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#You could also do this with the ‘token girl’ as the main character
theriu · 4 months
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Thinking about how every story where some guy travels across dimensions involves him meeting a bunch of himself with different unique traits, and then one of them is just “you but a girl.” And you know what, it would be frankly hilarious to me if there was a story where dude goes to other dimensions and every alternate version of him is a woman. Surprise, he is the token guy variant of a usually-female character. :D
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djljpanda · 4 months
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Um, hi. I have a request for Wednesday x fem or gender neutral reader.
Wednesday has a crush on the reader and is a bit more apprehensive with them, leading to snarky remarks. And the reader just has zero filter so they always have a comeback whether they mean it to be harsh or not.
Reader also has a crush on Wednesday, maybe a confession? Idk. Just the thought of Wednesday thrown off guard by quick response word vomit is funny to me
Wednesday Addams X Fem Reader
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Now you may be surprised on why the Wednesday Addams has a crush but don’t worry she is surprised too and not in a good way…maybe? Now ever since coming to Nevermore you and grew close during her first time here and after coming back from break she started to see you more definitely now.
But it didn’t dawn on her that she liked you when she started wring a love interest for her character in her new novel, what was worse the character was just like you. Wednesday knows things but she doesn’t know if you like her back, what if you hate her? What if you don’t like girls? Those questions kept popping up in her head and with that it did things to yours twos relationship.
Now on your side you like Wednesday she was smart, talented, pretty, and many more. But you don’t know how but you and her started making snarky remarks about each other. You don’t know if it’s something that you did to her, you really hope not. But some remarks almost get a bit out of hand but you and her know each others boundaries.
But it all changed when you were hanging out with Enid but she remembered she left some of her stuff with Yoko so she left the room. As Enid left Wednesday came in and you both just locked eyes.
It was silent and both of were just confused till you spoke up, “Be honest with me Wednesday, Do you hate me?”, now Wednesday was token back by your straightforward question but without hesitation she answered “No”.
“Then why does it sound like we hate each other at times”, you walked over to Wednesday really wanting answers. “If I had hurt your feelings I would stop if you like” “No I’m not hurt just confused” “How are you confused”. “You’re probably gonna hate me after this but I got to get it out, Wednesday Addams I love you and I want to know that you atleast care about me”, you never fail to surprise Wednesday maybe that’s one of the main things she loves about you. “I…I like you too Y/n”, in that moment you both locked eyes like before and just in a quick motion you were both were already kissing but pulled away when you heard Enid coming over.
After hanging out with Enid and Wednesday you were ready to walk out till Wednesday asked to walk you back to your dorm. The walk was silent but it wasn’t awkward as you spoke up, “So should I call you my honey bunny or-“ “I would make sure you die and just to keep your heart as a memory of you” “okay but atleast in private can I call you my dove” “Later we will talk later”.
You smiled but got an idea as you both saw your room, “You could go back to your dorm but you know me I have no dorm mate and I really want to know more about you Wednesday” “Are you trying to beg me to stay Y/n” “It’s the weekend go get your stuff and I’ll get everything ready”. Wednesday nodded and was about to walk back for some of her stuff till you whispered called out “Bye my dove”.
What did Wednesday get herself into with you.
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maplewozapi · 4 months
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Hey there! I hope this isn’t too repetitive of the questions you’ve been asked and if you’re getting sick of people trying to approach you as some expert indigenous consultant you can feel free to ignore this ask ^^;
But I’m genuinely curious as you’ve brought up Dreamworks’ Spirit SOTC a few times on this blog. I’d like to know your thoughts as to whether you think Spirit has a relatively accurate potrayal of its Lakota characters, at least in terms of avoiding stereotypes.
I’m also asking because I have a few big ass Google Docs for a complete rewrite of Spirit Riding Free (never mind how shitty that series is in terms of its pro colonialism and making its single token indigenous character a damsel in distress for the colonists to save) that instead involves Spirit’s foals befriending Little Creek’s son. Sooo… I know this is a super broad ass question but do you have any general tips for correctly portraying Lakota people during the late 1800’s? (Which is apparently when Riding Free takes place as does my rewrite considering how long it takes after the first movie). And like suggestions on handling heavy topics like reservations and how indigenous people would interact with settlers during this time period? Also a lot of my characters’ names (I have characters named Takoda, Mika, Akecheta, Chumani, etc..) are just pulled from websites I found from Google but even to this day idk how authentic those are.
Sorry again if this is too excessive and seems like I’m trying to pull research info from one single person and again you’re completely free to ignore this ask if it’s repetitive. But this Riding Free rewrite is a passion project me and my mutuals have had literally since 2019 and I thought it’d help if I at least had some input on it from an actual indigenous artist ^^;
Personally my main issue with film is that fucking general george custer is the villain and is sympathetic by the end of the movie. And the seen in the village and everyone is actually speak Lakota in the background but the little girl is like “horsie” and little creeks stink pigtails instead of braids.
And I’m not going into much of the details because I promised myself I would start charging people who want consulting.
But I’ll say the 1800s and the forced immigration to reservations are not pretty and traumatizing for native people. For example of the movie killers of the flower moon with involvement of the native people, actors learning some of the language, the movie still was made for a white audience and was sympathetic to the white murders. (And fucking traumatic)
So I don’t necessarily have a the best outlook on nonnative projects especially when it deals with such traumatic situations and could end up more traumatizing then the thing that was originally written. You’re potentially writing something about peoplesl grandparents and the generational trauma people have to cope with. The 1880s weren’t very long ago they were still forcing people on to reservations up until the 1950s. Look up “Indian acts/treaties” I think the story that totally disgusts me is the story of Ishi of the Yana tribe. To this day I can’t believe they destroyed his body but preserved his brain for the university. He wasn’t even the last member of his tribe they just killed his whole family, and the tribe didn’t get him back until 2000. Not only did they take our land, our people, but they dissect us. Idk if I can see anyone who isn’t native have the grace to touch upon those things. ALSO those names are nonsensical don’t google Lakota names or native names in general, they do not mean what they state and google says they’re Dakota? You’re writing Lakota characters there’s a difference. Akcheta and chumní are pretty normal names, but also idk if these are horse names or human names BECAUSE THERES DIFFERENT NAMING CONVENTIONS FOR HORSES
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electrificata · 2 months
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here are my house observations, im in season 3
some of the shit house says to foreman is genuinely unforgivable
foreman as a character i generally like. omar epps is giving a good performance of an even-keeled-but-not-without-effort kind of guy, i do like the plotline of a guy who came to learn from an expert whos the worst guy in the world and trying to figure out how to do the same thing without being the worst guy in the world. i also think they way they keep him out of hospital love triangles is racist, foreman is not currently hot but could be with 15% more attention from the writers room.
really sexist as a general rule. i have not encountered the idea of "jailbait" this much in literal years.
hipster racism. its the 2000s. funny to talk abt this because "hipsters" were younger at this point and the character of house is, im assuming, in his mid 40s at the start of the show, but thats the general logic that seems to be on display. "well you know that he's a good guy so its ironic and funny that he's threatening to use the n word as a joke."
a) stupid logic to begin with, doing something ironically is also just doing it, b) doesnt even work on its own terms here because house is widely acknowledged to be an awful person in the context. the entire show is built around the question "how much deliberately annoying, dangerous bullshit will we endure from this dickhead to maintain access to his unique skillset"
i still dont "get" house/wilson. like i do see it, like i can see that theyre a little obsessed with each other and they have a fun mutually manipulative dynamic, and they make sense as foils (guy who's self-consciously awful and often ends up doing noble things accidentally/guy who's self-consciously noble and often deliberately does awful things). but i cannot feel myself going insane about it. if anything i like him better with cuddy
cuddy really really hot. really really really hot. cuddy.
so like yeah i see house/wilson im just not going insane about it the way i thought i might. altho tbh it took a global pandemic and a extended, byzantine renaissance of tumblrina supernatural scholarship to make me have a destiel spiral. i need infrastructure for these things.
cameron's character is such an old school token girl character. i hate how they treat her "niceness" almost as much as i hate how they treat her crush on house.
a better show (written by me) would have some more cuddy and foreman "managing" house plotlines (foreman being a protege allows focus on the legacy of house's medicine, how to replicate it, how to contain damage), probably give him some of the cuddy and wilson time. the three of them together would be good i could do that.
cuddy/foreman. hm. in the remake.
like, i do get how this happened. house is troubled in a durable, interesting way. the writing is good enough to support his layers, the way his snap-judgement psychoanalysis of everyone he meets curls back around to shine a light on his own issues. good balance of competence and patheticness. laurie is giving a masterclass in the niche field of "british comedian comes to us tv drama, grows some stubble, becomes a sex symbol." i read an old review that referred to his "sourpuss charisma" i really like that turn of phrase.
