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#also man do I miss Crowley
pommedepersephone · 5 months
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Just a few thoughts after talking with @ineffabildaddy about my favorite angel.
If the Bentley is an extension of Crowley, the same can be said about the bookshop as an extension of Aziraphale. The bookshop physically embodies a few characteristics of Aziraphale:
deep curiosity and a thirst for experiences/knowledge
an appreciation for language and metaphor and symbolism
desire for a place, for belonging
The first two characteristics are actually traits shared by Crowley and Aziraphale. Both are curious creatures, who enjoy the experience of existing on earth. But their shared appreciation for language, metaphor and symbolism is critical to their relationship, because they communicate with a complicated language of words and actions that is coded to be understandable to only them. 
But, the desire Aziraphale has for a place to exist isn't just about himself - he wants a place to exist WITH Crowley. It is cannon that Aziraphale's shop is an embassy of Heaven, which is likely how he justified its existence. Up until the Armagedidn't, this means he cannot stop Heaven from party crashing.
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But, and this is a IMPORTANT, he CAN keep Hell out. While we know that Heaven is a threat to both Aziraphale and Crowley, both of them spend most of their history worrying about their own side. In the bookshop, Aziraphale can create a safe space for Crowley from Hell.
Stop and let that sink in.
For hundreds of years, the place that is most important to Aziraphale does not actually protect him from what he perceives as the greatest threat to himself - it instead provides protection from what he perceives as the greatest threat against Crowley.
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In season 2, it appears that Heaven no longer has a carte blanche to enter the bookshop, meaning that for a brief they really did have their own safe place. But from the arrival of Jimbriel, the bookshop is besieged by both Heaven and Hell until they both quite literally breach it.
So when Crowley says "You can't leave this bookshop" and Aziraphale tells him "Oh Crowley, nothing lasts forever" - whatever you think Aziraphale is asking of or hinting to Crowley in The Last Fifteen - remember his decisions are based on his terror over the fact that the bookshop was always meant to protect the one being he loves and cares about more than himself, and it is No Longer Safe.
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stackthedeck · 2 years
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omg i checked out your blog because you reblogged my post with some tags, I checked your AO3 and i'd read one of your good omens fics before. i was like omg is it the one where Jack and Crowley do shots together…..YES it is
Lmao the good omens to daredevil pipeline what are Aziraphale and Crowley if not Matt and Foggy in a different font
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harunayuuka2060 · 2 months
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Professor Trein: I've never seen your classmates- I mean, your students this behave.
MC: They just value their lives, professor.
Cerberus: Grrr...
MC: Oh. Is there anyone trying to cheat?
Random student: !!! *immediately rips off his cheat sheet*
MC and Professor Trein: ...
Professor Trein: Can I borrow Cerberus for my history class later?
MC: Sure thing, professor. But how about, Lucius?
Cerberus: Grrr...
MC: Aww~ Look at you, Cerberus! You're such a good boy! Be good to Professor Trein and his cat, hm? I'll play with you together with Lucifer after you finish your task. *pets him*
Cerberus: *wags his tail*
The students: *thinking* Curse Crowley...
Barbatos: Great work, MC. Here's your Hell Coffee.
MC: Thanks. *takes a sip* Ah.
MC: So bitter.
Barbatos: *chuckles* It's more bitter than before, isn't it?
MC: *smiles* Yes. *then their face saddens*
Barbatos: Is there something wrong?
MC: I just missed Luke and Simeon.
Barbatos: Hm. Then why not invite them here?
MC: ...
Barbatos: Don't tell me you have forgotten that you possess the power of the Ring of Light?
MC: ...
MC: *facepalm* Yes.
Barbatos: *chuckles* I figured. Now, don't sulk and enjoy your recess.
MC: Thank you, Barb.
MC: Vil... What are you doing here?
Vil: I've heard from your demon butler that you are turning yourself into an angel to gain access to this Celestial Realm.
MC: Yes?
Vil: I must see what you will look like, potato.
MC: ...
MC: Okay. I think it'll be fine if you're the only spectator- Lilia, what are you doing here too?
Lilia: Same reason. *while holding a camera*
MC: ...
MC: Whatever.
Solomon: *chuckles* You're famous even here, huh?
MC: More like infamous, but yeah. Anyway, Sol? Mind lending me a hand?
Solomon: No problem. *uses magic to change them*
Vil and Lilia: *in awe; also Lilia not forgetting to snap pictures*
MC: Okay! I'm ready to get my baby!
Solomon: And your other husbando.
MC: Right. *breathes in*
MC: I am the magician, MC…Ring of Light! Heed my words! Open the way forward and create a path where there was none!
MC: Unlock the Gates of the Celestial Realm!
Vil: Ugh... Everything is bright! I can't see a thing!
Lilia: Good thing I have my sunglasses.
Vil: *frowns*
*The light disappears after a few seconds and MC as well*
Solomon: Yup. I'm sure they are in the Celestial Realm right now.
MC: ...
Simeon: ...
MC: *ended up straddling him*
Simeon and MC: *both blushes in embarrassment*
MC: I am sorry!
Simeon: *chuckles* I thought for a second that I had committed a sin.
MC: Come on now. You're calling me a sin?
Simeon: *chuckles again* No. I mean, I have been thinking of you for a while.
MC: *smiles* Sorry for being gone. I got into some sort of... unexplainable event.
Simeon: Oh?
MC: By the way, is Luke here? I'm here to invite you and him to this new world I'm living in.
Simeon: Is it similar to Devildom?
MC: No. It's a bit similar to the human world, except with magicians.
Simeon: Oh. *smiles* We would love to be there.
MC: Great!
*Back to Twisted Wonderland*
Diavolo: Simeon! Luke! I'm so glad to see you again!
Simeon: *chuckles* We're glad to see you too, Diavolo.
Luke: Yeah!
Lucifer: I'm surprised you easily got permission, MC.
MC: What permission?
Lucifer: ...
Simeon: MC snatched Luke in front of Michael. *laughs*
Luke: *giggles* It was fun when the other angels started to chase us!
Lucifer: ...
Lucifer: MC, why you-
MC: It's my parental rights, Lucifer.
Lucifer: ...
Malleus: That is your son, child of man?
MC: Yes! Isn't he adorable?
Luke: *staring at Malleus and wondering if he's a demon*
Malleus: How old is he?
MC: Um. He's ten. Yes. He's ten years old.
Luke: *pouts* MC! I'm over a thousand years old!
Malleus: ...
Malleus: What? You are older than me? *squints his eyes*
MC: Mal, don't. *knows that he's judging his height*
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melbatron5000 · 1 month
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It's a 2-man Con
Listen, I think I know a thing.
When Aziraphale comes back from talking to the Metatron and is telling Crowley about being an angel, we've all heard the theory that he's speaking code, trying to ask for help. The more I look at that scene, the more that theory tracks.
Maybe less well-known is the theory that Crowley didn't miss a damn thing, he's answering in his own code. And again, the more I look at that scene, the more this also tracks.
(When my husband, annoyingly observant beloved partner that he is, saw the second season for the first time, he said, "That whole thing was a show for the Metatron. They have a plan. Crowley slipped something to Aziraphale when he kissed him." And I said, "Nah." But now I think he's right, and damn if he isn't smug.)
I'm gonna try to break down what I think they're saying here, because it takes just a hot minute to piece it together. I've been thinking this over for a couple of months now. I think I have most of it. I just don't know when Crowley puts whatever he's handing to Aziraphale in his own mouth. I need more eagle-y eyes, it seems.
First, Aziraphale comes back from his talk. He's pensive as he crosses the road, and anxious when he starts talking, and mouths "I need help!" as he's talking. He's acting like he does when he lies to the other angels, and once it's seen "I need help!" is pretty clear.
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He does the whole thing about telling Crowley he could appoint him as an angel, like old times, but even nicer. It's all very uptight and not positive at all. My interpretation? "The Metatron is here, I think he knows we're up to something, we have to go to Heaven right now and put things right before he really does something awful to one or both of us. The time to spring the plan is NOW."
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Crowley stares at him. At first it seems like he's staring in disbelief, but if you really look at his face, he's listening, hard, and interpreting as fast as he can:
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He asks Aziraphale if he told the Metatron where he could stick it, then. My interpretation? "The plan has changed. I can't go with you to Heaven. You'll have to go alone."
Then Crowley starts his confession -- "We've spent our existence pretending we aren't."
Aziraphale looks at him -- not with shock, or surprise, or love, or hope, but with a "Why are you doing this now?" face. Not "Why did you wait til now to tell me, you love me, oh, I love you too!" But "Why are you telling me SOMETHING I ALREADY KNOW while our ENEMY IS LISTENING??" :
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He's confused, but also listening and interpreting. What I'm hearing/seeing: I don't think this is a love confession from our demon. I think they are both well aware they love one another. They can't say it in so many words, and it's a secret from Heaven and Hell, but it's not a secret between them. I'm hearing Crowley set the scene. "The Metatron either wants us together in Heaven under control, or separated. I have things I have to do here or the plan won't work, so we'll have to separate. We need to make it look good. I do love you."
I don't think Aziraphale likes this change of plan. And Crowley can't detail why the plan has changed, not with the Metatron listening. So Aziraphale insists, come with me. The plan we had will work. Do it my way. Crowley says, "You can't leave this book shop." It's easy to interpret that as "You can't leave me," but I don't think it's that. He's saying something about the book shop being safe, or even that he can't leave without whatever they've hidden in the book shop. (I THINK THEY HID SOMETHING IN THE BOOK SHOP!) Aziraphale says, "Nothing lasts forever." I hear him saying the book shop is no longer safe, and they have to move/take whatever they've hidden and they can't speak freely there anymore.
Crowley replies, "No I suppose it doesn't. Good luck." He's gotten that much, but he is still set on his "We need to fake a break up because I can't go with you."
Aziraphale still doesn't like that. "Come back! I need you!" He's scared. Whatever he has to do in Heaven is big, and scary, and he needs and wants Crowley with him. He does not want to go into the mouth of danger alone.
This is when we get, "No nightingales." What I'm hearing? ESPECIALLY since if you listen, you can hear a LARK sing as Crowley goes out the door? It's the line from Romeo and Juliet, by Shakespeare, whose plays they both enjoy, though Crowley prefers the funny ones. "It's too late, that's a lark singing the dawn, not a nightingale singing to the night, we have to part. Our happy ending isn't yet."
Then the kiss. I do not believe this is their first kiss. I don't believe they've allowed themselves many, maybe not even more than one, but I do think they've kissed before. I'm not sure when, but I suspect 1941. (Season 3, come ON!!)
And when they part, Aziraphale stops himself from saying "I love you," and instead says, "I forgive you." I'm hearing so many things in that "I forgive you." I forgive you for leaving me on my own, I forgive you for hurting my feelings like this, I forgive you for changing the plan without telling me, I forgive you because you are forgivable whatever anyone else says, I forgive you because that's what I said when we split up at the bandstand and everything was okay in the end and I hope hope hope that everything will be okay in the end this time too.
Crowley says, "Don't bother." I'm hearing, "yeah, I hope it's all okay, too. Wish me fuckin luck. My part will be hard, too."
And as Crowley leaves, Aziraphale mouths, "No." And we hear a lark sing. A lark, singing to the dawn, and so fair Romeo must away.
Just because the break up is a ruse, doesn't mean it doesn't hurt and isn't hard. It has to look real, and so it's going to feel real, too. Ouch. :'(
And then Aziraphale touches his lips. Not once, but twice. My bad, he only touches his lips once. The first long second is pure emotion. "Why now, I hate this, I want that so badly and I can't have it."
