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#also my style kind of changed when drawing this. idk what that's all about
kiisaes · 10 months
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everyone point and laugh at the loser who posted deku bday art a day late ... anyway happy bday to my og scrunklo!!!!!!!
this is /sort of/ a redraw of the bday art i made last year bc i don't have any new ideas. this is also kind of what i wanted to draw last year if only i had the time
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bestbouy · 7 months
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i think i just love the idea of the different universes with their like, styles???
like how Gwen's is totally watercolor and Hobie's is all scrapbookish punk n newspaper, y'know???? and, of course, Miles and Pavitr's are both more "normal" but they still have that... you know... v i b e... they're both normal but they have elements that make it their own. Like how Pavitr's universe is mainly super warm colors?
anyways this got me thinking y'know how it's super obvious Hobie has a different universe style?? not so much for Gwen because hers is a little different, but with the whole. changing skin, the OUTLINE, it's very obvious
I think it'd be super cool if in Hobie's universe, it's kind of like the opposite for anybody who's not from it? They have their own like, radius of... their own dimension???
I'm only comparing this to Hobie's dimension, it's very obvious none of this would happen in CANON so I'm literally just spitballing. Also because Hobie is the only one with the outline and funny overlay thing, and it'd be fun to play around with the other three's possible like,,, vibe!!
Gwen would leave like, imprints of watercolor? like dabbing it on a piece of paper, leaving color that dries out back to normal over time?? it would bleed into the world around her, it might even mimic her emotions with the color!
If she was upset it would be harsh, spread more, it would come out in spiked reds and blacks?
happy would seep in a lot more subtly, and cover a lot more space, but you wouldn't realize how much room it's taking up just because it's so slow to take it up and really is only at about.. idk, 20% opacity, slowly builds up the happier she gets? it would be more visible in puddles, just like with normal watercolor (Compared to anger, which would be very in-your-face and obvious)
It would rely a lot on her emotions, methinks, the stronger they are, the more visible the color!
Miles would have a sketchy, drawing-like atmosphere to him, kind of like what you can see on the spot y'know? and, since the spot came from Miles' dimension, I think it makes sense!
It would be less noticeable, but the things he interacts with would probably turn into a slightly stylized version of itself? A cup he holds or drinks from wouldn't change DRAMATICALLY, but it might copy his look and have sketch-like lines around it. Nothing huge, but enough that you can tell what he's touched in the past few minutes/hours
Pavitr would have a similar vibe to Gwen's, but with warm colors instead! His effect wouldn't change with emotions like hers, but it would probably bleed in the same way as hers. He would leave behind trails of warm oranges and yellows wherever he goes and leaving it behind on what he touches. He wouldn't notice this, but it would be veeery obvious to Hobie or anybody from his dimension.
Actually, I think the way that we can spot Hobie because of his differences in outline/radius effect would highly apply to them in his dimension! Everybody in Hobie's world can CLEARLY tell that Gwen, Miles and Pav aren't from there, and while the common person might not recognize they're from another universe, they might get the same feeling as if you were seeing like.. a skinwalker, or something. They're human, but it doesn't feel like it.
ANYWAYS back to Pavitr
He has a warm, cozy vibe, I think unlike the others his can seep more into emotions, I think he's an empathetic person and that melts into his little area effect. if he's super happy or excited about something the people around him get a tiny bit happier too!! when he's sad (and it's rly hard to make him sad bc this boy is POSITIVE THINKER #1) his colors get a bit colder, but I don't think they would affect other people like his happy ones do, honestly just SEEING such a normally happy guy so sad would do enough to ur mood than some radius effect lol
ANYWAYS that's just a lil thought. they are silly. and this is going into my ideas folder. have a good one n remember to drink water
(I would go on but this is super long already XD)
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Well, first of all, I have to thank @yridenergyridenergy for selling me the ticket! It was literally the best experience I had throughout the year; I really, really, sincerely appreciate it.
As promised, this is my repo of the gig in Wakayama. To be honest, I’m really a bad recorder as I can only recall the sensation or vibe in general and forget the details every time. Am I the only one?? Anyway, I guess my drawings may not be precise at all and it would be more like a summary of the year.
And this repo will be focusing on Kaoru, Toshiya and Kyo. I’m sorry but I stood on the left in both times.
Kaoru
It’s so strange that I can easily feel my love for him grows with time and what a coincidence! I visited them twice this year and I was right in front of him every time. I always assumed that I would be in front of Toshiya when I checked the hall map in December, but no! It was Kaoru again! It kinda shocked me the time I located my seat and noticed his microphone stand was there, just about 2 meters away.
I think probably it has been known by all of you, the show started with a semi-transparent screen showing some AI-generated footage(sorry, I hate this part). It covered most of the setting but just revealed some shadows. I could only see Kaoru, his side profile, priest-alike gown and silver hair. He looked so focused and indifferent and so good-looking…my hands are still sweating as I recall it now.
That was my first time listening to Rinkaku on-site. I got caught up in emotion when you could easily compare themselves in reality and their sketches in the video. You could see how much they have changed and it also just reminded me a lot of moments, staying at home and staring them on the screen. The real vs the virtual.
Also, at the beginning from the distance, I could only see some sort of marks on his chin that looked pretty much like piercings? It turned out to be his makeup; so brilliant.
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Kyo
I didn’t see Kyo that much this time, but I feel he is that kind of vocal that you would fall in love with once you’ve actually seen him in the venue. He looked so nostalgic to me this time, maybe bc of the ghost face makeup or the fact that I have seen him too much this year. I also went to HK for sukekiyo this year.
The gig of sukekiyo was more emotional, floating and spacey (and less aggressive, obviously). Kyo’s dedication was so contagious. Although he looked a little bit nervous at the beginning of the Day1, forgetting the lyrics now and then lol.
It is interesting to see the similarities and differences between Diru and Sukekiyo, like looking at different reflections of the same mirror.  
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Btw probably he is the most inspiring Diru member to me I guess. Idk why drawing kyo always begins with a pretty satisfying draft then it becomes a big challenge to my expertise and patience ahhhh. But yeah, I can improve a lot after finishing it. So, kyo, thx? lol
Toshiya
I’m not quite a fan of his white outfit that day(the one worn in the pic of their tweet on 16th Dec). Actually I even failed to recognize him the first, waistcoat and palazzo trouser are ok but definitely not the most stunning look of him. It seems that his style is becoming more gender-neutral this year, with hair dyed brown, pearl jewelries and feminine makeup.
But I still quite enjoyed his performance, his body language was so beautiful (ugh! It’s such a shame that I can’t recreate it)and he was the first one going to the left terrace and saying hi to everyone. Toshiya is always the sweetest person in Diru to me.
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I prefer his encore look more and he took off the shirt and threw it to the gift right in front of him
(and a random sketch)
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That’s it! I could have drawn more but, sorry I’m a perfectionist, these pics really took me some time, but I may keep going if I have spare time.
And I’m not used to talking so much on the Internet, it is embarrassing somehow.  
The year of 2023 has treated me rly good, I hope it would be the same for all of you and Diru members, see you next year.
