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#anyway these are the kinds of redemption stories i trust and enjoy
theoddest1 · 3 months
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Hazbin Hotel episode 5 is a rushed mess.
May just make this a continual thing where I review the episodes from here on out.
-Right off the bat, the pacing for this episode is probably the worst out of all other episodes so far. Things just begin abruptly (Lucifer's first song with Al for instance), no build up, 5 months have passed in only 5 episodes of barely any progress or focus on Charlie as a character, a random character that didn't need to be introduced but was anyway ruined the flow further, and this stupid ass rivalry all on the basis of who's the "better dad" is legit the most random conflict of any conflict so far. That will get a point all on its own along with some of the other things mentioned. The pacing left no real breathing room aside from 2 moments: Al's rise to power and Husk n Al's convo. I wanna say the second song would be a 3rd but it just resolves an issue that was present for seemingly years and pulled a "Stolas" with having a song or sob story as an excuse for the lack of effort to reach out and be a better dad. Lazy writing and pacing overall.
-5 months....5 months have passed with barely anything revolving around helping sinners or trust built around the main cast SHOWN ON SCREEN. We are told important information opposed to witnessing the progress itself. This is not only lazy but extremely jarring cause it feels as though episodes were skipped and bonds feel unearned. They get easily resolved in what feels like seconds, and we're just supposed to....deal with it. Angel and Husk barely interact throughout this episode, which, after the crazy ride they had, with the knowledge of a SEVERAL MONTHS passing by as well, you'd think Angel would be shown to be more chatty with him....which he doesn't. Nothing crazy, just small bits of them interacting and enjoying each other's company. Nah. We get that next episode, and even THAT'S lacking. I'll tackle that in a separate post. But yeah, 5 months, and we have yet to see the other guests' views and how it has changed for the better or the process of them realizing WHY they would go for redemption. How that has affected them. Nothing of note has come about from any of these. No other sinners have joined. No other demons seem interested in Charlie's Hotel. Nothing. We are told things have been done, yet it feels like we are still at the starting line, or well, a foot away from it and miles away from the finish.
- Lucifer is a joke. I don't mind me a goofy threat, it adds a charm to them but also shows that they take so little seriously due to their immense power....not Lucifer. No, that guy just....is a joke. Dude is in his mansion making fucking toy ducks for some reason and just has depression (show said it outright, not even depression is spared from "tell don't show")
He does literally nothing, doesn't seem to WANT to do anything, and no one respects the guy. Nearly all in the Hotel lack fear, intimidation, or admiration for the guy (Pentious is the only one who seems to exhibit admiration of some kind). The closest we got is being uncomfortable. That's it. Then there's his scuffle with Alastor. Tell me why he feels the need to argue with this sucka again? Cause last I checked, Alastor is a mere overlord, and Lucifer is The Devil. Wtf is this randomass rivalry that just...S T A R T S? Why does Lucifer get intimidated or moved by Al? It makes no sense. Lucifer has been alive far longer than humanity itself, but nah this random fuck who looks like he robbed a blood bank got him weeping insecurities? I'm supposed to take this sad excuse of a character seriously? How many of these carbon copy characters will Viv make until I finally end my suffering???
-Wtf is Alastor's deal? Why is he so pressed and annoyed? One moment he is as cool and collected as a cucumber and showing only SLIGHT annoyance (Vox and His song), then he goes to meetings and speaks with people far older, far more experienced, and/or far stronger than he show no interest and he gets pissy? How insecure is he that people not caring where he's gone or thinking his ideas are wack is what leads to his eye twitching and him throwing a random ass cuss. Seriously, THAT'S what got him to swear? That his idea for the hotel's name is stupid? BFFR! You can not be serious right now, THAT'S what gets him going? You'd think with how witty and chill he was in the pilot, he would find a quick and a effective smart-ass comeback, not essentially bitch at The Devil. This makes Alastor look like a thin-skinned wannabe, too cause these minor ass comebacks are why he has lost his edge along with some randomass song number?? And at the end of the day, Al just couldn't be damned anymore to even care by the end of the episode, he doesn't speak with Lucifer or give any stank looks, doesn't speak with Charlie, does NOTHING pertaining to the issues prior, nah, he just stands there and watches after telling Mimzy to go away. Some say he did this to simply piss Lucifer off, but that doesn't make sense (not saying it ain't true, just saying if it is, it's nonsensical). First off, if that were the case, why was he annoyed even BEFORE seeing the guy?
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If he only wanted to get a rise, why is HE getting angry? Trolls usually don't care enough to be this pissed. Second, wtf would he even gain from doing this? What to help push Lucifer to be a better father to Charlie, request by Lilith to Al so that Lucifer can get his act together?? If so, that's the LAZIEST shit I have ever heard. Lucifer is such a joke, he needed a SINNER to get him back on track....
Regardless, this whole father shit by Al comes out of nowhere and ruins the goddamn flow of the episode. Prior to it all, Al has shown NO interest in anyone and has done jack shit. Wtf does he even do? He's done ONE thing so far and that was help for the commercial. Alastor has shown to be completely useless as of now.
-Charlie, why is she treated as tho she isn't a grown ass woman? She's babied to hell and back and despite being the daughter of Lucifer, hasn't shown any of her abilities to help the hotel. So Lucifer can summon shit but not her? Is she that useless? Also, gotta love how she never asks her dad about the Valentino situation to help Angel out. Man...what a great ass friend. She also doesn't find it weird that Al is just suddenly...babying her? She has zero awareness of everything, I guess, which is getting annoying now. You're over 200 years of age (went to high school in the 1800s according to what her comic was about, but guess that's retconned based on what happens in the following episode).
So she doesn't use her abilities to tidy up the place, she doesn't act her damn age, she doesn't do anything to help her sexually assaulted friend. What a damn joke, just like her dad.
-Mimzy shouldn't have been in an episode about Lucifer. Plain and simple. Her character should have been introduced in one of the earlier episodes. Not during fucking this. And we got a repeat of the pilot with Alastor's backstory retold. So they're down to retell his rise to power but not to make at least a proper recap of the events that happened prior? Key word....PROPER.
-Husk caring about Mimzy bringing trouble is actually fucking stupid. Because of the lack of proper build up to him now finding more reason to like the Hotel, it feels forced that he would be worried about what danger Mimzy brought. And on top of that, yeah...ALASTOR IS RIGHT THERE. You know who else is there? LUCIFER. I get it, Lucifer stood by and watched as the Hotel was being swatted, but he also sang a song about providing what Charlie asked for, meaning if she had asked her dad, he woukd be down to help, so WHY TF IS HE WORRIED???? Also , is Charlie just INCAPABLE of fighting for herself?? "She doesn'twanna hurt sinners-" so she had no defensive abilities??? What???? Also, that's a damn lie, she fought Katie Killjoy on live Tv. Are no other damn people capable of protecting the Hotel??? Why did Al need to step in for that? They were just LOAN SHARKS.
Anyway, the scene where Husk is probing Alastor about Mimzy and treating him as a pet is decently paced and the tone was pretty neat, sucks that this feels like their way of showing that Husk is also under a leash like Angel rather than him being treated as a joke, which btw...horrid way to compare the two. Wanna know why? One is subjected to an onslaught of sexual assault whether he was pushing Val's buttons or not, and forced to be assaulted by various men around him, passed around like a thing. The other is Husk, who legit disrespected Alastor and had to push at him to get such humiliation and terror, and guess what....Al still ended up pushing Mimzy away after she did end up bringing trouble, so he did essentially listen to Husk in his own distant way. This is the ONLY TIME we see Al be downright mean to Husk and probably the only time. Angel has been subjected to nothing but horrid assault after assault no matter the situation. So I better not see anyone say, "SEE LOOK, THEY'RE BOTH ABUSED" stfu. Nothing about their situations are even remotely similar. Just cause the chains are the same doesn't mean the users are. EDIT: Ima say this before people act like I excuse this. No, I am not excusing Alastor's actions. I am pointing out what happened on screen. Husk mocked Alastor, Alastor retaliated out of anger(much like how Angel retaliated at Husk in ep 4 after Husk kept arguing and mocking him) by pulling out the chains to shut him up. He didn't even hit Husk. Again, I'm not excusing it, just pointing out how vastly different Husk and Angel's situations are and how one overlord reacts compared to the other....who is a straight-up rapist.
-Both the songs are mid/ok but pulled down by the awful storytelling....shame. I at first was not fond of Lucifer's voice.....it's ok now, I guess. Idk. I'm still not really feeling it, though.
Episode sucked ass
Pacing was all over the place
ALASTOR AND LUCIFER ARE PISS BABIES
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onewomancitadel · 3 months
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I'm thinking about ways you could've mitigated the reception to Ironwood-Adam and the general 'empathy for male villains and none for the female' problem and I really don't know because I think they did it pretty well. It's not a case of trust/empathy being misplaced or punished in the case of Ironwood and there's clearly an ego-driven element to how he's choosing to engage with that. Which I think is really fun because I enjoy those shades to his character in a sense of reversal to Cinder's.
But perhaps I have touched on the issue - more specifically I think that this ego-drive doesn't register as something indicative of failure to engage with redemption (speaking generally as a story arc). In fact this ego-drive is, let's say generally culturally speaking, something exulted, that self-interest is next to holiness. I mean, we're going back to Kant now, that self-interest and moral behaviour can't be divorced, and maybe subsequently really can be apologised for. Not that I want to bring Kant into it, but mostly am trying to demonstrate that this has an implicit place in the bedrock of moral values, to the point a lot of people think you're just being absurd (and at times, biologically ignorant, per evopsych) if you think otherwise.
Whereas err, yeah, if we move away from that, I think RWBY is instead demonstrating this as a villainous trait, and not something which can win against Salem, because those are the ideas the story has in mind. I think this kind of explains its relationship to heroic sacrifice, which isn't markedly straightforward e.g. completely good or bad, probably because I think it is working towards Ozlem sacrificing themselves (and then getting eternity to spend together. But that is neither here nor there).
Anyway, I think I ended up with my answer? Lol. Ironwood-Adam are good because they act in self-interest and this doesn't register as being 'bad', although in the context of characters like Cinder acting in self-preservation it does, because you know why. We're kind of at the point where you'd need to write a completely different story. Mostly I was just thinking about it because I don't really know where the state of this fandom even comes from, if at times it seems like wilful ignorance.
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ssahotstuff · 1 year
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Lie To Me
Characters(aside from the reader)
Aaron Hotchner
Marty Byrde (readers boss)
Wendy Byrde (Marty's wife)
Charlotte & Jonah Byrde (Wendy & Marty's kids)
Ruth Langmore (readers best friend, works for Marty
Darlene Snell (a side character, temporarily has custody of Zeke, which is Mason Young's son. Mason is not a character in this story however he is mentioned once or twice.
Maya Miller (fbi agent, one of the good guys mostly)
Frank Jr. (pre penis shot injury/I'm tweaking his character and giving him a redemption arc. He and Ruth have butted heads in this universe but that's all it ended up being.)
Some Plot & Backstory: This takes place in the Ozarks. The readers boss is Marty Byrde, who launders money for the Navarro Drug Cartel. Hotch is leading an investigation to take Marty down, and the reader has no idea she's going to be stuck in the final cross fire, forced to choose between love and loyalty. The reader has no knowledge or involvement in Marty's crimes (I do change some details to better fit but Marty do be laundering money in this, I just don't go into too much detail)
Warnings: The reader is 24, Hotch is 40 so age gap, cursing, mentions of food, drinking, smut, penetration, unprotected sex, oral m&f receiving, fingering,
Word count: 2.4 k
This is part one! I hope you enjoy it because I've all but thrown my life aside to work on this lmao
You were inclined to believe that everything happened for a reason. So when Marty Byrde was the first person to be nice to you after you moved to the Ozarks, you quickly fell under his wing, and didn't think anything else of it. He gave you a job, running a restaurant and lodge he owned called The Blue Cat, after being in town a month. You quickly built a mutual trust with him when you became his daughters tutor, and your friendship grew from there. You were close to his whole family, but you saw the most of Marty.
You'd met several people now that you could consider friends, one of them being a girl named Ruth Langmore. She was Marty's business partner at a few other places he owned, and she'd quickly become one of your closest friends. The two of you didn't talk much--you had a relationship kind of like you and Marty. After a long day, the three of you would assemble at the Blue Cat and drink a couple of beers, just blowing off steam.
You were closing things up for the night half an hour early because the boats had stopped coming in and things were quiet on the lake. It wasn't until the bell rang signaling someone's arrival that you realized you weren't alone. A man in a black polo shirt stood on the other side of the bar, his stern facial expression making him look more than unapproachable.
"Hey, sorry, I didn't hear you come in."
He didn't bother moving, he just took a look around, standing in place.
"You don't look like Marty Byrde," he said, taking a seat at the bar as you stood in front of him, your bar towel over your shoulder.
"That's because I'm not. I'm Y/n, I run the place for him."
He nodded, scanning the menu before he sat it down, looking to you.
"I'll just take whatever your favorite is," he said finally, pointing to the beer cooler behind you, "You can pick my beer too."
You handed him a bottled beer and decided you'd make him one of your famous inside out burgers. It was something Marty let you put on the menu because people asked for them so often. All of the ingredients were on the inside of the burger, giving you a totally different flavor experience. You brought him his food without explaining what it was and let him take a bite, a satisfied hum escaping his lips when he realized your twist on the normal burger.
"This is what everyone told me to get," he told you, taking a sip of his beer. You cleaned up around him, staying close just in case he had any more questions.
"What did you need with Marty anyway? I can probably get him over here," he shook his head, finishing his bite before he answered you.
"No, it's okay. I'll be seeing him later. What all do you know about him? He a good guy?"
You were confused on why he was asking but you gave him your personal opinion on Marty, telling him how much he'd helped you since you moved there and that you trusted him.
"Why are you asking?" You finally asked him why he was so curious about Marty, but the stranger simply shrugged you off and told you that it wasn't important.
"You seem like a good girl. You sure you want to be involved with a guy like Marty?"
You stopped what you were doing to stare at him, unsure of what he could possibly mean. Marty was harmless--he'd done nothing but good since he moved to town, always trying to help people out.
"What do you mean?"
He looked you up and down, trying to decide what he thought about you. It made you feel exposed--you didn't know him, but he was handsome. You felt insecure under the scrutiny of his gaze, crossing your arms over your chest as you waited on him to say anything.
"You're sweet. Just be careful, okay? I just came into town, so I'm sure I'll see you around. I'm Hotch," he held out his hand and you shook it, wondering what was bringing all the new faces to town. You'd moved there for the scenery and the opportunity; your cousin originally had lined you up a job working at Marty's casino, but he felt you were a better fit at the Blue Cat.
"You may be the most elusive man I've ever met," you chuckled as he tried to pay for his food. You wouldn't let him, since he was the last customer of the night, but he left you a $20 dollar bill anyway and showed himself out. When you finally closed things up for the night, you cracked the top on a beer, waiting for your usual visitors. When Marty showed up, he seemed more tense than usual. He went for the liquor instead of a beer, taking a shot quickly as he joined you behind the counter.
"I need to ask a favor," he looked at you, his face more serious than you'd ever seen it.
"Anything," you told him, and he placed his hand on your shoulder briefly before signing heavily.