After that, though --
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After he pulls himself together a bit, he has a bulge in his cheek. He shifts his jaw to move whatever he has in his mouth to his lips, and then his first two fingers go stiff for a moment as he palms something right before he takes his hand away.
And then, this.
Edit to add: someone on Facebook asked me why a kiss to pass whatever Crowley gave to Aziraphale, why not palm it or drop it in his pocket?
My answers: 1. The kiss is a message. "We're still good, I still love you, I still want this." 2. The item is too important to be dropped in a pocket and hopefully found later. 3. The Metatron is paying WAY too close attention, and will definitely see them touch hands. Seeing a kiss and the angel rejecting the demon, though? Well, the demon forced that kiss on him, the angel didn't want it. Clearly the demon thinks this relationship is different than it is. It's a bigger gesture that sells the ruse. 4. Houdini's wife used to pass him the keys to his cuffs with a kiss before the show. This is a message that magic-loving Aziraphale WILL understand: here are the keys to your cuffs, sneaked to you by your beloved in plain sight.
That's it. That's what I got so far. I still have questions.
What did Crowley pass to Aziraphale? What's the plan? Why did it change? What does Crowley need to do that he can't go to Heaven again?
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rayroseu · 1 month
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5th Anniversary Diasomnia Crumbs!
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OKAYY FIRST OFF THE GROOVY 😭😭✨💖💞💖💞 CROWLEY AT THE CENTER YAAAAASSS!!!! YANA TOBOSO IS VERY YASASHI NO DE FOR DRAWING HIM AS THE FOCAL POINT WUAIDYOAHKH🗣️🗣️🗣️☝🏻☝🏻✨💖💞💝🙏🏻🙏🏻🙏🏻
Also WITH THE RAMSHACKLE GHOSTS... I was prepared that they might not be included in this groovy but they're here!! 😭💝✨ They're here and happy with all the faculty members!! I'm!!! I LOVE THIS ARTSTYLY BECAUSE IT MAKES EVERYONE LOOKS SO SOFT,,, Goodbye,,, Yuu found family group picture finally happened,,, I can die in peace 😭😭🙏🏻🙏🏻💖💝💞💝💖
ALSO Vargas trying to strike his best pose that highlights his flexed muscles brilliantly DESPITE being at the corner of the group pic is everything, PEAK CHARACTER COMPOSITION, he looks so content that hes not even aware that Trein is just so done at him, he barely even smiled lol 🤣
Faculty teachers are so silly this is everything I've ever wanted 😭💝💖💖💝💖💝
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I'd like to remind that in 4th Anniversary, the feast happened as per Crowley's curtesy 🥺 The fact that the catering of the party is focused on meat and Grim is waving a barbecue is a nod to that 😭🙏🏻✨
Also love how Crowleywas in charge of the 4th Anniversary because the 4th year is the last year you'll get while studying in NRC!! So it feels like he's sending us off to an unknown realm or whatever because we're out of candidates to guess who'll be the groovy for 5th Anniversary XD (plspslpslsmeleanoranddawnandbaulcmoncomnonnnkahs)
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Not these bunch having a group pic again halfkwhdkhsj Their poses are so in character XD Of course Vil is still flawless even at the back and Malleus has the most normal pose because he's not accustomed to cameras 🥺✨✨
Hopefully I'm wrong, but I really do hope they do an animated pv for 4th Anniversary as well and not just a call back video for the released cards... 😭😭
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EYESHADOW FLAWLESS EYELINER ON FLEEK LIP GLOSS STUNNING THAT CLASSIC SMIRK WITH FURROWED EYEBROWS THAT LOOKS LESS LIKE A SMILE AKDHKSHD He is perfection He does no wrong 😭😭💖💝💖
OKAYY NGLL i missed seeing new art of Malleus... I'm so glad he's back 😭😭 and beautiful than ever 😭🙏🏻🙏🏻
I love how they drew his lips here!! ✨✨💞💞
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I'm so excited for this to be translated actually 😭😭🙏🏻✨✨ I love more silly stuff from TWST lol
Laughing at this cover though,,, NOT EVERYONE BEING GIVEN TUNA CANS FROM GRIM,,, OMG
Are we finally having the tuna can lore and why its Grim's favourite food this year?? OMGONGDKS😭😭
theyve been highlighting that nowadays... I feel like tuna cans will never be the same once Book7 or 8 even leaks something about Grim 😭😭
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Babes wake up, new diasomnia family photo just dropped ‼️‼️😭😭😭💚💚💚
Lilia is so adorable kahdkhwd Not him holding a can upside down 😭🙏🏻💞💞💞 never stop being silly old man,,, 🥺🥺 💖💖
His :3 is my everything,,, 💞💞🙏🏻🙏🏻💝💝✨✨✨
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dotster001 · 4 months
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How they Get You under the Mistletoe, Part Two
Summary: Staff and Non NRC students x gn! Reader
A/N: IT IS 11:54 ON DECEMBER 25TH, SO I FINISHED THIS ON TIME LET'S FUCKING GO!
Part One
CW:It's in my pinned post, and I've mentioned this in a couple posts, but if this is the first of my stuff you've read, I view NRC as an actual college, so reader here is 18+. If it makes you more comfy, imagine it as grad school age. Also, use of alcohol in Crewel's part.
Dire Crowley
Rage Bait
The ghosts thought they were helping. They had decorated Ramshackle, and you were having a holiday party before your friends left for winter break. But they'd also put up mistletoe. And every time you tried to take it down, they'd float up and move it farther out of reach.
“Surely there's a special someone who'll be here tonight,” one of them said with a giggle.
“We just don't want you to regret not making a move, when you're our ages,” another one said with paternal softness.
You grumbled and stormed back over to the party, which was quickly getting out of hand. The later it got, more people showed up, and now there were more strangers than friends in your living space. And as though that wasn't bad enough-
“Prefect!”
You groaned when you heard the headmage’s voice. You turned around from the broken glass you were sweeping up, and sighed.
“What can I do for you, headmage?”
“I consider myself very generous, and can overlook a simple celebration, but this is out of hand.”
“Yah think?” You shouted, gesturing at the fight that had just broken out in the corner.
“How do you plan to shut it down?”
“I'm working on it!” You snapped, walking away with a dustpan full of glass, ready to sweep up the newest disaster.
“I have an idea,” he said, half a step behind you, not missing a single beat, despite the crowd doing its darndest to separate you.
“What is it?” You said, only half listening as you set down the dustpan.
He grabbed your arm, yanking you to the side.
“Kiss me,” he said with a wicked grin.
“What the fuck!”
He smirked even deeper, pointing up. And there was the mistletoe from earlier….but you could have sworn it was over there….
You made eye contact with one of the ghosts who winked at you.
“H-how is that gonna help?” You stuttered.
“Surely, your peers would find it unsettling to see the Headmage kissing his lover.”
“Lover?” You rolled your eyes. “You're not my lover-”
“But you'd like me to be,” his eyes twinkled.
“You don't even give me enough money to reward Grim when he actually passes a test.”
“Doesn't matter. I'm a handsome man. You can't say you're resistant to my charms.”
You pulled out of his grip and snapped.
“Oh please! If I was going to go for any of the staff, I'd go for Crewel!”
“Really?” His eyes narrowed. “Perhaps you're too scared to kiss me.”
“What!”
“You're worried that if you kiss me, you'll be forced to accept your feelings.”
“Shut up!”
“I'm a very generous lover-”
You slammed your lips against his, angrily. He kissed back with just as much force, his hands twining in your hair. The anger turned quickly to passion, and you were soon overwhelmed by the feelings inside you, shoving him away from you as you pressed your hands to your open mouth in shock.
He smirked, and you realized no one was in your dorm, except Ace, who was staring in complete disgust.
Divus Crewel
Double dog dare you
Vargas and Sam were both drinking with Crewel at the staff holiday party. It was meant to be a calm relaxed evening. But you'd shown up to interrogate the Headmage about something, and now Sam and Ashton were acting like fools.
“C'mon, man up!”
“We know you want to.”
“Gentlemen, please, let's be professional,” Divus grumbled as he threw back his glass.
“They aren't in your class anymore!”
“And my friends say that they are head over heels for you.”
“C'mon man up!”
“If you say man up one more time!” Divus scowled.
“If you don't, he will,” Sam snickered, pointing at Crowley, who did, indeed, seem to be trying to huddle you over to the mistletoe that someone had decided to put up for some reason. Though, the longer Crowley was shifting you, the clearer it became that this was a malicious plot.
“I dare you to swoop them up from under his wing, and give them a kiss they'll never forget,” Vargas said childishly.
Divus looked over at you, snatched Sam's drink, chugged it down, then stormed over to the both of you, buoyed on by the cheers of his friends.
“Scuse me Headmage,” he slurred, yanking you to him and kissing you sloppily.
When he woke up the next morning with a killer hangover, he would have thought it was all a dream. Until he saw you sleeping in a chair by his bed, holding a bucket full of vomit.
Mozus Trein
The Parent Trap
He'd invited you to the holiday party at his estate in the country. He thought it would be a low key way to introduce you to his daughters. If you got overwhelmed, you could blend into the crowd, or hide in his guest room upstairs, and no one would even notice you'd slipped away.
His daughters were a little too excited that he was dating again.
“Papa, you gotta!”
“It would be so romantic!”
The good news was, they liked you. Unfortunately (fortunately?) they might have been a little too excited.
“I'm not going to pull them away from the party, just to kiss them under a leaf,” he said with a glare.
“Don't worry, you don't have to pull them away!” Ania said with a smile, pulling out her magic pen. Unfortunately (fortunately?) Ania was incredibly gifted with flora magic. Materializing mistletoe above the two of you would be simple.
“I absolutely forbid it,” he hissed.
“Y/N! Over here please!” Darleen called to you. You politely excused yourself from the conversation you were having, and walked over to the group, eying his children nervously. Your gut instincts were definitely right.
“You don't have to-” Ania covered Trein’s mouth with her hand, giggling excitedly.
“What's going on?” You asked, eying him in concern.
“Just stand right there!” Darleen said, both daughters taking three steps back, before Ania quickly muttered a spell. You looked up and saw the mistletoe, your eyes widening. You looked over to his daughters, but they were already running away, hiding in the crowd.
You looked at Trein, feeling your cheeks warm as he stared at you with an empty expression on his face.
“We don't have to-”
He said, gently taking your hand in his, caressing the back with his thumb.
“I would be a fool not to accept this gift,” he said, sounding bitter, but there was light in his eyes. You smiled softly, and he leaned in and pressed a gentle kiss to your lips.
Ashton Vargas
Decoration Team
He'd somehow tricked you into decorating the employee lounge with him. You always thought he was more brawn than brains, but this wasn't the first time he'd tricked you into manual labor, so maybe you were the dumb one.
“Hah! Good work!” He slapped your back affectionately, and you stumbled into the table you were decorating, causing a couple of the tchotchkes you'd just placed to tumble forward. You frowned, and sighed, but he laughed again.
“Forget the table. I need you for something,” he snatched your wrist, dragging you to a corner of the room. Then, with absolutely no warning, he picked you up, and placed you on his shoulders. You gripped his head, absolutely terrified that you'd tumble.
“Don't worry. I got you. That's why I built up these muscles!” He momentarily let go of your left thigh to flex. This did not ease your panic.
He reached into his pocket and handed you something.
“Hang that on the ceiling right above ya! Let me know when you're finished.”
You stared at the mistletoe, and sighed. The sooner you put it up, the sooner he'd put you down.
“So, uh, is this a popular decoration for a staff party?” You asked, trying to ease your anxiety through conversation.
“Nah.”
“Nah? Done, by the way.”