(i was also into josh on the west wing when i watched that last year, i have a type i love antagonism. no im not dating anyone right now, who wants to take me for a candlelit dinner and tell me i smell good and my voice is sexy) (you cant just compliment me, ill be bored or uncomfortable, you have to bury it in a disagreement and make it clear youre kind of mad that youre into me)
that said i think the show kind of misunderstands house's sex appeal. it feels very written-by-men. women characters throw themselves at house in a porny kind of take-me-now way. in my observations guys who are arent traditionally hot but attractive in this antagonistic, talky was dont really get that kind of treatment, but they do get the main cast wilson/cuddy/cameron "i hate this guy but im obsessed with him and i will never make a move or i will and itll go badly" kind of stuff. my phantom house reboot does have cameron and house hook up and its a really mean and destructive fwb thing with like 4 false endings. does this make sense.
right now im in the middle of the plotline where leighton meester plays a 17 yr old girl stalking house because shes so in love. like thats not the vibe. at least from what ive seen. im not omniscient.
lol it turns out she has a spore makign her hypersexual lolllll i literally have this on in the background rn ok i take some of this back.
whenever i mention to someone im watching house theyll recount to me the plot of the one episode they can remember and it always sounds insane and its never made up.
"the one with the intersex teen model who fucks her dad to manipulate him and has testicular cancer" like yeah. yeah thats real. if you talked to me 3 weeks ago thatd be the one i recounted to you.
yes house does leer at her in that episode and its treated as logical and normal for a 45 year old man.
i hate chase, he's awful but boring.
im curious how long im gonna keep watching this, i know the later seasons get kind of soapy plotwise and i dont know if thats what i want out of this
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milfgyuu · 6 months
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I haven't sent one of these in a hot minute! The last gifset had me thinking: Sincr it's 🎃time, how about assigning the typical horror movie roles/tropes to Seventeen? Like, we already know Mingyu is The Hot Girl that Dies First™️ 🤣 (grouping them is also fine!)
HELL YEAH, it's spooky time!!!!! I am popping these under a read-more jusssst in case there are some sweet angels on my blog that may be sensitive to the themes or aren't into the horror genre <3
but if you're into SVT and horror film roles/tropes, read below!
Cheol - is surviving. idc. he's giving Chad Michael Murray in House of Wax like he definitely is kind of the asshole with a seedy past in the movie but it's also the reason he is making it out alive because he's fighting back. mf is running around with a tire iron and a gash down the side of his face and he's PISSED.
Jeonghan/Minghao - is taking things a little too...unseriously. like "why are you guys freaking out? ooooh he's gonna getcha!" probably even finds himself getting caught or injured and laughs when everyone gets mad at him because "it was just a joke, omg u guys". definitely turns out to be the killer in the end.
Joshua - god, sorry, but he's the handsome, sweet, innocent boyfriend of the female lead who gets absolutely gutted by the killer in the first half of the movie. Like he is the letterman jacket-wearing jock bf of Drew Barrymore's character in the original Scream. He was truly a bystander but boy is he pretty.
Junhui/Hoshi - He's just a side character but the whole audience loves him! and then he gets kidnapped and disappears halfway thru the movie so everyone assumes he's dead but just when the killer is about to whack the main character he shows up out of nowhere and knocks them out with a fire extinguisher to save them. he's a hero, baby. he still might get got tho :/
Woozi - can we get fluffy for a sec? i know it's horror tropes but this is Thackery Binx from Hocus Pocus, ok? he was kind of a little shit and then he got turned into a cat so now he's chasing around these three idiot kids trying to help them stop the witches from eating all the kids in Salem and he's perpetually irritated at his lack of opposable thumbs bc if he had them, he could just do it all himself.
Wonwoo - he's the dark-knight detective on the case. he's scary, kinda shady, and is likely doing a ton of illegal shit to find leads and force information out of people, but he's not a bad guy. He's been on the case for over a decade and lives off black coffee and cigarettes. definitely makes it to the end and has a hand in taking the killer down.
Mingyu - ok, yes, i still think he's the token slasher-bimbo - like he's the opening kill before the title sequence BUT alternatively, he's the martyr...he's the character you end up loving and then you have to watch as he sacrifices himself so everyone else lives & we love/hate him for it. We weep for him. We write alternate ending fics for him.
Seokmin - Sigh, he's the dad who buys the super-haunted house in a paranormal horror flick. He can't afford to move because he poured his life savings into buying the house. Shit keeps getting progressively worse. His dog chased something into the woods and never came back. His kids are possessed. His wife is floating in the corner and making weird noises. but he's hot - like ryan reynolds in Amityville.
Vernon - bro, he is actually Darry from Jeepers Creepers. I literally can't explain this to you if you haven't watched this CLASSIC and those of you who have seen it...you get it. Like why tf is he ignoring Ms. Dabney????? she's trying to save him and he's like...ok weirdo...i'm gonna go check out that hole where it looks like bodies are being dumped...bye.
Seungkwan - he's not going in that fuck-ass house dude. he's not doing it. he will stand guard with whatever makeshift weapon he can find and he's talking mad shit about everyone and their stupid plan the whole time he's waiting. he is, however, a good friend, and he will run into the house the first time he hears someone scream. is soooo pissed when he finds out it was over nothing and now he's stuck with everyone else in the death trap.
Chan - he is the planner, the optimist, the strategist. he is getting everyone the hell out and he's got the brains and balls to pull it all off. like, my boi is setting traps as if he's Freddie in Scooby Doo. He is pissing the killer off left and right. definitely gets himself in a pinch - almost meets his end - and still, somehow finds a way to live.
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431989 · 2 months
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more resident alien posting. predictions... spoilers so beware
well. i'm upset that the shows going to have a difficult time having more serious scenes now. and that's probably what it's going to try and set itself up for.
i reaaaally would have loved to see this show do something ACTUALLY different and good. by different i mean in terms of writing and not necessarily drifting from source material. yes i'm still sour over last ep, but i wouldn't be AS sour if everyone on the show didn't treat harry and asta's relationship as "mother and child." and also if the show didn't take such a nose dive into the type of comedy it's putting out.
ALSO? IN A RECENT INTERVIEW? Sheridan going on to state that harry would lose his first """love""" (more like lust. awesome that a show trying to teach human emotion gets those two things mixed up) and then realize there's love everywhere or something? why does this feel like "weird" people are forever left to the role of outcasts. already fucked it up once i guess the guy's trying to fuck it up more. could've just left it at "he'll lose his first love, then he will have to reconcile with his feelings." but he had to drop in that last corny bit.
like. the show's source is already good. i don't understand all these decisions they're making to try and make it seem "unique." and now to get numbers back they're dumbing it way down. WHICH. BY DOING SO. HOW ARE YOU GOING TO HAVE YOUR DRAMA? like how am i supposed to take anything seriously in the show. i *could* in season 1 and parts of season 2, but now it's just whatever. it's too goofed up for me to care. and now people who love the goofy won't give two shits about whatever message you want to drop or plot you want to develop. i dont give a shit about the greys!!! i dont care what theyre doing!!!! who gives a fuck if theyll blow up the earth. none of the characters really care anymore either. oh well!!!
also, predictions kind of. i'm not trying to say this will be the be all end all but it certainly could be a turn the show takes. in one of the issues of the comic (suicide blonde i think), harry is investigating the "suicide" of a woman. by the end of the issue, he catches up with her ex-lover and ex-roommate. they were both ladies. and the girl who died had a drinking problem btw. and was constantly seeing boys. i'm all for gay couples on screen as a gay guy myself but it'll feel so cheap to pair darcy and asta together despite the way theyve been played on screen. maybe its doable. i don't know. but i genuinely could care less considering the overall tone of the show's drifted more towards a sitcom than anything else. i think the small handful of 40+ year old gay wine moms would probably love it, but the vast majority of viewers wont. either they'll hate it and say it's forced diversity (there's already people saying that about the gay couple on screen this past episode) or it'll be another nothing moment to a further nothing story. if anything it'd feel one step removed from tokenization, considering they see harry as a manchild. ableism! show's trying to seem fucking wholesome but they can't be bothered to care about their nd viewers. like "haha look we have a main gay couple!!! what do you *mean* our show has rampant ableist tropes, we have a gay couple!"
i'm just so bummed. the show's cornered itself into a sitcom so meaningful moments aren't a thing anymore. plus the comparison of harry to a child is really getting at me. like he's a grown man as a human, and hes a grown alien thing as an alien. it's such a big slap in the face to any person who cherished the witty and unique story telling of the first season... like.... i don't know.... people who would've been fans of the comic too? i have small gripes about the comic, but at least it takes itself more seriously. but the show runners haaate the people who read the comics. why? i dont know. well maybe i do know. probably seen as too nerdy and weird for their idea of the show's viewerbase. despite the fucking basis of the show being weird and nerdy.
they couldve done the darcy asta thing better if they do go down that road. i'm just saying i wouldn't be surprised. they already scared off everyone who would've cared for something like that, so i don't know how they'll manage to find an audience that cares. everything in s1 was so organic and felt real!!!!! now its just!!! nothing!!!!!!!!!!
im also thinking about the fact that after posting that one resident alien drawing i did, i've had to block tons of people because they're freaks. loud and proud conservatives. man this shit sucks.
