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#What the hell are these characters doing?
a11eya · 2 days
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TITLE: do you still think about me?
PAIRING: Bakugou Katsuki x Reader
SUMMARY: Okay, so you had the biggest, most embarrassing crush on Bakugou when you were both in high school. He was kind of your first love, if you believe in those kinds of things. But you got over it. It's fine.
You see Bakugou sometimes at hangouts, at get-togethers. He's in your orbit, or you're in his, because of your mutual friends. You're all adults now, so it's fine. It's a little weird, but fine.
You're supposed to be on vacation, at a place that's hours away from Musutafu. You're not sure what you've done to deserve it, but Bakugou's here too. And instead of both of you pretending the other doesn't exist, as usual, he's talking to you. He's everywhere. It's fine.
(It's not fine.)
TAGS: pro hero Bakugou Katsuki, aged-up characters, friends to lovers (being generous with that friends label lol), fluff, pining, eventual smut
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The ryokan’s lobby is bustling, voices a soft buzz echoing through the space. Some guests are like you, waiting for check-in, and other guests are partaking in the complimentary drinks and snack bar. It all calls to mind vacations you went on with your family, growing up. 
Sighing, you sink into an armchair, letting the fatigue from a long trip on a train and subsequent car ride sink in, shed off. 
“Here,” Rie says, setting a cup of tea and a cookie on the table in front of you. She sits in the chair across from you. “You’re grumpy because you haven’t had any sugar today. Eat these. There’s more up front, at the snack bar.” 
“Thanks mom,” you say, and she leans forward to flick you on the forehead. You wince. 
“Just because we’re friends doesn’t mean you can get away with your sass. Especially while we’re on vacation,” she tells you, then lifts her own cup of tea to her lips. You scrunch your face up at her. 
Her eyes flick past you, and she blinks rapidly. You recognize that expression—up to no good. 
“Oh hey,” she says, affecting a casual tone. “Look who just walked in.” 
Rie waits for you to look, but you’re not so easily led around. You narrow your eyes at her. She raises a brow at you. A moment passes. 
Your curiosity’s too strong. You turn and regret it. 
It’s Bakugou. Bakugou Katsuki. What the hell is he doing here?
You immediately swing back around, scowling deeply. You can feel your ears getting warm. 
She gives you a Cheshire grin, finger gunning you. “It’s your first love.”
“Rie, I will leave.” 
She scoffs. “Yeah, right. And miss out on the massages we booked? The onsen? I don’t think so.”
“You don’t know what I’m capable of,” you say darkly. 
She snickers, tilts her head at you. “You don’t want to say hi?” 
“Not really, no,” you say. “And if you call him over, I’ll kill you. Hanta will be sad, but he’ll get over it.” 
Rie laughs. “I don’t know about that. He is dating me, after all.”
“I’ve known him longer. He’ll forgive me.” 
The two of you switch over your attention to an approaching receptionist. 
“Thank you so much for waiting,” he says. “Your room is ready now. Please follow our staff. We’ll take care of your bags.”
You let them take your luggage, too distracted by staying out of Bakugou’s line of sight to pay attention to the small talk the receptionist’s making. Thankfully Rie’s chatting cheerfully with him, leaving you to your task. 
As you enter a hallway leading off the lobby area, you catch a last glimpse of Bakugou. He’s speaking to a staff member at the front desk area, presumably checking in. He’s alone. You wonder if anyone will be joining him, or if he’s here by himself. 
Shaking your head, you push away those thoughts. It’s none of your business. This ryokan’s rather large, and it’s popular with tourists and locals alike. You doubt you’ll see him again during your stay. 
You stare doubtfully at the email Sero forwarded you, then look up at him, your eyebrows furrowed. 
“Hanta, this is a luxury onsen ryokan. And you want me to go with Rie? Why aren’t you going?”
Sero claps his hands together in front of his face. “Please? The agency denied my time off request because we’re so busy. You gotta know how busy we are, even holed up in your office.” 
You frown at him. “The agency denied you? That’s crazy. You haven’t taken time off the whole year.” 
“I know, right? Anyway, Rie doesn’t want to go alone, and the reservation at this place is only valid for so long. Cancelling’s not an option.” 
You frown. “If they denied you, they’ll probably deny me too, Hanta.” 
“Noooo, it doesn’t hurt to put in the request! Plus, you haven’t gone on vacation in years. Treat yourself! This can be my months-in-advance birthday gift to you.”
You try one last time. “Are you sure Rie even wants to go with me? I know you want this to be a surprise, but maybe you should ask her if there’s anyone else she’d want to go on a trip with.”
Sero gives you a look, as if you’d just said something unbelievably stupid. “I’m not even going to respond to that.” 
You snort, smiling. “Alright, alright. Thanks, Hanta. I’ll take all the pictures of Rie and send them to you if the agency does grant me the time off.”
Sero slings an arm around your shoulders. “Thanks, bud.” 
“I miss Hanta,” Rie says, collapsing on her back onto the bed. 
You push both of your bags to the side, to be unpacked later. The entire far wall of your room’s lounge area is glass, with a door leading out to the outdoor area and open-air bath, and you give in to your urge to step outside onto the wood, deck-like floor. 
The bath rises from the floor to your right, rectangular, spacious. The staff member told the both of you it’s fed from the onsen, and the steam it’s giving off dissipates into the cool spring air. The bath and deck are built to overlook a large pond with koi swimming in it, giving the impression that where the deck ends the water begins. The far side of the pond is lined with trees and shrubbery. Wooden partitions on either side of this area enclose the space, giving it a sense of privacy. 
It’s absolutely gorgeous. And it’s so quiet here. Aside from the ambient water sounds from the onsen on the property, birdsong from the nearby forested area, there’s little to interrupt this emerging feeling of serenity. 
“You saw him literally before we left,” you say. “Rie, come out here and look at this view. I call dibs on using the bath first.” 
“You could be more sympathetic. We haven’t been able to see each other much this month,” she grumbles, but she comes out to join you anyway. 
“Okay, you can use the bath first,” you tell her. 
She grins at you, bumping her shoulder against yours. “Thanks, friend.”
“The things I do.” You don’t really mind. You have the entire long weekend to enjoy this place. The peace and quiet are already doing wonders for the tension in your shoulders.
A twinge of guilt passes you in a wave. After the staff member who’d escorted you to your room had given you both a short tour of the space, it really hit you how expensive this all was. 
“Rie, you really should’ve come here with Hanta,” you tell her, frowning. “He should’ve pushed for the time off or adjusted the reservation. This is way too nice of an experience to pass up.”
Rie snorts. 
“Don’t stress,” she says. “You think he didn’t try all that? It was either keep the reservation with someone else or lose out on a lot of money. I wanted you to come, so don’t overthink, silly.”
You lean your arm against hers. “Thanks, Rie. I’ll get you and Hanta something nice for your birthdays.”
She hums, and the two of you lapse into silence, appreciating the birdsong, the late afternoon sun gilding the pond, the surrounding trees in warmth. 
“So, what’s up with you and Bakugou?” Rie asks. “I thought you worked out all those feelings for him back in high school.” 
And there goes all that peace. You groan, turning and heading back inside, grabbing your bag and starting to unpack your clothes. Rie follows you, sprawling out onto your bed this time to be as annoying as possible. 
“I did,” you say, because not answering would result in incessant pestering. Better to nip this conversation in the bud so it doesn’t come back up again while you’re on this trip. You tell her, “We’re cool. You know that. You go to the same get-togethers.”
Since graduating from UA, you’d kept in touch with Sero, who you’d met because he’d been the hero you’d been assigned to for the management course’s third year project. You became good friends, as Sero’s one of those good boys, best boys, genuinely kind and fun to talk to. 
Through your friendship with him, you’d met some of his friends—Kaminari, Kirishima. Mina, Sato. Bakugou. 
While you’d befriended the others pretty easily, Bakugou was a different story. And it wasn’t necessarily his fault. He’d chilled out considerably by your third year.
It was because of your cringey, super obvious crush on him during your first year. 
You were so painfully obvious about it, everyone in your class knew. It didn’t take long for kids in the other courses to take notice. When Bakugou entered a room you were in, you would freeze and forget what you were saying. You’d sneak glances at him, and your entire body would warm up if your eyes met. Even thinking about it now, as an adult, makes you want to die a little.
Thankfully, whether it was because he chose to willfully ignore you or because he just never found out, your crush ran its course. It helped a lot that you began interacting with Bakugou within social circles because of Sero; it humanized him, made him real to you. The fantasy of a crush can’t survive knowing someone, getting to know them, you found. 
Still, probably because of that history, you never got close to Bakugou, while at UA and after. You were too embarrassed, and now you’re just not super interested. If you don’t count this past year, since graduation, you’ve seen him only a handful of times, always in passing and never one-on-one. 
But if you do count this year, specifically the past six months, you’ve seen him a lot. 
At a get-together at Mina’s place. At Todoroki Shouto’s birthday a couple months back. At a dinner with Rie, Sero, Kirishima, and Mina a few weeks ago. You figure he’s had some free time open up, to accept the hangout invites that he once left unresponded to in the group chat. It’d make sense, since he’s at this ryokan when everyone knows he’s a workaholic. 
You’re happy for him. Work-life balance is super important. And you guys aren’t getting any younger.
“No, you guys are weird together,” Rie says. 
You throw a pillow at her. To your annoyance, she catches it easily. 
“What do you mean by weird?” you ask.
“I don’t know. It’s hard to describe. He always looks like he’s bitten into a lemon when he sees you.”
You roll your eyes. “Great. Can we stop talking about Bakugou now?” 
“Last question, I swear.” 
“Last question for the entire trip about him,” you say, narrowing your eyes at her. 
She sighs, as if this is a huge burden on her. “Deal. I was just thinking—what did you even see in him when we were teenagers?”
“Okay, but why are you thinking about this at all,” you say. 
“Just answer the question.”
“It’s not that deep,” you say, shrugging. “I liked his face.” 
“Really?” Rie’s expression, disgruntled and appalled, makes you laugh. 
“Don’t act like he’s not objectively really attractive. He’s handsome, be real.”
“Maybe to some people,” she relents. “But his personality cancels it out, carry the two.” 
“He’s mellowed out so much over the years,” you say. You feel a little odd, finding yourself defending him. “He’s sweet, when he wants to be. Remember how he got Mina that bracelet she wanted so badly, for her birthday? Or how he picked up those special oranges for Hanta when he went on that one mission?”
Rie looks at you for a long moment. As your words settle into the silence, you begin to feel self-conscious. But it’s not like what you’d said isn’t true. Rie knows this. 
Just as you open your mouth to no doubt incriminate yourself further, she leans back on the bed and closes her eyes. “I guess you’re right. You done folding those clothes? I’m hungry. Let’s get dinner. Hanta says it’s kaiseki.”
Dinner is absolutely delicious. Your server tells you and Rie that the chef’s designed the menu to feature ingredients native to the region, ingredients in season. Everything’s fresh, and even dishes you aren’t normally particularly fond of have you cleaning your plate. You feel spoiled. 
You take lots of pictures. Of the dishes, of Rie. You send them to Sero. 
Hanta: The food looks great! My girl looks even better!!! Send more pics pls
Rie’s pleased when you show her the messages. After fussing over her appearance, she makes you take a picture of her in your room’s outdoor bath, hair elegantly twisted up and off her shoulders, the ambient lighting softly illuminating her face. 
“I’m going to take a walk, see what that little bamboo garden looks like at night,” you tell her. She waves at you with one hand, tapping away at her phone, no doubt sending messages to Sero. 
“Don’t drop your phone in the water,” you say, and she makes an impatient sound, shooing you.
Smiling, you leave her to it. 
Now that it’s nighttime, the ryokan is quieter, more subdued. It’s easy enough to find the bamboo garden. The paths are brightly illuminated, the walkways clear and easy to take. Maybe because it’s the evening, but you encounter few people. Most are partaking in the onsen, unwinding after a long day, you guess. You plan to do so yourself, but you stumble across a dimly lit sitting area overlooking a small pond and waterfall. It’s pretty, and you can’t resist lingering. Taking a seat on a bench, you let your mind empty as you watch the glimmer of moonlight on the water. 
“Hey,” a voice says behind you, and you startle, turning. 
Bakugou’s standing there, looking uncharacteristically soft and undone in the onsen’s yukata. His hair is a little damp, spikes fallen. 
Seeing him in traditional wear takes you aback; you’ve only ever seen him in casual clothes—jeans, shirts, sweats. His hero suit, all sleek lines. The yukata’s a good look on him. 
“Oh hey, Bakugou,” you say, then hesitate, feeling awkward. What to say? Should you pretend this is the first you’ve seen of him here? 
While you flounder a little, Bakugou walks over to sit in a chair nearby, facing the water. You’re bewildered at this turn of events. You’re surprised he stopped to say hello, let alone sit and have a conversation with you.  
“Saw you and Soy Sauce Face’s girlfriend at dinner,” he says. “You on vacation?” 
Blinking, relieved, you reply, “Sort of. Long story short, Hanta was supposed to come out here with Rie, but work denied his time off. So I’m the replacement Hanta.” 
Bakugou looks at you. His eyes narrow. You shift in your seat, feeling a little bit like a bug under a microscope. Did you say something weird?
“What about you?” you ask, trying to lift the focus off of you. “You here on vacation?”
“...Yeah. For the weekend,” he says, looking back at the pond, exhaling sharply.
For someone on vacation, he doesn’t look too happy about it, you note. 
“Us too,” you tell him. “What do you think of the ryokan? I haven’t gotten the chance to explore yet, but what I’ve seen is gorgeous. Did you just use the public onsen?” 
“It’s alright,” Bakugou grumbles, and you blink, face scrunching up in incredulity. 
“You must have really high standards to say that, sir,” you say, and he snorts. An expression you can’t quite make out in the low light crosses his face, fades. He really is a handsome bastard, you find yourself thinking. 
He says something you don’t quite catch. 
“Sorry?” you say. Internally, you scold yourself for your idle thoughts. Another part of you argues back that there’s no harm in looking. 
“How’d you know I used the onsen?” he repeats, looking a little annoyed.
“Oh,” you say, surprised. Without thinking, you lean forward, reaching out to touch his hair. 
Bakugou turns his head sharply; he grabs your wrist on what seems like instinct, halting you. You freeze, mortified.
“I’m sorry!” you say hastily. He drops your hand immediately, like you’re contaminated. You draw back. Flustered, you continue, “It’s just—your hair’s still a little wet. I took a guess. Sorry again, I don’t know what I was thinking.” 
You were treating him like he’s Hanta, or Rie, as if you’re close friends. Jeez. 
“Forget it,” he says gruffly. 
There’s a long stretch of silence, and you begin to think of excuses to make to escape. 
Just as you open your mouth with one, he says, “What’re you doing tomorrow?” 
“I—I think Rie wanted to check out the town’s morning market, and the temple nearby,” you say. “She likes to sleep in, so we’ll probably do that after my morning run. The staff said there’s a scenic walking trail through the forest, so I’ll probably check it out.”
You force your mouth closed before the rambling continues. Wait, you should ask him the same, right? To be polite?
But before you can say anything, Bakugou grunts, then stands. 
“Go back to your room,” he tells you. “It’s getting late.”
With that, he leaves. You sit there for a long moment, staring after him.
“Hey, welcome back,” Rie says from her bed, covered from nose to toes in a blanket. Her eyelids droop in a way that tells you she’s minutes from sleep. “You were gone for a while.”
“Yeah, sorry,” you say, closing the door behind you. Woodenly, you begin to gather clothes to change into. “I’m going to take a quick shower, okay? Go ahead and sleep; don’t wait up for me.”
“Mmkay,” she says, eyes already closed. 
You move around as quietly as you can, getting ready for bed. 
All the while, you can’t help but think about the conversation you just had. About Bakugou.
For the past couple months, at gatherings with mutual friends, it’s been like this when you talk to each other. Awkward, with a strange underlying tension. You’re not sure if it’s your fault, or his, but. You wish you could be normal around him. It’s only like this with him.
As you climb into bed, getting settled, the memory of him in his yukata flashes across your closed eyelids. The moonlight on his face, cooling the red of his eyes. His hand around your wrist.
Fuck. 
