mike is stuck.
I don't think it's takes a genius to consider Jonathan is capable of realizing how fucked they all are in this situation.
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As much as Mike isn't ready for a sleuth of reasons, Will isn't ready either.
This provides a huge contrast between the bylers ², because while Jonathan and Nancy went through a similar experience to Will and Mike, them being ready to accept it and act on it didn't involve nearly as many factors and risks. Will and Mike also have the added barrier that is homophobia.
Will's internalized homophobia lies in part with assuming Mike could never feel the same based on some of the words he said in their last two fights, with parts being painfully reminiscent of the things his dad and bullies used to say about him. These are also words that contradict Mike's own words and actions from the previous seasons, things that did once give Will hope. The shame and guilt that comes with falling for your best friend, who you now know will never feel the same after being foolish enough to believe it not too long ago, and who might not even want to be your friend anymore upon finding out the truth, is understandable. He can't have hope like Jonathan can. It's just not the same.
Mike's internalized homophobia lies with assuming El wants him to love her, along with their relationship being expected and socially acceptable from everyone around him. Though unfortunately for her he feels abundantly more in love in the moments he shares with Will. Despite trying to make it work with El as hard as he could, because she's amazing and all any guy could hope for in a girlfriend, he can't ignore the fact that the feelings he has for these two people are different. The shame and guilt that comes with you, a boy, falling for your best friend, who is also a boy, and who is starting to show that he feels the same, all while you can't muster up the courage to break up with your girlfriend, nor can you muster up the courage to tell her that you love her, not when she's begging you, dying or even just simply at the end of a letter, is pretty understandable too. He can't have hope like Nancy can. It's just not the same.
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Spoiler: They were not ready.
PS: I'm still not over the fact that they low-key confirmed these events elsewhere in the story...
#byler#st analysis#pocketgate#lettergate#i'm aware this is a hot (big brain) take#but i'm like 76% sure mike understood will in the van scene#also why mike is gonna finally be dealing with some personal business in s5...#just want to add that this makes the scene at Nina hit harder#also#mike trying and failing to tell el he loves her or break up with her at surfer boy and stalling because he just can't fucking do either?#mike's face when will pushes him to profess his love to el right in front of him???#honestly i dont think mike would've gone through with his monologue if he didn't think this is what el wanted in large part#i think he thought that if he did break up with her she wouldn't need him at all anymore#or more specifically if told her the truth she might hate him for it and just not want to be in his life in the aftermath of that#this is why he struggled so much with being honest#it was either lie and suffer but get to keep her in his life most likely or tell her the truth and potentially lose her and still suffer#it's just that now he has literally no choice but to conform and be with her all while knowing it's not what his heart truly wants#the heart not being true to himself jumpstarted the apocalypse#everyone act surprised#byler getting jonathan’d in s5 can be something so personal#no but imagine jon getting even more signals mike feels the same 😭#and he tries to talk to will about it but will just gets upset like pls stop why are you saying this?#or imagine him talking about it subtly with Nancy and her being like no way#only to see it for herself#maybe then Nancy would try to talk to Mike about how he’s feeling#idk I could genuinely see byler just getting byler’d individually#but it’s clear at this point Jonathan is extremely suspicious#honestly all I think it would take is him having intel about their previous fights#if he found out mike defended his behavior by insisting that they’re friends…#jonathan would just be like… oh shit.. the first lie…
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rockingtheorange · 5 months
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Cry time ಥ_ಥ
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Henry and Alex slept together after the lake scene, both conscious of the fact that an unspoken "I love you" was in the air.
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The difference is that Henry left the bed in the middle of the night looking at Alex for the last time, meanwhile Alex fell asleep looking at Henry and woke up alone.
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turtleblogatlast · 7 months
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Leo post invasion: beaten to a pulp
Big Mama post Shredder: beaten to a pulp
Time lapsed between these events: roughly a couple months
Therefore- I propose a scenario where they both end up at the same yokai physical therapy spa retreat
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laxxarian · 2 months
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Picnic time with the Fentons
Danny was in Amity Park with his family, having a little picnic.
After everything that happened, everyone accepted Danny as Phantom. Everything was going well when a new family arrived in Amity Park, they are the Wayne family.
The Waynes just wanted a time-out from work, well, more like Alfred wanted them a time-out and sooner or later, during their visit in Amity. Bruce meets the Fentons and everything are spiraling down there cuz everyone still sees the Fentons as crazy scientists that keeps shooting down around the town but the difference from before and now are like joking about the past.
And that the Amity accepted their fate.
The Waynes thinks that they are villains but just really dumb but cant really say that since the Fentons are actually quite good at fixing tech and also making one out of every day materials like a thermos.
Danny thinks that this is all just hilarious and cracked up some dead jokes that got Jason eyeing on him while Jack laughs and the others just sighs in annoyance.
One of them commented: "I don't even know which side you're better off with. Dead or alive?
and Danny casually replies with: "Both are a die-hard fan, I guess."
and so on.
But what's really intriguing in all of this is just whenever Danny questions where the GIW is, everyone just can't seem to remember and the Waynes are confused so they asked Danny about it and Danny answered.
In all of this Q&A session, the Waynes found out that he's a halfa but not all too surprised that Danny would've thought they'd be but then again, Danny had an inkling feeling as to why.
No
He does know why.
And that this all picnic is all one big lie
"I'm still inside a facility, am I?" Danny asked, his glistening eyes looked straight back at Bruce with a cowl on.
"Hn."
or
"Where am I?" Danny asked, his voice hoarse. Jason didn't look at him, avoiding Danny's gaze that only made Danny laugh tiredly. "Thank you..." Danny closed his eyes and when he opens it again, he sees himself on a table, strapped and muffled. The dissection time were already over by the time he opens them.
Danny was thanking a person who helped him even if it was a lie.
Martian Manhunter helped him.
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introspectivememories · 4 months
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what's wrong with data analyst bernard?
summary: tim's a workaholic ceo. bernard is, to put it simply, a down-on-his-luck loser with a kid to take care of. somewhere along the line, they meet. (very loosely based on the 2018 hit kdrama, "what's wrong with secretary kim?")
A/N: for @chamiryokuroi bc this fanart has given me brainrot since the moment i saw it. but also bc, i missed writing and your art helped. i hope you like it. (more notes at the end.)
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Today is a good day, Bernard thinks happily, brand new ID badge bouncing on his tie. It's his first day at Wayne Ent. and Mori had sent him off with a hug and muttered, "have a good day, Tou-san." It's been bouncing around in his head all day. Tou-san, Tou-san, Tou-san, he's really a dad now. He's got to make sure Mori has everything he needs and this new job is going to make sure he can do that.
Shaking his head once to clear it, he takes a sip of the complimentary coffee a team member bought him for his first day. His team leader, Young-joon Lee, is taking him on a tour of the building. Young-joon is a wonderful man in his late 30s but it's very clear that he's been consumed by the office lifestyle.