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spiderpussinc · 9 months
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I don’t think it’s very fair for you to try and knock others from reading Miguel’s OG run because truthfully that’s the only place you’re going to get his full character since every run after that is just “Let’s place him in different time scenarios to fix other people’s problems”. I’ve read ur reasonings and some of the issues I just don’t see and that’s coming from someone who’s ALSO half Hispanic and had similar family experiences. Idk I guess comic Miguel is rlly important and relatable to me and you shouldn’t turn others away from having that potential connection too. :/
NAH LOL it is *not* the only place to get his character truthfully -- his character is not consistent between runs, or between comic and movie! Not even Pdavid's runs have an unified version of Miguel since he just becomes an author self-insert after one point. The way Pdavid writes '92 Miguel - Gabriel is also shamelessly almost the same as he wrote Bruce Banner - Rick Jones. (another series where he ended up being pushed off the book after he started making really weird decisions; and notice these last two are white guys, which is how pdavid depicts Miguel all the time.)
I haven't even told people to not read them. In multiple posts i say 'read the first ones to see how it is, stop when you get annoyed, look up summaries, don't feel obligated to treat it as canon because it isn't.' If anyone feels threatened by this they should examine where that defensiveness is coming from.
I'm gonna be real with you that's like saying "the only way to REALLY understand Miles Morales is to read his ultimates run." You know, the one where his mother gets eaten alive by Venom, his dad thinks he's at fault for killing her and nearly beats him with a cane, where the closest thing he has to peter is a clone named jessica drew, and that eventually gets completely retconned in a universe explosion so main universe Miles can be rewritten. Do you remember seeing any of the things above in ITSV? Would you call them *the only real way to fundamentally understand Miles as a character?*
I keep seeing the rhetoric that 'real fans' have to subscribe to the very first script of these characters and that somehow enjoying their ATSV versions is fake-stanning and that is just... not true. That's not how comics work. Our most iconic, definitive, memorable traits for MANY of these superheroes have come from subsequent comic runs, rewrites, feats of adaptation and the interaction between fanwork-becoming-canon. Even uncle Ben's 'power and responsibility' schtick is NOT an original part of Peter's first draft. That came from re-imaginings and rewrites.
I'm really, truly not a fan of the argument that 'relating to parts of a character' completely absolves the text from criticism. It's not a good comic. It barely tries to be latino rep and frankly, I'm not going to praise it for just placing a label on him and doing nothing with it. I don't care for this white man's truth. It's racist and creepy and I should be paid reparations for having to read a storyline where the same girl gets paired up with two different brothers and then their father just to end up getting killed for a sexier token love interest. I am constantly frustrated by the argument that new fans should be forced to read it and potentially get turned away from comics forever; it's one of the worst offerings you could give them. 90's Marvel and DC are a public fandom joke and nearly led the market into bankruptcy!!!!! (Marvel filled for loss in 1996. IT WAS BAD. That's part of why the whole 2099 line went up in flames! The money was going down the drain.)
I've been a comic reader for a long time and I just can't give them blissful innocence passes like that. The current editor-in-chief at Marvel did yellowface and pretended to be a japanese man for years to write some shitty superhero weeb comics with no accountability whatsoever. He still has a job. RUNNING the company!
And here's the thing: I like Miguel too. I have a shitty family and I empathize with that but I KNOW he deserves much better than to be confined by white people's scripts and fetishes. I *want* him to have a chance, multiple chances even, to be completely rewritten and remolded by latine voices without the need for them to constantly refer or tie back into that white man's work; It is our right just as any other.
ATSV throws away most of Miguel's baggage, and straight up refuses to refer to the weird indepth sludge pdavid had going on; the artbook doesn't mention these first comics or most of his runs, they actually talk about other groundbreaking sci-fi concept work and the idea of basically rebuilding the landscape from scratch, and I am deeply thankful they do that. One of the biggest themes of the movie *is* that the idea of comic canon is fraught and full of holes, and that we should subvert it into joyful and honest expressions of these characters' cultures. These are movies that begin with the Comics Code Authority stamp, a censorship marker that among other things explicitly prohibited the positive depiction of pro-civil rights narratives and homosexual relationships, and actively turned their nose at protagonist black characters — & proceed to rip it to shreds. That's what we should be doing!
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Godzilla x Kong gets... probably a 7.5 or 8 out of 10 from me. I liked it a lot, but the last act felt like it was rushing (which should never be the case for a 2+ hour movie). The action was really good though and the visual effects, while dwarfed by Minus One, were excellent.
Spoiler-y opinions below:
Okay so- Kong's portions of the movie were actually really strong. Granted, I'm easily amused by anything that involves monkeys falling down a lot. But in all seriousness, you can tell they had the most story ideas for Kong. His fights are good, the monsters his arc introduces are cool, and the way they've aged his design is also pretty nifty. You will believe a gorilla can be daddy.
That said, the strength of Kong's part of the movie brings me to my main complaint. The other two focal points, Godzilla and the human cast really didn't feel like they had as much to do. Less so for the human cast, which I'll get to in a moment, but it kinda felt like Godzilla was sidelined.
Weirdly, that isn't to say he wasn't in the movie. Godzilla's scenes are almost as plentiful as Kong's, if not equally so. The movie, to its credit, does a pretty good job of giving everyone equal-ish screentime, so Godzilla does get plenty of scenes. The problem is that most of them are just him going from point A to point B to point C and so forth.
In fairness, Goji's scenes are at least entertaining. He gets some superb city destruction and the best fights in the movie (and it has plenty) are his. Though speaking of fights, I am disappointed that we didn't get to see any new-old monsters. Scylla is a cool enough design on its own that I don't mind it, but Tiamat is similar enough to Manda that I felt like SOME acknowledgement could be made. I mean shoot, just have them be called Titanus Ebirah and Titanus Manda on the computer radar thingie they keep cutting to. Problem solved.
At least we get Godzilla sleeping in the Colosseum like a cat. It's a cheap pop, but I'm still here for it.
The human story is decent, if nothing special. The only returning cast are Rebecca Hall, Kaylee Hottle, and Brian Tyree Henry. Dan Stevens joins them as... I guess Kong's veterinarian for lack of a better word, rounding out the quartet of focal characters. I don't know if I enjoyed his character or if he annoyed me. Hottle and Hall deliver more of the "constantly mildly uncomfortable deaf girl who just wishes everyone would leave her pet gorilla alone and her overprotective adopted mother" stuff. It was fine in the last movie, it's fine here. Henry's conspiracy theorist character is... less irksome than he could have been. While in the previous film he was a surprising amount of depth for the archetype he was portraying, here he's firmly in the comic relief role. It never quite veers into annoying, but there are parts where it does leave you going, "okay, but why does he need to be here?" He at least makes it out better than Stevens, who may be the world's first example of a token white guy.
All that said, the human plot was actually kinda working for me. The whole "lost civilization deep within the hollow earth that harnesses mysterious natural powers and also worships/summons Mothra" thing felt like a really fun tribute to the kind of story you'd see in the classic Showa Era films without being anachronistic.
As much as I complain, there was something I noticed beyond the movie itself that made me happy. The theater was packed, which is great to see, but more than that there was a ton of kids in there, right around the same age I was when I was first getting into Godzilla. The same age I was when I got picked on for liking it. I couldn't help but look around the theater after the movie and feel vindicated. I was right, this shit is cool as fuck. Suck my ass, Samuel from fifth grade.
Anyway yeah it's fun. Worth seeing.
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bethanydelleman · 1 year
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I watched All's Well that Ends Well by Shakespeare, which is a forced marriage situation (the girl loves the guy, he hates her, the king forces them to marry). I could not help but thinking of Mansfield Park, especially because the guy's name is Bertram (!), but I also think it gives us some context for Fanny Price. The main female character, Helena, acts like her very love is contemptible and almost a sin:
That I should love a bright particular star, And think to wed it, he is so above me. In his bright radiance and collateral light Must I be comforted, not in his sphere. Th’ambition in my love thus plagues itself: The hind that would be mated by the lion Must die for love.... What power is it which mounts my love so high, That makes me see, and cannot feed mine eye?