He gently let you down from his shoulders, then turned you to face him.
“This won't get much use at the party. This decoration is for my….personal…enjoyment,” he purred as he took your chin in his hand.
Sam
*Gasp* you tripped!
Sam's shop always had weird things. But definitely the weirdest thing it had at the moment was the out of control mistletoe bush. A student had bought it, tried to cast a spell on it, then promptly returned it when he realized it was growing beyond his control. Normally, Sam had a strict no return policy. But he'd stared at it for moment, then agreed to the return.
It was the end of the night, and he was finally getting around to fixing it. He was simply staring at it, trying to puzzle out how to clean it up. You were staying far away. Partially because the monstrosity the mistletoe had become was horrifying beyond the realms of imagination, but also because….
You know…
Mistletoe.
Not that Sam wasn't unbelievably attractive. It just would be awkward if you both ended up near it. And Sam was a professional. He'd probably just laugh lightly and send you on your way. But still…it would be awkward.
Right?
“Sam,” you said, but he was so engrossed, he didn't hear you.
“Sam, I'm gonna clock out-” you had taken a step forward, but tripped over what felt like an outstretched leg, right into his arms.
“Ah! Are you alright, my little imp?” His voice sounded concerned, but the expression on his face didn't quite match.
“Y-yeah,” you said, trying to pretend you didn't notice just where you both were standing. He looked you up and down, rubbing your arms, as though looking for any injuries.
“You're certain?”
The mistletoe creature thing wrapped around the two of you, and you stiffened as you were pushed closer together. You tried to keep your mind off of the muscle you were feeling under his clothes.
“I know how to fix this. But should I?”
“Huh?” You gasped, mildly horrified about the implications.
“I can get out of this easily, but I could leave you as a sacrifice to the mistletoe.”
“What!”
He snickered. ��Or we can make a deal.”
Uh oh. You've seen him do this to other people, but never to you….
“Sam, you write my paycheck. You know I don't have any money to give you.”
“I don't want money. But you do have something I want,” he leaned in so that your noses were pressing together. “I'd like your heart. Think that's a deal you can make?”
Neige le Blanche
Marketing Campaign
After the SDC, Neige had pushed to get his manager to take you on. And now you were a notable up and comer, doing projects with Neige.
This campaign was for a cologne. It was winter themed, with hints of cinnamon and cloves, and Neige was to be the figurehead of the campaign. But he'd been insistent that you be his partner in this ad. You hadn't tested the product, you hadn't received a script or any information, other than the fancy outfit you'd been given for the photo.
Your manager was quickly giving you the rundown as hair and makeup worked on you, and you were just kind of nodding along, until,
“Wait, say that again?”
“You're going to be kissing his neck while you stand under the mistletoe?” Your manager said.
You stiffened, earning a scolding from your makeup guy for wrinkling your forehead.
“I know it's a big jump for his image, but your face will be at an angle, so you might not be associated with the image cha-”
“Does Neige know about this?” You asked, your voice squeaking a little.
“Yes. Of course he knows,” you manager rolled her eyes, before continuing with the brief.
Your manager continued briefing you, but you felt light headed and couldn't focus on her words.
Now that you were on the photo set, you stood stiffly waiting for the photographer to pose you.
“Sorry, Y/N, I meant to tell you about the shift in my image, but I forgot.”
Would it be unprofessional to say that it wasn't the image shift that had you tense?
“Don't worry about it, Neige,” you tried to laugh it off, but quickly you were being positioned for the photo, Neige tilting his head back, fully exposing his neck, where it was implied that he had used the cologne from the campaign.
You were positioned with your lips pressed to his neck. You really doubted you even needed makeup for this shot, your face was barely visible, but whatever.
“I'm really sorry, Y/N,” he whispered, barely moving his lips as the camera whirred.
“Don't worry about it,” you whispered into his neck.
“Alright, slowly kiss up his neck, then you're gonna grab his hair and kiss him. Slowly. We want to do this in one take,” the photographer said. You felt your cheeks grow warm, and you made eye contact with Neige, whose cheeks were slightly pink.
“Sorry,” he breathed hoarsely.
“It's fine,” you whispered, following instructions, slowly, and kissing him, the taste of apples invading your mouth.
“Got it!” The photographer shouted, and you both separated quickly.
The photographer grinned at the photos on his camera, then raised that smile to you, giving you a wink.
“You were right, Neige, they were perfect for this one!”
You turned to Neige, your eyes wide, and you noticed he was heavily avoiding eye contact, his face bright red.
Rollo Flamme
Purity check
Can you tell from how I write him that I have religious trauma? 😂
Now that you'd been studying at NBC for a semester-long exchange program, you realized how close you'd grown to him. But still, sometimes you felt like you needed him to back off. You weren't a child, you could do what you wanted. Including-
“It's none of your business if I made out with someone!”
“There are rules to be followed on this campus. I don't know how they did things at NRC, but we have standards here.”
“Look! I didn't make out with anyone! And if I did, I don't need to tell you about it!”
You both glared at each other. He broke first.
“Come,” he said, grabbing your arm, and pulling you to the corner of the room where the mistletoe hung. He shot a glare at the couple that was using it, and they ran.
Come to think of it….this whole party was illegal. Why was he zeroing in on you? How was that fair?
“Kiss me,” he demanded.
“What!” You shouted, and his glare deepened.
“If you're worried about appearances, we are under the mistletoe, so it would be socially acceptable.”
“That's not-”
“Kiss me, and prove that you haven't been illegally kissing someone while at an illegal party,” he looked so fucking smug. Like he knew he'd won.
“How is that going to prove-”
“I'll taste someone on you. If you have nothing to hide, you have nothing to fear.”
“Everyone here is kissing people-”
“You're here to purify you from those mage’s poison-”
“You're insufferable!”
“Please just kiss him!” You'd forgotten the vice president was with him, too caught up in the anger you were filled with. “If you just do it, we can all go home! Please!”
You both glared at each other, then you sighed, and kissed him. When you pulled away, he pursed his lips, eying you up and down, his cheeks dusted in pink.
“Return to your dorm within the hour, and you won't receive detention.”
And then he waltzed out as though nothing happened.
Chenya
…I'm praying for your soul….
“Mwahahaha!”
You stiffened. You knew that laughter. He was here. You'd locked every door and window, just in case. You'd told him you were spending a quiet night in, when he'd stolen Ace's phone to text you. And you intended it to stay that way.
But that voice was nearby…
You grabbed a throw pillow from the sofa, preparing for the moment he would appear.
You felt something smack you in the face. You looked at the thing that hit you, that had fallen to your feet. You picked it up, rolling it around in your hands, before your eyes widened.
“Mwahahaha!”
“Wait…” you whispered, the implications of the mistletoe in your hands finally hitting.
The mistletoe was yanked from your hands, by an invisible monster. It reappeared above you, then a mouth was on yours. He tastes like stolen strawberries, and one too many desserts. The lips left yours, and you felt him disappear again. Then his tail appeared, wrapping around you, as you felt him set his chin on your shoulder, a purr making your heart rate calm.
“Mmm you're delicious. Glad I stole that little toy from Riddle,” he giggled.
“He doesn't know you're here, right?” You whispered.
“Hee hee,” he vanished with that giggle, as you heard.
“Y/N L/N! Relinquish the thief!”
....
Tag list- @shytastemakerthing @eccedentesiast-sapphic @leoll @stygianoir @lucifer5lucy
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nikkashidashipper · 2 years
Text
WHY IS HE SO FUCKING MEAN TO CAS ALL THE FUCKING TIME BITCHBOY I COULD BEAT UR ASS HOLY SHIT DUDE ST.OP
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blackopals-world · 11 months
Note
Your Implied relationship Twisted Wonderland fic was so good please have a part two where the bys come back to visit and find out she has a son. Also her son finds out she´s the missing princess in the books she wrote. This is SO GOOD O MY GREAT 7 PLEASE PART 2! PART 2!
Okay Okay! I'm listening!I'm listening!
I Found Home
Part 2
(part 1)(part 3)(Part 4)(part 5)(Part 6)(Part 7)(Part 8)
Implied relationship
Yuu x twisted cast
Implied relationship in the first half.
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Yuu opens the door to find...
Yuu took a deep breath as she opened to door hoping that she heard correctly. She knew that voice anywhere.
"Henchmen!" A ball of grey fluff barreled into her.
"Grim?!" She gasped as the air was pushed out of her lungs.
She had to be dreaming.
What a cruel dream this was. To see her Grim again would mean crossing over to that world but leaving her Grimm behind. How cruel, how impossible.
"Yuu!" The cat cried rubbing his furry form against her in affection. Every so often headbutting against her face.
"Oh Grim." She sighed tearfully wrapping her arms around him " How did you get here?"
The cat familiar pulled away and smiled smugly.
"Obviously, you can never leave me behind. The great and powerful Grim created portals to countless domains." He proclaimed.
"By which he means we created a portal to find you." Another voice entered.
The feathered cloak and bird mask told her everything she needed.
"Crowley." Yuu gasped.
Once upon a time, she hated his guts but in time she understood him. In the years of staying at the school she saw a side of him that others didn't. He was negligent and overdramatic but he protected her in his own way.
Crowley was true to his word about searching for a way back home for her, but he pushed her to stay. He had doubts as his research found little evidence. Not to mention the chaos going on campus. Grim and Yuu's antics didn't help certainly. Back then she thought it was revenge but it only made things harder.
During her last year asked her to remain in twisted wonderland because it would be easier than readjusting to her old world.
She saw through him. He just didn't want her to go. But a promise was made.
"Look how you've grown," Crowley said wistfully as he moved his mask. "Hard to believe it's only been a few years."
Yuu held back a laugh as she saw him. A few streaks of graying hair stood out from the black. His eyes seemed to wrinkle with the beginning of crow's feet. His job must be aging him prematurely. He definitely seemed more tired. Best not to make fun of an old man.
"Nice to see you too." Yuu said
Their reunion halted when footsteps came stumbling down the stairs. Grimm had woken up and came looking for her.
"Mama.." He called out to her rubbing the sleep from his eyes. "Mama."
Yuu couldn't speak as her son saw the strange figures in the house.
"Mama?" Grim repeated astonished, bewildered as he looked back and forth between the parent and child.
"Nina?" Grimm asked.
Answering Grimm's questions this late would be difficult without any prep. So she took the easy way.
"Honey your sleepwalking. You should get back to bed." Yuu thanked the heavens that Grim looked like a walking stuff animal.
Grimm nodded and yawn before stumbling back to his room.
"I have a grandson?!" Crowley gasped "Wait your married?!"
"Of course not, I'm too young an-" Yuu started.
"But not too young for a baby? Do you not remember what I said about protection? Who fathered your child? Who was this bastard who left you to raise this child on your own?"
"It's not like that."
"Was it one of your old 'friends'? Even if you left for your old world it doesn't absolve them of responsibility. Regardless now that the gate is open there will be no choice but to be a father to their child. Divus will have fit when he finds out." Crowley ranted taking a seat on the couch as Yuu tried to calm him down.
"No , I adopted Grimm. He's not related to them."
Crowley wasn't hearing it.
"Honestly when that boy asked for me and Crewel's blessing I knew we were right to say no. And don't lie young lady that child looks exactly like-"
"No, he doesn't!"
They argued back and forth as Grim snuck upstairs through the open door to the room that the little boy slept in.
The room was decorated wall to wall with trinkets, stuffies, and books. On the bed, the boy slept hugging a grey cat with a bow.
Grim shifted closer to examine it when a pair of eyes popped open.
"Nina?" There was that name again "You came to life!"
"My name is Grim, boy. The great and powerful magician!" Grim crowed.