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matchadobo · 8 months
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KIDD; overnight
wc: 1656 summary: stranger to lovers college au warning/s: none, sfw, afab reader, my writing style kind of changed here, idk if i like or hate it
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you had just moved in your college dorm and your mates have invited you to go on the nearby bars fellow university students also go to, a mixer of some sort. you were kind of iffy about taking up the offer because crowds really weren't your thing, but this was an opportunity to meet people which would later be good for you. so you accepted it. only to have your mates wasted in the process, no companions whatsoever you sat alone in the bar. tons of creeps tried having their way with you, but you politely declined to avoid further conflicts.
that is until, he approached you. shimmying between the men surrounding you and thanks to his size, they backed off given his bold demeanor. tousled, red hair, pearly skin, sharp, golden eyes, and tinted lips curled into a scowl. surrounded by big scary men, this fellow seemed to be set apart from that criterion despite his aura.
he'd scare off the guys with just two words, "get lost." he'd soon ask if you were okay and tells you off to not be alone here at night. you reasoned out with your current situation and he snickered, "some friends you have." he'd then order a shot of scotch for you and him and ask, "do you wanna get outta here?" he'd stare directly into your eyes, genuinely waiting for you to answer despite taking a long time. "don't overthink it. but let me tell you something, you won't regret it if you humor me."
you were hesitant to comply but, god, was he so attractive. he didn't seem to have bad intentions either, after all he just saved you from a world of hurt. typically, going out with strangers is a big no-no, but there was something about him that draw you to him and you're eager to find out, to find him out. so you decided to fuck it, what's the worst that could happen?
so you'd go with him as he led you away from the bar. you walked alongside him on the busy nights of your town. your hands clasped behind your back and his were buried in either of his pockets as you two strolled to a more quiet road. you'd ask him his name and you tell yours, ask what his major is and exchange jokes here and there.
he goes by eustass kidd, he majors in metallurgical engineering and is a year older than you. he likes hanging out by the skateparks, karaoke and studio booths, arcades and bowling alleys, and that bar earlier where he and his mates do some gigs every now and then. he also lives a block away from your dorm house.
so you ask him where you two are going, he'll brush you off and tell you to be patient, snickering when he sees your puzzled expression. until you two reach a what seemed to be an abandoned carnival. it was dark and some crows were hanging around the railings. he'd look over his shoulder and tell you, "i always come here but got no one to take." you answered, "so i'm your first one here, huh?" he'd look down and chuckle, "and if i said yes?" you responded before walking away, "i'm special then."
you walked across the dimly lit place, rides with colorful designs are now muted from dirt and its age. to your surprise, the place suddenly illuminated from the variety of lights that chorused with the rides running. you looked behind you and saw kidd smiling with his arms crossed after he emerged from what seemed to be a staff booth. he sauntered towards you, "well? what're you waiting for?" the lights radiated the features of both of your faces. you responded with a smile and grabbed his wrist as you two headed straight for the drop tower, "you."
the both of you spent the night scaring yourselves from the horror houses and going ride after ride until you two got sick to your stomachs. you asked him when you two rode by the ferris wheel that moved a little too dangerous, "what made you think you should take me here?" he shrugged, before looking back at you. "hell if i know, guess you're a special case." a swarm of butterflies brushed by your stomach, rendering you a smiling idiot.
you didn't seem to notice the how fast the time flew by. you two decided to eat at the nearby diner that's open for twenty-four hours, his treat he says. you gazed at the clock and almost spat all the food you've eaten. you almost lost all air if it weren't for his firm but gentle pats on your back, he gave you water after stifling his laughter. "the hell happened to you?"
you hit him after catching your breath. "you jackass, i have first period in an hour!" you packed your stuff and hurried on your way back after thanking him for breakfast and bidding goodbye. he also waved at you and ate your leftovers.
your first period went by like a fever dream, running on no sleep and a full stomach. the high of your borderline date with that charming redhead was the only thing keeping you awake. the sheen of his amber orbs when he intently looks at you every time you talk, the way his canines tug by his lips with each smile and laugh, his playful insults that get sharper with each of your comeback, the way your knees touch when you two sit together and it sends electricity coursing through your veins, and how his wintry metallic scent never left your clothes and sinuses. the day went on and you didn't have the chance to see him again.
the next day, you found him waiting by the door of your last class when you left the room. he waved at you from afar, your friends asked you who that UNIT of a man was that seemed to be waiting for you. clad in a black, silk muscle tee that accentuated the tone of his body and jeans also in the same color, a simple outfit that seemed too deadly for you.
so you made your way towards him and asked, "what are you doing here? how the the hell did you find out my class?" he replied with a grin, "you told me the other day you wanted to hang out today, right? got your head in a flurry, coineanach (bunny)?" he ruffled your hair afterward, continuing. "you seem to badly need a break, aye? come, i'll give you a real stress reliever." you let him put an arm around you because you seem to fall on your knees from the weariness or for that fluttery feeling that suddenly washed over you. you gazed up at him, "this better pull me out of drowsiness, eustass." he chuckled lightly, "oh this'll wake you up, sleepyhead."
he took you to the same bar you two met, meeting up with who seemed to be his friends and waving at them from afar. then it all occurred to you, you looked at him with utmost anticipation. "you're gonna play?!" he smiled as he nodded at you, introducing you to his bandmates. he soon got on stage with them, giving you a wink before starting their performance. it made you question whatever the hell you two got going on; how he touches you, how he talks to you, how he looks at you, why he took you here, and how will this progress. it was a full-fledged war in your head. how attractive he looks while performing certainly did not help in sorting out your thoughts and calming down your heart.
the band dominated the bar, the thumping of drums and cheers of the crowd had taken the pandemonium up a notch. you soon got tipsy with the drinks to try and relieve yourself from the chaos that is your heart and mind. you didn't notice that the performance was already over and kidd was tapping your shoulder. "did that woke you up?" you noticed that he was a little too close to you so you can hear and see him because of the packed bar, you flushed red at the proximity that the mild scent of rum from his mouth wafted in your nose, so you excused yourself. he was calling after you but you blurred him out because you terribly need fresh fucking air.
you catch your breath, chest heaving as you held on your knees for support. you hear the door behind you open and shut again. "hey name, what was that? are you okay?" he placed a hand on your shoulder, only for you to flinch. "alright, damn. did you hate our performance that much? the fuck's going on?"
you started, "why did you take me here?" he took a few minutes before answering, "cuz i wanted you to see me play, if it ain't your taste that's fine-" you cut him off, "that is not what i mean, okay?! y-you were amazing back there."
with your words he suddenly grew smitten, like he read you so successfully and figured out why you're acting like a wreck. "yeah? you think so?" your eyes were frantic and your chest was in rampage, you couldn't look him in the eye and you kept chewing on your bottom lip. he stood dangerously close to you, his fingers raised your chin so he could have a good look at your flustered face. "you know why i was so amazing back there? it's 'cause you were watching, wanted to show off to this pretty girl i have my eye on." he tucked a hair by your ear, fingers ghosting by your cheek before it landed on your jaw. "seems i did well to do so, hm?"
you finally mustered out words, "so you feel the same way? you've been driving me nuts since i got here." he laughed, hugging you by your neck. "why do you think i'd take you to that carnival, huh?"
there was silence as you two basked in each other's embrace. until kidd blurted out, "your heart is beating like fucking crazy, damn i did that?!" you hit his arm and hid your heating face in his chest as he continued to tease and make fun of you.
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this is kind of all over the place??? lmao
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syrupyyyart · 1 year
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finally, finally finished the ~definitive~ designs for my main Motley girls :’)
Extensive design notes under the cut (mostly for documentation purposes, but also because i like talking about my ocs lol)
In my last post, I introduced the idea of giving each character multiple colors, rather than being one uniform color throughout the design. The idea is that the characters can earn up to 3 new colors as they age+experience new things.
