When I say enemies to lovers, enemies means they both fight back against each other. Actively opposing one another. Actively fighting back, actively competing, one upping each other, swiping resources from under each other's noses, sabotaging one another, hitting back just as hard as the one who struck first. Tit for tat. An eye for an eye.
I like the phrase enemies to lovers more than rivals to lovers because rivals doesn't feel as serious to me. To be someone's enemy is a deeper thing imo.
To me, enemies to lovers is the one I hate who hates me just as much becomes bearable somehow. Hate eventually turns to love (there's usually a stage that looks somewhat like friendship in there).
Me liking enemies to lovers is about the transition from hate to love and exploring the thin line and how they slip over the line. And I like when they retain some of that competitive fire in the established relationship but there are ways in which the edges have softened.
Abuser x abused ≠ Enemies to lovers
That's something else entirely and doesn't sound fun. That sounds awful to try and portray as an actual romantic dynamic and not a commentary against/cautionary tale. This would hurt me to read.
Annoyance x the annoyed ≠ Enemies to lovers
Asshole x the one the asshole keeps bothering ≠ Enemies to lovers
Would potentially piss me off depending on how much the asshole doesn't respect the autonomy of the one they're pestering
Bully x bullied ≠ Enemies to lovers.
Not in the slightest. That is something else. These are all something else. I don't think bully x victim can be wholesome at all unless there's a helluva lot of repentance. Silent Voice style where the bully is filled with self loathing over their actions and works to better themselves. Even then, the weight of the bully's actions are still a raw wound.
Random rant I wanted to get out because I have a WIP where I want to tackle the enemies to lovers dynamic, but in the way that I consider to be enemies to lovers. The comments I see saying enemies to lovers is abusive annoy me. I feel like an enemy is respected, in some sense. If only for the danger that they pose or acknowledgement of their power and prowess.
Optimus Prime is Megatron's enemy, humans and the other Autobots are mere bugs and annoyances to him. An enemy must be on equal footing.
No power dynamics!!
Still exploring and working out kinks, but in my story, they're both college students in space and our earthling protag Killian accidentally insults Halite, an alien from a warrior/battle culture. She is the one to strike first and consider them enemies but Killian fights back. Enemies soften into rivals, tentative acknowledgment of their similarities, you're somewhat bearable to be around, to I feel like you understand me. They both have battlelust in their veins.
Edit: I should add my distinction between enemies and rivals.
A rival wants to be better than you. Is constantly trying to get ahead.
An enemy wants to be the agent of your downfall.
I think, in this way, an enemy can either be more sinister or serious than a rival would. Rivalry is fuelled by superiority/inferiority complexes/wanting to be better, the best.
Enemy(ship? hood?) Being enemies is about the emotion hatred. Hatred fuelled perhaps by the threat they pose or by one's enemy as a person. You and your enemy are like oil and water, unable to be mixed because you are so different.
But then you find out you're both liquids. You can both be poured. Both of you can be used to cook. Friends? Lovers?
And hatred has a lot of similarities to love. To the point where it would be called adjacent, while love's opposite is indifference. Because someone indifferent feels absolutely nothing for you, while love and hate are intense, passionate emotions.
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I wouldn’t mind hearing your thoughts on the reality tv fic research you’re doing, if you had any thoughts or observations you wanted to share, be they fic-related or otherwise 🌹
So the reality TV fic is really the first chapter/prologue of a longer fic that covers Jamie's reintegration into the team and developing friendship with Sam in the first half of season 2, while also having some complicated feelings about Amsterdam and his time on Lust Conquers All as Sam and Jan rope him into their effort to get the player auction during at the charity gala changed to something less terrible. While I don't necessarily think Jamie's experience on LCA was itself traumatic, the structure of reality dating shows might poke at some sore spots in a way he might not consciously register, same as the auction did in season 1.