"...and here is our magnificent lobby!" Young-joon is saying as he tunes back in. His team leader spreads his arms wide out as he speaks, "Everyone knows the lobby but it's my personal philosophy that making friends or at least being on amicable terms with the ground floor staff will make your life easier."
Bernard laughs politely, "I know what you mean. I can't tell you how many times being nice to the host at the restaurant I used to work at saved my butt during rush hour."
"A man after my own heart!" Young-joon says, smiling widely as he leads him to the help desk.
Bernard tilts his head up to look at the skylight. It's a gorgeous thing with little animal motifs running alongside it. It lights up the lobby bringing a welcoming feeling into it. With the sunlight pouring into the room, along with the din of busy workers in slacks running to and fro, it really feels like stepping into a movie.
Are you seeing me Darls?, he thinks with a childlike glee, hand coming up to thumb at his badge again, I made it!
"This, my friend," Young-joon says, pulling up to the help-desk, "is our wonder-duo. Tamara and Abhishek. They practically run this building. Lord knows we'd be tripping all over ourselves without them."
Tamara and Abhishek smile as they get introduced.
"They run this building?" he asks confusedly.
"You see, young padawan," Abhishek says, "not only do we help the people that come in here asking questions or for instructions, we also answer any questions the staff has for us."
"Things like, 'What's HR’s number?' or 'Can you page Data for me?' or 'No seriously, I'm calling HR on this man right now. What is their number?'" Tamara says grinning.
Bernard laughs. It feels like that's all he's been doing since he got here. "You have to tell me the story on that one day."
"Sorry," Tamara says, faux-apologetic, "the minimum clearance on that story is half-a-year. Gotta level up."
His cheeks hurt from smiling. This is his and Mori's new beginning. This is where they level up. Nothing's gonna stop him now.
"Do you know the story behind that one?" he asks, turning to Young-joon.
"Of course! But where would be the fun in telling you? You have to stay the six months and if luck comes my way, longer."
"You want me for longer?"
"Of course, I saw the way you worked during those practice problems in the interview. I had to fight the other team leaders for you. It was brutal."
"Get back I say!" Young-joon says, miming a sword fight. A pleased warmth builds in his chest; they wanted him, they wanted him!
Darls you better be fucking watching this. I'm movin' up in the world.
"Ooh, send me that footage. I wanna see our newest recruits skills," Abhishek says.
"You got the data team fighting over you?" Tamara asks, eyebrows raised, "I wanna see it—"
Whatever she was going to say is cut off by the sound of both of their pagers pinging. Immediately going stock still, they start typing on their computers.
Bernard turns to Young-joon confused but his team leader looks like nothing is out of the ordinary.
"The boss is coming." Young-joon says, like that's a reasonable explanation for two people shutting down in the middle of the conversation, "It's always quite a spectacle and they always have to notify the other execs. Just watch."
Still, the boss? Maybe Bruce Wayne will say 'hi' to him and he'll charm the CEO and Mr. Wayne can figure out a way to—
No, no. He's done making those kinds of fantasies. Nobody is coming to help. Bernard is going to figure out his life on his own, he is going to take such good care of his kid, and he is not going to wait for some rich billionaire to swoop in and take care of him. He got this far didn't he? He'll get even farther.
He and his team leader lean against the help desk sipping coffee as they wait for the CEO to come in and sure enough, a black Rolls Royce pulls up to the driveway in the front. The minute the door opens, flashes from the paparazzi's cameras start going off. Out steps a bodyguard in a black suit with an umbrella opened. From below the umbrella he sees a nice pair of brown loafers step out. The CEO seems to be wearing a navy blue suit today. The paparazzi roars and the flashes increase.
"Oh wow," a man remarks a few feet away from him, "the circus is strong today, huh?" His friend laughs.
A woman wearing red heels steps out after the CEO, the paparazzi flashes decrease dramatically. More bodyguards exit after the woman and form a square around the CEO and his assistant/secretary. They shuffle towards the entrance where he sees the elderly doormen greet the executives with a smile. Whatever they say is lost to the sound of the city but the doormen laugh and push the doors open.
Young-joon's been making small talk throughout the entrance and Bernard tries to keep up but whatever the hell is going on at the entrance is way more interesting than anything his team leader is talking about. As they enter the guards spread out and dissolve the square. The woman comes into view first, red heels with a black slacks and a white button down. She's holding a long coat in one hand and a laptop bag slung over her shoulder. She's gorgeous and clearly the one in charge, going by the way she barks orders at the guards.
Young-joon says something and he turns around to respond, grabbing his coffee cup off the desk counter. His CEO's loafers tap across the lobby's marble floor, something about it is comforting. A lull in the room's conversations causes the CEO's voice to carry over.
"...Tam, make sure the quarterly reports are on my desk by at least 4 today and make sure to push back the sales meeting by 30 minutes to an hour, the board wants to talk — Oh Mr. Bardakcı! Thank you for stay—..."
Bernard's heart jackrabbits in his chest. He knows that voice but- it can't be. It's not possible; he chose Wayne Enterprises for a reason. He's not supposed to be here. He's supposed to be at his father's company. Unless... there was a merger? No, that seems like the kind of thing the news wouldn't've shut up about. He would've known.
When was the last time you had time to sit down and read the news, Bear? Darls says inside his head
She's right. With filing for custody of Mori and graduating from college and the job search, he hasn't had time for much else. It's entirely possible that he could've missed one of the biggest mergers of the decade.
Fuck, Fuck.
He wasn't supposed to be here. Bernard was supposed to be moving on. He was supposed to be building a life for himself away from the shadows of his childhood. He was supposed to be forgetting that Tim Drake ever existed.
He has to make sure though. Turning his body around, he prays that it's not the man he thinks it is. But sure enough, there stands Tim Drake, resplendent in a navy blue suit and a golden tie.
Golden ties for golden boys, he thinks absentmindedly.
The suit fits him perfectly, stretching across his shoulders and wrapping around his waist. Even the tie looks knotted perfectly. How long did it take him to learn, Bernard wonders. He could never get it right back in high school. Does his assistant Tam do it- no, no! This is why he didn't apply to Drake Industries. Bernard can't do anything around Tim and Tim is never going to care enough about him to stay.
Tim's head seems to be turning in his direction and Bernard whips his head back to make sure Tim doesn’t even catch a glimpse of him. His hand twitches violently enough that the coffee cup falls out of his hand and spills all over the floor. The cup rattles deafeningly on the floor. Bernard can't fucking breathe.
"-ernard? Bernard!" his team leader's voice cuts through the haze in his head. Young-joon looks concerned, "Are you okay?"
He blinks slowly, "...What?"
"I said, 'Are you okay?’ You look like you've seen a ghost?"
