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luveline · 5 months

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Can I request an Eddie and Roan, where she goes to Wayne's house and Eddie and Reader are there talking with Wayne but also planning what to get Roan for Christmas?

eddie and roan ♡ fem!reader

“Got it?”

Roan nods and hops up the last step to Uncle Wayne's while you and Eddie follow behind her. You're carrying a big Christmas cake held tight to your chest while Roan's father insists on carrying the drinks, an eighteen pack of glass cokes, enough to keep Wayne going for the next two weeks at least, less with help.

“Uncle Wayne!” Roan calls as she opens the door. It swings wide and hits the wall. She doesn't care. She's about to see Wayne for the first time in almost two weeks, and she missed him like crazy. Eddie almost got sick of hearing her ask when he'd be feeling better. “Uncle Wayne!”

The second shout is much more desperate.

Wayne appears in the curve behind the kitchen doorway to smile at her. “Hello, my chicken.”

Eddie snorts and slams the cokes down on the sideboard with a jumble of clinks. Wayne is a great dad, but he never called Eddie anything so saccharine. Bud and babe was about as good as it got. Roan gets all the sweet stuff, chicken and gorgeous and baby girl. It doesn't quite make Eddie jealous —nothing feels as secure in parenthood as knowing someone else loves your kid just as much as you do. Wayne would die for Roan without question. He can call her chicken if he likes.

Roan barrels across the carpet in her Mary Jane's and slams into his legs. He pulls her up into his chest, giving her hair a smattering of quick kisses, her dress bunched by his hugging arm. “It's so nice to see you, honey, I missed you!”

She grins and makes a pleased, almost feral sort of sound as she kisses his cheek. “I missed you too! We missed our sleepover!”

“Yes, we did. So I get you for two days, yes?”

“Yes!” she shouts, looking over her shoulder at you and Eddie to confirm.

Eddie holds up his now empty hands, though they don't stay that way for long as he takes the cake from you. “No arguments here.”

Roan laughs and squeezes herself under Wayne's chin. He wraps her up and keeps her, assessing you and Eddie with suspicious eyes. “How are you both doing?”

Eddie brushes past Wayne to put the cake on the table. Wayne isn't really asking Eddie; they know too much about one another having spent the last decade together, first by sharing a wall and now working side by side at the shop. Eddie's sure Wayne's sick to death of his complaining by now, but you're deserving of some sympathy for sure.

“She's getting better. Aren't you, sweet thing?” Eddie asks you.

“I'm fine,” you say, shooting Wayne a smile. “It was probably the same thing you had.”

“Yeah? He take care of you?”

“Always does. He's never let me down.” You cross your arms over your front. “But how are you doing?”

“I know you missed her,” Eddie interjects, “but if you're not feeling up to it, she doesn't have to stay all weekend.”

Wayne raises his eyebrows to protest. Roan beats him to it, yanking herself away from his cuddling to glare at the suggestion. “Dad, you said!”

“Said I'd see if he was up to it, yeah,” Eddie placates.

“I'm up to it.” Wayne gives Roan a soft smile. “We'll be good, right? Watch TV, eat hot dogs for breakfast, lunch, ‘n’ dinner. Dad's just being silly.”

Roan leans back into the hug, relieved, and Wayne pulls her head to his chest, covering her ear subtly. “Thought you needed to get some things? You know, from Santa?” he whispers, ‘Santa’ mouthed without sound.

“Yeah, if we knew what to get her,” Eddie says, brushing his hair behind his ears. “Kid's impossible. Asked Santa for a baby sister and a pet turtle.”

“What's wrong with that?”

“Wayne–”

“The turtle, I mean.” He nods at you apologetically.

You aren't offended at the idea of a baby sister being an easy gift, and you laugh at his correction. “We don't have room for the tank, I already checked.”

“She got the measuring tape out and everything.”

“What?” Wayne asks. “Put it outside.”

“It's not that easy,” Eddie sighs morosely. “They're very particular creatures.”

“It’ll suit you nicely, then.”

You laugh again. Roan wriggles to be put down, curious at the sound, though she wasn't as deafened as it seemed. “Santa will bring the tank, guys, that's how Santa works, and the turtle. We just need to move the couch,” she says simply.

“Where will we watch TV?” you ask.

“Here?” Roan suggests.

Eddie nudges Wayne in the side. “Looks like I'm moving back in after all.”

Coats are taken off, shoes stacked in a corner. Wayne makes everyone a cup of coffee and a sandwich, even Roan, though her coffee is milk with just a splash of coffee that she begs for but doesn't touch after the initial sip. Theories for where they might house and care for a pet turtle are shared through crumbs and foam moustaches, Wayne with a lap full of grandchild, and you with an armful of Eddie. He keeps turning to you to scan your face for signs of fatigue or sickness, eyes lingering, his hand resting and rubbing at the top of your thigh.

“We'll have to give up our room,” he suggests to you with an air of defeat. Despite his sombre tone, love lines his gaze. “When the turtle gets huge and wants to go back to the ocean, we'll have to fill our bedroom up with a swimming pool.”

Roan sits back guiltily. “Well, maybe not like that. Can the turtle sleep with me?”

“That could be fun. We'll get you a water bed,” you say, to Eddie's delight. He chokes on a handful of chips and needs to be whacked on the back lest he asphyxiate, and while you're still laughing at your own joke and his reaction, you pat him more gently on the back before passing him your full coke. “Here, handsome.”

Wayne's pretty sure his nephew's found his soulmate. “What about a tortoise instead?” he asks Roan, attempting to spare you both.

Roan pouts at her Uncle, confusion furrowing her thin brows. “What's the difference?”

“Couple hundred dollars?” Eddie asks.

Wayne kicks him under the table, but never hard enough to hurt. “Nothing much, chick. I'm sure Santa will figure it out.”

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sylveon-and-velveon · 3 months

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Playing "4 Big Guys" around the slashers

Shitpost idea has been made, so here XD

This will include: Michael Myers {OG & RZ}, Brahms Heelshire, Jason Voorhees, Billy Lenz, Freddy Krueger, Stu Macher, Billy Loomis, Thomas Hewitt, Bubba Sawyer, Harry Warden, Tiffany Valentine

Feel free to request any shitpost writing prompt ideas you can think of in my asks, I love silly non-serious ideas XD

Given the music is VERY adult related, this is 18+ ONLY

OG Michael Myers

Ain't gonna lie, the second you play that song he's probably staring at you instantly. Anger? Disappointment? Cursing your entire family and possible future children? Who knows! It's Michael-Fucking-Myers baby!!!

He's not used to anything sexual overall so hearing a song openly sing about gay sex, and in such a detailed way, would worry him. Not for the singer, no- more on your taste in music.

And don't even get me started on when he hears about shit being involved. The second he hears that being mentioned he's turning off the music entirely, patting your head, and dragging you away so you'll listen to something he likes instead to cleanse that weird mind of yours. Like... Kate Bush or something.

He'd like Kate Bush right? He looks like a Kate Bush enjoyer.

RZ Michael Myers

Judging you, hard. Though he ain't saying it. His aura is practically smellable he's judging you so hard.

Does he like it? No. It's loud, obnoxious, and profound filled. Ignoring the obvious "gay sex and other weirdness" part, the volume of the music reminds him of his childhood.

He's smashing the device the music is coming from. He doesn't care if it's your MP3 all the way to a damn TV or Alexa, he's smashing that shit to pieces if it means he doesn't need to hear it anymore.

What would he put on instead? Calming ambient noises that play for hours on end on YouTube. It's the exact opposite of whatever hellscape you just played. It's better.

Brahms Heelshire

Well first of all it ain't classical, so that's a point on the "I Hate This" list.

Second it's not a piano.

Third it's literally "4 Big Guys"-

Not only is this poor man confused about everything the singer is saying, I highly doubt his parents explained LGBTQ+ to him, he's also hating how loud it is.

"Who puts things up their ass?" - Brahms Heelshire 2024

You turn off the music yourself when he practically begs you to.

You're probably tryna hold in your laughter while he's sitting on the floor trying to figure out what the fuck he just heard.

Jason Voorhees

Is there a bigger word for "traumatized"? Because that man earns it.

You're lucky af, if his mom was live she'd hit you with a crowbar so fast- Not kill you tho, she wouldn't dare hurt her boy.

But yeah, he's not saying anything, nor moving. Bro's too traumatized. LOOK WHAT YOU'VE DONE-

You better give him his teddy he fucking deserves it TmT

Laughing his ass off until the shit is mentioned, even this horny gremlin has his limits.

Can you tell I hate shit kinks? XD

He'd want an apology for you blasting that song so far to that section. But no music! He hates Christmas songs, they're so repetitive and they all sound the same anyway.

Bake him a cake, the more unique the better. His favourite so far is red velvet with cream cheese frosting!

Then when he's finished eating you're getting railed by him not longer after, man's not changed. Not now, not ever.

Freddy Krueger

You can play this entire song with this man on REPEAT and he'd be fine with it.