"I'm not asking you to lie, but there may be some people that show up asking questions about me."
You went ahead and explained what had happened with Hotch, but he didn't seem too worried about him; he didn't recognize the name. He was however worried about a group of men from Kansas City that may want to know things about him. He warned you that they were dangerous, and that it was best if you didn't know any more than that. He didn't think they'd come to bother you, but he wanted to prepare you just in case.
"What's this about?"
He took another shot before explaining that they were supposed to be his partners in the casino but the Snells had beat them to it. He was worried about the casino, about them showing up to cause trouble there. You hoped Hotch wasn't a bad guy; he hadn't seemed bad at all. In fact, you found yourself wanting to know more about the man that thought you were sweet.
"You're fine, I promise."
Ruth came in and Marty filled her in, since she was working at the casino. She'd already dealt with Frank Jr. once, and she wasn't afraid to do it again. Those were her exact words.
"What's got you all starry eyed?" She looked to you, which made Marty take a closer look at you, a smirk on his lips.
"Yeah, you're awfully smiley."
You shrugged because you weren't sure what to say; the small compliment had made your day, and something about the way he looked at you when he left made you think he didn't exactly want to go.
"It was just a good night," you lied, and neither of them pressed the issue further. You all had your nightly beer and went your separate ways, and when you arrived home, you noticed someone unpacking into the empty house across the street. It was too late to go knocking to find out about them, but their blacked out SUV was nice.
You fell asleep quick, anxious for the day to come, thinking of Hotch, the mystery man.
✨✨✨
It had been a week and you still hadn't caught a glimpse of the new neighbor. You were headed to the Blue Cat for the day, hoping to get a clue about them from the outside of their house. You were still unsure if it was a man or a woman, but you were definitely curious.
The day went by quick, boats coming in like crazy since you'd started a Facebook page and actively promoted it on the vacation sites and got it the traction it deserved. Marty's daughter Charlotte helped wait tables after school, and his son Jonah would often hang out while she worked. She had just walked in and he sat at the bar, working on his computer. You spent a lot of time with the two of them; you were close, like family.
"You haven't stopped smiling since we showed up," Jonah commented, looking up from his computer to look at you.
"Been a good day," you told him, but secretly, Hotch was on your mind. You wondered what he was up to, if you'd see him again.
"You're working a double. Usually you'd be miserable at this point."
You shrugged, knowing if you told Jonah anything, he'd keep it a secret.
"I just... a guy came in the other night," you weren't sure what else to say. Your fixation on him was a strange one that you couldn't explain.
"Different than any other guy that comes in here?"
Charlotte had overhead your conversation and was peeping in to throw in her opinion since you wouldn't come right out and say it.
"She liked him, Jonah!" She whispered excitedly, putting her hands under her chin as she looked at you expectantly.
"Tell me about him," she gushed, and you rolled your eyes, but there was no one else around, so you told her all about him--you left out the part that he was asking about Marty, but you told her how handsome you thought he was. You also told her that he'd said you were sweet. She blushed, grabbing your hand.
"That's so cute! Oh my gosh, you get hit on all the time. Ruth and I have been wondering what your type is," she admitted, your love life a popular topic of conversation among your friends.
"I don't have a type, but if I did, it's him."
You didn't have to wait long to see him, because he walked in about the same time as before, long after Charlotte and Jonah had went home. He sat at the same barstool and asked for the same thing, only this time, Dave, the cook was still around, so he could make it while you talked. You cracked open a beer to drink with him, his eyes crinkling up as he grinned at you.
"Been a good day?"
You nodded, looking at the overflowing tip jar. Charlotte had already counted out her half and it was still full; you'd been making especially good money lately since the weather had started to get warm.
"It's been a great day. It's still warm outside, makes me want to have a fire," you thought about using the pit in your backyard, inviting Ruth to drink there instead of the Blue Cat. You shot her a quick text asking if she wanted to do that instead, leaning against the bar as you talked to him.
"I just moved into a new neighborhood so I'm not sure how my neighbors feel about fire pits," he answered, his suit tailored perfectly for him. You'd liked his polo before, but this look was a good one; you loved his Gucci tie, his gray dress shirt against his black blazer. He looked delicious, and it was hard not to stare.
"My neighbors are really cool. Someone new just moved in, haven't talked to them yet, but the rest of them are nice."
He thought for a minute before asking where you lived. You told him the general area your neighborhood was in before he smirked, and you turned around to get his food, sitting it in front of him.
"You've talked to them more than you realize," he chuckled, and you smiled back at him, baffled that he was your neighbor.
"No way! I almost came by last night to introduce myself but it was late," you tried to multitask, cleaning while he ate.
"You should've. I was just unpacking some stuff. I can't believe you're my neighbor."
It was a pretty wild coincidence, and you couldn't wait to tell Charlotte. Ruth had confirmed she'd be at your house later, so you told Marty too, and he told you to just grab some beer from the freezer there so you didn't have to buy any.
"I won't be around tonight, I'm doing some stuff for work, but I'll see you around, I hope," he said as he tried to pay, doing the same as last time, leaving a generous tip for you instead. You let Dave go home for the night and finished things up, grabbing beer and heading for your house. You had a fire made by the time Marty arrived, taking a seat in a lawn chair as he cracked open a beer.
"Seen anymore of that Hotch guy?"
You were surprised he remembered. You told him that he'd came back tonight, but he hadn't asked about him at all.
"Sounds like he came back to see you," he pointed out, and you were able to avoid his comment because Ruth was showing up.
"Tell me again why you thought a casino in a town of drunks was a good fuckin' idea," she grumbled as she sat down next to you, opening her beer and taking a swig.
"It's where the money is," he said matter of factly, turning back to you.
"What's going on with you? Jonah said you were so cheerful, and that you made like $600 tonight."
Ruth was looking at you too, smirking at you with a wild look in her eye.
"I just like my job," you told him, and he scoffed, pushing you playfully.
"Is it a guy?" Ruth asked suddenly and you felt your cheeks go hot from the fire and the question, turning to look at her.
"I don't know what to say. He's just so handsome, but he's like, way out of my league. He had on a Gucci tie," you frowned, knowing that he was probably into women his own age, women with their lives together, college degrees and homes they owned.
"It's this Hotch guy, isn't it?" Marty said, his tone slightly accusatory.
"Yes," you admitted, and he groaned, rolling his eyes at you.
"Of course it is. Some guy starts asking questions and you fall head over heels for him," he was a bit more teasing now, but you could tell he wasn't quite sure how to feel.
"Like I said, he's out of my league."
Ruth shook her head, grabbing another beer.
"Don't say that. You could have anyone," she countered, and Marty nodded.
"It's true. This guy is not coming to the Blue Cat just for the burgers. He's coming to see you," you decided to tell them what you found out today, just to see how they reacted.
"He lives across the street," you said, and Ruth smiled wide, clinking her beer against yours.
"Well, if that ain't perfect, I don't know what is."
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catboykilljoy97 · 1 month
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UPDATE: My fic, Something Beautiful, is currently on HIATUS. Planning to be back sometimes around june/july/august ish
Welllll…I hadn't wanted to do this, cause it's already taking me so long to finish this fic. But let's be honest-- I wasn't writing anyways 😅 I've just got a lot going on, both with work (still in grocery store purgatory, plus building my website portfolio by taking on clients from my dad's business) and with some personal stuff.
I'm hoping to get back to it sometime in mid/late summer, like I said above. If I get a better idea of when that might be, I'll post another update. But, I'll be honest again, there is a chance I'll end up dropping it entirely. I don't want that to be the case, cause people were really liking it, and cause I already have the whole rest of the plot planned out and multiple chapters half-written, but…yeah.
(Skip this part if you don't feel like reading about my personal life haha)
In addition to just having a lot of other priorities right now, and not really feeling the creative spark, I've just got some emotional baggage on this project specifically. Large chunks of it were written during a very messy time of my life. I haven't been into Sims in a while cause my brain got weird about it (yadda yadda "too many hobbies is making you soft and spoiled" no it doesn't have to make sense trust me). And then my brain got weird about this fic/characters specifically (the mindfuck of writing a story about change and redemption arcs when, due to the aformentioned "messiness", I've fully convinced myself I'm a freak who deserves to be shunned from society and any leniency is "making excuses for myself").
Anyways…short story long, it's all kind of a mess, but I'm hoping I can get some shit sorted out and get back to y'all with more writing. Fingers crossed, etc, and in the meantime-- I do really, really appreciate all y'all who have been reading and enjoying and being very, very patient with me 😅
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tadpolesonalgae · 7 months
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i've seen a lot of people saying they'd want cbmthy reader to end up in spring but i don't see it. reader only seems to have a bad relationship with az (and even that is not a harmful relationship per se, as much of an asshole as he's being i think he would protect her like he protects the rest of the ic and the night court) so going to spring makes no sense since 1. tamlin hurt her sister and 2. said sister damn near destroyed his court (actually kind of hate that she did that that way too but) and reader ending up there but still being on good terms with the night court just doesn't really make sense to me. also tamlin acts like a republican, he gave me the ick beyond repair, i know some people want a redemption (and i accept that) but id rather not have to read about him.
my personal feelings aside i think if reader really doesn't end up with azriel (which i think wouldn't make sense because then all the hurt would be for nothing) the best bets for her to move would be autumn with eris but only if eris is already high lord because subjecting her to beron would suck, the day court since helion is the closest to the night court and they trust him also she would love the libraries or she could replace lucien with vassa and jurian (or join him if he doesnt end up with elain or in the day court), the winter court maybe but only for the fact that it's tje other court that seems closer to the night court mostly because of vivianne. or my favorite which is just staying home lol her family is in the night court so even if her and az dont end up together she deserves to be able to stay there with her family as much as him. azriel loved mor for 500 years and knew she didnt love him back but they both still managed to act civil and be friends. even if az hurt reader more i hope it wouldn't be to the point of them not being able to be civil so they could just stay, and they live forever so she'd get over her feelings eventually and find someone new. moving a character away when something bad or a breakup happen is something i always disliked so maybe that's why im giving it so much thought but it really always feels off because what do u mean you can't both keep your family/friends? if nothing truly bad happens why does one character always have to leave? idk
before i finish i just wanna say im not trying to be mean or speak over anyone that has said they'd like her to be in spring. i just wanted to add my opinion but i know over writing like this we cant really convey much emotion so i dont want to sound mean or anything
First of all, I didn’t think you were being mean at all, but thank you for adding that clarification anyway :)
Secondly, to be fair, for me it’s not so much as where she goes rather that she simply needs some time elsewhere. Nothing permanent, but a shift in scene because she’s caught in stale waters and if nothing changes she won’t ever learn to step forward and progress. Also, while the idea of her going to the Spring Court is—I think—very fun, and would be like throwing a spanner in the works, I feel there are only really two places she could go that would make sense to the story, and neither of those are the Spring Court (as interesting as it could be)
Also, I am fully down for a Tam redemption arc 😭🤌
I don’t want to say who she’ll end up with because I think part of the fun is contained within not knowing? She might get with Bas for a bit but then move to the Autumn Court, might become happy by herself and content on her own, might get with Az only for a mating bond to pop up between her and Eris. Who knows? 👀
(I enjoy messing with you)
It might be fun for her and Helion to get in touch, even if it’s just her requesting a scroll or book from one of his libraries, but no promises about that 😭
And thank you for sending this in, it really helps guide me with future parts—helping me know what to emphasise or what I should try to expand upon if it’s been skated over in a previous chapter :) 🧡💛
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laurasbailey · 3 years
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CRITICAL ROLE CAMPAIGN ONE MEME » [3/3] guests
They call me Sprigg the Obnoxious. It's not my given name, it was a name that was given to me when it was given to me.
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ddarker-dreams · 3 years
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FINALLY SOMEONE SAID THE TRUTH.
I admit that i enjoyed act 3 but it feels like really rushed i have so much complain with that.
The build up until act 2 was so good it give us so much premise but the final blow si meh. Sorry that i want to share thing long rant with you
1. Why the final talk is with yae, no offense to her but we need ei to explain not to mention she witness khaenriah downfall so she can give us more information, i feel like they do it for the plot armor so they can just keep dragging this
2. So many things that quite inconsistant, the shogun is show no mercy to anyone that even did a little thing outside what she think its right, how come she can still have a talk with signora, when sara is falling like that, and also there is no clarification about sara right now.
The traveler was so done at first they refuse to help thoma and ayaka at the beginning. But they seem so happy and forget everything how come they are not RAGE ( okay maybe this is to bias and personal) when this nation provide nothing about our siblings information and also why they are not mention anything about their problem in ei stroy quest. Its nonsense! She is right in front of youu, ask about your siblings, ask about khaenriah, ask about ukmown god!!. How come they can just forget like that. Also mihoyo really waste the potential about twin things i thing ei will give us so much help bcs of the sympathy that we both rn lost our twin but noooo.
3. Kokomi seem lost some brain cell, she make a very succesfull grand intro but she become meh in act 3, how come a great strategist like her let the sus sponsorship slip just bcs they are desperate, not to mention her screen time is really small and her role seem so unsignificant and it feels lile she is a plain npc.
4. The awesome world quest that we have done doesnt get any mention at all! Inazuma owe us so much with cleansing sakura, thunder sakura, tatarigami, obarashi quest. It has so much potential that yae or ei or anyone else aknowledge what traveler has been done but nooo.
cracks knuckles... i suppose it's time for my promised dissertation. interestingly enough, you touched on a lot of the main issues i had with chapter III.
i think that if i had to pin the main issue, it's a lack of overall cohesiveness? we were jumping all over the place without the chance to ever flesh things out. inazuma is a smaller cast, but i feel like we didn't get to see any of them shine. since i'm most interested in the genshin characters, i'll break down my problems by going over everyone and their (lack) of impact on the story.
was ayaka not questioned or placed under suspicion for being close to thoma before his escape? i wanted to see her broken up over her duties as they relate to the yashiro commission, paired with having someone she genuinely cares about in danger. it would've been an interesting struggle if she was forced to choose one or the other. instead she just kinda took a back seat.
speaking of thoma, i don't even have anything to say, because he just... was there? for .0001 seconds. said "lol this sucks ig" and that's about it. i know we're going to get a story for him in the future since he's a 5* but i'm not getting my hopes up 😭 then in the raiden shogun's character story, man is peachy keen! be upset with the raiden shogun! have some inner conflict! even if it's just using loaded language because he's under surveillance for going against the raiden shogun, that'd be so cool. saying something like,
"Traveler, what's with that expression? Oh please, there's nothing to worry about. We're under the Statue of the Omnipresent God's protection. Nothing bad has ever happened here." *wink*
i also don't know what to say about gorou. he was... there....... i think. what is he fighting for? what are the stakes for him? what makes him place so much trust into kokomi? i'm out of things to say about him because i don't remember anything he did or said.
kokomi... oh kokomi... i was so hyped. so excited. i thought that maybe we could see a foil to the raiden shogun. that she'd have a moment where she's forced to realize, just like her opponent, sacrifices must be made that will hurt people who will never understand why she made them. or maybe something to show her military prowess. but instead she just accepts a mysterious patron's help (?), sees her people aging like the grateful dead from JJBA, and goes oh well. that sucks. what can ya do. oh bye traveler i guess, good luck with that. ????????????? HUH... similar case to thoma where she's gonna get a character story but like. she won't be the leader of the resistance anymore. that was her whole shtick. they took her shtick away. also she forced me to interact with more NPCs whose names i've already forgotten so i'm tilted about that still.