No, Bernard thinks, seeing Darls would be preferable to whatever level of hell I've found myself in.
"I'm—, I'm fine." he says rather unconvincingly. His eyes dart back to the spill, "What am I saying? There's a large puddle of coffee on the floor. I—, I should get some paper towels for that."
"Do you have any paper towels, Wonder-Duo?" he asks, trying desperately to ignore Tamara and Abhishek's concerned looks.
"I already called the custodial staff," Tamara says slowly, like she’s trying not to spook him, "but if it makes you feel any better," she pulls out a huge stack of paper towels, "go crazy, I guess."
Bernard takes a handful of paper towels and gets to work. The cleaning is meditative and with each swipe of the paper towel, the puddle gets smaller. Bernard pretends the puddle is his feelings for Tim. Swipe, forget about the 4pm milkshakes and his laughter when Darls snorted milk out of her nose. Swipe, don't think about the way he used to smell. Swipe, he left and never looked back; you don't look back either.
The tap, tap, tap of loafer on marble is getting closer to them for some reason. Why is it getting closer? Does it not have staff meetings, market research, and people to leave behind?
"What is going on here?" Tim asks.
"Nothing much, sir." Abhishek responds, "Newbie just spilled some coffee."
Abhishek, no!
"Oh is that all? And he took the initiative to start cleaning instead of waiting for the custodial staff. You made a good choice, Young-joon."
"Thank you, sir!" Young-joon says, "I was taking him on the tour when you came in. Most newbies love the show so I thought we'd stop here for a little bit."
Tim laughs. Bernard hates that his heart still skips a beat at the sound.
A pair of brown loafers and a wool-covered knee slowly appear in his vision. Why is Tim crouching in front of him? Why won't this man leave him alone?
"This looks like quite a lot of work, let me help."
You can help by leaving me the hell alone, he thinks uncharitably.
"I hope you found the facilities to your liking," Tim continues, like he hadn't heard Bernard's thoughts, "My name is Tim Drake-Wayne, CEO."
I know, he wants to say. I know you're Tim Drake. I know you like to skateboard and that you stared at Tony Hawk's photo for an hour every day in high school ‘cause didn't want to be one of those people who didn't recognize him. I know you struggled with your dad not really being there. I know you loved Mrs. Winters as much as you loved your mom. I know that you like history more than any other subject even though your best was always math.
Bernard says nothing instead.
Tim laughs awkwardly and Bernard knows he isn't helping the conversation along but whatever, he's allowed to be petty, right?
"I assure you, whatever you heard in the tabloids and the news, isn't true. I promise I won't bite…," Tim’s voice trails off as Bernard lifts his head.
"...Bernard?" Tim whispers, he looks like he's seen a ghost.
Bernard tries for a smile, he's pretty sure it comes out looking like a grimace.
"Sir," he says nodding curtly, hands still moving to sweep up the coffee puddle.
Tim's hand reaches out to touch his face, as if to make sure Bernard is really there. Bernard recoils as Tim's hand grazes his cheek. Tim's hand hangs in the air uselessly.
"Bernard?" Tim says again, as if to make sure his eyes aren't playing tricks on him.
"That's my name, Sir," he says through clenched teeth, "don't wear it out."
He can feel Young-joon and the Wonder-Duo's confused stare but he says nothing. What would he even say, really?
Hey, this is my old friend Tim Drake? Hey, I used to know him like the back of my hand? Hey, our best friend died and it feels like I'm the only one still grieving? Hey, in my junior year, five different gangs shot up my school and my best friend died in my arms and he left and I had to pick up the pieces by myself? Hey, I'm the idiot that's still in love with Tim Drake?
The clack of Tam's heels comes as a welcome distraction.
"Tim!" she says, grabbing his arm and pulling him away, "What the hell do you think you're doing? We have to go talk to the board. Build rapport with your employees later."
Tim stumbles to his feet, "Yes, but—, I—, This is—"
He sounds like he's glitching. Bastard. Is it really such a surprise to see Bernard in a well paying job? Even Tam is starting to look a little concerned now.
"Explain later," she commands, dragging Tim behind her. Bernard keeps his head down and continues wiping up the coffee puddle. Sneaking a glance upward shows him that Tim keeps turning back around to stare at him.
For a moment their eyes meet, brown against blue. 'Bernard?' he sees Tim mouth. Bastard, saying his name so many times. Doesn't he know what that does to Bernard? Why does Tim insist on breaking his heart again and again and again? Was once not enough?
He's tired of putting these walls up and just for a second, he lets them come down. Let Tim see the entirety of his brokenness. Tim already has his heart, he can have this too.
'Tim' he mouths back, smiling sadly. Tim looks stunned and the rage that had been simmering in his gut begins to boil over.
Do you see what I've become? Do you see how thoroughly Grieves ruined me? Is this not your doing too? Why did you leave? Have you ever visited Darla? Why was it so easy for you to not look back? Was I not your friend? Or was it just a time pass? Why wasn't I enough for you to stay?
He watches until the elevator doors close, separating him from Tim once again. His body sags like a marionette cut from its strings and his fingers clench uselessly around the coffee soaked paper towels. A hand lands on his shoulder and he flinches.
"Hey, hey," Young-joon soothes from where he's crouched right next to him. When did Young-joon crouch down? How much time has he missed? "It's just me, Bernard. Are you okay? What was that? Does our CEO know you?"
He exhales shakily. He needs to get out of here. He needs to sob hard enough he throws up. He needs the steady press of a knife on his back. He needs things he's not allowed to have anymore.
Bernard shoots up so fast the world spins around him. holding onto the desk for support, he tries to smile at his team leader. It stretches across his face misshapenly.
"I'm—, I'm sorry," he says stumbling over his words in a rush to get them out, "I have to—"
He has to what? Pretend to not see Darls out of the corner of his eye? Pretend like his hands don't have blood on them? Pretend like he isn't seeing bullet wounds every time he closes his eyes?
"—go to the bathroom," he finishes lamely. Gathering up all of the paper towels, he walks away dazedly, ignoring Young-joon's calls behind him. He shoves the towels in the nearest trashcan, letting his feet lead him to the nearest bathroom.
The bathroom is thankfully empty when he enters and he locks the door behind him. Sliding down the door, he exhales shakily. There's not enough air in this room; he can't breathe. The fluorescent lights hum above their coverings. The one on the left flickers. Who's bright idea was it to install school lights in a business office's bathroom?
The world outside the bathroom rushes on too loudly. Somebody is talking about their vacation. Someone is bemoaning their presentation today. His chest is getting tighter. His hands come up to tug on his hair. Why can't he breathe?
The exhales are coming quicker and quicker. Something comes tapping down the hallway. It's the gunmen, it has to be. A quick glance down tells him all he needs to know: he's covered in blood.