For each color they earn, they’ll wear a new ‘evolved’ version of their previous outfit.
For comparisons sake, here’s the initial pass I took at trying to give my characters more colors:
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(euhg. theyre really really ugly. im honestly embarrassed i ever posted these at all lol)
Fact: it’s actually incredibly difficult to design monochrome outfits for characters without the designs looking extremely unfinished (to me, anyways lol). In an attempt to break up the monotony of the monochrome outfit designs, I found myself over relying on the outline colors to fill in their outfit pieces (cherrys pants, limes turtleneck, etc). This hypothetically works, but it ended up causing a lot of confusion as to how many colors the characters had actually earned, especially when the outline color was vastly different from the intended color. Basically, the tl;dr is that over relying on the outline colors felt like cheating, looked bad, and caused a lot of issues.
All of this explanation is to set up the 2 design rules I gave myself for the New Definitive Designs:
1. Outline colors MUST NOT be over relied on, and should be used as sparingly as possible
2. Nothing is sacred. If it looks bad, throw it out!!!!!!!!!!!!!!!!!!!
I also decided to shift around their body types slightly, since I realized that practically every character had the same build with a different height (with the exception of Banana). Marshmallow is a bit curvier, Watermelon is slightly more muscular, etc. And, while you cant really tell because of their baggy outfits, Lime is much boxier and Blueberry is lankier and has wider shoulders than the others.
Finally, here’s some specific design notes for each character, how they changed, and why:
Cherry Pit - Cherry may not have had the most drastic changes, but hers were definitely the most important. She’s had the same hairstyle ever since the first time I drew her (back in ....... middle school lol), and as attached as I was to it, it caused a LOT of problems. It gave her an ugly silhouette, the sharp edges kind of ruined her circle motif, etc. So it had to change. I decided to give her a fluffier hair style to incorporate more round edges into her design, and I truly cannot tell you how many hairstyles I cycled through before I landed on that one. It was major development hell. But I think the new style is much much cuter! Due to story reasons, I also decided to give her 2 outfit colors instead of just one, and she seriously looks so much better because of it. Big fan of Cherrys new design lol
Blueberry Cobbler - Ohhhh where to start with this one. Blueberrys design has always been a headache to me. I found it difficult to draw consistently, and even when I got it to look how I wanted, it still didn’t look very good. So, my goal for her redesign was to overhaul her design while keeping the general idea behind it; most importantly, she needed to be Fun To Draw. So, I changed the silhouette of her sweatshirt by giving her a more exaggerated hood, replaced her bulky zipper with the hanging ties (idk what theyre called lol), and Changed Her Ugly Ass Tights into baggier pants. I also crimped her hair to make it more angular. In the context of this universe, cold colors have naturally colder body temperatures, so they have to wear insulated clothing to stay chilly; the overall baggier clothes really just fixed all of my issues with her design honestly. Better for her personality type, prettier silhouette, in-universe reasoning, etc. Scrumptious.
Lime Pie - I decided to swap out her cargo pants for a long skirt, and let her hair down. This was mostly because, with the monochrome outfit she needed to wear, the turtleneck+cargo pants combo just wouldnt work without looking Pretty Bad. It also helps her outfit stand out a bit more, as she’s now the only character in the main cast that is wearing a skirt. She’s meant to be an inversion of the “nerdy girl lets her hair down and puts on a dress and Now She Is Popular” trope, so the idea is that when she earns her 2nd color, she will start wearing her hair up again, and the cargo pants can come back. Maybe.
Marshmallow Fluff - I honestly hit the nail on the head with this one in the initial batch of concepts I did, so I didnt change much lol. The biggest change is that I made her hair light again. This was because shes obviously meant to have a cloud motif, but her sister (who I rarely post about lol) has a thundercloud motif-- basically, I’m just saying that the darker hair is gonna go to her sister instead.
Banana Pudding - Again, she looks almost exactly the same. I just changed the red outline of her original dress to be less contrasting, since I got a lot of people asking if she’d earned two colors or not. Hopefully, its more clear now that she’s only earned one.
Watermelon Sorbet - As much as I liked her original design, many many people told me she looked like a ‘cool yoga instructor’ character. Which, while not terrible, wasn't exactly what I was going for; she’s meant to be more of an ‘edm dancer’ kind of character. So, I decided to change out her pants for bigger legwarmers that I’m hoping make her look a bit more hyper active.
Thats all my notes lol. I have no idea if anyone is gonna read this far, but if you do, thanks :’) I fully realize that making so many notes about this looks silly, considering theyre OCs and not like ..... widely known characters. So Im sure a lot of what Ive said just sounds like gibberish. But its fun to ME!!!!!!!!
I’ve got more character designs to post over the next week or so; namely, the 3 Antagonists (Grape Soda, Orange Custard, and Angel Cake) + the parents (which includes 2 characters Ive never shown before, but Im very excited to share lol). Those posts wont be accompanied with longwinded notes like this one is; Im just the most excited about these designs and wanted to talk about them.
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zzzzzestforlife · 1 month
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🍋 project diaries // brb, i'm going to code a bunch of lemons
in this issue 🔍: starting a coding project for fun after literally YEARS 🤓, drawing pretty (questionable) mock-ups 🎨, FONT SELECTION 🤌, color theory (i don't know her) 🤨
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project inspo pics (left to right): toram (like this squirrel-bunny creature, my project is also going to be cute and irrelevant) // a shade of yellow + hex code (i know how to do shading on paper from my sketching practice so i wonder if i can code that??) // lemons~~ (definitely gonna see about using the flowers' shade of red as a highlight/underline effect on-hover!!)
i did it!! i actually started a coding project for fun 🎉 now i just need to, ahem, finish it 🙈
the last time i wrote ANY code for fun was when i was still learning to code for the first time in Khan Academy's Processing JS environment, so of course this project has to use p5.js for the nostalgia 🥺 but it's main purpose is to give me the opportunity to code a bunch of cute lemons in a gif-ed pixel art(?) style.
i drew a crappy little mock-up on my phone with my thumbs 👍👎 so you can kinda see ✨ the vision ✨ (if you squint and tilt your head):
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my thumbs got a little over-excited. my MVP (minimum viable product) is actually just the lemons + the words DAILY ZESTY 😂 the key point here is setting goals so darn achievable i will never give up 😅
so, let's summarize the important specs:
special features that nothing else out there has: none 💀
work that could be accomplished without coding: literally everything 💀💀
the promise of fun and a sense of personal accomplishment: is there ☺️
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me looking for fonts:
should i make my own font with my hand-writing since nothing is exactly matching what i want? 👀
the only font-maker for handwriting i've found won't work for Chinese or Korean 😞
OH MY GOD I HAD NO IDEA GOOGLE FONTS DON'T JUST WORK IN ALL LANGUAGES
WHY ISN'T THERE A FONT THAT SUPPORTS BOTH CHINESE AND KOREAN??
*imports three different fonts for English, Chinese, and Korean*
my font selection criteria: vibes 😎
now,,, colors have historically been "ok, whatever" territory for me, but i'm looking to (hopefully, slowly) change that as i work through this project...
yes, i know the green doesn't match my mock-up and i'm not even 100% convinced i even like the color in the mock-up, but that's not important FOR NOW. the main thing i wanted to get down was that the green part on top is colored by p5.js so that i can dynamically draw and animate the lemons on top of it while the color everywhere else is just plain CSS background-color
also toying with the idea of a softer off-white color for the div (the center box thingy) instead of smack-dab-in-your-face just the total absence of color that i kinda hate 🤢 idk if changing the green will change how the white looks, we'll have to see~
💌: overall pretty excited for this project since i rarely get to do creative design things at work and i don't often feel like i have a lot of agency — i just have to build whatever is needed. this project is purposely designed to be kind of useless and unnecessary because it's just so freeing that way 🕊️ it's also a welcome procrastination activity when i really should be studying my psychology coursework 🤭
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rinadragomir · 4 months
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Ok, I want to start off by saying that I am a fan of all arts and am so appreciative of the time, passion, and work that goes into any kind of content creation.