I'd be surprised if he didn't given his track record and.... slicing open his skin to reveal green "blood" and maggots crawling out.

Would he laugh the first time? ABSOLUTELY!

Would he jokingly sing along, probably.

But he would TOTALLY play this song when going after his victims sometimes. Imagine dying and the last thing you hear is:

"4 BIG GUYS AND THEY GRAB ON MY THIGHS-"

Stu Macher & Billy Loomis

Billy is concerned for your wellbeing. Especially when you start singing it at full force with Stu joining in not long after.

Yeah Stu is enjoying this to the max!

Finds it hilarious, who the fuck wouldn't when you've got humour more broken than Brahms' doll-

But seeing you enjoying yourself to this.... absurdity, at least makes Billy calm down from worry. Now he's just concerned your taste in music may infiltrate your taste in movies.

I doubt the man's used to hearing music.... imagine this being his first time hearing it-

OMG he'd probably think this is normal for music.

WHAT HAVE YOU DONE??? XD

If it's not his first time hearing music though? No concern, laughter, nothing. He's neutral, given that this is something that makes you a little chaotic gremlin.

He's happy seeing you comfortable enough around to be a "gremlin" as you call it.

Bubba Sawyer

Don't traumatize him more than he's been already!!

Sure he doesn't realise it, or the fact he's used to it, but the poor guy's already traumatized-

Though he's probably more confused in the whole scheme of things. I mean, he knows what sex is. But just the surface of it.

So he's probably just learnt way too much in such a short period of time.

Oh lord what have you done-

Harry Warden

Okay first of all, why is there no GIF of this man? WTF????

Second; man's from the mines, man's old fashioned, you've probably just thrown way too much modern shit in his face way too quickly that he's just staring at you, the music video, and then the floor.

Poor miner is so confused, especially when the "cum starts spraying".

Oh god he'll probably think it's like dust from the mines spraying everywhere.

Fucking hell that's a vision-

Tiffany Valentine

Finds it amusing? Yes.

Judging? Not as much as you'd expect.

Girl's been through a wild ride, hearing you blast out "4 Big Guys" from your phone wouldn't be the most shocking thing in the world.

Hell. she'd probably encourage you to start singing along to it XD

Oh she's gonna use that song to torture someone with it. She doesn't know how yet, but she's got the idea in her head now

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momentomori24 · 2 months

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I swear to God, Twitter being able to accumulate so many brain-dead, malicious, pseudo intellectual low lives all in one place at the same time is a phenomenon worthy of being studied under a microscope in a science lab. And no, that is not a compliment.

Thankfully people have already spoken out against this bullshit-- the fact that people needed to is already maddening to think about-- but as someone who got the basic gist of what happened literally yesterday I'll also put my voice out there: Don't you fucking dare try to paint Hbomb as a murderer over this situation.

Somerton may be a lying, misogynistic plagiarist and conman, but he obviously doesn't deserve to die and while I do make fun of the guy, I genuinely hope that he continues to have a life after the dust has settled on everything. Not on YouTube or any social media platform for a long time at least, but just a life nontheless. I don't wish what he's potentially going through on anyone, and I hope that he makes it through this. But regardless of if he does or doesn't-- and God forbid he doesn't-- none of this is Hbomb's fault. It's not his fault, or Kat's fault, or Jessie's fault (because apparently there's people blaming her too cuz WHY NOT), or anybody's fault. All they did was call out his actions, hold him accountable for the harm he's done. They have done nothing to deserve having to carry this on their shoulders should the worst happen. They did nothing wrong. They didn't kill James (he's not confirmed dead yet either btw). They are not murderers. And to the people saying they are: say those words out loud, listen how they sound like, and re-evaluate. Just cease.

And to people like this:

''Oh I'm not blaming him for anything I'm just blaming him for what his audience did because according to HIM you're responsible for your audience'' Yeah, you people can shut your mouths too. Of course you're responsible for your audience, and that includes Hbomb too. However, your tiny, godless little monkey brain can't see why your argument is still rubbish even with that in mind. The difference between James, Internet Historian and Hbomb is that Hbomb never promoted problematic behaviour to his audience. If you promote problematic shit like harassment or misogyny or racism, then yeah, you're absolutely responsible for how your behaviour influences your audience. But that's not what he did. He made it very clear where he stood on those things, literally stating that ''if anyone were to harass Somerton on his behalf they are worse than him and will not see the light of heaven''. He's done his part in making it clear that harassment is wrong, so if someone went out of their way to go against that and harass James anyway that doesn't reflecf on him at all. Also, what the hell do you mean ''hatemobbed'' to suicide? I don't doubt there are people who went to extremes because those bad apples always exist, but most of the things I've seen are valid critisisms, memes and call outs about that guy. If holding people accountable for their actions and poking fun at them a little counts as 'hatemobbing'' (which has Filip calling his critics a ''lynch mob'' energy tbh) what the hell do you call actual hatemobbing then? Do we just let people continue being shitty because calling them out ''damages their mental health'' or ''drives them to suicide'' then? Is that a world you want to live in?

Same thing goes for people like this:

Criticing someone for their objectively bullshit content and wanting them dead are two seperate things. What the actual hell is wrong with you. The plagiarist in question is a person. Those ''harshest critics'' are still people. And because we're people, we care. I'd rather James pump out more plagiarised slop than commit suicide. I'd still hate him for it, but I'd prefer him being alive over the alternative any day. We all do. None of us would sleep easier knowing he's dead just because he wouldn't be ''committing the cardinal sin of putting out a 'pure content mill' video'' because someone taking their own life is horrific-- especially Hbomberguy, how dare you even try to imply that?

And this gets me to the reason I'm furiously typing all this out in the first place: Hbomb is the fucking victim here, so stop treating him like he isn't. He tried making things as right as possible by compensating those that were burned by James through a video where he revealed everything there needs to be known about the guy so that less people fall victim to his actions and lies. To just ignore the harm James was causing while he had the evidence to prove it and platform too big to threaten into non existence should he speak out would've been bad. So he didn't. He did the right thing by sticking with the people James had stolen from, giving them a voice and making them known after they've been scrubbed from the picture by decidedly being uncredited for their works or bullied into silence. He shouldn't have to deal with this for doing the right thing. He shouldn't be labelled a murderer for doing the right thing. He shouldn't have to have the death of a man on his conscience for doing the right thing. People claiming otherwise are obviously wrong, but I can't imagine what all this must feel like right now. Because even tho they're wrong, guilt isn't a rational thing, and I know that if I were in his position I'd still feel like a morally bankrupt individual were the worst to happen even if I knew that it was not my fault. This isn't a funny story. So to add to this dumpsterfire by using it as a prop to bash on a creator you don't like and immediately write Somerton off as dead even when he's not even been confirmed dead yet to do that shows how little these people actually care about the thing they're talking about. They don't care a guy potentially killed himself-- what they care about is using it to paint Hbomb in a bad light because they don't like him. Here they are, posting memes and ill jokes about this very delicate situation while barely a day since the news broke out had passed. It's opportunistic, it's sickening, and literally the exact thing he criticised in his video when talking about 'content mills'. Like, I know none of these clowns bothered to actually watch it, but have some self-awareness. And some shame too, while you're at it.

This long story short: I'm writing this to contribute to the narrative not getting twisted to make Hbomb out to be the villian. Same goes for everyone else. Don't let these people paint them as the villians. If I see another person pull this shit again I will literally bite you and shred you into salad and spit you back out because I hate you so much and I mean that wholeheartedly.

To Hbomb: you will never see this but if you do, take care of yourself.

To the asshats this post is about: Delete your account. Cease all together. Stop talking about this. Just leave him the fuck alone.

#hbomberguy #james somerton #this post took me ages to finish and really grinds my gears #i would not survive on that hellscape with people like this holy shit #really hope this situation turns out for the best #i wrote this while i was frustrated and sleep deprived so apologies for unnoticed grammar i'll correct it later #i'll be keeping my eyes peeled for any updates on this situation this is actually getting scary

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kvothe-kingkiller · 5 months

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I'm not the best writer when it comes to writing convincing essays or whatever, but I'm going to give this a go because it's something that I've thought for a long time that I've never seen anyone really acknowledge unless I bring it up first. (also I am sick and don't really want to do much editing here, just rambles, so good luck)

I think that when most (not all, but most) people get salty about 'modern art', they are not salty about the things people think they are salty about. When they say "this isn't art", theres an important bit that they're not articulating. What I think most of them mean is "this isn't art that should be in a museum." "this isn't art that should cost this much" "this isn't art that should be getting this kind of recognition". And there is a huge difference between that and just saying "this isn't art"

Firstly, all of the arguments about why modern art is in fact art straight up....don't apply. They don't address the problem, they don't answer the question. This isn't really anyone's fault per se, given that it is addressing the literal statement, it's just I think most people aren't actually thinking that literal statement.

So then what do they really mean? Like I said, I think they're trying to articulate why they're frustrated that this art is in a museum when "they could do it". So when you say "okay then, you do it" that doesn't address the core issue, which is "but why is this getting recognition for it, and I would get none" because yes, unless they are famous, they would get Zero recognition for it. Nobody would be lining up to buy their art, no one would ask to put it in a museum. Best place they can hope to have this displayed is a fridge door.