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Notes: Hello friends! This fic is a very belated birthday fic for our guy, my little muse 🧡 This is intended to be a twoshot, and I hope to have that second part up next weekend. Please look forward to it!
A couple notes, as there are some specifically Japanese items referenced in this fic:
A ryokan is a Japanese-style inn! Onsen are hot springs. So an onsen ryokan is an inn that features hot springs on the property. Here, here, and here are videos you can enjoy of people visiting some.
Kaiseki is a multi-course, traditional Japanese dinner. Some of the videos I linked above show the kinds of kaiseki offered!
Thank you for reading! Hugs and kisses 💕 Until part two!
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i-am-hungry-24-7 · 3 days
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Read your post about something other than angst for Simon so I have a thought that needs to get out. Morning routine with Simon. Obviously, the man is military and has a strict routine but that all goes to shit with you. Sleeping in, lazy lunch, all that cute couples shit but with Simon.
hello! tyvm for sending this idea! cute and silly couple’s domestic fluff is sweeettt!! I hope you will enjoy this :D 💖
A Day of A Cute (and Silly) Couple - Simon Riley*Reader
[6:00]
Simon doesn’t need an alarm, he automatically wakes up at 6 am.
Jogging is an important part of his morning routine when he’s on leave, a nice way to maintain his stamina, and to keep him from getting too loose.
“Where you... going...”
Oh, he forgets he has an unavoidable barrier, between him and his morning jog.
Simon looks down at you, clenching at the hem of his shirt. Your eyes aren’t even open, you just catch him in instinct and now refusing to let go.
“Go for a jog, you know it, love.” The calmness of morning makes him explain in a soft tone unconsciously.
“Stay... please...”
“You can hug your blåhaj first, I will be back soon, yeah?”
“You feel better than blåhaj...”
“...”
It’s too cruel for him to just leave you here, not when you choose him over that bloody shark you always squeeze against your body.
Simon secures the curtain so the room won’t be too bright after the sun fully rises, and lies back on the bed.
Your limbs immediately twine around him when you sense his figure is nearby, and scoots closer to him.
Jogging is important to keep him from getting loose... it’s a must for him to be strict with his morning routine...
The voices in his mind are gradually replaced by the little snores of yours as he drifts back to sleep.
[12:00]
“Can we eat fries for lunch?”
you yell at Simon who’s preparing lunch in the kitchen.
“No”
“WHYYYY!”
“UNHEALTHY!” He shouts back so his voice won’t get covered by the noise of the range hood.
okay then... you feel a bit disappointed, but you can’t come up with a convincing reason, so you just back to sweeping the floor.
just as you’re cleaning the last few spots, a scrumptious smell catches your attention, it’s not those chicken breast or salad or scrambled eggs that Simon deems healthier.
“Do you make fries?!” You knock open the kitchen door with excitement.
What you see is Simon sprinkling some salt and pepper on a bowl of fries, and he turns to you when you rush in like an energetic child.
“A few fries are tolerable” He shows you the bowl, and you can’t wait to reach out and take a bite on the crunchy and golden fries.
“Thank you, baby.” You press an open mouth kiss on your lover’s cheek.
“Don’t kiss me with your greasy mouth...”He growls, but you’re already leaving the kitchen, lilting an off-key song with the bowl of fries in your arms.
Simon just shakes his head and starts cleaning the countertop. If some fries can make you this happy, then fuck those healthy diets.
[18:00]
You two sitting face to face on the couch, the air is full of tension when you speak first.
“Mushroom”
“Mango”
“Oreo”
“Orange”
“Egg”
“g...”
“It’s over 2 seconds! Go take out the garbage, silly!”
“Fucking hell...”
Snickering at Simon’s loss, as he grumbles and on his way to grab the garbage, you add another star under your name to ‘the winner of the week’ sticky note that’s pasting on the fridge.
[23:00]
“Time to sleep.”
“but I want to watch this movie.”
“You can watch it tomorrow.”
“pleassee I want to watch it nowww Simonnn”
“...Fine.”
(00:00)
Simon looking at you sleeping like a log, whole body leaning on him and tangling him like an octopus, totally ignoring the wretched screaming from the movie, sighs and turns off the TV.
He leaves a night lamp for you, in case you need to get up for water during the night, and adjusts you two into a more comfortable posture.
He hears you mumbling something like donuts or maybe your favorite character, and chuckles quietly at how silly you are.
He already knew you would fall asleep during the movie, so that’s why he gave in, and time proves that his prediction’s correct since he’s looking at your serene face now.
“Goodnight.” Satisfied with you resting safe and sound in his arms, Simon plants a kiss on the top of your head and closes his eyes, hoping for a sweet dream that has you in it.
a/n: blåhaj sorry I love u I don't mean to harm u
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tarjapearce · 2 days
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Mi Dulce Cereza
Ranchero! Miguel O'Hara x Reader
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Synopsis: Revenge's path is never an easy feat. Not when love for the enemy and other feelings get in the way. Would it rise and come out as a victor? Or would it succumb to the sweetest of beings?
WARNING: Novela level drama, Toxic relationships, character introduction, mild and brief sexual tension, No use of YN, Family feud, scheming, disingenuous behaviors. No proofread
Summary: Miguel's revenge is set into motion.
A/N: Centuries later, here it is <3, hope you enjoy this new version! So nervous about this jskjs. Thanks to my beta reader @oharasmommymilkers00 for the help <3
"Ma!"
The ten-year-old boy called, desperate as he searched and scourged the house he lived in, to eventually find her mother in his younger brother's room.
Ravenous and long curls adorned her back. Brown beautiful eyes stared with adoration at the little six-year-old boy, carefully tucked in her arms as she combed her child's wavy strands away from his innocent face.
"Ma!" the boy called a bit more urgent as he tugged on her skirt, earning him a hushed grunt from her.
"Gabriel está durmiendo, Miguel!" (Gabriel is sleeping)
"No, Ma! Debes venir a la entrada! Hay gente buscando a George!" (You gotta come to the door! There's people looking for George!)
Conchata quickly put Gabriel into his crib and darted to the entrance. Panic and bile rose in her insides.
The banging on the feeble and rusty metal doors alarmed Conchata the more she approached the main hacienda's door.
Much to her and Miguel's surprise a group of men, awaited outside. Dressed in the blue and white colors proper of a Santa Margarita's Town police officer.
Miguel's eyes wandered over the guns that nested on the men's hips as they rode their horses haughtily. But paid special attention to the man leading them.
Hardened and weathered face, partially obscured by his camel brown Stetson hat, dressed up sharply, letting his belt and the overall imposing aura to do the talk for him, same as his horse and everything that donned his body. His eyes narrowed as soon as he saw Conchata.
"Miss Stone. I believe it's the third time I ask for you to leave" He acknowledged sternly.
A surname that made Miguel's churn in utter discomfort, but his mother always told him to give that name to strangers, since the O'Hara was only for the family. But even that one didn't sit right in his heart either. Not when the provider of such surname had been long gone from their lives, with no intention of returning.
And the men before his home were everything but familiar, strangers at best. Invaders. Trespassers with a penchant for intimidation as they were all armed to the teeth.
"The hell you want?!" Conchata crossed her arms and returned the steely glare the handsome and powerful man gave her.
His mother's bravado was certainly something Miguel could look up, despite the woman not being her best title of mother with him. But her bravery made him courageous.
"For you to leave my property."
"What are you talking about?! This is not your property, Anderton!"
A man like Pastor William was hard to ignore, not when power and influences oozed from him by merely existing.
"It is. You're living in Edenton's. Half the area is mine now."
"I have my property papers! This is outright ridiculous!" Conchata huffed as she sent Miguel to to get them.
"My lawyer is here. So we can have this settled once for all."
"There is nothing to settle!, I told your people I wouldn't sell my home and now you're acting far from someone that believes in God to get it!, maldita rata!" (fucking rat)
William narrowed his eyes at the last words that spilled with venom from Conchata's plump lips. He wasn't a man to give easily into anger, but his patience wasn't something to be tested either.
He had bought a good chunk of Edenton's territory and much to Conchata's dismay her home was right in the middle of said property.
The boy wasted no time into retrieving her mother's proofs of ownership as she opened the door to see the man that ground her nerves in seconds. Face to face.
And when the policeman and lawyer took a brief look at them, they could only snort in derision upon reading them.
"Not only are they outdated, but the important signatures are missing. This is fake."
Conchata paled, and she clutched her chest. Her heart pounded so hard she had to grab Miguel's lanky arm to support herself. Everything was slowly falling apart.
"Ma?"
Her boy looked up at her, concern plastered over his young yet understanding face
"T-That cannot be! George left it all arranged before leaving!"
"He didn't. Otherwise I wouldn't be here."
William gave the papers to his lawyer as he climbed off the horse and Conchata immediately tried to get them back, but tore them im the process
"No! No! That's not true! My papers " She shrieked and the police officer intervened as soon as she tried to go for Anderton's lawyer.
"Stop! " Miguel was held back after kicking the officer's shin.
Conchata freed herself from the guard's grip, only to deliver a hard slap on William's face.
"La vas a pagar caro cabrón! A mi nadie me sacará de mi casa!" (You'll pay for this. None kicks me out of my home!)
The officers held Conchata back and Miguel, since the boy attempted to defend the remnants of his mother's dignity. But there was little they could do.
Conchata's land was prosperous, and so far it provided a good income to live rather peacefully and away from the rest. Until now.
William was rather strict and apprehensive about his properties. He owed half the town, and for Conchata to live there, right in the spot he wanted to build his home for his new family, rendered nothing but a black and ugly spot to his future dream.
Buthe would erase it. And if he needed to get over the law, to get it, he would. Influences had their perks. And these worked to his favor without a hitch.
"I'll give you three days for you to pack it up 'n leave."
"Three days?! Where am I going to find a place to live? My children... I can't leave-"
"I'm sure the local shelters will take you in gladly. Be grateful I got you time."
William seethed with his usual calm, sending shivers down Miguel's spine, as the boy held onto his mother's skirt.
The men turned around in their horses and soon began galloping away, but William got up on the beast back, remaining high and proud. Looking down at him.
For a man to make Conchata to clutch and hold on to him so protectively, meant she had no power at all. That she had been defeated. Something his childish brain thought impossible.
It reminded him the ways she sometimes protected him and Gabriel from George in his usual drunk fits.
That day, Pastor William Anderton remained forever engraved in Miguel's core memories and in his heart's growing rage.
Resentment wasn't often a feeling a boy so young like him should experience. But there he was, memorizing every dip, pore and soft wrinkle from the man's features so his heart and mind wouldn't forget him.
So he wouldn't forget who had been the monster that forced his family to leave and abandon everything he had known so far.
Miguel O'Hara had no longer a home.
But if there was something William had forgotten, was to never scorn a woman. Much less one with a fiery temper and a heart full of fresh wounds.
He had doused her wounded heart in salt, rubbed with it and then tossed it to the fire. To let it break and burn to ashes.
William hadn't shown mercy, despite the word coming from his mouth every Sunday in his church as part of his speech to the masses.
But Conchata's mind was already turning and plotting.
----
Miguel's upbringing was everything but easy, but that didn't stop him from achieving whatever goals he proposed.
Shelters and rental homes were left behind, and soon he earned a scholarship into a college, earning him a degree and masters in agronomy and large-scale management.
Gabriel in the meantime helped Conchata around the house. Having little side hustles for himself.
But as he grew up, so did his hatred for the Andertons. It didn't help that Conchata threw more dry hatred bones to the vengeful fire with her bitter tells. She always boasted on whatever little thing the Andertons did with spite and hatred in her heart.
William's face remained intact in Miguel's brain. Ever hardened and cruel, impassive to anyone else's suffering. Indifferent to his mother's pleas.
The day they left everything they knew, scarred him to this very day. Miguel sworn to one day, he'd owe his own estate, full of everything he always wanted.
He wouldn't have to sojourn through shelters and temporary homes ever again, having a hard time sleeping because of his mother's safety. He wouldn't have to look down in fear and shame when people that breathed and exhaled money, talked to him.
He wouldn't have to see his mother, shitty as she was sometimes, breaking down for not having for the most basic of needs. And he definitely wouldn't let himself to be trampled all over again by anyone. Not rich, nor poor.
Now, with a master's degree in his pocket, a new project rose in his mind. Train and rehab horses professionally. An emerging and blooming business within Santa Margarita.
Everything out of hearing that William entered a new venture. Purebred horses.
Of course a man like him had to be in the mouth of every people in town.
William ran the biggest church in the city, had multiple successful and clean business thanks to his estate, Cherryville. And now, the horses.
A novelty in town. He'd often see through the newspaper images of William and his wife, Rosaura, telling how wonderful and valuable they were for the community, and how much their philanthropic tendencies helped those in need. The man was rotting money after all.
Oh, the irony. Miguel sometimes wondered if William did it out of genuine vocation, cause he had to give the man some credit for keeping a saint facade in front of the rest for so long. He was doing it go hard or go home.
If people only knew the scum he is.
If everyone truly knew who Pastor William J. Anderton was, none would spare him a glance. None would look at his way twice to spare him some kind words. Everyone would shun him and mark him a fraud. His world would collapse. Something Miguel needed to achieve.
The purebred training horse's business opened his contact list, and with his smarts and the follow of his intuition, it took him a couple of years to get him in the map of those that were in dire need of help and could afford it.
Cause if he could exploit the rich, he wouldn't waste the chance of earning good money. Not when his personal estate was under construction and renovations, away in it's own heaven, outside Santa Margarita.
He stopped introducing himself as Miguel Stone long ago. He didn't want anything to do with that surname that stirred nothing but hatred and suffocating anger, towards the man that harmed his little and already broken family even more. And the O'Hara had earned him a bit of reputation.
A credible and respectful renown to meet people that gave him the chance to not only learn from the best horse trainers, but gave him the chance to apply everything he knew. Adding even more value to his resume.
Gabriel also graduated college, following Miguel's steps. Although the latter was more inclined to production than management. He was a more practical man than the over thinker of his brother.
Together they made a phenomenal duo, but when separated, months could pass before they saw eachother again.
But with Miguel's plan running, Gabriel promised him to remain close and available as possible to see it through.
In fact, William sought him out himself to ask him if he could train his horses and took full on responsibility of his farm.
-----
He was ready to set his plan into motion. None other than his number one enemy had hired him.
Miguel's body buzzed with a mix of anxiety and excitement. Being the best to get hired was scratched off his list.
Soon all the hatred festering in his heart to the man that destroyed his childhood and family, would come to fruition. But there was a remaining distraction.
Dana.
"Remind me again, why are you going to a farm to be exploited and mistreated by rich people?"
The soft voice behind him echoed in his room. Miguel sat naked on the bed, as the short-haired brunette with blue eyes hugged him from behind and kissed his cheek and neck.
"Gotta make it as believable as possible if I want to expose the Andertons."
Dana just hummed, seeing him so determined and focused into getting this family feud, settled once and for all, amused her to no end.
Dana rolled her eyes while resting her chin on his sharp and well worked shoulder, "But no need to be so serious."
It was Miguel's turn to roll his eyes and stand up, reaching his underwear in tandem.
"Don't be cold, Miggy. I just wanna see you again, once you're victorious, so we can keep celebrating"
Miguel chuckled with derision as he took a towel and wrapped it up loosely against his waist.
"I'm good, thanks. And there's no we in this."
"Are you sure? I mean, I spread word around on you and look at you now. The best trainer. I'd say I'm also part of this too"
Her voice irked sometimes whenever it got like this. Sickly sweet and full of lies. Even more when she purred nothing but half truths.
In truth, he had met Dana for the past six months, all thanks to Gabriel that suggested her as a contact link to those he wanted to get at. Filthy and obscenely rich people that needed someone to help them out with their properties as soon as possible, to salvage them out of sentimentalism.
Even though the initial chemistry was undeniable, it had worn out thanks to her insufferable and possessive attitude. And no matter how many times he'd tell her a plain and outright No, she kept insisting. She was the one that always returned and always ended up in his bed.
"Yeah, no. Look, I don't want you snooping around. And I mean it."
The only that believed that they were something. Sure, Dana served his purpose to keep those physical urges away, but other than that, there was nothing substantial about her he could say he was attracted to, besides her contacts.