Then I confess, [to his mother] Here on my knee, before high heaven and you, That before you, and next unto high heaven, I love your son. My friends were poor, but honest; so’s my love. Be not offended; for it hurts not him That he is lov’d of me; I follow him not By any token of presumptuous suit, Nor would I have him till I do deserve him; Yet never know how that desert should be. I know I love in vain, strive against hope; ....My dearest madam, Let not your hate encounter with my love,
Helena is also a poor girl taken into a rich household, though her parents are dead and she's an official ward. It makes me think that Fanny is less "pure" than we think of her, because her love itself would be forbidden and ungrateful. Helena expects her adoptive mother to hate her for it. (The mother doesn't, she totally ships her son and Helena)
Fanny also is jealous when Edmund and Mary are together, which is something she doesn't have the right to be either. While we may think of Fanny as flawless today, I'm not certain she would have been viewed the same way when she was written. Fanny was forbidden from falling in love with the Bertram sons and she did anyway.
We also see in both Catherine Morland and Fanny Price, women who fall in love first, which wasn't the "proper" way. I think Fanny may be more subversive than we give her credit for.
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fanficfish · 11 months
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spoilers about the last bits of the 1.0 Xianzhou Loufu storyline (HSR as a partly-blind gamer)
you have been warned
ok ok ok so i just finished this and omg
(also we're gonna ignore the....errand running i guess. I have my thoughts on it, and I'm not completely "yeeaahhhh awesome!!!" but at the same time it does give a lot of context to some parts of the main story. It's less of a drag if you do it all in one go or you do it in parts, by the way. I see it like the Dan Heng storyline- you could do it, or not, but it really helps if you do it because it's kinda cool)
okay first off- I love that we got a disabled person as a villain. Uuslaly those kinds of characters get put to the side as a kind of token character or they're the hero. Dan Shu, a blind Xianzhou Loufu native, as a villain? I'll take it. Plus, she became chief alchemist. Bonus points.
anyways moving on
dan shu is just really interesting to me. I just finished that part of the story (i took the medicine. I tried not to but I misclicked. Natasha's lesson about "don't take weird medicine" didn't stick I guess). But anywyas, her outlook on life is kind of interesting, and I'm rambling but I'll sort my thoughts out at some point. Maybe. I was an idiot and didn't record the whoie thing so I"m going off memory here.
but anyways
dan shu's talk with the little girl. I kinda feel her- she's trying to make her way through life (impressive that she's able to run around the place by herself by the way, and also let's not think about the whole "girl went to the freaking Commission right after we left it having just defeated a crazy deer" thing). On one hand I get dan shu's point. You do have to rely on yourself a bit, especially if you want to achieve certain goals. But at the same time, having company along your journey is a good thing- because yes, there wil lbe times where you can't depend on yourself alone. Which is what we kind of see with Dan Heng. He was running for years, and it's only with the Express that he really gets to sit down, breathe, and start making those connections that make life worthwhile. Also screw those idiot kids, someone tell that third kid that didn't play alogn with the cheating comment that they need better friends.
and then dan shu's search for a cure, a cure that eventually wouldn't work. Imagine how painful it would be have no sight for your entire life, then get sight, and then have it ripped from year a few years, maybe months, later. I had an opposite experience- had some sight, lost it, then regained a little- but it's definitely a change. I can't explain it, but it's like finding out that you're colorblind and trying colorblind glasses for the first time, or finding out that you needed glasses. That's the closest I can get to describing it. THen imagine those glasses are ripped from you. It's hard to go back, even if it's familiar.
and dan shu has a right to be angry. she's descriminated against in a place where not being perfect is a problem- look at all those stairs, those who aren't able-bodied must have a nightmare of a time. she has a right to want a cure, to have her views. She's not right to give out weird medicine, but I guess the rage had to go somewhere....
and that's really all the thoughts I have at the moment. this probably seems all over the place and rambly but i'm still getting it through my mind. but seriously, love the little shot ot acknowledging the unspoken in the social hierarchy from Mihoyo. Really epic to see that in my new favorite game!
(Also, yes- i am visually impaired. Let's jsut say Genshin is....a bit of a struggle when it comes to combat , haha-)
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Gus Porter Appreciation Post
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I have been wanting to do gull analysis of the important characters in The Owl house since like 2/3rds of the way through season 2. Now that the first season 3 special is right around the corner It feels like a good time to make posts and get views again.
Gus is a character I find particularly interesting. In season 1 and for part of season 2 Gus is there, but he is secondary comic relief, very token, and almost never seems to move or affect the plot. He slowly grows as a character with and develops arc’s though, and whats interesting to me is that unlike with characters like Luz/Eda/Willow I cannot really say when his character hit the turning point. I mean I know when his character had shifts, or started to focus more visibly on certain aspects of his character, a lot of the big moments his character goes through and core aspects that come to spotlight in episodes like “Through The Looking Glass” and “Labyrinth Runners” on re-watch actually start more subtle in the back ground of season 1 episodes.
Warning very long post underneath
Things with Gus that could have been done better
Okay first lets address some of the weakness’s of Gus’s character. I want to get those out of the way so that I can spend more time speaking his praises. Up top I call him 3 things “Secondary comic relief” “token” and “unimportant plot wise”. I stand by all three being true (at least for a lot of the series) and all three can be problems with his character. For the “secondary comic relief” one... King is out main source of comic relief. King is voiced by Alex Hirsch, who many fan’s recognize as the creator and voice actor for many Gravity Falls characters. He is a very funny man. King himself is also a funny character, because he sees himself as big and ferocious, has a large personality, and all of this is wrapped up into a like 2.5 ft tall fluffy little dog body. Gus’s first ever job in the show was to come assist Luz on adventures and mishaps where she would be away from Eda and King. Unlike King though Gus does not have a large personality, and with his a main trait being “Self-proclaimed “Human Expert”, when actually everything he says is wrong” he just never seemed as funny. Also King despite being mostly comic relief had lore and backstory from the beginning, taught Luz about demons and life with Eda, and was able to come up with clever ways to help defeat foe’s. Gus... shares his food, and can do basic distracting.
I called him “token”. that is a word that I know gets thrown around a lot, and there is some argument as to when it is appropriate and what it means. So let me give the definition I learned for “token”: One or a few characters that are different from the main cast in a noticeable way, and are added in mainly to give the illusion of this show/book/game being inclusive.” You know how in 90′s and early 2000′s shows about super hero’s/crime fighting a team will have that one (or maybe two if its a big team) female character because otherwise the show writers can be accused being sexist “don’t you think girls can be hero’s too”? Plus without her they will have more trouble doing cliche romance tropes. Or how about in Christmas specials you always have at least one who is briefly stated or shown to be Jewish, because of course the show runners know that Christianity isn’t the only religion, and Christmas is not the only holiday. Gus would qualify as a token character for two reasons. One is that he is one of the only few boys at Hexside who is learning magic, and is also important enough to have a name. The score for that I believe is Girls 11, Boys 5. Of those 5 Jerbo and Barkus were intended to be one off characters and while we saw them again they got no focus and virtually no development (Barkus is in a hexsis holdum club, Jerbo flew for that jerk professors flyer derby team that one time). Edric only shows up spuraticaly and rarely is shown at school. Mattholomule also rarely shows up, and when he does it is to be a parallel foil to Gus (more on him and that later). So Gus is our only frequently occurring boy to actively bee seen trying to become a witch.
Secondly he can count as a token Black character. The Owl house has prioritized  including 3D characters of different sexuality, and learning types. Its disability representation has also gained positive notice and appreciation by its audiance as well. But is does have some problems and struggles in race. I will start by saying that I am white, and as such I do not notice as many things as a POC would when it comes to racial inclusion, and my word should always come second to a POC’s when talking about this. But even I can notice that Amity’s character seemed completely thought out and written with fluid direction when Dana and the crew were still throwing Mabel, Webby, Star, Anne, every other off-beat, family carton, female protagonist of the last 10 years, and multiple popular teen cliche’s all against the wall to see what stuck as character for Luz. Even I can note the racism on giving Luz a new White Mom when she already had a Latina Mom. Then treating White Mom as her main/better/more fun mom, because Latino Mom tells tries to change Luz (get her to tone down her more destructive behavior while at school) but White Mom lets Luz do whatever she wants, up to and including praising her for crime. And even I can notice how Gus got way way less screen time and focus than characters who had lighter skin than him. Now here I want the opinion of POC fans: in season 2 Dana and the crew added 3 more POC characters (Raine, Darwin, and Darius), brought back 2 existing characters (Katya and Mattholomule) and, admittedly more towards the end of the season 2, gave Gus and Skara more focus. Did this feel to you like Dana and the Crew noticing and correcting an issue, or did it feel more like the damage control?