When you look at a piece of fine art, most can see the amount of effort put into it. They see how much training it took to get there, they see how much time it took to put those strokes on that canvas and they can go "yeah, that took skill, that took effort, not everyone can do that. it deserves recognition". And a lot of modern art does take skill, it's just skill that isn't easily noticeable to the average viewer, such as rothko's color fields, they do take a lot of skill and effort, you just can't see it if you don't know. But a lot of modern art that people complain about isn't something that has skill that's not recognized, it just requires very little technical skill at all (not a condemnation, btw).

When you're talking about something 'anyone can do' that piece's value is often not a recognition of skill, or even of the message, it's a recognition of a name. It's similar to having a gucci bag because it's a gucci bag, not because you care remotely about the bag. Yes, art isn't displayed because of how much effort went into it, but it's a huge industry that many many people are making money through from sheer name recognition alone.

Like that one painting of that one artist's (I forget which artist and my cursory google isnt finding it, but also its just an example) where it got replicated and sold to a bunch of people for a large amount of money so they could all have something that had a small chance of being a genuine painting by the artist, that's an excellent example of the fact that a lot of the gallery-level art world is Entirely about the name, not about the piece itself. If someone just made that painting but didn't say it could be from the artist, then who cares?

If you go to ringo starr's art website (https://www.ringostarrart.com/) then you can see that some of his work, especially his older work, is of that category of stuff that many people would say "I could do that" to. For instance, these two? 1,400 and 6,000 pounds respectively for a PRINT of these from his website

....okay this one I kinda enjoy.

but still. 2,000 pounds for a print.

All of this is possible because he's ringo fucking starr, he can sell his paintings for whatever he wants. If I tried to sell those for that much, I'd be laughed out of the room. All of it is just clout, it's just how big your name is and how much you can use that as leverage.

This is not to say that other forms of art don't also have this issue, they do, especially with people devaluing creative works so much today. But you could probably get a few commissions if you sell realistic art or do commissions of people's characters, while you Cannot get any money trying to sell stuff like ringos art unless you already have an audience who will buy it.

This does somewhat lead into a discussion of how art curators pick which artists are 'good' somewhat arbitrarily, but that's a whole other post.

Doing art for 'yourself' vs for other people or money is also a whole other post, one which I've actually seen quite a lot on here. But suffice to say if your response to all of this is 'just make art for yourself! Why do you need recognition?' then maybe go find some of those posts. It's not bad to want recognition, and it's not bad to question why that guy is getting much more recognition for the exact same thing you're doing just because he has a bunch of rich friends who are able to host fancy parties and go 'hmm. yes this is good art.' (not that all modern artists had rich friends, but they did almost all get Extremely lucky in some shape or another that led to them now being widely accepted as good artists).

You cannot make a living off modern art unless you're well known, and if you happen to be well known already, you could likely make a living off modern art without having any experience, and that's what a lot of people hate about modern art, even if they don't articulate it. While some would, most wouldn't say "my five year old could do that" to someone's personal piece that they made themselves and hung up in their home, or that their friend made and gave to them. They say that about the pieces bought for thousands of dollars or millions of dollars.

And I don't want people to think that I do hate modern art, I don't (though this is tumblr, so I'm pissing on the poor just by writing this). I don't hate any of the famous modern artists, I don't think modern art isn't art. I do hate the industry that says their art is suddenly worth something just because some rich fuckers somewhere decided they should be, and anything I tried to do in a similar vein, original or not, would be better suited to sit in a coffee shop and continuously marked down and never sold.

So next time you say "so why don't you make it", maybe ask yourself if you would buy it.

#THIS RANT TO YOU BROUGHT BY COVID ISOLATION #long post #modern art #art

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mysumeow · 11 months

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WANDERER ALPHABET PT. 1/2🥛. . ♡ 💭

warnings: afab genitalia, gn pronouns. overstimulation, edging, scara kinda yandere coded ig, unprotected piv, mentions of oral

a/n: it's finally here T_T remember this all is just my take on wanderer ;7; i hope everyone enjoys it n_n

PART TWO

A = Aftercare (what they’re like after sex)

He's going to make either a teasing remark on how he didn't even go that hard (he def did) or how you're weaker than he thought as he helps you walk to the bathroom.

He'll huff, roll his eyes, and complain all he wants, but he won't leave you alone until he's sure you're taken care of. He'll hold you the whole night in his arms.

B = Body part (their favorite body part of theirs and also their partner’s)

I don't know why, but I'm convinced he must have pretty hands. Long, slender fingers, and soft skin. What's his secret? He doesn't even have any type of skin care routine. He probably also likes how his back looks; he has a very elegant silhouette.

On his partner, not only their chest but also their thighs. He doesn't care about the size of either. He likes those places for the fact that they're usually sensitive, and he enjoys nothing more than teasing and edging his partner.

C = Cum (anything to do with cum, basically)

He's not human but was designed to look like one. I'd assume he cums about the same as an average human—slightly more if he has gone a good while without pleasuring himself. Thankfully (or not, it depends on you), he has a low refractory period, meaning that he can go a while before he's shooting blanks.

Has a balanced diet, so the taste is far from unpleasant. I feel like the first couple of times he gets intimate with his partner, he won't be able to hide his emotional attachment to them. He likes the idea of "claiming" you by cumming deep inside. If you are against it and prefer to pleasure him with your mouth, he likes it when you show him you swallowed all.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

He gets way too excited when he sees you cry during sex. From pleasure; and if you allow it, from pain. This goes hand in hand with overstimulation, since that's his go-to if he wants to make you cry easily. He can be a rough lover if you let him be, but he can also be gentle "if you deserve it" (those are his words). This is a dirty secret you'll have to uncover on your own by being observant: how his eyes gleam when your moans turn into whines and pleas, how he fixes his gaze into your face when he's overstimulating you, how he'll just "mhm" and "yeah" to anything you say, but he's not really paying attention; or when he mocks your moans and pleas.

E = Experience (how experienced are they? do they know what they’re doing?)

Before his Wanderer arc, he excluded himself from any positive interpersonal experiences. He would get a disgusting, stomach churning feeling seeping into his being at the thought of being vulnerable to someone else. Before his three betrayals, he was already busy figuring out how to blend in with humans and dealing with all sorts of unfamiliar emotions.

In other words, no experience. Even after his Wanderer arc, I feel like he would need to re-learn how healthy interpersonal relationships work. His partner would need to be understanding and patient.

F = Favorite position (this goes without saying)

Any position that will allow him to hold your tits. If it's doggy, his hands will be squeezing them the whole time. If you're on top, his eyes are fixed there too. He might have a preference for cowgirl, since it gives him a pleasing sensation of being wanted, seeing you care about his pleasure to the point where you're exerting your own body. He appreciates the effort, but that doesn't mean he's not going to edge you anyway.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

He places lots of sentimental value on sex. It just so happens that his way of showing affection might come across as possessive, ardent, rough. If you're the type to joke during it, he might humor you, but it depends on his mood.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

Doesn't shave, barely has any hair down there, after all. You could guess that from glancing at his legs, the hairs are tiny and thin. They're a darker shade of indigo, bordering on black.

I = Intimacy (how are they during the moment? the romantic aspect)

The type to prefer having everything under control. It's going to take a lot of trust for him to allow his partner to take the dominant position, but even when he gives in, he's a brat. Scratch that—topping, bottoming, domming, or subbing—he's gonna be difficult. It's like he finds genuine pleasure in your frustration. If you're patient, good. If not, that means you will become even more desperate, which is good for him too.

He can be romantic, too. You'll know he's sentimental when he's uncharacteristically quieter. It's not that he shuts up at all if he can comment on something to fluster you, but it will happen less.

J = Jack off (masturbation headcanon)

He would suppress himself, he's ashamed at the idea of performing such mundane actions. His time is way too valuable to spend it on such trivial activities—until it becomes too much.

As long as no one knows and he caves in.

It was fast, and he feels silly for worrying about it. He's relieved that, at last, that tension has left his body. He's convinced he won't fall for it again.

And it happened again.

At some point, he warms up to the idea of caring for his body in that way. Masturbation is linked to healthy body activity, right? Whatever, I'm only doing it because of that. No other reason. (There's another reason).

Still, he tries to not overdo it. By the time he finally gets to hold you in an intimate way, it's like opening Pandora's box. Who knew carnal pleasure could be so addicting.

#genshin smut #scaramouche smut #wanderer smut #genshin x reader #wanderer x reader #/ᐠ - ˕ -マ smut

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jellieland · 7 months

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It's just like them, thinks Martyn, miserably, To want to make these things stick.

He's always been an "act first, weasel your way out of any potential consequences later," kind of guy, so immediate, painful and permanent consequences to his recklessness strike him as unfair, unwarranted, and quite possibly a personal attack.

But, well. Here he still is anyway. What's he going to do about it?