"No, I'm Grimm. That's my name."
Grim paused. Yuu named him Grimm. After him. She didn't forget him. Did she love him that much?
"That's. That's a great name." He said simply as he climbed on the bed "You should sleep. Your mom has always been a stickler for stuff like that."
The familiar curled up against the boy and purred as he lulled them to sleep. Grim could accept this, his new 'little henchmen'.
Meanwhile, Yuu continued to bicker with her old guardian. Crowley wanted visitation rights, family vacations and a chance to see if his grandson might have magic. To which Yuu said no.
Grimm wouldn't be exposed to magic. Not the expectations that came with it or the people who use it. It's not a world made for him. Grimm had been through enough, he has his own trauma and she wasn't making magic part of it.
"I'm not sure you'll get a choice. Not with the gate now open."
"Grimm doesn't have magic. I won't let him be treated the way I was for it. He deserves better."
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"Mama!Mama!" Grim shouted as he stumbled down the big steps. He clung to the railing with both arms to safely.
Yuu finished had cutting up Grim's pancakes as he made it down and ran straight to her. He threw himself at her as his arms wrapped around her hips.
"Careful, sweetheart. You almost knocked me over." Yuu picked him up and sat him at the table. Grimm's seat had a cushion to make it easier to see over the table.
"Cake! Thank you mama!" He smiled picking up his fork from his colorful placemat.
Yuu held back a squeal of joy. Her baby was so so cute and so polite.
"No, they are pancakes. We change the name to make it okay to eat in the morning.
"Cake is cake!" Grimm hooted back.
Yuu didn't argue.
"Mama, I had a dream. Nina was walking and talking!"
"Oh," Yuu said not having a better response.
She had a lot on her mind. The sudden appearance of Grim and Crowley disrupted Yuu's life. She was happy to see them but...it's a lot to adjust too.
She didn't even like the idea of Grimm learning about magic. She had dealt with her own resentment in the past when she was mocked for her status. It would be unfair to make him go through the same. She's a mother now and had to consider these things.
Maybe she was making a mistake.
Grim at least got to meet his little brother. It's too bad he needed to return with Crowley for the time being. Once Yuu was sure they would be a family again. Grim will always be the exception no matter her doubts.
(From this point the story goes on to show the first meetings with the twst boys. Each will be Grimm's first contact so there won't be continuity)
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Riddle
"The Mentor"
No one believed Grim when he said he made a stable gateway to Yuu's world. All of them had tried and failed even Malleus couldn't do it. But Grim was different he had a connection to Yuu. If Yuu still had a strong connection a gateway could be made.
Grim now worked at the school helping Crowley and called everyone to deliver the news.
Riddle thought it would be appropriate to visit. He took the day off, his cases would wait one day. He had worked his way up to district prosecutor recently.
The first thing he noticed when he reached the scenic neighborhood was how peaceful it was. The house were spaced apart and it was clean. Lots of trees and gardens.
The second was one particular house where a young woman was kneading by a flowerbed. She was so focused on her roses that she didn't notice him but Riddle knew it was her. Just like him, time had changed some features. He had grown taller and lost some of his boyish looks but she no different. She was softer in appearance, glowing and matronly even. She grew out her hair but she tied it up.
Riddle reflexively straightened his suit jacket and shifted the bouquet he had brought in his arms. He wondered if she still liked these flowers.
Just as he tried to call her name a loud yelp rang out.
"Ma-ahh!" The exclamation became a wail of pain as a little boy appeared holding out a finger.
Yuu sprang up as she went to the side of a weeping boy. He had pricked his finger on a thorn.
"It okay Grimm. Don't panic, it'll only hurt a moment. You should never touch roses without gloves." She scolded gently. "You know better then that."
"But I wanted to see a red rose. So I thought if I painted one it would turn red. Like in the book." He whimpered as Yuu took out a bandage from her pocket and wrapped it on his finger.
"Grimm you know that in the story that red roses belong to the red king. And that sort of spell was done only by his loyal card soldiers." She admonished.
"Like The Ace Magician and The Spade Mercenary?" He asked.
"Yep, they had orders to do those tasks and you should ask permission to do it as well. Those are the rules. Don't you want to follow the rules?" Yuu asked.
Grim nodded quickly as he gathered his scattered paint and went to put them away like a good boy.
Riddle had hidden himself during the exchange. His mind raced. She had a son. Of course, she had a kid. Why wouldn't she? Anyone with eyes would want her. Anyone with a brain would fall for her. So seeing her married with a family is common sense.
Perhaps the flowers were too much?
"Hello?"
Riddle didn't get time to change his mind as his hiding spot was discovered.
"Hello, Yuu. I brought these for you." He tried to sound calm as he presented the bouquet.
"Riddle!" Her smile was still as warm as it was before. "Oh my, look at how tall you've gotten! You look amazing! How have you been? Come inside, I'll make some tea."
The pair talked amicably as Yuu put a kettle on. All the while a pair of eyes peeked out from a doorway. It was the boy.
"Grimm it's rude to stare. " She scolded.
"Sorry mama." He said but didn't move.
"Grimm? I bet you had to explain that one to your husband." Riddle tried to sound jovial.
"Not really, I don't have one. It just us here." Yuu smiled.
"I'm sorry."
"I'm not."
There was a tug on Riddle's sleeve as Grimm got his attention. In his hand was a book; "The Lost Princess in the Red King's Court"
"Oh, do you like this book? I never read stuff like this at your age." Riddle said taking the book gingerly. He flipped through the pages as the pictures looked eerily familiar.
Grimm leaned on Riddle as he pointed at his favorite characters.
"Mama made this. The lost princess gets kidnapped by a giant crow and is dropped far away from home. She lands in the rose garden and makes friends with a magician and a mercenary who was summoned to work for the king." Grimm explaind
The story continued. The magician and mercenary protected the princess from a troll as they journeyed to see the king. The princess meets a magic cat that she kept. (no, this isn't Wizard of Oz) When they arrived at the Red Kingdom they were bombarded with rules and when the magician was asked to kneel before the king he refused. As punishment, the magician was sent to the dungeons. The princess was the only one not locked away so she frees her friends and challenges the king. The princess pleads with the king to see the dark spirit haunting and the gang banishes it. It ends happily when the king makes the boys knights and asks the princess to stay. She denied him so he told her about a neighboring kingdom that might help her get back home.
It was an extraordinary tale that Riddle knew by heart. Even if the details were changed. It didn't mention that Ace became the next "king" after Riddle graduated. Something Yuu complained about often after the power went to his head.
"That's quite the story. You must really like it." Riddle said hand it back to Grimm. "Do you have a character you like most?"
Grimm looked over to his mom be standing on his tip-toes and whispered into Riddle's ears.
"I like the princess."
"Really?" Riddle asked.
"I tried painting the flowers because she really likes red flowers like the princess. All the flowers turned white to red and the princess liked it." Grimm said proudly.
"I have an idea. I know a way to turn roses red. I could show you." He whispered back.
Grimm squealed in excitement and bounced on his fet as he turned to him mom.
"Can we play outside mama?"
Yuu pursed her lips indecisive of what to do next. She fought off the impulse to be suspicious. She trusted Riddle but did she trust him with her son. They hadn't seen each other in years after all.
She also wanted to be a selfish and keep him to herself. She hungered for the familiarity he brought back into her life.
But the warm gaze Riddle gave her settled her mind. She nodded in agreement and watched Grimm drag him away.
From the window Yuu watched as Riddle kneeled down next to Grimm. He had forgotten about trying to keep his suit clean as he pulled out his wand and handed it to Grimm.
Yuu immediately wanted to rush outside to stop him with every excuse as to why Grimm wasn't ready for magic but stopped herself. Grim wasn't her. He wasn't going to go through what she did.
Riddle taught Grimm how to hold the wand properly and asked him to imagine red roses in from of him. Grimm asked a million questions as Riddle calmly answered.
A good mother doesn't press her fears on her child. She wasn't going to traumatize him like she was. Riddle felt the same. He wasn't his mother and never pushed Grimm farther then needed.
A bit of wordless magic later the roses turned a brilliant ruby red.
"Mama! Mama look! Magic! We used magic" Grimm was in awe of this man.
Yuu cheered along when they returned inside knowing that Riddle did all the work.
"Don't you want to give them to the princess? You know that they are her favorites." Riddle smiled kindly.
"Princess? Mama?" Grimm looked to her with a questioning gaze before recognition lit up in his eyes.
Yuu felt her face burning so red that Riddle would be jealous. Which he wasn't but he couldn't help but think it was payback after all these years for her antics.
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(This series might take a while to finish. I'm going to try to post more lengthy fics for characters)
Tag List:
@kamisatoaiko@professionalreblogs@kai200x@lianreine@loivre@jackalope08@code-roevember@growingupnrealizing@ryxmix@rainbowcake1212@blazestar0525@botswanasvetlana
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fuckyeahgoodomens · 2 years
Text
Good Omens NYCC panel recap
   - Guests: Neil Gaiman, Douglas Mackinnon, Rob Wilkins, Maggie Service, Nina Sosanya and Guelin Sepulveda, it is said that Michael Sheen will join at the end over Zoom.
About Season 1
- What do they miss most when S1 wrapped and before S2:
Douglas: All the cast and all the crew. We were very big and cuddly family.
Neil: Yeah. 
Rob: David Tennant and Michael Sheen.
Nina: Missing the mentioned family and being part of the nuns sisterhood.
- At the beginning they shared several bts stories from season 1 and the book: 
First day of shooting in the bookshop was cancelled because of the blizzard and the second day they were foreced to shoot interiors because outside there were people with flamethrowers trying to melt what was there. So they build the set of Soho 2 inside.
Rob kept a lot of the vehicles from S1 and S2, all the motorbikes, the cars, and now I have topped it with Crowley’s Bentley.
A lot of nuns including Maggie had warts, but Nina didn’t want one.
Neil about Nina’s audition (read more here).
That both Michael and David both independently suggested that he might like to write a Good Omens stage play so they may swap roles each night.
About Michael originally being Crowley (more here and here).
About Terry and Neil being Aziraphale and Crowley - Neil: In the creation of Crowley Terry took the things that I did that he thought were hilarious, like wearing sunglasses indoors when I didn’t need to. He put a lot of me into Crowley but then we both put a lot of ourselves into both of them. (here, also this).
Michael Sheen is amazing mimic, Neil recalls that during one of the final scenes he had producer headphones on, the guys were acting and sitting on the bench and all of the sudden David Tennant started saying awful things about Michael Sheen, just, you know, there’s Crowley and Aziraphale talking and Crowley is saying all this stuff about how Aziraphale is fat Michael can’t act and all the stuff and I’m like ‘Whaat?! David is the nicest man in the world...’ and then the penny drops and it’s Michael sitting there doing pitch perfect as Crowley.
About Season 2
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- What was like for Quelin to join the show:
She was a fan. The very first day was a bit like out of body experience, there was a scene where she interacted with David and Michael. So it was like, ‘Concentrate, Quelin, concentrate! It’s okay, it’s okay!’ And it was just overwhelming in the best of ways, honestly.
She plays angel Muriel. When Neil and John Finnemore talked about season 2, they realized that they didn't have another nice, well-meaning angels except for Aziraphale in Heaven, all they had were bastards, all awfull, so they thought ‘Let’s have a nice one’ and so they created angel Muriel, curious, gullible, well-meaning and chatty angel that spent 6000 filing in the same office in Heaven hoping that somebody would come in and the day would get more interesting and it doesn’t.  
She’s a 37th order scrivener, bottom of the pily, it’s her first time to Earth.
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- They felt Terry’s presence also during filming S2.