Gus’s plot relevance in episodes is kinda self explanatory. In 1B he does not even participate in shenanigans and mishaps that Luz,Willow, and Amity do. He is the group cheerleader. Which would be fine if they let him do all the cool tricks, acrobatics, and full on routines cheerleaders do. Combining his illusion powers with all of that would have been really awesome. But instead of doing any of that they just gave him two small flags that he waved back in fourth from the stands. That was his whole cheer routine, and most of his 1B character... Okay now I am finally done with writing out the flaws/problems with his character, remember I do love this character, and can move on with praises.
Gus’s magic abilities
Gus’s learning trope is that he the “stressed out gifted kid”. He is a protege magician when it comes to Illusion magic, and have even skipped 2 grades. Okay We do not know that much about how different grades work at Hexisde (it’s an all grade school) since Luz our main character see’s the school for the first time at 14. Given that Luz enrolls during a Summer semester I am guessing that Hexisde is a year round school (how do grade levels work at those? I do not know) that does like 4 three week breaks during each season. But I am going to guess that Elementary level kids learn about the different coven tracks and opportunity’s in them, middle school kids pick their track and learn the basics/early lessons, then High school kids perfect their magic and take more advanced lessons. We have never heard Lilith or Raine or any of the Blights mention Colleges, so maybe its not a thing on the isles and kids only leave when coven recruiters come and take them away...
Gus again skipped two grades and “Labyrinth Runners” implies he does it pretty young, he looks like 9 or 10 in his flashback of his first week in advanced classes. If Willow’s powers came late, could Gus have developed Illusion powers early? We also see that he wasn’t then and still is not now in complete control of his powers. My guess is that when Perry and Bump saw what Gus was capable of they moved him up those grades because they believed the best thing for Gus was to get help from an experienced illusion professor who could help him learn more control and mastery of his powers. We can see how great the Illusion professor is in “Labyrinth Runners”, and how much she cares about Gus.
In season 1 Gus mostly sticks to what seems like advanced basics. He could sentences in the air, and make copies of himself, and he was amazing at it. He was not doing one letter at a time, or even one word at a time, he could magic whole sentences into the air at once with great theatrics. His can make multiple copies at once. His copies still remain fully functional when he is away from them, and they can all talk. For clones made by a child, they are very advanced copies. In “Looking Glass Ruins“ Gus makes an illusion large enough to cover a small grave yard, and then In “Labyrinth Runners” his school. In that episode he also pockets a powerful magnifier glass that lets him peer into foes heads and call fourth bad memories. This gives Gus a way to cause actual damage to Belos in “King’s Tide”.... But Gus may have been hit some recoil on that.
This brings me to another part of Gus’s character that I love: He gets progressively stronger through out the show, but he never reaches the ceiling of his potential. He can give his copies more advanced mobility and speaking skills, But when he does they are less likely to do what he wants. See the that only pretended to take notes for him when he skipped, and the one that he made when he wanted to interview himself who promptly told him “I would rather die than reveal my secrets”. He is not able to make large illusions in season 1, and in season 2 they tire him and he still loses control if they go over a certain size. He learns to use the magnifier glass quickly, but he can only us it on an already subdued opponent and using it may pose danger to him in the process. Gus has all the potential to become a mater illusionist, and the dreams and ambition to become even more. But all of this will be one day in the future. For now he is a kid who needs to keep studying and practicing so he can get better, smarter, and wiser.  This brings me to my next point about Gus
Relatable Fears
First off let’s look at the pressure Gus puts on himself. He loves to brag about getting to skip two grades. He can be a show off with his magic, and when mentioning that his dad wants him to become a master illusionist he laughs says “That’s easy”, and declares that he will become this powerful and new figure in relational politics and end a long standing feud between the boiling Isle residents and the Giraffe’s.
When tries to help Willow deal with a pixie infestation with an illusion and it doesn’t help at all, and she gets hurt anyway, He goes through a huge existential crisis and starts wondering openly questioning if the illusion track is even worth studying. Some bullies trick him into helping them clear a way to the graveyard for them, before revealing they do not want to be his friends and do not care about his feeling’s or opinions. Gus blames himself for all of this. Who was he kidding thinking Bria actually cared? Well it’s not his fault. HE thought Bria cared because she did a really good job of putting on a show of acting like she cared. Its pretty high key hinted that he does this all the time at Glandis and that’s how she keeps her three “friends” and probably others under her thumb. Heck its low key hinted that she got Mattholomule in so much trouble that his parents took him out of Glandis at least in part to get him away from her and the members of their group. Gus isn’t stupid, Bria is just a skilled manipulator.
After Bria Gus and the cast, unfortunately meet, Adrian Graye Venworth. Gus see’s through his first illusion and saves Edric and the other kids from being tricked into getting sigiled. But Later Gray and a member of the Emperor’s Coven trick Gus into almost going with them by casting an illusion to make the Coven Scout look like Willow. Hunter See’s through the Illusion and grabs Gus yelling that it is a trick. Gus is devastated that he could not tell the difference between his best friend and an illusion and concludes that he must be stupid and have something seriously wrong with him. A few things that I will point out here (and I am so glad Hunter points out to Gus in the episode). Gus is not at fault at all. The coven guard pretending to be Willow fooling him? They showed up when Gus was in danger, scared, and desperate to find help so of course he feels a wave of relief at Willow. Hunter saw through it because he has rained himself to never drop his guard (he has had to) But Gus has no reason to distrust Willow. Even if he was fooled it was never a fair fight. Gus is a gifted kid, but he is still only a 12 year old kid, and is still learning. The Emperor’s coven is made up of all the most ambitious students and highest scores AFTER they graduated school, past tons of vigorous recruitment tests, and devoted their lives to nothing but improving their magic and serving the Emperor. Adrian is a Coven head, a.k.a the top ranking Illusionist on The Titian. Him and all he guards are older and have both more training and experience than Gus. They were able to fool Bump and the Hexside teachers too, and none of them are fools. Gus’s only problem is the pressure he puts on himself.
To go a bit deeper into Gus’s fears, we see him began to work through his fears in season 2 but I think his arc with fear and overcoming it actually starts in season 1′s ‘Enchanting Grom Fight”. Remember at the end of it when Willow and Gus are helping with the clean up and that peace of Grom morphs into their fears. We see that Willow is afraid of ladybugs (???) and that Gus is afraid of clowns. Now Clowns are a pretty common, it would be enough to assume Gus is scared of their big red grins, yellow teeth, or giant stomping feet. But in “Through the Looking Glass Ruins” through that Illusions are not able to help solve his friend’s issues like Gus hopped he loses faith in them and himself. Then h starts calling Illusions “party tricks” and himself a “clown”. Which descends to “Stupid”, “Fool”, and “Kidding himself” in “Labyrinth Runners”. You add all this together and it equals Gus not being scared of clowns because of creepy make-up, oversized cloths, or how in-your-face some clowns are. We only see the clown image Grom used on Gus from the back but I am gonna gus its front looked kinda similar to Gus himself. “Clown” is the bad name Gus calls himself when he gets angry/scared/or frustrated at his own mistakes. Gus is scared that maybe he is destined to be a clown. Maybe his dad, teachers, friends, and himself are all fooling themselves when they call him someone special, and maybe everything he is good at is just stupid, unimportant, party tricks.
THAT IS NOT TRUE. Gus’s is a great friend and his support has done a lot for Willow, Luz, King, Mattholomule, and Hunter. He has been a real light and the dark for them all. While his illusions have limits, he starts finding knew things he can do with them throughout the season as he improves (and we thankfully say god bye to the Gus the uninspiring cheerleader and the two tiny flags that all he does is flick back and forth). Gus’s own magic feets even hit Heroic status on at least three occasions “Through the Looking Glass Ruins”, “Labyrinth Runners”, and “Kings Tide” where if not for him things would have gone much worse and potentially innocent lives could have been ruined or lost. Gus can, is, and will be great witch. He just needs to take some time, and come into it in his own way.
Gus’s development into a more empathetic friend and his growth and maturity through out the show.
Just a small heads up most of this will be about Gus’s relationships with other males. I know, I know Willow and Luz are his best friends. I am not trying to undervalue his relationships with them, they are great friends and very important to him. The reason I am not talking much about them is that his friendships with them start from their first meeting and remain really consent throughout the show. There is never really any change. They are all friends, Willow and Luz know he is younger by a couple years but they do not treat him any different for it. Gus loves this and is super protective of both of them, trying to jump on or “Gus chomp” any big kid who calls one of the Trio “losers’ or tries to give them a hard time.