His ankle burns where the baby zombie clawed at it. His legs ache from the dripstone, and the dripstone, and, yes, the dripstone again, and also walking off Mumbo's house and perhaps slightly misjudging his landing.

His ear keeps ringing and most of his right side stings from the creeper that decided, quite rudely, to sneak up on him and then blow up directly in his face about half a second before he could raise his shield. And the gravel later on, that he'd seen falling but still not managed to avoid, hadn't helped with any of that either.

He can feel blood dripping down his back in no less then five separate places, along with his arm, his shoulder, and the side of his head—that last one bled a lot and got onto his bandanna which was pretty annoying, actually—all from his many encounters with what he thinks were probably, at a conservative estimate, about a billion skeletons.

He doesn't quite glare up at the Secret Keeper. The healing they'd given him had been too much of a relief for that; his vision had stopped swimming, that head wound had stopped bleeding so much, and it was significantly less painful to walk. But the look he gives them is certainly glare-adjacent.

"You do know injuries aren't supposed to stick around like this, don't you?" he mutters, bitterly. "I know you like twisting stuff, but this is ridiculous. It's unnatural, is what it is!"

Someone snorts behind him.

He turns, and he sees Cleo. Neat, meticulous stitches are visible across their skin. Martyn hasn't met many people with scars before, but she's one of them.

The only new one is what looks, ironically enough, like a zombie bite on their arm, entirely healed over.

"It's really not that hard to deal with if you're just patient," she says.

"Ah," he says. "Well. That's my problem right there, then, isn't it?"

"It certainly looks like it," they say, amused. They're laughing at him again. He can't even be mad, since all in all, he totally deserves it.

"Yeah, alright," he says, a bit indignant just for the sake of what remains of his pride. "No need to rub it in! I hope you realize that if healing just worked normally, I'd be doing really well, actually."

"Hmm. Right, you do tend to throw yourself off of cliffs, and then try and work out how you'll save yourself on the way down, don't you?" She gives him a knowing look. "But look on the bright side—when you do die, you'll get to be perfectly healthy again for... I give it ten seconds. After that, you'll start making decisions."

"Hey, I'll have you know I went to the Nether for ages, and got out without a scratch on me that I didn't have when I arrived!" he retorts.

"Oh, so you can be careful, you just choose not to be?" They raise a judgemental eyebrow.

"Well... I mean." He half-shrugs, then winces. "I mean. Yeah. Yes. You know this about me."

There is a brief pause. She gives him an unreadable look, eyes catching on the blood seeping through his shirt. "...Yeah. I guess I do."

He glances over at the Secret Keeper again, bold and unmoving against the unnaturally darkened sky.

When he looks back, Cleo is still watching him. "You didn't even bandage those, did you?" they ask, with a touch of what most people would think was disdain. "Let alone stitch them up."

"I mean, no? It's not like it'll do anything, is it?" he asks, taken aback. "The good old 'Powers That Be' want us to bleed, and they want us to keep bleeding! Who am I to argue?"

She narrows her eyes as though she doesn't quite understand his point. "I'm not saying that would fix it. I don't think any of us are going to live long enough for that method of healing to work." They shrug. "Would make it hurt less, though."

Now it's his turn to narrow his eyes. "Oh yeah?"

"Yeah," she says. "At least, so I've heard. For me, it's mostly about making sure I don't start physically falling apart, because it's really inconvenient when that does start happening."

He nods in acknowledgement. "Well, maybe I'll give it a go if I have the time." It all sounds a bit far-fetched to him. Much better to spend time working towards completing the next secret task he gets, or persuading people to give him the healing they have to spare, rather than losing hours on something that wouldn't actually help him in the long run.

(Maybe it's an echo, maybe it's just who he is, but Martyn's time is precious, and he is not giving it up for something so monotonous. Who would find that interesting?)

"Alright," they say. "If you're sure. But no one else is going to do it for you, you know."

He snorts. "Cleo," he says. "You're funny." She, of all people, should know he's already well aware of that.

"Right," they say, dryly. "Well, unless you want anything else I think I'm done here."

"Nah, not really." he says, then pauses. Frowns.

As unconvinced as he is, she really didn't have to say that to him. She deserves at least something in return.

"I will say," he says delicately, "if that advice really does help. You should probably keep it to yourself. You know. Death game, and all that."

All at once, their expression turns cold. "I think it's my business what I choose to give up, actually," she snaps.

Martyn's eyes briefly flick over to the Secret Keeper. "I mean..."

"No. I meant what I said." They cross their arms. "It's up to other people what they choose to do with it. But what I give them is up to me." She glances at the Secret Keeper, and then back to him. "No one's ever been able to tell me what I owe, or don't owe, to anyone." They smirk, and give him a piercing look. "You know this about me."

"...Yeah," he says. "I guess I do."

There is a short silence.

"Well!" He claps abruptly. "I won't keep you!"

"No, you won't," she says. "I'd best be off. This might come as a surprise, but I do actually have better things to do than hang out around Grian's creepy rock all day."

"Fair, fair." He chuckles, and raises a hand in farewell as they leave. "See you around."

Once she's out of sight, he goes back to staring at the Secret Keeper.

It's quiet.

"They're doing pretty well this time, huh?" he says. "If she keeps going like this, she probably won't get another happy ending, will she."

The air is very still, here. It's as though the place is trapped in night, even when he can see the sun in the sky.

The Secret Keeper does not answer him.

"I know you, though," he says. "You won't let it be all about being careful. That would be boring."

The thought nags at him that Cleo hasn't sounded as though they'd found any of this boring. Surely there had to be more to it than what she'd said? There had to be.

If there wasn't, then what was the point of all this pain?

He shifts, and his shoulder twinges, and he hisses quietly with frustration.

"Things already stuck," he says, unhappily. "They already stayed. I thought that was obvious."

The rock just stands there.

Judgemental. Impartial. It's impressive how it can manage to be both.

Martyn sighs heavily, and winces, and turns away. He looks towards his extremely small, entirely copied base, and a place where the sky is capable of letting in the light.

He pokes gingerly at his head wound. It's shallow, but painful.

"Maybe just this one," he mutters. "Could repurpose my bandanna. Although I guess I should probably wash it first. That would be smart." He wipes at his face. "If I don't then blood's going to start getting in my eyes. But not in a cool way, just in a way where I'll fall in a ravine by accident or something."

Nobody responds. That's ok. He hasn't exactly endeared himself to anyone, recently.

In a game that's even more about trust than usual, there's a part of him that doesn't mind being a lone wolf, as it were. At least for now. Harder to stab someone in the back if you don't let them get behind you, right?

He can make this work. He'll just have to adapt. He's good at that, usually! He just has to find the angle.

After all, he may not be patient, but he is persistent.

And he suspects being a liar will come in handy, for this one.

#secret life #secret life smp #martyn inthelittlewood #zombiecleo #my writing #i really like just how polar opposite their first episodes were #and how much it says about how they play these games.#and then there's the way that all damage sort of sticks #every heart you lose is a resource you will not get back. not really.

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nejiverse · 5 months

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i love your writing omg!!! may i please request more shibuya related works? let's pretend that sukuna didn't switch back and gojo isn't sealed in this particular story

s/o thinks he's hot and badass so she can't stop swooning over sukuna, choso and feral!gojo after he's done fighting jogo + mahoraga, yuji and the curse spirits (respectively). fluff, romantic and suggestive please!

i'm not sure if this is considered scenario or imagine but i'd like it to be in the same writing style as your "what does jogo have that i don't?" post thank youuu!

I ADORE U

Choso, Gojo, Sukuna

I hope this is okay!! Fem! Reader

cw: suggestive, making out in gojo’s, sukuna being as rude as ever (whats new)

700 words

"Y/n what are you doing here?", Choso frowned, his voice laced with worry as he held your head between his hands, checking for any injuries.

"Nothing..", you drawled out with a grin.

"Liar".

"I just like seeing you fight is all", you shrugged your shoulders as he pulled you into his embrace.

He shook his head and sighed. "It's dangerous".

You giggled at the overprotective man who knew full well you could protect yourself.

He didn't have a lot in the world but he did have you, and he certainly didn't want anything to happen to you during the conflict in Shibuya.

"You're treating me like a child", you huffed, taking a step back and placing a hand on your hip in disapproval.

"No, I'm treating you like someone who I don't want to lose", he corrected. There was a huge difference.

"Yeah yeah...", your eyes ogled the holes in his clothes which left his abdomen exposed. A grin played on your lips.

"I can't believe curses and jujutsu sorcerers got to see you like this before I did..", your hands traveled up his stomach and to his pectorals at which he twitched under your touch.

He quickly grabbed your wrists, his eyes roaming everywhere but your face. "Stop that..", he muttered a rosy tint painting his cheeks.

"I was just checking for wounds!".

Yeah, a likely story.

"You were so cool Satoru..", you breathed out as he left long and soft kisses down your neck, his thumb drawing circles against the other side of your neck.

"Mm keep going", he mumbled against your neck.