Dana's hands tried to reach him, but Miguel stepped away from her touch, recoiling with haste and heading for the shower.
"If you ruin this for me, I swear, We'll have problems."
More than they already did? Impossible.
Dana just laughed, "Don't be mean, you gotta reward me one way or another for your clientele."
"Dios mio... Con qué loca me vine a enredar" (My God, what a crazy woman I came to get involved with)
He mumbled while stepping into the shower.
"I'll see you soon, baby." Her giggles had his eyes rolling with annoyance and his shoulders squaring.
He'd leave in a couple of hours, to start what his whole self had been preparing for years. Soon the Andertons would know him.
----
Returning to the place he grew up had his stomach in a tight and anxious knot, tighter than a hair's tangle.
The once colorless and rusty metal doors he loved to slam with his soccer ball while playing with Gabriel, were now turned into sturdy, iron structures that moved automatically. Sliding to the side to let him in as soon as he reported himself through the camera's speaker.
A Stony L-shaped wall held a metallic letters into another metallic structure. Cherryville Ranch.
He had arrived and his heart beat at the uncomfortable sensation of seeing his home destroyed and turned into a colonial-like resort.
Where there was a modest yet firm built, one floored home, was now a two floored manor that extended left to right. A vibrant sunset orange dressed the walls of the structure, adding enough color to the place sumptuous grandeur.
The staff ran up and down, bustling and moving like busy ants through the anthill, obeying the queen. Or rather monarchs.
His black Chevrolet Silverado parked outside, following the instructions of a man that gave him the ok with a good smile.
He had arrived ten minutes earlier, just in case. Miguel stepped out and put on his hat.
A black and brown flannel dressed up his torso snugly, a pair of jeans that did a wonderful job into containing his well worked legs, the belt just hugged his narrow waist, accentuating his sculpted physique.
The man offered his help with his suitcase, but Miguel refused with a polite smile.
"Keep going straight and you'll get to Mr. Anderton's office. It's the only brown door in this floor."
Strong hands clenched at the name of his enemy.
"Thanks."
Miguel had to take a moment to breathe in and take his surroundings.
Everything he remembered from his childhood, gone. His heart felt mike coming home to a stranger's home. Foraying in someone else's territory.
A someone that obliterated every single bit of his childhood, every piece of memory he created with Gabriel, forever gone and buried.
Replaced with over the top decors, a fake sense of coziness, hidden lies embedded in the sunset like sturdy walls, and people he once strived to be like. All now trespassers and inconnus.
Conchata always fed his brain into believing greater things, alway encouraged him to keep the hatred alive.
Would she be proud to see how far on his plan had he gotten? Probably. Even if she was busy with her new boyfriend that provided everything.
Some women shushed and spilled their gasp as he passed, leaving his presence alone to do the talk for him regarding the effect he had on women.
But this land, his once forgotten and forlorn home, would be his again.
With steadfast steps, he ventured in the enemy's territory, passing rooms and people that unavoidably watched him with brief curiosity.
But all those hubristic thoughts sapped away as soon as his eyes came in contact with the door.
A thrilled and anxious chill ran down his spine upon hearing the terse voice of his sworn foe, giving orders to someone in particular. Miguel's throat felt arid.
His heart thumped a miles per second, his breath paced into a more agitated pace and his eyes kept blinking, readying themselves to face his nemesis.
"Come in."
He obeyed and his nose flared, releasing a shaky exhale when seeing William. Same weather and cold face, the only difference was him looking a bit more rugged and his white hairs even more prominent.
It was as if time had barely passed over him.
It took every single cell and fibre of his body to control the urge to punch him in the face. But the satisfaction of having the reversed roles for a moment brought satisfaction like no other.
This time William had to crane up his head to see him, and a chill ran down his spine when meeting Miguel's red-ish brown eyes. Piercing and judging with all the intention of doing so, as if the very man before him knew his deepest secrets.
The door shut with a quiet click and Miguel stepped closer.
"Mr. O'Hara." William stood to meet him with a brief and firm handshake.
"Sir."
William nodded with a brief smile and gestured for him to sit before him.
"Must say what people say about you, do you justice."
"Good things I hope."
"Now. The property you'll be in charge is  in a bit of a mishap, I've barely had the time to fix it-"
"S'alright. It's part of the barn you said?"
"Indeed. Your functions are detailed in the contract, payment is every fortnight, unless you'd like to choose another type of payment time."
"Fortnight is alright."
William pushed the contract to Miguel, and this wasted no time in reading it and taking a picture of each page.
"Any doubts you, can call me and I'll get back to you as soon as possible."
Miguel signed and pushed the paper back to him. William put it on a folder and then put it on a file. He turned off his computer, and lead the way towards the stables.
"I've tried everything, and nothing works. People have told me to sacrifice the horse, but I can't do that."
Miguel wandered after William through the never ending halls of the estate, there was nothing left of his home. Not even the built in stone oven, where he'd watch Conchata prepare dinner and he'd help out with the tortillas.
Now full of modern equipment and full of people cooking different things he couldn't name.
Miguel had to admit that the stables were his favorite part from the whole dollhouse. William knew no concept of budget. But that was alright, cause every horse in it was worth every single penny and had turned it into a lovely stable aisle.
Each horse had its own fortified enclosure, well kept and clean. There were no bad odors, dirt, mud. None of that. Matter of fact, his eyes blinked when seeing some horses having a swim in a giant custom made pool.
Everything in Cherryville oozed with power and money.
Having revenge and interacting with horses he only dreamed of while getting paid, felt the ultimate fantasy came true.
The angry neigh of a horse snapped him out of his thoughts. The black Friesian stallion kicked and nipped another brown horse nearby. The caretakers immediately separated them both.
William sighed deeply and defeated. And Miguel approached to inspect the brown mustang horse.
"That's Joaquín. The black one is Agustín."
Miguel quirked his brow at the name choices but was glad to have something he was familiar with.
Miguel chuckled and nodded
"Do you know spanish, Mr. Anderton?"
"The amount enough to understand when my wife is angry."
"I see."
As much as he wanted to let out an array of insults here and there to test his words, he'd keep his sharp tongue for himself.
"You can start tomorrow, I'll let you get installed. The barn is in good conditions to suit your needs. If anything is missing, ask any of the helpers around."
With a final and firm handshake, William left.
Miguel gave himself a tour. He wanted to familiarize with the property as much as he could. He didn't like to rely on others for the simplest of task.
Even his way to the barn had been paved and well lighted. No longer being the muddy a d dark road he loved to splash his feet in, even if that meant to have his ear pulled by Conchata later.
The barn, like the rest, took his breath away. It looked like a house for himself.
He wasted no time into admiring the work, and effort put into it. The tack room was sure a thing, but his bedroom and office were even better conditioned. It was a place worth of his skills and knowledge.
Miguel begun unpacking and installing himself. From his window he could see yet another extension of property, Bodegas and the staff living quarters he supposed.
One thing he had forgotten about the place were the torrential rains that always seeped in. Sometimes the blackouts were so common he'd rather be candle lit.
And another entrance to the whole facility adjacent a couple of blocks from his barn.
---
He had finished his shower after spending his evening trying to get acquainted with Agustín and the rest of his crew. Overall and so far it seemed the perfect place to work, but also a challenge.
Thunders roared outside and rain kept flogging every surface it could, permeating to the core. He was ready to make his bed and call Gabriel when the lights were out.
A loud whir echoed through, before the lights returned, the generator wasted to time into working.
What alerted him was the main entrance opening and closing shut.
Had a worker slipped in?
Another blackout happened as he approached to the door only to find a soaked and gorgeous woman shivering on the entrance.
"Ma'am?"
----
Your friends had promised to be a casual party among the singletons in town, nothing more, nothing less. But time and drinks kept going, like the fun.
Until you had enough. As an Anderton you had a reputation to keep, but you were glad your friends made you feel a normal woman, free of keen and expecting eyes and societal etiquettes.
Free of the overbearing role model you had to be for being the Pastor's daughter.
But right now all you cared for was to get inside the barn to give your body a rest from the cold.
The once lovely dress you wore was now hugging you with a vice like grip, suffocating your curves like a second skin. The red and short cardigan around your shoulders did little to nothing to protect you from the unforgiving rain. Hair stuck to your shivering face, teeth clattered as you looked through the window. The rain had no intention to stop.
Your hands removed the cardigan, then tossed the clothing piece to the floor, as you rubbed some heat back.
"Ma'am?"
The rich and deep voice got you jumping in your spot.
"Oh, my god... I'm-" You swallowed when seeing the handsome man before you, dressed up in nothing but his grey sweatpants and some slippers. A towel hung loosely on one of his shoulders.
His brow quirked as his face remained serene.
"I-I'm sorry didn't know the barn was occupied."
You kept rubbing your arms, hoping for the rain to drop. A loud thunder made you recoil from the door, while the drip drops scurrying off your body rolled down to the floor, joining into a puddle beneath your red heeled sandals.
If it wasn't for your hair sticking on your cheeks, the man would definitely see the profuse blush emerging on them. Shirtless men weren't in your everyday occurrence, much less handsome and tall men with beautiful eyes that seized your soul.
A smirk came on Miguel's face, as he retrieved another towel from the bathroom and he approached.
"I got installed today, it's ok."
He gave you the towel, and you took with a grateful smile. Immediately pat drying your face, neck and arms.
He watched you with sharp eyes, following your hand's movement as he slicked back his hair.
You were gorgeous. And drenched to the bones. That little dress did little to keep his eyes wandering to your thighs, marveling at the soft and plumpness of them. He had to look away as soon as his eyes stopped on your chest. The outline of your nipples poking out the dress, gave him enough distraction for a moment.
You didn't look past twenties.
"Uhm..." Your sweet and stammering voice made him curious.
Such a polite girl.
"Yes?"
"Can I use the barn's phone, please?"
He shook his head softly and opened his office. Letting the door open for you to enter.
"Of course."
"Sorry for the floor."
Your arms crossed on your chest, giving him a glimpse of your cleavage. Then fetched the phone, the number however made him frown as it was William's personal contact number.
"Hello? Papa? Can you send someone to the barn with an umbrella, please?"
Papa
Miguel blinked as he stared your way from the door frame. This was even better than he anticipated.
He was so deep in his scheming that forgot William's family. So far he knew, the Anderton man had only one child. And he was now looking at said person.
He could see some bits of William in you, specially in your nose and cheekbones. The rest was your mother's doing.
And what a good job they've made.
"I know, I'm sorry. Got too caught up in the party."
Miguel luck couldn't truly get any better. He could even taste his revenge through his mouth. It was sweet as your perfume.
"Thanks. Love you!"
You hung up the call and smiled his way.
"Thank you. Mr...?"
"O'Hara. Miguel O'Hara."
You gave him your name with a sweet smile as he shook your hand amiably.
"Right. So you're the new trainer?"
His lax frame slanted against the doorframe, blocking your way from the entrance with his form. His eyes fixed you with an enigmatic smirk.
Your nervousness was making your mind a jumbled mess by simply being around him. Half-naked men and men were off the list. Mainly because your parents' strict beliefs. And the man that would get you, would be your future husband. Without discussion.
"I am. Yes. Quite impressive the settlement you've got."
"Ah, well. Dad takes seriously his businesses, and he needs all the help he can get. So thank you for coming."
"My pleasure to help, señorita."
His lip curled, almost imperceptible upon your flustered reaction. Your skin remained with goosebumps.
"Come. Let's get you warmed up."
You followed him to the fireplace and soon he got another towel since the one you had was soaked through.
You sat in front of the fireplace and he draped your shoulders with the dry and cozy towel to then sit across you.
"Thanks" You gulped and extended your hands towards the fire, gaining a much needed wave of heat.
He couldn't wait for you to leave and call Gabriel to tell him everything he had seen so far. Everything was beyond perfect, like if the universe itself had delivered his revenge on a silver platter.
A couple of minutes passed before a familiar voice to you echoed from outside the barn.
"Mi niña! Let's go!"
The ever familiar voice of your nana called, and you stood.
"Thanks for the help, Miguel."
"Anytime, señorita."
He nodded with a softened smile, that didn't reach his eyes and watched you leave.
"See you soon!" You waved and headed back to the main doors. Your heels clicking on the floor.
"Vicky!" you squeezed under the umbrella after your nana secured the towel.
You wanted to give Miguel a last thanking but the latter had already closed the door. You left to the manor.
Miguel rushed to fetch his phone and immediately called Gabriel. He picked up after the third ringing.
Miguel talked and rambled about everything he had seen, and Gabriel could only listen. Expectant.
"Lemme get some months in and then you can come. That way we gather more evidence."
"What about that woman? Anderton's daughter."
He sighed with a dreamy heave.
"She looks the type that's perfect for luring."
"Use her to your advantage. Hit em right where it hurts."
"I'll do it. Don't worry. She's too kind and sweet. Won't see it coming."
With this new piece of information, Miguel could do so many things. But his goal was clear.
He'd hit William right where he dared hit Conchata a long time ago.
He'd go after you. And if that meant to act like he adored you, then so be it.
His revenge was finally in motion.
----
Taglist:
@maiyart @byjessicalotufo @kate-ohara @fussyhedgehog @spider-mar2004 @fayeofthenightingale @hualianlover800 @tatatida @simp4-fictional-men @plusultrayokai @iwannabeapinkaesthetic @lazy-idate @peachey-pie @ryk-mt @gennirose @teothemilfhunter
@monarchberrysblog @tae21xoxo @1sun-vixen @amelialysm @ir-the-cat @oblivion777 @casarettoa @arleydyn7 @loliknya @maxad99
@choppednerdtriumph @oharasfilipinawife @mikiyamarie @omgomgomgaaa @lucyh237 @beabfleab @millliko @akrassia020 @teaiiv @mi4ulayy @ykitsurgurl01 @namjoons-baby @unadulteratedeaglecollection @strawberryjuice9 @vkumi
@aphinthestars @tyuiofo @sleepyyjaz @notavault @stabygabby @happykoalapoetry @g1icino11a @yougavemeyourheartyouknow
@famouscattale @websinthecity @enananawoah @cigarettes-and-musique @spiderpapi2099 @emelie-s-h @happyowlsoul
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doctorbunny · 2 days
Text
More serious summary of the livestream
Unfortunately I can't provide a full translation because the entire time I was watching in autistic excitement like 😊🥰🤩 whilst my brain melted out my ears and didn't pick up on a lot
Luckily, I have a feeling someone will get around to translating this stream eventually since they finally had the BGM on a lower volume so everyone was audible the whole time Without further ado:
We started with introductions seating order is Yamanaka, Yurina (Es' VA), Minami (Amane's VA), Ryouta (Kazui's VA) and DECO (who dyed his hair blonde) They each have one of the 4th anniversary acrylic stands in front of them The actors have their characters but Yamanaka has Haruka and DECO has Muu
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Yamanaka admitted to being a Haruka oshi/fan
Then Minami talks about being a Fuuta fan (she calls him cool) and she's handed the Fuuta stand and she pushes the Fuuta and Amane stand next to each other (and jokes about their height difference then imitates Fuuta going zenbu zenbu zenbu!)
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But then Yurina sticks her Es stand in between them to separate them
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And then they move the Amane stand next to the Kazui one and everyone coos
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Before moving Amane and Fuuta back together in front of Minami Then they basically just lift all of the stands up on to the table and continue on
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They discuss their thoughts on the trial
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Looking at who got voted inno and guilty Minami is happy Amane got inno but has no idea how Mikoto wasn't guilty They note that the audience wasn't very happy with Kotoko for beating up the other prisoners Then they give some thoughts on the MVs from Daisuki to Deep cover They get most excited talking about Cat and Purge March Kazui says that he was able to put the right emotions into Cat because he recorded the voice drama first Yurina and Minami actually caused the microphone to peak with their excited shrieks at one point (ow)
They answer some audience submitted questions One question was answered along the lines of "Be prepared" One was submitted in English and they tried to but couldn't read it Then they got a question (in Japanese) from someone from 韓国/South Korea [side note: I feel like the south korean milgram fandom has gotten more prominent recently, its always been there but it feels bigger than ever and that's pretty cool]
After audience questions they made a few announcements Some things we already knew, the gratte cafe crossover, the Kotoko line stickers, Earbuds are still on sale (and they're making badges and stuff based on the earbud promo art) the 4th anniversary art/acrylici stands literally in front of them Then some new things: Minigram LINE stamps (everyone was especially pleased for the Kazui XP stamp) There's going to be a part 2 to the Karaoke collab (no details yet other than its coming)
They also announce this year's perk for annual members [the pain of being an annual member but living outside of Japan so you can't get these 😭] Blank lamenated cards of the prisoner's interrogations and a whiteboard pen so you can write your own interro questions and answers They bring out the cards for Kazui and Amane and do some examples
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"Do you like cake?" "I don't eat it."