Let’s start with the first time we see Gus in his element. Gus’s time as the President of the Human Appreciation Society (a school based club he started). This was Gus at his absolute worst, most jerkish, and it got him nothing. Gus says in the episode that he created the club because being the youngest kid in his grade he was always overlooked and wanted to create a place where that would not happen to anyone. When he says that it is the only time that he is either kidding himself or just being stupid. Because Gus is a tyrannical leader that and overlooks every other person there. No really he is. Gus calls himself “The President” but also made himself a crown, like he’s the king. He has a huge list of rules that he made himself and that no one else is allowed even comment on. He is the only person allowed to touch the objects, He is the only one allowed to make decisions (he legit see’s the group wanting to vote as anarchy), and judging by his reaction to Matty dumping out his backpack Gus may even be the only one who is usually allowed to bring in artifacts. Gus made himself a place where he would get to be in charge of kids older than him and they would have to listen to what he says. Well later in the show we see that Bigger Kids used to take advantage of Gus’s trust and trick him into doing their work for him. These are his worst memories.So seeing that I can see why Gus would want a place like the H.A.S., but that is an explanation for his behavior and not a excuses. He is acting like his old bullies and it is getting him nowhere. The bigger kids in his club must stay because they are interested in learning more about human culture, because they do not seem to care for or like Gus. When Mattholomule challenges him for leadership two kids support him and one just proclaims himself “an undecided voter”; none of them back Gus. When Bump kicks Gus out of the club none of the kids care or ever speak to him again.
Losing the club was painful for Gus in the short term because it was a club he cared about (and it led to 1b Gus and his boring obsession with two tiny flags. They really could not have also given him a horn, some lights, or put the flags on a baton), but after the way he had acted I cannot say he did not deserve to lose it, and he did grow from this. His relationship with King is the first one to show his growth. In “Really Small problems” Luz gets the day off from school and decides to take King to the carnival. While there she runs into Willow and Gus and asks King if they can join them. Gus is really condescending to King here, but King agrees to let them join for Luz. Willow and Gus do not listen to what King wants to do, gradually take more of Luz’s attention, and eventually fully exclude King. This drives King so crazy that he buys a potion to make Gus and Willow temporarily disappear. Which of course he bought from a con artist, its actually a scam that gets everybody in trouble, and King has to apologize and explain his loneliness to the other kids. He tried to make peace with Gus and Willow by offering them both pieces of broken friendship necklaces which they both take. Gus thanks King saying that he has always wanted “A jagged piece of cheap metal”. Willow gets on to Gus, I guess believing he is still being condescending, but I do think Gus was checking himself. Two episodes later when everyone is getting excited about Grom Gus gets to be the announcer and he goes to King to ask if he would like to be his assistant. When King gets stage fright Gus finds him and helps him through it in a much more tactful and friendly way. Gus is 3-4 years older than King, so to King Gus is a big kid. When King confessed the way Willow and Gus made him feel, I think this was the first time Gus was able to see his former bullies in his own actions. He did not like it and he makes steps in later episodes to be more friendly to King and treat him like one of the group.
Now Let’s go to Mattholomule. Gus was a jerk to the other members of his club, but when Mattholomule does his whole “scared and lonely new kid who just wants friends act (which I know was not completely an act)” Gus believes it and really does seem genuine in wanting to be Mattholomule’s friend afterwards. When Mattholomule turn on them and sends Luz to the detention pit, Gus goes to save her, and Mattholomule gets literally dragged along in the crossfire. Gus could have left Mattholomule to rot down there. There is a few options as to maybe why. Maybe Gus feels responsible since he kinda started this whole mess. Maybe since Mattholomule has the most experience with dentition pits Gus and Luz thought they could need him in the escape. What ever reason Gus shows genuine kindness in recusing Mattholomule as well as Luz. That is not an act that Gus gets repaid back to him right away. As soon as they get out and Bump see’s what they did to the pit, he tries to blame Luz. Gus takes all the blame, part of which should got to Matty, but Matty only speaks up when he see’s that he still has the opportunity to steal Gus’s club. Just to be clear on Mattholomule as H.A.S.P: He is a jerk, he will be just as tyrannical as Gus was, and like Gus the club made him no friends, no more popular, and any power he thinks the title gives him is in his head. Gus has to leave and become better.
But in “Through the Looking Glass Ruins” we get more back story on Mattholomule. We meet his old crew (whom his brother does not seem to like him hanging out with anymore) and see that they are all better than him at magic and hear how his lack of polished skill led to other kids making Glandis very difficult for him. Mattholomule essentially dealt with the same issues as Gus but on the opposite end. Mattholomule tries his best to keep Gus away from the other kids, and Gus thinks this is just him being mean. Only to find out to late that these other kids are just using them both. Because Gus was once kind to Matholomule, something that try as he might Matty has apparently not been able to stop thinking about or being grateful for, Matty goes back to help him. After watching Gus defend the graveyard from his old crew Matty finally makes the right choice for the right reason (reasons other than power or dept) and offers to help fix it up. Then, at hearing the illusion history may have to be hidden away, Matty suggests that he and Gus can build it a stronger defense system. Gus has a new friend now (who may one day also become more than a friend, they do share interests and passions) and has renewed faith in both that illusion magic matters, and that people aren’t all bad, and are capable of changing for the better.
These lessons all come to play during Gus’s relationship with Hunter. Gus does not really like Hunter when they first meet. Hunter or “Caleb Jasper BloodWilliams” is a strange, rude mouthed, big kid, who Gus has not seen before, but getting Willow’s flyer derby team approved suddenly depends on him... It turns out “Caleb” is really Hunter, a.k.a the Golden Guard, and he is here to trick them into the roughest coven of them all. Yes Hunter regrets it and goes back to save them (actually he may have done it more for their palisman than them, but he still helped them). He did the right thing, only after lying to them, scamming them, and putting all of them in danger. Gus is not obligated to forgive Hunter or try and be his friend the next time meet. When they meet again Gus half expects Hunter to try and pull the same crap, until he learns that Hunter is on the run. Then he offers him help and a listening ear. Gus did this because he knows that Hunter is not 100% bad, feels empathy for how alone/confused/scared Hunter is, and he knows people can change for the better. Gus has come along way from the bratty, vindictive, kid he sometimes acted like in season 1a. To him these basic acts of kindness do not seem like much, but to Hunter, who is going through so much, they mean the world. It’s because of Gus’s influence that Hunter finds the courage to come out of hiding and publicly supports the rebel side. This indirectly helps lead to all 6 kids (I included King) being together on the day of Unity and able to help each other against Belos.
Gus Porter All and All
Gus is a really great, well thought out character. He is in the background more than some others, and I wish the show had brought him to the forefront more (I do believe that if the show had run longer we would have gotten more of him and Matty protecting the graveyard, Matty introducing him to his favorite book series, and Gus meeting Steve. Grrr). But even when Gus is stuck in the background he still has some really interesting arc’s going on and you miss out if you just dismiss him. I also appropriate Gus getting to do important things and be a hero from the background, he reminds me of Codename: Kids next Door’s numbah 5 in that respect. She mostly stayed out of the spotlight by choice, but was indisputably the backbone of her team. Gus’s journey through school and the insecurities that he deals with remind me a lot of myself when I was younger as well as friends I had back then. I am willing to bet a lot of kids in school can relate to Gus and I like how so much of his feelings and situation are shown to us instead of told. Its nice that kids can see him, and have him to help learn to not doubt or be so hard on them selves, You are special, the right people will see you as such. IF the voices in your head call you names, then tell them to shut up because they do not know.
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zalrb · 7 months
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So I was scrolling through your page and I saw a post where you recast TVD with 90s actors. And I wanted to ask; which iconic 90s character (tv or movie) do you think is most alike to the TVD mains?
well that's sort of what that list was because a lot of the actors played the type of characters that the mains would be. so for instance, neve campbell, julia, party of five whose parents died in a car crash six months before the show begins who has to deal with teenage stuff and the grief, i could see her being an elena equivalent
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damon should be luke perry i.e. dylan in 90210 or he should be spike, that's his mould
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Caroline would absolutely be Cher
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Bonnie would be Buffy in terms of her actions and her sacrifices
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but the antiblack writing makes her the token Black girl.
Stefan is the most difficult one. The easy parallel is Angel
also there's this
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bellqmione · 3 months
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You asked for lots of attention in your inbox and I'm unsure if that was an open invite or for mutuals only but uhhh, here's a rant on why fate: the winx saga was an insult to me, personally:
Winx Club is an Italian magical girl show that is currently drip marketing for the release of its 9th season. Season 1-3 were made by Rainbow, and then seasons 4+ had some form of co-producing by Nickelodeon.