It's Lila's, he thinks dazedly, I had to carry her into the office. Or no, it's Olu's. I held him when he died. He said, he said, what did he say?
Why can't he remember? He hits his head with the heel of his palm.
Think he tells himself, we have to tell Olu's parents what he said. He said—, he said—.
His body sags.
Oh now he remembers. He said, "I don't wanna die Bernard."
A whimper tears itself out of his throat and he slaps a palm over his mouth. There's blood smeared across his face now, he must look like he walked out of a slasher film. He has to be quiet. if he's too loud, the gunmen will find them and then they'll all be dead.
Cry quietly, he tells himself, Darls doesn't need—
Darla! How could he forget about Darla with a hole in her gut? He needs to get to her. Lurching forward, he scrabbles across Mrs. Castillo's linoleum floor. He's smearing Olu's blood everywhere. Why won't Nikhil stop fucking crying so loudly? Goddamn freshmen and their hysterics. Where is Tim? Is he safe? He can't lose both friends today, please Lord, please.
BANG!
A violent flinch tears through his body. He sobs audibly this time, gagging on his spit. It's the gunmen, it has to be. He hasn't even held Darls' hand or counted Tim's moles for the last time. Where are the Darls? She shouldn't be alone. She doesn't like violence like this.
"Why didn't you save me, Bear?" a voice asks from behind him.
He freezes. Slowly he turns around and nearly yells in shock. Falling back on his butt, he stares up at his friend.
(He has to be quiet, he has to be quiet, he has to be quiet-)
Darls is standing behind him still in her crop top and cargo pants. Her once smooth midsection, bloodied and warped. The bullet wound still drips blood.
Plink, plink, plink.
Bernard hates the scent of iron.
"Why didn't you save me, Bear?" she asks, her voice echoing, "I thought we were friends."
There’s blood dripping down the side of her mouth. Now he remembers, the blood on him isn’t Olu’s or Lila’s — although there is that too — it’s almost overwhelmingly Darla’s. He’s covered in it. Elbows deep in it. It streaks up his arms like a macabre tattoo. He wore a white shirt to school today. The stains will never come out. He is Carrie at the end of prom, mortified and humiliated.
He crawls backwards until his back hits the wall, the impact knocking him out of the worst of that night. He's back in the bathroom. The lights hum loudly overhead. Darla hasn’t left yet.
She tilts her head, “Why didn’t you help me, Bear? I thought we were friends.”
“We are,” he rasps out, “we are friends.”
“Are we?” her eyes have no pupils. His Darls had eyes that shone in the sunlight. His Darls is dead. “Then why am I still bleeding? Why am I still hurting? Why is there a bullet in my stomach, Bear?!”
She’s shouting by the end and he flinches. His hands can’t seem to stop tugging at his hair. The blood must’ve smeared all over it. Talk about taking strawberry blond literally.
“I swear I did everything I could Darls,” he sobs out quietly, voice cracking, “I followed all of Mrs. Castillo’s instructions as best I could. I put pressure and tied the dressing as tight as I could.”
“You thought that was enough?” she snarls, hands coming down to grip the wound. It twists grotesquely; he gags, “You think any of that matters when I’m dead and you’re still alive?”
“Please, please. You know I wouldn’t leave you to die, Darls. Please, please, please believe me.”
“Liar, liar!” she screams, blood dripping out of her mouth onto her pink LOVE shirt. It darkens as each drop hits it. Soon it’ll be completely drenched and she’ll be drowning in it. Where did his smiling friend go? “I’m dead, Bear! I’m dead, dead, dead and it’s all your fault! Why didn’t you save me?! Why didn’t you save me?!”
He keens, body curling in on itself. One hand goes down to press on his throat; he’s making too much noise. Nikhil’s just a freshman. He shouldn’t have to die just because Bernard couldn’t shut up for once in his life.
“Please,” he whispers raggedly, “I tried, I tried. I swear I tried, Darls.”
“It hurts, Bear,” she sobs. Darla’s too young to be sounding so wrecked, “It hurts so much. Please help me.”
All of sudden, it’s too much. The taste of iron sits heavy on his tongue and Darla won’t stop sobbing. His fingers fumble for his phone and he presses one. It rings once, twice and finally on the third ring does a voice answer.
“Bear?” the other side says groggily.
“Ty please, I can't do this anymore,“ he sobs.
Tyrone suddenly sounds a lot more alert, “Bear what’s going on?”
“Darla won’t stop crying and she keeps on screaming that it’s my fault she died.” he wails, “I know I should’ve done more but please, can you tell her I tried? That I stayed with her until the end? She won’t listen to me, Ty. She won’t listen to me.”
There’s a muffled yell of ‘Babe!” on the other end. “Yeah,” Ty breathes out, “I’ll tell her.”
“You put me on speaker, okay?” Ty instructs, “And you gotta tell me if she’s nodding or if she’s gone or if she said anything, alright? I can’t see her.”
“Okay,” he whispers, pulling the phone away from his ear to press the speaker button.
“You tell me when to start, Bear,” he says, voice filling the bathroom. Darla looks up from where she’s sobbing.
“You can start now Ty,” he rasps out, holding the phone out.
“Hey Darla,” Ty says, “Bear told me you said a lotta mean things about him. Stuff like, ‘he’s the reason you died’ and that ‘he never cared’. Darla, you gotta believe me when I say Bear never stopped caring. He held your hand the whole way through. Told you stories about all the things you two were gonna do once you got out of that nurse’s office. He tried, Darla, honest. I’ve never seen him as focused as when you stopped breathing and Mrs. Castillo had him give you CPR. He couldn’t stop sobbing the whole time.”
“But I’m still dead,” she says.
“But I’m still dead,” he repeats.
Ty inhales sharply, “Yeah,” he says thickly, “you are. And I’ll never stop being sorry about that. But you can’t take that out on Bear. He’s just trying to live his life.”
Darls’ face twists up like a childs, “But it hurts,” she cries.
“But—, but it hurts,” he repeats, voice hitching.
Ty curses, “Oh, fuck. I can’t do this. Babe, can you—?”
“Yeah, of course.” 
“Hey, Darla. It’s me, Jimmy from the football team. I don’t know if you remember me but I remember you. After high school, me and Tyrone ended up getting married. Somewhere between shitty weed brownies and bad college parties, we fell in love. Isn’t that nice?”
Darls nods; he tells them as such.
“We visited you after the ceremony. I hope you felt that wherever you are these days. But the point I’m trying to make is that from all I’ve told you just now, you can probably figure out that Ty and I didn’t go pro like we planned. The shooting fucked up Ty’s knee and and my arm. After the hospital stays, playing football for a whole bunch of people just didn’t sound appealing anymore. We’re high school teachers now. Ty teaches math and I teach gym. When it rains or gets cold, my arm and Ty’s knee hurts like hell. But Darla, it doesn't hurt forever. It gets better, I promise.”