KUJOU SARA... AN INJUSTICE. A DISGRACE. a slap to my woman loving face. the build up was there. yae miko's comments about sara probably knowing the tenryou commission is involved in shady dealings, but is choosing not to think about it. sara being forced to confront reality and challenge her adopted father with the truth. being able to blaze a new path for herself in the process. when she started running to the raiden shogun i was ultra hyped up. sara, a devotee to the shogun for so long, was about to see her god interacting with the same people who led inazuma to this awful state. how would she react? would she stay ignorant, like yae miko so coyly said, choosing to look away in favor of following her god's footsteps? or would she be forced to recognize the raiden shogun isn't as divine as she once thought, and challenge her belief system?
we open the door to see the raiden shogun. the loading screen ensues. the camera pans to the ominous room, clouded in darkness, hinting at the ominous confrontation that is to come. the music takes a serious timbre. and then...
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well fuck that potential character arc i guess. (we still don't know what sara made of any of this since she poofed out of existence from the story at this point)
kazuha also was handed a similar treatment. we've been with him for a while longer now. he is our introduction into inazuma, the one who first gets us emotionally involved by regaling us with the bittersweet tale of friendship that led him to becoming a wanted criminal. a kind soul who loves nature yet was dealt a cruel hand by fate, forced to watch his home nation turn into a hostile place, where his dear friend ultimately perished as a result. we get the scene with his friend's vision lighting back up. he parries a block from the raiden shogun, in the same area where his friend was killed by her. the parallels. the drama. except this time, he wasn't too late. he protected the traveler where he "failed" to protect his friend in the past. did he feel redemption at this? or was it a bittersweet reminder of what could've been?
WELL i guess we'll never know because we didn't get to talk to him again 😭 idk who got a bait and switch worse, him or sara. jesus christ mihoyo.
then we have signora. why is the raiden shogun talking to her? does she know about the gnosis being taken, and if she doesn't, what was her plan to get it from the archon? what does she think about scaramouche? and oh, okay, we're fighting here now. good fight + god tier music. pog pog. okay, now we've beaten her up, and raiden shogun wyd— wait no not signora her lore is still on CUPS not YET raiden shogun and— ah she's dead. okay. non nerds who didn't read artifact lore are going to know nothing about her. signora has such an interesting story, and yet... well. ok.
then we get raiden shogun redemption (?) arc. i was hype for this as well, though at that point, idk why i bothered being hype. i knew they were gonna do a cute power of friendship something or another, and i'm good with that, so long as it's executed well. what i was envisioning was like seven different buffs to correspond with the seven different visions, the dreams of those whose ambitions were stolen serving as the spear to penetrate the raiden shogun's heart of stone. maybe a hydro vision giving us extra healing for a time, with the voice acting over it being like,
"Even if the rest of the world forgets us, let our will carry you through this one final time. Succeed where we couldn't, Traveler."
so on and so forth.
but instead we got— you get the idea at this point. why bother spelling it out anymore.
at that point i was surprised the raiden shogun didn't go "oopsie woopsie!! we made a fucky wucky!!!" because that was the vibe i was getting. i love ei, don't get me wrong, but i wanted to see her challenged with what she had done to inazuma in the past year. maybe meeting NPC #2345259 who lost her sister to the vision decree or something, reminding ei of the love she held for her sister... being forced to come to terms with the extent of what she's done in pursuit of eternity.
anyway. please for the love of god mihoyo hire better writers for the main story. that is all i ask. thank you.
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chudleycanonficfest · 3 years
Text
Lover
Day 8, Story #2 is by @adenei
Title: Lover (or, five times Lavender felt Ron slipping away, and the one time she didn't)
Author: adenei
Pairing: Ron Weasley x Lavender Brown, but also heavy insinuations on Ron x Hermione 
Prompt: 5+1
Rating: T (for fabricated insinuations)
TW: Teen heartbreak and all the drama that comes with it.
Author's note: While I am primarily a Romione writer, I could not get this idea out of my head. So, here's a little Lav redemption. After all, she was only a girl who fell for a boy and pursued a perfectly unattached boy.
******
9 November 1996
I think he knows his hands around a cold glass 
Make me wanna know that body like it’s mine.
-I Think He Knows
The Gryffindor common room was aglow in crimson and gold, filled to capacity for the celebration of today’s victory against Slytherin. Seamus and Dean managed to smuggle in a boatload of Butterbeer for everyone, which masked the two bottles of Firewhisky Seamus was passing around their inner circle. Parvati and Lavender were lounging in the same armchair on the far side of the room.
  Lavender’s never been one to pay close attention to a Quidditch match. Sure, she was all about the parties and house spirit following a match, and if Hogwarts had a cheer squad, she’d be the first person to sign up. But sitting in the stands, watching a match for an indeterminable amount of time? She could think of at least five other things to do that didn’t involve the wind claiming victim to her hair as players whizzed by on broomsticks.
  Now that they were inside and out of the crisp November air, she could enjoy the party with her friends. Though, it’d be much more enjoyable if a certain redhead would stop flashing a grin in her direction and just come over to talk to her instead.
  “You're staring again,” Parvati chided.
  Lavender sighed in response. She couldn’t help it. He’d filled out over the summer, and Quidditch training had been kind to his physique. Red hair wasn’t a feature she ever gravitated to in the past, but freckles and those bright blue eyes were her downfall. Not to mention his infectious smile and the way he was always able to make everyone around him laugh. Ron Weasley was a good guy, and Lavender wanted to get to know him better.
  “He’s single, right?” Her fingers twirled her curly blonde hair between her fingers as she watched him take a swig of Butterbeer from the cold glass in his hands.
  “As single as the last time you asked me,” Parvati responded with an air of nonchalance in her tone.
  Lavender wasn’t surprised by her bored tone. There was only so much they could talk about when it came to Ron, considering neither knew that much about him. She contemplated Parvati’s response, weighing the options of trying to pursue something. A voice in the back of Lavender’s mind was screaming at her to ask what her other roommate’s thoughts were on the matter concerning Lavender asking Ron out, but Hermione was nowhere to be found. 
  Besides, did it really matter what she thought? Hermione has had all the time in the world to make a move on Ron if she really wanted to. She had no claim on the redheaded Gryffindor. As far as Lavender knew, he was fair game, and at the rate Ron kept glancing in her direction, she was sure it meant something.
  So, Lavender swiped the bottle of Firewhisky from the space between Parvati’s legs and the arm of the chair, where she’d been keeping it hidden, and took a large swig. She’d need the liquid courage for what she’d just decided to do.
  “What are you—” Parvati started to ask before Lavender cut her off.
  “I’m going for it.”
  Without another thought, Lavender hopped off the chair and marched over to Ron, who had just set his empty glass down on the table behind him. She still hadn’t made up her mind about whether she was going to say anything or not and let the wide lopsided grin that erupted on his face decide for her when he saw her approaching.
  “Hey, Lavender! What’d you think of the—”
  Lavender didn’t wait to hear the rest of Ron’s question as she threw her arms around his neck and planted a kiss on his lips. His eager response paired with his hands finding a home on her hips egged her on as she refused to break the kiss right away. It was sloppy, and he was inexperienced, but he didn’t pull away at her advances. 
  I can teach him a thing or two and whip him into boyfriend material in no time.
  When they finally did pull apart, it was to a chorus of catcalls around the room. A coy smile passed over her lips as she asked, “should we find someplace a little more private?”
  ♚
20 December 1996
  Kiss me once, cause I know you had a long night
Kiss me twice ‘cause it’s gonna be alright
Three times ‘cause you waited your whole life
~Paper Rings
  “So, what do you want to do tonight?” 
  Lavender bounced up and down on the sofa next to Ron. It was the last night before the Christmas hols, and she wanted to make the most of it since she wouldn’t get to kiss him for two weeks. But something was off. Ron seemed distracted, and he kept looking past her, which was beginning to grate on Lavender’s nerves.
  “Er, I don’t know. I’ve got a lot of packing to do still, so I’m not sure if we should really—”
  Lavender was taken aback as Ron threw himself at her, lips clashing together even though he was just in the middle of telling her he was too busy to do anything. Lavender cracked an eyelid open to see Hermione shoot them a disgusted look as she crossed the room and waited by the portrait hole. She clamped her eyes shut a moment later when she sensed Ron’s twitch.
  She wasn’t going to complain about snogging her boyfriend in the middle of the common room, but she kept her ears open.
  “Ah, Granger, looking delicious as ever.”
  Hermione was going to the party with Cormac? She must really be desperate to want to go with that sleazeball. 
  “Let’s get going,” Hermione responded in her usual clipped tone. “I’d rather not be in the vicinity of that much longer.”
  Lavender tried not to be offended by Hermione’s icy words. Ron didn’t deserve to be treated like rubbish, and neither did she. It’s not like Hermione had laid any claim on Ron. She tried to refocus her attention on the snog, but Ron pulled away as soon as the portrait hole closed.
  Huh, well, that was odd.
  “Well, I should go and get packed, then. I’ll see you in the morning?”
  What just happened? Is he really going upstairs after snogging me like that? 
  Lavender was thoroughly confused by Ron’s actions. Nothing seemed to match up tonight, and she didn’t want to leave things like this at the train station tomorrow. She needed to know what was going through his mind.
  “Won-Won, what’s wrong?”
  “Nothing.”
  “Doesn’t seem like ‘nothing'. Why’d you start snogging me when Hermione came down the stairs?”
  “What? I can’t snog my girlfriend? It had nothing to do with Hermione.”
  Ron sounded convincing, but Lavender was still hesitant to believe it.
  “Are you sure? 
  “Yes.”
  Lavender noticed how Ron’s ears turned a bright shade of pink and wondered if he was hiding something. Even if he was, he was her boyfriend, and she decided to trust him. Switching gears, Lavender asked him the other question that was weighing on her mind.
  “Not that I care who Hermione’s going to the Slug Club party with, but why McLaggen? Everyone in Gryffindor knows to stay away from him.”
  “Dunno. Why do you say that?”
  “You don’t know? McLaggen doesn’t like to be told ‘no’.”
  “He—what?” Ron groaned and rubbed the back of his neck while his nostrils flared in annoyance. Or was it anger?
  “I’m sure she’ll be fine.”
  “Yeah, well, she shouldn’t be going with him in the first place.”
  “Why?” Lavender peered intently at Ron, waiting for an answer.
  His cheeks were flushed as he shook his head, eyes darting to the boy’s staircase as if he was looking for an escape.
  “Er, no reason…”
  “Won-Won,” warned Lavender.
  “I—er, I think I was supposed to go with Hermione tonight.”
  “Excuse me?”
  Lavender sensed his immediate attempt to backpedal the conversation before he even spoke. He was already standing and moving around to the backside of the sofa. Even as he attempted an explanation, Lav gathered the impression that he was trying to convince himself more so than her.
  “Well, she never officially asked me! Besides, we got into a huge row, and now I’m with you, so it doesn’t matter. Look, Lav, I’m tired, and I’ve got a lot to do. I’ll see you in the morning.”
  Without another word, Ron disappeared up the boy’s staircase, which left Lavender on the sofa, reeling at his words. How had she not known that Hermione had asked him—or tried to ask him—to the party?  He wasn’t trying to get back at Hermione by using Lavender, was he?
  No, that’s ridiculous! He fancies you! You wouldn’t have spent a whole month together if he was trying to get back at your roommate. 
  Lavender pushed her discomfort over Ron’s actions to the back of her mind. She’d know if he wasn’t interested. He probably just misses his friend. It was really a shame Hermione couldn’t be happy for Ron, or Lavender for that matter. But Lav wasn’t going to do anything about it, not while she had Ron all to herself. Maybe she was being selfish, but Ron was her boyfriend, and she intended to keep it that way.
5 January 1997
  Said I’m fine, but it wasn’t true
I don’t wanna keep secrets just to keep you
~Cruel Summer
  Lavender was chomping at the bit to spend time with Ron upon their return to Hogwarts the Sunday after New Years, but obligations kept getting in the way. Apparently, Ron was busy with rounds and Prefect meetings during the entire train ride back to the castle, and then Harry had scheduled a team meeting after dinner. She’d given up the hope of seeing him that evening and settled on waiting for him to go down to breakfast the next morning. 
  Lavender hoped Ron wasn’t embarrassed because he never bought her a Christmas gift. They were only together for a month, and there wasn’t a Hogsmeade weekend where he could have gone to buy her anything anyways. And since Harry was staying with the Weasleys, she assumed there were more safety wards in place, so the chances he could get to Diagon Alley to shop for her were slim too. 
  It’s not like she intended on getting him a gift, either, but when she saw the opportunity to get two lockets at buy one get one free, she couldn’t resist. She’d purchased one for Parvati’s gift, and her mother had always taught her to never pass up a deal, so she’d had the locket engraved with ‘Won-Won’ and sent it to him for Christmas.
  When Ron came barreling down the stairs the next morning, Lavender was so excited that she pounced on him, which caused him to flail backwards and almost topple over. 
  “Won-Won!” She left a sloppier than intended kiss on his cheek as he turned his face.
  “Hey, Lav. Er, sorry about yesterday.”
  “It’s fine, are you ready for breakfast?”
  He nodded as they exited the portrait hole. They were halfway to the Great Hall when Lavender attempted to engage him in conversation again. She knew he wasn’t a morning person, but she wasn’t willing to wait another few hours.
  “So, how were your holidays?”
  “Huh? Oh, they were good. Yours?”
  “Wonderful! I love going home for Christmas. My younger brother was so excited to see me. I picked out a toy broom for his gift this year, and he spent the whole two weeks riding on it! I was so sad to say goodbye to him again, but Easter will be here before we know it. Maybe you can come home and meet my family for Easter hols.”
  “Huh? Oh, yeah, sure.”
  Lavender could sense from Ron’s lackluster response that he wasn’t paying attention. So, she followed his gaze, and of course, there was Hermione, most likely darting off to the library or wherever she went to avoid her former best friend. Her blood boiled at the way she was treating Ron. At least that’s what she was telling herself. She certainly wasn’t jealous of the way Ron was watching her.
  Lavender reached up and gently turned his face back to focus on her. “Did you like your gift?”
  “Y-yeah, it’s great.”
  “Are you wearing it?” Her hand slid down to feel his chest. Maybe it was concealed under his uniform.
  “Er, no. I—uh—I’ve got it tucked away under my pillow for safekeeping.”
  “Why? You aren’t embarrassed of us, are you?”
  “N-no! I just like to—uh—keep it close when I’m sleeping so I can dream of you!”
  Lavender suppressed a laugh at his attempt to give an excuse to not wear it. It was sweet, no matter how ridiculous it sounded. She threw her arms around him and squealed in response to his reasoning. The last thing she wanted was to make him feel uncomfortable, so Lavender figured a positive reaction would make him feel better about the whole ordeal.
  “That’s so sweet, Won-Won! I’m glad you liked it!”
  His face turned a blotchy red as they entered the hall and found a seat at the Gryffindor table. Lavender chose not to press the issue anymore as she turned to her thoughts instead. Maybe the locket wasn’t the best idea to give a boyfriend of only a month. But she’d never felt this way before. Seamus had been a fun fling, but with Ron, she felt different. He made her feel all warm and fuzzy inside, and she hoped she hadn’t given him the wrong impression with the gift. 