Unhinged ramble on reality TV dating and how it might affect Jamie under the read more:
(My research was mainly focused on Love Island UK, the real-world equivalent of LCA; however, some of the rules, filming practices, ect. are based on industry norms that I don't know for 100% certain apply to this show)
There are some aspects of the reality TV experience that Jamie would likely be better equipped to handle than most contestants — while the producers do go out and scout people and I gather that some (or possibly most) of them are social media "micro-influencers," one of the main things they tend to struggle with is not only the sudden rise to fame and the volume of criticism that comes with it, but the fact that it's very temporary fame and they have to reintegrate into regular life and a regular job afterwards. Jamie struggles with depression after leaving LCA, but he clearly didn't put the same stock in it as a career move as most contestants do — his depression is tied to his football career (or rather, his temporary lack thereof) and his dad; LCA was primarily a way to get away from James rather than something he was invested in for its own merits or that he likely expected to have much of an impact on his life in the long term.
He also has an advantage when it comes to contract negotiations. Reality TV contracts are extremely extensive and typically involve the contestants waiving the right to sue in the event of... basically any kind of harm (emotional/psychological distress, injury, illness, death, ect), as well as their right to privacy — many shows specify that they have hidden cameras and microphones throughout the entire house, including areas like bedrooms and even bathrooms, and that they can use, edit, ect. anything they record however they want, including frankenbiting, ie cutting together snippets of audio to form sentences that the contestants never actually said — and their contact with the outside world, as contestants aren't allowed to keep their phones or go on social media. They also often tie the contestants to the production company for several months afterwards, which may involve doing public appearances or even restricting activities related to the show (this is less relevant for something like LCA, but American Idol season 2 contracts didn't let contestants sing anywhere outside the show, even at like. private gatherings with friends and family).
I imagine Jamie's contract would include a lot of these same rules, but unlike most contestants, he has an agent (even if we know the agent kind of sucks) who may have gotten him better terms. That being said, based on the way his agent talks about him going on LCA in 2x02, there is a distinct possibility that he signed on as an impulse decision and actually didn't have anyone look over the contract, so really whether or not he had an advantage here depends on how pre-meditated his decision was at the time. Another area where he has an advantage is purely demographic: he's a white man, and reality dating shows have a massive problem with racism and sexism that affects casting, how the contestants are framed once they're on the show, and even voting behaviour.
Prospective cast members undergo a very thorough vetting process that involves a background check, medical exam, psychological evaluation, and interviews with basically everyone they've ever talked to, it seems like. How effective the psych eval is in rooting out people who are likely to be negatively affected by the show is debatable — I read an interview with a former contestant on the Bachelor who said she suspects she was chosen because she was emotionally fragile after a recent breakup with her fiancé — and they seem to be more geared towards keeping people off the show who are likely to be physically violent with the other contestants. Jamie fits the profile of someone who might be chosen pretty well, actually: he's combative and has a big enough personality to be involved in drama, but he doesn't actually start physical fights.
Once contestants arrive, their belongings are searched for any contraband alcohol or drugs, as well as clothes with logos from non-sponsor brands. Shows generally don't allow them to keep their phones or other electronics — Love Island contestants have cellphones that they sometimes use to take pictures and where they instructions via text, but these don't appear to be their own personal phones. (Sometimes contestants appear to be posting on social media during the season, but it's actually someone else running their account.) They're also not allowed to leave the villa except on scheduled dates (some shows do allow the contestants out, but they have to ask permission first). This is... kind of creepy, honestly, but I suspect that with James being on Jamie's case the way he was after he came back to Manchester, the lack of contact with the outside world may have been part of what appealed to him.
Life in the villa is very regimented: two producers live there with them and the contestants are told when to eat and when to sleep. This is another area that Jamie might cope with better than the average contestant, since he'd be used to working with nutritionists and generally having many more aspects of his life than the general person planned out, and the dietary restrictions are likely less strict. While conversations aren't scripted, contestants are often told to go to a specific location and to have a conversation with a specific person about a specific topic, which produces the slightly odd effect that, especially in the first couple of episodes, they spent all their time analyzing their relationships/prospective relationships with people they just met and barely know. I suspect this might be part of why it's hard to build sustainable romantic relationships in this environment — obviously communicating about what everyone wants in a relationship is good, but it doesn't allow for the regular conversations that make up most of the process of getting to know and like another person.