- Douglas said that they started doing the ADR post production and that the difference between David and Michael is that David looks at the monitor and whatches what he’s done and Michael never watch, so now Michael saw himself for the first time and he was like a fan doing, ‘Oh look we’re back! And there’s Aziraphale!’.
- Neil about Maggie and Nina returning: 
It was a thing where one of the things I was very very certain before I started writing season 2 that there were two characters in it and I wanted them to be played by Maggie and Nina, so in order to make it clear to everybody reading the script, that they were going to be played by Maggie and Nina, I called the characters Maggie and Nina. Maggie and Nina liked being Maggie and Nina so the names stayed. 
Douglas joked that he thought that a bit lazy not to think up new names and it was hell on set. Later he jokes that since Muriel is an actual angel name, that Neil didn’t make that one either.
Maggie runs a record shop which is beside Aziraphale’s bookshop in Soho, Mr. Fell is her landlord, shop passed through the generations. Her shop looks across shop where Nina works.
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Nina works in the independent coffeeshop Give Me Coffe or Give Me Death, she is good with dealing with people in Soho who come in, not afraid of dealing with them. Wears great cardigans. Her character is quite grumpy. There is a scene where at the start her love life is doomed and she is getting passive-agressive texts for Lindsay - Neil says writing the texts was some of the most fun they had  - maybe there will be a hope for her love life.
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- About more characters:
Neil didn’t want to lose people because they are such a family and wanted Miranda Richardson back but Madame Tracy’s story had really finished and couldn’t think of more for here and her story had ended so beautifully so he wrote a new part for Miranda - she plays Shax, demon that was sent on Earth as the replacement of sacked Crowley.
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Anna Maxwell Martin couldn’t make the filming (was in two shows and a stage play when they needed her), so Beelzebub is played by Shelley Conn. She demanded a lot more flies.
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Donna Preston plays Mrs. Sandwich, and We’we never quite sure about Mrs. Sandwich’s profession but she’s definitely in Soho.
-When Neil started writing S2:
 In August 2019 he told Amazon and BBC at fancy breakfast, ‘This is the plot.’, and they said, ‘Oh, we like that plot.’ 
In December he and John Finnemore got together and Neil told him the plot and he said, ‘That is a good plot, but how does it end’ Neil said that he doesn’t have ends until he gets there but John needed one so Neil said, ‘How about this?’ and told him the end and John said, ‘That’s a good end.’ And that is the end we’ve got. 
He started writing it in the middle of the pandemic Summer 2020, writing with pencil to his notebook the first scene which is the first scene.
- Neil what will S2 be about:
Six episodes, each about 45 minutes.
There are some love stories in it.
We will learn a lot about Jane Austen we didn’t know before.
There is a lot more Heaven, a lot more Hell.
- What could be more eras for Aziraphale and Crowley
Douglas: 19th century Scotland, Neil: Edinburgh perhaps around 1827?, Douglas: That would be good, can you write that?, Neil: Oddly enough, episode 3 will take us to a little stint of body snatching in the era. For me it would be like 1941 and we’d go back to those Nazis. Douglas: That would be good and what about something biblical as well, could we do something? Neil: Bible’s good. Yeah back to biblical times, that would be really fun, we could do one of those in episode 2. (they are obviously talking about minisodes :))
- There was a clip from the show but only sound for those watching the stream. 
Listen here. 
Description from twitter ‘Crowley rushes into the bookshop holding plants and it’s so cute’.  
This pic should be from it :)
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- Season 2 Release Date: Summer 2023
- At the end on the zoom dropped not on Michael but also David and Jon Hamm! :)
Watch here :), their banter was written by Neil, Staged-style.
Michael and David found out that there’s going to be S2 probably at the same time from Neil. There was always sort of hope after the end of S1 that there might be more story to tell. Jon found out about it from Neil during press for S1 as potentiality and then during covid Neil said an idea to Jon that we would start by walking down the street in Soho completely nude and he send me the beggining of the scene where Gabriel does not recogni- and the rest is deliberately cut with ‘Lost connection’, to the nude part Neil said, I knew that if he said yes to that he’d say yes to anything and then he says it is not actually there.
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skyfullofpods · 6 months
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Hello fans of Re: Dracula who were introduced to fiction podcasts through the updates from our good friend Jonathan Harker! Now that the story's over (sob!), would you like some recommendations for some other audio dramas that you might enjoy, made by some of the folks who worked on the podcast?
Jonathan Sims, who played our local phonograph enthusiast, is the writer of the hugely popular horror podcast, The Magnus Archives. The Head Archivist of the Magnus Institute records statements made by members of the public, detailing strange encounters with the supernatural. What soon becomes clear is that these statements do not describe separate and unrelated events, and a bigger and horrific picture begins to emerge. Also appearing as recurring characters in this series are both Sasha Sienna and Alasdair Stuart.
Karim Kronfli is a prolific voice actor, and while he might be best known for his roles in both Re: Dracula and The Magnus Archives, he has voiced a wide range of characters in many different fiction podcasts. Out of all the ones he's appeared in, I would personally recommend urban fantasy anthology series, Unseen. The unseen world exists alongside ours, but only a few humans can see it. It's a world where magic and magical creatures exists, and Karim's character tells his story in episode 7, titled We Ourselves.
Beth Eyre and Felix Trench played twins Antigone and Rudyard Funn in Wooden Overcoats, a British sitcom set on the tiny fictional island of Piffling, in the English Channel. The twins run a funeral parlor together, the only one on the island, until a newcomer arrives. Eric Chapman (played by Tom Crowley) sets up a much more successful funeral parlor, and the story is narrated by the Funns' house mouse, Madeline.
Alan Burgon plays the Interviewer in The Amelia Project. The Amelia Project is a secret organisation, and clients come to them looking for their help in faking their deaths. The Interviewer listens to each client's story, before concocting unique and often elaborate ways in which they will stage their deaths, before being reborn into a new identity.
David Ault is also a very recognisable voice to anyone who spends a considerate amount of time listening to fiction podcasts, and The Kingmaker Histories feels like an appropriate choice here. A weird steampunk series set in the Valorian Socialist Republic in 1911 , this story involves found family, its own intriguing magic system, and being gay and doing crime.
Our favourite cowboy, Giancarlo Herrera, plays one of the protagonists in sci-fi action/thriller, Primordial Deep. Spinner is part of a team which is sent deep beneath the sea to investigate the resurgence of creatures thought to be long-extinct. There's plenty of horror to be had here, as something ancient is stirring in the depths of the ocean.
As for the crew? Tal Minear works on so many podcasts, and if you like fantasy stories, I would recommend the delightfully lighthearted Sidequesting, which follows new adventurer Rion, as they help people on their travels. If you would like some more horror, there's their spoiler-driven anthology series, Someone Dies in This Elevator.
Hannah Wright's Inn Between is a fantasy series based on D&D. Each episode follows a party as they meet in the Goblin's Inn, in between adventures, as the tavern follows them around wherever they go.
Stephen Indrisano's upcoming docu-horror Shelterwood promises to be a series which explores the horror of suburbia, as it follows one man's quest to find his missing sister. Until this is released, I would recommend Do You Copy, in which Stephen plays one of the protagonists. This found footage horror series follows the events which unfold after the closure of Red Tail National Park, and the people who were left inside the park, after its mysterious closure.
Ella Watts is regarded as a walking encyclopedia of all things audio fiction, and has worked on several high-profile projects, including directing both Doctor Who: Redacted and Marvel Move. Her upcoming Camlann is a post-apocalyptic series due to be released next year, inspired by Arthurian legends and British folklore. She is also the executive producer of Tin Can Audio's (who are also producing Camlann) beautiful experimental series, The Tower. The protagonist of this story, Kiri, leaves her life behind to climb an impossibly high tower, making phonecalls along the way.
Newt Schottelkotte's Where The Stars Fell is a supernatural fantasy set in the town of Jerusalem, Oregon. Cryptozoologist Dr Edison Tucker arrives in the town to carry out some research, and meets her roommate, author Lucille Kensington. There's so much more to this strange town than first meets the eye, with a huge revelation at the end of season one.
If you're new to fiction podcasts, welcome! I hope this short (ish!) and very much non-comprehensive list gave you some ideas of what to listen to next!
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cobragardens · 7 months
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CORRECTED & UPDATED! Clothes + Equivocation = Romance:
The Husbands in 1793
EDIT: I made a significant error when I wrote this. As @goodjomans kindly points out in the comments to Part 2 of this essay (massive shoutout for this, goodjomans! also I love your name!), Aziraphale is the one who dresses the executioner in clothing like Aziraphale's original ensemble, not Crowley. This changes my conclusions about the meaning we can take from this scene!
On the one hand, mea culpa, y'all. I shall get on with eating my crow. On the other hand, I had to go through this frame-by-frame to catch which of the ineffable spouses puts Jean-Claude in his new togs, and the answer only lasts three frames. Here it is:
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After Aziraphale changes his clothes, but before Crowley snaps his fingers and unfreezes time, there's a shot of the executioner over Crowley's shoulder, and he is now wearing a light coat with gold embroidery on the shoulders like Aziraphale's. Aziraphale arranges the executioner's death, not Crowley. So I feel like an idiot for missing it, but not a total idiot.
Let's discuss how this information changes what we can read from this scene! I'm going to leave my original text in place and edit with bold green. I can still stand by most of this essay, but this detail changes how I read the meaning of the husbands' communication at the end of this scene.
So we're all clear on the fact that the universe of Good Omens is an inescapable nightmare dystopia in which either of the husbands' merciless authoritarian regimes could be watching or listening to them at any time, yes? And that if either are caught 'fraternizing' with the other that means discorporation, torture, memory wipe, and/or death for either or both of them, yes?
Which means Crowley and Aziraphale can never speak or do anything openly to each other about their friendship or attraction or love. Everything they say and do has to have an innocuous meaning they can point to in case anybody ever sees or hears something Team Azcrow can't explain away. Walls (and ducks) have ears, and the price of slipping up--as we see in 1827--is heavy.
When a character says or does something that has two distinct meanings because they need to disguise what they really mean from one party but make their meaning plain to another, lit-nerds (and lit nerds🍃) call this equivocation. Equivocation is a kind of coded communication meant to pass hostile ears and eyes in plain sight but reach its intended recipient with its true meaning. The 1793 scene is jammed with it.
A lot of that coded messaging revolves around the clothes Crowley and Aziraphale choose in this scene, so--THESIS PARAGRAPH, BITCHES--we're going going to talk about how their clothes read to the people of this time period and location, what their clothes tell us about their characters, how their clothes help them equivocate, and what they're really saying with that equivocation. And Spoiler A-fucking-lert, it is ROMANTIC AF PRETTY GD ROMANTIC. Let's get nerdy!
We start with Aziraphale's beautiful champagne-gold and powder-pink ensemble.
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This outfit would tell people of this time period 3 things about Aziraphale:
That he's insanely wealthy--These clothes would be silk, hand-embroidered with thread made with actual gold. Each individual garment could cost years' or even decades' worth of working-class wages and take a team of skilled artisans dozens to hundreds of hours to make.
That he's a fop--i.e., a man who loves fine clothes and dressing up and looking fancy. By the 1790s in England, once-fashionable foppishness was giving way to the Neoclassical 'Corinthian' style, and was considered effete. (Fun note: During this time period, effete did not automatically indicate gay, and pink was considered a masculine color, so while Az. is queering it up to the audience here, his clothes would not have read as gay or overtly effeminate to the other characters around him.)
Even though he's insanely wealthy, Aziraphale wears clothes that are decades out of fashion.