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"What did you have for lunch today?" "Gyudon." [a beef and rice dish]
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Then Minami just writes "Toilet paper" in katakana and everyone laughs (Then she writes Toilet paper rap/lap/wrap and I'm not sure what she means)
Most exciting is script books for the Hallucenation liveshow (scripts of the voice dramas and songs) The live show uses condensed versions of the voice dramas but this is the first time we'll have official transcripts of key moments to help check translations with
Then they start saying that T2 was hellish, but T3 is going to go beyond hell: They're going to send everyone to Super Hell And at this point my brain fries and overloads on eeby deeby memes as they all go back and forth talking about Super Hell
They all start doing their outros/saying goodbye
Yurina talks about upcoming challenges we have as guards meanwhile Yamanaka ominously holds the Haruka stand up in frame
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Then that's basically it, not much going on because a lot of stuff (like Hallucenation, the plushes, earbuds) came out right before the 4th anniversary
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aimasup · 2 days
Text
throws up my hands in mock resignation but also a hint of frustration Okay Valentino is a cool villain I guess
He's like. Genuinely unsettling. Wish the show struck a better balance with his character sometimes (like sometimes when he's onscreen I have to skip over because I feel queasy and sometimes he's so unsubtle he feels more like a prop than a guy who's going to be a Huge Deal in s2)
#why yes I have been reading some phenomenal fanfiction lately#a lesser me would be agonising over my inability to ever come close to matching the#masterfully characterised works of these talented WORD WEAVERS#but envy is a spoilt housepest and we must spend less time unleashing it upon new targets#instead let's talk about how these fics discovered its possible??#to write Val as not only a 3dimensional character but a deeply horrifying person to WITNESS#to depict how he thinks and what he wants and what he contributes to the people around him#while acknowledging that his actions are supremely messed up#also without dumbing whatever the fuck is wrong with him down to just 'can't do math and needs a sippycup'#those jokes are funny but he's also a dealmaker#he doesn't need to be studied under a microscope! he needs to be gawked at in abject horror! Oh the Potential!#he needs to tell us more about how depraved hell can be by linking us to a portion of the culture full of the dead who cannot die!#anyways. rant over. uh I think I like valentino now? in the same way I like the old man villain from hunchback of notre dame.#just. (gestures) what is this dude. ew. oh my god#my post#personal stuff#hazbin hotel#hazbin hotel valentino#is this anything#again I am entrenching on dangerous territory of 'expectations for this media I consume'#he really doesn't need to be written all shakespearean-like#too attached mayhaps#delete later#honestly worried that if the show does reveal his backstory or whatever it'll try to paint him in a sympathetic light#and then the online arguments will be a headache for a month#villain with tragic backstory ≠ sympathetic villain
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kirain · 2 days
Note
I saw a comment of yours about Ascended Astarion and I just wanted to say him sacrificing 7000 bloodthirsty vampires that can't control their bloodlust isn't a bad thing. If anything it's a mercy killing. People enjoy Ascended Astarion because it's cathartic for a lot of people who've suffered similar abuse. You lack empathy.
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I think you may have the wrong person, because I've never commented on ascended Astarion. The only time I've come relatively close was when I discussed Neil Newbon's stance on him in the comments of a viral post, where a Tumblr user got mad at him for saying, "Meh. He's not for me." And even then, I made it abundantly clear that I don't have a problem with people who enjoy ascended Astarion. I was more so defending Neil for having a preference, which he's allowed to have. Is that what you're talking about? Because I haven't discussed ascended Astarion anywhere else. 😅
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As for your comment ... what? First of all, an unconsensual sacrifice isn't a mercy killing, it's murder. They didn't want to die. Those innocent people—and yes, they are innocent; Cazador captured and enslaved them—don't simply die. As per the infernal contract, they go to hell. Specifically to Mephistopheles, the second most powerful and cruel archdevil in the hells. They will suffer for all eternity. That's not merciful. Personally, I'd rather be an undead spawn who has to drink rat blood every now and then.
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Second, if you feel that way about all those spawn, then you should keep the same energy for Astarion, because he's the same as them. The only difference is they haven't had a chance to live in the real world or learn to control their hunger. Now, I do agree setting thousands of spawn loose on the Sword Coast is a lot, and potentially dangerous for the living, but the Gur will keep an eye on them, as is their oath. If you let them go, you give them a choice. They're still slaves to their hunger, and they likely always will be, but they get to choose how to satisfy it. If they truly can't resist harming others, then the Gur (and paladins) will surely kill them; which sounds horrible, but at least they'll be spared a gruesome afterlife.
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Cazador took their choice away, as he did with Astarion. If they deserve to die, if they don't deserve a chance to prove they can live peacefully in Faerûn, then the same goes for Astarion. That's part of what makes his ascension so hypocritical. He's no better than Cazador, in the sense that he takes their agency away and uses them for the exact same purpose. Those spawn even could've been Astarion. He just so happened to be the "lucky" one who had a parasite crawl into his head. He's special to the player because we know him, but he could've been any of his siblings. He is all 7,006 of those spawn.
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I will admit I didn't ascend Astarion, as I personally think it's the worst path for him, but you have it backwards. I didn't deny him ascension because I lack empathy. I denied him ascension because all I have is empathy, and that extends to characters who aren't the main focus of the game. You do what makes you happy, but I don't think becoming the worst version of yourself is healing, and I care about Astarion (and the people around him) too much to watch him continue the cycle. Sebastian, Dalyria, Chessa, all the others trapped in the cages—they have names and they're victims, too. For me, the most cathartic moment of Astarion's quest was when he realised it and set them free.
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nthspecialll · 2 days
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I think we sometimes as a fandom tend to hyper-focus on certian characters' backgrounds simply because we like the character when in reality other characters who might not be as interesting has way better backstories, because no, Javier, Arthur and John are not the only ones with sad backstories
Like why does no one talk about what happened to Leopold's sister? Why does no one talk about young Lenny tracking down and killing folk? Why does no one talk about Javier actually in a way working for the government for a while and the reason why he killed that powerful military man? Why does no one talk about why Dutch is called Dutch and not by his actual first name? Why does no one talk about Bill's worst childhood fear coming true? Why does no one talk about both Swanson and Micah saving Dutch's life or that Tilly is also a murderer?
Anyways here is a full explanation of all the Van Der Linde gang members backstories.
Sean MacQuire
Sean Macquire and his father lived in Ireland possibly with more family but had to flee because the English (who were at the time in charge of ireland) were chasing them. They fled for their lives and they were in Boston for a month before his dad was shot in his sleep, showing the remaining Sean that there was truly no honor or shame in the world.
He was then sent to a reform school, which we all know was abusive and a living hell, so he ran, living as a low-life thief, he was a teenager, when he in a bar somewhere in North Elizabeth saw Dutch and Hosea and liked Dutch's watch. He followed the two into an alleyway and threatened them at gunpoint, however they laughed at him and told him to shoot, so he did, except the two others had noticed him first and took the bullets from his gun. Sean started crying, thinking they were going to kill him but instead of doing that they gave him a home, a place to belong.
Lenny Summers
Lenny's grandparents as well as parents were slaves and his mother was born on a cotton field and taken away from his grandmother, who hadn't even known she was pregnant, immediately. His grandmother was then told to simply get back to work.
After the civil war, the old overseer kept making advandages towards Lenny's grandmother, to a point that in the end she needed to kill him and just barely escaped being lynched. Lenny's mother never saw the grandmother again.
Lenny's mother later met Mr Summers who was an educated man and taught Lenny to both read and write, however wehn Lenny was 15, his dad was beaten to death by several drunk men. Lenny stole a gun, tracked and hunted down the men, shooting them and showing no remorse even years later.
Kieran Duffy
Kieran Duffy's father was an Irishman who came to America with a dream of farming. It was there that he met Kieran's mother and not long after having Kieran, they both passed due to Cholera and not shortly after that the stables that he worked at to support himself threw him out. He decided to join the army to support himself but it didn't last long before he quit due to it "not working out well."
After returning from the army, he fell into work with a bunch of unnamed outlaws, though they all passed away, leaving him alone once again.
At some point he ran into the O'Driscolls who gave him a choice, to ride with them or to get killed, esencially forcing him to join them and work as a stable hand for them, though he was at the bottom of the latter simply working with the horses before being kidnapped by Arthur Morgan and joining the Van Der Linde gang.
Leopold Strauss
Leopold Strauss was born into severe poverty in Austria and his family struggled heavily with food. By the time that Strauss was only twelve, his older brother was beating up nightwatch men for whatever cash and food scraps they had on them. By that time Strauss's father had already sold his younger sister Anna, by the age of nine, into bonded labour to be able to provide for the rest of the family.
When Stauss was seventeen he was sent with his uncle to the US due to health problems, however the hellish sight of Brooklyn gave Strauss's uncle a heart attack on the spot, leaving Strauss alone in a forgein country. To survive he began doing illegal money scams and after doing so for years Dutch picked him up.
Tilly Jackson
Tilly Jackson was the daughter of a slave and became an outlaw by the mere age of twelve, running with a gang called the Foreman brothers but after murdering the leaders cousin after he made advandages on her, she had to flee. She returned to her mothers workplace but found that she had already passed.
Later Tilly ran into Dutch Van Der Linde and as he was already taking care of John Marston and Arthur Morgan, he took her in, becoming just as much as a father figure to her as to the boys.
Micah Bell
Micah Bell was born directly into a life of crime as his father Micah Bell jr was a petty but ruthless and violent outlaw. Already when Micah was 17 him and his father were on run from the law as they had slid Jean and Roscoe Briggs throats and later hung them as well. His father was also his primary partner in crime, however he also seemed to have teamed up with his brother Amos a few times as well, however Amos regretted his past life and started a proper one with wife and children and threatened to kill Micah if he came close.
Micah had several partners in crime later in life, including Joe and Cleet who appears later in the game, as well as a fellow named Norman.
Micah runs into Dutch Van Der Linde in 1898 in a bar as Dutch is trying to sell some stolen goods, however the deal doesn’t work out and Micah steps in to help Dutch and save his life, earning a place in the gang.
Bill Williamson
Bill Williamson, also known as Marion Williamson, was born into an abusive family with a father who lost his mind to alchohol, even going to the point of mixing moonshine with whiskey. Watching this Bill always feared falling in love with liquor and suffering the same fate.
Bill always showed signs of being more of a troubled kid and being sent to a reform school did not stop him from building s solid criminal record as a kid.
Bill would later apply to the military and serve in the 15th infantry, fighting against the native americans before being dishonorably discharged for deviancy and attempted murder in 1892. For a year after he lived rough, truly falling in love with liqour and stealing from people om the side of the roads, one time being robbed himself by a "woman" (likely a cross dresser or genderqueer person).
In 1893 Bill tried to rob Dutch and got angry as the man simply laughed at him, however he calmed down as he was allowed a spot in the Van Der Linde gang.
Daniel "Dutch" Van Der Linde
Dutch's mother was an english woman named Greta and his father a dutch man who lived somewhere near Philadelphia who fought in the civil war and died, which is why Dutch hated southeners.
Dutch's nickname rumors to come from his father's desperate attempt at keeping touch with his ancerstory.
When he was 15, he left home due to troubles with his mother whom he never got along with and simply saw him as a disobedient and troubled kid. He wished for freedom above all so to gain this he started a life of crime and in mid 1870 met Hosea Matthews.
Hosea Matthews
Hosea was born in around 1844 and lived the majority of his earlier life in the mountians, growing to love fishing and hunting. His father was mostly absent, living a life of "sin and debauchery that would make an emperor blush." Hosea saw his dad only about three times in his life but loved him none the less.
He tried to make his way with comedy as a stage actor, however he turned to petty thieft, stealing from his audience and later others in town. He was caught by the sheif stealing a chicken and sentenced to be hanged. Luckiy for Hosea the town folk saw it as a punishment too cruel and a riot broke out which ended with someone shooting the noose around Hosea's neck, allowing him to flee.
Mid 1870 Hosea found Dutch sitting by a campfire and decided to rob him, however found that Dutch had already robbed him. Hosea feared for a moment for his life but it ended with the two of them laughing it off and teaming up.
Molly O'Shea
Molly O'Shea was born into a wealthy Irish family, set up to live a proper and educated life, however she quickly got bored and showed little interest in the life set up for her, so she ran off to America in search of adventure and excitment. At some point she ran into Dutch Van Der Linde and found an interest in him and his life style, only to later genuiently fall in love with him.
Arthur Morgan
Arthur Morgan was born to Beatrice and Lyle Morgan in northen US. His mother died in his early life and he never really got along with his father whom there are rumors was abusive. Lyle lived a life of petty crime and was arrested and executed. Arthur saw his father die and although not having the best relationship, Arthur kept his father's hat and picture.
In 1877 Arthur was 14 and a wild delinquent. He ran into Dutch and Hosea, being picked up and taken under their wing, taught not only the ways of crime but also skills like reading, writing, hunting and so on.
Uncle
Uncle was born in Ohio (insert Penelope Braithwaithe shutter) with the only family present being his parents who died when he was nine and an "uncle" named Jeb whom Uncle hints at being a pedofile.
After his parents death he was on his own and was forced to a new city where he had to care for himself, and from that time to the game start in 1899, we know he has been married at least twice.
Uncle tells many stories of his past such as going to Africa and being worthshipped like a god by the locals, however the truth of these stories are highly doubted due to his tendency to lie. He does tell stories of being a "one shot kid" in his younger days, the truth of these also being doubted, however it may have been his tricket into the Van Der Linde gang.
Susan Grimsaw
Along with Hosea, Dutch and Arthur Susan was one of the founding memebers of the Van Der Linde gang, having run into Dutch during a poker game where both he and she found interest in one another, causing the curious couple and their unruly son to stay in the area a bit longer, paying poker long into the night while Susan sat on Dutch's lap.
Having gotten into a romantic relationship with Dutch, Susan was allowed to join the small group and even stayed when Dutch moved on to Annabelle, now serving as a form of housemother, making sure that people did their work, took properly care of themselves and made camp feel like home.
You can also hear Susan talking to Mary-Beth one time in camp, admitting that she had a fiance once however he went to heaven.
John Marston
John Marston was born in 1873 to an illiterate scottish father born on the boat to New York and a prositute mother who died during his birth. At first John lived with his father who constantly spoke of Scotland and his love for the country, however he was blinded in a bar fight south of Chicargo and later died when John was eight. The true cause of his father's death is unknown however John was told it was a barfight.
John spent a few years in an orphanage before running off and living on his own, at the mere age of eleven commiting his first murder by shooting a man, though he claims it was not his fault.
At the age of twelve John had been caught stealing from homesteaders who planned to have him hanged, however Dutch stepped in and took him under his wing.
Orville Swanson
Swanson used to wrok as a Clergyman but after indulging in the "earthly pleasures", being seduced by alchohol and sex, he lost his family, job and in the end faith, though he desperately tried to regain it.
At some point or another he fell in love with a woman named Margaret, though she was already married, so he simply added bigamy to the list of sins he had already commited. When the two of them were in San Fransisco, the law finally caught up wth them and while she fled onto a ship headed for Shanghai he was stuck and never saw her again.
Under unknown circomstances Swanson came to save Dutch's life and due to Dutch's debt to Swanson he was allowed to join the gang.
Mary-Beth Gaskill
Being a woman of good nature, Mary-Beth did not struggle getting close to her victims after having found herself needing to find a living in the streets. Due to her looks and personality she could with ease fool the richer men into thinking they were saving a poor maiden in need while her fingers slipped into their pockets.
It was through this that Mary-Beth got in trouble with not just the law but her victims as well. One night she had gotten a few foul men on her tail that she ran into the Van Der Linde gang who saved her and asked her to join them.