  She’d just have to make it up to him in other ways. Yes, that was it. Lavender would make sure he knew how much she cared while also making sure his eye didn’t continue wandering toward her roommate and his former best friend.
  ♚
14 February 1997
  Can I go where you go?
Can we always be this close forever and ever?
~Lover
  Lavender sat alone in the empty classroom, waiting for Ron to show up after rounds. Rounds! Why did he have to have rounds today, of all days?  It was completely and utterly unfair. He promised her he’d meet her in the empty classroom near Gryffindor tower as soon as rounds were over, but it was already ten past eleven, and he was nowhere to be found.
  She hadn’t gotten him anything this time for fear it might embarrass him again, just like the locket. Oh yes, she’d heard Harry telling Neville about his Christmas present while she was searching for a book in the library, and she heard every excruciating detail of how mortified Ron was by it. Apparently, it wasn’t under his pillow after all. It was hidden in the bottom of his trunk. So, for Valentine’s Day, she opted to give him something he could hang onto in his mind instead. 
  At least, that’s what she planned. Lavender took to pacing the classroom for another ten minutes before resigning to the fact that Ron wasn’t coming. A pang of disappointment rippled out from her heart, and she tried to convince herself that maybe he’d forgotten. But ever since they’d returned from Christmas hols, she felt Ron pulling further and further away. Before the two week break, they’d gone off to spend time together every night, snogging in empty classrooms and broom closets, and sometimes even a late-night walk around the castle. Now, she was lucky if she could pry him away from his studies twice a week to spend some quality time together. 
  Sure, they ate meals together and sat next to each other in their shared classes, but it wasn’t like they ever talked that much. Come to think of it, every time she’d try to ask about his life, he’d always deflect to her. And of course, Lavender never had a problem finding something to talk about with her family because she wanted to share everything she could with Ron. Yet now, she was wondering if he actually cared or if he was just being polite.
  Thoughts consumed her mind as she walked silently back to Gryffindor tower. By the time she entered the common room, it was deserted. Part of her thought about checking to see if Ron was back in the dorms, but the other side told her it wasn’t worth it. It’d be his own fault if he got caught sneaking around after hours without her since he’d ditched her on what was supposed to be the most romantic night of the year. 
  The last thing she wanted to do was go up to her dorm and face Hermione’s smug look when she found out Ron ditched his girlfriend tonight, but she wasn’t about to hang around the common room like a rejected piece of garbage. 
  Ron is still yours. Not hers. Even if tonight didn’t go as planned, still make her remember that.
  So, when she entered the girl’s sixth-year dorm, Lavender plastered a smile on her face. Parvati was sitting on her bed while Hermione’s curtains were closed tight.
  “Hey! I was wondering when you were going to show up. Have a good night?”
  “Oh, it was the best!” Lavender gushed. “Ron was so sweet and romantic. He gave me some chocolate frogs, which I know are his favorite, and I gave him...well, you know.”
  She made her voice sound as suggestive as possible, and if Hermione was listening, then that was her own fault.
  “I need to freshen up now. I’m rather sweaty from all that we got up to. And then I should head to bed. We’ll talk more in the morning, Par, I promise. Ron thoroughly wore me out, I’m exhausted.”
  What neither girl realized, though, was that Lavender let out a good cry in the shower instead. Because her boyfriend ditched her on her favorite day of the year.
  ♚
2 March 1997
  Cause I can’t pretend it’s okay when it’s not
It’s death by a thousand cuts
~Death by a Thousand Cuts
  “I’m sure he’s just on a lot of potions, Lav. I wouldn’t think too much of it.”
  Parvati was attempting to comfort her best friend. Lavender had had a rotten weekend. Ron was poisoned yesterday, on his birthday of all days! Not that the day mattered. He was still poisoned, and he could have died!
  What did make it worse was that nobody thought to tell her until well into the afternoon. She’d burst into the Hospital Wing to find his best friend, sister, and her sitting vigil at his bedside. Lavender didn’t think she’d ever been so livid in her life. And then he’d croaked something out in his sleep that sounded like a name, but it was not hers.
  She felt the entire relationship slipping through her fingers. When did things start to take a turn for the worse? What went wrong? Surely he still fancied her because if he didn’t, then why hadn’t he called things off?
  Because he does still fancy you. Of course, he does! Don’t worry about her. She means nothing to him. 
  Lavender tried with all her might to believe it, but it was becoming harder and harder every day. And despite her best friend’s attempts to make her feel better, it wasn’t doing any good. Parvati wasn’t outside the Hospital Wing with Lav when she overheard Ron talking to Harry and asking for Quidditch magazines. There was no question that he was awake, but as soon as she walked in, Ron ‘magically’ appeared to be sleeping again. And Harry had the audacity to cover for him!
  She’d tried to go see him two more times that day, and both times he was ‘sleeping.’ Something happened, and he was avoiding her, and it hurt. But how could she call him out on it when he was ‘asleep’? 
  She thought about whether she should confide in Parvati or just internalize her feelings. Parvati had been there through everything, but Lavender decided she wasn’t ready to bring up her speculations until she had more proof. So instead, Lavender chose to keep her thoughts to herself.
  Did she want to break things off with Ron? No. Was she willing to do what it took to keep him around? Yes. So, Lavender resolved to do whatever it took to keep Ron interested. She’d back off, not be as needy, and keep things cool and breezy. They could make this work. She was sure of it.
   ♚
2 April 1997
  And I don’t want you to (go) I don’t really wanna (fight)
‘Cause nobody’s gonna (win) I just thought you should know
~Miss Americana and the Heart Break Prince
  Lavender entered the common room after Divination to see Ron sitting on the couch next to Harry. The two were furiously scribbling on parchment, and Lavender couldn't help but roll her eyes at what she assumed to be a last-minute attempt to finish one of his assignments. Even so, she figured she’d surprise him and see if he could be persuaded to take a break and go for a walk instead.
  She dropped her bag behind the sofa and covered Ron’s eyes with her hands. “Guess who!”
  “Oi!” Ron flung his arms back, sending ink droplets flying over his and Harry’s parchment, as well as the table and upholstery of the sofa in the process.
  Lavender ripped her hands off his eyes and apologized with a pout. “It’s only me, Won-Won. I just wanted to surprise you.”
  “Oh, er, sorry, Lav. I’m busy right now. I need to finish Snape’s Defense essay.” 
  The words sounded apologetic, but the lack of sympathy in Ron’s expression caused unease to bubble up in Lavender’s stomach. Usually, he’s better about hiding his disinterest in showing affection around his friends. But the way he’d acted just now made her feel like he was downright repulsed by an innocent touch.
  “But that essay isn’t due until tomorrow. I still have to put the final touches on mine as well. Maybe we could go for a walk now and work on it together after dinner?”
  Sure, the snogging was brilliant, but that’s all they ever seemed to do. She wanted to make things work between them, and after five months, she knew they’d never have a successful relationship if it stayed strictly physical. Besides, that clearly wasn’t working in an effort to keep him interested anymore.
  “Sorry, Lav, I can’t. I’ve got rounds tonight.”
  Another pang of hurt emanated in her chest at his rejection. “Oh, well, maybe I could work on it with you now, then?”
  She knew what his answer was going to be before he said anything. He was already packing up his things. 
  “Er, maybe on another assignment. I’ve got to hit the library before dinner and see if I can find one more source. I’ll meet up with you later, though, yeah?”
  Ron was already out of his seat and headed for the door without bothering to wait for a response, which further solidified Lavender’s suspicion that it was an offer he didn’t intend to follow through on. Ordinarily, she would have given him the benefit of the doubt, but it’d been three weeks of him avoiding her ever since he and Hermione had reconciled. With a heavy sigh, she picked up her bag and headed for the girl’s dormitory, where she passed Hermione on the stairwell.
  “Let me guess, Ron’s busy?” Parvati asked, saving Lavender from having to retell the excuse.
  “Yeah. He has rounds tonight, I guess.”
  “Huh.”
  “What?”
  “Hermione has rounds tonight, too. Padma said they switched back for the month.”
  Lavender felt as though a fifty-pound weight had been placed on her chest as her heart constricted at Parvati’s news. She knew this was coming but refused to believe it, choosing instead to turn a blind eye to all the signs. A tear escaped out of the corner of her eye as she tried to come to terms with the fact that no matter what she did, Hermione was going to win. Which led her to wonder whether Ron had ever truly been hers at all.
  Well, good. If Ron’s not interested anymore, then he can be a man and break things off. And if he’s too much of a coward to do it on his own, then I’ll do everything in my power to help push him along, all while reminding Hermione that he’s still mine in the process.
Maybe it was spiteful, but Lavender no longer cared. Deep down, she knew their relationship was probably doomed from the start, but that didn’t lessen the pain. Perhaps she never stood a chance, especially knowing his relationship with Hermione never was a typical friendship, but Ron could have told her no all those months ago if that was the case. Their fleeting relationship may have come to pass, but at least Lavender had the memories of time spent together to look back on when he had cared. Because he had cared once, right?
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theghooligan · 3 years
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random quotes i have written in a note on the notes app of my phone that i think represent all of our favorites. this is probs crack af, i make no apologies and i will not accept any criticism at this time. hope you guys all enjoy! LET’S GO!
nesta, because she’s a badass queen bitch: “i am not questioning your honor, i am simply denying its existence.”
cassian: “and honey there are just some people you don’t trust because they will use it to stab you in the ribs!”
rhys: “stars. can’t do it. not today.”
feyre: “let me guess, he wrestled you into submission with his eyebrows.”
azriel, with just that oh-my-gods-i-hate-these-people-don’t-look-at-me, kind of face we know he gets when he’s done with peoples shit: “i’ve seen stocks of corn with better physiques.”
gwyn, because she’s our ray of sunshine, i don’t care what the antis say: “and that concludes my wonderful story!” 😄
elain: “no it’s my damn garden and i’m sick of you kids dressing up and having talks of betrayal in it!”
lucien: “a 3 is a perfectly average grade!”
mor: “oh my god, your inbox is literally filled with penises!”
emerie: “i know what I know. you know, if you don’t know, then you don’t fucking know, do you?”
amren: “the ENEMY…has opted for oblivion.” *varian sweating profusely and nervously in the background*
*bonus because i am one of the ones who loves eris and wants his full fucking redemption arc because there has GOT to be more to him than some basic villain we’re supposed to hate. we were supposed to be wary of rhys too, remember? look how that turned out! anyway, let’s gooooo!
eris, when he loses his shit i’m sure: “YOU WRETCHED, MYTHOLOGICAL MORON!”
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inkweaver22-blr · 3 years
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Here’s chapter ten! I do believe this is the first chapter with absolutely no dialogue! I hope you enjoy it regardless!
AO3 Link
<Previous | First | Next>
Scattered Cicadas - Chapter Ten: Soft Shadows
Redemption is a hard process. Yet the cycles seem to make it easy for one particular demon.
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Redemption was a tricky thing. It required so many different events to happen in a certain order that it rarely occurred.
The first step was to commit some form of wrongdoing.
This was unfortunately the easiest part to do and most people never moved on to the next.
The second step was to realize and acknowledge your actions as wrong or harmful.
Many had justified their own actions over the course of existence and never saw themselves as doing wrong. Worse, many knew their behavior to be cruel and simply did not care or relished the feelings of power it gave them.
The final step was perhaps the most difficult to achieve.
One had to feel genuine remorse for their actions and wish to change.
Very few actually made it this far in the process as it usually required a catalyst of some sort. A personal revelation after going too far or someone laying your actions out clinically so you couldn’t justify them. Even a single act of unconditional kindness and trust could make someone wish to change.
Then came the truly hard part: actively changing your actions.
The path to redemption was not a short one. It took a lifetime of pursuit and dedicated work to not slip into the temptation of reverting back to who you were before.
Closing yourself off and pretending you didn’t care was easy, after all. What was difficult was being honest with yourself and allowing yourself to feel.
It helped if you had people around you to offer support and love. If it was from the same people who you had harmed originally, all the better.
But earning forgiveness wasn’t the goal of redemption. Some would refuse to give it, and you would have to live with that as it was their right to do so. It may hurt, but you had hurt them first and have no right to demand it even if you had changed.
Being redeemed wasn’t for the benefit of one’s victims. The hope was that you could grow into being a better person. It was for your own personal peace of mind. Whether others choose to accept that you’ve changed was not up to you, but you must continue onward regardless if you were to ever live with yourself.
Tang was intimately familiar with this process. The amount of cycles where he had been some sort of villain was not small.
The first three steps came easy to him. Feeling remorse for his wrongdoings and wishing to change were simple for one stuck jumping through time.
He could even spot a suitable catalyst for his potential ‘redemption’ fairly quickly. MK’s kindness and belief of the good in most people had certainly been useful on many occasions.
Having the whole process down to a science himself, Tang was even able to pull others into changing their ways sometimes. The Demon Bull family were commonly caught in his actions whenever he was a part of it.
(Having Red Son as a younger sibling had been interesting.)
What was bemusing to the scholar was that throughout the cycles there was one person who would constantly be redeemed, even without his meddling.
The Six Eared Macaque was an interesting puzzle.
He seemed to fit into the group that knew their actions were harmful, but did not care. Yet time and time again, he would become one of their allies.
Tang hadn’t known much about the demon early on in the cycles, but the knowledge about him came inevitably.
Macaque had been a “beloved friend” of Sun Wukong in the past. At some point, they had a falling out, Macaque seeing it as being left behind by Wukong.
The scholar had actually experienced part of that tension back in that cycle with the time traveling cactus.
So it seemed feelings of betrayal, jealousy, and abandonment were Macaque’s main motivations.
That last one was eerily similar to MK’s insecurities.
Macaque was very much like both Wukong and MK when Tang stopped to think about it. All three had repressed emotional trauma and coped with them in wildly unhealthy ways. Usually by pretending they weren’t there.
Macaque channeled those repressed emotions into schemes of revenge. He used lies and illusions to get what he wanted. He was condescending and sarcastic to his enemies, seemingly cruel and uncaring.
And it was all a facade.
At least, most of the time. There were a few cycles where Macaque was genuinely a despicable person who showed no remorse.
As much as he tried to hide it, Macaque was actually a very emotional being. It was quite easy for him to get attached to one or more of their group and slowly his cruel streak would fade.
Macaque’s catalyst for change was usually a person. It differed from cycle to cycle, but someone would show him some kindness or trust and before Tang knew it they would have another sarcastic immortal monkey as a part of the team.
MK was obviously the most common person to get the demon to change. Macaque was not lying when he called him a good kid. Having four father figures in those cycles seemed to be good for MK.
Wukong, while usually not the initial catalyst, tended to play a big part in Macaque’s redemption. Being old friends, they knew each other extremely well. While that tended to lead to a lot of arguments, it also led to them picking up where they had left off their previous relationship.
It didn’t really bother Tang that said relationships were often romantic in nature. Watching the two monkeys cuddle when they thought no one was looking was just too cute.
Mei was an interesting choice for Macaque to become attached to. He often ended up becoming her mentor, teaching her how to properly wield the Dragon Blade. Both of their sarcastic natures worked surprisingly well together.