According to the Victoria & Albert Museum, "As the [18th] century progressed, the male silhouette slowly changed.[...] Coat skirts gradually became less full and the front was cut in a curved line towards the back. Waistcoats became shorter. The upper leg began to show more and more[...]. Shoes became low-heeled with pointed toes and were fastened with a detachable buckle and straps or ribbon[.]
Source
That description is not what Aziraphale's wearing. Judging by his heel height and the length of his waistcoat, Aziraphale is wearing a style that's at least a decade older than this:
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And this is from 1765. The great crepes caper happens in 1793, almost 30 years later.
My inference: Just as he has in the modern period, Aziraphale has settled into a style he really likes and refused to let go of it long after it's gone out of fashion.
We'll come back to this set of Aziraphale's clothes in a bit, but we need to talk about Crowley's first, because Crowley's clothes in this scene help render a line he says later about this outfit very flirtatious and darkly romantic.
First, some background: What was considered acceptable attire for wealthy people in France changed pretty much overnight during the French Revolution after the storming of the Bastille in 1789 and the fall of the French monarchy. Instead of advertising wealth, clothes now had to advertise political allegiance, and they had to do so loud and clear. And if you didn't want to be murdered by the French First Republic, that political allegiance had fucking better be to the Revolution.
People started wearing a looooooot of super patriotic shit. And I mean it was like little kids on the 4th of July; clothes were red, white, and blue in any hue and garish combination and print. The cockade, a fabric rosette in the colors of the French flag, was required by law to be worn by men, and despite that was just as popular among women. To show solidarity with the laboring classes, the fabrics the wealthy wore went from embroidered silk in light Rococo colors (what Aziraphale is wearing) to sober neutrals without decoration in wool, cotton, and linen.
Now, the script note for Crowley's clothing in this scene is this:
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But clearly there were some changes made between script and filming, because Crowley does not appear standing behind Aziraphale; he appears lounging.
And he's not dressed as a French peasant.
Here's how French peasants dressed in 1790:
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Peasants at this time wore styles that distinguished them from the styles of the upper classes not just in materials, colors, or patterns, but in shapes. Full trousers and cropped boxy jackets in French flag colors were the marks of the laboring-class Revolutionary, and both styles were huge changes from hundreds of years of French fashion up to that point.
And that's not what Crowley shows up wearing. Crowley is wearing the knee breeches, stockings, waistcoat, and frock coat of a wealthy man, and in fact his clothes reference a very specific type of wealthy man.
In the 1790s, if you were an aristocrat who wasn't happy about the Revolution and you were so sure of your privilege that you would risk your life showing it, you wore black in mourning for the monarchy and in protest of the violence of its deposition. If you were an aristocrat who wanted to protest and you didn't want to be immediately murdered by the French First Republic, you wore a style called half-mourning, which was black with a colored coat.
Here's a picture from a 1790 fashion magazine of an aristocrat in half-mourning:
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"The text accompanying the plate describes his ensemble as 'half-mourning,' referring to the aristocrats who lamented 'the diminished powers of the monarchy and [signaled] their willingness to die for the royal cause'" [emph. added]. [Source]
Notice: the shoes, stockings, breeches, waistcoat, and cravat are all black. You with me?
Because here's Crowley in 1793:
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I've turned up the brightness and exposure in this image so he's more clearly visible against the stone, but I haven't warmed it up. He's wearing a coat that's a dark blackish red. Everything else, even his cravat, even his shirt, is black. (The black shirt is anachronistic, a lovely little nod to Crowley's refusal to wear angelic white.)
This is 179fuckin'3, y'all. Marie Antoinette is executed in 1793. It's 3 full years after that fashion plate up there in his bright red jacket, and that lil dude was already risking his neck way back in 1790. As we can see from the fact that the government are apparently now grabbing random wealthy-looking Englishmen off the street to murder without trial, the time for a man demon to be sauntering around Paris dressed in all black or even nearly all black is well past.
Crowley's also wearing a whole assload of huge silver buttons, which would have been flashy and tacky and frankly pretty weird in 1793 but very definitely an eccentric Rich Person Thing to do, bc regular buttons at this time were horn or wood and covered with the garment's fabric. The only man in France who could get away with this fancy aristo shit anymore was Robespierre himself, and only "devotion to the cause[...] excused Robespierre’s showy dress since he was perceived as a bridge between the politically empowered bourgeois deputies and the ardently antimonarchical unenfranchised classes." [Source]
So when Crowley teases Aziraphale--
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--both of them are perfectly well aware that Crowley's outfit would get him just as killed as Aziraphale's.
And that's why Aziraphale's expression is annoyed when he has abandon his "standards" and change his clothes. Because Aziraphale's the one who needs the favor, Crowley makes him take one for the team and wear the goofy hat.
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The clothes Az. changes into here still tell people that he's rich, but they also say he's a hardcore Revolutionary. The red jacket in a current cutaway style, the cockade and sash, and the bonnet phrygien (the red garden-gnome cap) all announce this guy is a huge supporter of the Revolution. His clothes are all still aristocratic in shape and materials (and he keeps his now-unfashionably frilly lace cravat), but he's no longer flaunting obscene wealth in a city filled with angry starving people, and the gnome cap says he's in solidarity with the working classes even if he isn't one of them.
Once he restarts time, Crowley is not leaving that prison cell safely without either changing his clothes or taking Aziraphale with him, because Crowley looks like a rich asshole protesting the fall of the monarchy--which is frankly exactly the kind of thing he'd show up wearing to the Bastille during the Reign of Terror (just like he wears athleisure in Heaven). But Aziraphale's new appearance covers for them both: if the rich-looking guy with no cockade and wearing all black under his almost-black coat is in with this other guy who's obviously a Revolution fanatic, then the rich guy's probably okay, right? He just forgot his sash at home or something. Bees.
Something else happens when Az. changes, too. Look at Aziraphale's new dress from a different angle:
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Half-mourning is a white shirt, but a black cravat, so this isn't half-mourning. He's wearing three different badges of the Revolution to make up for the fact that Crowley looks like a Satanic libertine (which tbf he is), but Aziraphale's new ensemble is black and dark red.
Y'all. Aziraphale changes into Crowley's colors.
Now, this is a more fashionable and higher quality version of what the executioner is wearing, so Aziraphale has very plausible deniability here; if anyone ever pulled him up on it, he could say he just copied our man Jean-Claude.
But let me show you what English fashion looks like right now:
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This is a French painting of a wealthy Frenchman, but he's wearing the English 'Corinthian' style. It was painted in 1795, so this would have been the very cutting edge of fashion in England in 1793, and the fabrics and colors look right at home in Revolutionary Paris. (He's wearing the cockade on his hat, btw.)
Look at all that angelic white! The buttery almond of the buckskin breeches, the golden kidskin gloves, the rich tan of the riding boots! The blue of the greatcoat! All colors we know Aziraphale prefers!
And yet this is what Aziraphale chooses:
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We know from the entire rest of the show how very particular about his clothes Aziraphale is. And yet 150 years before he (accidentally) admits in words that he's Crowley's friend, Aziraphale wears Crowley's colors to take him to lunch to say thank you for a rescue.
When we decide whether a character's speech or action is equivocation, one of the things we check is whether equivocation (and deception generally) is something that character does elsewhere in the text, which, with Aziraphale, hahahahaha, DUH. He's already using equivocation in this scene.
The lunch date itself is equivocation on Aziraphale's part. Aziraphale tries to thank Crowley for the rescue, but Crowley says,
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So Aziraphale says,
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No more words like "thanks" or "rescue" used, but a couple hours of good food and drink and conversation, Aziraphale hopes, will express the gratitude toward Crowley it's not safe to speak aloud. With this, Crowley and Aziraphale explicitly establish that they are equivocating for each other's safety and using coded communication--immediately before Aziraphale changes into Crowley's colors.
So yes, Aziraphale may well copy the executioner's clothes. But consider: When a character who can't speak or act openly says or does something that has two or more possible meanings, this can be read as equivocation.
We don't get a face reaction from Crowley about Aziraphale's new 'fit, so we can't be sure how he feels about this. But this whole scene is, even on its surface, about 1) the meaning clothes transmit to a viewer ("Oh good Lord," says Aziraphale when he sees what Crowley's wearing) and 2) how to show gratitude and appreciation when you can't speak of them openly. And we know Crowley notices clothing and clothing colors, because look at what he wears, like, ever. So it's very reasonable to presume he notices Aziraphale wearing his colors, and it fits well with both the rest of Crowley's actions in this scene and with his being very hurt and angry when Aziraphale later characterizes their interactions as "fraternizing."
Right, so we've covered what's going on with the husbands' clothes, and we've looked at two examples of equivocation on Aziraphale's part, viz., lunch and his change of colors. (Here's an example of equivocation on Crowley's part as well.) Now let's look at that super interesting thing Crowley says about Aziraphale's first outfit.
Here's the line:
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Crowley follows up here on earlier lines in which he teases Aziraphale for coming to Reign-of-Terror Paris for crepes: "Dressed like that?" meaning Aziraphale was guaranteed to get arrested dressed like an aristocrat. The top layer of equivocation is always an innocuous meaning: the plausible deniability meant for the hostile/unsafe listeners. That's Meaning 1.
But "Dressed like that, s/he's asking for trouble" means two other things, too. It's a veeerrrrry familiar phrase, isn't it? We've all heard that arrangement of words in that order before. It's used when people think someone (usually but not always a woman) is dressed to invite sexual attention.
How do we know we're supposed to take this modern meaning from this phrase? This is how:
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We have learned in literally the previous sentence to this one that rain has not been invented yet. The only two humans in existence have just left the Garden. Balloons definitely do not exist yet, humans couldn't tell you what lead is, and yet this is a phrase Crowley uses and Aziraphale understands. This tells us, the audience, in the very first line of the very first scene with these characters, that their speech is anachronistic and modern, and that we are to understand their phrasing in its contemporary sense.
So. When Crowley says "Dressed like that, he was asking for trouble" in 1793, we should read that in the context of the scene and in the senses the phrase carries to us today.
And since Crowley is using a phrase that means the executioner is dressed to invite sexual attention, and the executioner is wearing clothes identical to Aziraphale's, then Crowley is necessarily telling Aziraphale that when Aziraphale was wearing those clothes--those frilly, effete, unfashionable-for-decades clothes that nobody else likes and the French now murder people for wearing--that was, in Crowley's view...provocatively sexy. Meaning 2.
"Dressed like that, s/he was asking for trouble" is also what people say to justify violence, especially sexual violence against women and queerphobic attacks against men perceived as gay or just 'insufficiently' 'masculine'. In fact justifying assault is likely the most common way this phrase is used today by a wide margin. Meaning 3.
Crowley's joke isn't even really a joke in this sense; it's a vicious barb. And, because it must, it sounds like it's at Aziraphale's expense: You wore the wrong clothes, you weren't careful enough to guard yourself against the men who want to do you harm, so you deserved the trouble you got. Meaning 1.
Except remember: Crowley is also dressed for trouble. And Aziraphale is aware of this. Crowley's 'fit would be almost as offensive to the Revolutionary French of 1793 as Aziraphale's Rococo pastels, and probably just as likely to get him arrested and murdered by the state if he weren't making letting Aziraphale keep him safe by wearing the cockade and the silly hat. Crowley's not saying anything about Aziraphale here that he's not also saying about himself; and as we know from Aziraphale's initial "Oh good Lord" when he turns around and sees Crowley's black and red half-mourning (with extra black and gobs of silver), Aziraphale knows it.
Then why the rapey joke, Crowley?
This is fucking why:
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Crowley rocks up at the Bastille just in time to witness some grubby fucker assault his friend. Assault the person Crowley will greet 15 seconds after this as angel.