It was remarkable for its colourful sci-fi fantasy setting and itstackling of difficult topics for children. The main characters (who were all fairies) rode hover bikes and space ships and dated energy sword wielding fighting Specialists whilst all having a signature colour and a sparkly transformation. Stella had a full story arc on her parent's divorce, Bloom had an adoptive and bio family and had to navigate both of them, Musa had lost her mum, Aisha had controlling parents (and later lost her fiance), Tecna had emotionally distant parents who valued logic over all else, Flora was shy and reserved and had to learn to speak up for herself. It was great (at least for the first 3-4 seasons)!
As the seasons went on (most from 5+) it got targeted at a younger and younger demographic and soft reset the main characters from 20 somethings getting jobs and getting engaged back into being students and so lost a lot of its fanbase who had enjoyed watching the girls grow up and wanted to know where life post s4 would take them.
Then Netflix decided it was going to make a live action adaptation aimed at an older audience. I was Very Very nervous but I had hope. A Winx where Bloom could say fuck and blood could be shown would be cool, and maybe this time we could actually see the characters get married and then move in together instead of living on separate planets with their parents still.
The first sign that it was not going to be good was when the casting call went out and there wasn't a call for Tecna: my favourite of the 6 main characters. I was so confused as to why but was hoping it was because they planned to introduce her later (as in the original show Aisha wasn't introduced until season 2). And then the cast got released and they'd cast a white woman to play Flora (the latina coded character) and a maybe white passing maybe white woman to play Musa (the chinese coded character). They later changed Flora's name to Terra and hoped we wouldn't notice but kept the casting the same. (Only coded bc this is a sci-fi show and the characters are all from different planets, for all intents and purposes the character just are Chinese/latina/ect.) This then left Aisha (afro american coded) as the token black girl in the cast.
Speculation on my part: I think they didn't do anything to mitigate the backlash for Musa as they didn't perceive it as as bad white washing as they were doing to Flora, somehow. And I think they white washed Flora because they wrote her fat and figured a fat latina woman would be too much forced diversity or something, as if people don't just exist.
As a kid, seeing the Winx all being badasses saving the Magix dimension together whilst two of them even looked like me was really special. And they just white wash ⅓ of the main cast. Like,,, what?
Next up they released to the press that the reason they got rid of Tecna was because they were going for a more fantasy, less sci-fi vibe and so the Fairy of Technology wouldn't fit in anymore. And by "less sci-fi" they mean they're scrapping the whole setting of the Magix dimension and are instead setting it in a hidden magic society on earth (with the show taking place in Ireland specifically). No more space travel, no more alien princesses, no more hover bikes or energy weapons or the whole plot line of reintroducing Earth to magic that was s4. They couldn't even set it in the fictional town of Gardenia, Italy (where all the earth shenanigans in the original show took place). Scrapping Tecna for this reason is also bs but I'll come back to that in a moment.
Then they said they were going to make sure that they had boy fairies and girl specialists because the original show didn't and they were more progressive (ignore the white washing)... ... ... THEY HAD BOU FAIRIES AND GIRL SPECIALISTS IN THE OG SHOW STFU!! The main characters were six girls bc, wow, magical girl show aimed at little girls, and the only specialists we spent time with were their boyfriends because who tf cares about anyone else?? But background characters showed boy fairies and girl specialists from the beginning?? The fairy school literally had multiple named guy teachers. Like,,, tell me you don't care about this ip without telling me you don't care about this ip.
*sigh*
Anyways, I'll go along with their logic for this next segment i guess. So, you want to show more gender diversity in your three two different magical schools (that you smushed into one school for some reason?), you don't want to have Tecna be a technology fairy because not only have you scrapped all sci-fi but you've introduced a completely different magic system (I'll get to it). So how to kill two birds with one stone? Make her a specialist! They fight using technology and having a main character be a girl specialist/boy fairy would definitely get your point across!! But nooooo, just get rid of her entirely i guess.
Now we have some minor nit picks that one could gather from promo material before we get to the plot of the show. 1) the colours and fashions: everyone looks so drab and so dull. The bright colours and y2k fashions from the first show were part of its main selling power, now everyone is dressed like they're 35 and don't have the energy to put into outfit crafting despite all being 16-18. Especially Terra, probably because they gave up trying to dress someone fat, thanks guys. 2) they've gotten rid of the third big magic school, the one for witches and then smashed the remaining two into one. Why? To give more harry potter vibes i guess (which isn't something you should want to be emulating but w/e they don't care). 3) the magic system is radically different. Before every fairy and witch had their own domain (eg: fairy of music, witch of storms, ect) but now everyone is one of 6 different types of elemental fairy. Musa is no longer the fairy of music but instead a mind fairy, but the other main characters get to keep their domain roughly the same (though they have to share) with fire, water, earth, light, and electricity. (You might think "electricity?" why didn't they make Tecna an electric fairy but idfk guys, idfk) Oh! and they've scrapped fairy transformations, saying they're a lost art (Bloom does get one at the end of the season but all it does is give her bad gci fire wings and the sequence is boring and there's no outfit change??? In a magical girl show???). 4) they've scrapped the iconic main antagonists from the show, The Trix: a trio of witches who want to rule the magic dimension and have an eye on Bloom specifically, for one character called Beatrix (oh wow, very creative) who's an electric fairy and idk has some bad blood magic thing going on.
Then the show actually came out.
I'll be brief here bc I've already gone on long enough but to summarise it:
- the girls all hate each other for the whole season despite their easy friendship and talking about their problems being a highlight of the og show
- the dialogue feels like Riverdale but worse somehow, "snorting the midnight crack?" is somehow a real line someone says with a straight face
- they make these 16 year olds have sex on screen, please stop I don't wanna see that
- despite Terra's storyline being about not taking shit from people for being fat they somehow give everything fatphobic undertones regardless??? At least Terra and Musa are actually friends for a bit ig
- there's a love triangle where there wasn't one in the original series. Please for the love of god stop
- there's a weird polyam/bi thing happening with Beatrix, Riven, and original for this show bi character that is done in the most biphobic way possible and I'm still confused as to how they did it so bad
- Bloom's adoptive mum is abusive now?? despite her adoptive family being absolutely lovely in the original???
- Stella didn't get held back a year for slacking like she did previously, she got held back a year for blinding a student on accident but her mum is making her say it was on purpose??
- Aisha is a wet towel teacher's pet for some reason??
- yeah it's just bad.
(also despite half the main cast being princesses in the original show, now only Stella is and for some reason her mum is the monarch instead of her dad and her dad just isn't in the picture and instead of being slightly distant due to divorce her mum is just straight up emotionally abusive, in this new magic system where magic is done with emotion, so Stella has shit magic control?? Also Bloom is American now and not Italian. Idk just odd here i feel)
Uhhh, yeah, thanks for reading. Feel free to ignore this i guess ahaha I don't know if this is over stepping I haven't been a proper tumblrina for long
- 📟🧚
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nami-moittli · 2 months
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Okay, since [3] people liked my post, here’s the charts for my
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Though, I will admit, I feel like the shojou influence may lessen after the first group, but oh well. It’s the drama filled romance twst AU.
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So, the freshman gang is the main one, along with the only one I bothered to add text in the image itself.
These guys are also the only ones who have any real semblance of a plot going on, and I imagine if this was an actual shojou romance anime, there’d be two seasons, so dynamics get changed and two more characters (Grim and Yuu!) get added into the mix. But I haven’t made that chart yet, so I won’t talk about it unless someone asks
Anyway, Ortho would be the main character here, as she was the reason why I decided to make this AU at all lol. (Btw, she’s 16 just like everyone else here, so don’t worry about it) Epel and her are best friends and as such I decided to give him his own side plot as well!
Since I wanted Ortho and Epel to already be established as best friends, I decided to mash their hometowns closer together, and I also wanted to make them know Vil for awhile too, so Idia, Ortho, Epel, Vil & Jack have all known each other since elementary. The others they only met in HS. Why? It’s probably a really prestigious one like in canon or smth, idk
Bc of this, Epel’s been crushing on Jack since, idk, elementary? Middle school? Awhile now, that’s for sure. Ortho’s been making fun of him for not being able to confess for years now, and he finally decided to ask him out in HS, but by the planned time comes, Oops! He likes Sebek now too! Ortho is understanding, but loves to make references to cringy manga and anime that have love triangles/harems in it. That is, until she falls for both Ace and Deuce, and suddenly Epel can have payback.