The biggest surprise had been Pigsy.
That cycle, Macaque was basically under house arrest as ordered by Heaven. Pigsy, not wanting the manipulative demon to be anywhere near MK, forced him to stay at their apartment. It was some time later when Tang had woken late in the night to some loud noises and had left his room to complain.
Only to find Macaque pressing a kiss to Pigsy’s cheek before fleeing his room, pursued by a flustered and angry pig demon soon after.
It was strange, but Pigsy’s gruff and silent compassion meshed really well with Macaque’s easy going and nonchalant attitude. The scholar found their affection towards each other endearing.
Tang supposed it was only a matter of time before he himself acted as Macaque’s catalyst.
The cycle had started early, about a year before the original events. While working at the library, Tang had been approached by what he immediately recognized as Macaque in his human disguise. He had requested help on learning more about The Journey to the West for a school assignment. Tang, deciding to play along, offered himself up as an expert on the story and they began meeting weekly to go over it.
Macaque truly did not know the full events of the Journey in this cycle and seemed upset at several points, such as learning about the fillet used to inflict pain on Wukong. Over time, the pair began to meet up more often and discuss things other than the famous book.
He really should have expected falling in love.
Macaque was still sarcastic as ever, but never malicious. He made jokes and comparisons that had Tang’s side aching from how hard he laughed. He was quick to pick up Tang’s quirks and preferences, surprising him with his favorite foods or a nice new set of bookmarks.
He was still Macaque, but this softer side of him made Tang’s chest flutter.
As he lay in bed with his partner, (who had still yet to reveal himself to Tang, but he was patient), Tang couldn’t help but feel a new place in his heart open up for the shadow demon. He had already been considering adding Macaque into his family due to the many times he had joined them, and this just solidified that decision.
Oh Tang knew the cycles where he never changed would be painful. Watching as someone he loved went down a path of self destruction wasn’t easy. But he held onto the knowledge that there would always be the cycles where Macaque did become a part of their family.
As long as the possibility existed, there was hope that the same could happen in his own timeline.
If he ever got back that is.
Tang shoved that increasingly reoccurring thought away and closed his eyes, letting the soothing sounds of Macaque’s breathing lull him to sleep.
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A NEW CHALLENGER APPROACHES!
Macaque is the fandom’s darling bad boy, so of course I had to have a chapter discussing his many, MANY redemption’s over the many fics and AU’s.
In particular, (Teach Me to Be) Tougher Than Leather, Softer Than Silk by *checks notes* HOLY SHIT! I had no idea this was by @ninja-knox-ur-sox-off until just now! *ahem* Anyway it is an AMAZING fic with a practically never used pair and I highly recommend it.
Tang seems to have a type doesn’t he? Demons that seem emotionally distant, but are big softies at heart. It’s probably the purring that gets him. ;P Also does Tang/Macaque have a ship name? If not I'm dubbing it InkyPages.
Don’t worry Tang! I’m sure those intrusive thoughts will go away all on their own.
Important notice! I’m probably going to be putting this fic on the back burner for a bit because I really want to write about the cycle mentioned here. Not as part of Scattered Cicadas, but as its own thing. So keep an eye out for that!
Until next time!
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captainunderkrupp · 3 years
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I've been sitting on this AU for several months now, developing it with the help of some friends on the Trollstopia server... and as I wanted to use it for the upcoming Creek Week, especially since I've been working more on it, so I might as well announce it now :3
Rock Creek AU. Explanations, warnings, and more art under the cut.
So a bit under a year ago, after TWT came out, I found several AUs where Creek ended up in Volcano Rock City and interacting with Barb somehow. They were all very interesting, but none of them really hit my specific tastes for what I might want out of that sort of story... so I was inspired to start developing my own!
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The basic question, of course, is: What if Creek had somehow ended up in rock troll territory after the first movie? And this fun little project of me speculating, having fun drawing different designs and looks for him, and figuring out how he interacted with the rock trolls we know and love, and I ended up throwing him into VRC for two years, between the first and second movies, and just kept writing down ideas and thinking about it. It's now kind of a monster of an AU, but one that I'm very excited about.
In fact, I'm currently working on what is going to be a very long fic that I'm not sure when it will be done, though I can say it may still be a few months out. I was planning on finishing it before announcing this AU at all, but... I couldn't resist the urge to use him in the Creek Week prompts, so here we are :)
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Anyway. Here are some basics for this AU specifically:
It starts out as if he ended up heading toward rock territory instead of wandering back toward Pop Village, like is implied in TTBGO.
He's found by the rock trolls and brought in to Volcano Rock City. He spends lots of time too sick to do anything except be miserable, though when he gets better he starts doing his usual thing, trying to work into other trolls' good graces for his own status in what he now thinks of as his new home, since he assumes he won't be welcome back with the pop trolls...
But the rock trolls are not easily trusting of pop trolls in general, even if he insists he's different. So Barb decides she wants to see how he may be affected by their kingdom's string… 
And may misadventures besides, some of which will affect only him, but others which may cause a butterfly effect through all the kingdoms!
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This story will contain:
references to trollstopia and TTBGO. there are characters from both shows that affect the main plot and interact with him.
lots and lots of headcanons about different trolls. as this is an AU, they may not match up with my usual HCs about them, but I do enjoy meta and extrapolating directly from canon.
the theory that creek has relatives, branch, cybil, and rosiepuff. he also gathers some of his own found family in a few rock trolls as he develops.
no main shipping. creek will have his own crushes and entanglements, but please do not expect any specific ships to become endgame with him in this story. there may be side character relationships, however.
OCs. there is at least one OC central to a good part of the plot, and another that will make more than one appearance. also, some of the characters are underdeveloped, to the point that I may have to develop them into basically OCs to make them usable for this fic.
a complex redemption arc. one of the main things I find interesting about creek is how he became an antagonist, and how he could redeem himself. I don't tend to enjoy most fandoms' modern definition of a redemption arc, so please expect some twists and turns with how I redeem him.
DARK THEMES. while the general AU can be discussed without touching these themes, the fic itself may be rated between teen and mature, and will have plenty of warnings. I will try to make the darkest of the scenes I am currently writing skippable, but this is your warning.
ANY OF THESE THINGS CAN CHANGE. the main points should all still apply to the final fic, but details may shift as I keep working on this WIP.
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So that’s the basics of the AU! Feel free to send me questions, though I may be a tad slow answering them since I’ve been so busy with fandom events and commissions, hehe. And thank you for reading!
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tokoyamisstuff · 3 years
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Betrothed - Illumi Zoldyck x Reader
Chapter 3: Blood
Summary: While treating Illumi’s wounds, you learn something about his past.
Warnings: Well...blood. Mentions of past abuse. Choking.
Words: ~1800
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Story Masterlist
“You could at least try to relax when you’re at home, Lumi.”
As usual, every muscle on Illumi’s body was tensed as he shifted around on the small wooden chair, his upper half completely bare.
Running your hands over his delicate skin, you couldn’t help but humming happily while opening the first-aid-kit.
Lumi.
That nickname wasn’t really creative, you had to admit. Yet there were still many thoughts connected to it.
How it sounded a lot like ‘Luna’, for example - the latin word for ‘moon’. Illumi pretty much had a moon face anyway.
A wet and warm feeling on your fingertips got you down to earth again - it was your husbands blood, steadily running down his whole back. Quickly, you got a gauze pad to absorb it and started working.
Had it come to you fancying him that much that you already lost yourself in daydreams?
The deep cut on his shoulder would most likely leave a scar, no matter how well you’d treat it. Yet what bothered you more was the fact that he had acutally tried to hold the gap together with his way too big needles.
“Sorry...” you whispered as you tugged them out of his flesh, but he wouldn’t even flinch.
He insisted it was fine, and you knew that he was used to the pain. But he could still feel it, even if his face remained as cold and calm as always.
God knows what’s going on in his head...your husband was very hard to read, actually.
But you knew he wasn’t just a puppet for his family. Illumi had some thoughts of his own, and you burned to get through to him.
The flesh wound was still bleeding, and since it hadn’t been properly closed in hours, you needed to clean it first. “I’m so sorry” you repeated, pouring some disinfectant into the cut.
“Stop apologizing.” The way he emphasized the words made him almost sound irritated.
“B-But I-”
“You’re assisting me as I demanded, so there’s no rational reason for you to say something like that.” It were moments like this that made you think Illumi actually tried to calm you down - the best he knew how. Through choosing his words wisely.
After the bleeding stopped, you began stitching up the wound while your husband was still sitting as if frozen in place.
“I-I just don’t want you to feel more pain than necessary...” He was used to way worse. You were well aware of that fact, and yet-
“Y/N.” Hearing your name escaping his lips, you immediately got attentive. “Is that the reason you’re holding back while sparring with me?”
For a long while, the room fell completely silent.
Because both of you knew he was right.
“I see.” Before you could even think of an answer, Illumi jumped up from his chair, running his hand over your handiwork. “Thanks for the bandage.”
Oh god, he was preparing to leave again. Maybe forever this time.
Soon, he’ll tell his parents you were unfit for an assassin’s spouse - too soft and weak.
Death was a bearable punishment for your shortcomings, but simply being thrown out like a toy one has grown tired of?
How pathetic, being afraid of conseqences you now only imagined. Knowing very well that empathy was considered futile in this environment.
And yet you were shocked it came that way, only because of you speaking your mind.
“Illumi, wai-”
He cut you off right there, turning around with his hand reaching for your neck.
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Illumi’s aura had always been intense, laced with a bloodlust that seemed like it was imprinted on him at his very birth.
You’ll never get used to seeing him like this.
“Are you scared?” he asked just before his fingers wrapped around your throat, repeating the question at your lack of reaction. “Are you afraid of me?”
Slowly but increasingly, the pressure on your neck began to become discomforting, making you wince a little.
Yet your look wouldn’t falter, rather decided taking on a staring contest with him.
“I’m afraid of you leaving me.”
Just like that, he retracted his hand.
The look in your eye gave it away. Every word, every syllable you spoke was true. 
Even Illumi could tell just how much genuine affection they held - and he wasn’t immune to it either.
You cleared your throat and he only now realized just how much force he had used on you. Yet instead of apologizing as would be appropriate, he decided on continuing his interrogation.
“Why?” Illumi croaked, sounding a little bit broken. Hewasn’t able to speak any more, still baffled at your statement.
To ever think you could caught him off guard with such a simple sentence - but even through his poker face, you could feel his mind racing.
You sighed quietly, nervously tapping with your foot. “Do I really need to repeat that? It’s embarassing...”
No answer. Instead he stared you down even more intense.
“I like you, Lumi. This is my home, and I feel happy when I’m with you. Simple as that.”
Finally, he gave in to his exhaustion and took a seat on the sofa, with you following him closely after.
No matter what might follow, right now he needed some time. That much was obviously. So you just try to share your calming aura in silence.
You knew that puzzled expression way too well.
He’d put it on whenever something went past his comprehension, like when you once asked him about thinks he enjoyed or his dreams for the future.
“You look so sad...” you had once commented at an old photo of his. If you had to guess, he was about 4 years old at the time it was taken.
“Dunno” he tried to avoid further conversation back then, “Can’t remember.”
Just how often did you want to tell him that it was wrong? That his parents - no, his whole family - was full of sociopaths, and that they had stained his innocence through their wrongdoings and overeagerness?
And yet you had always kept quiet in the end.
Because you knew what it meant to him. The last bit of his sanity would probably break down if he knew all of the pain he had endured was wrong and abnormal.
Yes, their bonds were sure strange ones: They manipulated and harmed each other, all for the sake of the greater goal and the continuation of their bloodline.
That was probably how criminals beyond redemption desperately try to cling to their last bit of humanity - through the only people they can trust and be close to: Other murderers.
But at least you wanted to make him learn how to feele truly loved: For what he really was, and not only his obedience or achievements.
Right now, however, his elbows were resting on his knees, he was bent over and holding his chin with his hands. That position made it even harder for you to read him.
“I trust you with my life” you said without the slightest hint of hesitation in your voice. “It belongs to you ever since the day we married.”
Illumi cocked his head upwards, empty orbs staring holes into you. 
“They think I’m a monster.”
Huh?
Usually, Illumi isn’t really a man of many words. That fact should change tonight.
“I heared them talk” he began explaining as if it was the most normal thing in the world. “About regretting training me so harshly. I was their first child, more like an experiment at how to raise an even more powerful assassin.”
You nodded in silence, trying to signalize him that you were listening - and that you cared.
So he kept on. “I’m the reason my brothers were allowed more freedom. Having the right to feel and think on their own. And now Killua has left us. If I hadn’t been a failure, they would’ve trained him stricter.”
He blamed himself, thinking he was responsible for being a failed experiment.
Dear god.
“Mother said she’s afraid of me. I was 10. Everyone else at the family at least bear certain, acceptable emotions. She said I’m dead on the inside and it freaked her out.”
Every single word of him shot needles into your heart, tears already filling the rim of your eyes. You grabbed the fabric tight, trying to hold yourself together for your sake. 
“Illumi...”
You knew from the very second that many things were haunting that poor man’s conscience - but what he had just confided was just hard to bear.
In an attempt to comfort him, you instinctively shuffled closer until there was no gap between the two of you. It was an awkward closeness, but soothing nonetheless.
“It’s okay” he spoke in a tone that was unfamiliar soft for his standarts. “I understand how you all feel. I may not be able to emphasize with any feelings, but I can intelectually comprehend them.”
“Now cut it out!” This time it was you disrupting him, through a soft poke on his already injured shoulder.
"That’s bullshit and you know it. No person is absent of all emotions. You just shoved them into the back of your head and tried to surpress them. With your kind of childhood that was probably the only way to survive without completely losing it.”
His eyes shifted between your face and the place where your shoulders would touch, soaking every word like a dry sponge.
“And you do care about your family, right?” Well, how couldn’t he? It was the only way of mimicking normalcy he could pretend to have. “You’d do anything to keep them safe.”
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“I just don’t get it” he murmured as you softly caressed his hand. “My allies are usually also mass murderers and psychopaths. But you are almost perfectly normal.”
Normal? You were an assassin too, goddamn it!
“Most would describe you as a very kind and sympathetic person. You should despise or at least fear me. They all do.”
“Not everything has to be logical, Lumi. I don’t think it makes sense either, but I also doubt that you’re a bad person. You’re much more of a victim.”
“Is that so...” That question sounded more like he was highly doubting it.
Just now you were realizing how slumped he was leaning back on the couch. That whole conversation had probably drained his energy reserves more than any mission ever could.
“Rest now, dear.” Carefully, without alerting him, you wrapped your arm around Illumi’s head and gently led him to your lap. “We can talk later.”
Much to your surprise, your husband would slowly close his eyes, swiftly drifting into sleep at hearing the steady beating of your heart.
“I’m sorry for frightening you, Y/N” he whispered those last words barely audible, fingers squeezing the flesh of your thigh ever so slightly.
“You didn’t. You never do.”
___
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Feedback is always appreciated!
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Top 5 Best Executed Deaths
A few weeks ago, I did a list talking about the Top 5 Character Deaths That Made Me Side-Eye the Writers and I thought it was only fair that I talk about some of the character deaths that I thought were actually done well. So consider this like a companion to that list. 