Crowley's first act after freeing Aziraphale is to send this dude to his death. Nope! Aziraphale is the one who arranges to have the executioner killed in the clothes he would have killed Aziraphale for wearing. He takes Jean-Claude's ability to speak (but not to make sounds, interestingly! Jean-Claude can still whimper, Jean-Claude can still cry!) so the executioner can't tell anyone about the 'mixup.' It's unclear which of them blocks the executioner's power of speech. The vicious joke about assault in Meaning 3 isn't at Aziraphale's expense at all. It's not You wore the wrong clothes, so you deserved the trouble you got. It's If this guy thinks you deserve trouble for wearing the wrong clothes, he can eat his own rules.
And that's the other piece of evidence that, along with Crowley's ensemble, shows us the audience and Aziraphale which meanings Crowley intends with his equivocation. Meaning 1 is cancelled out by Crowley's clothes. That leaves Meanings 2 and 3.
Crowley and Aziraphale share clothes as a common interest. They don't have the same style, but they're both aware of current fashions, and Heaven and Hell aren't. You can't tell me Hastur or Uriel would recognize the significance of Crowley saying "Dressed like that, he's asking for trouble" about someone else while wearing black stockings and cravat and waistcoat himself. And that means Anything the husbands communicate to each other through clothing choices goes undetected by their masters.
SO. With all this in mind, let's go through the 1793 scene again and look at what their clothes help them say without words.
Concluded in Part 2!
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One of the reasons I will never be at ease with the overall "weirdness", the underwhelming pay-offs and the unfired Chekhov's guns during the plot(s) of season 2 - until season 3 arrives and we either learn that it's because of a brilliant trick they pulled on us OR because Neil & John actually did drop the ball and couldn't get the story structure right (yeah, sure 😏) - one of those reasons is that they got Aziraphale's character arc during that season so very, very right.
It is beautiful. It is subtle. It is organic. It is like a red thread running through all the episodes.
In the very first scene we learn something about Aziraphale & Crowley that we didn't know before. And it isn't that Crowley used to be such a ray of sunshine and that what led to the Fall must have been more traumatising than he always let on (that, too, but it's not the main point). It is that Aziraphale knew a version of Crowley that was deeply, unapologetically kind, and gentle, and caring; that he was everything an angel was supposed to be; and that Aziraphale himself, before the Fall even happened, was aware of some lurking inequity and oppression which presented a danger to that sweet, innocent angel. We are shown how Aziraphale could arrive at the conclusion that whatever happened to Crowley just wasn't right. And how he might think that that was something that should be fixed.
"I know the angel you were." In Job we are reminded that Aziraphale's memory of Crowley's angel persona at least that early in their story still partly informs his image of him.
"They aren't talking to him anymore", that sounds as if Aziraphale might have actually tried.
"It's nice to tell someone about the good things you've done, now that I'm not reporting to Heaven..." Aziraphale misses it. He still does good deeds, but he misses reporting them to someone.
"You really used to be awful." Gabriel is about the worst angel he has known. But once Heaven's conditioning was taken away, even he became an absolut sweetheart. Aziraphale learned this season very impressively that angels can change.
Muriel. Innocent, enthusiastic, downright good Muriel. Whose adventures as a human copper are mirrored so perfectly in Aziraphale's attempt to pass as a "newspaper man". Aziraphale learned that even now, not ALL angels are bad. And that there are some in Heaven who are just like him, and might need his help.
When Gabriel needed his help, Aziraphale gave it, with no vindictive thought or concern for his own safety. He couldn't just not help him. And when Crowley stormed off, Aziraphale simply waited for him to come back. This mirrors both their decisions at the end of season 2, though so far without Crowley changing his mind and coming back.
It has all been layed out for us from the beginning. Which is why it baffles me so much that so many people did not seem to see it - or want to see it.
Now, Crowley's character arc!
I am not really sure about that, but so far, to me, it seems to be just as all over the place as the plot setups and his sideburns, hair length, hair colour and sunglasses during the season are.
We are shown that present-day-Crowley keeps important things from Aziraphale - he still hasn't told him about Gabriel's attitude during the attempted execution, he hasn't told him that he is living in his car, and even when Aziraphale tells him that he needs to go to Heaven, he doesn't tell him about the looming second attempt at an apocalypse - which is extremely weird, since it would have been so important for Aziraphale to know and could have influenced his final decision quite a lot. At this moment the latest you also can't explain it as an attempt to protect Aziraphale anymore, since going in blind could make things actually more dangerous for him.
He did not do this during season 1, where it was Aziraphale who kept things from him for quite a while.
But after all this aggravated not-telling-him-things all he needs is a conversation with Nina & Maggie and immediately afterwards he makes the biggest, most honest confession of his life? Really?
And then all these comments casually dropped about his former rank as angel - "How do you know I didn't do it?" / "That's not actually a thing, that's just something we used to joke about to frighten the Cherubs" / "They never change their passwords" - and all these hints about his memory - he knows how it feels to "look at where the furniture isn't", he doesn't remember or claims not to remember either Furfur or Saraquael - something just doesn't add up. It actually is like looking at where the furniture isn't.
I do want to believe that when I figure it out that I will know a lot more about what's coming in season 3. Alas, I don't think I can figure it out without knowing what is coming in season 3.
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Hmm I wonder if Crowley and the school staff, Riddle, Dence, Ruggie, Azul, Jamil, Epel, Rook, Idia, Malleus, Sliver and Sebek found out that some certain people skipped the school and went to the amusement park? Also how would they react?
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I’d imagine they'd mostly have the pretty normal and expected initial reaction of being shocked that the others snuck out on a school night to a sketchy theme park and managed to come back from a human trafficking operation in one piece. To give a little more detail to each:
Riddle would collar Trey, Cater, and Ace, then lecture them for breaking various school rules, putting themselves in danger, disobeying his command to not sneak out and skip school, etc. He especially lays into the seniors for "not setting a proper example" for the Heartslabyul students.
Deuce awkwardly stands off to the side and watches as they get berated, occasionally nodding and going, "That's right!" in response to their dorm leader. (Ace gets annoyed and tells Deuce off, probably saying something like, "Don't act like YOU weren't interested in going earlier, dummy!")
Ruggie wails about how he would've enjoyed hanging out at a place that offers free everything. He makes jokes to cope with the situation, like poking fun at how the "straight-laced" Jack has a rebellious streak and how Leona's soooo responsible and selfless for chasing after his juniors. Ruggie also jokes about how he's glad his walking wallet "best" employer Leona-san made it back safely... and hey, he wouldn't have happened to have brought back a souvenir for his ever-so loyal hench-hyena, would he?
Azul tries to present as cool and uncaring to the twins; he tells them that if they fucked up and lost their autonomy because of their poor decisions and giving into their curiosity... well, that's their bad and they deserve the consequences of their actions. Jade and Floyd pal around with him, draping themselves over his shoulders and teasing him about how "It's okaaay, just admit that you missed us, admit that you were worried!" Deep down, Azul really was (but he'll never say that out loud and let the twins have an upper hand over him).
Jamil has a fucking heart attack knowing just how close he was to a dead and/or missing Kalim. Not because he cares or anything, but because his own ass would be grass if anything happened to Kalim. Jamil looks him over like five times to make sure not a hair on his head is harmed (all while Kalim is laughing, reassuring Jamil that he's fine, and telling him stories about all the fun times he had at Playful Land). When Kalim starts to suggest inviting Fellow and Gidel to their next banquet, Jamil silences him with a firm, "ABSOLUTELY NOT!!"
Rook waxes poetic about how he's so relieved that their beautiful Vil has returned to them. He'll faithfully fetch Vil whatever he needs to rest and recover from such a heart-pounding adventure!
Epel grumbles about how he wishes he could have gone too ("'N shown those puppets what fer!!"), only to get bonked and told off by his dorm leader. (Ace will tell him stories later, which makes Epel super envious.)
Idia tells Ortho that "touching grass" does them no good, it only brings misery and suffering like what he went through at Playful Land! The worry dies down and is replaced with keen interest the more Ortho tells him about the island's operations. They have a jammer that prevented Ortho's normal functions from working? Idia takes it as a personal challenge--who do they think they are, trying to trump this genius inventor? He'll show them what he's made of by powering up his little brother!
Sebek loudly insists they need to go and dismantle the shadowy organization responsible for attempting something so foolish as to entrap and sell THE Lilia Vanrouge off! Who do they think they are?! Man's absolutely appalled and enraged but also choking back tears at what he perceives is Lilia's nobility, so willing to throw himself into the heat of battle to save others!! Sebek tells Ace he should be "grateful" that Lilia saw it fit to save "such a pathetic lot of humans" from absolute destruction.
Silver frets over his father, but he's ultimately proud of him for acting the role of a reliable senpai and looking out for his underclassmen. (This is the reason he assumes for Lilia going to the shady park.) And, of course, he's glad to have his father back home with him. He insists on looking after him the day of his return, saying that Lilia has gone through a lot lately--and as the triumphant hero, he deserves to relax!
Malleus isn't worried about Lilia (he knows that Lilia can handle himself just fine) so much as he's disappointed that he wasn't invited to go along. He's curious about all that Lilia experienced in Playful Land and listens to his tales with wide eyes. Malleus is not really paying attention to the dangers present (after all, he is confident he could blow it all away if it dares to encroach on his autonomy). Lilia laughs and says they should take a trip to another amusement park sometime.
The staff would be collectively sad that their students would act out like they have. This is especially true of Trein, who is more disappointed than mad. He chastises the boys in a way that makes you feel bad for making like... a grandfather upset. He wonders if he has somehow mentored his students incorrectly or instilled the wrong values in them.
Crewel expresses his disappointment in a different way. He's harsher with his students: "Since you bad boys thought it fit to skip Crewel-sama's lecture, you must have already mastered the materials. Pencils out for a pop quiz!" That's his tough love out on full display, stemming from the desire to ensure that his students can survive on their own out there in the cruel wide world.
Vargas tries to not linger on the negative feelings for too long. He'll encourage the boys to get back on their feet and moving. Movement means more blood circulation, and less of a reminder of the stiff puppets the kids almost turned out to be. Vargas never vocalizes his intentions for fear that him having a negative outlook might influence his students. So instead, he wears a grin and belts out a hearty laugh to keep their spirits high.
Sam will listen to his customers' woes, just as any good shopkeep would! There's a lot of useful information to pick apart from the people who drift in. A strange business like Playful Land? It piques Sam's interest in the mysterious and the unknown--he's delighted with such fantastical tales, and invites his customers to tell more. Sam's always here to lend an ear! And hey, if you get thirsty from all the gabbing, why not buy a drink from the Mystery Shop since you're already there? :)
Crowley wipes his brow and sighs in relief... What could have been a massive PR nightmare was just narrowly avoided!! (He still crows at the students that snuck off though, since he's suuuuuch a caring instructor that deeply cares about their education!!)
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del-thetiredwriter · 1 year
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Mafia au/Good luck while running away from mafia part 0.5
intro , part 1, part 2 , part 3
Notes: Sorry for keeping you waiting. writing it was harder than I thought but I hope you like it.it’s something like before everything started, When they realized you left the mafia.
Warnings: not really mentioned yandere stuff, gn reader
Tags: @hrhqueenfox , @anonymous3spider6lily9 , @hasty-desert , @jokesterreality , @ayachansan , @mouchie , @oceanside-pixie , @paintbrushofanimeuniverse , @lianreine
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Door opened. A masked figure entered.
“Oh~ sorry I'm late. I was immersed in conversations with former executives.”