I am also very particular about when it comes to art. There are mangas, comics, animated works that I have difficulty reading/watching or will not read/watch if I'm not a fan of the art style.
And as an artist I understand that art is subjective and not everyone likes it. Just as I recognize that not everyone likes my particular art style and that's ok. (Not trying to have people come for me like I’m trashing Charlie’s art cuz I am 10000% not.)
Charlie does amazing work and I like it, but it's clear that her style has changed (as most content creators do) since the TLH portraits she did and the pieces that are going in the journal for CC's new kickstarter. I'm a self- taught artist so terminology isn't my best, but her style now is giving semi cartoon realism, but airing on the side of the cartoon more now.
I feel that my unpopular opinion is that I'm not a huge fan of it. I really like the TLH portraits she did of Matthew, James, Christopher, Thomas, ect, but idk there is something about these new portraits in her style that I'm just not liking. Her lines are much sharper now, darker, more profound and it feels like all of the face shapes/ jaw lines are basically the same (and I know I have no room to talk since I draw in an anime style so one could argue all my lines look the same).
and I'm NOT saying that they are carbon copies. Jem clearly looks different from Will down to his eye shape which is amazing and looks great. But idk...maybe part of my disliking is also the inconsistencies? and I'm using that term lightly...but like
Clary's hair looking straight when it's very canonly curly. Alec and Magnus having basically the same haircut... (I’m not the best person to speak on Dru…but CJ’s flower card is different and feels more like how she’s described on the book). The lack of and absence of runes... and I know all of that can be personal preference/stylistic choice. After all, art is subjective and based off of the artist's interpretation (for the most part anyway) but I'm a stickler for details so it bugs me…
And I just liked the softness/ more realism style of the previous portraits Charlie has done for TSC than these newer ones. These new ones are nice and I do like them…just not as much…and there are some that I don’t like at all.
Thanks for reading my ramble 😂 I hope it made sense
Summary: I like Charlie’s work, but am not a huge fan of these new TSC portraits.
BESTIE I'M ABOUT TO CRY😭THE WAY I ASKED YOU MYSELF TO EXPRESS YOUR FEELING IN MY ASKBOX AND THEN FORGOT ABOUT IT
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Okay okay, SO! You're so brave for saying this, LIKE YES WE'RE BEING FED, thank you for the content for our dying fandom, but damn...
Allow me to also start with: WE LOVE YOU CHARLIE, WE JUST LOVE TO COMPLAIN🥺
I can understand Clary's hair, she could have styled them, I understand few runes on James, maybe Cassie didn't clarify that BUT WHAT ABOUT THESE😫the first one looks like a dream and the second one... I'm not sure, it feels like sth is wrong about it but I'm not an artist and I can't say what exactly is off
BUT SOMETHING IS OFF RIGHT?
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One time she nails the character completely and the next time BOOM JUMPSCARE
Is it Cristina? Is it... who's it😳 it can't be Dru
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But also I can't blame Charlie, I mean I also prefer her old style, but I'm mostly confused by Cassie. Like...you paid for the work and had a chance to correct the artist or clarify some details about the characters but...you saw this and went YEAH THAT'S WHAT I WAS LOOKING FOR, NO, NO NEED TO FIX ANYTHING IT'S ALREADY PERFECT
Girl—
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kozachenko · 3 months
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So a little while ago I did this background thingy of my interpretation of Hakugyokurou in Touhou 7, then left it at the sketch and forgot about it for a while. Then after changing up my art style a lot, I came back to this and decided to finish it as a way of testing out how my new style would look on backgrounds. Then when I finished it, I also didn't look at it for a while, until today where I decided that I liked it and wanted to post it.
Artist's Notes:
IDK how much this actually looks like Hakugyokurou tbh, but I liked the idea of there being a fuck ton of trees that just kinda grow on the stairs and Yuyuko's garden being on an island of some kind, though tbh as I write this now, this same feeling could be accomplished with just having the stairs be on top of a hill with the trees soooo... oops. IDK how mythologically/lore accurate that would be, but hey, just a cool idea I had. I feel like we need more fan interpretations of certain Touhou locations because I think those could be really fucking cool, like, I should do more of these myself because I have a fuck ton of ideas (plus I need the practice with drawing backgrounds so win-win).
Even if this... doesn't really look like Hakugyokurou in Touhou canon, this was still good practice for perspective, as well as getting better at drawing backgrounds/environment pieces (plus what annoys me is that I wanted to make the tori gate red but had to make it pink because the red was too much for the colour scheme and I should have adjusted the rest of the colours but I don't feel like going back and fucking with this piece now because I feel like I am going to end up like Sisyphus pushing a boulder up a hill with this drawing).
I think the reason we don't see those as often is because there's a lot more consistency with the location designs in Touhou than the character designs. Like, in the mainline games themselves, Marisa's outfit changes every fucking game, and small details in how characters outfits are drawn also lend themselves to that looser character design base. As long as you keep the core design philosophies of the character (i.e. Reimu keeping her loose, baggy clothes, Yukari with her hat and ribbons, Keiki with her headkerchief (I FINALLY LEARNED WHAT IT WAS FUCKING CALLED WOOHOOO!!!! I COULD HAVE JUST LOOKED IT UP ON THE WIKI THIS WHOLE TIME YAAAAAY), and many more examples) you're basically good. However, the actual locations in Touhou have been so set in stone with all the printed works that I think it's a shame we don't see any more variations of how they could look.
I'm not saying to completely ditch how each location is portrayed in games (also don't take this whole thing as me completely dissing the canon looks of the locations) but, treating the locations like character designs in and of themselves. Like, take Sakuya's canon design and her Touhouvania design. Both of them are very different takes on the same design idea. Yet you still recognize Touhouvania Sakuya as... well, Sakuya. And also, keeping the same mythological/historical/irl inspirations for said locations (again, don't know if having a floating island in the Japanese netherworld is accurate but it was a cool idea)
Some other location ideas I have include:
The SDM looking relatively normal from the outside but when you go inside it looks like a fucking gothic cathedral/castle because Sakuya keeps fucking with the space time continuum and there is also an organ the size of a fucking house in there that Sakuya dramatically plays. Also having it be surrounded by trees and having some mountains surrounding the misty lake would be cool as well.
Keiki's base in the animal spirit garden being reminiscent of the ancient technology in Laputa, some of the zonai technology in ToTK and some of the Lanayru desert buildings in Skyward Sword (i.e. Lanayru Mine, the shipyard, etc), as well as a lot of the other ancient technologically advanced sky people ruins seen in some other Zelda games, but with the clear Kofun era theming she already has.
Old Hell having a mix of western influences with it's prodominantly Japanese ones, mainly inspired by how the Palace of Earth spirits looks significantly more western than the rest of Old Hell (though that could be because it was more recently built idk), as well as there being emblems from the time that Old Hell was actually Hell being strewn about in the ruins of old hell, also being inspired by a Japanese historical anecdote about how certain families had specific crests/emblems representing them and how when a new clan would take over everything would be replaced with that families' emblem although my memory is a bit foggy (since I saw it a while ago) and I got info from a Youtube short so take this info with a huge grain of salt (and it anyone actually knows if this info is legit or not, please correct me if I get anything wrong).