Which brings us to: kayfabe. Kayfabe is a wrestling term which refers to the implicit agreement between wrestlers and their fans to act as though the staged performances are authentic. Part of what I suspected tripped Jamie up during his stint on LCA and got him kicked off is that he's... not great at this part. He'd probably have some form of PR training and he has experience doing brand deals, but ultimately footballers don't have to pretend they're doing anything other than trying to win. Reality dating contestants can't say that they're there to build their brand or win the cash prize; the only motivation they can publicly acknowledge (not contractually, just in terms of coming off well to the audience) is finding love, and I suspect that Jamie was maybe a bit more obvious than he should have been about the fact that he approached it as a competition more than as an opportunity to find a relationship, which I don't think he was actually interested in at that point (or at any point, for the aro Jamie truthers among us).
There's also a bit of a tension between the producers' putative goal of capturing authentic reactions and creating certain storylines. The result is that they try to elicit certain reactions during the talking head interviews without stating outright what they want the contestant to say, and I suspect Jamie and the producers would find each other frustrating to deal with given his blunt approach to social interaction and difficulty with subtext and other forms of indirect communication. Similarly, interactions between the contestants — particularly the contestants of opposite genders — are governed by a set of extremely heteronormative social norms in which the contestants reaffirm their relationships through by, for instance, acting jealous or worried when their current partner is talking to another person as a sign that they're serious about the relationship. In addition to just generally not being a sexist dick even in his prick era, he is, again, just not that great with subtext. Ultimately, I think Jamie attracts the public's ire because he's too obvious about the fact that he's approaching LCA as a game to be won — while viewers are generally aware that reality TV is constructed, the contestants acknowledging that damages their popularity.
And now onto the potentially triggering stuff. First up: the alcohol. Most reality dating shows involve a lot of drinking, although instances of light drinking (eg sipping on champaign, drinking beer on dates) are generally more common than heavy drinking like taking shots or the contestants being shown to be very drunk, though it does happen. Some shows have an open bar, while others control the consumption of alcohol more closely and only give the contestants one bottle at a time. Contestants on Love Island are often shown drinking (usually champaign, or at least something in champaign flutes) from what appears to be an open bar, but I'm not sure which approach they actually use. I've seen some former contestants (on The Bachelor, not Love Island) attribute the frequency with which everyone drinks to the fact that they don't really have anything to do besides interact with the other contestants, get involved in drama, and drink — they don't have personal electronics, obviously, but they also aren't allowed to bring books or other forms of entertainment. Jamie does drink in canon and he goes out clubbing with his teammates, but the consistency with which everyone is drinking and the potential pressure to drink more himself as a result might make it feel a bit more fraught, particularly if part of the reason he doesn't remember losing his virginity in Amsterdam is because James forced him to drink.
Second: consent in reality dating shows is... weird. Once they sign the contract and enter the villa, the contestants pushed — though not technically legally required — to engage in various forms of intimacy which in any other situation would be considered pretty clear violations of their consent. Couples are formed unilaterally: in the season of Love Island that I watched (season 8), the initial couples were chosen by the voting public, and couples are re-formed in ceremonies in which, for instance, a newly arrived man choses between the two single women and the one who isn't chosen is sent home (or vice versa). In essence, only one member of the couple (or neither, in the case of public voting) actually has a say in whether they want to be with the other person. These couples then sleep in the same bed (in a room they share with all the other contestants), and the challenges similarly often involve one contestant choosing another to kiss, offer a lap dance, demonstrate their favourite sexual position, or perform other forms of intimacy (these examples are all from the first challenge of the first episode of season 8). In essence, while the contestants could technically refuse, they probably also wouldn't be on the show for long, and the whole thing is very much built on the presumption of consent to these more "mild" forms of intimacy.
Other Things:
Part way through, the men are sent to a different villa where they meet a new set of women, while the women stay at the original villa and meet a new set of men. I imagine the Jamie cheating on Amy with Denise in a hot tub incident probably occurred during something like this.
For some reason the announcer always calls them "boys" and "girls." He does it for both genders so at least it's not sexist, but I still don't like it.
If you want to read more about consent in reality TV dating, I found this chapter very interesting: Sreyashi Mukherjee and Dacia Pajé, "'You Can't Force Someone to Want You': Investigating Consent, Tokenism, and Play in Reality Dating Shows," in The Forgotten Victims of Sexual Violence in Film, Television and New Media: Turning to the Margins, ed. Stephanie Patrick and Mythili Rajiva (Palgrave Macmillan) [tried to attach the pdf but I got it through institutional access from my university and it won't let me 😞)
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