He apologized , however this apology was not enough to calm the five angry men who had been waiting for him for about half an hour, the person who was attending the meeting via a tablet, and the person sitting anxiously.
He quickly took his seat at the head of the long table.
“My dear executives wanted to meet of their own accord, and it has been a week since the monthly meeting. I'm really curious about why we're meeting”
“Tch, stop acting like you don't know. You know the reason very well.” Leona said, clenching his fist nervously.
“Leona-san, please control yourself.” Riddle said.
"The reason we're meeting tonight is 'Y/n'."
A tense atmosphere filled the room at the mention of your name.
“After the monthly meeting, I didn't get a chance to call them because of my schedule, but according to the news I got from you and my subordinates, no one could reach them.” Riddle continued.
“I cleared my schedule to spend this week privately with Y/n. However, when I called them,I could not reach . When I got their home, everything was in its place. Their car was also in front of the house.” Said Vil.
"They hasn't been to the Monstro lounge since the day they came to report the monthly meeting." said Azul, adjusting his glasses.
“Nothing happened to Y/n, right? This has never happened before.” Said Kalim worriedly.
“Idia? Do you have any information?" ' Azul asked.
“Y/n-shii normally visits me every day but they never showed up this week. Like you, I searched for them, but I could not reach . The phone line was turned off a week ago. The cameras I placed in their house suddenly broke down at the meeting night . Not only that, I can't access the footage of all the cameras around the house from the last week, they're all missing." Idia replied.
“Is there anything else? There must be something.” said Riddle.
“There is nothing at the moment. The bank account was likewise closed. Give me some time, I'll definitely find them ." Idia said.
Leona began glancing at Malleus.
“What is it, Kingscholar, is there something on my face?” said Malleus, sipping his tea.
"Nothing . It's just that Y/n last spoke to you before they disappeared. I thought of that.”
"Oh,so you suspect me"
Leona squinted his eyes suspiciously.
"I don't know what happened to dear Y/n or where are they right now either." said Malleus with a grin.
“But eventually I will find them. Besides, if you're going to be suspicious, you should suspect the head of the table first, right boss?"
All eyes were on the masked man sitting at the head of the press.
“Draconia-san is right. Y/n was your assistant and also your so-called right-hand man, so if anything happened to them , you would be the first to know.” said Azul.
“Where is Y/n, Boss?”
The room resounded with a burst of laughter.
“As expected of my executives,although it took a long time for you to arrange this meeting… anyway then I say it, I don’t know where Y/n is, but I do know what happened to them. My beloved bird Y/n left the mafia.”
Silence filled the room at Crowley's words. The silence was broken by Leona's fist hitting the table.
“What nonsense are you saying! Why would Y/n leave the mafia? There was no reason for that.” Leona said.
“R-right why would Y/n leave ? Y/n was very happy here with us.” Said Kalim while trying to not believe.
“Oh you are right. Y/n was happy here, or so we thought. I don't know why my beloved bird wanted to leave either, but who knows, maybe they felt like in danger or just wanted a new ,smoother, quieter life. I dont know ." ' said Crowley, taking a sip of his tea.
Riddle grit his teeth. He had to control himself. He stood up and began to speak.
“Still, although you are the boss, you cannot make such a decision without consulting us. I, Riddle Rosehearts demanding that Y/n L/n be brought back to the organization . My justification is that a former high-ranking person like them poses a great danger to all the secrets of the organization . Please vote on my request right now, boss. While all the executives are present."
“Well then, let's vote as you say. Those who accepts the request to bring the Y/n L/n’s back to the mafia?"
Everyone raised their hands. Crowley grinned.
“Okay, then the decision has been made. I leave the rest to you managers. Please don't go too hard when you bring back my little bird. You know, I love them as much as you do."
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alle-ni · 7 months
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My thoughts about goodomensverse (I'm clinically insane) (my personal opinion) (long post)
Book Crowley:
- absolute disaster
- lonely boy
- grumpiest
- he's so in love with Aziraphale but didn't even realised yet
- a bit dumb sometimes ngl
- very tired
- he's trying so hard save earth and everything he knows but everytime he tries to explain why it's always AZIRAPHALE
- sometimes he's like... your old gay uncle, the old gay uncle of the family except it's a 6000 years old gender fluid demon
- HISS LIKE A SNAKE GANG
- got called dear once and them died (figuratively)
Radio Crowley:
- flirty
- "Humm have you ever seen me in a dress~~??"
- he's like flirting with Aziraphale 24/7
- 0 patience this man is a BOMB
- if Aziraphale ever EVER got slightly flirty with him back he will EXPLODE
- smartest of them all, he's very intelligent
- HISS LIKE A SSSSSNAKE GANG
- he's so in love with Aziraphale and it makes him SO FRUSTRATED
- his Aziraphale is the hardest one to reach, maybe this is why he's so deliberately obvious and direct with him (he's resilient, he will never give up)
- he's like a tsudere teenager collegial except he's a 6000 years old demon with serious issues
- not called dear yet poor soul </3
TV Crowley:
- SILLY
- he's the dumbest of them all, sorry 😭
- red hair
- he's so in love with Aziraphale and everyone notice it's SO OBVIOUS
- he's the most affected by The Bookshop Burning ™ event
- the only one who got to kiss the angel, good for him ig, or sorry, idk
- anxiety bomb he literally (literally) EXPLODE
- strongest soldier bc his Aziraphale is IMPOSSIBLE
- got dumped 2 times more than the others someone pls help him
- the most brave tho
- doesn't hiss a lot :/ free him from this madness let him hiss
- he's like a puppy with giant yellow eyes except it's a 6000 years old snake demon that lies all the time
- protective as hell this man wouldn't let anyone near Aziraphale if possible
- got called dear but at what cost??????????????
Book Aziraphale:
- Anxious all the time, religious trauma except the god is your father and he left you and never talk to you again and the guard angels are your siblings and they want you do be dead
- He's so soft he wants so bad to comfort Crowley but he's really hard to reach
- his Crowley is the most difficult of all of them, he needs to circle him a lot to get in touch
- this man got called names so often I don't think he even cares anymore
- he's very nerdy
- he's the calmest of them all
- really chill
- everyone is so mean to him for no reason
- he has 1 braincell tbh and it's really bad bc his Crowley is not that brilliant too they're both stupid sometimes
- he really REALLY wants to be with Crowley and Crowley only, he sounds almost obligated to be with heaven
- he is really kind to others even when they don't deserve
- he called Crowley dear once and then implode
Radio Aziraphale:
- full of himself
- bastard
- the most closed and oblivious of them all
- he tries to play cool with Crowley all the time (he's slowly getting insane and someday he will jump on this man)
- he's the most self sufficient one he barely holds on Crowley to anything and they're pretty independent
- Crowley can say shit like "Miss me angel~~??" and he would keep a bored face and not react at all (he screamed with the walls 4 hours later)
- he's also a tsudere collegial but he at least try to look cool and composed in public
- he's the Aziraphale that most believes in heaven, he's sure they are good and selfless and the right side
- he's not so brilliant tbh but he got a lot of spirit
- the most active Aziraphale ?? He really put his hand in the dirt and do the things alone
- the most angry and bad tempered of them all, bro scream "WE ARE CLOSED LOOK AT THE DAMN SIGN" when ppl barely touch the bookshop door
- he has a lot of patience with Crowley, not deserved tbh bc he thinks it's his personal job to get in Aziraphale's nerves
- overall he is polite
- he's really proud of their "arrangement" there not only one chance he let go without saying that
- he likes to provoke Crowley sometimes too but not as much as the other way around
- if he ever call Crowley dear he will explode
TV Aziraphale:
- bitchiest
- this man need to be sedated what the fuck Aziraphale
- most nuts of then all he's CRAZY
- he's the most up to do shit with Crowley they're insane together
- he doesn't let Crowley rest he is flirting and being cute and hitting on Crowley all the time
- he's so obviously in love with Crowley its embarrassing
- he's the fruitiest he's the entire salad
- the most... indulgent, if I can say, of them all
- more like an employer of heaven, different of book Aziraphale
- he's the only one with almost white hair
- he got kissed but at what cost
- he's the most intelligent of all of them how can he be this dumb
- he loves little things about earth and humans and life and he seems to be the Aziraphale that most love EARTH itself, like, the life, the humans, the food, the little pleasures we have, the little time of happiness we have between all the shit that is happening... he really loves humans <3
- he's conflicted about heaven, he seems to know that there's something WRONG with how heaven works but still doesn't understand what exactly it is
- "oh but saving me makes him soooo happyyyy~~~"
- overall kind and sweet, in a excited way
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IM LOVING UR NONHUMAN AU.
Do you think Crowley would be protective of us? Maybe fend off the beasties that try to court us?
That's a cute thought.
Realistically, Crowley is a dick that often leaves the protagonist to fend for their self and pushes them to take care of dangerous stuff that they really shouldn't have to.
But on the other hand…hehe birb dad.
One of the reasons he avoids us is because of the whole us “wanting a way home thing.”
Imagine his surprise when you tell him you would rather stay. Maybe you don't have a family, maybe the family you have is horrible, or maybe it's because our world is a polluted mess with a cruddy economy. Regardless it means he doesn't have to (pretend) to put in the work of sending you home. 
Well, as long as there's a place for you to stay that is. He is sort of your guardian and it would be in the best interest of himself and the entire school if you stayed.
Now a thing I like to think about…this man is likely lonely. I mean, a lot of people don't like the guy. (for good reason) The students and teachers are tired of his shit, though he and Trien seem to be homies and have tea together, the guy’s cat still hates him. Crowley also doesn't have a mate or any hatchlings waiting at home for him.
Combine the guilt trip of having nowhere else to go, add his loneliness, and then butter the guy up. I would say you have a good chance of getting him attached.
Imagine he sees you heading his way and is about to screw off cuz he doesn't want to deal with whatever thing you need to get fixed or have to complain about, you catch the sleeve of his coat before he can, and so he braces himself. But instead of asking him for something or scolding him you simply ask him about his day and how he's doing.
Birdman is shook.
Bit by bit the tasks and chores he gives you are ones where you'll be around him or he’ll randomly pop in to check in on you while doing them. Soon you end up being the preferred person for making and bringing him his tea. He pretends to nap on his office couch while you do his paperwork. May even ask you to help him file his claws on occasion. If it wasn't so dire for you to take care of things at the school he would be half tempted to bring you along on one of his vacations. If you give him anything it's going on his desk and he will brag about it to anyone who enters his office.
His cheap ass isn't going to spoil you but he will bring you small gifts. Usually the random shiny thing and small souvenir from his trips away. You might start finding loose feathers around Ramshackle and more crows around who also bring small things.
He starts thinking up plans for you to stay on as official faculty of the school once graduating. Of course, it's only because you are super useful and not because he’ll miss you or anything…
It doesn't really hit him until after he sees one of the teachers getting all father figure-y with you and he gets jealous.
Displeased bird noises.
Even before he started to get attached to you he did keep an eye on you, your easy prey amongst beasts after all, but he does develop a habit of popping in more when a boy happens to show his interest in you…or anytime he thinks someone is trying to sneak in and swipe his unofficial dad role…he does a lot of that with Crewel and Trien in particular.
Still, even with his affection for you, he’s still very much…him and the boys know this. Not long till he finds the more well-off beasty boys in his office offering donations to the school in exchange for certain things. More info about you, making you a member of his dorm, ect. A few have learned that the best thing to butter him up with is to talk about what a kind and generous father figure he is and how lovely it would be for Crowley to give the perfect away on their wedding day.
As a result, he, and probably Grim, are going to nudge you toward certain preferred suitors.
You might end up seeing him and probably grim nudging you towards the more well-off suitors.
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