There’s definitely more to this, but that’s all I feel like writing about rn for them.
Onto the next ones!
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Now this description will have less in it cause I definitely think of these guys the least, but I will say that one love square ends in two couples, and the other in polyamory, so,that’s fun!
Also, to balance out the gender ratio, Jade and Floyd are Jade and Floyd, Riddle, Kalim, Azul, Jamil & Ruggie are all girls. Silver can be the token guy. Or I could change my mind and make her a girl. Idk.
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I do have a bit more to say about the juniors tho!
First off, I didn’t know where to fit in Cater & Trey, so they’re kinda just in the background. Maybe Trey & Vil had smth but now Trey and Cater are dating? Idk, but they’re here!
Anyway, back to the exes, yk how I said that Vil, Jack, Idia, Ortho & Epel all knew each other? Yeah, back in middle school, Idia and Vil dated for, around a (school) year (plus summer) I wanna say? Maybe a bit less than that. But in their freshman year they broke up, leaving them not really speaking, then about two weeks later Vil and Leona started dating, so that just kinda rubbed salt in the wound for Idia and he went back to staying in his room 24/7 again. Though he does show up at school more often than his canon counterpart does, I feel. Simply bc this is supposed to be a no magic AU, so flying tablets are a bit harder to get from class to class with lmao
Anyway, after who knows how long, maybe for like 6 months or so? Vil and Leona break up. Not sure how long after that, maybe a month, little more than that? Anyway, then Leona and Malleus date for like, a week? Idk, Leo & Mal remind me of two middle school boys who hate each other, so do with that as you will lol
Second year maybe you could fit in the Trey thing but idk. Anyway, Vil & Rook have been going strong since then, and Idia’s recently gained a crush on Malleus. Shenanigans ensue
The only other thing I’ll note is that Lilia doesn’t attend school with his kids, maybe he’s a teacher? Part-time substitute? Idk, but just like in canon he’s Mal & Silver’s dad (and Sebek’s too lol) and online friends with Idia. So that’s fun!
Anyway, that’s all for now, if anyone wants to know more, feel free to ask!
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max-imumbooks · 2 months
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Renegades Thoughts
Spoilers ahead!
----
There are things I really enjoyed about Renegades. It's just that it's shortcomings kind of overwhelm everything else. Like, they have the perfect characters to carry a truly interesting story right there, and they chose to just... not. I saw so much potential as the books progressed that every refusal to go down an untraveled road just got me more and more frustrated.
Adrian's and Nova's team members are adorable and convincingly normal. Unlike the adult superheroes, the patrol team are all teenagers who could be anyone's brother, anyone's sister. They're people first and foremost. AND they have cool and unique superpowers! Girl who can transform into a swarm of butterflies, anyone? And being one of the most badass heroes among them? And Adrian brings his drawings to reality, which doesn't seem all that valuable in combat on the surface, but in execution lends Adrian a versatility that others don't have.
As far as the plot goes, the fact that the story plays with superhero archetypes meant that I was looking for a predictable/archetypal story structure. In my head, it should have gone thus: Book 1 = ends with Nova being found out, Book 2 = consists of heroes vs villains with Nova and Adrian on opposite sides, and Book 3 = Nova and Adrian realizing the hero/villain conflict of their parents' generation doesn't have to be their story, and find a way to come back together to navigate a path of their own, joined by others their age from both sides.
That's not what I got.
I read these all back to back, so it all kind of runs together in my brain (especially since I listened on audiobook), but iirc Nova isn't even suspected until Book 3, and even though she's arrested, she's ultimately acquitted in short order. She's not TRULY found out until the finale.
The FINALE.
She then proceeds to stand by while Adrian is quite literally tortured, flayed even, with hardly a word of protest. It turned my stomach to know that this girl I've come to enjoy so much suddenly lacked any spine whatsoever, and it was enough for me to feel like Adrian's quick forgiveness after wasn't actually earned. Nova ends the story still in a moral deficit, which was kind of lazy. Like-- why.
I also expected Nova to grow into her own identity, as she starts of executing someone else's plan to infiltrate the Renegades, and then ends up crafting her own plan when she's suddenly required to maintain the facade longer than expected. In my mind, I expected her to actually take on a role of authority, but any time she's undermined or in conflict with other villains she shrinks back into obedience. When she finally acts to her own morals, it's not because she's grown and gained unique experiences, but because it turns out her uncle lied to her about the deaths of her parents and baby sister Evie.
Speaking of, what REALLY gets my goat is that the most interesting twist on the story, the thing that would have 100% redeemed this story if it had been explored in the main text, happens in the EPILOGUE.
See, there's this character we meet in the same scene we meet Nova. Nova is on the street during a parade, and a young pickpocket tries to steal her bracelet-- the last token Nova has of her parents, her most prized possession. The pickpocket turns out to be Maggie, codename Magpie, a Renegade who has a talent for identifying and unearthing valuable items. From then on, Nova positively loathes Maggie, and the feeling is mutual. They hate each other's guts, and can barely be in the same room without fighting each other.
It's actually quite refreshing that Nova doesn't suddenly lapse into mother mode, as other stories may be wont to do. Two girls hate each other-- it happens! And it's 100% in character on both girls' parts.
But here's the thing: in the finale, Maggie is revealed to be Evie. You know, Nova's murdered baby sister whose death motivates every one of Nova's actions for three whole novels? Yeah. That Evie. No one knows, not even them. Maggie was delivered to an orphanage as an infant, after her parents were found murdered and her older sister missing, never to be heard from again. Maggie grew up hoping that her sister would re-appear and claim her, but she's abandoned that dream-- she's far too cynical and streetwise for that.
But imagine. If the story had let Maggie and Nova learn the truth... How would they reconcile? Would they believe it? Would they eventually come together and love each other like they always dreamed of doing? THAT would have been 100% more compelling than the lukewarm commentary of the hero/villain dichotomy that we got. That could have easily been the main focus of Book 3.
Ugggggggghhhhh... it makes me want to tear my hair out.
Especially because there's been no mention of Marissa Meyer of returning to the world of Renegades.
On a side note, as a kid I had a habit of fancasting the characters in almost every book I read. I've mostly grown out of that, but this series did have a character (Nova's uncle) that instantly put an actor in my head-- Phil LaMarr, who I know predominantly as Malefic J'onzz in CW's Supergirl. Nova's uncle Ace had such a distinct presentation and delivery that LaMarr's face was the only thing that popped into my brain. (And in casting LaMarr, it would suggest that Nova would be black or at least mixed race, which opens up a whole world of wonderful casting choices.)
So-- yeah. Any story where the most interesting and compelling plot twist happens in the epilogue is certainly on the struggle bus.
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katnissgirlsmakedo · 10 months
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tlh characters as pixie hollow fairies:
cordelia- TINKER BELL. her savior complex is insane… girls who are constantly getting into Situations… however in terms of aesthetics she is sooooo fira to me. dude just trust me idk
alastair- vidia core!!!! cunt realness…. could soooo do vidia in the great fairy rescue.
lucie- do y’all know my buddy prilla. anyway literally lucie is so prilla… she’s also very silvermist in a way if you want a more well known fairy
james- kinda terrence core in the sense that he’s like. ken coded. nobody fucks with ken. james is superfluous to the appeal of the last hours. etc. sorry he’s literally a main character i’m being a bit mean but like. be serious who is reading tlh and going wow james is so interesting he’s the best character here! like no one is doing that we are here for cordelia… also he’s kind of fawn core
christopher- he is sooo bobble. guy with his silly little inventions and stupid glasses…
anna- incredibly rosetta to me in the sense that she is getting sooo many bitches. rosetta obviously is like the token girly girl though which is. the opposite of anna. but just trust me that they’re like. they’re very cuntslay in the same direction
thomas- he’s giving lily… he could sooo do lily and the pesky plant. or periwinkle or iridessa maybe. idk. i’m sticking with lily!
matthew- could do do zerina of the pirate fairy fame. don’t even need to explain myself here it’s so clear so obvious so true and real
ari- rani swag!!!!! remember when she cut off her wings so she could swim with the mermaids and get that. hair comb? whatever she was getting from the mermaids that they needed to save mother dove. anyway when rani did that…. ari soooo has that swag. just trust me!!!!!
grace- vidia swag!! again. she also gives a bit of periwinkle in an aesthetic sense. and also because EYE love her…. oh what about the cunty little winter fairy debby ryan voiced… spike! yeah that’s grace
jesse- hm. somewhat fawn core. maybe a little queen clarion realness. basically he is the embodiment of calm and patience under pressure. slay!
ok hope everyone enjoyed this incredibly niche post for an audience of just myself 🫶
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