You were surprised he had so much energy left even after fighting the cursed spirits with the way his hands were roaming around your body shamelessly. But then again, he was Gojo Satoru.

"And handsome...a bit crazy", he laughed at the last thing you said before lifting his head up to meet your gaze.

He just seemed like a completely different person when in the midst of a fight, a part of you wished you could see him like that all the time.

"Is that really how you think of me wifey?", he cocked his head with that grin he always seemed to have gracing his face.

"I'm not your wife", you responded.

"You don't wanna be my wife?", he frowned, his hand coming up to your cheek.

"I do, but i'm not your wife yet", Gojo played with the engagement ring on your finger.

"Fiancée, wife, same thing", he rolled his eyes playfully.

"Either way it means your mine, doesn't it?"

You thought you deserved a pat on the back for being able to evade all the flying objects being thrown around by the king of curses and Mahoraga because it certainly wasn't easy.

But it was a must to get in closer and get a good glimpse of Sukuna.

It's too bad the fight was pretty much over by the time you arrived.

you huffed and walked onto the open space Sukuna had caused from all the destruction. "Best 20 seconds of my life—" before you could even react, you were swooped off your feet, a gasp escaping your lips.

“What was that for?”, your question was answered when a giant piece of rubble came crashing down where you were previously standing.

You found yourself thrown over Sukuna’s shoulder and before long, he put you down.

You brought a hand to your mouth, stifling your giggles. “So you do care about me!”.

Sukuna grimaced. “Don’t make me laugh”, he let out a scoff.

“Then why did you save me?”.

Sukuna scratched his head in defeat. He really wasn’t sure. “Doesn’t matter”.

You wrapped your arms around his own arm. “Sounds like my feminine charms are working”, you spoke jokingly which managed to crack the smallest grin onto Sukuna’s lips.

“You’re a piece of work, woman”.

You were gonna take that as a compliment.

masterlist :)

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elasticitymudflap · 8 months

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hey I know the whole 'I did not care for winter king' thing pretty much summed it up but i'd LOVE to hear what you thought of that whole fucking episode.

IT IS SO FASCINATING TO MEEEEEEE, i mean obviously a 'role swap' universe would be regardless, but beyond the surface lies a lot of hints towards reasons why this world was so different and fucked up fundamentally!! again, my big theory is that no matter what happens our simon is not going to be able to access the crown again in any universe they visit as an extension of betty's wish, so yeah winter king's ass was probably doomed the second they set their sights on duplicating the crown but also, good , because fuck that guy

one thing that stands out to me is how our simon's morals are very different and a lot stronger than wk's, especially how he very clearly doesn't wish the madness of the crown on anyone but himself, but he can empathize with other victims of the crown. throughout the entire episode he's desperately trying to get the others to empathize with candy queen's situation as someone who knows what the madness of the crown feels like and how it warps you. but also, his approach to her is so...

like he actually vibes along to her song, compliments her "metaphor", and above all BEGS fionna and wk to see her as a person who deserves compassion, patience, and understanding... something he seemingly doesn't seem to extend to himself as ice king.

but even her madness seems somewhat suspect to him - just before her musical number he seems mystified as to why the crown's madness would make pb obsessed with him, when he knows from his reality that it's marceline that she's in love with. i'd actually argue that there is a hint of distrust towards winter king that he can't quite put into words at first, but simon's self-loathing at how "functional" his counterpart is seems to counteract his instinct and so he never pries too deeply into it.

there's this interesting reaction to pre-winter king ice king that stands out to me, almost like he's confused and doesn't recognize this specific anger and wrath to be a part of his own ice king experience. our ice king seemed to be much more of a depressed and ultimately harmless nuisance than the threatening figure he appears to be in that sequence. in fact, despite the madness, our ice king is actually quite consistent in there being a line not to cross with violence: he saves finn and jake from the hitman he accidentally hired, he refuses to kill marceline and finn when the empress commands him, he's even horrified at himself in 'I Remember You' when he pushes marceline. our ice king cares infinitely more about having friends and for people to love him and understand him than he is to actively "fix" or change himself, and in the short-circuit that is his mind he always seems to find a way to redirect his 'bad feelings' into doing something fun or impulsive than to stew in anger.

and simon isn't exactly taken in by the splendor of winter king's whole thing the way everyone else is, he doesn't stop questioning how he did it. how did he supposedly "conquer" the crown through "sheer force of will", how did he manage to get the 'best of both worlds'?

except we know it's not. and the mask-slip starts pretty ominously with his insistence that candy queen's kingdom is "forbidden". he slips up just for a moment and then returns to his whimsical wizard of oz-ass persona, and he looks almost guilty for letting on that there's something wrong here that should be avoided

which is something else i'm very fascinated by: winter king's obvious hypocrisy and the awareness of his unethical behaviour. he's quite callous in performatively pretending not to remember who betty is, and then only referring to her as "the dead one". he also seems confused by simon's heartbroken reaction to this callousness, but even more so to his characterization of her as "the great love of (his) life". he obviously has some of our simon's attachments to the past and memories of people he loved, he definitely knows and loved marceline, so why is she the only person he cares about enough to make an "ice person" of? he doesn't recall betty as someone he had a great love with - though he obviously knew who she was, so does that mean he still had some kind of relationship with her?

remember, the mere notion of finding betty so he could apologize to her literally meant so much to our simon that he was able to hide his surviving research on time portals from himself inside the ice castle, long after she would have died naturally had she even survived the mushroom war. and during the bellanoche fiasco he literally staved off death from losing his magic through sheer force of will; the intense motivation to see her kept him going in a decaying 1000 year old human body long enough for him to jump right back into his research and create a time portal to her to say goodbye. that's how much she means to him.

winter king doesn't know that betty is technically still alive, or how our simon was freed from the crown's curse. he simply offers simon a solution to reuniting with someone who he loved who is dead, without knowing how very different our betty's situation is. and that solution is to make an ice-person of that person from the time you loved them, even though you know it's "unethical".

... but betty being "dead" was always the case to our simon, he knew that she was dead because of course she was, it was hundreds of years in the future! but there was always a way back to her, and it was because of his relationship with one miss betty "ancient magic was my major" grof that he had this plan ready at his fingertips

so i think maybe either this world's simon didn't have a very strong relationship with betty, or he did but he had some reason to write her off as 'dead forever' and throw away the prospect of ever seeing her again. it's interesting that despite writing betty off, ice king's obsession with bubblegum persisted as a point of his madness and transferred to her, when even our ice king still cared a lot about "weird lady", though he didn't know who betty was.

in any case, he dismisses the subject very quickly with "jokes" that creating an ice person of someone you cared about, who died, would be unethical. and yet...

this, too, is very interesting to me. little ice marcy has marceline's actual axe bass, the axe which hunson brought with him to ooo after simon summoned him to take care of marceline when he had to leave her - marcy converted it into a bass herself of course. and the two definitely met and stayed alive together when marcy was a child

i've seen people theorize that marcy died in this memory here, but considering the presence of the axe i'm honestly not so sure. i mean, she grew up enough to gain and convert the axe to a bass, maybe she died of old age as a half-demon and never turned into a vampire? except that non-vamp marceline from farmworld seemed to still be kicking, what would an extra 12 years be to someone like her?

despite simon's pleas for fionna not to hurt candy queen and for them to help her, winter king INSISTS that she can't be helped, and that the only solution is for fionna to "knock her out", not kill her, because he would lose his conduit for the crown's madness and so this cycle will continue forever. winter king seemed committed to keeping the secret of how he "conquered" the crown, and who he hurt to manifest this reality of his, only to reveal it supposedly when simon was infected with the crown's madness again.

so why did no one stop winter king for 100 years? finn wouldn't have been born yet, but surely marceline, if she were vamped up and aware of what winter king had done, would try to stop him? but there's no sign of her in this world... save for her one possession we know she had later in her life, in the hands of an ice clone of her, frozen at a time in her life when she still loved simon unconditionally.

... i'll leave you with one VERY interesting production note steve wolfhard posted today about the blade he gave fionna, because it implies that even beyond this simon lacking some integral part of what makes him himself, the madness of the crown wasn't completely absent the way he'd thought it had been, so even in the end it wasn't a "perfect" solution to the madness.

#fionna and cake spoilers

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pettyprocrastination · 11 months

Note

dilf simon slowly trying to earn your trust back. he takes a leave of absence from the military and moves into your spare bedroom to be closer to the baby. he has a habit of waking up early so as the days go by, he develops the habit of taking his baby out to the living room for tummy time and feeding while he makes breakfast in bed for you :(

but imagine having to teach simon everything first! you have to teach how to hold the baby, swaddle, change diapers, feed properly with the support of the boppie pillow, etc. he’s incredibly overwhelmed but he pushes through because he knows he can, and he wants to be the man that you and his baby deserve to have in your lives. he picks up books and joins groups to talk to other dads for support. he learns how to check the temperature from on of them and is surprised you never showed him, but he’s so excited to show you what he learned (“did you know your inner wrist is as sensitive as a babies mouth?”)

he tries so so hard to gain your trust, even if you two just end up co-parenting (though he’ll be devastated if that’s the reality, since i think he’s always imagined that white picket fence life that he never had)

youre trying to kill me I just know it

It takes so long for him to gain your trust back because initially you want to slam that door in his face and tell him to fuck off (honestly, you probably do). But Simon Riley is a stubborn bastard and doesn't give up easy. I'd imagine this all happens after he's finally done with feild work for good- maybe has a base training job or something of the like where he (and by proxy you and your child) are no longer in danger. This hulking man standing in your doorway, head hung like a scolded dog but god you see the way he freezes up and stares at the baby in your arms with complete awe you can't help but give him the chance to prove himself.

