I'm not blaming the op of the original post, or trying to imply anything about them as a person. and I don't want to single out this post in particular, because the issue is an broadly reaching trend rather than any one individual happening to write a post in five minutes one time.
but I really Really wish we'd stop and think if it's a good idea to say "girls turning into boys makes them inherently less interesting" on the transgender website
picking a privileged group to be the butt of a joke because it's lighthearted when nobody's actually getting hurt by doing so Only Works when everyone within that group is actually privileged. making jokes about how men are lesser than doesn't Actually affect the people who are actually within power, but Does chip away at the confidence and comfort of marginalized men who are In these communities to be exposed to it.
and the issue isn't about any one joke or poorly worded discussion in particular, but it's difficult to articulate why it can feel so alienating and unsafe to have things like this be so common within my communities without sounding ridiculous or risk being made fun of for not being able to take a joke. because the framing of implied privilege makes it easy to twist those feelings alienation into the entitlement that's assumed with men taking issue with being the butt Of a joke.
I simply think "this type of person is inherently lesser than" should be reexamined and thrown out as a talking point, even in a lighthearted context. because there will always be vulnerable people within those groups who already Hear that they are lesser than for existing
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In concept I like anthro planes bc I look at an airplane and think yeah that’s an animal. So it should be occasionally drawn as such. But in practice the art style and general look of anthro plane art does not appeal to me, and I’m not sure of other ways to depict airplanes as beasts other than anthro plane art, transformers, or those planes from Cars. Sometimes airplanes go past my house especially loudly (I assume they’re flying lower?) and the way it sounds from inside my house with everything vibrating slightly it’s like there’s a fucking beast monster outside. That’s absolutely an animal.
But mostly I just really like this guy
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I've noticed people saying things like how Gortash tries really hard to seem like a noble and not like the commoner he grew up as
(and of course everyone is free to headcanon what they like)
but I thought it was clear he hated nobility and saw himself above them
I think the best examples of this are the busts in his office, specifically Carric and Dame
*Carric started from nothing, built a financial empire and founded the Counting House. He refused to mingle with the other patriars, saying, "They didn't want me when I was an urchin, and now they can't have me."*
*Dame Amafrey, the Orphans' Friend, founded several orphanages in the Outer City, as the Lower City was no place for children (and the Upper City declined to sponsor an orphanage).*
The narrator gets passive aggressive when reading about the upper city declining to sponsor, and the line about being an urchin feels very directed
So yeah I think at best he thinks lowly of them, at worst he hates these fuckers
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writing has been hard lately, so as an apology for the lame updates, have a little concept piece/wip thing(?) of the continuation of this malaligned babytrap series.
babytrapping! with Kyle is a little bit different, it seems.
because for Kyle, anger exists in a vacuum. a chasm. but unfortunately for him, that abyssal trench dug itself a sanctum a little too close to his heart. his soul. a locksafe made of glass, reinforced with raw grit, resolve. it doesn't bother him much; a mere prickle across simmering nerves. quenchable. controllable.
but the thing about dying is that it tends to put everything into perspective. give nuance and meaning to what he might have taken for granted before. but not always for the best. still. these are usually one-offs. maybe they find religion or a renewed vigour for life. but what happens when it keeps happening? repeated brushes with death's gossamer embrace over and over again. the stench alone might drive a man mad—
something might shift, even. break apart.
and to him, a paradigm sounds like the blaring warnings in a distressed cockpit. wind narrowing to a whipcord. metal crumpling against the pavement. the hiss of gas. the roar of a fire as it gorges itself on engine fuel. death's rotten, gnarled fingers whispering, feather soft, across his nape.
he survives the fall, sure, but not unscathed. something breaks, shattering on impact. if not his flesh, not his bones, then it must have been that glass box housing the ugly, twisting blackhole that eats his wants clean from his bone. he doesn't know what the aftermath will bring, but the latest one seems to have dislodged his heart the prison of his ribs. it's not empty for long. the newly untethered contents of the chasm quickly fill the empty space.
the fallout is a wildfire of desperation fuelled by the dawning realisation of just how fragile human existence really is. and when he finds you're getting a little too close with a new friend in his absence, well. perspective, right? he might die tomorrow, but the fear of leaving you alone forever (with a man who isn't him and nothing to show for your relationship except hollow memories that will soon fade like fingerprints) sits in his guts like curdled milk. it simply won't do.
perhaps he should have called in sick.
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nvm this is still on my brain. kim does not like to watch harry suffer… to say that kim takes satisfaction in harry’s pain is a huge misconstruing of his character.
the “getting thrashed like a schoolboy” line comes from a board game, lol. it’s a tease, not a cruelty. there’s never any line that implies that Kim enjoys seeing Harry taking actual morale damage.
he can be amused if you fail a check, but the check is always relatively inconsequential, and again, Harry isn’t taking damage in these.
Failing to pry the trash bin open:
Failing to shatter Ruby’s lorry window:
(also in both of these examples he only responds smugly if you choose for Harry to stubbornly dig in his heels. if Harry gets huffy, Kim teases. If Harry backs down right away Kim won’t rub it in, which feels significant to me! it reminds me of that recent post goin around about Kim meeting your energy!)
and here’s some reactions to failed checks where he does take damage.
Failing the jump to get your cloak:
Failing to break down Plaisance’s door:
he’s not laughing if Harry’s taking damage because he’s not a dick lol.
aaaaand here’s some other instances of morale/health damage and kim’s reactions.
alternate dialogue for failing the harbor jump:
after the call with precinct 41:
seeing bullet holes in the wall:
most significant examples to argue this point for me come when harry has done something to jeopardize the RCM’s image. which kim goes on and on about the importance of maintaining— and yet even here, he still extends worry and assurance.
telling Billie about her husband and handling it badly:
hardie authority check failure cock carousel:
aaaaand the car. this line is one of the most mask-off kim moments we get in the game in my opinion, honestly.
tying this back to the schoolboy line— that line doesn’t show up if you have a negative reputation with Kim. if you have <1 rep, it gets replaced with him calling it “about four hours of our lives that we'll never get back,” lol.
it’s affectionate ribbing!! twisting it into anything else is bizarre 2 me lmao!
anyways. kim is a foil to every other cop we meet in the game specifically because he doesn’t view harry as a punching bag or a lost cause. gottlieb does nothing but sling jabs and glib jokes about harry’s health. torson+mclaine and the others laugh at harry’s panic attack over the radio. in response to harry’s suicide-by-car attempt(!!!!) jean yells about RCM budget. all kim’s lines in response to harry’s check failures and health-damage are consistent, explicit textual contrast against the callousness of the rest of the RCM. twisting kim’s character here requires a bad faith interpretation of the whole game.
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kick it up – batman: overdrive
[ID: Bruce Wayne as a child, hugging and leaning on one of his parent's caskets. Alfred stands somberly behind him as Bruce cries, “I'm sorry! I'll never go to a movie ever, ever again!” END ID]
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