Overall, don't think this looks too much like Hakugyokurou, but I am glad I drew this anyway because I needed the practice with drawing backgrounds.
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wooiamamess · 2 years
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H20 mermay redesign
So in honour of mermay, and my rewatching h20 a couple of months ago, I did a redraw of the characters from h20 with my own head cannons and some explaining of my redesigns of course (: I really think that an animated reboot (not the one Netflix did) would be perfect for this show, and I wanted to convey my ideas. I also did try the make the designs resemble the actors at least a little bit.
Ricky
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I love Ricky with all my heart, she’s definitely in my top 3 characters from this show. I’m obsessed with her hair in season one, especially when she puts it into braids. I kept her red motif from the first season as well. I want her to wear very early 2000s-esque grunge clothing. In terms of her mermaid look, I changed her colour to this orange/red-ish colour, and added details to make it look like flames.
I know a lot of people like to headcannon her as a lesbian, but personally I don’t. I think that she’s definitely pansexual with zero preferences and would go by she/her pronouns but would be ok with they/them.
Cleo
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I honestly had so much fun with Cleo’s design. She has a bit of a bohemian style in the first season, but I decided to trade for a little more preppy look that I think reflects her character more. She’s sweet, caring, a little naive, but good spirited. So I put her in a trendy outfit with some cute patches to keep that homemade look. For her mermaid look, I wanted it to look like lace to mirror the patches on her skirt, and of course, it had to be purple.
My asexual ass has to headcannon her as ace and heteromantic. She’s also got the purple motif so that just adds to the ace-ness. She/her pronouns.
Emma
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Emma’s design came really easily to me. I wanted to give her a kind of periwinkle colour scheme to match her ice. Her human design is simple, but I really wanted to keep it modern and trendy. Athleisure with high socks and bicycle shorts (and of course a sparkly top). Her mermaid design also came really easily to me, as I gave her sharp sparkly edges to resemble ice. Is it difficult to make a blonde, ice-themed character not look like Elsa? Yes
If anyone in the main three is a lesbian in my eyes it’s her. She’s hella gay with she/they pronouns.
Charlotte
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Lol I don’t think I have anything positive to say about charlotte but damn I had so much fun drawing her. I really wanted her to look soft and sweet but give her the nastiest attitude ever. I put her in a preppy school girl outfit with soft pastel pink to make her look unassuming (at least to Lewis) and of course the necklace that the other three girls have.
She/her, straight.
Will
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Threw a curveball at you didn’t I? That’s right, this is where my head cannons start, along with my inability to draw abs. Rewatching season 3, it only made sense to make him a mermaid instead of Bella, and I honestly feel like it could’ve been more interesting. Imagine him as a diver who got just a little too curious around Mako, and accidentally turns into a mermaid. His dreams of become a diver are ruined, however he got to be happy doing what he loved (exploring the ocean). It just makes more sense in my opinion.
For his main colour, I changed his motif of blue to green. I wanted to keep the blue colour for Emma and Lewis, and I honestly just felt like it suits him better. In terms of his powers, maybe the ability to control plants? Idk
He’s probably straight, maybe bi-curious. Goes by he/they but wouldn’t object to any pronoun. The chillest dude.
Bella
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Bella was probably the hardest to adapt just cause I don’t love her character in the show. I decided to make her not a mermaid, and instead a love interest. I felt like it suited her better. I wanted to keep her colour palette soft and muted, and put her in sweet, bohemian style clothing. I feel like she would become a good friend of the main trio after the betrayal by charlotte. She would be an excellent friend and totally keep their secret as well as fall in love with Will.
Definitely bisexual, not opposed to a flirtationship with Emma (I just want them to meet) She/they.
Lewis
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Look at this disaster man. I put him in messy clothes cause he probably couldn’t give two shits about what he looks like. He really does just want to go fishing.
Biromantic asexual (yes I am in fact projecting onto these characters). He/him.
Zane
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I personally love Zane. I know he’s not everyone’s cup of tea, but I love characters who are shitty people and even when they’re on “the side of good”, they continue to be shitty people. Just more focused and positive. When I was a kid I was 100% on board with his relationship with rikki, and honestly a part of me still is. So for my headcannon, he doesn’t cheat on her, the cafe doesn’t get in the way of their relationship, and he treats Rikki so much better. Cause they had fantastic chemistry and I don’t want it to go to waste.
For his design I gave him two looks, a casual motorcycle riding outfit, and of course a business suit. I made his main colour black, but I had to give him dark red accents as a nod to Ricky.
Heterosexual, he/him.
Lastly
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The love interests as mermaids. This is not a part of my headcannon (yet). In terms of powers I have a couple ideas that do, in fact, include Lewis being able to talk to marine life. Poor boy will never go fishing again. In terms of Bella’s powers i really hate what they gave her, so I was thinking wind or bubbles or something air-related. As for Zane? He’s definitely the hardest to pin down for powers but I’m thinking either shadow manipulation or storm related powers (like lightning). Maybe a combo of both.
Well I’m done writing this all out and mermay is over so fuck me I guess. That’s what I get for making this post with 20 minutes left of may. I hope you had fun reading my post and looking at my art. I probably won’t draw more of this headcannon but idk I do what I want
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pocketsizedquasar · 1 year
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how do you draw water so well what the fuck. please tell me your secrets
thank u very much FALSKJFSDJ!!! <3<3 and also uh i honestly like. don't know what to answer besides i did a lot of water studies early on in the production process and i use a lot of references
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for me a lot of it is about getting the ~feel~ or the ~vibes~ of it right rather than going for pure realism (and obviously my style isn't like.. realism tm). so . focusing on where the big shapes and shadows and light fall and building up smaller details from there. if you zoom in on a lot of the water in the comic pages it kind of just looks like scribbles, but the whole image altogether conveys the mood and scene and vibes of what i want
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i think something i've noticed too over painting lots of different water and looking at different references over the years is how many colors are in it? like you look at a standard photo of waves or whatever and it's dark blue. sure. but even in neutral lighting some of the shadows are more purple or green or even red. some of the highlights are yellowish or pink. some areas are super saturated blue while others are more gray -- the shadows are often some of the most saturated parts, which was counterintuitive at least to me early on. there'll be the smallest flecks of hue variation that you can't really see from far away, but including them contributes to that overall ~vibe~ when looking at it all together. even within splashes or sea spray, there's more than just the white.
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and that's not even beginning to consider what the water looks like in different lighting (ie sunset or dusk ahaha or even cloud cover vs sunshine, morning vs afternoon, etc).