Like I said in that T5F, this is TWDG, a game series all about people surviving in a world overrun by zombies. Naturally, characters are going to die. Some of these characters get pretty shitty deaths that only happened to fill a quota, some had effort and thought put into them and how they were going to effect the story and remaining characters. These are deaths that served their purpose, progressed the story, or are an understandable conclusion to a character’s arc. 
Do keep in mind that when I say that I enjoy the way these were done/handled/portrayed/whatever, this isn’t me taking joy outta watching these deaths play out. Hell, I kinda hate most of the deaths on this list, but just because I don’t want this character to die or I wish they stuck around longer doesn’t mean I can’t recognize when it’s executed well, y’know? 
5. Larry and the meat locker incident
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So.... Larry’s an asshole, y’know? He made it on another T5F because he sucks. No one likes Larry. 
He treats Lee like garbage, treats his own daughter terribly, and is overall just a piece of shit. That being said, he played his role well. He did what he needed to do which was be a antagonistic character within the group who posed a threat to Lee by threatening to expose his past. He creates a lot of tension within the group, he puts all this pressure on Lilly, you can’t even attempt to show any kindness to him because he doesn’t care about anyone but himself and Lilly. 
That being said.... his death scene is pretty good. Y’know, you play through ep2 for the first time and you’ve just discovered that these people are cannibals and they have you locked in a fucking meat locker so they can butcher you later, and Larry is freakin’ the fuck out because he’s pissed. Lilly is sick in the corner, Kenny is desperately trying to find a way out because they have his family, and Clementine is terrified, and Lee is just waking up. 
You go over and try to calm Larry down because he’s pounding at the door and this dude.... this bastard has the gall to be like “Fuck you, you must really hate me! I’m plannin’ on bein’ around waaaaaay after you’re dead! I’ll be the one to put you down!”
Then he has a heart attack. 
And you’re stuck in this meat locker with him. You don’t know if he’s alive or not-- Kenny immediately deems him dead, Lilly is desperately trying to resuscitate him, and they’re both yelling at you. You gotta decide if you’re gonna help Lilly try to bring him back, or if you’re gonna help Kenny make sure he doesn’t turn. 
Not matter what you do, Kenny smashes Larry’s head in with a damn saltlick because I guess he missed the opening of the episode where they remind you that your actions have consequences. 
Larry’s death has lasting effects on your relationships with both Lilly and Kenny, though more so Kenny since no matter what, Lilly loses it a little and ends up murdering Carley/Doug and leaving the group. But boy, Kenny will never forget the time you didn’t wanna play hero with him and smash a guys head in right in front of his daughter. 
It’s a damn good scene, I gotta hand it to ‘em. I hate Larry and I can’t say I miss him, but I can definitely see both sides of the argument on what to do there. Plus it’s... I dunno, a creative death? and I kinda like that? No one else is out here getting their heads done in with a saltlick, y’know? 
Anyway, Larry sucks but his death? Well done. 
4.  Minerva and the tragic showdown on the bridge
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Oh man, I really am digging my own grave with the Minnie crowd lately, huh? Ah well, I’m sure it’s fine. 
Listen...okay, look. I have a lot of feelings about the bridge scene. On one hand, I hate it. On the other hand, I kind of love it? 
Like, does it piss me off that Tenn dies here because I trust AJ? Yep. Do I still wish they had maybe put Lilly here so that she could actually do her job as a villain? Sure. Does it upset me that AJ ends up shooting his best friend in order to save Louis? Totally. Does it annoy me that Minerva just won’t fucking die even though I shot her and the walkers keep nom noming her? Absolutely. 
That being said, I can’t pretend that Minerva’s death isn’t pretty great.... which I know will upset the Minnie crowd who always talk about how it’s bullshit she died here and she deserved a redemption arc... but lemme explain. 
Looking at the game itself, the text and story progression, Minerva was never going to get that. She was never set up as someone we were gonna “fix” or as someone who would have a change of heart and switch to our side. From the moment we meet her, she’s too far gone. The delta have their claws sunk deep within her, they brainwashed her, forced her to murder her own sister, and she has completely given up. She never expresses any desire to go back to the school. Nope, the delta is her home now. Her family. And it’s tragic. She and Sophie proof of what would happen to the Ericson crew if the delta go ahold of them-- “which twin will you be?” y’know? 
She fucks us over instead of actually helping us, we escape, the boat explodes, but Minerva doesn’t go down with the boat. Nope, she makes it to land and well... she fucking loses it. She sees her delta family get taken out by walkers and she goes nuts with her gun and gets half of her face chewed off by a walker.
So yeah..... she’s dead. Almost. They try to act like we’re supposed to believe that she’s really dead after she gets surrounded by walkers and throws the grenade at Clementine and all that but c’mon.... unless I see a body or a walker version, I don’t believe shit. 
Which brings me to the bridge.... there’s a lot of dread building up to Minerva’s final appearance, and you just hear her singing the damn song and bringing a bunch of walkers with her. Not to mention that she already looks dead. She looks like a walker who can talk, and not gonna lie, I like it. It’s freaky and sad and fucked up and adds so much to her character at this point. I mean, she’s here to kill Tenn so that they can all be a family again. She’s smiling and relieved that she’s dying and boy she just can’t wait to take Tenn with her and it’s not great.
She’s here to die and to take someone down with her, and she’s not leaving until she does. Hell, if she can take Clementine out, that’s just a bonus at this point. 
ALSO can’t forget that if AJ does shoot and kill Tenn, Minerva is still alive as she’s being eaten by walkers and she looks so damn happy as she reaches out and says, “Yes, come with me...” 
Like..... it’s so fucked, and I hate that I love it. From a storytelling standpoint, it’s a fitting death to conclude Minerva’s character and it impacts everyone there in more ways than one. 
3. Duck and incredible emotional impact
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Oh, Duck... poor, poor Duck. 
This one has stuck with me and I hate it. I was never one of those players who hated Duck from the beginning. It’s interesting to go back and see how people reacted to him in the first couple episodes because a lot of them didn’t like him. They found Duck to be annoying, loud, stupid, and would even wonder “yeesh, when can I kill this kid?” 
Which is yikes but not gonna get into that right now. 
But from my understanding, Telltale got wind of this and knowing they were gonna kill him off, were like “Okay, y’all dumb, so here--” and they added in that little segment with Detective Duck where he helps Lee figure out what’s been going on with the stole meds. It’s a cute scene where we get to hang out with Duck and he proves that he’s not stupid, he’s just... y’know, a child. 
Then the motor inn gets attacked, shit goes down after they escape, and it’s revealed that Duck was bitten. 
Oh man, let me tell you about emotional impact both on the characters and the player because wow. 
Duck’s death is slow, drawn out...and since it’s early in the series, there’s a lot of denial, mostly from Kenny. They find the train and Kenny fixates on it because to him, if he gets it working and they can just get away, Duck can recover. Duck isn’t like the others, he’s just a little sick and everyone is making a big fuss about it. 
Then you have Katjaa, who starts out in that denial stage but she moves into acceptance a lot quicker than Kenny does and well.... that might be because she made up her mind about what she was going to do, which that is a whole other layer of fucking despair to this situation. 
They also do something that I like with Kenny by adding that depth of him believing he had something like this coming after what happened at Hershel’s farm. Y’know, when he grabbed Duck and took off, leaving Shawn to die? Yeah that. 
He’s been so adamant about protecting his family to the point where he doesn’t have anything for the rest of the group, aside from Lee if he helps kill Larry. He did what he could to keep his wife and child safe and in the end, it didn’t matter. Duck still got bit, and now everything is shit. 
Then when you thought it couldn’t hurt even more, you find Katjaa dead in the woods and you still have to take care of Duck, whether you have Lee shoot him or have Kenny do it, or even just leave him to turn. Either way.... Duck’s death is just one big ol’ despairing oof.
It’s really good, guys. The music, dialogue, scenery, the pain....They really nailed Duck’s death in such an emotional way and it doesn’t just end there. This sticks with Kenny all the way through S2 and changes him as a character. It impacted Clementine and Lee greatly because this kickstarted Chuck telling them that Clem would end up just like Duck if things didn’t change. 
S1 just... knew how to kill off its characters... well, for the most part. 
2. Marlon and the death that had to happen whether we like it or not
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Sigh.... okay. 
So... Marlon. Lemme tell you some things about Marlon’s death. 
First, I hate it. Nothing new there. If you know anything about me, you know that I am vocal in my desire for the Marlon redemption arc, for the “Marlon lives” AU’s and the “Marlon lives longer but dies differently” AU’s. I like Marlon as a character, I find him to be a fascinating character study. Ray Chase’s performance as Marlon brings so much personality and I love it.  So naturally, I wanted more of him in TFS. 
Here’s the thing. I may want all of those things, I may take a lot of joy from discussing these ideas with you guys and coming up with different scenarios,  theories, AU’s about him, and I’ll always be the first one to be like “I hate that Marlon dies in ep1, I wish AJ hadn’t shot him! Woulda liked for him to stick around longer!” 
But with the story TFS is trying to tell, Marlon has to die. AJ has to shoot him. I don’t like it, you don’t like it, no one likes it.... but that’s just how it is. 
Marlon is presented to us as this chill and genuine guy trying to keep his group safe and together. He feels the pressure of being responsible for all the lives in this school and that’s a lot to put on a teen growing up in the apocalypse. 
Then we learn that hey, the twins didn’t die. No, last year they ran into Abel and Marlon made a deal with him where he traded the twins in order to save himself, Brody, and the rest of the school. He wanted to plan a rescue mission, but he was too scared, so he and Brody kept it to themselves. They made up a story about the twins dying and moved on, but that continued to weigh down on them. 
Then Abel comes back, Brody freaks out, tells Clementine the truth, and Marlon hits her so hard that it kills her. 
And it gets worse. 
You go through the whole confrontation with Marlon trying to cover his ass and blame Clementine for Brody’s murder, he’s waving AJ’s gun around and threatening to shoot Clem while everyone is gathered around watching. It’s raining, it’s super dramatic and tense and I love it. 
In the end, Marlon gives up and he just wants to leave. Let him become a bad memory, he’ll never come back, just let him go. 
Then AJ shoots him in the head unprompted. He just.... he just does it and then wonders why everyone is looking at him like he’s a murder baby. 
Marlon’s death is crucial, not just to kickstart the plot but also for AJ’s character arc. His death affects everyone in that school. It makes Clementine question herself and if she’s raising AJ right, it breaks Louis’ heart, it pisses off Mitch, it sets Violet off on her bullshit. Everyone is hurting and confused because they don’t know what to do. Marlon is dead and AJ, this tiny toddler, was the one who pulled the trigger. 
From the beginning, we’re told that AJ is always listening, watching, and what we do will affect him for better or worse.... and maybe you don’t think much when you tell him to always aim for them head, but when he says exactly what you taught him after murdering Marlon...? Yeah, you’re sitting there like “Well, fuck.” 
But if this didn’t happen, if AJ didn’t kill Marlon, then.... there’s not a lot left. Sure the raiders are still coming, but AJ no longer has to go through what he has to or realize how much he hurt everyone. He’s no longer on that path that made him such an interesting and layered character. 
Sure, you coulda made him shoot someone else, but the fact that it was Marlon is what made it impactful.
Ugh, it’s good and I hate it. I hate it so much. 
1. Lee and the death that broke all our hearts
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.......Just-
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-y’know?
What else is there to say?
Well, alright, I’ll explain. 
We play as Lee in S1, we go on this whole journey with him and develop him as a character, establish relationships, and care for Clementine. He’s a great character. I did a list on why he’s great, too, if you wanna check that out but all you really need to know is that we all loved Lee.
Lee’s got a lot of baggage, given that he was on his way to prison for murdering the dude who was sleeping with his wife. But then the apocalypse happened and he got a second chance to do some good... or I guess bad? if you do a scumbag Lee run? 
Anyway-- no matter what, he cares for Clementine and it’s nice to see them bond over the course of the season... so when shit hits the fan and Clementine gets kidnapped by the Stranger, we’re just as upset as Lee is.
Then Lee gets bit.... and we realize that even though he’s our playable protagonist, he was never safe either. He gets bit and I can still remember the feeling of like... a bowling ball dropping in my stomach and my heart hurting because no... no, no, not Lee. I basically became Kenny like “No, he’s different! Lee isn’t gonna die! Being bit doesn’t mean death!” and while that is technically true.... had to face it: Lee’s going to die by the end of the season. 
Ep5 of S1 is a whole journey... We’re dealing with trying to save Clementine while seeing Lee get worse and worse-- he’s passing out, he’s growing paler and slower and it’s hard to watch. You maybe get a little bit of hope if you decide to cut his arm off, but that’s just... it’s too late for that. 
Not only is he fighting this, but then you got Ben who gets impaled and Kenny “dies” putting him outta his misery and Lee’s powerless to do anything. So great, that sucks. 
But at least he’s got Christa and Omid.... until they get separated at the Marsh House and Lee’s gotta get through a herd of them by himself. 
This slow burn is so good. His condition gets progressively worse but he’s so determined to get to Clem that it doesn’t matter. He doesn’t have time to think about what is inevitably going to happen to him, even if the player does. 
And just.... the final scene... y’know, the actual death scene? 
It’s so good. It’s a beautiful, emotional punch in the face. Like, way to end your game like this... Lee is trapped her with Clementine and he can’t walk, he can’t get up no matter how much Clementine begs him to try, he just- he can’t. He knows it’s all over for him and so he has her handcuff him to this heater so that no matter what, he can’t hurt her and just.... their final moments together where Lee is minutes away from death but is struggling to tell her as much as he can and I’m crying.
Then of course, the final choice-- Do you shoot Lee, or do you leave him to turn?
Both ending hurt my soul, but they’re both great in different ways. Shooting him is so heartbreaking... seeing little Clem sobbing as she points the gun at him and closes her eyes, then it cuts to black as the shot rings out and you hear Lee’s final breath....
BUT THEN YOU HAVE THE LEAVE HIM ENDING WHICH-
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Lee manages to tell her more when you choose not to shoot him, but just watching Clementine get to the door and her little “don’t go” before Lee closes his eyes and falls over limp... falls over dead, I just--
Ouch... I am applauding this through my ugly sobs. 
It’s the best death in the series. It has everything and then some- emotional impact, works to progress the story and characters, amazing dialogue and performances.... It still gets me to this day. 
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Honorable Mentions
-Mark’s death technically happens off screen, but I mean, c’mon... Mark wasn’t the most compelling character, but everyone remembers what happened to him. Everyone remembers walker Mark. What happened to him showed us just how fucked the St Johns were and it’s excellent.  -Brody’s death is pretty good, too.  -Abel’s death is an interesting one. He’s a garbage can, but they managed to humanize him just a bit by the way he hands his soon-to-be demise.  -Badger when Conrad kills him. It’s super good.  -I’m looking over this list now and it’s kinda funny that not a single S2 death made it here... it’s almost like all the character death that happened there was because a quota needed to be filled and who cares about complex character development when you got Kenny and nothing really matters I guess... ugh. The best deaths would probably be Carver, and Kenny when you shoot him but they’re not good enough to be in a top 5 so.... good job.
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So... that was fun. What do you guys think? Do you agree with my choices or nah? Do you have a favorite death I didn’t list that you thought was well executed? Let me know, I’m curious. 