“Darla,” Jimmy says, voice unusually serious, “you’re right, you are dead and it does hurt. I’m sorry, I’ll never stop being sorry. I don’t know if it’ll ever go away for you; I’m not too much of an expert on the supernatural. Ty’s the smart one, after all. But I love you, Ty loves you, Bear loves you. I hope that when it hurts the most you can use that as a balm.”
“Auntie Bea loves you too!” Ty’s mom hollers from the background, “Aunt Betty, too!”
Ty laughs wetly and Jimmy snorts, “Does that sound okay?” they ask.
Darls smiles, her teeth stained red from all the blood that built up in her mouth. Bernard misses her with an ache he feels in his bones. Darls nods.
“She nodded,” he says quietly. He blinks once and she’s gone. Where did she go? Doesn’t she know that the gunmen are still at large? She needs to be somewhere safe. He can’t lose a friend today.
“Bear, Bear, you gotta breathe. Take a deep breath for me, c’mon,” Jimmy says.
“She’s gone, Jim. She’s gone again. Why does she keep leaving?” he says, crying. His body can’t stop trembling. How long has he been here? How much time has he missed?
“I miss the cult,” he whispers, “I never had things like this happen when I was with them.”
“Yeah,” Ty snaps, “‘Cause you were high off of like 50 different pain meds ‘cause you let them whip you.”
“Ty, not helping.”
“Move over, let me talk to him."
"Hey, sweetheart," Auntie Bea's voice crackles through his tiny speaker, "I know you're tired and I know you're hurting. I know you miss the cult but you gotta breathe for me, okay? You're gonna pass out otherwise."
"I can't, I can't," he gasps out. 
"Sure you can, you just gotta tell me five things you can see. Can you list those five things for me?"
Bernard desperately tries to get his breathing under control, "The sink is dirty."
"Good, good. Anything else?" 
"The tiles need to be re-grouted."
Aunt Betty barks out a laugh. Bernard's lips twitch upward.
"Keep going."
"My pants, my white shirt, my ID badge," he rattles off.
They talk him through the rest of the grounding techniques and by the time he feels like he's in control again, he's exhausted. His eyes hurt and his throat is dry. 
"Can you tell us why you spiraled so hard, Bear? This hasn't happened in a long time," Jimmy asks.
"I spoke to Tim again," he says simply. He pushes himself up onto his feet and walks over to the sink. Setting the phone down on the counter, he grips the sink with both hands and just breathes. The Bernard in the mirror looks like he just came out of a warzone, eyes haunted, hair messed up. 
"Oh fuck," Ty says, "Where did you even meet him?"
"At my new job at Wayne Ent."
"Why would you apply there?" Jimmy asks, stressed.
"I didn't know! It's not like I've had a lotta time in the past few years to check the news!"
"Well, whatever, what’s done is done." Ty says, ever practical, "Are you going to quit?"
"No!” he says vehemently.
“No,” he repeats quieter, “Wayne has the best benefits and Mori needs that. I’ll just suck it up and try to avoid him.”
“Don’t be fucking stupid,” Aunt Betty says.
“Ma!”
“Oh be quiet Jimmy. I’ve never heard of a more stupider thing. He’s your CEO, Bear, and he knows you work there. He’s obviously going to want ‘to catch up’ or whatever. There is no avoiding him. Can you handle that?”
What can he say? Aunt Betty is right. He can’t handle talking to Tim. Even seeing Tim felt like touching a live wire. He can’t deal with another episode. Mori doesn’t need him to be fucked up, Mori needs him to be the stable adult he promised the courts he was. 
“You can’t, sweetheart,” she says softly, “you can’t handle it.”
There’s some shuffling on the other end of the phone. 
“Bear,” Ty says gently, “I love you, man. You’re my brother. Jimmy loves you, Mama loves you, Aunt Betty loves you. But you gotta start thinking about therapy.”
“I know, I know,” he sighs, “I shouldn’t’ve dragged you into this. I’m—”
Ty cuts him off with an exasperated huff, “It’s not about that Bear. I’ll keep talking to your hallucinations for as long as you need me too. Even when we’re seventy, I’ll do it for you. I don’t care about that. I care about you and I want you to be happy and healthy. I don’t want you to keep seeing Darla. I don’t want you to keep trying to scrub the blood off your hands. 
“And I know you’ve been avoiding therapy ‘cause you don’t got the money and ‘cause talking about your problems is scary but it’s not just you anymore. You got Mori now. That custody claim is going through. You can’t just avoid things ‘cause they’re hard now. You work at Wayne now; that paycheck is more than enough to set a few dollars aside each month to save up for therapy. Hell, mental health probably comes with your medical benefits. Please, Bear. If you can’t get help for you, then do it for us, for Mori. Please stop making us watch you hurt.”
Bernard exhales shakily.
“I never wanna find you the way we did after the cult, Bear. I never wanna see you in the hospital bed like that again. Please don’t do that to us, please,” Ty whispers.
Unconsciously, his hand comes up to rub at the scar left behind from the sacrifice. It stretches along the length of his sternum, jagged and rough. On good days, he can pretend that it’s a scar from a heart surgery. He doesn’t have that many good days.
Bernard presses the heel of his palms into his eyes before using his hands to scrub at his face. He’s always so tired these days.
“Okay,” he says simply, “okay.”
“Okay?” Ty asks hopefully.
“Okay, you’re right. It’s not just me anymore. Mori deserves the best and I’m gonna give it to him. And I love Tim, I think I’ll always love Tim but he clearly doesn’t give a shit about me. So I gotta make my peace with it or I’ll go crazy.”
Ty whoops, “Thank you, thank you, thank you!” he chants.
“Bear, it’s still the middle of the workday,” Jimmy says, although he too, sounds happy. Auntie Bea and Betty are muttering about a feast, he thinks. “Don’t you have to get back to work?”
“Yeah, that’s if I’m not fired already,” he mutters.
“Hey!” Jimmy admonishes, “Optimism only, no pessimism.”
“Alright, alright. I gotta get back to work now. Thanks guys.”
“Of course, we’ll let you go now. Ma wants me to tell you that we’re having dinner at your place today.”
“Aunt Betty,” he whines, “I haven’t cleaned and you and Auntie Bea are just looking for a reason to spoil Mori.”
“Absolutely,” they say, unashamed, “he’s our only grandson. We have to spoil him.”
“Fine,” he sighs but he’s smiling. Fuck, he loves these people. God knows he wouldn’t have survived the past six years without them.
“Bye Bear,” they say before he hangs up, “Good luck on your first day!”
He cuts the phone and slides it back into his pocket. Turning on the tap, he splashes some cold water onto his face. Using his wet hands, he tries to rearrange his mussed up hair into something acceptable for an office job.