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i also was lucky enough to grow up in california near the beach and have spent a lot of time around beaches. and, particularly as a Lot of the early comic production was during the early parts of the pandemic, i would spend a lot of time at the beach by myself and just observing the water, so I got a pretty good feel for how the ocean changes color drastically even over the course of a single day, just depending on where the sun is and how many clouds there are and etc etc. most ppl only tend to think of it having special colors at sunrise or sunset, but even over the course of a normal day, there's such a wide range of blues and greens and grays and yellows
and then i try not to go overboard with this or use it too much, but adding like an Add or Overlay blend mode over the water and putting in small strokes of light (yellow or orange or whatever the lighting color is) to give it that feel of translucency/radiance that large bodies of water have. it's a small touch but i feel like whenever i add it it elevates the water from "yeah that's water" to "OUUUGHGH THAT'S WATER," at least for me (these two side by sides are with and without that light layer — it’s also used in the above example)
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I also like, don't do all this stuff if the water isn't important to the shot? like if it's just in the background (as it often is, because u know, boat) i sort of just make sure it looks vaguely . wavey . uknow. with some help of procreates wavey brush lol
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anyway uh. that might have been a lot / kind of incoherent but i hope that helps hghdsfld?? it's hard for me to describe my process beyond "uh idk i look at it and i make it" adslfkjadskj but i hope this was at least a bit helpful
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tossawary · 9 months
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The new "Teenage Mutant Ninja Turtles: Mutant Mayhem" movie is VIBRANT! The unique and ambitious style with handdrawn textures and effects is fun and flashy and incredibly colorful - there have been comparisons to Spiderverse, yet TMNT:MM is very much doing its own thing (there is a fair bit of flashing in this movie too, so be warned, but not on the extreme scale of either SV movie). The animation is beautifully naturalistic in its acting and the action really pops. The character designs have great funky shapes, purposefully significantly uneven in a way that delights me with their lack of symmetry.
It's always fun seeing how the characters and backstories change with each iteration trying to do something different. (It's part of why I'm trying to watch my way through different Transformers shows. I think it's neat how the characterizations are always different.) I've only seen the "Rise of the Teenage Mutant Ninja Turtles" show and movie (and enjoyed them a lot), and the boys and the world are wildly different to that, and I still enjoyed this iteration of them very much too. The turtles are young and adorable and, while they did kick ass, they were also excitedly talking over each other and making stupid jokes and being a little... uncool? In a way that felt resonant to the experience of being a teenager just having a good time and finding stuff you like and trying to find other people like you. The banter was fun and silly and realistic and teasing. And occasionally heartfelt, though most of the characters are (as many people do) constantly disguising their vulnerability with self-aware jokes.
The story is straightforward (it's kind of simplistic and not very deep at all, honestly, but I enjoyed that just fine) and moves along quickly at a fun pace. It's very like Spiderverse in that I think it's accessible while expecting you to be familiar with basic superhero tropes, so it's a real blast if you're already fond of the Teenage Mutant Ninja Turtles like I am, and I find it so refreshing to watch things that are unapologetic about their basic concept being more than a little ridiculous. There are lots of references, but they felt like references that people naturally make, especially teenagers with relatively little exposure to other people. This is a really silly movie! And the movie is like, "Yeah! This is silly! Isn't it great?! Now look at what we're going to do with it!"
The humor runs towards being pretty gross (puke, ooze, other bodily fluids and body humor, and some pretty extreme body horror regarding mutants) at times, depicted pretty graphically on screen. Which I kind of enjoyed, it's neat sometimes to see a movie go there, but I need to underline the vomit warning because that stuff was excessive. The movie also gets quite violent at times. As with most superhero media, they do beat up a lot of generic goons without pausing to consider the broken bones that would definitely be happening. (Very vague spoilers:) There's a nonconsensual medical experimentation scene that's a little disturbing, with repeated electric shocks, and the drawing of bodily fluids, though they keep telling jokes through it to try to keep it light. The final battle is also pretty destructive and did make me go, "They're just babies! (They're like 15ish.) Leave them alone!" a few times.
So, if you're looking for something fun and silly to go see, something that looks totally unique and vibrant on the animated scene, something that made me nostalgic for just joking around with my geeky friends by ourselves when we were teenagers, then I recommend going to see this movie! Especially if you enjoyed any previous iterations of the Teenage Mutant Ninja Turtles even in passing. Though if you're a die-hard fan of a particular previous iteration, maybe you'll be annoyed by some of the adaptational differences, idk, and if you don't like any previous TMNT stuff, then this is maybe not for you. I'm looking forward to the TV show and the sequel that have been greenlit already!
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melonteee · 6 months
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I’d like to state that I love the One Piece live action very much. And I like it precisely because it changes stuff up a bit. I don’t need a panel for panel re-shot, I think those are boring. One Piece live action to me feels more like one of those myth retellings, same people, same key events, some themes are the same but you add a new sprinkle to make your own artistic choices or to highlight something that you feel important even if the original version didn’t.
For instance, I think pulling Garp forwards is pretty clever. It gives a more Western feel to the story by having the antagonist tell half of it. Western stories oscillate between A and B plots (or more) quite a bit and thrive off of conflict. It’s not necessary for a story to function obviously but it’s part of the new style, namely it being a Netflix show. It is for a decidedly Western audience, it’s okay to use the tools of Western story telling. It changes the pace and the urgency, there’s an external pressure looming over the whole season and I like it when shows can do that.
I also love that we get the Cory and Helmeppo story more centered. Oda had only place in the chapter covers because of how vast One Piece already is. I appreciate the change that I get to spend more time with them and be part of their budding friendship. But you need at least parts of the Garp story for this to feel coherent within the show.
The live action reminds me of why I love writing fanfiction. Not to be disrespectful towards the original artist, far from it, but because I want to experiment with the things the original has and, importantly, doesn’t have. To keep the heart of the story and its key elements - which I think they did by and large a good job at, and to change it up for the new idea this iteration is presenting. In this case: What would One Piece be like if made for Western audiences?
Another guiding question is, what would One Piece be like if as realistic as possible? It not being a drawing anymore changes the tone and perception significantly, so they have to adjust for that. The over the top humor of Oda doesn’t work in this new medium. It’s a difficult needle to thread as Oda’s humor is so integral to everything, characters, plots, world building and so on. But that’s the challenge they set and I do think they caught quite a huge portion of it.
For example, Zoro isn’t as goofy and doesn’t grin as broadly as in the manga because no one is. Ruffy is less goofy so Zoro has to adjust down as well. He still smiles and cracks jokes and is his chaotic self. To me, in this world this version fits.
Overall, I love this live action a lot. It’s the best of its kind I’ve seen. And I love all the little scenes and gifs people make from it, they make my One Piece heart beat proudly. All the details that went in to the show I appreciate, the changed by and large I respect. It’s not the same but good.
And as someone who follows your tumblr, that opinion feels sometimes a little lost in all the asks you get about it. So I wanted to let others of your followers now, who - like me - might’ve felt a little discouraged by reading some of those asks and answers: It’s great if you’ve loved this show. That’s what it was made for. 💚
I appreciate all this but I need you to know, I am in the minority here in regards to not enjoying the live action - positivity for this is everywhere. Like I really do appreciate what you're trying to do here and I appreciate you like it a lot, but if my honest opinion regarding a live action adaptation discourages people then...idk there's plenty other places to turn to, my opinion on it shouldn't be the end all be all of opinions.
All the questions you brought up are fine, but the thing is if they're gonna change it up, then that's not an adaptation - that's a reinterpretation. You change an adaptation and its fidelity to fit the medium, that is not what this live action did. Through producer interviews they even stated that's what they WANTED, they WANTED a panel for panel adaptation, and they literally failed to do so. I'm glad you wanted something different, and clearly a lot of people also seemed to want that? But I personally didn't want One Piece to be different? I didn't want it to be 'realistic'? I also couldn't care less how the west wanted to make One Piece?