Charles Smith
Charles Smith was born to a Native Mother and a free African American father, all three of them living fairly happily with his mothets tripe together with a few other free men before the US army chased them away.
They continued to live together but a few years later Charles' mother was captured by the army, leading Charles' father to fall into alcoholism and a deep depression.
At the mere age of 13 Charles left his father and began to live on his own, becoming a supreme survivalist from an early age.
Some point during the late 1898 ran into the Van Der Linde gang in the Grizzlies and joined them.
Simon Pearson
Simon Pearson's family were whale hunters and although Pearson wished to follow in their footsteps it did not go that way due to the whale industry having lessened by the time that he got out of school. Having been forced to look for new employment options, Pearson joins the Navy where he even managed to get stranded for fifty days on a ship filled with plauge, watching his friends and coworkers slowly drop one by one.
After having returned from the Navy Pearson begins to struggle financially and takes a loan, however unable to pay it off loansharks comes after him and it is during one of these attempts at getting to Pearson that the Van Der Linde gang saves him and brings him to camp as a cook.
Abigail Marston
Abigail Marston, originally born Abigail Roberts, was orphaned at a young age and started roaming around bars, scraping whatever few coins she could take from folk before starting a work of prostitution, making an earning by selling her body and at some point running into Uncle at a bar who introduced her to the gang.
Now living with the gang, Abigail still worked as a prositute up until falling pregnant with Jack Marston by John Marston.
Josiah Trelawny
Josiah Trelawny was born in England though he has no memories of his life there, he later imigated to America where he starts working as a conman and trickster. It was during this line of work that he met yhe Van Der Linde gang and joined them bur with a special advandage as he, unlike the others, was allowed to appear and disappear as he pleased, always knowing when Dutch planned to cut him off and return with a big hit.
Josiah has a family living in Saint Denis concisting of a wife and two sons named Tarquin and Cornelius. Just as with the gang, he would disappear on them for months.
Karen Jones
Karen Jones lived as a scam artist in her early years and absolutely loved the outlaw lifestyle and hoped for a bit more which partly drove her to accept the Van Der Linde gang's invitation, hoping to achieve more.
Javier Escuella
Javier Escuella was born in Mexico to a drunkard father who worked for Allende' (a main antagonist in rdr1, a military man) uncle. When he was young he saw his own uncle as well as four other separate men get casterated and fed to pigs for simply suggesting fair wages for their work.
Javier moved on to become a violent and known bounty hunter and revolutionary, fighting against what he saw as a corupt system.
Javier ended up killing a powerful former military man for a woman that he loved, fearing for his loved ones life he fled to America where he knew no english and had no work or food, leaving him starving.
It was in America that he ran into Dutch as they both were trying to steal the same chickens. Dutch took Javier in, fed him, gave him a family and a life, leading Javuer to idiolize Dutch also for his revolutionary ideals.
At some unknown point someone attempted to kill Javier, leading to him having a prominent scar on his throat.
Sadie Alder
Sadie Alder grew up in a harsh envioment and from a very early age learned how to hunt and ride to care for herself, things that Jack Adler fell in love with. The two of them married september 1896, moving to a ranch in Ambarino where they had three happy years of marriage before the O'Driscolls arrived at their cabin.
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callmebrycelee · 2 days
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Can we just talk about how some of y’all were okay with Josh just being the sassy gay bestie until Tommy came along. Then all of a sudden, I start seeing posts about Gee, wouldn’t Josh be perfect for Tommy? So, all of a sudden Josh has romantic potential the moment a new gay man arrives on the scene. A lot of you only began to see this potential the moment Tommy aka Mr. Steal-Your-Buck became a threat to a certain ship. The moment that chin was lifted, you saw your ship flash before your very eyes. The fact that Tommy Kinard did in 4 minutes and 23 seconds what could never be done in 6 seasons, was downright terrifying for some of you. And the twist of the knife came when a lot of us viewers started to see the potential in Tommy and Buck.
Now all of a sudden you want to play matchmaker????!!!
And that’s what so frustrating about all of this. You don’t care about Josh or his romantic prospects and you most certainly do not care about Tommy. In fact, a lot of you are so hellbent on Buddie (notice I did not say Eddie and Buck) being endgame that you’re willing to screw over the other characters to make it happen. Like y’all seriously believe that Buck is going to cheat with Eddie at his sister’s wedding???!! Like how does that make sense for either character? Come on! Maddie and Chimney and Hen and Bobby and Athena … hell even Christopher at this point, they’re all pieces on a chessboard to move around until you get what you want.
Now I’m not a TV writer so I’ll leave the storytelling up to Tim Minear and the other 9-1-1 writers. Whatever ending we get to this show, however far in the future we get it, I hope it’s one that serves ALL the characters a lot of us have grown to love over the last seven years and not just a specific ship.
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xoxo-sarah · 3 days
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Friendly
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↝a/n: I'm just posting all my old fics in my notes app because I don't have any good ideas as of this moment.
↝pairing:Steve Harrington x reader
↝warning: angst, unrequited feelings, heartbreak, sad!reader, not proofread
|| Disclaimer: I do not own (character), or any character from (show, movie, etc.). I only own y/n and any characters I create with my own brain. ||
↝⎙ 4.27.24
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You shouldn't be here. You knew that, but you couldn't help yourself. The feelings you had for Steve were eating at you, keeping you up at night. All the time you spend together felt like torture when you thought back to them. The glanced you would spare him even though he wasn't looking. He was never looking, not like you were.
The laughing and jokes were friendly for him, something he also did with his other friends. It just felt different for you.
You tried to keep it to yourself, you really did. It just became too much. Your thoughts were overfilling your skull, spilling out of your tear ducts late at night, when you were alone in your room.
You knocked at the door before you could stop yourself.
Steve opened the door, his face turning into one of pure bewilderment. Before he could even say hello, your mouth was open, words spewing out of it like vomit.
"I know it's late but I couldn't go to sleep. I need to get something off my chest and I need you to just...listen."
Steve went to open him mouth but closed it when your eyes harshly shut, watching as you conjured up the guts.
"I love you and I need you to love me too. Tell me that your thoughts have been of me just like mine have been of you." But you didn't say that, 'cause that would be even more pathetic than showing up at his doorstep in the middle of the night.
"You make me feel wanted and needed in a way I haven't felt before, and that's too much for me to have as just a friend." Your eyes opened, staring at the way his hand flexed against the door he held open.
Steve stood, shell-shocked.
"Tell me that the times you made me feel seen were you just being friendly. Please-"
"Steve?"
A head of blonde hair walked behind Steve, smiling politely at you, hand moving across the extension of Steve's back.
Your breath caught in your throat.
She leaned up to whisper something in his ear. He finally moved his gaze from your pathetic silhouette. He looked at her, his jaw slack from your confession. An absentminded nod was enough for her to sway back to where she came from, leaving you two in silence.
How does one come back from this? It is humiliating.
Steve bit his lip, scratching at his forehead.
"Can we talk about this another time?"
This time, it was your turn to be gobsmacked. You felt as if your life couldn't get any sadder.
Without a word, you turned, not knowing what you were supposed to do after confessing your feelings like that. Tears fell down your face before you were out of his driveway.
You couldn't show your face anywhere he would be. There is no way in hell.
The old feeling in your chest that told you to cherish every moment with Steve- the one that told you to reach out to hold his hand- was now demolished and replaced with regret.
This whole thing is just humiliating.
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•2021-2024 by xoxo-sarah on Tumblr•
•My work is not to be translated, copied, modified, and/or reposted on any other site without my permission. [I don't give permission!]
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lanadelnegan · 2 days
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Ghost - Part 5 (final)
Negan x Glenn'sSister!Reader
Warnings: 18+, smut, angst, angry sex, p in v, anal, sex on Negan's bike, slight daddy kink, situationship
Part 4 here // Part 1 here
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“Knew I’d find you here, doll.” Negan got off his bike, sighing before he sat next to me on the steps of the cabin. “Wanna tell me why the hell you just up and left?” His leg pressed against mine as I stared ahead at the ground, unable to look at him. 
“Just needed time to think.”
“Look at me.” His voice was deep, demanding, and I could hear the pain dripping from it. I refused to look at him.. refused to blink. All I could do was stare at a walker pinned to a tree in the distance like it might save me from this moment. 
Out of the corner of my eye, I saw Negan nod disappointedly before looking away and my heart sank.  “We’ve both had enough time to think, y/n.” His voice cracked when he said my name like tears were forming in his throat. “On the drive over here, I had every intention of fighting for you. For us. But then I thought, I don't want to be with someone who isn’t certain they wanna be with me too.”
I nodded acceptingly. “That’s fair.” I refused to cry, not wanting him to see how this was affecting me. I’d be brave now, and feel sorry for myself later like always. “So why are you even here, then?” I asked and the question made Negan scoff. “Because I at least have enough respect for you to tell you goodbye.”
“I guess you don’t remember our first night together.” I scoffed back at him. 
“How can I ever fuckin’ forget? … and that? Is the problem. Buuut…” His voice changed suddenly, like he switched into the asshole character I saw at Alexandria the first time. “...If I can survive losing Lucille, I’ll damn sure be okay losing you, darlin’.” 
His words felt like a punch to my gut, leaving me numb and speechless. Negan stood after a few moments, whistling as he walked back to his bike but I was behind him before he could reach it. “What the hell is that supposed to mean?!” I whisper-yelled, not wanting to draw the attention of the dead. 
Negan quickly turned to face me, smirking while he towered over me. “It means.. I’ll go back to my wives at the sanctuary. And you? can sit here for the rest of your lonely little life.. wishing you still had me.” 
My only response was my hand colliding with his cheek hard enough to sting my skin and draw blood from his lip. Negan grinned wider, showing his white teeth as he wiped a drop of blood away with his thumb. There was a darkness in his eyes that I hadn’t seen before and it made me wonder how I was stupid enough to ever believe there was good in him. 
“Fuck you.” My jaw clenched as I spoke and mindfully held back my fists at my sides, desperately wanting to press one into his arrogant skull. 
“Yeah?” He asked, tilting his head. “Okay.” He breathed before pulling me forward by my wrist and smashing his lips into mine. I tasted the lingering blood on his mouth and sucked harder at his lip like it was some miracle drug that would heal me from his hurtful words. 
He bit me back and I shoved him away, breathing heavily. A low grumble came from his throat before he pulled me back to him and wrapped his fingers around throat. “You want me to stop? Tell me.” His grip tightened around my neck and my lips remained closed. His head fell back as he let out a loud chuckle and returned his heavy gaze to mine. My eyes watered from the pressure building in my neck and his eyes softened along with his grip.
Negan looked away before letting go of my neck completely. For a moment I thought he felt bad about it, until he grabbed my wrist and maneuvered me to bend over his bike. I gasped when my stomach pressed into the seat and knocked the wind out of my lungs. Before I had a chance to stand, Negan yanked my shorts down along with my underwear and lined his already hard and ready cock up to my entrance. 
"You ready to stop with the dramatics, darlin'? We both know we can't stay away from each other." He slid into me with one deep push and kept himself there for a moment. "Feel how perfect that is? We were made for each other, baby." He began thrusting and my moans grew louder as heat flooded my core. 
His hand found my ponytail and he jerked it harshly, making me yelp and my back arched while his dick reached a deeper level inside me.
"Negan, fuuuuck, feels so good."
"I know baby, I know." He breathed heavily, keeping his pace fast and steady. Letting go of my ponytail, his hand dropped to my ass while the other remained squeezing my hip. I exhaled a pained breath when I felt his thumb force its way into my other hole.
"So pretty and tight." He said, looking down to watch his thumb and cock slide in and out of me simultaneously. Then suddenly he removed both and I whined at the empty feeling.
He circled the head of his dick around my asshole and my eyes went wide with the sudden painful stretch of his tip entering.
"Fuck." Negan grunted before pushing the rest of length inside me until his balls were pressed against my pussy lips. We both moaned in unison as his pace sped up. "Shit, baby, look at you. Taking daddy's cock like a fucking pro. So fucking proud of my girl." He yanked my ponytail again, hitting a spot that made me see stars.
"Negan!" I practically screamed.
His other hand reached in front of me, covering my mouth. His fingers gripped painfully around my face, bringing tears to my eyes while he ripped my insides apart.
"Goddamn it, doll. Gonna fill that little ass with my cum and watch it drip outta you. You want that? Huh?" He pulled you back further towards him, biting your neck after whispering the filthy words in your ear.
The heat continued to build in your core and you felt yourself getting close. "Yes, please Negan. I need it, please!" I begged desperately.
Negan chuckled darkly and pulled back, leaving you empty again. He finished himself off with his hand, grunting as he spilled onto the ground.
I turned around, pulling my shorts back up quickly. "What the hell?" I asked, confused at his sudden change of plans.
"Ahhh." He said relieved, buttoning himself back up and adjusting his clothing. "Something wrong, darlin'?"
I scoffed, staring at him in disbelief. "No, not at all."
"Good. Because I'm done pleasing you, sweetheart." Negan smirked at you, throwing a leg over his bike and starting the engine.
"Just like that, huh? You're just.. giving up that easy? Did I mean anything to you?"
"Of course. Always will. And when you work out your own shit and realize you fucked up, I'll be here. I love you, y/n. Nothing will change that."
I watched him disappear in the distance as he drove off, taking my heart with him.
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Three weeks later:
I've settled back into Alexandria, slowly making amends with the group. The Saviors had a falling out the day we attacked the Sanctuary and we haven't seen any of them since. Except Negan.
After our escapade at the cabin, Negan had apparently drove to Alexandria and surrendered. He's been a prisoner here since the day he showed up and my heart hurts for him. I haven't been to see him, and by doing so, I'm only hurting myself. I guess its my punishment to myself for letting him go. But its been three weeks now and I can't wait any longer.
Everyone knows about our past situationship after I felt it necessary to come clean. I figured we would never be able to move on unless I told the truth. At first it didn't go well, but time mends everything and I think they're starting to forgive me.
It was getting dark when I knocked on Rick's door, explained the cause of my desperation, and he reluctantly gave me the keys to Negan's cell. Arriving at the door of the basement, I took a deep breath, and walked down the stairs into darkness. The only light in the cold room was the moonlight shining through one small window by his cell and it reminded me of our moment together in the trailer - the day I took a bullet for him. I knew then I was in love him with him and nothing has changed since.
"Negan.." I whispered, walking closer.
He lied on his back on his cot, looking up at the ceiling with a hand behind his head.
Silence.
"Please talk to me."
Nothing. He wouldn't even look at me.
"Ok, I'll talk then." I leaned against his bars. "I'm sorry it's taken me awhile to come see you. I needed some time to work out my shit - as you put it." I paused, giving him a moment to react but he didn't. "Well.. it's worked out. If you care?" I said teasingly.
His head fell to the side as he looked at me, trying not to smile. I took that as a welcome sign and quickly opened his cell door with the key. He barely had time to stand up before I ran to his arms and kissed him like my life depended on it.
He lifted me before laying me down on the cot and climbing over me. His mouth stayed connected to mine and without words, we made a million promises to each other in that moment.
We'd never leave again.
