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nerdpoe · 3 months

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Phantom, the newest addition to the Justice League, pulls Wonder Woman aside.

He has...a strange request.

He's nervous, flustered, fading in and out of the visible spectrum. It's clear that what he's about to ask of her is important to him, and even though she has an uncomfortable voice in the back of her head telling her this young hero is about to ask her out, she resolves to listen before she jumps to conclusions.

She's glad she did.

"Can...can you put a grave for me in Themyscira? I know it's just for women, but it's the safest place I can think of for it! I just...I don't have a grave, and Clockwork says it's starting to stunt my growth as a Ghost, and I have too many enemies on American soil, so. It's okay if you say no, though, I'll figure something out, it's fine."

Diana lets him ramble to the end, already knowing what her answer is going to be.

"We would be honored to host your grave, Phantom. Do you have any remains I can take home? Do you require a funeral service?"

Phantom looks...he looks beyond grateful. Close to tears.

"No, no remains. A symbolic grave is fine, it just. It has to have my real name on it, my mortal one." He says, looking hesitant. "Please don't reach out to my family, Wonder Woman. They don't know."

With that, he hands over a small slip of paper, torn from a notebook and clearly folded one too many times.

She takes it as though he were entrusting her with the rarest diamond in the world. She wants to, but she does not ask how they could not notice the death of someone so very bright.

Instead she nods, tucking the paper away.

Phantom will get a grand grave, one worthy of a friend to the Crown of Themyscira. She will ensure it.

#dpxdc #dcxdp #dp x dc #dc x dp #phanfic #story prompt #she builds him a superb grave #and makes it a point to leave flowers at it whenever she can #the paper also had his birthdate and deathdate #she doesn't know who clockwork is but she's heard phantom talk highly of him #so she trusts that this clockwork fellow wasn't joking around #she also makes it a point to take phantom for ice cream or other treats now that she knows he died so young #she keeps her word #she doesn't contact the fentons #she doesn't look into them #she's not bruce and she knows how to respect a boundary

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jakeperalta · 7 months

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letting celebrities think they can and should "use their platform" to speak on all current events and political issues regardless of how educated they are on them was a grave mistake

#i honestly think that's why half of these celebrities are just sharing around these same few wishy washy unhelpful statements #at this point it's a relief when i open an instagram story and it's just a celebrity posting about their regular stuff #like good thank you feel free to just be quiet #or just share some fundraising links if you feel a need to be helpful #but like ultimately if you have a platform of many thousands/millions #then frankly it is your responsibility to make sure what you are sharing is accurate and useful #and not just posting for the sake of posting #but instead somehow we're at the point where the more followers you have the more you are expected to just post something anything #talking

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beaft · 6 months

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thinking about bg3 astarion introduction. something very funny about meeting a weird guy on the road and he's like "hey, sorry for trying to stab you. i'm a lawyer btw" and you're like well that seems true. and you click on his picture and see that his character class is just Professional Liar

#bg3 #be shh now #he said 'what's the absolute minimum amount of effort i can put into this cover story' and then somehow shot beneath that #i know lawyer isn't the same thing as magistrate. but the point is this man did not go to legal school. i doubt he knows the difference.#containment breach

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descendant-of-truth · 9 months

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Shipping is fun and all but I swear every single time someone makes a comment, whether as a joke or in a legitimate analysis, about there being "no other explanation" for a pair's interactions, I lose just a bit more of my sanity

Like, no, you guys don't get it. Romance is not about the Amount of devotion, it's about the COLOR. the FLAVOR of it all. a character can be just as devoted to their platonic friend as they are to their romantic partner, and they don't love either of them more, just differently.

But because the majority of people still have it stuck in their minds that romance exists on the highest tier of love, I'm stuck seeing endless takes that boil down to "these two care about each other too much for it to NOT be romantic" as if that's the core determining factor to how literally any of this works

In conclusion: stop telling me that I don't understand the story if I don't interpret the leads as romantic, I am TIRED

#analysis #meta #miscellaneous #fandom #shipping #media discussion #amatonormativity #lgbtq #I feel like tagging any of the fandoms I was thinking of when writing this would be a little mean-spirited potentially #Disclaimer: no one has actually been telling me personally that I don't understand any story in particular #It's just that the way people tend to phrase their analyses feels unnecessarily targeted at the reader and that's just. not great #even if I agree with every other point they make

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biggest-gaudiest-patronuses · 9 months

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i vote that next year instead of reading Dracula we do a Jeeves & Wooster Book Club. those two never got the rabid tumblr shipping fandom they deserved (disqualified for the sheer technicality of being published a century too soon). we must correct this injustice