Have any suggestions for future T5F’s? Feel free to send ‘em in! :D
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Next week’s T5F
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bogkeep · 3 years
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hmmmmmmmmmm maybe i’ll write an Introspective Musing Post about my relationship to religion and their depiction in stories because i’ve pondering about this topic lately
so for those who are reading this and DON’T know what’s been going on...  there’s this webcomic i fell in love with some years ago, about six years actually, that depicts a post-apocalyptic fantasy/horror adventure set in the nordic countries. it had, and has still, some very uncomfortable flaws regarding racial representation, and the creator has historically not dealt very well with criticism towards it. it’s a whole Thing. my relationship with this comic has fluctuated a lot, since there are a lot of elements in it i DO love and i still feel very nostalgic about, and like idk i felt like i trust my skills in critical thinking enough to keep reading. aaand then the creator went a teensy bit off the deep end created a whole minicomic which is like... a lukewarm social media dystopia where christians are oppressed (and also everyone is a cute bunny, including our lord and saviour jesus christ). which is already tonedeaf enough considering there are religious people who DO get prosecuted for their faith, like, that’s an actual reality for a lot of people - but as far as i can tell, usually not christians. and then there’s an afterword that’s like, “anyway i got recently converted and realized i’m a disgusting human being full of sin who doesn’t deserve redemption but jesus loves me so i’ll be fine!! remember to repent for your sins xoxo” and a bunch of other stuff and IT’S KIND OF REALLY CONCERNING i have, uh, been habitually looking at the reactions to and discussions around this, maybe it’s not very self care of me but there’s a lot of overwhelming things rn and it’s fantastically distracting, yknow? like, overall this situation is fairly reminiscent of the whole jkr thing. creator of a series that is Fairly Beloved, does something hurtful, handles backlash in a weird way, a lot of people start taking distance from Beloved Series or find ways to enjoy it on their own terms, creator later reveals to have been fully radicalized and releases a whole manifesto, and any and all criticism gets framed as harassment and proving them right. of course, one of them is a super rich person with a LOT of media power and a topic that is a lot more destructive in our current zeitgeist, and the other is an independent webcomic creator, so it’s  not the same situation. just similar vibez ya feel as a result of this, i have been Thinking. and just this feels like some sort of defeat like god dammit she got me i AM thinking about the topic she wrote about!!! i should dismiss the whole thing!!! but thinking about topics is probably a good thing so hey lets go. me, i’m agnostic. i understand that this is a ‘lazy’ position to take, but it’s what works for me. i simply do not vibe with organized religion, personally. (i had the wikipedia page for ‘chaos magic’ open in a tab for several weeks, if that helps.) i was raised by atheists in a majorly atheist culture. christian atheist, i should specify. norway has been mostly and historically lutheran, and religion has usually been a private and personal thing. it turns out the teacher i had in 7th grade was mormon, but i ONLY found out because he showed up in a tv series discussing religious groups in norway later, and he was honestly one of the best teachers i have ever had - he reignited the whole class’ interest in science, math, and dungeons and dragons. it was a real “wait WHAT” moment for my teenage self. i think i was briefly converted to christianity by my friend when i was like 7, who grew up in a christian family (i visited them a couple times and always forgot they do prayers before dinner. oops!), but like, she ALSO made me believe she was the guardian of a secret magic orb that controls the entire world and if i told anybody the world would burn down in 3 seconds. i only suspected something was off when one day the Orb ran on batteries, and another day the Orb had to be plugged in to charge. in my defense i really wanted to be part of a cool fantasy plot. i had no idea how to be a christian beyond “uuuuh believe in god i guess” so it just faded away on its own. when i met this friend several years later, she was no longer christian. i think every childhood friend of mine who grew up in a christian family, was no longer christian when they grew up. most notably my closest internet friend whose family was catholic - she had several siblings, and each of them took a wildly different path, from hippie treehugger to laveyan satanist or something in that area. (i joined them for a sermon in a church when they visited my town. my phone went off during it because i had forgotten to silence it. oops!) ((i also really liked their mother’s interpretation of purgatory. she explained it as a bath, not fire. i like that.)) i have never had any personal negative experiences with christianity, despite being openly queer/gay/trans. the only time someone has directly told me i’m going to hell was some guy who saw me wearing a hoodie on norway’s constitution day. yeah i still remember that you bastard i’ve sworn to be spiteful about it till the day i die!! i’ve actually had much more insufferable interactions with the obnoxious kind of atheists - like yes yes i agree with you on a lot but that doesn’t diminish your ability to be an absolute hypocrite, it turns out? i remember going to see the movie ‘noah’ with a friend who had recently discovered reddit atheism and it was just really exhausting to discuss it with her. one of these Obnoxious Atheists is my Own Mother. which is a little strange, honestly, because she LOVES visiting churches for the Aesthetic and Architecture. we cannot go anywhere without having to stop by a pretty church to Admire and Explore. I’VE BEEN IN SO MANY CHURCHES FOR AN ATHEIST RAISED NON-CHRISTIAN. i’ve been to the vatican TWICE (i genuinely don’t even know how much of my extended family is christian. up north in the tiny village i come from, i believe my uncle is the churchkeeper, and it’s the only building in the area that did not get burnt down by the the nazis during ww2 - mostly because soldiers needed a place to sleep. still don’t know whether or not said uncle believes or not, because hey, it’s Personal) i think my biggest personal relationship to religion, and christianity specifically, has been academic. yeah, we learned a brief synopsis of world religions at school (and i remember the class used to be called ‘christianity, religion, and ethics’ and got changed to ‘religion, beliefs, and ethics’ which is cool. it was probably a big discourse but i was a teen who didnt care), but also my bachelor degree is in art history, specifically western art history because it’s a vast sprawling topic and they had to distill it as best they could SIGHS. western art history is deeply entangled with the history of the church, and i think the most i’ve ever learnt about christianity is through these classes (one of my professors wrote an article about how jesus can be interpreted as queer which i Deeply Appreciate). i also specifically tried to diversify my academic input by picking classes such as ‘depiction of muslims and jewish people in western medieval art’ and ‘art and religion’ when i was an exchange student in canada, along with 101 classes in anthropology and archaeology. because i think human diversity and culture is very cool and i want to absorb that knowledge as best as i can. i think my exchange semester in canada was the most religiously diverse space have ever been in, to be honest. now as an adult i have more christian friends again, but friends who chose it for themselves, and who practice in ways that sound good and healthy, like a place of solace and community for them. the vast majority of my friends are queer too, yknow?? i’ve known too many people who have seen these identities as fated opposites, but they aren’t, they’re just parts of who people are. it’s like... i genuinely love people having their faiths and beliefs so much. i love people finding that space where they belong and feel safe in. i love people having communities and heritages and connections. i deeply respect and admire opening up that space for faith within any other communities, like... if i’m going to listen to a podcast about scepticism and cults, i am not going to listen to it if it’s just an excuse to bash religion. i think the search for truth needs to be compassionate, always. you can acknowledge that crystals are cool and make people happy AND that multi level marketing schemes are deeply harmful and prey on people in vulnerable situaitons. YOU KNOW???? so now’s when i bring up Apocalypse Comic again. one of the things i really did like about it was, ironically, how it handled religion. in its setting, people have returned to old gods, and their magic drew power from their religion. characters from different regions had different beliefs and sources. in the first arc, they meet the spirit of a lutheran pastor, who ends up helping them with her powers. it was treated as, in the creators own words, ‘just another mythology’. and honestly? i love that. it was one of the nicest depictions i’ve seen of christianity in fiction, and as something that could coexist with other faiths. I Vibe With That. and then, uh, then... bunny dystopia comic. it just... it just straight up tells you christianity is literally the only way to..?? be a good person??? i guess?? i’m still kind of struggling to parse what exactly it wanted to say. the evil social media overlord bird tells you the bible makes you a DANGEROUS FREETHINKER, but the comic also treats rewriting the bible or finding your own way to faith as something,, Bad. The Bible Must Remain Unsullied. Never Criticize The Bible. also, doing good things just for social media clout is bad and selfish. you should do good things so you don’t burn in hell instead. is that the message? it reads a lot like the comic creator already had the idea for the comic, but only got the urge to make it after she was converted and needed to spread the good word. you do you i guess!! i understand that she’s new to this and probably Going Through Something, and this is just a step on her journey. but the absolute self-loathing she described in her afterword... it does not sound good. i’m just some agnostic kid so what do i know, but i do not think that kind of self-flagellating is a kind faith to have for yourself. i might not ever have been properly religious, but you know what i AM familiar with? a brain wired for ocd and intrusive thoughts. for a lot of my life i’ve struggled with my own kind of purity complex. i’ve had this really strange sensitivity for things that felt ‘tainted’. i’ve experienced having to remove more and more words from my vocabulary because they were Bad and i did not want to sully my sentences. it stacked, too - if a word turned out to be an euphemism for something, i could never feel comfortable saying it again. i still struggle a bit with these things, but i have confronted these things within myself. i’ve had to make myself comfortable with imperfection and ‘tainted’ things and accept that these are just, arbitrary categories my mind made up. maybe that’s the reason i can’t do organized religion even if i found one that fit for me - just like diets can trigger disordered eating, i think it would carve some bad brainpaths for me. so yeah i’m worried i guess! i’m worried when people think it’s so good that she finally found the correct faith even if it’s causing all this self-hate. is there really not a better way? or are they just trusting she’ll find it? and yeah it’s none of my concern, it’s like, i worry for jkr too but i do not want her within miles of my trans self thANKS. so like, i DO enjoy media that explores faith and what it means for you. my favourite band is the oh hellos, which DOES draw on faith and the songwriter’s experience with it. because of my religious iliteracy most of it has flown over my head for years and i’m like “oh hey this is gay” and then only later realize it was about god all along Probably. i like what they’ve done with the place. also, stormlight archive - i had NO idea sanderson was mormon, the way he writes his characters, many of whom actively discuss religion and their relationship to it. i love that about the books, honestly. Media That Explores Religion In A Complex And Compassionate Way... we like that i’ve been thinking about my own stories too, and how i might want to explore faith in them. most of my settings are based on magic and it’s like, what role does religion have in a world where gods are real and makes u magic. in sparrow spellcaster’s story, xe creates? summons? an old god - brings them to life out of the idea of them. it’s a story about hubris, mostly. then there’s iphimery, the story where i am actively fleshing out a pantheon. there’s no doubt the gods are real in the fantasy version of iphimery, they are the source of magic and sustain themselves on slivers of humanity in exchange. but in the modern version, where they are mostly forgotten? that’s some room for me to explore, i think. especially the character of timian, who comes from a smaller town and moves to a large and diverse city. in the fantasy story, the guardian deity chooses his sister as a vessel. in the modern setting, that does not happen, and i don’t yet know what does, but i really want timian to be someone who struggles with his identity - his faith, his sexuality, the expectations cast upon him by his hometown... i’m sure it’s a cliché story retold through a million gay characters but i want to do it too okay. i want to see him carve out his own way of existing within the world because i care him and want to see him thrive!!! alrighty i THINK that’s all i wanted to write. thanks if you read all of this, and if you didn’t that’s super cool have a nice day !
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onewomancitadel · 3 years
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I just read your Knightfall fanfic and it is amazing! I absolutely loved the dialogue between Cinder and Jaune, as well as the descriptions of the settings/characters. The way you used, "scorched honey" to describe Cinder's eye was just perfect.
As for another theory parallel between Jaune and Cinder. The Relic of Choice was hinted to be at the Tower, the type of building Salem was trapped in originally until Ozma rescued her. What if Jaune rescued/redeemed Cinder from the tower in a sense which supports the reverse Salem/Ozma relationship. There's also the fact that Cinder's turning more Grimm, so while the start of Jaune/Cinder (not officially mind you, but kind of like the start of a relationship between the two) could be Cinder turning from (almost) Grimm back to human, Salem and Ozma's relationship continued while Salem turned into a Grimm. At least, that's what I got from the reverse Salem/Ozma tags. Thoughts?
T_T T_T T_T thank you so much for this ask, I'm glad you enjoyed it <3 <3 that's all a fanfic author wants in life <3 <3 (scorched honey line - I try to simplify my writing because I have a tendency for the verbose, but I can't help myself for the imagery lol - and I love the duplicity of it, burnt yet sweet, it just makes me think of everything perfect and complex about Cinder, anyway now I am just gazing into my own river reflection lolololol PLEASE I want to talk about these things without sounding up myself. I just love fanfic so much, because I can express how much I love these characters and story like this).
Re: the second part of your ask: you are absolutely right, and I actually find Beacon Tower's iconography highly suspicious (like, Ozpin's latest and greatest incarnation basically locked himself back up in there, and he was only 'freed' from it by Cinder, which allows Oscar to meet Ruby, which allows Ruby, on that rooftop, to unlock her silver eyes... it all comes back to towers, back to Salem when she was but a girl).
So in this respect Cinder and Ozpin have already played out more Salem/Ozma business. But I think it's still yet unfinished (especially because they did not have the correct dance partners yet), and wherever the Relic of Choice is hiding, I don't know, but I wonder if it's sentimental to Oz? If it were, I would have thought Salem would know, but maybe she's forgotten; the way the new generation reinvigorates these old ideas of soul, spirit, beauty, justice, redemption, by remembering the secret hiding spot, Jaune and Cinder retreading ground, I don't know, it's very suspicious and I love it. I think a significant event will take place there, especially as you brought to my attention the pronounced Indecisive King and the Relic of Choice parallels.
And yes you are absolutely bang on the money: Salem's Grimm corruption occurred after losing Ozma, and she has remained this way, whereas Cinder's purification (I use this in a purely ceremonial sense - I don't mean she's tainted) will occur after joining with Jaune. So these are reverse events: enemies to lovers, Grimm to human vs. lovers to enemies, human to Grimm (so structurally reflect one another as well). In my opinion. That is.
I also contend that Reverse Salem/Ozma is actually an overarching relationship theme of ALL major RWBY canon ships (particularly the theme of 'trust' - not just simply love), but Jaune/Cinder is actually the most on-paper obvious example and likely the most dramatic and one crucial in our most desperate hour (see: the Relic of Choice being the final Relic at large).
Err so like, any more ideas I have about this I have to be honest, I've saved for my fic LOL!!! But yeah I really think a proper Salem/Ozma parallels write-up is in order, I do have a secret Knightfall manifesto sitting in a Word Document but it's mostly unhinged colour theory. (I'm now reading this pseudoscientific book from the 19th century on chromatology and the power of the colour blue to give life to earth. It's bizarre. I love it).
But yes, one last thought which occurred to me, and mostly speculation: Cinder is perpetually 'stuck at midnight' (so on the nose: Evernight, Salem's home base), and the Tower is full of clocks and gears, and well, I don't know, the theming of time and towers is doing something for me lol. It is sort of poetic that that would be the moment 'time starts again': where Salem was first freed, where the story has been picked back up to be finished, since Salem's conflict has been exhaustive, drawn out, neverending.