Making Zoro and Luffy less goofy means they are not the same characters, it shouldn't be more 'realistic' to make them more 'serious'. If anything that's just disappointing that these Netflix producers think realism means sucking the fun and humour out of characters. Those changes in characters is what bugged me the absolute most and, to speak frankly, I absolutely hated this version of Zoro. I would argue this whole adaptation does not make One Piece's heart beat loudly at all, if anything it feels embarrassed for what the original characters are meant to be and want them to be something else entirely. It feels like it needed to be 'edgier' and 'grittier' for literally no reason.
Different strokes for different folks I guess, and I'm sorry if I sound kinda miffed in this ask but it's because you will literally find positivity for all of this anywhere else. I'm sorry if I discouraged you but, again, my opinion on a piece of media shouldn't be the end of the world lmao. I'm happy people found joy in something I couldn't, but respectfully, I don't need it thrown at me when I've seen it everywhere else constantly and am just speaking honestly on my own little blog here.
We can agree to disagree and continue loving the ACTUAL thing that brought us all together, which was the original animanga!
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⭐⭐⭐ talk away!!! pls talk about whatever suits your fancy, maybe what kinds of traits and themes draw you to a character/story idea, or what themes or traits you notice reappearing in a lot of your works?
oooooh hi hello!!!! thank you for sending this and enabling me lol
okay, so as for what i'm drawn to -- i definitely have a Thing(TM) for poor soggy little meow meows lol. i like my female characters to resemble wet orphan kittens abandoned in the rain lol, but also have a very strong side to them that is in direct opposition to their soggy-meow-meowness lol. i really enjoy that duality. i enjoy that in all sorts of characters, and when it comes to fanfic i do read m/m and only very occasionally m/f pairings, but i am very rarely -- if ever -- inspired to write for them. i guess the formula for what compels me to write something is the combination of 1. soggy woman i wanna keep in a jar 2. is it something i want to read and feel there isn't much of in the world?
i exclusively write f/f pairings and woman-centred storylines -- not bc it's the only thing i enjoy in fiction, but bc it's the sort of thing i wanted to read when i was young and there was just so little of it, and i found it almost exclusively in fanfiction, with some exceptions such as sarah waters novels that i really enjoyed, but weren't translated in my language when i was a kid so i did struggle with them a bit (i would really wanna reread those now that i have a better grasp of the english language and am no longer a tween lol, i wonder if my opinion on them would change). i like to write from experience, and my experience is that of a rather odd gay woman moving through the world, so i like to channel that in my fiction. i feel like i'm Qualified(TM) to write it lol.
i'm about to be an old man shaking my fist at the world and demanding people get out of my swamp lol, but i feel like even though there has been a huge change in the amount of wlw storylines media we are Served every year (when i was a teen i feel i could count them all, that's how few movies/books there were, and at one point it was like okay..... i've seen it all lol or at least all that was accessible to me). and even though the media landscape has changed drastically in the last 10 years, i still feel like there are such few stories that really resonate with me? and we are generally being bombarded with very meaningless stories/media, just regurgitating the same shit over and over again (disney live action remakes are a good example of that trend, saying that as someone who was always a fan of disney if you couldn't guess by my username lol, and hasn't seen any of the remakes bc i simply Do Not Care, stopped caring around 2014 when maleficent came out). if you asked me to name a wlw story, or even a woman-centric story that doesn't involve a male love interest, that i really, truly enjoy, i feel like i'd struggle a bit. we get a lot of storylines in media that, imo, lack substance, and are often audience pandering (idk why supergirl came to mind, but it's a good example i feel). and tbh, the audience isn't picky. most people will just watch whatever lol, and honestly good for them but i Cannot lol. it needs to Hit A Spot for me. as for books, there is a better choice there i feel, but a lot of it is ya novels and i am simply not interested in that lol. no shade, but it's just not something i like to read. i want an old hollywood style romance with lesbians. i want phantom of the opera, i want the Drama(TM), i want a fucking hugh grant cheesy movie with lesbians. and so that's what i like to write -- just things i always wanted but never had lol.
i feel like in my works the Themes(TM) that appear a lot are:
1. loneliness and finding something or rather someone that quenches the thirst for company in a way that matters (i have always found irl that there's a lot of people who listen but don't hear what you're saying, and since i was a child i was always searching for people who will genuinely try to understand where i'm coming from and not just immediately try to put me in a box in their mind so they can Place Me somewhere and understand me in their own language. can you try to understand me in mine?)
2. pondering of morality, what's right and wrong and is there such a thing, rejecting and questioning societal norms.
3. a lot of kinky lesbian sex lol, through which i like to explore the psyche of the characters (or sometimes i'm just horny lol and sexuality and kink is something i like to think about a lot, esp bc my formative years were so traumatic in that aspect)
4. very character driven plots/characters changing their own fate or what *should* happen to them
5. the Intricacies of interpersonal relationships/developing a deep connection with someone and generally exploring emotional connection
6. this will be most prominent in the thing i am yet to post but is almost written, but i do enjoy some horror elements, gothic horror to be specific! i guess it's all the gothic novels i read in my youth :))
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songofstrawhats · 5 months
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Okay I just finished reading Alabasta and here are my thoughts!!!
Okay I see why people like Vivi so much, and also why people ship her with Nami, they are extremely cute. Reading about her in fic I was a little like 'idk why people consider her part of the crew so much if she's not with them??' but no I get it now I love her. I'm gonna miss her!!
Usopp!!!! Had so many cool parts!!!!! He's really a very slapstick character and I'm impressed they got him in live action as well as they did even tho I think he was the most changed one. I loved his bit with the hammer, and also the flashback where Nami was getting him to make the climate staff..... where you see him building the hammer before hand!!
Zoro going into a fight like 'cool this'll be a great chance to learn to cut steel' HOW IS HE SO COOL AND ALSO RIDICULOUS and also is this observation haki?? Perhaps???? Idk idk. Also I want an AU where Zoro ate the sword fruit I'm just saying
Chopper is so good and any time any of the crew is interacting with him is so good. Love Zoro scrubbing his fur in the bath!!!!!
Okay so Crocodile is literally just Captain Hook with all the Crocs and the clock shots and the hook, does this make Luffy Peter Pan? Because accurate tbh
Also rip bird guy you were so cool bird guy idk your name but I love your style
Also all their outfits were so cute this arc!!! Esp Luffy!!!!! I wanna draw himmmm
I fucking love the den den mushis and also the running gag with them and Sanji, good stuff. I kept forgetting who was and wasn't with the group so when he called while everyone else was stuck in the cage I was like OH RIGHT lmao
The Supersonic Duck Squad are absolutely not making it into live action but I love them and also their new camel buddy SO MUCH
ALSO shout-out to Smoker omg I now see why people were so excited about the teaser at the end of opla, although I def agree with my sister that 'he is going to invent new kinds of lung cancer' lmao
There is so much more politics than I expected there to be in one piece!!!! The diagrams of where all the different factions were at all the different times were EXTREMELY necessary
okay so I knew from fic that Robin just sort of shows up on the ship and Luffy is like 'yeah sure you can join our crew'. NOT ONE PERSON MENTIONED THE MUTUAL LIFESAVING BEFOREHAND!!!!! SHE SAVED HIM AND HE SAVED HER AND THEIR FATES ARE ALIGNED SHE HAS THROWN IN HER LOT WITH THEIRS!!!! Like idk what her deal is but I'm willing to see where this goes!!!!!