It takes some time for him to learn how to take care of the little one, and you can see the fear in his eyes when it comes to taking care of something so small and fragile that you have to gently reassure him "it's alright, make sure you support his neck" the first time he holds his son :')

It also takes your son some time to get used to Simon being around. Your baby is a mamas boy through and through because you're all he knows! Simon, albeit a kind one, is just stranger to him so he may sniffle and cry the first few times simon goes to comfort him and christ it breaks his heart.

"it's just cause he doesn't know you, that's all."

He hears the unspoken message perfectly even if you don't mean for it to come out.

That being said? it's..nice. to have him around. The pregnancy took a lot out of you so your body needs any and all sleep it can get and Simon's internal clock is permanently set to waking up early like he's back in the 141 so it's quite normal for the morning to start with him slipping out of bed and getting the little one before you even crack open your eyes. He pads down the hallway from the guest room, wearing a pair of sweats and rubbing the sleep from his eyes as he walks into the nursery and sees your son fussing in his crib.

"I know, I know, but lets let mum have a bit more sleep, yeah? I'm here, I got you."

You wake up to him bouncing the little one on his hip while preparing breakfast and try not to focus too much on the way this domestic scene makes you feel.

Simon does the same.

It's a funny reversal of your roles from the beginning of your relationship. Simon doesn't ask you about the nature of your relationship, of your feelings for him, despite how much he wants to know. The irony isn't lost on him that this was the exact same position you found yourself in with him just a few years prior.

But there are moments where you pass off the little one to him so you can grab something from the shelf, where your son squeals with joy as his father kisses his tummy, where the two of you fall asleep on the couch in eachother's arms after putting your son to sleep that everything feels like it will be alright.

#dilf!simon #ask #asks #BLESS YOU FOR THIS #simon riley x reader #simon ghost riley x you #simon ghost riley x reader #simon riley x female reader #ghost x female reader

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trensu · 9 months

Text

Have a snippet from that one holy warrior au. thanks to @ent-is-indecisive for helping me come up with a title for this fic. i'll be tagging it as stasis in darkness for easy tracking. this is part of a rough draft so it probably will be modified by the time i finish the damn thing and make it ao3 ready. but my brain's kind of stuck and needs a kickstart to get it going again, so i thought i'd share it and hopefully get motivated again

It happened again.

–

The fourth night:

“Isn't it true the King of Darkness–”

“Lord of Night.”

“Yeah, him. He controls all the monsters in the dark and sets them on innocent people for fun. Don’t see why you’d want to throw your lot in with a god like that.”

“Because he doesn’t. He takes care of nighttime animals. Bats, coyotes, owls…”

“The scary ones, you mean.”

“No! Besides, he takes care of cats, too. Cats aren’t scary. They’re, you know, cute.”

“Hmm. If you say so.”

“What’s that supposed to mean? You got something against cats?”

“Of course not!" The man said, sounding mildly offended. Steve opened his mouth to go on about the Lord of Night's chosen creatures but the man interrupted with, "Well, look at the time! Later, gator.”

The man ran off with a grin not sparing him a second glance. Steve stared after him, baffled.

“What the fuck’s a gator?”

–

The fifth night:

“Don't you know your King, excuse me, Lord of Darkness–”

“Night. Lord of Night.”

“Same thing. He helps criminals evade justice. Pretty sure that one’s true.” The man lounged lazily on a nearby boulder as he asked. Kind of like a cat, Steve noticed with a trace of amusement that was easily smothered by annoyance at the man's…everything else.

“He helps people who travel by night. Most of the time they’re just night workers or people with nowhere to go. The ones that are shunned for being different or the ones too poor to afford safe shelter.”

“Huh. Alright, explain the horse thief thing, then, if he’s so good and noble.”

“...fine, he’s got a soft spot for horse thieves but thievery isn’t that bad of a crime in the grand scheme of things.”

“Ha! Sure,” the man conceded. “But! You can’t deny that this Lord of Night cursed people with terrible nightmares that left them sleepless and suffering for days. To the brink of lunacy, some say.”

The man said it with triumph, as if with this he’d finally break Steve’s faith. Steve shrugged.

“All gods get angry.”

“And that’s okay? You’re fine with him inflicting mind torture on some poor mortal just because he threw a tantrum?”

“First off, he wouldn’t just throw a tantrum," Steve said with exasperation. He might end up throwing a tantrum if this guy persisted. "I don’t think he’s the kind to get angry easily. And second, the people he cursed before always deserved it. Besides, he helps with good dreams, too. It’s not all bad.”

“Uh-huh, I totally believe you," the man said, heavy with mockery.

“Look man, if you’re so against the Lord of Night, why are you still here? Why do you keep coming back and bothering me?”

“...curiosity?”

“Well, be curious quietly. I need to pray.”

“...he probably doesn’t even have prayers.”

“I said shut up, man. I need to concentrate.”

The man leaves without any more fuss.

–

The sixth night:

“You have a lot of faith in a god who lost his own name. Does he even have any holy texts left?”

“Dustin could only find one, but that was enough.”

“Really? Other gods have entire libraries of stories and whole tomes of holy words. They have temples and monasteries all across the land of mortals.” The man motioned derisively at the crumbling statue. "This thing here is barely a shrine!"

“Hey, I'm working on that, alright? It's going to look great when I'm done with it," Steve protested. "And so what if he doesn't have more? Robin says quantity’s got nothing to do with quality.”

“Yeah, but the other gods are remembered for a reason. That counts for something,” the man's voice lost some of that smug edge. He fiddled with the hem of his fraying shirt as he spoke.

Steve refused to rise to the bait. He responded calmly, but firmly.

“I don’t need libraries to know I want to carry his symbol. From what Robin and Dustin found, he represents all the things my friends taught me were important.” Steve pauses. "I’m not a good reader anyway so less books are better for me.”

"Oh, so that's why you picked him! Very convenient," The man sounded very amused. Steve ignored him until he heard the man wander away for the night. He sighed in relief.

With a surge of restless energy leftover from being very good and calm about that nuisance of a man, Steve approached the statue elevated on its crumbling plinth. He reached up towards its open hand held at its side, barely within reach, and brushed his fingers along the worn knuckles.

"That guy's wrong about you, I know he is,” Steve whispered, fervently. “You deserve a temple. A hundred of them, all for your own."

Steve thought, for a moment, he heard a sharp intake of breath, but when he looked there was no one but him around.

“I’ll make sure you get a great temple."

He waited, strained his ears for even a single word from his god. He tried not to be disappointed when he heard nothing. Again.

–

ps: i do not do those reader tag list things. if you’d like to keep up with my stuff, follow my writing tag: trensu tells stories

#trensu tells stories #stasis in darkness #stranger things #steddie #thanks again to ent for helping find a title for this #and for listening to my directionless ramblings about it

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ivyblossom · 3 months

Text

That thing where I feel like I'm going to have to write fanfiction again

This is a weird one. I just want to say it somewhere, so that I've said it somewhere, but I realize there's there's one person who actually cares about this and she already knows, so. This is just for me, I guess.

Fifteen years ago, I wrote most of a Narnia fic. It pairs of Edmund Pevensie and Bacchus, aka Dionysus, the ancient Greek god of grapes, wine and uninhibited ecstasy. Also theatre. I know, that's a bit weird. Is Bacchus even in the Narnia stories? (Yes, he is. He even has lines!) Why on earth am I pairing him up with Edmund, who is 10 when we first meet him?

It's all the weird memory tricks, I'm a sucker for those. The Pevensies forget about England because they stay so long in Narnia and stop thinking about England, and they can (and do) forget about Narnia if they stay in England too long and don't think about Narnia enough (poor Susan), and I find that really interesting. It offers up so many nooks and crannies to stick story in. They grow up and become adults in Narnia, but are required to forget most of it in order to return to build children in England.

And come on: is Bacchus not also very obviously the god of Narnian orgies? I mean, yes. Clearly. He's also Aslan's default caterer and water-into-wine head tech. If you need buildings destroyed and bullies turned into trees and/or pigs, Bacchus is your guy. He's not big on wearing clothes, and according to Edmund, he's incredibly beautiful and extremely dangerous. Edmund is only 10 when we first meet him, sure, but he grows up, reverse ages, and then starts to grow up again. Bacchus throws them a G-rated orgy in Prince Caspian. There's love there.