Thank you for your lovely ask, you have no idea how excited I am talk about this ship <3333333
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wexhappyxfew · 3 years
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i literally choked on my pizza when i saw your writing and analyzing questions post, I HAVE SO MANY QUESTIONS!! first of all, what sort of process do you go through when creating characters? what kind of things do you take into consideration when creating them? i’m fascinated because creating characters is far from easy, especially when you’re creating someone like agent mortem! i’m always interested to know what the writer’s thought process was when creating a new character!
okay, so secondly, i wouldn’t say i’m having trouble with keeping all my planning organised and ‘precise’ in a way, but it’s really not easy 😅 i was wondering what kind of processes you go through when planning, whether you have like a specific structure or a set of steps to follow, or if you just kind of roll with it? at the moment when i plan it’s okay and it makes sense, but it’s literally just 4 or 5 pages of really chunky paragraphs which makes it really difficult to pick out the events again when i come to needing the plan to help me. i don’t really know if you do anything different, but if there is any way you know of that i could keep it more organised and easy to follow, that would be great :)
i’ll keep the last ones a little shorter because this ask is already looking veryyy long — what have you enjoyed writing about natia, what struggles have you faced and what have you learned? and basically the same with agent mortem if that’s possible :) i have asked a LOT of questions in this, so don’t feel like you have to answer them all because it will probably take quite a while 😅 anyway, thank you for putting up with my endless questions, and i hope you have a good day <33
ROSE AH HELLO MY FRIEND!!!! <333 sorry ive just gotten to this omg! it’s been sitting here for a little while but i’ve just had so much going on right now and wanted to make sure when i answered that my *full attention* was put on this! (because i’ve been very excited to answer this ESPECIALLY as i see agent mortem questions poking up on here and that just makes me even more hype!!! :D enjoy! <3
Ooooo this is a cool question! I’ve been asked it before but I feel with different characters and such, it always seems to fluctuate for me at least? In the sense, it’s almost never the same process for me in the developmental stages of a character haha! Sometimes I get characteristics first hand, or sometimes a certain scene pops up that just makes the character click and I can build from there, or sometimes, it’s just a last name or a first name that I work with and suddenly have an idea for!
For example, since we’re on the general topic of Landslide, I’ll talk about some things I did when creating specifically Natia. The “Natia” who is currently portrayed in the fic, was not always really like that. Natia initially was not a SOE Agent/Polish Resistance Fighter and instead a Dutch Resistance Member who would meet with Easy in Episode 4. I always sort of knew Natia, in whatever form she was, would meet Easy in Episode 4, but I wasn’t sure how, so the building in the first 17 chapters was the toughest part to come.
I did heavily feel the Polish were underrepresented in terms of the situation of the war along with everything that happened in the Warsaw Uprising and so I felt it was important to see if I could do something with that and that’s really where Natia came into play!
Natia means “hope” essentially and something I really like doing with her character is to parallel or juxtapose different ideas together, to continue on this sort of theme of her being a quite ominous and ambiguous character — you get the general sense of what her morals are, but in certain points it’s questionable. Morally-ambiguous characters have always been fascinating to me, especially female morally-ambiguous characters and so creating Natia in that respect I felt would be interesting to see what I could do!
Something major that I’ve slowly began to take into consideration with characters more and more, is the sort of general theme I want to be present with them — what’s that goal i that they are moving towards in the end and what’s the them surrounding it? For Natia it’s a multitude of things; family, revenge, being silenced, numb, grief, mentor vs protégé, lone wolf etc….the list could truly go on! And with these basic sort of ideas and themes, I can then move on from there and expand.
Why did she want REVENGE? Because the enemy killed her FAMILY, which is extremely important to her, and she wants to feel some sort of REDEMPTION for them.
Why was she BEING SILENCED? Because of the *past* conflict of the HARMFUL MENTOR VS SILENCED PROTÉGÉ situation that occurred between Agent Mortem and herself, where she allowed herself to be silenced by someone who abused the SUDDEN POWER he never had before in his life, ultimately leading to her continued issues of TRUST that she would meet throughout.
Why is she NUMB? Because at a fairly young age she experienced heavy and intense GRIEF that struck unforgivably at a time where it seemed things were safe. To rip something from a character, especially the main character, like FAMILY which is extremely important, you pull at the heart strings and it makes that character move forward on a quest for that in a way, ultimately by the end of the fic. (Basically you up they are least get a semblance of that lost thing, found again by the end)
Why is she a LONE WOLF? Because of the MENTOR VS PROTÉGÉ situation yet again, where she was taught to rely strictly on herself and no one else and so when TRUST and COMPANIONSHIP and TEAMWORK were introduced to her character, she didn’t know how to cope because she had been so desensitized to the ways of Agent Mortem that working back in the morals of family and friends was a challenge in its own respect.
It’s sort of a like a ripple effect if you think about it and that’s what helps me eventually move forward and develop the character arc I want to take place. She’s this way because of this — sort of like cause and effect. It’s really helped me out with major scenes or plot holes that have risen throughout the fic!
AGREED! Writing in general is not an easy feat and now including mind you ORIGINAL CHARACTERS, you’re literally, essentially, creating human beings from scratch and giving them characteristics, a backstory, trauma if you wish, friends and family, people they love, people they hate, morals, standards EVERYTHING! ITS INSANE! AH AND AGENT MORTEM! I’m so very glad that you brought him up, because his creation definitely stemmed directly from the want to experiment with the relationship of failed mentor vs protégé, entirely. I wanted a foil to Natia that was not directly with her all the time. Mortem plays such a MASSIVE role in her story and yet any interactions between the two are either from her mind or from memories and that’s just such a fun way to play around with their dynamic! (I just finished the creation of his backstory and character arc I want him to take and it’s only made me even more excited for what’s to ultimately come for him as well as Natia!)
A song that HEAVILY represents their dynamic is Ghost by Marvin Brooks (2WEI) and I’ll explain why. Even though Mortem is not always inherently *with* Natia, he still is a huge factor of her life, and still heavily controlling many aspects of her life such as recurring memories, reactions, and how she is also conditioned to react to certain things as well. He is essentially a “ghost” who is “haunting” Natia and I feel that’s an interesting take on their connection because they’re two people who clearly had a power struggle and a difference of opinions of multiple things and that just makes it so incredibly interesting to write!
song:
OOOOOO good question!!! So many people have such different ways of approaching story writing and planning and drafting and writing and editing and it’s honestly amazing!! I will say, I’m not an excessive planner or even a real great planner with writing, I never really have, and even as I’ve developed my writing and learned that “it’s okay to slow down”, or “it’s okay to take time for different portions to provide a deeper focus”, I still have not been someone to plan out every bit of my writing.
Reason being is I enjoy seeing where I can take the story in that time and place. Maybe if I’m doing a quick little writing segment and suddenly this idea just appears and hits me, I work it into the fic and it takes it a whole new direction and I end up not being super upset about it because it just…it works! And of course, this is not how other people operate and I have every respect for people who plan and have every detail laid out and figured out and just….completely and utterly planned to the dot. Lile kudos to people who genuinely get the planning all cleaned up before even writing, truly.
I just finalized Agent Mortem’s backstory and where I want his character arc to go and I’ve had him as a character since August of last year LOL! But ya know sometimes, I sit and I think back and go, maybe I wasn’t ready at that time to develop him completely yet because I, the writer, didn’t understand him enough to and I had to write more of him to be able to get a grasp of who he was and his character (and just about everything else!) and that’s okay!!! :)
Going with this idea I just stated above — the 4 or 5 pages of info — KEEP IT MY FRIEND!!! I swear, half the reason ideas even come to me is simply because I just write a big info dump that has all my little ideas somewhere inside and will ALWAYS be there. I recommend maybe taking a day though - away from focusing on writing or editing - and just picking that apart. (That’s what I did the other day and it helped me out MAJORLY! and it was worth it in the end!) Maybe keep the original 4-5 pages and then copy and paste the same thing in another doc so you always have the original!
And then just go through and split ideas apart! If you start reading and see it moving into another realm of headspace of ideas, just press enter and separate the two — you didn’t delete it, it’s still there and still intact! It’s just easier to look at now because instead of two, jumbled and completely different ideas, you now have two paragraphs and portions of text that relate to their own respective idea. It definitely makes it an easier pill to swallow when trying to get yourself organized!!
This really helped me when I was in my beginning stages of figuring out Landslide ESPECIALLY the first 17ish chapter where Natia was not in contact with Easy yet. I’ve explained it before but those chapters are there because we are seeing her final days with the resistance in Warsaw and how she ultimately ends up with Easy PLUS we see who she is as a character by herself and how she is not merely an extension off of Easy, but her own character, her own person. She has her own story and her own morals and ways of going about her life that don’t even relate to Easy. Their paths just happened to cross!! :)
By getting those first 17ish chapters planned, not extreme planning though I will admit, half the scenes were very much thought up on the spot for example like Natia driving to Munich in disguise or the introduction of Zdzich — two very important scenes that show us something about Natia. (1) She’s willing to go to extreme lengths for the people she loves to ensure that in the end they are safe, even if it means sacrificing herself and (2) she has trouble realizing that there are people out there that genuinely care for her, a connection to her ultimate, unruly and upsetting past. And the best part about it is THESE WEREN’T EVEN PLANNED! So sometimes, just let the story take the reigns and your mind and just guide you through it. Sometimes it is for the best :)
If you have your basic ideas and concepts and themes for how you want your fic to eventually go, the scenes for me most of the time just appear I guess when they should. Sometimes even in the times I'm not writing, I sit theorizing and questioning and thinking and developing ideas in my mind and it's a real good exercise, so when you get back to writing, you already know where you want the fic leading in the end!
MAN I LOVE THIS QUESTION. Anytime I can provide some meta or give some insight to Natia who is just one of the best characters I’ve gotten the pleasure of working with, I’ll gladly answer!
The thing I enjoy writing about Natia the most I feel, and I’ll probably always say this, is her complexity — as a writer, her character orders a healthy challenge for me that I gladly have accepted! You don’t know everything about her as a reader and as you read each chapter, that’s how you slowly uncover and discover what she hid about herself to protect herself. There’s so many different aspects of her that I could discuss truly!! (There has been so many parts that I’ve scrapped because I read through and just think “Man this doesn’t seem like Natia!”. She’s tricky sometimes to stake down exactly how she would react because of her past and her trauma and how long she’s been in war, but I just LOVE it!)
Many different aspects of her character though, come from her past and that’s what makes her interesting. I’ve really enjoyed working with the ideology of “Chekov’s Gun”, a writing device that can be used, with how I will mentioned something and it almost might seem out of the blue, yet later it all just makes sense?! When the flashback is revealed or a small portion of her past is finally allowing *light* in. It's a device I've used with Natia that has just really helped to develop her story at the pace I want it to be revealed! :D
For example, the OCEAN is mentioned many times. I make constant reference to the WAVES, the RECESSION of them from time to time, the comparison of the OCEAN both ABOVE and BELOW surface — all of that sorta stuff! For her character, it seems a bit out of place. She’s COLD. She’s NUMB. She’s BROKEN. What does an open body of water consuming at least 70% of the Earth have to do with an OC based in Warsaw, Poland?
This is where the importance of her PAST will play it’s role, as it has a major INFLUENCE on her and her CHARACTER and her MORALS. One of the main reasons the OCEAN is inherently connected to Natia is because of her PAST and one of those main reasons is AGENT MORTEM and her TRAINING, especially WATER training. I can’t comment further on this though as readers have only touched the tip of the iceberg for the use of the OCEAN and it’s IMPORTANCE so far in this fic! (Ask me again about it once this fic is finished up for the most part, unless….by Part 4 readers understand why!)
Natia just remains a character who constantly is developing and changing inside my head - where I want her path to ultimately end up leading by the end of the fic, where I want both her mental head space vs emotional head space should be and etc. So many portions of this fic are dealt specifically on her internal monologue and how she calculates and problem solves from that portion of her sort of *engagement* within the conflict. There never seems to be a dull moment when writing her!
Another thing I really have enjoyed about writing Natia is her clashing personality traits that make her interesting to write in both different scenarios and reactions. She's stubborn yet humble. She's numb and cold but internally extremely caring and giving and filled with these bottled up emotions. She's mentally strong yet she's been through so much and let the war take so much. She never complains about what she's doing, but she's lost nearly everyone she loves. She's a fighter in this war and refuses to back down from a battle she know she can wage, but the second she is pulled from the aspect of war, things crash and burn around her. Just even these few combating sort of things, really show her character and what, through writing, has slowly developed! They always lay around in the back of my mind and it's one of the main things I remind myself when I write Natia all the tme.
I think one of the most important things I've learned from both writing and creating a character like Natia is that (1) it's okay to ask for help, about anything, literally anything. You don't have to confine everything to yourself and build up this immense pressure to do what you must to continue moving forward. It's okay to have people there to help you and support you. (2) It's okay to be strong alone and even if you seem to be the only one on the current path you're are on, it does not mean you are wrong. it can still lead to the right destination in the end!
Oooo okay! AGENT MORTEM!! I am totally down to chat about some things I've loved to write with him with and some challenges I've discovered, but as far as what I've learned from him, I will be holding off and could answer that when the entire fic is both completed and then updated on platforms....just because ;) don't want to give away any spoilers haha! <3
Something I've enjoyed about writing and crafting Agent Mortem is letting him remain as mysterious and secretive as he is for so long. Initially, I can't even begin to recall what his character would be like even a year ago, but seeing where he has developed now, I'm really happy with where he is. He's mysterious, he's shadowed, he seems like a figure in the background, a past mentor who is half deranged and lost his mind with a background with so substance. It makes for such a fascinating way to begin to reveal his past! (something I've began to insert into part 4 of Landslide and man I'm just so HYPE!)
I feel I'm excited simply because he's finally getting the time and moment he deserves to finally explain and show himself as to what has occurred. There's so many fractured and disconnected parts of what is currently going on with Natia and her connection to both Agent Mortem and then Death is tossed in the mix and it seems this big complicated mess of 'how' Agent Mortem got to be this way, 'why' he does a thing such as this, just different and varying aspects such as that. it makes for those big final reveals to all be even more worth it!
He has been quite the challenge though I will admit. There's so many perspectives he could quite possibly be viewed from and his *character* + morals/values could be pulled in a various amount of ways as well. Making sure he accurately comes across the way I want him to both appear and come across to the reader and to myself has definitely been tricky. He's not as easy as suspected, you know, not just a 'dude who had a bad day and went insane in the end', there's a whole multitude of levels and reasons and a deep, heavy and traumatizing background starting from his birth really (which is a whole other story). Managing and balancing that all in one has definitely been something I've had to keep on top of and monitor but I feel has really been worth the challenge in the end. Because at the end of the day, I'm someone looking to constantly challenge myself.
And a good challenge, whether it be writing or academics or a workout, is healthy and GOOD! That's what Landslide in a whole has really shown me, to challenge yourself daily to see where you can push yourself and your imagination and creativity, just to see where you can even go!! it's exciting and refreshing!
Thank you so much for this wonderful ask Rose! I appreciate it more than ANYTHING as you well know, and I know it's taken me *quite* some time to answer, but I've been working on it for weeks now and finally got it out because it was ready! I really wanted to take my time with it and develop it to its full potential in the end and I feel I have (without giving away any spoilers haha!) As always, please know if you have any further questions regarding Natia Filipska, Agent Mortem, Death (along with other characters of Landslide), writing, the process (my own included), tips for writing/planning, or just anything else in general, I will always be happy to help in anyway I can! You're always welcome, anyone always is!!! <3333 Thank you again, I had so much fun doing this more than anything! :D
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