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kirbydaily · 1 year
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any tips on lineart or coloring? I adore your art style!!!!!
thank you! this post might be a little rambley because i'm not the best at explaining things
ok for starters, i don't want to go into my own personal preferences for choosing colors too much. when i started drawing i really stuck with what other artists said was the "correct" way to do things and that can really hinder your art a lot, so i'm going to give general descriptions of colors and color schemes and let you decide which ones you find the most appealing or enjoyable to use. i think choosing colors comes down to personal preference most of all. don't take anything i (or any other artist) say as law, drawing is a lot more fun when you make your own decisions about it. if you want to use a lot of super bright/dull colors, or no colors at all, go for it! your art should be what you want it to. this post is more for people who want to know more about color schemes than for people who want to draw exactly how i do lol
also you can use solid black and white in your art its not illegal and it doesn't always look bad idk why this is such a common thing people say in tutorials/tips about colors
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color schemes can be monochromatic or polychromatic, with my art i usually use different colors but i like to use monochromatic schemes sometimes too, art can look very nice with both of them. characters with multiple colors (like kirby) can be drawn with monochromatic palettes as long as you have varying values of the color.
with polychromatic color schemes, remember that less is more! limit your colors and try not to use way too many, it makes things less confusing. reuse colors for different things instead of adding new ones
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value is how light or dark a color is. i like to use color schemes with a lot of tints (or pastel colors), usually with a few darker colors in order to define shapes a little better. value is Very important to make the thing you're trying to draw clear to see and separate details from each other, so i'd study this before learning about picking colors individually.
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saturation is how "intense" a color is. it's different from value, and it works alongside it (saturated/desaturated colors have tints and shades.) i don't use many very saturated or destaturated colors, and a lot of my art kind of lies in the middle. when i do use them, i try not to put very saturated and very desaturated colors together in the same color scheme, as using all of one or the other can make things more cohesive. (also, don't make dark skintones too desaturated. they should be in the middle)
the most important thing to remember about color schemes is that colors don't work independently, they look best when they're cohesive with other colors. think about how you want something to look before you color it, consider if it's supposed to look cute or have a gloomy/dark feel, if its daytime or night, etc. try not to follow a character's reference sheet colors too strictly, and change them as needed given what you want your finished art to look like.
lineart is a lot more simple (at least to me). i usually use a dark blue or whatever color i associate with the character for it, and i like to keep the stablization setting very low, as that helps it make look more sketchy/painterly. (i use clip studio paint, so if anyone wants these brushes let me know and i'll put them in a different post)
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hopefully this was a little helpful and not too much of a pain to read! i've gotten a Lot of asks about this so i felt like i should make this post as detailed as i can. do look for other resources if you want to learn more about this stuff, there's people way better at explaining things than i am lol
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shameboree · 2 years
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Could you tell us more about your bad vives AU? I love your art btw <3
okay id like to preface with a lot of it is VIBES which means if smth doesnt make sense i need everyone to suspend the FUCK out of their disbelief dont question me we are here for a GOOD TIME and a GOOD TIME ONLY. here are some bullet points largely summing up things ive already drawn!!!! pls note my fav kind of Time Stuff is bullshit miserable groundhog day style time loops
-chat blanc gets the bunny miraculous we dont ask questions about this
-he SLINKS ARND IN THE SHADOWS of paris for a while and it builds up marinettes paranoia bc shes TOTALLY 100% SEEN CHAT NOIR and knows that absolutely he isnt akumatized so she gaslights herself into thinking she hasnt caught random glimpses of chat blanc BUT ALSO spirals into a state of FULL BLOWN constant fight or flight response and wont sleep so that shes not vulnerable
-blah blah chat blanc drops in on her while adrien is arnd entirely bc i really wanted to draw that thing of adrien doing the Mom Arm when the car stops too fast bc this whole sitch is just a violent messy WRECK. anyway chat blancs whole attitude is like hewwo my love <:3c im here to give us a super romantic ending <:3c and marinettes response to everything is just like. okay cool, i am going to puke now!! meanwhile adriens just like what the FUCK is happening here
-anyway. more cat n mouse games. ANYWAY. at some point its lb vs cb but chat blanc is just having a great week and WINNING so gets her earrings or smth who cares and successfully romeo and juliets himself n marinette yandere style. a VERY ROMANTIC ENDING bc nothing was ever gonna fix things OBVI so ofc they have to just die in each others arms 💖
-YES adrien experiences massive manpain NO i dont care anyones opinion on it bc i love to see the kids cry. OBVI he is catastropically devastated and NO there is no identity reveal hes just deeply and viciously torn tf UP over marinette getting dead and also feeling completely helpless AND ALSO ALSO like hes the one to blame <:3
-everyone is so catatonic in the wake of No More Marinette that even adrien doesnt notice ladybug hasnt been arnd since
-idk. timeloop shit. adriens stuck in a cycle of the night before (V HARD TO GET A HEAD START IN SUCH A SHORT TIMEFRAME!!) day of, n day after (so no matter what he always has to reexperience the aftermath hehe). i am actually not a huge fan of when longer timespan loops get past mid teens (ESP when it gets to TRIPLE DIGITS???!) bc it feels like it cheapens the experience and also acute stress is sexier than chronic SO ANYWAY. eventually he will obviously succeed in brking the loop and keeping marinette frm dying. good for him.
-every loop is a little different bc every loop marinette CANT PUT HER FINGER ON IT but she knows something is Not Right, which chat blanc is ALSO feelin, so every time they react or do smth diff which means adrien is constantly having to deal w CHANGING VARIABLES !! hes having a bad time. marinette is having a bad time. chat blanc is having a very good time
-final actual confrontation or whatever is pure marichat (DOUBLETEAM. MARI IS AN ACTIVE PARTICIPANT EVEN AS A CIVILIAN. YOU GO BABY!!). ive only drawn adrinette moment but the whole thing is very marichat bc im PREDICTABLE!! anyway no lb bc marinette freaks out cb is gonna take her earrings or cataclysm them so she just straight up swallows em. good job baby.
-THE END BABY!! epilogue reveal EVENTUALLY but for quite some time after they are both quietly carrying the weight of their secret traumas alone w neither of them having a full picture of the situation but not knowing it. what a good time :)
i think this looks v adrien focused but they are all having their separate little stories here and its largely marinette feeling isolated and small for all her mistakes, and chat blanc feels like the worst possible one she has or could ever make so she cant consider asking anyone, let alone CHAT NOIR HIMSELF!! to help her, which just makes everything 100000x harder. by the end of the STORY PROPER she accepts she can trust herself in chat noirs hands but shes still too scared to put her full weight on him bc she doesnt wanna FUCK UP. meanwhile adrien wont say shit to her abt it bc he doesnt wanna burden her w his SECRETS also hes drownin in guilt. also eventual identity reveal changes nothing for him in terms of grief bc he already felt like he died every time marinette did except worse bc he had to just keep living anyway :) but now also hes afraid of an identity reveal for probably obvious reasons. and then beloved CHAT BLANC man of the HOUR switched gears frm wanting to Fix things to wanting to destroy things bc hes a fucking yandere wifeguy OKAY. he knows he is forever RUINED for love of marinette and since he cant have her future is instead entirely focused on making sure he has all of her end <:3c
dw the kids are gonna be OKAY. they are insane and the power of LOVE will help pull them thru, theyre just going to be incredibly clingy for the rest of their LIVES
i love to draw very cutesy w soft and warm palettes and then have the Content be batshit miserable badtimes. i also like to draw a lot of goofy moments btwn and during the Traumas bc i love to be a dumbass
THIS ENDED UP SO LONG SORRY EVERYONE!!! please enjoy my unhinged misery porn 😊💖
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