Time to face the music Darls, he tells her smiling face in the mirror. She gives him a thumbs up in return.
The walk back to his office feels like a death sentence. He’s fucked this up, he knows it. Freaking out over a small interaction with his CEO and then running away only to come back two hours later? It’s over, done for. Bernard takes comfort in the fact that at least the severance package will be nice.
Stepping into the office, immediately draws the eyes of his team members. Every step towards his team leader’s office feels nerve-wracking. Just before he enters, Esperanza, the team’s second in command, stops him.
“Whatever happened,” she says, “just explain it to him. Young-joon’s a reasonable man, he’s not gonna yell at you.”
Some of the tension leaves him and he nods. Knocking on the door, he enters. His team leader looks up and smiles.
“Ah, Bernard! Why don’t you take a seat for me?”
He crosses his wrists behind his back, “I’d rather stand, sir.”
His team leader looks confused, “‘Sir’? Just call me Young-joon like I told you.”
“Anyway, after you left, I took the liberty of going through your file to see if there was anything I missed. I hope that wasn’t overstepping my boundaries.”
“No s-, Young-joon. You’re fine.”
Young-joon sighs and pushes the file he was reading before Bernard came in forward. It’s his file. 
“I’m going to say some statements,” he says, “and I want you to confirm whether it’s true or not. If any of these questions make you uncomfortable, just tell me okay? I’ll drop it immediately.”
Bernard nods.
“You went to Louis E. Grieves Memorial High School.”
“Yes.”
“Based on the dates you put in your file, you were there for the shooting.”
“...Yes. Junior year.”
“You know our CEO.”
“Yes,” he breathes out.
“How?”
He used to fall asleep on my shoulder during lunch and I would listen to him breathe. He’s got moles all over his face. Darls once connected them with a sharpie. His step-mom was so hot, I thought I’d spontaneously combust every time she smiled. HIs dad didn’t really like me and flirting with his wife didn’t help my case. The Drake condo had a crocheted flower blanket on the sofa that his mom had made during her pregnancy. He liked to skateboard but couldn’t roller-blade to save his life. I have all this love and nowhere to put it.
“It’s a little private,” he says instead.
“I’m only asking because we work quite closely with him. We see him often and if that makes you uncomfortable, then I can have you transferred to another team.”
His shoulders sag, “We went to Grieves together for one year. Our mutual friend died. It’s a little hard to look at him.”
“Jesus Christ.” Young-joon says, “Okay well the offer is still on the table, Bernard. Do you want to be transferred?”
“No, I like your team. I’d like to stay,” he says, firmly.
“Are you sure?” Youn-joon asks, eyebrows raised.
“Yes.”
“Okay then,” and it’s like a switch had flipped. Gone is his serious team leader and in its place is the man he met this morning.
“If you plan on staying,” he says smiling, “then my primary recommendation is that you use the medical benefits the company gives you to find a therapist. If you need help, the infirmary here will walk you through it.” 
Oh thank god it comes included with his medical, Ty will be overjoyed to hear that. But first, he has to ask Young-joon why he’s doing all this. Bernard knows his experience with authority figures is a little skewed towards the shitty side of the spectrum but even so, people usually aren’t so kind in his experience.
“Why are you doing this? Why didn’t you fire me? Why are you helping me?”
Young-joon chuckles, “Do you want to be fired?”
“No! But still, why are you helping me?”
Young-joon sighs and stands up. Walking around his desk, he stops right in front of Bernard. Young-joon puts a hand on his shoulder.
“This city takes a lot out of its people, believe me I know. And you were so young, when Gotham took her piece of you. It wasn’t fair of you to go through that. Just like it wasn’t fair to me and my wife when we got kidnapped as children. These kinds of things don’t go away. I still get worked up over zip-ties. My wife still has nightmares. All you can do is learn to live with it.
“You seem like a good kid with a good head on your shoulders. I’d hate to see all that potential go to waste ‘cause you kept getting trapped in your mind. I had a lot of help to get to where and who I am today. Consider this, me paying it forward. One day, I hope you can pay it forward too.”
His eyes feel suspiciously wet. “Thank you,” he chokes out, “thank you.”
Young-joon laughs, “There’s no need for the waterworks, Bernard. Now, pack up your things and go home. You’re in no state to analyze data today but I expect you here at 9AM sharp tomorrow, alright?”
Bernard mock salutes, “Yes, sir.”
“Goodbye, Bernard.”
Right before he exits, he turns around and calls out his team leader’s name.
“Young-joon,” Young-joon looks up confused, “you can call me Bear, by the way.”
A wide grin stretches across his team leader’s face, “Okay then. Goodbye Bear, see you tomorrow.”
Walking out of the office, it feels like a burden has been lifted off his shoulders. Esperanza takes one look at him and snorts.
“You just got Young-joon-ed, huh?”
His jaw drops, “He does that often enough you guys have a name for it?”
The other team members laugh, “Welcome to Data Analysis Team 1, kiddo. We look forward to working with you from now on.”
Smiling, he gathers his things and leaves after a few goodbyes. Once outside the building, the smile drops. It’s an hour-and-a-half bus ride from Wayne Tower to his house. The bus stop sits right in front of the tower too. Some new initiative by the mayor to promote the city moving towards green energy. Hey look, even rich people take the bus! What a fucking joke.
The tower warps the sunlight around it and he stares up at the top floor. Is Tim watching? Can Tim see him from up there? Does he care or was it just the shock of seeing someone he once knew this morning? Has Tim ever thought about him, about them? Or were they just moments in his life? Perpendicular lines, intersecting once and then never again.
I miss you, he thinks staring at the top floor, I miss you more than anything but I’ll walk into oncoming traffic before I ever reach for you again.
The bus pulls up next to him and he snags a seat in the back. Dropping his head onto the seat in front of him, he stares out the window. Darls smiles back at him in the window reflection, perpetually sixteen. He’s twenty-two now.
Fuckin’ hell Darls, he thinks wearily, we’re really in it now.
Darls places her hand against the glass, he leans his shoulder onto it. If he closes his eyes, he can almost feel her warmth.
We’ll make it through, she says.
The bus rumbles forward and he lets the cracked streets of Gotham lull him to sleep. He’ll make it through.
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A/N: chami! i hope you like it!!! i've never gifted a fic before, i don't really know how this works. and to everyone who read it, i hope you liked it too! please leave your thoughts in the reblogs or replies!!! i miss the days when td:r was coming out and we were all collectively freaking out. anyway when i said loosely based, i really did mean loosely. props to you guys if you can figure out the direct references to the drama. but this is a one-shot. i'm not gonna be writing anything else for this 'verse? au? (god i'm always so worried im using em dashes wrong)
if you have questions or you're confused by something i wrote, feel free to ask questions or send an ask or message. oh, and i know some people like know the exact wordcount. so, it's exactly 6,785 words long. nice number right?
also, please note that if you want to make art or a podfic or hell, even fanfiction of this, feel free to do so! i hope that's not too presumptuous or anything. idk i see fanfic writers make this disclaimer all the time, so i thought i'd do it to.
thank you for reading!