#jeeves and wooster #i want to watch tumblr go rabid i want to watch ao3 overflow with jeeves/wooster fanfiction #yes obviously the fandom EXISTS but it's a cozy little neighborhood #a handful of talented artists and writers doing their best to keep their charming little village going #but i'm tired of cozy i want this fandom TRENDING #I WANT TO SEE THIS ON MY DASHBOARD PEOPLE #i swear to you if they made a shiny new tv series tumblr would absolutely obsess over these characters. good omens levels of obsession #it's just such a great dynamic! the good-natured overly-trusting bumbling idiot in constant need of rescuing!#the stoic all-knowing genius who quietly masterminds mayhem in order to protect this one moron he's devoted himself to for some reason #jeeves as a morosexual is just such a beautiful interpretation of the original text #wooster as a happy-go-lucky himbo who stumbles his way into a relationship with a protective caring and supremely competent mastermind #the angst and social complexities of a same-sex cross-class relationship in turn-of-the century london!#oh AND half the stories are about jeeves helping wooster get out of engagements/desperately avoid marriage #two men who live together constantly scheming to maintain their bachelorhood. this is quite literally the main plot point #the gay subtext is there! the gay subtext is there and very ripe for picking!!!#this thing is LOCKED AND LOADED we can pounce literally any time

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insignificant457 · 5 months

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The scene was powerful in the book, but there was just something about watching reaper collect the bodies of the dead tributes in the arena. The way he removes the weapons from their hands, lays them out nicely, giving them the smallest bit of dignity in death. The contrast to the capitol gasping in shock as he pulls down the flag, not in rebellion, but in mourning. The way mourning in the hunger games IS an act of rebellion. “How are you going to punish me now?” The feed then immediately cutting to the news of the death of one capitol boy, whose death will be avenged upon those who had nothing to do with it. Only certain deaths are allowed to mean anything. God. Suzanne Collins knows what she’s doing.

#the hunger games #ballad of songbirds and snakes #it feels like Suzanne realized that so many people missed the point of the original story so she stripped it of all its polish #and shoved it all in our faces like ‘do you get it now?’#and maybe it’s just being an adult this time instead of a 13 year old but yeah. I think I do get it now

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thatskindarough · 3 months

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Detective Aziraphale

#good omens #aziraphale #good omens fanart #aziraphale fanart #my art #he’s exploring an abandoned library #for a book #unexplainable jukeboxes #at this point I’m a character design away from making original Art #which I probably should if I ever want to get hired #there’s a whole story for this one but I’m too busy to draw it all out

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thestuffedalligator · 6 months

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I read Fat Face by Michael Shea last month and it was. Fine? It was a Cthulhu Mythos story written in the 80s, it was very edgy and it had a lot of tropes I’m not a fan of, I don’t really recommend it, but I have to talk about one detail I have not stopped thinking about since I read it.

So. I knew Fat Face through reputation because it was the story that inspired Shoggoth Lords from the Call of Cthulhu TTRPG, shoggoths that can control their cellular makeup to look like humans. And the twist in Fat Face is that shoggoths have been hiding amongst humans in Los Angeles, and at the end of the story one of them eats the protagonist.

The tone of the story is grit. It’s grime. It’s sleaze and sexual violence and drug abuse on top of cosmic horror. It wants to be taken seriously so bad.

But here’s the thing about the shoggoths: they have a business.

They have two businesses they run out of an office building in downtown Los Angeles. A shoggoth is a primordial blob of eyes and mouths and flesh and hunger, and the idea of one of them at the LA Office of Finance registering an LLC is already. Great. Perfect. No notes.

The business is a front — and again, that’s great, a shoggoth went, “I want to do some nefarious deeds and not get caught by humans; I know, I’ll register a fake business that’ll be a front, and no human will ever suspect” — because the actual interior of this office is a room of pools of water made from black and ancient Antarctic rocks so that shoggoths can relax in their original blobby forms and eat stray animals that they’ve caught.

So it’s basically just. A place for shoggoths to unwind after a long day of pretending to be human. It’s portrayed as cosmic horror, but it’s shoggoth Cheers. Sometimes you wanna go where nobody knows your shape.

Here’s the kicker. The front of the business is a hydrotherapy clinic and stray pet rescue.

When they decided to make a front for their secret lair in an LA office building where they hang out in pools of water and eat stray animals — the front they prominently display and advertise — they decided to go with a hydrotherapy clinic and stray pet rescue.