Hasn't Edmund suffered enough? Yes, he got addicted to the Turkish Delight that time, but he'd been struggling and was being bullied, he was carrying a lot of self-hatred and shame, give a kid a break. He did get himself heroically killed putting it right, only to be healed physically and psychologically by Santa Claus's magic healing cordial, as one does. Doesn't Edmund deserve a cute immortal boyfriend with quirky friends and a serious green thumb who grows his own grapes, makes his own wine, can manipulate and control the desires of everyone around him like conducting an orchestra, and who will love him until the end of time? There aren't many humans in Narnia, why not hook up with the god of uninhibited ecstasy? I mean, he's right there.

Anyway. It was fifteen years ago.

I wrote 3/4ths of it, I had one part left to go to finish it, I had an idea about what how it would end, but for some reason I never wrote the ending. I don't remember why. So it's been sitting there unfinished since 2009.

And in the last few weeks I started thinking about it again. I had an idea about that ending. I couldn't remember if this idea I was toying with was my original concluding idea or not, it's been that long, but I liked the idea, and I thought, you know, I should write that idea in as the last part and finally finish that thing.

And then I read what I'd written. And a) 15 years is a long time and I have so many criticisms, I was clearly in love with the sound of my own voice (uh...nothing's changed there I guess?), b) I wrote the thing in such a way to exclude my new idea, so apparently that wasn't my original plan, but c) yeah, I should have written this thing properly the first time around. And now I have 104 more ideas and I love them all, so.

I think I have to rewrite it. Or, I suppose, just write another one and replace it? I dunno. Just playing it out now.

I think I'm going to write it. Is this an active fandom? I don't think so. I don't care. This love story needs to be told. Edmund deserves this.

#fanfiction #narnia #Edmund/Bacchus #it's never too late right?

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beanghostprincess · 5 months

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i would care if you talked about luffy's issues please talk please tell me all your takes, genuinely (< anon who enjoys your takes)

I am so thankful you asked me this because Luffy is genuinely one of my favorite characters of all time, especially when it comes to shonen protagonists. I'm always saying I don't like shonens (says the one that watches a lot of shonens) but that's mainly because the main characters never feel... Well-written enough for me to like them. But, well, One Piece is different. With all characters, really. It's one of the first shonens I watch that I genuinely love and enjoy because of the characters (shout out to Mob Psycho 100 being one of my favorite animes of all time too because of that same reason).

Luffy is a very complex character and I think that's why he gets mischaracterized most of the time when it comes to the fandom. Some people make him too dumb. Others make him too childish. Others make him way darker and more depressed than he truly is. And I'd say that's weird, having in mind how much the show talks about Luffy and is focused on Luffy's POV, but I kind of understand because people aren't used to characters that are both optimistic and realistic at the same time. Most of the time people consider an optimistic character to be completely idealistic (a good example here is Uta. She is idealistic because she's been sheltered for so long and thinks something as complex as the corruption in the world can be solved with a few songs and love) and refuse to acknowledge the fact that somebody with hopes and dreams can also understand (first-hand, even) the suffering within the world. People like extremes. They like to make both Law and Zoro extremely edgy. They like to babify Sanji and Koby. They forget about Nami's character depth to make her only "the mean lesbian" of the group (that term makes me so fucking furious you don't even know). Etc. Etc. Etc. The thing is: Luffy has layers. His personality varies. He's optimistic. He's realistic. He's stupid. He's emotionally intelligent. He's impulsive. He cares about the safety of the people around him. He's careless. He feels guilt. He's confident. He's so damn insecure. He's playful. He's the most serious character too. Etc. Etc. Etc.

What I want to say with all of this is that Luffy, despite being always perceived as this childish, dumb, and careless character within the fandom, has so much depth and trauma he deals with every fucking day. I once saw somebody saying Luffy is "not smart enough to understand the feeling of sadness" and I started laughing because what the fuck does that even mean. And... Is that person watching the same thing as me? Because the guy has suffered the injustice of the world so many times and so many losses that I can't even count them.

Basically: People portray Luffy as if he hadn't gone through any type of trauma when OP has shown countless times that he has been through a lot. A fucking lot. Perhaps it's the fact that he's the one hiding it all the time in the show, always replacing sadness with the need to be stronger so he doesn't feel like that ever again (aka protecting everyone so he doesn't lose anybody again. And not even in a selfish way to not be alone, although we could say that he does feel like that to some extent. But because his loved ones do not deserve to disappear or die in those ways and he feels guilty whenever it happens because every time, he says it's because he wasn't strong enough to protect them) and that's why most people don't realize how much pain he has gone through. But that's not a very valid argument because we have a lot of arcs that prove it otherwise (Sabaody, Marineford, Film Red, Wano...). So, yeah, I guess people just don't know how to read.

Starting through chronological order, I want to talk about his abandonment issues and savior complex that always seem to go hand in hand.

Luffy doesn't like to be alone. He's a very empathetic and extroverted person. He doesn't like to be bored, always loving the company of somebody else. But, sadly, he has always been kind of alone? People come and go for him all the time, and you can't tell me that doesn't affect him psychologically. He's 7 when he meets Uta and Shanks and the kid has never been more excited! That's when his dream of being a pirate begins and it's the first time he has a friend. A real friend, not just random animals he manages to find or older people that sometimes take care of him. Luffy gets bored easily, so of course, Shanks and Uta, being something new, make his life brighter. With dreams and new experiences and hope for a newer, better life outside his village. And then Uta and Shanks have to go, of course, and he stays all alone again. From what we've seen, the only thing Luffy did when they weren't around was just... Waiting for them to come back to him. That's it. Luffy's joy basically comes from being with people, and especially when he's fixated on somebody in particular, he doesn't let them go. Then they come back... But Uta is not with them anymore. That's Luffy's first heartbreak, in my opinion. It's when he decides that he has to be stronger. He loved Uta so damn much. She meant the world to him. And suddenly she isn't there, giving him no time to say goodbye, and... He only has Shanks. But Shanks refuses to tell him the truth about what happened with her. So here you go! It's the first time Luffy loses somebody this dear to him and the first time Shanks betrays him enough for him to get angry at his hero. He ends up accepting it, of course, but not because he has moved on, but because both Uta and Shanks told him to be stronger. More mature. And he forces himself to grow up faster because he wants something. He wants to know where his friend is, and if Shanks refuses to tell him because he's just a kid, then he'll just have to grow up and become stronger. To become a pirate and to keep the promise he made with Uta. The movies aren't canon so I just keep thinking about Luffy wondering where Uta is, and it breaks my heart every time.

Then Ace and Sabo appear in his life and... They are literally everything to him. I like Garp. He did what he could do. Kind of. But he leaves Luffy on his own with Ace under the care of some bandits (Dadan we love you, queen). So he can't really blame Luffy for the way he turned out to be, honestly. The thing is: Ace and Sabo are, again, something new to Luffy. They are not just friends. They are his brothers, now. We don't talk enough about Luffy's maturity and respect for other people's dreams even when he's just a kid. Luffy literally was kidnapped and beaten up and he didn't dare to say a word about Ace and Sabo's treasure because he respected their dream. He's loyal and understands other people's feelings and hopes perfectly. His empathy and emotional intelligence are just perfect. Then, well, you all know the story, but these two become the most important thing in Luffy's life, not only because they are his brothers, but because they are the representation of their dreams and future. And then it crashes into a million fucking pieces because of Celestial Dragons and classism and rich people quite literally saying "We are burning down the poor because they don't deserve to live! Woohoo!". And it's Luffy's first time realizing that the world is unfair and fucked up and that there are people that believe to be superior to others, a thing that Luffy fights against all the time.

So, Luffy learns that the world is extremely fucked up at a very young age. He has first-hand contact with the abuse rich people inflict on others, in every way. He suffers from the torture that is fighting for your life in the world of pirating and thieves when he's not even a pirate yet. He's just a kid. What the fuck. And then he loses Sabo. His older brother literally is killed by a celestial dragon and he can't do anything about it. He can only cry, of course, he's just a kid. What is he going to do? So he decides to become stronger. Because he feels weak in the hands of what is the injustice of the world. He feels trapped by that injustice, in my opinion, and wanting to be stronger is just the path to freedom. Because freedom means being able to save the people he cares about.

And here's the thing: Luffy's need to become stronger always comes from the guilt he feels after losing somebody, blaming himself even though he literally could have done nothing at the time to save Uta or Sabo. He has a severe savior complex, not to feel better about himself (although you could say that it would certainly fix his fear of being weak) but to not lose anybody else. For some reason he always feels responsible for the faith of the people he loves, he's constantly putting others first and sacrificing himself and then feeling guilty and weak when he can't save them when it wasn't even in his hands to save them in the first place.

Kid Luffy goes through a ton of stuff in his early years and the fear of being alone... Of losing somebody he cares about... It haunts him. He sees Shanks and piracy as the meaning of freedom and strength. It's just that simple for him: If he becomes a pirate, he'll be strong. If he's strong, he'll be free. If he's free, he'll never lose anybody again.