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A/n: This final part was slightly difficult for me to finish. I have so many other one-shots in process that I'm ready to focus on, so I'm sorry if this felt rushed. But this entire story was so fun to write. Thanks so much to whoever requested it! <3
Tag list: tag list: @loganlostitall @chaospossum @negansbabydoll66 @redqueenphoenix @n3g5nx @crustyweirdo @youngpersonaathletebear @sadgirlzluvdilfs @ilovebill-and-gustav @neganscumbucket @manipulatorpoem @im-a-goddamn-cat @raininhell @mahogany-cherry-wine @daryldixmedown @munsonslovergirl @sanctuaryforthelost @thelauraborealis @carlgrimesbbg @c3linesworld @blueheisenbergtragedy @startwinklekitty @darlingmadelinee @oceandeepthirst @jschlattsqtip @lavenderchai @sweetbutpsychobutsweet @neganswoman @n7crophiliac @cats-writing @alldevilsarehere90 @natykacenka @queermilfs @stasiaangelsinner @lupa-03 @sadgirlzluvdilfs @pamago-bb @javier-penas-wifexx420 @motelprincess444 @thatonefroggirl @myhappyplaceofstuff @darlingmadelinee @used2beee @easystreet07 @princess-23-xoxo @twdxtrevor @dilfsandmartinis @sarahhxx03 @minaxcarter @kukka-roo @rinsdesires @6kaja9 @sasiiik9174 @fanficwriter5 @theoraekenslover
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mcytblrconfessions · 2 days
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people are allowed to not like shipping and that's fine but what i take issue is when they pull out "um they're real people" excuse to make it some sort of weird moral stance because that's when you lose me. the second any of you headcanon them as anything that argument loses all weight entirely. none of you bat an eyelid at them being depicted as animal hybrids or there being sibling duos and whatever.
none of you clutch at your pearls and talk about how it's gross to view a real person as a bird because you agree then. there's a clear difference between the creator and their character or you're just a massive hypocrite take your pick. it frustrates me because you don't get to pick and chose! either there's a clear separation there or there isn't! you don't to make it some weird morality issue whenever it benefits you personally because we all know why you're doing it and it's scummy as hell.
if you don't like something that is fine, nobody is saying you have to but who the hell do you think you are. who says you are the one who gets to decide where the line in the sand is drawn. just filter tags and block people like a normal person. either all headcanons are bad because "they're real people" or you admit you only clutch to that argument when it's convenient and you want to feel morally superior. you're not fooling anyone.
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Killua and the Power of Wishes
Okay going to try and make this coherent because the amount of wish association all through Killua's character development makes me want to chew plaster.
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As a fair warning, this analysis ended up being long as hell, and I didn't even include everything I could've said. This is also just one lens to analyze Killua's story arc with, and I feel there are other valid interpretations of some of these moments. This is just one of mine, so keep that in mind please.
One last warning that this analysis does discuss emotional manipulation and abuse, as is par for Killua's background.
Let's set the stage with one important piece of info: Killua's birthday.
Killua's birthday is July 7th, the same day as Tanabata. Tanabata is a folklore-rich festival where according to legend, the two lovers, weaver Orihime and cowherd Hikoboshi, represented by the two stars, Vega and Altair, are allowed to reunite once a year after separation. A popular custom of Tanabata is to make wishes by writing them down on tanzaku, then hang it on a bamboo tree so that the wish might one day come true.
Tanabata is also known as the Star Festival. Please keep this in mind, because I'm going to come back to it.
To finish setting up the lens for this analysis, I'm going to need to dig into the game-changer scene for Killua's early characterization - his confrontation with Illumi at the end of the Hunter Exam, and specifically, the exact nature of Illumi's manipulation of him.
I say "game-changer" because it really is - up until this point, it's kind of fair to not fully know what to think about Killua. Certainly, he seems excited to hang out with Gon (he approached him first, after all) and he's friendly enough, but he's also arrogant and claims to be motivated mainly by boredom. For all intents and purposes, Killua seems set up to be Gon's dangerous yet charismatic rival... but then this scene happens and it completely turns it all on its head.
Because Killua may have mentioned his family was controlling before, but he seriously downplayed the severity of it - likely because he has no point of reference for how awful his situation actually is other than it makes him feel bad and trapped. Illumi's appearance immediately shifts our understanding of Killua from runaway murder kid with annoying murder family to straight-up victim of emotional abuse, and dissolves his cockiness instantly to terror.
What does all this have to do with wishes? Glad you asked. Let's look at some of Illumi's dialogue.
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[ID: A screenshot from HxH episode 20 of the 2011 anime. Killua looks up, sweating and conflicted, as Illumi tells him "You don't want anything or wish for anything." End ID.]
This is the crux of Illumi's (and the family's) control. Killua's desires do not align with the family trade. They must be excised from him.
When Killua insists that he does have something that he really wants, Illumi says "Tell me what it is you want", in a mockery of a certain other sibling who would have helped fulfill this wish - Illumi asks only so he can completely dismantle it. And Killua isn't even really surprised at Illumi's words, just heartbroken. You can tell this isn't the first time this sort of thing has happened.
Killua states his wish quite fervently; he really means it. But his words are not rebellious, nor cathartic. Instead, he answers Illumi quietly, as if fearful or ashamed, almost reminiscent of a sinner's confession.
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[ID: Two screenshots from HxH episode 20 of the 2011 anime. In the first Killua looks down with a troubled expression, saying "I want to become friends with Gon...". In the second, his face is hidden as he stands with hands clenched at his sides with a spotlight on him. He says "I'm sick of killing people..." End ID.]
It's such an innocent, simple want.
And Illumi proceeds to make him feel like even something so simple is harmful and selfish of him... not to the family, but to Gon.
In a matter of a few minutes, Illumi breaks down Killua's wish by:
Acknowledging this desire, but twisting it into something that will inevitably fade over time, thereby causing Killua to doubt his own conviction and feelings -> "Gon is a novelty, a radiant presence who has piqued your curiosity. No more than that."
Acknowledging that Gon is someone important to Killua, and undermining this by telling him that by his very nature, he will eventually bring harm to Gon, which makes him feel as though Killua cannot trust himself to be a good friend -> "If you try to be friends with him, you will one day want to kill him... because you are, by nature, a murderer." (As a... delightful... bonus, this is also apparently how Silva and Illumi justify their treatment of Killua to him - "This is the essence of your existence and we taught you accordingly." Like they adapted to Killua's nature, instead of them molding Killua into who they wanted him to be.)
Delivering an ultimatum - to fight Illumi and win, or else Gon will die - that Killua is doomed to fail due to his upbringing and the needle in his head. Since Killua doesn't know about the needle, he assumes this is his own personal failure, something Illumi feeds into -> "You're just not qualified to make friends."
And it's the last point that breaks him. The first two shoot down Killua's present wish, but the last proceeds to shatter any hope he might've had of wishing for anything similar in the future - he has told him that his desires are weak, temporary, inherently dangerous to those around him, and worst of all, aren't enough on their own for him to deserve friendship and love from others. And the clincher: Killua feels like all of this is his own fault, that there is something inherently dangerous and wrong with him!
So, it doesn't even matter to Killua anymore if he fails the Hunter Exam. To him, he just failed the only test that mattered.
10/10 manipulation, Illumi. Fuck you, seriously.
Killua's character arc is mainly his quest and struggle to refute Illumi's arguments and to shake off the manipulation and the ways in which his family have molded and controlled him. And by far, the most difficult part of his conditioning to shake off is this idea that he is undeserving of anything more than what he is already given.
It's almost like the family has drilled it into him that wishes are dangerous. How interesting.
Thankfully, however, there are two parties to Killua's wish here - Gon, too, is a part of it, and it is not simply his reciprocated desire to be Killua's friend that saves him, but also his recognition of Killua's situation for what it is (notably, when no one else correctly identified the true issue).
"You know it wasn't his choice. You manipulated him, kidnapping his spirit!"
The ensuing Zoldyck family arc emphasizes that Gon is 100% correct: the main hold Killua's family has on him isn't physical - it's all emotional.
Killua breaks one of his shackles when Milluki threatens to have his new friends killed, but he only breaks the rest when Zeno tells him he's free to go. So, if Killua could break loose at any point, was this still a rescue like Gon said?
Well, yes - just because he absolutely could've broken out physically at any time, that does not mean he could just leave. That's the nature of situations such as this - it's not as simple as "just leaving". Support is necessary, as is actually having something tangible outside the situation to go to - otherwise there is little point to leaving at all. Gon (and Kurapika and Leorio) showing up to free Killua showed him that his wish was reciprocated and allowed him to break one cuff - this is the start of his journey, but he still has a long ways to go. Notably, he again hesitates and closes off when Silva asks what he wants.
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[ID: Three panels from HxH chapter 42. In the first, Silva asks Killua "...would you like to see [Gon]?" Killua's expression is complicated in the next panel - he's closed off and uncertain. Silva continues "Be honest, Kil... what do you want?" End ID.]
Killua will backtalk and casually break his shackles and death glare his family... but he's too fearful to voice his wants aloud.
And once again, asked by his father what he wants, he is subtly set up to fail. His wish is granted, but made conditional - "Do not betray your friends", something Killua is regrettably set up to do by virtue of the needle in his head that he, again, doesn't know about. Silva fully expects him to fail and come back home, disillusioned, believing it's his own fault due to his "nature", and trusting in Silva still as a "reasonable" figure in his life.
This condition placed on his friendship is what drives much of Killua's fear and insecurity with regards to Gon for much of the series - the idea that Killua has to earn his right to friendship, and that if he doesn't, he will lose it, one way or another.
It really makes me wish that Killua had actually gotten to hear Gon's views on friendship from the beginning of the Zoldyck Family arc, because it entirely refutes this entire philosophy. He even outright refuses to go through the Testing Gates at first, purely because he thinks the sentiment of needing to prove yourself just to be friends is completely outrageous - he only relents because there is no other way.
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[ID: Two screenshots from episodes 21 and 22 of the 2011 HxH anime adaptation. Gon looks up at Illumi and firmly states "[Killua] doesn't need to earn the right to be my friend!" In the second, Gon's face is seen in profile and close up as he asks "Why would you test your friends?" End ID.]
I doubt it would've truly prevented Killua's insecurity from manifesting even if he had heard this, to be honest - his issues with usefulness are very deep-rooted in his upbringing - but still, it would've been nice for him to hear, I think.
However, that's not to say that this exact sentiment doesn't come through in their interactions.
Gon, as Killua's friend, cares about what Killua actually wants and wants to make sure Killua knows that - and that's part of what makes the Whale Island conversation between them really important.
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[ID: Two images, both of the same scene from HxH chapter 64, and episode 37 of the 2011 anime. In the manga panel, Gon has turned his head to look at Killua directly, who looks shocked and taken aback, to say "I like hanging out with you." In the anime screenshot, Gon has turned his whole body to face Killua, and says "I think it's fun to be with you." End ID.]
I see a lot of people chalk this up to just Gon being Gon, but it reads to me as much more deliberate than even his usual honesty. He's turned so he's looking directly at Killua, which is a sure way to make his words come across clearly. The lead up to this is Killua, again, not knowing or being able to vocalize what he wants. He doesn't have a goal to work towards like Gon, he only knows what he doesn't want - he's a mix of envious and admiring towards Gon, who knows what he wants and simply goes for it.
But this conversation makes it clear that they have a shared wish - they both want to be friends, and they'd both like to stay together. It's not about earning, to Gon, it's only about if they both want the same thing - mutual, not conditional. There's a nice almost call-and-response type dialogue here, where Gon asserts that he likes spending time with Killua (very directly lol), then shares that Killua is the first friend his age he's had. This prompts Killua to say that Gon is his first friend ever, and that he does have fun with him. And just like that, Gon replies "Then let's stay together!" and pointedly includes Killua's desire to find a goal in their, now shared, upcoming journey.
Overhead, a shooting star appears in the sky. A mutual wish is granted.
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[ID: A panel from HxH chapter 64. The night sky is full of stars. In the centre is a shooting star. End ID.]
Hm. Stars. Remember how I told you to keep that in mind, all the way back at the beginning? Their association with Tanabata, making a wish on a shooting star, etc. etc.?
Well, buckle up because this star is going to make you experience so much sadness now.
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[ID: Panels from HxH chapter 286. The first is a conversation between Killua and Meleoron where Killua asserts he intends to "go down in flames with [Gon]". When Meleoron looks concerned, Killua brushes off the declaration as a joke. In the second image, Killua is turned away, his outline pale, as Meleoron thinks "Why... did you looks so sad... back there?" The last image is a cloudy night sky filled with stars. At the centre of the panel is a shooting star. End ID.]
Yeah, it makes its reappearance directly after Killua has "jokingly" resolved to die with Gon if it comes down to it, after "since it means nothing to you".
I am assured, in Japanese, the word choice here is 心中 (shinjuu), the word for double suicide, where the intent is to die at the same time in the same manner in order to be reunited in the afterlife. The implication here is that Killua, having increasingly grown insecure in his place by Gon's side but unable to voice this, knowing that Gon is hurtling down the path of no return, thinks back to their conversation under the stars where they both mutually wished to stay together and, because he believes that it is no longer possible for him to help Gon, has resolved to stay by his side in death, and after it.
...holy shit, kid.
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[ID: Two screenshots from the 4th ending of the 2011 anime. In the first, Gon and Killua stand back to back as meteors fall around them. In the second, they stand facing away from the audience towards a body of water under a night sky filled with stars - Gon throws a stone, which flashes in the air like a shooting star. End ID.]
And of course, here's the shooting star again in the 2011 anime's Nagareboshi Kirari ending, as well as it being the subject of the song itself and rather explicitly referencing that wish to go on a journey together, to stay together, because... Madhouse hates us. I guess. :'(
What started off as a simple wish for a friend deepened into a wish to always stay by Gon's side. This is largely good at first! Killua is able to explore and experience genuine friendship, to get a taste for freedom, and use the power of his fervent wish to protect his dear friend in order to rid himself of Illumi's needle. However, the more Killua wants, the more he traps these wishes in monologues within his own head and does not voice them aloud. Part of it is that he already feels he's been given much more than he deserves - seeing himself as a creature of darkness and Gon as light - but a greater part of the issue here is not that Killua is afraid to wish for things, but that he is afraid wishing without "compensation" will inevitably lead to horrible repercussions - namely, losing who he loves.
In order to feel worthy of staying with Gon, of earning his friendship, Killua works hard to help Gon achieve his goals, taking on the role of wish grantor, growing to do practically anything needed to support him for seemingly nothing in return - but that's not 100% true. Killua wants at least some appreciation, whether he admits it or not - it's a security thing, and it also clearly makes him happy, even if he's not great at accepting it. He insists in Chimera Ant arc that friends don't need to thank friends, but this declaration always read as very sudden to me or like a rationalization, and it's relevant to remember that this is at the peak of Gon isolating himself and self-destructing before his eyes, and Killua's own insecurity regarding his importance to him.
Killua might not mind doing things without thanks, but that doesn't mean he doesn't like to hear that Gon appreciates him. He clearly does appreciate verbal confirmation of their bond! We know this.
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[ID: Two screenshots from the 2011 anime. The first is from episode 61. Killua smiles down at the ground with his hands in his pockets, the colours having gone soft and bright. The second is from episode 70 during the dodgeball match. Gon smiles determinedly in the foreground as Killua looks shocked next to him. End ID.]
Keeping all this in mind, Killua's story, or at least this part of it, couldn't have concluded in a better way than his rescue of Alluka, the wish grantor.
Now, I could probably write an entire other analysis on Alluka and Nanika alone, but for the sake of not making this any longer than I already have, I'm going to go through only a few points. Alluka is incomprehensible to her family because they make no attempt to understand her, with the exception of Killua. The only thing they do seem to understand, when explained to them, is the demands made after Nanika grants a wish - this, of course, fits neatly into their own predetermined views on "earning" and "punishment". However, beyond this, they make no attempt to understand her, and since her power is deemed dangerous and uncontrollable, she is locked away.
They are worried, first and foremost, that Alluka will bring harm to the family, and there's two ways in which this could be true:
As a function of failing to fulfill her requests, of course
Because she, just by existing, threatens the family's status quo
I stated at the beginning that Killua's desires do not align with those of the family business, and he's always apparently been more open to understanding others - he asks Alluka and Nanika questions to understand them, and treats them with respect, while his family are more so focused on subjugating anything that might be a threat. This is what Illumi tried to drill into Killua after all; never fight a superior opponent - everything is about assessments of relative strength, which leaves no room for open-mindedness or getting to know people.
Faced with a daughter who is clearly incomprehensibly powerful, and a son, the would-be inheritor of the family trade, who is showing a disturbing amount of willingness to befriend instead of retreat from her, the family made the decision to excise Alluka not just from where she could "harm" the family power-wise, but also likely to secure their control over Killua, who they then set about practically programming to not have any more wishes for himself, or at least to not be able to vocalize them without fear of loss or retribution.
The family's nickname for Killua is "Kil" or "Killu", which is deeply fascinating to me as a reader - nicknames are expressions of endearment, typically, and I actually don't doubt that here. Killua's family does love him, but their love comes with conditions. He must be molded into the perfect son, and every part of him that doesn't fit must be excised.