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yellowocaballero · 9 months
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dude psyched ur reading orv, insanely curious about ur takes
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My friend @charterandbarter put it best.
ORV is pretty fascinating to me. It's really just a self-insert isekai OP webnovel, and it is nothing else. Its medium is trashy and lowbrow, and its genre is almost devoid of high art. OP isekais are 'id' stories, meant to be satisfying and fun and contain very little of substance. ORV is a very well executed OP isekai - it contains the elements of the genre that make it satisfying, it understands why people read the genre and enjoy it, it reproduces those elements very well, and it is very concerned with telling an enjoyable story. ORV really, really loves webnovels and isekais and shitty wishfuillment stories. There's a lot more to ORV than the 'fist pump' moments of kdj doing something cool or pulling a fast one on a shmuck, but those moments are the undoubtedly the point of ORV, as they are the point of all SIOC isekai OP webnovels. And that's the point of ORV.
Metanarrative stories are cheap. Neil Gaiman's written 30 and millenials love waxing philosophical about the power of narratives. These metanarratives tend to describe stories as a theoretical framework through which we understand the world and our lives. Therefore, stories are tremendously important and valuable because they contain the totality of religion, history, culture, relationships, and lives. ORV says this too. But this theory tends to land at mystifying and exalting stories on virtue of them being stories, which I think misses the point. Stories aren't special because they're stories. They're not more sacred for containing our lives. What ORV says is that stories are important, because our lives are important. I like that a lot more.
ORV says that stories are our way of ordering a disordered world. A history, culture, nation, and religion are stories. None of those stories are true or real, because histories/cultures/nations/religions are constructs - they're how we interface with reality. They're created with a purpose, told for a point, pulled together into a narrative, and are satisfying or dissatisfying based on certain factors. ORV's perspective on fiction is deeply seeped in its own nature as 'low art'. There's something very cynical and commercialized about narratives in ORV, and every narrative in ORV is being told for a quick buck or to try and spread an idea for an individual's gains. It's a very unromantic, unimpressed view of narratives and fiction. It's pretty much the only way a SIOC OP isekai webnovel like ORV can talk about it without being disingenuous. And it's remarkably raw and visceral as a result, because ORV loves SIOC OP isekai webnovels like kdj loves yjh. Fiercely, insanely, like breathing, exactly for what it is. No pretensions.
It's bizarre, because ORV is about love. It's not about love for anything that deserves it. Not for a story with a lot of literary merit, a main character who is a remotely kind or lovable person, or art itself outside of its commercial or philosophical value. kdj really, really, really fucked loved TWS - because it was there, and because it lasted 15 years, and because it was fake, and because it was what he had. He loves yjh because yjh was his only companion in a dark world. That's fiction. Fiction helped him survive, because love is a way of ordering a disordered world.
I'm still reading myself, but ORV seems to be about how we manage to live in a hard world, and how to find it within ourselves to love each other and find meaning in that hard world. I see why kdj's the protagonist: he can find merit in something for existing, and loving it for being there, and he holds onto something because he has it. He sees the value in that. He read it in a book.
TL;DR: ORV is well-executed trashy commercialized art that is so obsessed with trashy commercialized art that it's looped straight back around into being somehow the most raw and visceral depiction of love I've seen in a long time.
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cerise-on-top · 27 days
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Eating Jausn with König
A Brettljausn is just about the best thing out there. I wrote this back in November when my classmates decided to talk about Easter and Osterjausn, so the formatting is different. However, I thought it would work well with the Easter post, so I decided to post it now.
“Honey, what is that?” You looked at the wrinkly, dark colored thing in front of you. It might have been a sausage, on closer inspection. The plate was well filled with all kinds of meat and cheese. On the side were horseradish, eggs and pepper of all colors. On a small plate in front of you were small, sliced cherry tomatoes, the basket next to it held bread.
“It’s a Brettljause, it’s what we eat on special occasions, such as easter. But you don’t always need one to eat it. Just enjoy the meat, dear. It’s all from regional farmers as well.” König seemed rather content while looking at the food. You knew that Austrians loved their meats and sausages, he had told you about that before and you made fun of him for it, but you didn’t think he’d take it upon himself to prepare something like that. It seemed like that must have taken a lot of work. Must have been fairly costly as well. There was bacon there, it looked fairly good.
You took a piece of bread and picked up some meat with a fork. “And what’s this?”
“That’s Geselchtes. I call it Gsöchts, though. It’s meat that you put in salt water before smoking for a few hours. Before eating, you normally cook it. Don’t worry, this one doesn’t have too much fat on it, you can just cut those pieces off.” He put some gray-ish meat on a slice of bread, adding some egg slices and topping it off with some of the grated horseradish. Its scent wafted through the air, stinging your nose a bit. You watch him take a bite out of the bread, he locks his eyes with yours once he notices. “Is something the matter?”
“No, no, everything’s alright.” You looked at the pink meat on your fork, a bit hesitant to give it a try. König seemed to like this sort of food, he likely wouldn’t have prepared it otherwise. Besides, it was classic Austrian cuisine, apparently, it was only polite of you to try it, at the very least. Taking a bite out of the meat, you ran your tongue across it to give it a taste. You could definitely taste the salt, but it wasn’t too bad. It simply added to the flavor. The meat wasn’t very chewy, but you wouldn’t exactly call it the most tender meat either. It was actually surprisingly good. Instead of putting it on your bread, you simply ate the piece whole before picking up the same thing König had. “And what’s this?”
“Schweinsbratn.” He didn’t even hesitate to gobble up his bread, already on his second one. This time he put some bacon on it with cheese. Eggs and horseradish weren’t missing this time either. One of the tomato slices was lifted off the plate and put on his instead.
You followed his example and put two slices of the meat on your bread, topping it off the same way as him. That meat wasn’t too bad actually either, it was obvious that it was made of pork. With the horseradish being very fresh it was only natural for it to be spicy still. It didn’t disappoint, the taste somewhat reminding you of wasabi, even if your eyes started watering a bit. Your bread was gone soon enough and you opted for another one. There was no telling if König’s next one was his third or fourth one already.
“So, Schatzi.” He prepared another one. “Is it good? Do you like it?”
“Oh, it actually is. It’s pretty good.” Taking some of the red pepper, you put it on your bread with Geselchtem, gulping down a few of the tomatoes. You were sort of surprised this stuff didn’t come with a salad as well.
By the time you were on your third bread, the plate was already pretty empty, with König having eaten quite a lot. He’s always had a rather big appetite, and for that you were grateful, there was no way you could have eaten all of that on your own. You hadn’t tried the dark, cut up sausage yet. Of course, you had no idea what that was either. “What’s this? Sausage?”