That is Goosebumps shit. The rest of the story reads like a tone poem about the sleaze and violence of Los Angeles, and the main twist of the story reads like R.L. Stine.

But that’s not even the detail I can’t stop thinking about. Because the story reveals that this business — which again, is a front made by alien blobs to eat stray animals like an ALF-themed buffet and hang out in jacuzzi tubs of Antarctic rocks in an LA office — has a flyer.

Which means there’s a shoggoth with a passion for graphic design

#lovecraft #shoggoth #horror #and this isn’t me demanding realism in my cthulhu mythos #but i think it proves that at a certain point grim and gritty storytelling becomes absurdist comedy #the rest of the story is a gritty crime drama about being a sex worker who breasts boobily under the pitiless california sun #and the twist which is supposed to be cosmic horror elevates it into zany cartoonishness

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ashfae · 9 months

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The thing about romance is, it makes a good story.

As soon as Neil described season 2 as "quiet, gentle, romantic" I figured we'd be in for it, because as he's the first to point out, writers are liars. And the best way to deceive is with truth.

Season 2 is romantic. The trappings of romance are everywhere. Crowley tries to set up Nina and Maggie by trapping them under an awning during a rainstorm, a classic cinematic bonding technique. Aziraphale's chosen method comes from his beloved books: the ball, the dancing, appearing as a pair in public, hands held as you twirl gracefully with your heart thrilled and racing. If they can set up a sensational kiss that will unlock the happy ever after. They've lived on earth, they've studied the tropes, they know how romance works.

The problem is a story is only a story.

Nina and Maggie had the classic romantic setup completely by accident before Aziraphale and Crowley ever began trying to interfere with them. They get locked in Nina's coffeeshop. They can't escape or communicate with anyone else, they end up talking by candlelight because there's no electricity, Nina offers wine. Maggie mentions how she'd hoped for a chance to talk to Nina, and now here they are. It's every bit as much a standard as what Aziraphale and Crowley attempt to arrange. Blanket scenarios galore exist because of that starting point. We love that story. And there's nothing wrong with that.

But it's still only a story, it's not enough. Because once that moment of connection is over, however lovely it was, all the rest of the world comes flooding back in in the form of dozens of angry text messages. Nina's messy entrapping relationship hasn't magically gone away just because she and Maggie shared a romantic encounter.

And it's so tempting think oh well, that's easy. We'll just give them more romantic encounters and eventually those will overwhelm the rest of the baggage. Must do, because it'll make them fall in love, and once they realize they're in love that trumps all other considerations, right? So it'll be fine. Love Conquers All.

Neil also mentioned Pride and Prejudice.

Darcy knows he's in love early on and makes a disasterous proposal that shows that he has no understanding of Elizabeth's perspective, possibly hasn't even thought about it. They've been meeting in forest lanes for walks, conversing, had tete-a-tetes in the sitting room, danced at a ball. And while his turn of phrase isn't as flattering as he thinks, he's still offering her everything he thinks she wants and needs: affection, security, his good name, wealth, an escape from the embarrassments of her situation, the world. How can there be anything to object to? Why would anyone ever refuse so much of value?

Elizabeth quite rightly cuts him to pieces. He lashes back with a few hard truths of his own and they separate. During that separation, he thinks and he learns. He takes to heart the criticisms she offered, re-examines his assumptions, opens his eyes. Thinks about her perspective and how sometimes the only difference between pride and arrogance is where you're standing. He does the work. When they meet again he tries to demonstrate that he's learned--not in order to court her again (yet), but because the only real apology he can offer, the only one that would have weight, is to show that he's grown, he listened to her. He changed.

Elizabeth of course has her own journey, accepting that many of her own conclusions about Darcy were erroneous because they were formed without her having the full picture to hand, and once she's done that she has to apply it to her own situation as well. She loves her family, but they do place her at a disadvantage on a number of levels, leading eventually to full-out disaster as her younger sister carelessly ruins all of their reputations. It's hard to admit, it's mortifying, but Darcy was offering her a great deal she needs. His offer did have worth for all that she dismissed it as an insult. And as she learns to value his own character more highly, and then as she sees that he did listen to her even though she insulted him so thoroughly...well, she grows too. And when they do eventually come together it's not because of courting and balls. There's a big romantic gesture in his rescue of her sister but even that isn't why they'll get their happy ever after. It was just the catalyst for the conversation. They win because they've learned how to understand each other and how to communicate for the future. How they can strengthen and support each other, how to balance their strengths and weaknesses. The films leave them at the wedding, but the book shows a bit of their marriage too, and during it they keep learning from each other. Their relationship is held up as a superior love story for good reasons.