So: Killua's memories of Alluka are suppressed with the needle, and she is further cut from his life by dropping the "a" from his name (the Zoldyck children are named like a game of shiratori - Illumi -> Milluki -> Killua -> Alluka -> Kalluto). The nickname is also like a command or order "to kill", which is of course what they want him to do.
Saving Gon through saving Alluka and Nanika forces Killua to have to face down the last and hardest of Illumi's manipulations to shake, and that's the notion that a wish, that kindness and friendship and love, cannot be unconditional without severe repercussions - where the people he cares about get hurt because of him, something he cannot envision being forgiven for.
It's a little sad to me that after spending most of the series struggling against his family's teachings that they didn't lead to Killua betraying Gon at all, as he'd feared... but to him betraying Nanika, by sending her away.
Here is this little girl with a bloodstained past, incredibly powerful and dangerous and capable of amazing feats, treated as some evil thing by those who fear her. But she is kind at heart. Her true strength lies in healing, not killing. And she only takes commands from Killua.
Illumi thinks this is because Killua is the only one with control over her. Killua believes this is because she wants praise. They're both partially correct, but this is not the full reason Nanika does what Killua asks of her.
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[ID: Two screenshots from episode 146 of the 2011 anime. In the first, Nanika smiles and says "I love Killua." In the second, Killua looks at her, stricken. End ID.]
Nanika loves him. Everyone has been trying to figure out all these complicated rules and conditions on her wish granting and why Killua is the one exception, but the answer is exceedingly simple. She loves him, and wants to do nice things for him so he can have his wishes granted. It's the only way she knows to get the love that she wants in turn.
Just like her brother, Nanika makes herself useful to earn love and appreciation from someone who accepted her when no one else did.
Even though he knows Nanika just wants to help, he still sees her presence as a danger to the person he sees as pure and innocent who must be protected. He sends her away because her "nature" is to be a threat to Alluka's safety, even if she doesn't intend to be. Killua's fear of Illumi and repercussions causes him to make a horrible mistake.
And Alluka tears into him for it.
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[ID: A set of panels from HxH chapter 336. A furious Alluka glares and asks Killua if he made Nanika cry. When Killua stutters, she demands he apologize to her. End ID.]
You tell him, girl.
Oh hey, this looks a little familiar, huh?
"Apologize to Killua!" says Gon to Illumi after Illumi sends Killua away.
Nanika should not be the one punished for the actions of those trying to control her. She certainly shouldn't be forced to leave those she loves, or have to earn love from them.
And neither should Killua.
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[ID: Three panels from HxH chapter 336. Alluka yells, tears in her eyes, "If you're going to protect me... you have to protect Nanika too!!" Killua looks shocked, then his eyes widen. End ID.]
It's interesting to me that this is the line that snaps Killua out of his fear enough for him to properly speak with Nanika and apologize. One party cannot receive all the protection, nor can the other only give and give limitlessly.
Killua makes it clear to Nanika when speaking with her that he will protect her, and that she doesn't need to earn affection from people by granting their wishes. He promises they will both be there for each other - Killua will praise her whenever she wants, and not just when she does something for him, but he also doesn't refuse Nanika's desire to grant his wishes. It's mutual, not conditional.
And on the heels of this "betrayal", Killua asks for what he never thought he could receive - forgiveness. And even though Nanika is clearly still very upset...
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[ID: Two screenshots from episode 146. In the first, Nanika and Killua face each other, both of them teary. Nanika says "Kay." In the second, he has pulled her into a hug. Nanika is teary, her fingers gripping Killua's back tightly. End ID.]
...she doesn't even have to think about it.
I do think Killua still has a ways to go, but he is in a position right now to learn from his relationship with his sisters about balance - that love is not just selfless devotion, but also allowing those who love you to help you and make you happy too. I think that's what unconditional love is, in a way - supporting and working together with the people you love to make each other's wishes come true.
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aspoonofsugar · 2 days
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Charlie and Vaggie: Anima and Animus
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There's something that I've been dying to say More than anything, more than anything Need you to know I love you more than anything More than anything
Charlie and Vaggie have intertwined and complementary arcs, which are beautifully explored through the jungian archetypes of anima and animus.
WHAT ARE ANIMA AND ANIMUS?
According to Carl Jung, the anima and animus are parts of the human mind. In particular, the anima is the feminine and the animus is the masculine. Everyone has naturally both, but society promotes specific gender values and drives people to repress traits culturally associated with the opposite gender. So, to fully be complete, a person should integrate the negated part. In stories, this usually happens through a meaningful romantic relationship.
Charlie and Vaggie are two women, but they still exhibit opposite gender traits:
Charlie is a princess, who sings her heart out at every chance. She is focused on words, ideals, feelings and she strongly believes in love. All traditionally feminine traits.
Vaggie is a soldier, who shows pride in her fighting abilities. She is focused on actions, pragmatism, battles and she strongly believes in strength. All traditionally masculine traits.
And yet, things are not so simple. Let's consider Charlie and Vaggie's designs for example:
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Charlie usually wears masculine clothes, as she prefers androgynus suits. Not only that, but her name means "free man" and she goes with the gender neutral "Charlie", rather than her given name "Charlotte":
Valentino: YEAH! That BITCH Chuckie or Chandler, or I dunno- Something mannish like that.
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Vaggie usually wears feminine clothes, as she sports a short skirt and loose long hair. Even her name is linked to femininity, as it literally means "vagina":
Angel Dust: You're doing great, Vagina.
Even when it comes to Chaggie's The Nightmare Before Christmas's allusion...
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Charlie references Jack Skellington, as she is the Princess of Hell and a passionate dreamer
Vaggie references Sally, as she is a run-away and Charlie's level-headed helper
So, Charlie seems superficially more feminine and Vaggie appears more masculine, but their looks and inspirations suggest otherwise. Why?
In truth, even if Charlie is a singing disney-like princess and Vaggie is a badass super-soldier, they don't perfectly fit the typical anima and animus characterization. This is true for their appearances and on a deeper level. Specifically:
Charlie is linked to the anima (feminine), but she is active (masculine) and stronger than Vaggie. Finally, even if she is passionate about feelings, she is often insensitive. For example, she doesn't notice her loved ones' struggles, like Angel's pain and Vaggie's insecurities.
Vaggie is linked to the animus (masculine), but she is reactive (feminine) and very sensitive deep down. Moreover, she is weaker than Charlie in terms of raw power, so her obsession with protecting the princess is misplaced.
Charlie is an anima character with a strong repressed animus and Vaggie is an animus character with a strong repressed anima. They have to integrate with each other to become whole. Still, what should they learn from their partner?
LOVE AND HATE
Charlie and Vaggie have the same problem declined in opposite ways:
Husk: Princess, is a bleeding heart who wants to solve everybody else's problems 'cept her own.
Husk about Vaggie: This one judges everyone and everything because she hates herself.
Charlie wants to fix everyone in an unconscious attempt to fix herself. She loves everyone because she herself wants to be loved.
Vaggie is cold and closed off out of guilt and self-hate. She is suspicious of everyone because she can't really forgive herself.
Both girls have low self-esteem, but Charlie tries to compensate with love, whereas Vaggie tries to defend with hate. These different coping mechanisms stem from their upbringings.
Charlie is the daughter of Lucifer and Lilith, who love her deeply, but are also distant and neglectful. As a result, she admires them, but feels unworthy of their attentions and legacy:
Lute: The only reason you're still here is because daddy gave you and your hellborn kind a pardon from an exorcist blade. How does that feel, to know how little you matter?
She is stuck being the lovable, but useless princess.
Vaggie is brought up in Adam's army, which is an abusive environment, where hate is seen as strength. Vaggie has a place in the world because she kills and is good at it:
Adam: You were on the front lines, I wouldn't forget a bad bitch like you. It's why I named you after the best thing ever. Vaggie. Anyway, you sure fucked up, didn't you?
She is stuck being the ruthless and remorseless soldier.
The path ahead for both girls lies in discovering they are more than just the princess and the soldier. In particular:
Charlie must accept she herself is capable of feeling negative emotions, like pain and anger. She can be aggressive and this doesn't make her mean. It makes her healthy.
Vaggie: Well, I mean… You're the princess of Hell. You don't really use the power that comes with that, which I love about you, but maybe you can… I don't know, command a little more… Authority? Charlie: But that's so mean. Vaggie: It's not mean, exactly. It's… uh, aggressive kindness.
Vaggie must learn to open up to others. She must show vulnerability and express her positive feelings more. She has a merciful and sensitive side, which doesn't make her weak. It makes her strong.
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Chaggie have the potential to help each other bloom. Vaggie is the first person to tell Charlie she should be more self-assured in her role of Princess of Hell. Charlie is the first person, who takes care of Vaggie as she is hurt and unable to defend herself. Charlie can teach Vaggie to embrace her inner maiden (love, mercy). Vaggie can show Charlie how to be a real warrior (aggressivity, strength). At the same time, their opposite mentalities lead to some problems in their relationship.
TRUST FALLS (APART)
Charlie: I trust everyone, so maybe you know better on how to build it properly!
Angel Dust to Vaggie: To be fair, do you trust any man? Any men? Men?
Charlie trusts everyone, whereas Vaggie trusts no-one. So, none of them really knows how to trust properly. This becomes obvious in the episode Scramble Eggs, where:
Charlie trusts Vaggie so much she doesn't realize she is putting a lot of pressure on her partner:
Charlie: Oh, come on. It'll be easy! I'm sure you can handle this. Vaggie: Yeah, um, Sure, I can handle this. No problem.
Vaggie trusts Charlie so little she isn't able to confide nor lean on her partner:
Charlie: It's no big deal, Vaggie. You know, maybe I can just help, uh- Vaggie: No. I told you you could trust me, and I'm not going to let you down.
Charlie acts like the damsel and lets Vaggie handle the whole situation. Vaggie plays the knight and refuses to share the burden with Charlie:
So I, I'll be your armor Do whatever it takes, I'll make the mistakes I'll spend my life being your partner
The song Whatever It Takes plays the princess/knight motif straight. Vaggie sees herself as worthy of Charlie only if she can be her knight in shining armor. This may seem sweet, but there is something to be said about Vaggie echoing Carmilla, a mother who is singing to her daughters:
So I, I'll be your keeper Do whatever it takes, I'll make the mistakes I'll keep you safe and keep this secret
It makes sense for a parent to shoulder the burden for their kids' sake. However, a person wanting to do the same for their lover is unhealthy. Especially, when the secret of a balanced relationship is established early on:
Charlie: From the dust of Earth, they created Adam and Lilith, equals as the first of Mankind.
The two partners must be equals, but Vaggie sees herself as inferior to Charlie and tries to over-compensate. In this way, though, she takes away Charlie's agency. Charlie instead knows something is off deep down. However, she does not address the matter because she would need to go deeper into herself, her feelings and her relationships. And Charlie wants to avoid it at all costs.
Chaggie's communication issues are conveyed meta-narratively in Charlie and Vaggie's individual songs:
-Charlie's Happy Day in Hell has our princess sing so loud that she almost covers Vaggie's warning:
Charlie: If I can show them the dream I've dreamed That any soul can change! Vaggie: Those angels' minds are hard to change Charlie: Then they will know everyone can be redeemed From the evil to the strange! Vaggie: They're bloodthirsty and deranged!
She doesn't listen to Vaggie.
-Vaggie's Whatever It Takes is sung by our knight to her princess, but Vaggie has Charlie leave before the beginning:
Charlie: Vaggie, don't say that! You do so much! It's- Vaggie: I'm sorry. I'd… I'd like to be alone for a minute.
She doesn't talk to Charlie.
Eventually the couple's trust exercise is solved positively:
Charlie: No, no, I'm sorry. I'm sorry I put pressure on you. We work as a team. I guess I just thought all this would be easier, but, we'll figure it out, together. I mean, look what your exercise did for them.
Charlie goes out of her way to talk with Vaggie and Vaggie's team-building works. Charlie puts both her and Vaggie's feelings into words, whereas Vaggie builds trust through her actions.
Despite this, Chaggie don't really address their problems, which come back stronger:
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Adam: Don't you act all high and mighty Did you ever think your little girlfriend might be a liar? Vaggie: Don't, Adam, please! Adam: What's the fuss? Why hide the fact that you're an angel just like us?
Charlie has been ignoring Vaggie's dark side, so she is devastated when it comes out. Vaggie instead has been hiding the truth from Charlie, so it is revealed in the worst way possible. After this, there is an inversion in Charlie and Vaggie's dynamic:
Vaggie: Charlie, can we talk about this-- Charlie: We can talk later. Right now, we have a job to do. You with us?
Vaggie is the one looking for a conversation, whereas Charlie pushes her girlfriend away. Before they can reconcile, the two girls need to go through individual trips and to find the guidance of two mentors.
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A singer
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A dancer
SINGING AND DANCING
Rosie and Carmilla are mature versions of Charlie and Vaggie:
Rosie is the Ruler of Cannibal Town, one of the nicest place in Hell. She is good-natured, but respected by her people. Moreover, she runs an Emporium, where she helps her clients with their personal problems. This is pretty much what Charlie would like to do with the Hazbin Hotel. Rosie is also a singer and is inspired by Dolly, from the musical "Hello, Dolly!"
Carmilla is Hell's top weapon dealer, so she specializes in war and is herself an exceptional fighter. However, she is not ruthless and mostly fights to protect her loved ones. She is the kind of person a more balanced and self-assured Vaggie might become. Carmilla is also designed as a ballerina and her two daughters are called after protagonists of famous ballets.
Why do Charlie and Vaggie's adult selves have a singing and dancing motif? That's because Charlie and Vaggie are respectively a singer and a dancer.
Charlie is a singer:
Charlie: My name is Charlie, I like to sing! And when we get to know each other it's the greatest thing!
She always conveys her feelings through songs, like her many attempts to pitch her hotel (to the Sinners, to Adam, to the Cannibals). What is more:
Charlie: But Lilith thrived, empowering demonkind with her voice and songs.
Charlie wants to become like Lilith and to empower people with her voice. Her objective is to grow into an inspiring leader, who changes minds and touches hearts with words.
Vaggie is a dancer:
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The problem is that she has yet to realize it. Vaggie struggles with self-expression, which is why she has very few songs in the first season. That said, she shows her devotion through actions, like her determination to fight for Charlie. What she needs to learn is a new fighting style rooted in love. That is dancing, a way to express one-self through the body. This is made clear by the two cut episodes Challenge Day and The Baphomet Ball:
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This cut plotline had Vaggie fight proto-Carmilla and lose. Charlie would later cheer her up by inviting her to a Ball. There proto-Carmilla would be impressed by Vaggie's dancing skills. The basic idea is obvious. Vaggie is a fighter, who must evolve into a dancer.
So, once again Chaggie is complementary:
Charlie is linked to singing, words and "soul", as she herself is the Heart of the Hazbin Hotel.
Vaggie is linked to dancing, actions and "body", as she herself is the Arm of the Hazbin Hotel.
As a result, they are given opposite missions to save the hotel:
Charlie must convince the Cannibals to join her army (singing). She must find people, who will help them fight.
Vaggie must discover from Carmilla how to fight the exorcists. This means both learning her fighting style (dancing) and obtaining the angelic weapons.
And yet, to succeed in their respective areas of expertise both Charlie and Vaggie must step into the other's shoes.
Charlie learns to better understand Vaggie and by doing so she realizes the importance of actions:
Rosie: If there's anything I've learned, it's that words are cheap, but actions, they speak the truth. So, what have her actions said? Charlie: That she believes in me, and what we're doing.
Not only that, but she is forced to take a look inside and starts unpacking some of her negative emotions:
Charlie: My girlfriend is an Exorcist angel, and she never told me Rosie: Oh, shit! Quite a secret. How does that make you feel? Charlie: Just, angry, because we share everything, because she always supported me, and my ideas, and-and- and now, I don't know whether or not that was just more of the lies! Oh no that's a horrible thing to think! Do i think that?! Yes! N-no. Kinda?