König quickly chewed the food in his mouth before swallowing it down. “Yes, that’s Hoatwiastl. Hartwürstel, I suppose. As the name suggests, it’s a hard sausage. It’s very good, though, you have to try it.”
It was rather hard indeed, you were glad it was cut up into smaller slices. Biting into it whole would be another other ordeal. It was too small to put on bread, so you ate it along with it. Once done, you were completely full, incapable of eating another bite. There were still pieces of meat and cheese left on the plate, it was unbelievable. König didn’t seem affected at all, he simply got up and started putting everything away before returning with a bottle. If you had to take an educated guess then there’s a chance “Wein” might have been the German word for “wine”. “Would you like a  Spritzer? It’s essentially wine mixed with soda.”
“Is that really necessary? Do we really need to drink too?”
He chuckled a bit. “It’s a big part of our culture. Alternatively, I can offer you some Gösser or Puntigamer.” With an amused expression, he watched you weigh your options. You didn’t know what either of those things were, probably some sort of beer, thus making you better off with the wine, probably. König even got the two of you some wine glasses. They were fancy looking, but you weren’t sure if you could actually take a sip of that.
He really just put mineral water into some wine, drinking it slowly. With a watchful eye, he almost expected you to take after him, which you did eventually. It tasted exactly the way you’d imagine, sparkly wine with a bit less flavor. Not the worst you’ve ever had. The things you did to make your man happy.
You continued to eat for another few minutes, this time in silence, for the most part. The plate was certainly full at the beginning, you couldn’t believe your eyes when most of it was gone. Still, despite the culture being rather meat heavy, you had to admit, it was pretty good. However, it was very filling. You couldn’t eat another slice of bread, opting for the meat and sausage instead, eating some slices of cheese along with them. Maybe some mayonnaise would have been good with it as well, but you didn’t want to make the suggestion in case König didn’t like it.
After wiping his mouth with a paper towel, he sat back, letting out a content sigh while holding his tummy. Even he seemed to be rather full after the copious amounts of meat he had eaten. Not like you weren’t, however. He took another sip of his Spritzer before putting the plates away, with you helping him out a bit, naturally.
“Thank you for trying some of my food, I do appreciate it. Did you like it?” Cleaning the plates with a sponge, his focus was on getting the last few crumbs off it so he could put it in the dishwasher. You popped one last cherry tomato in your mouth before handing him another plate, giving him a hum of approval.
“Yeah, it was pretty good, but could we maybe eat something less meaty next time? This was quite a lot.”
“Don’t worry, Schatzi, next time we can eat Kasnudeln. They’re also very delicious!”
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eloquent-apollo · 6 months
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I currently have like two very similar AUs where Cody raises Rex and idk which one to write ugh. I know I could just do both (bc its my AO3 and who is going to stop me?) but the problem is that the newer AU borrows heavily from the other and then it just,,, becomes repetition. So now I am stuck trying to decide if I should rewrite one of them to borrow less from the other, or flip a coin and decide which one to write
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acidicpenumbra · 7 months
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two "ultimate" level douchebags
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softestepilogue · 1 year
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the biggest relief anna would feel if she could see this random man willing and ready to kill for, die for, and live for her daughter. the relief she would feel if she could see the parental love and care her daughter has now. the relief she would feel that that man slaughtered a whole bunch of people, including her best friend, so her daughter could live. there is no doubt in my mind anna would root on joel to the very end.
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chirpsythismorning · 1 year
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The Duffer’s when asked about forgetting Will’s birthday:
The Duffers when asked about s5:
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Me rn, putting up with this bs:
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jamiesfootball · 9 months
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Always lowkey simmering a Leverage AU in the back of my head hear me out:
Ted is an ex-insurance investigator who was able to get his son life-saving medical treatment because his first, original Crime Pal Beard was like ‘Ted if your company doesn’t come through with the coverage, we’re doing things my way.’
The company did not come through. The company did let him go due to suspicion of Ted’s involvement in the incident, but Ted will happily remind folks that no charges were formally pressed. Henry is alive and healthy and living with Michelle, who divorced Ted shortly thereafter (not just because of pre-existing marital problems, but because Ted wouldn’t tell her anything about why the doctors “””suddenly decided to do the procedure for free”””). Shortly thereafter, Ted fled the country.
What Ted learned from the whole experience is that there’s a lot of people out there, good people just trying to live by the rules, but sometimes things happen that are just out of their control. And well- if we’ve got the means to help the good people out when no one else will, then shouldn’t we try?
“We’ve got means,” Beard agrees. “And motives.”
They do things Beard’s way now.
#also Rebecca is a grifter who gave it up when she married into money and her name(s) echo mysteriously through the back alleys of London#“did you hear about this Secret Princess Lydia who went missing in the 90s?’ ‘yes Ted that was me’#the woman is constantly dodging every half-told lie she made on a lark twenty years ago but she is amazing at keeping them straight#and Roy- Roy long ago took an injury that ended his career as a footballer before it started#and he fell into a bad spot as a hitter#and then he fell into a worse spot#and then he dug himself out for his neice that no one knows about (see: everyone knows about think mafia kid no one is allowed to touch her)#the problem now is he’s getting old#the hits hit harder and his speed isn’t what it used to be#(Roy Kent’s slow is still leagues beyond what these young wannabe punks can do these days)#keeley! she is a sneak thief. very charming. tiny. great with repelling down sides of buildings#loves money and shiny rocks and thinks Rebecca is the bee’s knees#and then there’s Jamie who is a 24 year old hacker with gaudy taste no knack for accents and a problem with authority#in this au him and ted have basically split Nate’s backstory#Ted’s dad took him to bars and taught him little tricks and mind games- nothing fancy just stuff an HR person might know#meanwhile Jamie’s dad took him to shady deals in bars because his dad was a fixer who’d put bad guys in touch with each other#jamie keeps a tracker running on his laptop with his dad’s whereabouts at all times#unfortunately he didn’t think that anyone else would bother looking for him- he’s not exactly a big time crook#but Ted and his crew have pissed off Rupert Mannion who is big time and who wants to hit back at Rebecca for making a fool of him#and Mannion’s people have identified that the way in to breaking their little crew is through Jamie#who’s name sounds so ridiculous people have assumed it was fake this whole time#anyways#thanks for reading#I will likely never write this but boy I have ideas 💡#leverage au#ted lasso#jamie tartt#roy kent#keeley jones#rebecca welton
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anamericangirl · 10 months
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Pro-aborts constantly throw out the line “you know making abortion illegal isn’t going to stop it from it happening, right? It’s not going to change anything.”
Ok. If that’s what you believe and you genuinely think the legality of the issue doesn’t matter and won’t make a difference why not just go ahead and make abortion illegal? :)
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