And yet, even if he's confident he'll manage to do this... He's still a kid. He's still a little brother. Ace's little brother. He depends on Ace, too, because that's the one person he has left. Ace promises him he won't die because he's just as confident, and says this as if Luffy was stupid for thinking something could happen to him. Not to get too into Ace's character right now, but the fact that he's constantly wondering if he should be alive to then realize Luffy needs him to stay alive... Is so damn beautiful.

And then he literally dies in front of Luffy. Protecting Luffy. And Oh, boy if that doesn't kill him... But that comes after Sabaody! After losing literally all of his crew! God, stop hurting this guy already for fuck's sake-

Long story short, Luffy manages to get a family. Not a crew. A family. He's not alone anymore, and he proves constantly that he won't let any of them go or die on him the way it happened with Uta and Sabo.

Water 7 is... Rough for Luffy, to say the least. Because it's the first time he sees everything he has built crumbling down. Robin is taken by the Marines. Usopp wants to leave the crew because he doesn't feel like he fits in, even though Luffy knows he is perfect for the family (Usopp just can't believe him because, you know, insecurities suck). And he has to learn how to be a captain. A true captain. He has to make the harsh decision of fighting his best friend and letting him go (his worst fucking fear) at the age of 17 because he's the captain. He has to be mature. And strong. And he definitely doesn't feel like those now. Not when Robin is also on her way to be executed.

Usopp is leaving. Robin might die. And it's just like Uta and Sabo all over again.

So, basically, Luffy grows up too fast. He grows up too fast, with the fear of abandonment and being weak, and the weight of being the captain of a whole crew resting on his shoulders. Besides, he fights against the world government for Robin because he refuses to let her die thinking she doesn't deserve/want to live, and it reminds me a lot of Ace's story. Ace doesn't think he deserves to live but then stays because he realizes that Luffy loves him and needs him. Robin, thanks to Luffy, realizes that she wants to live and that she has a new family to fight for.

Nobody dies and Usopp comes back this time, so everything ends up turning out fine after all! Yay!

Then Sabaody happens and I swear my guy can't have a fucking break.

Who has suffered more, Jesus Christ or Monkey D. Luffy from Sabaody to Marineford? I think we already know the answer.

He loses all of his crew. All at once. His worst fucking fear. They vanish right in front of his eyes and he can't do anything. He feels weak. He's shattered. Completely broken. But he's optimistic, still, because he believes in his crew and he knows they'll find a way to be together again! They've ben through a lot together, and they can find each other in a few days in Sabaody again. It's fine. But he has to delay it, of course, because his other biggest fucking fear is happening right now: Ace might die. His older brother might die.

So if you mix the trauma that caused him to have abandonment issues and a savior complex with the fact that Ace is the only sibling he has left and he is completely alone because his crew isn't by his side anymore... You get the most heartbreaking arc of the show! Awesome.

He does everything he can to save Ace. Ace complains about it, begging him to stay away from danger. And he refuses because he's his brother. He has to fight for him. And he does. And Ace dies anyway. Ace dies protecting him, too, and the hope that was left within him dies completely at that moment. Everything is shattered. His whole world is crumbling down. And I think that Luffy dies too at that moment.

For Luffy, losing Ace is not like losing a limb. Losing Ace is losing his everything. Ace meant the world to him. He was the representation of their dreams and hopes and past and future. He was the only person who knew Sabo like the back of his hand, too. And now Luffy is the only one carrying their souls. All alone.

That's probably Luffy's rock bottom. He doesn't think he deserves to be a pirate (or alive, either, but I don't want to get too deep into his suicidal thoughts I definitely think are a real thing because then this becomes too dark. But yeah. I think he does think about that too). He doesn't think he's strong enough. And he's completely broken.

There's this line from Fleabag that I absolutely adore: "I don't know what to do with it." / "With what?" / "With all the love I have for her. I don't know where to put it now."

Because Ace is gone. He's completely gone. And all the love Luffy has for him turns into grief and he doesn't know what to do anymore if Ace's soul isn't in the world to look after him. He doesn't know what to do if all the love and feelings he has for his brother go to waste. And it's his fault. Because he wasn't strong enough to protect him. Because he wasn't able to protect himself, Ace having to sacrifice himself for him. (And we know he feels guilty about this because he tells Sabo the second they meet again. He apologizes for not protecting Ace. He feels guilty about what happened still. And Sabo is just glad Luffy is okay because he knows his brothers too well to know already what happened).

Then our beloved Jinbe comes along (I love you. Please adopt me) and, following that quote of Fleabag: "I'll take it. No, I'm serious. It sounds lovely. I'll have it. You have to give it to me." / "Okay." / "It's got to go somewhere."

Jinbe reminds Luffy that he still has his crew. That he still has people who need him alive. People that love him and care for him. That he can't be weak if he has helped so many people already. That they're willing to take both the love and pain Ace makes him feel. And it's such a great character development for Luffy... It makes me go insane. He remembers his crew one by one and realizes that he's not alone anymore. That he has to be stronger for them and for Ace. And for Uta. And Sabo. Jinbe is there with him when the others couldn't, and it has nothing to do with Luffy's issues but I just want to mention how much I love Jinbe for this.

But he still feels the need to be stronger and the fear of losing his crew and the people he loves still haunts him. He tells the straw hats to meet after 2 years (that's a long fucking time. Like. Longer than the time they've spent together. Imagine the loyalty, damn). And it's... It's so beautifully written. The 3D2Y scene is one of my favorites because it shows the loyalty and love they have for each other, and how Luffy is willing to become stronger for the people he loves and the ones he has lost along the way. I literally have the tattoo. I am obsessed with the whole concept.

As I said, Luffy's abandonment issues and the fact that he wants to become stronger to never lose anybody again (Savior complex much?) still remain even after his character development. Because that's not something you get rid of. That's just how he is. And I think that, as long as he is with the straw hats, it won't be a problem.

Also I wanted to mention his reunion with Sabo! The guilt he feels for losing Ace? The way he clings onto his older brother as if they were going to take Sabo away from him? They're extremely codependent and I am here for it, honestly. Sabo would die for Luffy and Luffy would kill him if he did that. Also, I don't know where the fuck Sabo is now because I'm only watching Wano but I swear to God if something happens to him I will murder somebody with my bare hands. :)

Oh! And then it comes my favorite arc of all the show: Whole Cake Island (to the surprise of literally no one!). Luffy, in the beginning, is extremely optimistic when it comes to rescuing Sanji. He's simple like that. "If he doesn't want to get married, we rescue him. If he wants to get married, he just brings his wife with us!". And if Sanji didn't want to come back to them (truly not wanting to) he would accept it. But Sanji wants to. Luffy knows Sanji wants to go back to the Sunny with them. He knows Sanji isn't being true to himself. And God, he's desperate. Because Sanji is stubborn and his self-sacrificing and deprecating thoughts are even stronger than Luffy's, and he won't give up until Luffy lets him go. But Luffy doesn't want to fight him, he just wants his cook back. Because he knows that, no matter how much harm he does to him, Sanji is only doing it to himself (one of my favorite quotes from OP). So, Luffy goes again through the desperation of not losing a crewmate, but losing one of his wings. Without Sanji, Luffy can't become the king of the pirates. He's willing to die from starvation for him. Are you- Are you all aware that he almost fucking dies from starvation? I don't think we talk about that enough because what the actual fuck. There's this thing they tell Luffy (I don't remember exactly when or the exact phrasing) about him wanting Sanji back out of selfishness and not because of Sanji's well-being and... I partially agree? Don't get me wrong, Luffy does everything here for Sanji because he knows Sanji is suffering and lying to himself. But Luffy is selfish, too. Luffy doesn't want Sanji to go away because he loves him. That's his cook. He doesn't want to lose anybody else, even less knowing that they're going to be unhappy. That's kind of for me the confirmation of Luffy's abandonment issues. Like- He does everything for his crew, of course, but he's so scared of losing them. Then Sanji comes back to them, of course, and they have their own Pride and Prejudice moment. Not even Jane Austen can write shit like this.

I kind of want to talk about Wano but I haven't finished it yet (I'm like, on episode 1056) but I would like to mention how beautiful it is for Luffy to carry Ace's soul and promises like that. And also the responsibility he carries during the whole arc to save Wano? That's so- It's so fucked up. He's such a good leader and captain and everything I said in this post and all the things he does in Wano show that he will become the king of the pirates. I love him so damn much. I can't even write it down properly.

Anyway, summarizing everything: Luffy has a lot of abandonment issues and a savior complex that becomes unhealthy to the point of sacrificing himself and always carrying the burdens of everyone else. Because he fears he might lose his loved ones if he isn't strong enough. So. You know. It would be great if people stopped saying he's just childish and fun and that he doesn't have any character depth because he's probably the most complex shonen protagonist I've ever seen! He has suffered so damn much it hurts! Live Laugh Love Luffy! <3

#......... i love him a lot #he makes me go insane #please i swear i am okay mentally he just makes me ill #i truly thought this was gonna be longer ngl #one piece #monkey d. luffy

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