As a result, she comes up with a song that combines her natural showmanship and charisma with a new resolution to act:
Charlie: For the first time in my life I might have to be ready for this Ready to be the one who's leading from the front Gotta come into my own Gotta come into my throne Gotta take charge and defend my only home And although I kinda feel unsteady Now I need to be ready for this
Charlie steps into the role of leader and is ready to take action:
All: For the first time in our lives We know that we are ready for this Rosie: We'll show Heaven a fight they won't forget! All: It's time to take a stand Charlie: It is time to lend a hand! (Cannibals: Huzzah!) Against the angels and their deadly threat! All: We cannot take it anymore The time has come to go to war Prepare to fight, we're ready for… THIS!
Vaggie inspires the residents of the Hotel to stay and convinces Carmilla to help. By doing so, she shows how much she has grown thanks to her time with Charlie:
Vaggie: What's important now is that we're going to have a fight on our hands. Look, this hotel is about to become the most dangerous place in hell, and we….I, can't guarantee your safety anymore. I still believe in Charlie's dream. I know this place can work. But none of you signed up for this. I'm gonna go learn how we can fight back, and when I come home….Well I'll understand if none of you are here.
Moreover, she learns to fight in a new way intertwined with music (Charlie's passion and world):
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This fighting style is focused on defense and survival, rather than attack and killing:
Carmilla: Angels attack quickly, viciously, and without mercy. You'll need to defend better than that.
Carmilla: Well, look at that. You might just survive this.
It is based on love:
Carmilla: I see you're driven by your detestation Your every step is stoked with animus You need a different type of motivation Or there's no way that you can handle this I know you're thirstin' for vengeance, Vaggie You're out for blood But you'll only stand a chance if you're out for love
By the end, Charlie and Vaggie meet each other in front of the Hazbin Hotel. Charlie leads the people (soul) and Vaggie has the weapons (body). They have also grown enough to better understand each other. Charlie empathizes with Vaggie and forgives her lie. Vaggie realizes how much Charlie cares for her and is ready to value herself more:
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At the same time, Charlie faces some of her repressed "aggressivity" and makes an important step as Princess of Hell:
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Rosie and Alastor: She's bound to pass the test as Princess of Hell Like her Daddy, she is madly power-fell!
Vaggie instead learns some "self-love" and makes progress into becoming a true angel:
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Carmilla: You're gonna fight without gloves And when that push comes to shove Yeah, you just might rise above Long as you're out for love
These changes are fully embraced and tested in the final battle.
FINALE: DEVIL AND ANGEL
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The fight against the Exorcists is where Charlie and Vaggie's integration is on full display, starting with their designs:
Charlie wears a mini-dress with a heart decoration and wields a shield.
Vaggie fully covers her body with an androgynous and practical attire. She fights with her signature spear.
The usually masculine looking Charlie appears feminine. The usually feminine appearing Vaggie looks masculine. Their outfits also fit their respective fighting styles. Charlie is defensive, whereas Vaggie is aggressive. Wait... isn't something wrong? Shouldn't Charlie grow more aggressive and Vaggie more defensive? Yes and this is precisely what happens as the battle progresses...
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Charlie is overwhelmed by her anger and grief over Sir Pentious's death and unlocks her full demonic form. She goes from defense (shield) to offense (pitchfork) and injures Adam. Finally, she transforms her arm into a claw and stops the First Man in his tracks.
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Vaggie is attacked by Lute, loses her spear and is forced on the defensive. She protects herself from Lute's relentless assault until she reveals her angelic wings and traps her opponent. Eventually, she has pity of Lute and lets her live.
Charlie's climatic moment is a show of strength, whereas Vaggie's is a show of mercy.
In other words:
Charlie appears more feminine, but acts more masculine
Vaggie appears more masculine, but acts more feminine
In comparison to their usual dynamic, Chaggie go through a complete inversion. This development is conveyed also by a small detail: their hair. Charlie lets hers loose, while Vaggie ties hers.
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Charlie's hair usually covers her horns and is tied because she represses her demonic side. The moment she gives in to her inner demon, the horns come out and the hair gets loose, just like her feelings are untamed.
Vaggie: I'm not used to fighting with long hair.
Vaggie's hair is an attempt to hide her past and vulnerability. She has it grow after her abandonement to mask her scars (her eye and missing wings). In the finale, she ties it to fight freely. In this way, her brand new angelic wings can come out in all their beauty.
So, Charlie embraces her demon side, while Vaggie has her inner angel emerge. The twist is that Charlie the demon teaches Vaggie how to be a proper angel. Vaggie the angel instead shows Charlie that there is value in demonic traits. They integrate with each other to become the best versions of themselves. This shows also before and after the fight.
In the Finale, Charlie expresses all her self-loathing:
Charlie: He did it for us, the ultimate sacrifice He gave me his trust, and look how we paid the price This bloodshed could have been avoided If I convinced Heaven to work together I took a hotel and I destroyed it I know I could have done better Better, instead of letting you down
Thanks to this, her loved ones come to her side and support her. What is more, she starts to back up her words with actions:
Katie Killjoy: Charlie Morningstar managed to fend off the angelic attack with more than just nice words.
In More Than Anything Reprise, Vaggie conveys her love to Charlie through words and is there for her in a moment of self-doubt and weakness:
Vaggie: You've already done so much So many lives you've changed So many souls you've touched And in the end, if it's only me you've saved
She shows her sweetness and sensitivity.
By the end of season 1, Chaggie are together and stronger than ever. They have made the first steps into integration and tapped into their respective potentials. Both as individuals and as saviors of the universe.
THE MYTH OF EDEN
Charlie: Drawn in by Lilith's fierce independence, Lucifer found her, and the two rebellious dreamers fell deeply in love.
The series starts with a retelling of the myth of Eden, which is set-up as the heart of the series:
Plot-wise all the characters are living with its consequences
Theme-wise it shows the birth of love between the first man and the first woman...
The twist is that the first couple isn't Adam and Eve, but Lucifer and Lilith:
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Who are foils to Charlie and Vaggie:
Both couples have a demon and an angel, who fall in love against the odds.
Both Charlie and Vaggie foil Lucifer in different ways. Like her father, Charlie is a wide-eyed idealist, who doesn't fit in her kingdom and wants to change it. Like the devil, Vaggie is a fallen angel, who is let down by heaven and finds love in hell.
Both Charlie and Vaggie are set-up to foil Lilith. Charlie is a demon full of love, who wants to empower others with her voice. Just like her mom. Vaggie is an angel hidden in hell, who keeps secrets out of a misplaced wish to protect others. Lilith is a demon hidden in heaven... wanna bet that she is keeping secrets from her husband and daughter to protect them?
Why is there such a juxtaposition between the two couples? Two reasons:
Charlie is gonna deal with her complicated feelings for her parents through Vaggie. Her partner is gonna challenge her to grow into her own person (microchosm).
Lucifer and Lilith unwillingly broke the world, but Charlie and Vaggie are gonna fix it (macrochosm)
This is why the two couples are immediately juxtaposed:
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After Charlie ends her retelling of The Story of Hell, Vaggie arrives to check on her.
Lucifer and Lilith destroyed the status quo:
Charlie: But this gift came with a curse. And with this single act of disobedience, evil finally found its way to Earth. With it, a new realm of darkness and sin. And the order Heaven worked to maintain was shattered.
Charlie and Vaggie will bring a new and better one:
Charlie: We'll make a difference, wait and see Charlie and Vaggie: We're gonna do this, you and me
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cialovesklopp · 2 days
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GENIUS ➺ MV1
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↳ when mercedes amg hits a new low in their season, they bring in aaliyah prince to put them back on top. but where does she come from?
– synopsis: a ruthless reputation proceeded her. she was known as the engineering genius who turned the silver arrows' season around. turned their middle class car into a championship worthy one – p4s were suddenly turned into pole positions and wins. and they may have not won the world cup that season but everyone's prepared now. a new danger had risen – a threat in form of her.
and some people are willing to do everything to win.
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GENIUS – PLAYLIST! ↳ max verstappen x black! mercedes! engineer! oc
1 -> mercedes [ brent faiyaz ]
2 -> genius [ sia, labrinth, lsd ]
3 -> chérie [ aya nakamura ]
4 -> could've been [ bryson tiller, h.e.r. ]
5 -> like i want you [ giveon ]
6 -> lost you [ snoh aalgera ]
7 -> we can't be friends [ ariana grande ]
8 -> law of attraction [ snoh aalegra ]
9 -> escapism [ raye ]
author's note – firstly, very excited to finally share my new project with you that i've been working on as a side quest while finishing mon amour. i'm really excited to finally start this series especially because it's my first time writing max so i spent a lot of time getting character and looking how most writers portrayed him. i'm very happy to finally share this even if i can't instantly start updating. and sadly, this won't be as fluffy as mon amour.
ps: the banner was inspired by one i saw but I forgot the user (it think there was madelyn cline on it ) so if anyone knows the user pls text me in my inbox so I can credit them for the inspo <3
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OFFICIAL CAST!
yara shahidi... AALIYAH PRINCE ❪ 1997 / nigerian-south african / cancer ❫ — the genius engineer
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madelyn cline... EVA MÜLLER ❪ 1996 / french-german / aquarius ❫ — the best friend
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rome flynn... MICAH EMERSON ❪ 1996 / african-american / virgo ❫ — the brother, she wished for
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CHAPTERS!
PROLOGUE (soon) ➺ where the hell did toto find HER again?
PART ONE — MERCEDES AMG (soon) ➺ it's her first day and she realizes she's in for a lot more than she thought
PART TWO — ...AND AWAY WE GO (soon) ➺ formula one had always been a world of eat or be eaten. there's always a subplot
PART THREE — WE CAN'T BE FRIENDS (soon) ➺ when given a choice between a (your heart) and b (your brain), choose b
PART FOUR — LATE NIGHTS (soon) ➺ walls come tumbling down only to reveal several more
PART FIVE — LIKE I WANT YOU (soon) ➺ why does she suddenly feel sixteen again, sneaking around and all that shit?
PART SIX — LAW OF ATTRACTION (soon) ➺ some things are meant to stay secrets, and some people are not meant to be trust
PART SEVEN — LOST YOU (soon) ➺ one step forward results in three hundred steps back and a knife in her heart
PART EIGHT — DOOR ONE OR TWO (soon) ➺ what is one supposed to choose between two heavy doors that both include some poison?
❪ omg i’m soo excited to write this. hope you all enjoy and that i can update this as quick as possible <3 ❫
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I wanna talk about all my fav ATLA ships cuz being a multishipper can suck sometimes
I wanna look at ship tags and not see hate for another ship in them
SPREAD THE LOVE
KatAang: Classic friends to lovers. Couples who commit ecoterrorism together stay together
TAang: She was a punk He did ballet what more can I say. But like actually they're so fun to analyze with what we have in canon, they legit give soulmate vibes.
ZuTara: SHOT THROUGH THE HEART another fun one to analyze, opposites attract/enemies to lovers it's a good time
KaToph: They're defined by overcoming their "weaknesses" Katara fought for her right to be a master despite her gender and became one of the most powerful benders because of her will to fight. Toph literally invented a whole new bending style BECAUSE of her blindness. Love them
MaiLee: Bad bitches deserve bad bitches, we love a sunshine and sunshine protector. They're fighting styles compliment each other as do their personalities
MaiKo: 'I love Zuko more than I fear you" will never not be the hardest line in the show. *doesn't care she got pickles* "HOW FUCKING DARE YOU SHE SAID NO PICKLES"
Ty Luki: I just want Suki to show TyLee the ropes of being a kyoshi warrior. The have so much they can teach each other also if you like the Airbender! TyLee headcanon there's something poetic about her unlocking her powers with kyoshi's fans
YueTara: MOON AND OCEAN NEED I SAY MORE
ZUe (I actually don't know their ship name) we in rare pair hell but SUN AND MOON NEED I SAY MORE also applies to Yue x Azula you guys come up with the coolest scenarios that put the either fire sibling in the north pole, this fandom is so creative
ZuKKi: Let Sokka pull lol but actually a King and His Guard and King and his Ambassador, it's like Sukka is great but make it better
Mai TyLee and Suki should be a bigger ship cuz I swear I'm the only one that sees it (help me name them)
Tell me about your favorite ATLA ships I freaking love these characters and I love when they love each other
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otdiaftg · 1 day
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WHAT'S NEXT:
The out pouring of love for this blog has swept me off my feet. I knew the logic behind the follower count, but this weekend proved to me without a shadow of a doubt just how much this fandom cherishes these characters and this story.
I am overwhelmed with adoration towards every. single. one. of you.
I took the weekend to finally recoup after the whirlwind of this past year but wanted to take a moment now to answer some of the questions I've seen pop up and to inform you all of what my plans are for what's next.
FREQUENTLY ASKED QUESTIONS:
WILL YOU CONTINUE THE ACCOUNT THIS YEAR?
This took me a long time to ponder and I wanted to make sure I was in the correct headspace to answer it. Short answer: No.
Long answer: All For The Game is near and dear to my heart. And the reason I began this account was because the dates for 2023 matched that of the dates they were meant to be in 2006. To continue it in the year 2024 would mean the dates would be completely wrong and a lot more logistics would have to occur beforehand.
But also-- I'm not the best when it comes to technology, especially when it comes to BOTS so every post that was published was typed out, formatted and scheduled by hand by me. I did not have help. I did not have proofreaders, or editors, or managers. I contacted all the artists myself, sorted through every single page of the artists to find matches to the story, read and re-read the books for exact or guesstimation of dates/times, and made a hell of a lot of typos on the way through all that.
There was probably an easier way that I could have done all this. But I didn't/don't know it. So that all boils down to: It’s a long and tiring process.
Don't get me wrong, it was worth all the hours. And all the sleepless nights I had getting everything done and out. I already thanked my support network, but without my wife and my best friend being there to make me another cup of coffee, walk our dog, do the chores and generally make sure I didn't crumble from the pressure -- none of this would have happened.
So, putting myself through that again, after everything that has happened this year alone-- felt like it would cheapen the experience I had when the dates won't even match.
That being said.... 2034 isn't that far away. >__>
WILL YOU BE DOING AN OTDITSC?
Short answer: No.... sorry.
Long answer: As stated, it is VERY hard to organize what and how I did. HOURS spent researching, organizing, scheduling, etc. Time spent away from my family and other hobbies. NOT time I regret (need to keep prefacing that) but time I want back now. At least for a little bit.
It also doesn't sit right for me to start an OTDITSC when I know some people are still waiting for their copies. There are so many of us out here (as I've come to find out) and I don't want to exclude people's enjoyment and connection that this account gives. I also feel like the more posts about TSC out there, the harder it is for those who are (lets say) waiting for the physical copies to block/mute spoilers. We can say a tag is enough, but this is the internet. And that's not always true.
And lastly, personally, TSC is still SO VERY NEW. It's not even complete yet and we don't 100% know when the next one will be published. I don't want to start something, get to the end of the timeline, and than have a huge gap between posts that will potentially be moments in the second book. It doesn't feel fair to their story, to myself, or to the followers of this account to have incorrect information for something I love so dearly. If I'm doing it. I want to do it right.
SO, WHAT'S NEXT?
Well. A lot. For me personally, as well as this account. I don't want to leave everyone in such a finite way. I love this fandom. I love its art and writings and the abundance of talent and joy that it exudes.
So first, for myself, as well as those artists who agreed to help with this account, I want to post, for the next 40 days Artist Highlights (that means this account will still be active until Friday, May 24th).
Every day, I will post about an Artist and the work that I wanted to post but couldn't fit in. I've said it before, and I'll say it again, these artists are the reason this account thrives. Art, in a multitude of forms, speaks in a way words can not. And these artists prove that.
I'm excited to show them off for a couple more weeks at least. They are all wonderful people.
AND, FINALLY:
To also tie us over, I am opening both my personal account as well as this account to questions.
Questions regarding the process, the story, the best movie out in theaters, whatever. I will be answering your questions (as fast as I can) until that last Artists Highlight day (Friday, May 24th). After this day, I will leave the questions answered up for a week, and then remove/delete them from this account. I want to make this more of an archive of sorts and will be updating the Timeline Page as this progresses as well, so you can move freely within the timeline.
Keep in mind that I am only one person, have a family and a full-time job-- so answers may be sporadic, but I will answer them.
This has truly been such a pleasure. And whether I get questions or not, I see you and I appreciate you. I hope your life is filled with everything you ever want, everything you need, and that you never let it go.
🦊 🧡- Kelysium
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