The end of season one was romantic too. Crowley stopped time rather than face a world where Aziraphale would never speak to him again, Aziraphale walked into hell to protect Crowley, they dined at the Ritz and toasted the world. But then they stopped. Sure they spent time together, talked, enjoyed each other's company. But if they were talking about important things would Crowley still be living in his car? They had a bit of respite but all that real world baggage that exists outside of the romantic moment hasn't been faced, none of it. Four or five years sounds like a long while but for beings who are quite literally older than the earth? That's just an intermission.

Nina's relationship ends, leaving her with a tangled mess; Maggie realises the sweet dream of love she's been longing for isn't as important as the real Nina. They talk. They plan. Nina will sort through her life, get closure, figure out what went wrong with Lindsay and what she wants from a relationship, learn how to ask for respect instead of just bending under her partner's demands. Maggie will support Nina the way Nina needs, which sometimes means helping her get oat milk for the shop and sometimes means giving her processing space. They're on the same page; they're going to do the work. That's why most likely they'll succeed. To quote one of my favourite fanfics: it's not happily ever after, but it's a chance. It's all going to be okay. (The Profane Comedy by Mussimm, who absolutely nailed this theme)

The romance is nice, it's lovely. We need it to keep ourselves going. To give ourselves the dreams that help us get through the days and nights. But it's not the relationship. It's not enough on its own. The wedding can be the grandest most beautiful ceremony ever with doves flying and sweeping music and bells ringing, but that doesn't guarantee the marriage will last.

Crowley and Aziraphale have had their romantic gestures, oodles of them. One wing raised to protect the other from falling stars, another from rain. Shared ground, shared interests, hands offered in friendship and held on a bus. They've tried to get to the same page, they really have. They just aren't there yet. The biggest most important things still haven't been talked about, and season 2 showed there are even more of those big important things than we'd realised.

The show paints Maggie as Aziraphale's foil and Nina as Crowley's, even to the point of Nina casually calling Maggie 'angel'. But Aziraphale's baggage is Nina's. The toxic relationship has to be processed and understood and closed, and it hasn't been, despite season one. Lindsay never really liked Nina very much, for all that they tried to keep her trapped; Heaven never really liked Aziraphale very much for all that he believed in it. They both let themselves be used. But Lindsay left Nina and went to their sister's, whereas now the head of Heaven has reached out to Aziraphale and said here, we can fix this, you can fix this, don't you want to fix this? Others are already writing about that and maybe I'll add to it later, not sure. And Crowley, like Maggie, has had a sweet dream that he has to set aside. Maybe he'll be able to pick it up again eventually, maybe not. But sometimes you offer support by buying oat milk or rescuing your beloved from the legions of hell, and sometimes you do it by standing back while they sort through their shit.

Quiet, gentle, romantic. It was.

But that's only part of the story. Now they have to do the work. They thought they had, but they were wrong, because there's so much they just hadn't touched yet and tried to cover over with relief and sleight of hand and alcohol and forgiveness. The apology dance doesn't mean much without showing that you listened and learned. They've faced so much trauma already and that should have been enough, we wanted it to be enough and so did they and it's such a blow for it to turn out that there's still more to do, that the baggage hasn't just gone away and can't be hidden under blankets or soothed with cocoa. The texts are still coming in and demanding answers.

But it'll be okay. It will. It's still a chance. And one that in the long run makes them better, builds something real that lasts.

The best stories, the ones that last longest and become classics, are the ones that don't end with the kiss under the awning or the blanket scenario or the wedding. They're the ones that heal us while the characters heal themselves. It's hard to accept that there's still more to do. Harder to imagine how it can possibly work out. And yes, bloody frustrating to wait and see.

And we'll get through that interim by telling even more stories. Because the story is never just a story. It's how we get through the work, it's what we tell ourselves so we can do the damn work. Stories are what we cling to and how we remind ourselves we're human and connect. A book is a person you can carry with you. We're not alone, none of us, stories connect us because we love them and see ourselves in them, which means we see each other.

Aziraphale's back up in Heaven to deal with his unfinished baggage; Crowley left his behind long ago and it's clearly going to come back and bite him in the arse however much he tries to go his own way. And they can't help each other with that. Not yet.

But they'll get there. So will we.

#good omens #good omens season 2 #gos2 spoilers #good omens season 2 spoilers #crowley #aziraphale #ineffable husbands #nina #maggie #nina and maggie #stories #romance #relationships #am I projecting here #of course I am isn't that the whole point?#pride and prejudice #elizabeth and darcy #quiet gentle romantic #good omens meta

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